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#thank you to all who recommended this book!
ineffectualdemon · 2 days
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I don't think authors or book sellers or even reviewers using fanfic/trope keywords like "Enemies to lovers" is bad
Because honestly? It's not new either
1. It's been a staple bit of marketing in Romance for decades ("Bodice Rippers"? Hello!?)
2. It's not that far off of where genre marketing was in the 90s and 2000s "Its another one of those Sword and Sorcery books"
3. People have always gravitated towards and recommended books based on story elements that they really like that don't necessarily tell you anything about the plot
"This book has time travel!" Was one of mine for a long time. I'm still going to read any old trash if there is even a whiff of time travel! And I will be excited and bring it up while recommending it even if it's not relevant to the plot or tell you anything about the genre of story
I am not alone about this!
"This one has vampires!" - vampire friend recommendation
"this one has cool battles!" - friend who likes battles
"this one is really funny!" - friend who likes comedy
I have rarely had anyone start a pitch with the plot ever in my whole life. They start with what they find fun or exciting
Then they will talk about the plot
Online you have less time and also it's an good short hand to get people's attention based on what story elements they love
We just have a lot more specific phrasing thanks to fanfic that helps them quick fire these things
An author or publisher using fanfic/trope style tags to promote their work are not failing by not leading with a plot synopsis. They are doing the equivalent of shouting their goods in the marketplace to attract customers
If someone came to me and said 'Hey, I think you might like this story. It's about time travelling bisexual robots" then I want to ask more questions and look it up and see the genre and plot summary
That two second sell is enough to get me intrigued which is the entire point and if I look at it more and see its say, horror, i might go "ah dang, not for me."
Which is fine
But I might go "hmmm I don't normally like horror but I do like time travel and bisexual robots" and give it a try. And I might not enjoy it but I am making an informed choice
Also with authors especially if you scroll down a little more or click the read more or spend longer than 2 seconds on the video they usually tell you more about the book
And if all you are getting is the literary equivalent of "Fish! Fresh Fish!' And NOTHING else
Maybe that's a reflection of where you are on the internet because where I am if I stop I hear about what kind of fish they have and how long ago they were caught and loads about how it was caught - you get what I mean?
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saintsenara · 2 days
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okay, I'm super curious about your thoughts on when and how snape becomes a potions master. some people say he was still working on his mastery when he became a professor but i like to think he got it in early 1980 and he apprenticed with a potions master he was recommended to through his ~connections~ (cough malfoy cough).
although the idea of him teaching and grieving and also attempting to not fail at the one thing he knows he's good at does have its own angsty appeal
thank you very much for the ask, anon!
although i regret to say that i'm going to start the answer to it by being very pedantic...
the idea that masteries are something which exist in the wizarding world is complete fanon.
they have emerged as a trope due to a reading of the phrase "potions master" which does make perfect sense outside of the cultural context in which the books were written - by which i mean that it makes readers unfamiliar with the culturally-specific meaning of this bit of language think of masters degrees or other high-level qualifications - but which is nonetheless incorrect within context.
"master" [and the feminine equivalent, "mistress"] is just an alternative term in british english for "teacher". it doesn't imply anything about a level of qualification. "potions master" and "potions teacher" are synonyms.
the term is archaic - british people nowadays would exclusively say "teacher" - and it's very class-specific, in that it would have particularly been used to describe teachers in elite schools, whether fee-paying private schools or grammar schools [state schools which are academically selective].
as a result, it turns up in lots of the children's literature written before c.1980 - especially in boarding-school stories like malory towers and the worst witch which are explicit influences on the harry potter series. it's used in the text - especially in the earlier books - as part of worldbuilding which generally seeks to make the wizarding world feel whimsical by virtue of being very old-fashioned, which things like the fact that the most advanced technology wizards use is the radio and the steam train also hammer home.
that snape is the only teacher referred to as a master is connected to these genre conventions. because snape is so important to the full arc of the story, he's the teacher we spend the most time in the classroom with throughout the six books in which harry's at school. and he's therefore the teacher who - in the first few books - best fits a children's literature archetype which we would expect to find in any twentieth-century school story [with a magical setting or not] - the hated schoolmaster who is horrible to the child-protagonist and who every child reading can't wait to see get their comeuppance.
so snape is a potions master because he teaches potions. nothing more than that.
but that doesn't mean that it's not worth thinking about his training...
clearly, higher education of the type most of us are familiar with doesn't exist in wizarding britain - nor, i suspect, in wizarding europe more broadly.
and this makes perfect sense - not only because the magical population is so small but because the divergence of the magical and muggle worlds in 1689 takes place well before universities and university-level education look like anything a modern student might recognise. a seventeenth-century university education was still broadly generalist and aimed at trainee clergy, and careers which we would nowadays expect to require a degree - such as law, finance, medicine, science, and engineering - were generally taught by apprenticeship.
this is clearly how things continue to function in the wizarding world of the 1990s, since we know from order of the phoenix that healers are taught by apprenticeship [and, indeed, that hogwarts graduates all go straight into the workforce after they leave school].
