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#the parallels this season though
themusicsweetly · 10 months
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All the time the ghosts flit past and through us, hiding in the future.  We look in the mirror and see the shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway.  By blood and by choice, we make our ghosts; we haunt ourselves.
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carpp · 2 months
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I noticed most of your Emilute content suggests a past relationship because Lute has her arm.
How about some post-trial angst in which Emily can't bring herself to even look at Lute after her actions in the courtroom or post-finale angst of Lute being so changed by the battle she is emotionally distant from Emily?
Sweet delicious angst.
its actually supposed to be a prosthetic!
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I do agree that if they were close before the trial there would be some great potential for angst, emily would probably be crushed that both sera and lute kept such a horrible secret from her
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mrgaretcarter · 1 year
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I'm finishing up my rewatch of season 3 of The Boys before I begin my SPN rewatch (got 2 more episodes left) and watching Jensen's performance as Soldier Boy just absolutely floors me.
It floors me because I've seen antis time and time again claim that Soldier Boy/Ben was essentially Dean in a superhero suit, that Jensen has one note acting, that he watered down the character by refusing to do scenes that made him uncomfortable (especially by one anti blog in particular who claims to be an acting expert, you know the one), and that his acting is very bland.
But in studying his performance because I'm studying the character (for writing purposes), these people couldn't be more wrong. I will admit that the only time I got a semi-Dean vibe from him was during the scene where Soldier Boy tells Butcher about his father. Which doesn't surprise me because Jensen himself said he leaned into the Dean/John dynamic for that scene.
But otherwise, I don't see anywhere where their claims hold any water. I mean, have you actually watched his scenes?
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This scene is so important. Annie is getting ready to face off with this guy and even though she knows he's dangerous (after seeing he results of one of his explosions up close and personal), but she has no idea how dangerous, not really. This isn't Dean. This isn't Beau. This is the dangerous side of Solider Boy and had Hughie not intervened, there's a good possibility shit would have gone even more sideways. Especially, with Ben coming off of the confrontation with Countess, her hitting him where it hurts the most (meaning she tapped into one of his biggest insecurities. That explosion wasn't an accident (like NYC or even at Herogasm with the Twins). Ben didn't black out here. That's shown to us by there being no Russian trigger, despite him learning that Countess and his team handed him over back in 1984 and didn't even get paid for it.
I mean, look at this expression right here. His body is moving but his eyes don't. He's getting into position, ready to take out the next threat. Only when Hughie steps in and Annie's eyes dim does he step away, assessing her as not a threat. This is the weapon that is deadly enough to take on Homelander and no matter where you stand on Jensen as an actor, he pulls it off here.
The physicality he utilized in this role speaks volumes. And it's not about Soldier Boy being a Supe or being in a suit or having to look pissed off all the time (minus the few times he's amused). It has to do with how he embodies that character, carries him, and if he pulls it off. Spoiler alert: he did.
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This scene exemplifies exactly what I'm talking about. I have watched it countless times and this part of it always sticks out to me every single time. Look at that expression, look at the eyes. Ben is not going all out to sell this belief let's call it to Hughie. He's giving him a look that says "this is the truth and you better believe it or else". He's not smiling for news cameras or doing propaganda or greeting fans of his movies decades prior. He's not selling the Soldier Boy is America's Greatest Hero image here. He's subtly threatening Hughie, and this is where he begins to have an issue with him. Because Ben wants to see himself as the good guy, something Kripke, Jensen, and the cast have talked about in promoting the season. In his own mind, he is the good guy; he's a legend in his own mind so to speak. He's bought the hype about himself. And anyone who doesn't see him that way is an enemy aka a threat.
It doesn't mean he doesn't know he's doing things that aren't right (as we saw in those outtakes of the 'Don't-do-drugs' commercial). He's very self-aware but he justifies it to himself because he's Soldier Boy and almost like Homelander always says, he can do what he wants. Not necessarily that he has a god-mentality that rivals Homelander's but everything is justifiable in his mind because he's a Supe, or more precisely the Supe, and he's protecting his country. And it also keeps that insecurity of being a disappointment at bay that he has from his childhood. It's all layered into his make-up so to speak. So not only is Hughie a threat (not physically obviously but to Ben's image of himself) but is also bordering dangerously close to reminding him of the very thing he hates: a mirror that reminds him that maybe his dad was right about him (not saying he was, I'm saying this is potentially what is running through his mind). So not only does it share a brilliant parallel between Hughie and Annie when it comes to Soldier Boy that eventually plays out beautifully in the Tower Scene in the finale, but it also is sewn into the issue between Hughie and Annie this season in their own relationship.
