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#the problem with my post-chosen one wip is that there is just so many plot threads and i need to visually plot it out
you-are-my-neverland · 6 months
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ok. nano in one week and i have two (2) options:
drafting the post-chosen one wip. obviously this is the choice is should do with it as it is already started, i just kind of dropped off the last couple weeks. unfortunately, i have one glaring problem, which is that the most recent chapter went off the rails and i also reached the stopping point in my plot and now idk how to move forward. i know what's theoretically going to happen later on, but i need to seriously sit down and outline to smoothly draft. will i actually do that in a week? who knows.
start my pirate wip. the option i want because it's my current obsession, but i'm also very much in the creation stages and fleshing out worldbuilding details. so it's all bare bones, and i know starting it might be fun, but i don't have a firm enough grasp on the story itself yet unless i plan like crazy over this week. again, do i have time to do that? who knows.
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unpublished fics game
Tagged by @thatonetimetraveller - thank you! <333333
I haven't many at the moment, and I am definitely not at home to the idea fairy just lately so most of these are actually longstanding WIPs that aren't quite behaving themselves and aren't being actively worked on.
Completely unwritten:
Sequel to Break You But You'll Mend, which was going to be later chapters of that story but it was doing my head in so I've chosen to end it at a convenient point and then put all the subplot stuff in a new story. In essence, Sigrid and Tilda (reborn in Valinor because Auriel (Thranduil's wife) went and gave the Valar a piece of her mind for letting Thranduil almost fade from grief though he'd defended his corner of Middle-Earth from Sauron for thousands of years alone, and demanded they send Bard back, and when he arrived he was accompanied by his daughters and his wife (Maudie)) are not happy with how unfair it is that they got to come back but any number of other people there have mortal loved ones who aren't coming back, and come up with the idea of putting their case before the Valar and persuading them to change the rules. It's going to be plotty and complicated and is therefore giving me the Fear, because I don't do either a) plot or b) complication.
The Sigrid-and-Tauriel queerplatonic companion story to My Heart Is An Empty Vessel, which I suspect at this point just plain isn't going to get written because I've run out of spoons where it's concerned. I've written little glimpses of them in EV-'verse, and various other beginnings for them, and I honestly don't think I have enough to write a proper long-form multi-chaptered fic. Which means that the full story of Elrond and co's visit to Dale from the later chapters of EV, including most of the Rivendell crew making friends with the Bardlings, is probably not going to happen, unless I manage some one-shots sometime.
A vague idea for Glorfindel Week sparked by this post about flowers spontaneously growing where Glorfindel is in Imladris, because they can't grow on his grave any more.
In progress in one way or another
Part four or whatever it is now of It's Always Been You, in which Rúmil and Orophin happen to be in Imladris not long after Legolas arrives after the Battle of the Five Armies and take issue with how the twins are treating him; they also meet young Estel, witness the aftermath of his first meeting with Arwen, and then the idea was to follow the characters up to the end of the War of the Ring (Haldir DOES NOT DIE). I am very stuck with this one, and it feels like one of the long stories I tried and failed to write 20-odd years ago - I had the idea but not enough of it to fill it out.
The twins-make-their-choice fic, of which I have about 900 words. I am really struggling with it, mostly with knowing quite what form it's going to take and how the story is going to unfold. I've been circling it for a while now and nibbling at the edges of the problem with various other fics, so I'm fairly sure it's going to happen at some point, it's just...getting there.
A canon-'verse fic for Barduil Month week 2 involving a linguistic diplomatic incident for @myeaglesong which I'm halfway through, I'm just a bit tangled up in how the incident itself will unfold, having done the setup.
Another Dancing in the Dark-'verse fic, a direct sequel to there's a joke here somewhere and it's on me, delivering a happy ending for Barduil Month week 4. I've got a bit done but I've been singularly lacking in spoons this week, for no apparent reason, and it's also from Tilda's perspective and I haven't written much from her POV before, especially not a modern teenage version so it's taking a while.
The Legolas/Haldir-in-Ithilien fic I was intending to write for My Slashy Valentine's event for Keiliss in February 2023. Also not cooperating. >.<
All I Want Is You, which is getting more and more difficult the further we get from the summer of 2020 and I forget more and more of the historical details. Another one where I think I had the idea but not enough filling. I just need to get back on with it, I think, and it'll fill itself out. Possibly need to do that May writing challenge I reblogged earlier and try and write 200 words a day, which might kick it off.