potions - since it's analogous to chemistry - is nonetheless understood in-world as an academic discipline. but this doesn't mean - within the post-school educational structures we can suppose the wizarding world has - that it's a discipline in which one needs specific formal training in order to acquire a right to teach or publish about it.
the seventeenth century was a period - especially in britain - marked by a great expansion of scientific enquiry. this was - by our contemporary understanding of academic science - amateur. scientists wouldn't have been expected to have doctorates, to work at universities, or even to have attended them, and their experiments were often self-funded by personal wealth or dependent on a patron. the circles [often international] in which they debated, demonstrated, and reviewed theories and inventions were social ones - the gatekeeping line was class [with the level of education - and, primarily, of literacy - that this implied], rather than level of education itself.
these social circles often had a certain level of official standing - by which i mean they became, during the period, the learned societies, the most famous of which is probably the royal society. membership [or fellowship] of the learned societies requires a demonstration of some sort of contribution to the discipline they relate to - which means that the vast majority of contemporary fellows of such societies are university-based academics. but this wouldn't have been the case in 1689.
and we know that the wizarding world has its own equivalent of learned societies, because slughorn mentions one in half-blood prince - the most extraordinary society of potioneers.
which is to say, snape is probably a member of this society. he may very well publish papers in academic journals connected to the subject [as dumbledore does in transfiguration today], and he undoubtedly has a reputation among the wizarding world's men- and women-of-letters. but he doesn't need to have any formal post-hogwarts qualification in order for him to have acquired this reputation.
so what do i think he's doing between 1978 and 1981?
well... he's a death eater.
my theory has always been that snape comes to voldemort's attention - via lucius malfoy - because of his potions skills. the dark lord's operation would have needed potions - poisons to bump off enemies, healing potions because wanted criminals can't just turn up at st mungo's, potions to trade on the black market [as aberforth dumbledore tells us the death eaters do during deathly hallows], and so on - and voldemort would want to keep the production of these potions in-house, rather than risk hiring a private brewer [even a shady one] who might change their mind and go to the aurors.
[this is also presumably what voldemort - undoubtedly at snape's request - tries to recruit lily to do.]
i have never believed that snape was taken on as a death eater in the expectation that he'd perform a combat role - there is a clear implication throughout the series that the only person he ever directly kills is dumbledore, and that he gets along badly with death eaters [such as bellatrix] who did take more violent roles in voldemort's terrorism.
so i presume that, when he leaves school, he ends up working as a personal brewer for voldemort - on a stipend presumably paid, at the dark lord's request, by either lucius or abraxas malfoy. i also presume that, outside of work voldemort specifically requests, he's given free reign to brew for other clients, study, experiment, and publish as he wishes.
and i further presume that if he trains with anyone, then that person is voldemort himself.
voldemort claims, in goblet of fire, to be interested in experimenting with potions. he appears to invent the potion made from nagini's venom which sustains his half-body prior to his resurrection - and i think the implication of the text is that he also invents the potion guarding the locket-horcrux. voldemort also evidently encourages snape's interest in the dark arts, and he also appears to have some influence over snape's comportment - the teen snape we see in order of the phoenix is extremely rough around the edges, in a way the adult snape, who both speaks and moves in canon very similarly to the adult voldemort, isn't.
voldemort taking such an interest in snape would - obviously - largely be a grooming tactic. snape clearly becomes a death eater because the organisation offers him a chance to belong and succeed which his class-background would ordinarily make impossible for him within wizarding society, and voldemort must therefore massively indulge his belief that he's never given the respect he deserves for his intellect. voldemort's obvious contempt for slughorn - who matters so little to him that he doesn't even bother to kill him - would, i imagine, also win snape round.
and by training snape in an academic rather than a combat sense, voldemort gains a valuable tool - someone he can place at hogwarts as a teacher to spy on dumbledore.
we can assume that voldemort was having dumbledore tailed throughout the first war - and, indeed, that this is what snape is doing when he overhears the prophecy - but that he couldn't watch him at all times because he didn't have a spy among the hogwarts faculty.
it is clearly voldemort who tells snape to apply for a teaching job in early 1980. he must also tell him to apply for the defence against the dark arts post [which we know snape canonically applied for first] - which means he must expect to be imminently victorious in the first war, since snape would only be able to stay in the position for a year...
the prophecy, which snape hears c. january 1980, obviously derails this belief slightly... and snape famously does not get the defence against the dark arts job for the 1980-1981 academic year.
how do we know this? because he tells us in order of the phoenix that he's been teaching at hogwarts for fourteen years. he says this right at the beginning of the autumn term in 1995 - so he clearly means that he's been teaching for fourteen previous academic years and the 1995-1996 year is his fifteenth. so... he started teaching at hogwarts in the 1981-1982 academic year.
voldemort settles on harry as the child the prophecy refers to after harry is born [so, after 31st july 1980]. we don't know how quickly he does this and we don't know exactly when snape defects to the order.
but, clearly, at some point during the 1980-1981 academic year, dumbledore hires snape to begin teaching from september 1981 onwards. he presumably tells snape to tell voldemort that his change of heart was because he didn't think snape was qualified to teach defence against the dark arts but that he does think he's qualified to teach potions [pointing, perhaps, to publications snape got out under voldemort's tutelage], and that slughorn's announcement that he intends to retire means that there's a position available. he then undoubtedly also tells snape to convince voldemort of the same pretence they'll use throughout the second war - that he's a loyal death eater passing information on dumbledore's movements to his master.
which is to say... when lily dies, snape has been in his job for at most nine weeks.
just imagine how miserable that must have been!