But the way Jensen plays that scene is phenomenal because if you watch it, you realize if Hughie says one wrong thing, he may be in trouble.
Which is then continued in this scene:
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In this scene, Hughie is mentioning there's a lot of people inside Herogasm and here we get Ben's reaction to Hughie saying that. Then he tells Hughie as long as the people stay out of his way they should be fine. But again, watch how he says it, his expression, focus on his tone, his body movement. He clearly is not happy that Hughie says this (it literally is a continuation from the hotel room scene) and again has that subtle threat vibe, even with Butcher standing there (because let's face it, to him, even with temp V, Butcher is no threat). And of course, we all know the slap scene and the punch scene that happens later. Not only does Hughie get switched out for Ryan later on who Butcher ends up protecting from Soldier Boy, but it all plays out beautifully as all of the connections, overt and subtle, unfold throughout the season.
But back to Jensen's performance. There is so much to appreciate in how he fully embodied this character. And that's not saying it through an AA haze of "omg he's so hawt!" or "omg did you see his ass?" That's appreciating the amount of work that he put into this role when the cameras started rolling. He literally became Soldier Boy and he embodied him even outside of the suit.
As an actor, Jensen is very nuanced. He consistently adds in these little things that help make the character even more multi-dimensional than what is written on the page or what is called for int he scene and how it's blocked. This is why there is a certain small group of people on here that repeatedly talk about Jacting Joices, it's not just related to Supernatural or Destiel or Dean. It's about Jensen as an actor, as a performer, and how much he actually pours into these characters he plays. Whether it be the way he moves (or walks), or the expressions he uses, his eyes (yep, he does that too, see above), with his hands, even down to the way he delivers a line. All actors do this in their own way obviously, lean into physicality as well as their performance, but he definitely has his own unique style that I just don't see anyone else replicating. I think there's a reason so many people say no one else could have played Dean the way he could have for example. And if you watch his characters, really watch them, you'll see what he does each and every time. Even smaller characters like Jason from Smallville or Tom from My Bloody Valentine or Alec from Dark Angel. It's all right there on the screen.
So I guess my whole long point is I don't get why antis rip him apart when it comes to this role of Soldier Boy (other than being antis I guess) or say he can't act or that has no idea how to properly analyze his character because he actually did put a ton of work into this specific character (as well as all the others he's done) and you can clearly see it as you watch his scenes in the show. While I wish we could have seen Homelander and Soldier Boy go at it a bit more, and see Soldier Boy truly unleash that Alpha-ness of being the original Supe like had been talked about in promotions and interviews, it doesn't diminish that this character was fascinating and he brought it to life from the script in a way that complemented his own unique style as a performer.
tl;dr Jensen crushed Soldier Boy and Ben (yes, two different characters to embody actually) and I cannot wait to see more of him in any future Boys-related visual story telling, on the show or others.
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starrrbakerrr · 10 months
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They got the dance.
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Pitch 🤝 Ted Lasso
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cameronirat · 2 months
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Me trying to enjoy seeing crosshair in a new outfit when he’s got a frickin toilet seat on his head
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note-boom · 1 year
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Just some thoughts again for this episode sorry but....
Kyouka protecting Atsushi
Tanizaki getting triggered when they hurt Kenji (maybe not as unhinged as he is with Naomi but HE WAS PROTECTIVE OF KENJI)
The way the water the ADA stood next to rippled as soon as they stood up and decided to choose the path that led to less loss of lives...a ripple effect??
YOSANO'S BUTTERFLIES ANIMATED I AM OBSESSED
ALL the character moments like Kenji encouraging the ADA, Tanizaki being frustrated and protective, Kunikida never letting any of them die, Yosano saving them all with her ability, Kyouka going back for Atsushi, poor Atsushi being so out of the loop -
I wonder where the hideout Yosano was going to take them to was going to be....
