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#the argonautica
dilfaeneas · 16 days
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The argonauts are fightingggg and they haven't even set off yet!
"So he spoke, but Idas son of Aphareus burst into laughter and with scorn in his eyes he replied abusively:
'Come now! Tell me this through your prophetic skill: will the gods destroy me in the way your father bestowed the destruction upon the Aloiadai? Take thought for how you will escape my hands if you are found to have uttered empty prophecies!'
So he attacked him angrily and the quarrel would have gone further had not the son of Aison himself restrained their dispute with words of rebuke. Moreover Orpheus took up his lyre in his left hand and began to sing.
- Jason and the Golden Fleece, Book 1 lines 486-494, Apollonius of Rhodes as Translated by Richard Hunter.
Idas really said chat shit get hit. Atalanta is not present in this translation but I simply want her there.
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doob-or-something · 22 days
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hypothetically could any of the Argonauts have looked after baby Achilles and/or baby Odysseus at some point or another? Like could Herakles or Orpheus or whatever have met them as babies? I just find the idea of these legendary heroes unintentionally training the next generation as so heartwarming
(Also I really wanna paint Orpheus and Achilles playing the lyre and wanna know if that COULD’VE happened at any point)
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Propaganda under the cut.
Jasnah Kholin:
She was a teacher to another protagonist and took a practical approach to the philosophy lesson by baiting some murderers into threatening them and then proceeds to kill them by turning them into fire. She is a brilliant scholar, and a proud athiest in a very religious world. When fighting a war she argues that they shouldn't negotiate with the enemy but that they must all be killed (not just the men but the women and the children). She also becomes queen and one of her first acts is ending slavery.
Medea:
Only helps Jason if he agrees to marry her, so she's a girlboss because she can defend a mean bargain. She's Jason's gf but also she dismembers people <333
Miscellaneous Myths: Medea
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padfoot-lupin77 · 3 months
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My villain origin story is that Hylas and Atalanta are the most underrated argonauts so much that I didn’t know about them until very recently despite being into Greek mythology since I was five years old. Every book went “and all known heroes joined like Heracles and Orpheus and the twins winged sons of Boreas” FUCK the flying kids why did no one tell me about pretty boy Hylas who had the no. 1 Greek hero Heracles crazy over him or absolute badass queen Atalanta who hunted alone and took shit from no one?
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Broke: Herakles couldn’t stay with the Argonauts the whole way because he was too experienced and powerful a hero and would have solved all their problems in minutes.
Woke: Herakles couldn’t stay with the Argonauts the whole way because Jason was favored by Hera and she despised Herakles with a fiery passion.
Bespoke: Herakles couldn’t stay with the Argonauts the whole way because he would have taken one look at Hera brainwashing another person into destroying their family, Medea, and shut that shit down immediately.
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corvidonia · 2 months
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how many fucking queers were there on that boat.
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geekysteven · 1 year
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Actually your boyfriend is only "Jason" if he's from the Jason region of Greece, otherwise he's just a sparkling argonaut
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blueheartbookclub · 3 months
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"Navigating the Celestial Odyssey: Apollonius Rhodius' 'The Argonautica' in the Lyrical Rhythms of R. C. Seaton's Translation"
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"The Argonautica" by Apollonius Rhodius, elegantly translated by R. C. Seaton, emerges as a literary gem that weaves the tale of the heroic quest for the Golden Fleece into the fabric of ancient Greek epic poetry. This classical masterpiece, written in the third century BCE, invites readers into the mythical world of heroes, gods, and maritime adventures. The title itself hints at the epic journey undertaken by the Argonauts and the rich tapestry of myths that unfold in Seaton's poetic rendering.
Seaton's translation captures the spirit of Apollonius Rhodius' original work, breathing life into the archaic verses while maintaining fidelity to the poetic essence of the ancient Greek epic. The title serves as a prelude to an odyssey that transcends mortal realms, navigating the cosmic expanse and the turbulent seas that define the Argonauts' quest. Seaton's lyrical craftsmanship transforms the narrative into a symphony of words, each stanza resonating with the echoes of antiquity.
At the core of "The Argonautica" is the heroic journey of Jason and his companions, the Argonauts, as they embark on a perilous expedition to retrieve the Golden Fleece. Seaton's translation masterfully conveys the heroism, camaraderie, and divine interventions that characterize this mythic voyage. The title acts as a compass, guiding readers through the labyrinthine narratives that unfold in the wake of the Argo's sails.
One of the notable features of Seaton's translation is his ability to preserve the nuances of Apollonius Rhodius' language, allowing readers to savor the intricacies of the poet's narrative technique. The title becomes a doorway to the ancient Greek world, beckoning readers to immerse themselves in the vibrant imagery, divine interventions, and the cosmic forces that shape the destiny of the Argonauts.
The multifaceted characters of "The Argonautica" come alive in Seaton's translation, each imbued with distinct personalities and motivations. From Jason's quest for glory to Medea's complex role as both lover and sorceress, the title encapsulates the ensemble of characters whose fates intertwine amidst the celestial currents. Seaton's translation skillfully navigates the emotional depths of these characters, breathing humanity into the larger-than-life figures of Greek mythology.
