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#the great expectations
viking-raider · 1 year
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Unless I've mistook something, I've just started watching Hulu's Great Expectations, and I'm annoyed at the opening scene implying the Pip would try to hang himself.
That never happened in the book. I know it's been a hot second since I read the book, but I don't recall him ever attempting something like that.
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flowerytale · 1 year
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Charles Dickens, from “Great Expectations”
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nyancrimew · 2 months
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tumblr content moderation just dealt with all FIVE hate speech reports i have made over the last 24 hours in one go, i am not sure if they are actually putting in extra work on catching up right now or if this is because im a big blog and have publicly talked about these hateful asks, but im glad something is being done at least. it will still take a lot for me to be able to really trust this site again, all because of a public tantrum of a CEO, but at least some people on the inside appear to be trying to do what they can.
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nyamafriend · 1 year
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none of you are talking abt whiskey which truthfully is such a damn shame. she was introduced and i thought she was just supposed to be the dumb blonde girlfriend - arm candy. but then she ran into helen and we immediately see how badly she wants to do more, but she feels trapped to go along with what duke does in order to build her future. shes also the only person to look at helen, who she believes is andi, and say thats shes sorry, that she was fucked over and didnt deserve what happened. dont look at me and say this character wasnt fucking fantastic
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nerdpoe · 5 months
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The Justice League has been working to dismantle the GIW for awhile, and finally found enough evidence to get them shut down.
Superman is picked to be involved with the dismantling of the base, and equipped with some sort of strange watch bought from a family-run ghost hunting business in Illinois. Apparently, the thing prevents him from being possessed.
He has, of course, ordered fifteen of the things.
Being possessed and used to hurt his friends and family has and always will be one of his worst fears.
As they circle the base, hidden and in groups, waiting for Cyborg to bypass security-Cyborg pauses.
They have someone.
A small-town hero, Phantom. They have him strapped to an operating table, and they're literally about to start carving into him.
Superman sees red.
Inside the base, Danny's waiting for the GIW thugs to start cutting into his duplicate so he can record it and get evidence to the Justice League, so that they know these guys are really fucked up.
He isn't expecting the ceiling to suddenly go missing.
He really isn't expecting to see a spectacularly pissed off Superman start towards the GIW agents while Martian Manhunter (calm down fenton don't be a nerd don't geek out omgomgomgomggggg) himself frees the duplicate.
Then Martian Manhunter pauses.
Looks at Danny.
Danny wills himself onto the visible spectrum and allows the duplicate to dissipate.
Unfortunately, in his effort to not sound starstruck, he just sounds pissed.
"Oh, so now you show up? In the middle of my sting operation?"
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cor-lapis · 7 months
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Somewhere out there, Charlotte is still 1 million mora in debt and waiting for the Wriothesley Scoop
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(you can find more of my quest summaries here!)
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hypewinter · 9 months
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In the middle of a Justice League meeting, Batman feels a tug on his cape. He looks down to see a little boy who could easily pass as one of his.
"Erm," the boy starts. "I frew up."
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yaboi-beowulf · 1 year
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Great Expectations (1946)
"Great expectations" is a film made in 1946 based on the Charles Dickens book "The Great Expectations" and mostly follows the plot of the book, with minor details being changed, for example from the top of my head i don't know... His sister being straight up murdered!?
...well okay not murdered, but there was a murder attempt and she dies later because of it but unlike the movie im gonna cut an actual small detail and say she was murdered. Also the timeline is a bit jumbled up but the main story and plot is there so, honestly, no biggie.
The plot itself is really simple, Pip is a blacksmiths wife's brother who will become a blacksmith in the future, then he meets a criminal who makes him steal, and later the said criminal is captured and his life moves on. Then he gets invited to play (👀) at the old ladies house and he meets the girl who he develops a crush on. The visits eventually stop and he goes back to his previous life.
Until that end too when he gets a lotta money and Great Expectations (roll credits). So he goes London where he loses all that money, meets his benefactor, tries to run away, gets injured… basically a lot happens in london. After that the movie finally ends by him realising what kind of a prick he was being.
Throught the movie Pip changes quite a lot. In my opinion he goes through 7 stages.