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imafictosexual2-0 · 1 year
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When I tell y’all I LOST IT when he called her by name, I’m not kidding. 😅
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hephaestuscrew · 1 month
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Thinking about the protective way Clara tells Fleet not to go into DeVries' dangerous-looking training set-up, and about how when Septimus mentions Fleet's friend Fleet's immediate assumption is that he must mean Clara, and about "This is Miss Clara Entwhistle, my partner - in business, my business partner." / "I'm also his friend, but he doesn't like to say it.", and about how Fleet rarely smiles but he smiles to himself at Clara having a good idea (and Clara notices the change in his expression), and about how Clara is trying to work out Fleet's birthday through a process of elimination, and about how Fleet tries twice to shut down the conversation with Frances Byrne that's making Clara uncomfortable, and about how panicked and angry he sounds after realising she's been poisoned...
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I'm piggybacking a bit off of the last ask of asking for writing tips but I have an odd question... Am I the only person that struggles actually PICKING a book? It's the absolute bane of my existence because I feel like I can be so picky... Don't get me wrong, I love being a bookworm, and I'm trying to get back into reading physical books but it's so difficult to find a real taste of what the book is like without being completely spoiled or something... I miss when backs of books had an actual summary and not just NO.1 NEW YORK BESTSELLER!!!! It's so frustrating... I've been trying to get back into it by re-reading fond chapter childhood books read to me (The Miraculous Journey of Edward Tulane & A Wrinkle In Time). But at the same time I'm also trying to get into more "adult" books that isn't... Well, you try googling "adult books" and see how that goes, I didn't think too hard about what a poor decision THAT was. But I'm working up the courage to read Cat's Cradle right now to start with "Classic Authors" I guess!
Anyway I'm rambling here, I guess my question is... How do you pick out the books you read? I don't really have friends that read many books to recommend to me :')
Thank you in advance, Bog! I hope you get a callback from that interview soon!
no ok actually you've mentioned something that's been bothering me for a while - What The Hell Do Y'all Mea, Books Don't Have Summaries Anymore???? i have not once in my life found a book that didn't have a summary. i was in barnes & noble recently and everything i looked at had a summary. i have literally never seen a book without one in my life of reading & looking at new books on a regular basis
softcovers have theirs on the back. hardcovers are on the inside of the sleeve - lift the cover and it should be printed right there on the inside flap! summaries aren't legally required but both the author and Especially the publisher(s) know that no one's gonna buy a book without a summary. trust me, all books worth reading have a summary. if a book doesn't have one, it's probably not worth your time anyway. you just gotta know where to look!
so my answer to how i choose books... i read the summary lmao. if it seems interesting, ill either write it down to get later or ill get it there and then.
Before the summary though, i look for any titles that jump out at me from the shelf. then i look at the thickness. i like a bit of meat in my literature, so i tend to shy away from thinner books. thicker ones grab my attention more easily. then i look at the cover - if it interests me, then ill read the summary. i don't have specific tastes in title or cover. as long as it makes my brain "hm" thoughtfully, ill take a gander!
and really, if you have access to a bookstore (chain or not, ive found plenty of bangers in tiny used bookshops) or library, the best way to find a book is to physically browse. even if you dont buy anything, you can take pictures of books / write them down to buy online. but going to the store lets you search them out, examine the length, cover, title, summary - and easily put it back on the shelf or keep it. i hate shopping online bc there's ads, you can't examine the product, nothing really stands out since it's all portrayed similarly, there's limited pictures instead of the physical thing, and photos can lie.
plus, everything is (typically) meticulously sorted by genre & age range. when you go into a section with literature aimed at adults, you'll find exactly that instead of smut novels lmao. real life bookstores can be more accurate than online searches. & there's just something so good about walking through shelves, searching for that one book before you know it exists, smelling the paper... yeah...
#like for example i recently bought priory of the orange tree#ive been wanting it for a while and havent read it yet since im finishing something else#BUT! i remember when i first saw it#nothing had gotten my attention for a while#but then i saw the thickest fucking book ive seen in ages - which was automatically very sexy of it#and then the title was unique - priory of the orange tree??? whoah! what the fuck does that mean!!!#so automatically there was the interest of neat title + a new word that i get to learn + the implications of the word now that i understand#and then i picked the book up and it was deliciously heavy - & there was a Dragon on the cover. which. YES PLEASE#then the summary was fascinating!! the book was immediately seared into my brain! im very excited to read it#so thats a highly successful example of my book choosing Process#it checked all of my boxes so it was a win#most books dont check all of my boxes but as long as it hits most of them im down to clown yk yk#but yeah im picky too so! nothing wrong with being picky or having high standards!#rambles from the bog#my shelves are fuckin Full of books ranging from 'it was ok' to 'I WILL RECOMMEND THIS TO ALL WHO WILL LISTEN'#and then i have a drawer filled with books that i just could not care less about / dont like#but dont have the heart to throw away bc. well putting a book in the trash kills a part of my soul#i need to donate them...#but yes! i hope that helps!#and Thank You! i hope i get a callback as well...
