The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack
Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL
Spoilers under the read-more; TL;DR at the end :'^D
To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long
Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.
Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.
Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.
I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting
In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.
Section B sings these lyrics:
Break it, break it,
Break it open!
Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.
In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.
So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:
A:
Sting it, sting it, sting it!
Sting it, sting it, sting it in the flesh!
Bridge:
I don't understand!
It brings more disease!
B:
Break it, break it,
Break it open!
(Disillusion)
Bridge:
Sting it, sting it!
Sting it in the flesh!
C:
Who's dreaming?
Who's the [???]
It's a vision[?]!
TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.
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you wanna know what my thing is about the jury? well too bad, i’m gonna tell you anyway.
two words: elitism and subjectivity
so, the point of the jury is that they (supposedly) have more music knowledge and therefore are better and more impartial judges of music, right? (i mean… we know that’s bullshit but that’s the design)
well here’s the thing. like most art forms, music is subjective, meaning what someone thinks about a song is influenced by their own taste, opinions, and feelings. this doesn’t magically disappear once you learn… i dunno, how time signatures work, for example. someone with music knowledge would be able to hear a song with something musically neat in it and go “hey, that’s neat” but ultimately that doesn’t change if the sound of the song lines up with their own taste.
(and as someone with a music degree, lemme tell you, having music knowledge doesn’t make a listening experience any more helpful or enjoyable.)
so, in our eurovision setting, where the entire point of the contest is to rank songs and crown a winner based on what is the most universally liked, and everybody voting (including our beloved juries) has their own opinions and biases about music and what is appealing to them, why are juries held as these objective elites with The Facts of what good music is? why are the opinions of 5 people who can maybe acknowledge a cool drum pattern worth the same as the opinions of the rest of a country’s over-18 population?
because they’re more impartial? sure jan.
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I saw a lot of discussion last night on whether or not ASOIAF ends with the death of Daenerys. And I can see that happening, maybe not the way it does in the show because that was a very rushed and poorly written scenario, but if it happens it happens and I won’t be mad about it.
HOWEVER
I can also see the evidence building up to see the series ending with Daenerys on the throne.
I think it was GrayArea on YT who said something once about how GRRM holds to the adage from Mark Twain that says “History doesn’t repeat itself, but it does rhyme.” And everything we see throughout the Targaryen dynasty, male heirs are always being put before female heirs. Everything we see that happens in the Dance.
Even in the show quote from Princess Rhaenys: “Men would rather put the realm to the torch than to see a woman ascend the Iron Throne.” (Which carries more weight and impact if this ultimately ends with a Targaryen Queen ruling.)
And while we do know that she isn’t the only Targaryen left in the world, Daenerys is the Prince that was Promised, Daenerys is their legacy.
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7 (If your OC had to cosplay as a fictional character, who would they choose) for Magnetophone!
No idea how 'fictional' this question is meaning (i.e. fictional character in GENERAL or fictional character to them....?!) but I guess I'll go with fictional (to them) characters cos theres a couple.
The first one, and he's probably done this before to be honest, is Fortune 500, who looks like this (designed by @/dr9com9ge-ix):
He's this pretty universally-known tailmic "show host" of a show also called Fortune 500 which is mainly a comedy show but to the tune of that one "its illegal to say" skit you know? anyway it's popular with people like Maggie so of course Maggie would cosplay it. Maybe I'll come back and like draw it or something if I can figure out what the REST OF THE OUTFIT WOULD LOOK LIKE... beyond a mask
there's the second one, the half made-up "Sun God" (half in the way that, in the source material, there IS a sun god called the sun god, but the one that people talk about is this one they made up to make fun of the religious fanatic... fans. Of this other god-related TV show. I could explain more but it's like... off-topic? for this? I think?). not that I've got any cool PROPER images or anything I just wanted to say that
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