Number one, the poor little child stage
This is the stage he starts at. The child who has no parents and was brought up by hand by his sister, he isn't rich, doesn't have great expectations and is quite happy with hsi future apprenticeship.
Numero dos, the realization stage
In this stage he sees how the rich live. He goes to Miss Havishams and gets a taste of the wealthy life, his eyes are opened and his hands reach to grasp it.
Number three, the coming to terms stage.
This is the moment he realizes that the Great Expectations he has can not be grasped by him and he goes back to his simple life, his simple house and his simple apprenticeship that he is now quite ashamed of.
Number four is the chance stage.
Here he gets a chance. He gets to chase after the dream. (googles the 500 pounds into todays money) He gets a huge sum of money and goes off to London
Number five. The snob stage.
Aaaand now that he's in London he not only loses sight of where he came from he feels embarassed of his past. Of course it happens gradually while he learns how to fit within the wealthy. But in the end he becomes a literal snob.
Number six. Losing it all stage.
Life has a funny way of doing things, and be it karma, be it god or whatever other mythical thing,or even be his own bad decisions, but the money goes poof, he is drowning in debt, has a benefactor that is running from the law and so many other troubles. basically hes left with nothing.
Number seven. Realization part 2 stage
Just like basically every other story this is the end, and just like in romance films where the girl realizes her soulmate was the best friend all along, Pip realizes he was an ass all along. He looks back and sees what he had become.
And that's his journey
From a boy that makes dumb decisions to a man that... makes dumb decisions.
In a way his story is quite relatable. It's a story about how things can blind us and change us drastically, like in Pip's case, money. We see him change from a small innocent boy who is quite content with his life, to him glancing at how the high society lives, to getting a chance, changing because of it and to coming back to his senses. Maybe it was too late for him, maybe not.
But what I really want to know is diD HE GET THE GIRL OR NOT????
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tsukinoshinjiu · 1 month
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A little something I did over on twitter :)
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crimsonclad · 1 year
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I keep seeing Takes about how recent media like Glass Onion and The Menu aren’t taking “eat the rich” seriously enough to launch real change or revolution and like?? yeah??? popular crowd-pleasing entertainment where horrible rich people Suffer A Comeuppance for the pleasure of an audience is one of the oldest tropes in all of human history???? It is a crowd pleaser! It is the bread (ha) and butter of the Western canon! It is in Chaucer it is in Dante it is in Shakespeare it is the stuff of Dickens and 95% of Agatha Christie and almost every teen movie ever made??????? “look at these horrible rich idiots and hypocrites…and now enjoy their DESTRUCTION” transcends time and space and historical moments! It is so strange to be surprised that Hollywood returns to this well without any intention of seeking anything more transgressive than an audience having a hearty chuckle lmao
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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poorly-drawn-mdzs · 12 days
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Average Drama Enjoyer observes some peak drama.
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yenvengerberg · 2 years
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i hate what bingeing culture has turned the consumption of media into. the pressure to watch everything all at once as soon as it drops otherwise you simply can't go onto social media or 'it's your own fault, you should know better!', the way it forms a dread around shows you know you can't watch straight away because of life commitments when you should be excited for them, and the way buzz only lasts for a few days before inevitably, everyone moves on and forgets about it. i just wish i could return to the excitement of weekly releases that kept me guessing for months on end and fostered a discussion around media
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writebackatya · 5 months
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Me: Oh it’s just a new adaptation of Scott Pilgrim, it can’t be that different
Me after the first episode ended:
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Zvtara shippers: GUYS LOOK AT ALL THE ZVTARA BAIT THEY’RE DROPPING!! IT’S DEFINITELY GONNA BE CANON THIS TIME!!!
Zukka in the corner:
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wifegideonnav · 8 months
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so listen. we all know that if they ever made a tlt show it would be bad pretty much no matter what. so my pitch is let’s just give the project to steven moffat and see what he does with it. by the time he’s done we’ll have a show called “john” all about how tragically and manlily sad jod is and how you know what maybe imperialism is ok sometimes. tamsyn gets buckets of cash, some white guys get acting roles that they’ll regret the rest of their career, and i get a new hbomberguy video essay to rewatch every six months or so. someone call the fucking bbc ive solved this.
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