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curedeity · 9 months
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If you’ve got any, 17 for the fanfic ask?
17. Do you have any other writers or works that inspire you (i think that was the question i didnt copy paste)
Yes always and inspo is one of my favorite things to talk about!
One of my first writing inspirations was the Percy Jackson books, and that phase of my life still kind of influences the genres im interested in writing and the like. I read a lot more novels when i was younger so i remember having more distinct favorites back then. As for novels right now, Id say Kelly Barnhill is one of the bedt authors ive recently read. Her narrative style is quite captivating, her chapters are short, and there is always a slightly different progression than i imagine there being. Ive only finished "the girl who drank the moon" but i started both "iron-heart(ed?) violet" and "when women were dragons". I wish i still used goodreads so i could go theough a list of what books id read recently, but i wanna quickly mention ve schwab. Her books are hit or miss and not always the best but damn sometimes she puts out a banger, and when she tries she can have an impeccable narrative style that leaves me breathless. Sometimes i also like reading neil gaiman works. They both intrigue and inspire me somewhat but i dont think to the same extent other authors have
Now that was JUST novel inspos!
A lot of my main writing inspiration actually comes from podcasts. Welcome to Night Vale was a huge early writing inspiration for me, introducing me to a surreal style of writing that i love getting to develop. Wtnv and other productions by its team are often so stylish that it is impossible to not be inspored listening to them. I think wtnv and within the wires are my faborites on a writing level.
Cant forget the magnus archives, the narration is very slick and the interconnected plot growth so well done, along with really good and intriguing inpersonal dynamics that never failed to offer something intriguing. I never finished season 5 but i remember listening to just some of the first episodes and being awestruck at how stylish the writing was.
Then there is unwell podcast! One of my favorite pidcasts to discuss on a writing level, it has so many ups and downs, but one thing i will give it is having great character voices! There is not a single character that doesnt speak distinctly and the dialogue flows so well, being one of the best parts of the show. Id love to be able to write character voices as well as they do.
For tv shows now!
Madoka Magica has squickly become a huge writing inspiration for me. Honestly, more like the crown jewel of great writing. I cannot praise madoka magicas writing enough. Its thematic unravelling is so layered, its character writing gripping, its way of writing narrative parallels and foils impeccable, and just. God. Incredible. I cannot explain how much i want to be able to write on madoka magicas level. But madoka magica is the only show ill mention bc the other stuff i watch is often shit.
Uhhhhhhh for video games... i havent played that many yet sorry. While i love pokemon, it isnt a writing inspiration, and most games i play dont speqk to me like that.
And then comes the format thet is probably most applicable... fanfic...
Ill admit i read a lot of fanfic, but i dont actually think that many inspire me writing wise, so ill take a second and just focus on beyblade to say Val was my biggest inspiration to write beyblade fanfic in my fandom early days. I was inspired by some of the stuff she did, and especially some character dynamics (madoka and yuki) but realized i wanted to do incredibly different things. So i think her inspiration wasnt so much of "oh god i love this idea and characyers and synamic and plot" but just like, more of a realization of what i might be able to do with the characters as a whole?
Also wanna drop that Sadie has an impeccable writing style omg im literally eating it up i need it. Sadies art is also a huge inspiration for me to the surprise of no one who has seen Hikarus Adoption Agenda.
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fyodorkitkat · 1 year
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My personality flaw is despite having the largest backlog of recommendations ever I still keep adding to it.
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minarcana · 1 year
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i have been receiving and reading daily poetry emails for quite literally every day of my adult life. yet somehow every time i seek to compile collections of quotes for people, there is a solid 70% chance a line from andrei bely will creep in there, a man who normal english-speaking people have never heard of and who i obsessively read every single one of his works i get my hands on.