Stars and Arrows, a sort-of-originalfic based on a really glorious moodboard and concept by @mihrsuri - featuring two rather familiar-looking Oxford professors in a possibly-the-future-of-Middle-Earth-set reincarnation story with a mysterious illuminated medieval manuscript, which again probably requires more plot than I'm capable of but I'm greatly enjoying writing scenes here and there.
Two of a Kind, the long-ongoing original novel (based on a very old fic from the fandom that does not speak its name) which I am stuck on in various places. If anyone wants to read 180-odd-k of damaged ex-street-kid musician idiots in love and help me fill in the gaps, please do let me know (but please heed the tags)! I was posting it to AO3 for a bit but got out of the swing of it and now I'm totally out of the habit, though I tend to do a few one-shots here and there mostly for Writers' Month and Writers' Pride Month.
I think that's all of them. More than I expected, but still...! Do please ask me about any that catch your eye, I am in dire need of talking about them, and it might just kickstart the muses...I do need interaction to spark the ideas, it turns out, I'm not great at this in isolation.
Tagging anyone who fancies taking part in this one!
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drowninginredink · 4 months
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WIP List
I always like it when people talk about their WIPs. I live for that. So it's my turn. But I am a one-shot writer at heart with way, way too many ideas, so here is a list of everything I'm toying with. For the record, some of these don't even have a single word written yet, and none are that far along, so don't get your hopes up too high.
Smosh One-Shots
"Feelings are so fragile" — Platonic Shaymien thing where I project really hard onto Damien. (Yes it's for the aro collection)
"Most euphoric I've ever been" — A spetney fic based the fact that yes, they're technically a m/f couple... But like, no. Put them together, you've got nonbinary lesbian vibes. Sorry Spencer, you're getting your gender transed because there's no way you and Courtney are straight.
"But what's a home?" — A Damian QPR fic. Damien/Ian is already such an interesting rarepair and then you make it a QPR and it's like... They end up living together just temporarily because Damien's housing falls through and turns out they both really miss when they used to be living with their best friends and look I know everyone likes romance but do you know how good QPR fics can be? I love the idea of them as a QPR so much?
A thing for @aro-soulmates-fest about Anthony getting all his tattoos to hide the fact that he doesn't have a soulmate one.
A murderverse one shot about Arasha because God I fucking love gang AU!Arasha
A vampire!Spencer fic where Shayne plays the role of Johnathan Harker
"And I lie like the right thing to do" — me taking @generaltrashshecox 's whole "Anthony sleeping with Damien to cope with unrequited feelings for Ian thing that I love so much and just doing my own version of it where I lean into the angst so hard. With permission from bun, don't worry
A (platonic) nintendogs fic where I decide to do a little bit of own voices stuff on the fact that The Chosen is suuuuuuuuper schizo-coded
I bought a new ray and it's time to use it. Let's make Ian aplatonic this time.
"Then it's done." Killing off Spencer. Very one-sided Spommy.
A lil smut based on Anthony asking Tommy to choke him.
Hey @generaltrashshecox infected me again and now aro4aro Antmien needs to exist
This post into a real fic
Smosh not a one shot but also kind of a one shot?
14. "Once in twenty lifetimes" — A no smosh AU that's going to go through all the different ways Ian and Anthony could have ended, choose-your-own-adventure style. And as the title suggests, only one of them is the reunion. Most are things falling apart. And also to fit the title, it's going to be in twenty chapters (although that does not mean 20 endings. I don't hate myself.). So it's multichapter, but also it'll all be posted at once so it'll basically be a one-shot. It's going to end up as kind of an epic and God I hope it turns out as good as it is in my head. Inspiration for the good endings is "Cardigan" by Taylor Swift, and for the bad endings and a lot along the way is "San Cristobal" by Mal Blum.
15. Partners (in crime) — my Changela QPR fic that was supposed to be a one-shot right up until I wrote the thing, and actually wrote a chapter one. Not sure how long that's going to be, but I like it so far.
Smosh Multichapter
(The fact that my very one-shot oriented self has multiple of these is such a problem)
16. "Puppy Love" — I don't need to say anything about this. There are already 5 chapters on AO3. Either it's extremely your shit or you're wondering what the hell I'm doing and why I'm writing this extremely specific concept. If you're wondering why I still haven't posted chapter 6, it's because that has sex in it and I fucking hate writing sex scenes so I'm procrastinating really hard.