As the Argonauts encounter mythical beings, face treacherous challenges, and traverse uncharted waters, Seaton's translation maintains a delicate balance between the epic and the lyrical. The title becomes a beacon, illuminating the narrative twists and turns that mirror the celestial constellations guiding the Argo through the cosmos. Seaton's poetic rendering captures the awe-inspiring beauty and perilous nature of the ancient mariner's journey.
"The Argonautica" is not merely an adventure tale; it is a tapestry of myths interwoven with themes of destiny, love, and divine intervention. Seaton's translation accentuates the nuanced connections between mortal aspirations and the whims of the gods. The title beckons readers to explore the mythic undercurrents that flow beneath the surface of the narrative, inviting contemplation on the intersection of mortal agency and divine influence.
In conclusion, R. C. Seaton's translation of Apollonius Rhodius' "The Argonautica" is a poetic voyage that resonates with the majesty of ancient Greek epic storytelling. The title encapsulates the essence of this celestial odyssey, promising readers an immersion into the mythical realms that have captivated audiences for centuries. Seaton's lyrical prowess breathes new life into the age-old verses, ensuring that the adventures of the Argonauts continue to inspire awe and wonder in the hearts of contemporary readers.
"The Argonautica" by Apollonius Rhodius is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.
Number of pages: 219
Language: English
Rating: 9/10                                           
Link of the book!
Review By: King's Cat
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ceratinus · 5 months
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Medea and Jason "I'm the cunt you married" gone girl scene
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ciceroniantrash · 5 months
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some memes from my semester with Apollonius
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astolfocinema · 1 year
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Jason and the Argonauts (1963) ______________ dir. Don Chaffey cin. Wilkie Cooper cou. USA - UK
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dilfaeneas · 12 days
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Jason needs encouragement every five minutes, this is Peleus' turn.
Particularly inspired by this moment of Jason needing encouragement:
"As it is I am in constant terror and my burdens are unendurable; I loathe sailing in our ship over the chill paths of the sea, and I loathe our stops on dry land, for all around are our enemies. Ever since you all first assembled for my sake, I have endured a ceaseless round of painful nights and days, for I must give thought to every detail. You can speak lightly, as your worries are only for yourself. I have no anxiety at all for myself, but I must fear for this man and that, for you no less than for all our other companions, that I will be unable to bring you back unharmed to Greece."
- Apollonius of Rhodes, 'Jason and the Golden Fleece ' as translated by Richard Hunter, Oxford World's Classics, Book 2 lines 629- 637
( Jason says in reference to Tiphys who dies of illness 5 pages later)
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dreamofyouandi · 2 years
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deliberation
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Propaganda under the cut.
Lilith Clawthorne:
she yearns for praise and attention that her mother never gives her. she's overshadowed by her naturally talented older sister who doesnt seem to care and is still always better. her dream is to be the ebst of the best. only one can join the emperor's coven. she curses her sister in the dead of night to win the duel, expecting it to only last a day. her sister forfeits. the curse lasts for the rest of her life. she joins the coven and essentially becomes inducted into it's cult structure. she is not happy for a very long time. she is not very good at her job. she is ordered to capture her sister. the emperor promises he will cure her. she dedicates herself to this because it is what she has to do to repent. she is given an ultimatum. she kidnaps her sister's apprentice. she finally captures her sister. the emperor has lied. her sister will be petrified. she betrays him immediately. she begrudgingly teams up with her sister's kids to save her. she splits the curse. she begins to let herself go. she projects her issues with her mother who always disregarded her and her fucked up issues with authority. she gets back into her passion of history. she solidifes her role as cool aunt lilith. she joins the rebellion and helps them plan the downfall of the empire. she suffers from the curse. she does her best to repent. she becomes best friends with the annoying door owl worm who everyone else hates. shes a girlboss as fuck. she spent probably thirty ish years in a cult and undoubtedly has a lot of blood on her hands. she is dedicated to her sister. her sister is not dedicated to her. shes aroace. her former subordinate is her friend. his name is steve. he recommends her a therapist. she did so much bad shit. i love her immensely.
Medea:
Only helps Jason if he agrees to marry her, so she's a girlboss because she can defend a mean bargain. She's Jason's gf but also she dismembers people <333
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aerikarkadian · 27 days
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Orpheus Outplays the Sirens - My Favorite Musical Myth
Throughout history, there are have been several mythological tales of musical battles. These frequently take the form of contests, especially in Greek mythology, where overzealous mortals are a little too confident in their abilities, challenge a god, and are punished for their hubris. The Sirens challenge the Muses. Marsyas challenges Apollo. Those are great stories, but they’re for another…
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studiotriggerfan397 · 2 months
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Created by a Greek god, Talos was a metallic giant that guarded the island of Crete. Greek myths say that this beast broke huge chunks of rock off the cliffs to throw at approaching ships and burned men on his blazing bronze skin, which was nearly as hot as the sun. The giant's brute strength could wipe out an invading army.
Talos was said to be a metallic giant made entirely out of bronze, and stood about 30 feet tall. This beast was crafted atop Mt. Olympus by Hephaestus, the god of blacksmiths, and sent by Zeus to guard the shores of the island of Crete.
This legendary giant was given life by a fluid called ichor, which was the blood of the gods. Ichor ran through a single vein that stretched from Talos' neck to his heel. A nail was used as a plug in the giant's foot to keep the fluid from running out.
His name comes from the Latin word "talus," which means "enduring".
Plus, fun fact, Hephaestus, the god that created Talos, also made metallic dancing women and fire-breathing bulls.
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