i feel like both of these are if not individual red flags, at least yellow ones, and they are both things that make me go "fucking of course you write urianger, you weird little fruit"
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theodore-lasso · 1 year
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Your anon is absolutely wild. I've seen this sort of morality policing happening in in other fandoms, but never in real-time. Like the full on audacity to spend *this* much time fighting back against a topic instead of just going "ew okay, not for me" is just????? And on top of that, much of the criticism coming from anonymous sources with commenting access removed? It all reeks of someone who needs to touch grass
Thank you ❤️ tbh I do think that the Vast Majority of people think this way like "eugh not for me" but the ones who don't are just very vocal. But I really appreciate this
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arthur-r · 2 years
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wait also more things. question for everybody. does anybody have books where people love each other and are happy. like friend love i’m not really looking for like a romance story or something where they’re like dating (or like that’s fine i just am not actively searching for that) i just need books where there are people who care about each other and there can be problems that happen but i need them to not have to do with the characters and them loving each other. example of a book that does not pass that test is the song of achilles because they love each other but then they are like damp wood that won’t light. example of a book that would work i can’t think of any. i need a book where the characters end up okay and they also love each other. like to be the antithesis to my parents. thanks in advance
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inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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usurpator · 1 year
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This was simultaneously one of the worst and best reading experiences of my life
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#Fuck the author but honestly. Very interestingly written#I want to recommend this but also I don't know who I would even recommend this to. I don't want to name the title or author in the post too#Because a bunch of the people in the tags I saw were very weird about the author and his works#Reading this sort of ruined my life but also gave me a lot of self reflection opportunities so thank you I guess#It took me almost 2 months to finish because I refused to read it at certain points lmao#It's so strange because I partly want to share my thoughts on it but at the same time I know that I can't#Beside my usual hesitations when posting or sending genuinely anything at all#I can't possibly make people truly understand what I think about it without sounding like the edgiest mf on this planet#I'm doubting even if it was a good book at all maybe it's just because I'm in a weird place. And I let it affect me way too much#Or rather I'm doubting my own judgment on it all. Maybe I will write something here later about it or I will start some blog about books#As in on another website lmao#A lot of this probably isn't well worded I have a killing headache and I just got done with the book. I'm a bit confused myself#Thanks for reading this way too long bs with no real point whatsoever#If you read this book and got something out of it. Feel free to talk to me about it I'll be normal#Or even if you didn't get anything out of it. I don't know anyone else personally who has read this book#Yve's Thoughts.
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coryosbaby · 4 months
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Mascara || T. Riddle
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Fandom: ‘Harry Potter’
Pairing: Young! Tom Riddle x fem! Ravenclaw! Reader
。.。 ♡ Content warning . Public sex, praise & degradation, cum play, sub! Reader, dom! Tom
Notes: set in modern day Hogwarts. I never thought i’d want to fuck Voldemort but here we are.
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Your feet patter softly against the tile floors of Hogwarts, a book clutched tightly in your arms as you make your way towards the school’s library. It’s a rainy night, incredibly quiet and empty. The other students are at dinner, and you’ve decided to skip out to study for your OWLs. When you open the big wooden doors to the library, the smell of printed ink and old pages invites you further in.
The first thing you notice, when you close the doors behind you and take sight of the room, is that the librarian, Madam Pince, is no where to be found. She must be on her break.
The second thing you notice is the boy sitting in the darkest corner of the room.
You know of the familiar brunette— of course you do. Who wouldn’t? Tom Riddle is a popular slytherin well known for his cunningness, his intelligence, his ability to speak native tongues— and sometimes, his temper. A ravenclaw yourself, you try to steer clear of him. Slytherins usually don’t take politely to anyone outside of their house. Not to mention the fact that you scored the top of your class, with him coming in close second. You suspect that he hates you for that.
He catches your gaze, brown eyes with the resemblance of a serpent. He looks back down at his book, seeming bored.
You let out a breath of air.
You slide your book into the return bin, timidly moving to the shelf about Potions. Snape has been really hassling you lately on your grades, and you really need to turn your B+ into a perfect A. Your fingertips skim over the leathered binds, reading title after title. A voice behind you makes you jump.
“If you’re studying for Snape’s final, I’d recommend ‘Advanced Potion Making’. It will tell you all you need to know.”
His voice is an angelic lilt, though you know that is not in any way what he resembles. The fact that he’s helping you stumps you into utter confusion, and heat creeps up your neck. You nod to him as you begin searching for the book.
To no avail. Your eyes search every bind, every word, but your focus has been diluted because of Tom speaking to you. He sighs, almost annoyed.
He appears beside you, much to your surprise. You nervously bite your lip as he finds the exact book he recommended and pushes it into your hands.
“Chapter nine. I would’ve thought a girl of your ranking in our class would know this already.”
Your brows furrow, embarrassment coursing through you as he sits back down and resumes his tasks. You nervously fumble with the book.
“Thank you.” You reply, because you had been taught proper manners. He scoffs, flicking through the pages of his book. You can’t read the title, though the cover is quite off put ish and dark. Perhaps he had snuck into the restricted section.
“Don’t.”
You frown, though your mind is peaking with curiosity. He seems rude, but he was trying to help you. Maybe there’s something nice under there, after all. Your body is stiff as you sit across from him at the table, silently pleading to God that the boy across from you won’t put a nasty hex on you.
“You don’t have to be rude, you know.”
It slips out of your lips, quiet and unsure. Tom’s eyes narrow at you.
“And as well as that, you don’t have to sit across from me.”
“Perhaps I want to. Perhaps you need a friend.”
“A friend?” He chuckles dryly, his gaze travelling down to your robes. You try to ignore the heat creeping between your legs. “We aren’t going to be friends.”
His insinuation is thick, dangerous. Your heart pounds out of your chest at this unexpected turn of your study hour. You gulp, looking down at the pages.
“Very well then. But since I’ve already sat down, I might as well continue my book here.”
“Or we could continue this conversation in my dorm room.”
He says it smoothly, with no fear or utmost insecurity.
“What?” You blanch, stuttering on your syllables. Tom smirks.