17. "I'll use you as a warning sign" (aka the evil fic, so named because chu-tea thinks I'm evil for coming up with the plot) — yeah so what I planned for PL was just a straightforward kind of fluffy ianthony piece. And then a certain friend of mine (*cough* chu *cough*) accidentally inspired me to think of a different ending that is such hardcore angst and hurt that I absolutely needed to make it happen and have been obsessed. It's interesting when you've already made the bad decision to start a long project and then oops, now you just really want the next 6 chapters to be done already so you can write the alternate ending. This one will *really* not be everyone's shit because I will rip your heart out in 6 different ways. But God I'm obsessed. Anyway, if you want details... I'll just say "major character death" and leave it at that. Oh and rarepair.
18. "I've come back changed and I can feel it in my bones" — an AU where "what if Anthony left because he got psychosis." Basically very hardcore projection on my part. This is on the back burner for a while because obviously when I have projects that aren't going to be emotionally gutting to write, I'd much rather work on them.
Non Smosh Stuff
(I'll be honest, I'm so deep in the smosh obsession that you should not get too excited about any of these. I know myself, so I know the smosh flame will eventually burn out but these are based on things I will be obsessed with until I die. So I know they'll happen. But not for a long time)
19. A Phantom of the Opera one-shot for @aro-soulmates-fest. This is the one thing I will actually write within a reasonable amount of time, because it's due March 17.
20. "Baby, please don't bore me" — A Series of Unfortunate Events — Sunny (well, Sorrel in this version because oops I transed their gender) teams up with Olaf to find their siblings after years of separation. I find them to be a very interesting chaotic, morally gray, bantery duo.
21. "Because the same night awaits us all" — ASOUE — A Klaus/Lemony fic that I swear I will write someday. Very morally gray, very much a codependent relationship, very leaning into the age gap. Basically they're together because they do not have anyone else in the world. It's just so delicious a dynamic that I will explore I swear.
22. ASOUE — I'm still not entirely convinced I'll ever be bothered to actually write this one, but I might do a Kit/Fernald FWB thing. I'm not sure where on earth the idea of that came from, but it's been living in my head for a long time now. Long enough that there's an early one-shot version of it that I don't really like anymore on *gasp* fanfiction.net
If anyone actually bothered to read all the way to the end of this long-ass post, you deserve a medal.
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mega-aulover · 3 years
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20 Questions: Writer’s Edition
I was tagged by @endlessnightlock whom I ❤ so much.
How many works do you have on AO3?
I have 36 Works on A03 lol but I don't post everything I write on AO3😫 @winegirl65 is my big motivator to post them lol
What’s your total AO3 word count?
611062
How many fandoms have you written for and what are they?
Two Fandoms - The Hunger Games & MCU
What are your top five fics by kudos?
Katniss Everdeen is Not a Stalker AO3
A Redo In Time FFN
Sorrowful Angel AO3
Love in Twelve Nights AO3
Late Night Conversation MCU AO3
Do you respond to comments, why or why not?
I do, but I'm kind of behind. But I do want to hear from you guys because I can change a chapter or add something that was missing.
What’s the fic you’ve written with the angstiest ending?
Hotel Paper Deux - both Katniss & Peeta die (I cried the entire time writing it and I was sick out of my mind with bronchitis at the time)
What’s the fic you’ve written with the happiest ending?
I love HEA, I'm such a sap really the one I love the most is Sorrowful Angel because of the mud fight at the cemetery.
Do you write crossovers? If yes, what’s the craziest thing you’ve written?
I think this is a crossover where I took the plot of Twelfth Night and plopped Hunger Games Characters and I did use characters from Shaakepheres Book too.
Have you ever received hate on a fic?
Yes with a side of harsh criticism....just go to Wild Horses Katniss cheated on Peeta --- yup - yup not saying anything else.
Do you write smut? If so what kind?
Don't you mean Pie lol. I've written smut for the sake of smut but I like writing including it in stories...I don't think I'm like graphic though...IDK
Have you ever had a fic stolen?
No - not that I know of...but really who wants to steal a story of mine lol.
Have you ever had a fic translated?
No
Have you ever co-written a fic?
I have actually, I wrote Mockingjay Manor with a terrific group of writers, a shoes fic @alliswell21 & Operation Toast with a wonderful group of writers
What’s your all-time favorite ship?
Everlark! followed by Gale X Delly yup I know I'm solo on that one but hey a girl can dream!
What’s a WIP you want to finish but don’t think you ever will?
Hangs head. Katniss Everdeen is Not a Stalker. I have to find a way to finish - the problem that I have to figure out who dies. And I know no one wants their favorites to die but it's war Peacock!
What’s your writing strengths?