#also idk if this belongs in the main post but i am obsessed with the way each agency member has a similar aged parallel to them#like a parallel within the agency that really plays off the whole life/death symbolism#like yosano/ranpo....dazai/kunikida....kyouka/kenji....and atsushi/tanizaki#hear me out the first have yosano as an angel of death and ranpo in his backstory confront an angel of death#yosano with a bloodstained past and ranpo with a fairy happy one#and then obviously kunikida with his ideals for life and dazai with his ideal to die#kyouka with her past as an assassin and kenji with his past as a farmer (cultivating life)#and then atsushi and tanizaki being....rather extremists but also just slightly ambiguous where they stand in this dichotomy#like atsushi obviously seems like life and tanizaki seems to be death but theyre both...well there is something anyway#BUT how in the end all of them choose life (yes even dazai) and how all of them still understand the deadliness and death of the world#armed detective agency my beloveds honestly#i cherish them all so much#and also even though the similar aged thing doesnt really work out here im gonna say fukuzawa and naomi can be a parallel#for the sole reasons that both are here really because of someone else even if one is the pres and the other a clerk#but fukuzawa is all about 'you are CHILDREN please be safe'#and naomi is like 'im gonna die with you or not try and stop me'#bsd#bungou stray dogs#bungo stray dogs#bsd season 4#bsd s4 spoilers#bsd spoilers#spitting nonsense#bsd musings#armed detective agency#rambling in the tags sorry
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grntaire · 2 months
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i still cannot believe we had the crowley bringing aziraphale chocolates/gabriel giving him a promotion/crowley tricking gabriel so aziraphale can stay on earth scene taken from us. the foreshadowing of it all. the things we could have been……..
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Situation: Grim/Ghost Of A Chance
"Clean slate"
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2. Physically reaching out (or at least trying to)
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3. Nine gets angry, then withdraws.
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4. One of them leaves through a portal.
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notmoreflippingelves · 8 months
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I need to ramble more about Esteban Flores, because everything about this character and his arc seem as though it was tailor-made for me and specifically designed to make me absolutely feral.
This going below the cut, both because I do not want to spoil the entire show for my friend who is think of watching Elena of Avalor and because I go full-on apologist here and I feel like that will annoy some people.
Imagine making the absolute worst mistake than anyone could possibly make, because you are 18 and scared and stupid and tired of being ignored. And it results in you losing your family and your freedom and what little self-respect you had left because you know all of this is very much your own fault.
 And so you proceed to spend the next 41(!) years eking out a miserable existence in an oppressive state. Upon fear for your life, you are forced to be the reluctant right-hand of the evil witch-queen who conquered your country, killed your aunt and uncle and trapped your cousin in magical prison. In spite of this, you nevertheless do everything within your limited power trying to hold the kingdom together and make sure the people don't starve, because the queen certainly doesn't care about anything except greedily bleeding your country dry.
And no exaggeration, this is just what canon explicitly gives us outright in the pilot. Like that's not even getting into head canons/interpretations/common sense of what exactly this sort of life entailed for you. Because this is a children's show so there's only so much they will let us imply about living under that kind of system. Especially as a young, attractive, terrified person who is the last living member of the previous royal family who is likely being kept alive partly as a combination trophy/punching bag for the evil queen (even if the show never actually states this outright).
And then by some miracle, what's left of your family comes back after all this time. The evil queen is overthrown, partly because you yourself finally stood up to her at a critical moment. You and your country are finally free again, and what's more, you and your family are finally together again after over 4 decades. But you still feel like an outsider--partly because you always were an outsider in your family even in the better times and partly because  over the past 41(!) years, time stood still for all of them except you.
And as a result, no one ever cares to ask what those 41 years were like for you or even just if you’re doing okay. Not only because your family can’t even begin to comprehend what it must have been like, but also because they don’t care to even *try* to understand. Because the narrative has decided that everyone else’s respective traumas is worth way more than your own.  (Though tbf the narrative really doesn’t dwell much on anyone’s trauma in general but yours gets especially neglected , except to briefly play it for laughs or to remind you that your trauma is *your own fault and only your own*).
For a little while, life is pretty okay. It’s weird not having to watch your step every instant to make sure you’re not putting a toe out of line. And so you never really fully break out of your “survival mode” conditioning, making sure that you are still considered important and valuable enough to keep around.
But all the while, you know that your past—and especially your terrible little secret—is eventually going to come back to haunt you. And it does. First via blackmail and then via the return  of the evil witch-queen herself. Fortunately, she is defeated for good before she can take avenge your “betrayal of her” but you still have to deal with seeing the ghost from the past who terrorized you for 41(!) years.