“A smart girl like you, and you can’t even comprehend a single sentence,” he says, his body beginning to move out of his chair. “‘S pathetic, really…”
You breath hitches as his tall form towers over you. Your fingertips grasp the sides of your chair as he leans in close.
“Tom,” you start, warningly. He quirks a brow.
“No?” He questions, and then after a moment, staring into your doe eyes, it dawns on him. His mouth forms into a grin. “Oh, you want it here, don’t you? You want it right here.”
His lips brush just inches over your pouty lips, and you wonder how in the hell you got into this situation and why this slytherin boy is making such a sudden move on you. But knowing Tom, it’s probably out of boredom. Out of the desire for a hook up.
You don’t mind it. Not really, not anymore, because all your protests are ripped away from you when he presses his lips to yours. It’s not tender or sweet, it’s full of sharp teeth and unfiltered lust. His hands rest on your chin, gripping your head so you can’t escape his kiss— can’t escape him.
Your tongue is about to graze his lips when he pulls away. His fingers grasp your shoulder and pull you up to your feet. You stumble, your legs shaky from just a couple of kisses. You gasp when he spins you around and presses your face against one of the nearest bookshelves. His big hands wrap around your wrists and hold them behind your back.
“I don’t want to hear any complaints from you. Do you understand me?” He whispers, his hands reaching down to lift up your robes. “If I do, I’ll leave you here drenched, your clothes gone, with your holes freshly fucked and on display for the entire school to see. Do you understand me?”
You nod instantly. You know that these aren’t empty threats; when Tom says he’s going to do something, he’ll do it.
When he pulls up your robes, taking in the sight of your pretty pink thong, he lets out a sharp breath.
“Prepared, weren’t you?”
You let out a whine, knowing that no, this wasn’t intentional. Tom just caught you on a specific type of day. But looking on it now, maybe the universe was being in your favor when you decided to pick out the flimsy undergarment.
Tom slips the hem of your robes into your hands.
“Hold it.” He commands, and you’re quick to comply.
His hardness presses against you, clothed still but his robes are lifted so he can rut against you in his briefs. It isn’t long before he’s pulling them down past his thighs, his cock sprinting up into the air as he places himself against you once again. You can’t help but drip with need, canting your hips back against him. His cock presses in between the seam of your ass, and you rub against him like a bitch in heat.
And just like a bitch in heat, you purr.
“Tommy..” you let out, and his grip on your hips tighten. “Please?”
He scoffs at the nickname, though his bottom lip is caught roughly between his teeth and he’s trying to contain himself. He wraps his hand around his awaiting length, parts your thighs with the other, and slides his dick up against your throughly aroused pussy.
He’s warm, sticky. You wish you could’ve seen him before this, seen that thing that feels oh so heavy between your legs, but it’ll have to wait. Hopefully, there will be a next time.
When he slides in, it stretches you obscenely. This isn’t your first time, but there’s a burning sensation as he enters you. He’s got the perfect amount of thickness and length to pull a moan deep from your throat.
He doesn’t start slow. His hips smack against yours at a rapid pace, small grunts leaving his silky lips as he uses you like a common whore. Your hands grip your robes and the bookshelf at the same time, trying to keep steady as Tom fills you to the brim. He noses along your jaw and leaves wet, open kisses there. You mewl when he bites down harshly and sucks a mark into your skin.
“Such a tight little cunt you have,” Tom breathes, his fingertips bruising your hips. “Look at you, such a slut for my cock. Does it feel good? Tell me, tell me how it feels.”
Your thighs squeeze him, your mouth gaping open in utter ecstasy. Your words are caught in your throat, but Tom is quick to force them out of you with a spank to your ass. You moan, your forehead pressing against the bookshelf’s wooden edge.
“Yes! Yes, it feels so good…” you slur, entranced by the spice of his cologne and the feeling of his girthy length splitting you open. He grunts, bucking his hips into you with vigor.
“And I bet it’s the best you’ve had, isn’t it? All those other boys can’t do it for you. I’m the only one that fucks you this good.”
It’s true, and when his cockhead hits a spot deep inside you that has you keening, your legs quiver and your brain turns to jelly. Tom’s fingers place themselves around your neck and squeeze so hard that your vision blurs at the edges, and you’re enthralled by the fear that courses through your veins. He’s playing your life in his hands like it’s a shiny new toy.
He fucks you like a madman as you gasp and beg for air. Tears spill out of your eyes, salty and wet and Tom takes notice.
“Crying?” He sneers, pounding you so hard that you’re sure the bookshelf will leave bruises as it presses against you. “You’re pathetic. A pathetic, filthy little girl.”
“Mmmhhh..” you cry out. Your eyes roll back as you utter incoherent sounds. He growls.
“Do you want me to cum inside you?” And then, with a harsh grip on your hair, “I want to hear you say it. Beg me. Beg me to fill you, whore.”
Your eyes shut tight, and your hands clasp around his wrists as he loosens his grip on your throat.
“Please,” your voice is a gasp as you finally get oxygen unto your system. “Please, Tom, f-fill me up. Cum inside me.”
A small, throaty groan escapes his lips, and with one last desperate thrust he’s spilling balls deep inside your drooling cunt. His cum spills over the cusp of your used entrance, and when he’s done fucking it into you he pulls out with a sharp exhale.
You can feel his cum spill out of your raw fucked hole, the creamy fluid dribbling down your thigh and dripping onto the carpet below. Your clit throbs mercilessly, still devoid of any attention, but Tom is quick to put a stop to that. He drops to his knees, then, and it’s a surprising gesture that you didn’t expect. He doesn’t seem like the type to get on his knees for anyone, let alone you. But his tongue lolls out of his mouth as he spreads your knees and catches his cum into his awaiting mouth. He licks up your hole, circling your clit with practiced precision. You let out a guttural sound when you hear the obscene noises of the cum spilling out of you, along with Tom’s mouth slurping at your cunt vigorously. He works at you over and over, and you clench when you feel yourself nearing your high. It’s almost embarrassingly quick, but you’ve been denied so long that you need to do it and you need to do it now.
“I’m going to…” you gasp out, as he rubs circles into your clit. He lets out a loud grunt against you, his mouth working harder. “I’m cumming—god, I’m cumming!”
Your orgasm washes over you, hits you like a tidal wave in the middle of an incredibly large ocean. Tom works his tongue and lets you ride out your high, and he sighs and pulls away from your pussy when you come down.
He’s gathered enough arousal to fill his mouth generously, and he kisses you flat on the lips. His tongue slides against yours and you can taste your shared arousal on him. You whimper, licking desperately at his salty spend, and it’s messy and sloppy and absolutely depraved. His teeth nip at you as you swallow it all down.
You’re dizzy, on shaky legs. You turn around, finally getting to see Tom’s face coated in your slick and his cum. He grins at you, and something twists in your gut so primal you feel you might burst.
“Better get to studying, Miss Y/L/N,” he says. “It’d be a shame if this missed study session made you fail your OWLs.”
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imafictosexual2-0 · 1 year
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I’m one chapter in and I am HOOKED… for the plot of course.. not the beauty of man that is Lancelot or anything. 👀😅
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mee-op · 9 months
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Facts about in-game Yuu (Twisted Wonderland):
NOTES:
This is an ongoing list and will be updated with new information. I'm not caught up w/ chap 6 and I'm not very perceptive. This list is so long because of all the people who commented/sent asks, so thank you Last but not least, some of these might be a stretch/be slightly incorrect so bare w/ me plz :] More Yuu facts [ ONE / TWO ] <- not mine
They've been good friends with Heartslabyul ever since Book 1.
They're forgiving/don't hold any bad blood with the people who've overblotted (at least on the outside).
According to the Harveston event, they can play the flute.
They don't like mentioning that they might return to their world (Deuce's Wishing Star vignette).
Many people consider them a "goody-two-shoes" (Leona, Ruggie).
A good listener.
Based on Malleus' interactions with them, Yuu talks to him a lot more off-screen as he states that he values their opinions.
Loves Grim to hell and back.
It's implied that Yuu invites Malleus over frequently enough that he visits unprompted.
They can be snarky and brutally honest when they're pushed into it.
Comes up with stupid plans that nobody believes will work but it somehow does.
They're insecure about not having any magic.
They want to be able to help their friends.
Has a sense of self-preservation.
Does not actively seek out danger (*cough* om mc *cough*).
They've cleaned up Ramshackle since living there, however, it still looks "abandoned & ancient" on the outside.
Crowley doesn't give them more money than "needed".
Silver states that Yuu is good with swords (PE Uniform).
Both Jamil and Silver seem to think that Yuu is somewhat weird/strange.
They don't know much about mushrooms (Floyd's Camp Vargas vignette).
They're very patient.
Used to be afraid of ghosts until they got to Twisted Wonderland.
They adapt to new/difficult situations quickly and calmly.
They don't complain much.
Very much so the silent type.
The audience doesn't really see anyone helping them out with their situation, so I assume they fix most of their problems themselves.
They don't have any memories of the Great Seven before coming to Twisted Wonderland.
Fluctuates between being observant and not noticing really basic stuff.
Doesn't hesitate to say cheesy things.
Keeps calm in harsh situations.
They know how to play a blowing horn (White Rabbit Event).
Good with instruments.
Not a very good singer (NRC Uniform).
It's implied that they have high stamina.
They're interested in horseback riding and wants to play soccer with Sebek (PE Uniform).
They recommend a few books to Sebek, implying that they read in their free time.
They're short in comparison to Floyd (he calls them Shrimpy).
Grim comments that they're shorter than Vil.
Crowley mumbles that Yuu looks effeminate.
They're a bit of a romantic since they seem to often ask about love stories/fairy tales (Epel & Jade chats).
They have a habit of poking, tugging, tickling and just touching people in general. This is proven through the Home Screen character interactions.
Their love language seems to be physical touch.
They get scared easily but is bad at scaring others (Halloween voice lines).
Vil notes that their uniform is baggy.
Malleus says that Yuu has gotten better at dancing (Masquerade Event).
It's implied that Yuu is good/decent at cooking since they have to make meals for both themself and Grim every day.
Yuu is decent at basketball (Ace Halloween).