And then, your secret finally comes out in the open and you are disowned by your family—the family you *just* got back a few years ago—for an admittedly super bad decision that you made over four decades ago and have regretted ever since.  Rather than face the rest of your life in isolation (as though you didn’t already have enough of that during the previous regime), you escape before you can be sent into exile. This puts you directly in the path of *another* terrifying, evil magical milf who you are forced to ally yourself with. Because you have 40+ years of conditioning that when a woman like that says “jump,” you say “how high?” if you are to have any hope of survival.  Especially given that the only people who could’ve protected you from her are the family and friends who have just definitively washed their hands of you.
Despite this, you are still trying to seek your cousin’s forgiveness and to protect her in the little ways that you can. But you are constantly getting rebuffed over and over again, and if anything, your attempts at reconciliation only seem to make your cousin angrier, and she now hates you just as much as—if not MORE than—the woman who actually murdered her parents.
Your cousin is so angry at you specifically that she actively ignores the greater threat of Witchy Milf 2.0, because she happens to see your face and is enraged. This ends up backfiring spectacularly for you both, though it does indirectly lead to the defeat of said Witchy Milf 2.0.
But guess what?  There’s no time to breathe or celebrate, because her defeat occurred during the successful summoning of a third power-mad, feminine-presenting magical humanoid and her allies. At least, this one treats you with some initial respect and actually gives you outright what you-think-you’ve-thought-you-always wanted. But she also turns your family and friends to stone in front of you as a warning of what’s to come if you dare to defy her.
But this time, you are finally done with this, have finally lost enough that you have paradoxically found your courage. You sacrifice yourself to save your cousin, and she is finally able to accept that you’ve sacrificed and changed enough that she can forgive you. And her forgiveness is so powerful and pure that it not only restores you to life but also undoes all the other evil magic. Together, you defeat this final enemy, paradoxically by banishing her to the same Underworld where your mistakes accidentally sent your aunt and uncle and her parents long ago.  Peace has been restored. You have returned for good and are finally secure in your family’s love.
And after all that, there are *still* people (both presumably in universe and in the fandom outside of it) who say it's too little, too late and that it would've been better for everyone if you'd simply stayed dead.
Like I'm just... are we really victim-blaming the character who has 45 years of unprocessed trauma and guilt (both survivor's guilt and guilt in general) because of a decision he made when his brain was still developing and he was being manipulated by an older, much more powerful person?
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bourbon-ontherocks · 11 months
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#That's growth! 🥲️ HPI: HAUT POTENTIEL INTELLECTUEL S03 E01 & E02
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lobeliamaximoff · 4 months
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sorry that was all I could think about while watching this episode
(also friendly reminder that Kings of Thieves is one of the best episodes in the whole show)
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bsdwherearethedogs · 1 year
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happy bsd season 4 day
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jicklet · 1 year
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2.02 || 2.19 Zuko at the beginning and end of Season 2 Bonus:
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#avatar#atla#avatar: the last airbender#atlaedit#zuko#katara#song avatar#v posts things#v watches avatar#It was the scar touch/almost touch that pinged my memory but realizing that the language Katara uses parallels Song too set me off#Zuko starts the season so stuck in his own pain#Song tries to connect and he's closed off because nobody can possibly understand him you see#until she shows him her burn and it shocks him#this girl who has been nothing but kind has one too. she can't have deserved it#what can that mean for Zuko who is going to need another season and a half to be able to say that what his father did to him was wrong#right now he still doesn't know how to acknowledge any of this to himself much less someone else#to reconcile it with how he still believes if he can just go home everything can be okay#but then he travels the earth kingdom and sees what the war and his nation's pride did to all these regular people#and finally finally he ends up back here again#though Katara is understandably not reaching out so much as lashing out#but this time Zuko is able to reach back and not only connect and empathize with someone else#but the fact that he can admit that the fire nation was responsible for one of the biggest losses of his life is a big step for him#and whether Katara and her spirit water would have been able to heal is scar is almost irrelevant#because ultimately it isn't about the scar but what it represents#he thinks people look at it and see all his shame. like if it wasn't there people wouldn't be able to look at him and Know#he doesn't get that people look at it like Song did#that here's someone who was hurt#and whatever he might have done he couldn't have deserved THAT#and it isn't until he goes and makes an actual shameful mistake of his own that he starts to see the difference
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2x1 | 3x9
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