Deuce remarks about a tiny piece of furniture in Ramshackle and asks if it's for Grim, meaning Yuu makes small furniture for him.
They're a good photographer.
Takes part in photography competitions (Rook Port Fest).
It's implied that Yuu carries their ghost camera everywhere because Crowley constantly makes them record events.
It's said that the game cards are actual photos that Yuu took with the ghost camera. [I don't know if this is true but a lot of people have said so]
Most, if not all the characters tell Yuu to hurry up when choosing a class, which suggests that they're indecisive.
Ace, Deuce and Cater tell Yuu to relax during classes or else they'll run out of energy.
Jack says that he got tips from Yuu while he was working in Monstro Lounge, implying that Yuu might've worked in customer service before (Book 3).
According to Grim, they have a hard time saying no to people, but when they absolutely need to-- they're very serious and a bit intimidating. "You're a real sap sometimes, you know that? Then again, when you bare your teeth it's no joke."
While they won't say no to helping others, they prefer to keep to themselves and avoid drama.
Yuu is sometimes a bit distrustful of Ace and thinks he's tricking them if he offers to do anything nice (2024 Player Birthday Greetings).
It doesn't take much to make them happy. (Deuce & Idia 2024 Player Birthday Greetings).
They became nervous when Riddle invited them to a salon for their birthday. Riddle response saying "I'll be right there with you, and will instruct you in etiquette every step of the way."
They're competitive in class-- at least when it comes to Jack (2024 Player Birthday Greetings).
They took chess lessons to try and beat Leona in a match (2024 Player Birthday Greetings).
For their birthday, Yuu asks Azul to get something that's supposedly hard for an average collector to acquire.
They're surprised when Kalim gifts them a pop-up card for their birthday.
They own a pair of fingerless gloves (gifted by Epel).
They personally invited Vil over for their birthday party and made sure to have healthy food options for him.
Not very close with Idia.
Owns a glass tumbler that reads 'Happy Birthday!' (gifted by Ortho).
Lilia gives them a CD with his screamo performances.
They were gifted so many presents on their birthday that they had trouble carrying the gifts around. (Malleus 2024 Player Birthday Greetings).
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cassiopeiasdaughter · 8 months
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Hiiii pretty star,
Me again.
📝Can I get a little something with Theo and the prompt cuddles after being touch starved? I feel that with his mother gone and his father being who he is, Theodore deserves all the love and snuggles in this world. Thank you 🤍
"My house of stone, your ivy grows, and now I'm covered in you"
Theodore Nott, despite popular belief -mostly his-, was easy to love. Your relationship was still fresh, you two were slowly getting to know eachother; favorite hobbies, habits. And most importantly, each-others love language. 
Your favorite way to love someone is by touching them. Kisses, holding hands, looping your arm around them, playing with their hair; that is how you show love, and it is how you show Theo you love him.
He however is not used to that. You had suspected so one day, when you two were walking, casually talking to eachother about your day; out of habit you grabbed Theos hand, lacing your fingers together. His hand tensed at first, as if he was entirely unfamiliar with this feeling, and lost his train of thought, mumbling words and excuses until he grew used to your touch and picked up the conversation from where he left it.
Your suspicion was confirmed one night. You were tired and stressed; homework was piling up, quidditch practice was more constant and you had taken up way too many extracurricular activities. You ran straight to Theos dorm, needing the comfort of his presence to ground you, calm you, help you recharge your energy and get ready for the days to come. 
You found him in his bed, with a book you had recommended to him, in his hands. You quickly walked towards him and he greeted you, lifting his eyes from the pages, “Hello.”, he said with smile “Hi.”, you mumbled back, way too tired to pretend you weren’t. 
“What’s wrong?” He asked as you changed out of your clothes and into an old sweatshirt of his. 
“Exhausting day. Exhausting week.”, you replied with a deep sigh and then settled next to him in his bed.
You rested your head in the crook of his neck and looped your arm around his shoulder, breathing him in “I want to stay here forever.” , you mumbled with your eyes closed.
But, instead of a kiss on your forehead or his arm hugging your back you felt him grow tense and his heart beating really fast against his ribcage. You raised your head worried, and looked at his face “I- am I crashing you?”
“Ah- no…no, this is new to me, that's all.”, he quickly said nervously
“Oh, I am sorry, I didn’t think-“, you exclaimed and moved your body off to give him space.
He stopped you, quickly and guided you back in his arms, “No, don’t go, I like it.” he whispered in your hair. His body was more comfortable now, moulding into yours, his muscles weren’t tense anymore and his limbs shifted to keep you close to him.
“Stay.”, he whispered in your hair and you let yourself close your eyes, and drift off, finally able to relax, in the arms of the person you craved all week.
After that night he simply couldn’t let you go. His hand is always clasped in yours, or settled in the small of your back or around your shoulders. He kisses your forehead goodnight and greets you with a peck on the lips every morning. And his favorite; whenever life feels heavy, he will lay on your chest and let you play with his hair, causing him to forget all his troubles.
He is learning how to love and be loved and his favorite thing is that he is learning with you.
fin 🤎
celebrate my academic hardships & Theodore Nott masterlist
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