To be honest I plot like there's no tomorrow. I do research and I when I write you'll see the influences of what I researched. I'm also pretty goofy as you get to know me and I like writing that sort of humor in my writing.
What’s your writing weaknesses?
My weakness is my dyslexia, to be honest, and it affects my spelling and grammar because well I write things backward, kind of like Yoda. I panic when I have someone who's never seen my material in the raw. Because I'm like they are going to think I'm an IDIOT.
But I'm always working on my writing so I'm working on imagery and quick world-building. There are a few writers on here that I wish I wrote like...yeah I've dropped a few anon-stalking-love you notes. lol
What are your thoughts on writing dialogue in other languages in fic?
I'm multi-Lingual so it doesn't bother me. I think it's a great thing to write a bi-or even tri-lingual fic
What was the first fandom you wrote for?
Doctor Who
What’s your favorite fic you’ve written?
To be fair it's always the story I'm currently working on - but if to be fair a story that I love it has to be a toss between Sorrowful Angels, Chosen One, and Como Duele.
Sorrowful Angel because it's auto-biografical
Chosen One because it's pure fantasy AU
Como Duele - because it's my nod to my Latina / Puerto Rican roots - plus I listened to so much Spanish music Mark Anthony, Gloria Estefan, Taina, y Jose Arroyo, etc.
Okay tags @alliswell21 @norbertsmom @ladynephthyss @rosegardeninwinter @justajjfan @sunsetsrmydreams @wendywobbles
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thatwritergirlsblog · 5 years
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Why your book isn’t working
So, you’re working on a book, or maybe you’ve finished it. But you know something just isn’t right, or the first readers didn’t like it. What could be the problem?
1. Story not plot
The issue could be that you have written a story and not a plot.
A story is a string of events occurring one after the other. It’s basically: this and then that and then that etc.
Plot is a series of events/occurrences that are interlinked in a cause-and-effect manner. A happened because of X, which resulted in Y.
Oftentimes, the idea for a new WIP comes to us as snippets of happenings that are random. However, that does not a book make.
A book needs plot. Your events need to follow some pattern or logical consequence of cause and effect. One plot point must give rise to another in a structure that makes sense and ensures maximum interest.
There’s a reason there are so many pre-determined plot structures out there.
If your book is just story and not plot, try to outline the events in a more organised way. Maybe you can consult guides like the 3-Act arc or Save the Cat if you need help.
2. Pacing
Maybe you have a structured plot, where each occurrence is logically and entertainingly linked to the rest, but you don’t pace out those events correctly.
Apart from good structure, the most important aspect of plot is pacing. 
There is an art to writing good stories, and a lot of that involves good timing. You should not litter big event after big event with no space to breathe. You also shouldn’t write 500 pages of nothing.
It’s a difficult balance, but plotting aids could once again help.
I also have a post on conquering pacing, if you want to check that out.
3. Weak characters
This is a fatal mistake.
If you have flat, one-dimensional characters that do not interest your readers, no amount of plotting will save the book.
I know this comes across as harsh, but it really is true. Character is key.
So, if you have no problems with your plot per se, but something still isn’t working, you might want to review your characters.
Are they three-dimensional enough? Do they have strong, identifiable motivations? Do they have interesting combinations of traits and interests? Are they diverse?
You can check out my post on designing a simple character arc if you feel really stuck.
I would also recommend creating character sheets in which you flesh out each character. Personality tests such as MBTI and Enneagram are also great ways to create complicated characters.
4. Too many overused tropes
Everything has been done before. I’m sorry to break it to you. However, not all variations/combinations of things have been done.
It’s okay for your book to feature a cliche or a popular trope. What might be damaging is using a bunch of overused ideas in one book.
There are some elements, like the “wise old wizard” or “the chosen one” or “the answer was inside you all along” that have become distinctly predictable. This is because most people have seen them a thousand times.
This means that your readers won’t be interested in reading further, since they’ll feel like they already know how things will play out. It’s old and boring. The market for these types of stories is also saturated.
So, make sure that you combine elements of storytelling in a somewhat unique and surprising way. No, you don’t have to set out to write something absolutely revolutionary. There should just be some originality - even if it’s just in your writing style.
5. Messy prose
Sometimes the premise, plot and characters of a book are amazing. But you just can’t enjoy reading it. Why? Because the writing is terrible.
Writing inundated with spelling errors, run-on sentences, boring word-choice etc. is very difficult to find entertaining.
Do not allow your good story to be discarded because of messy prose and grammatical errors.
Grammar, spelling and syntax exist for a reason. They facilitate ease of reading.
So, before you put writing out there, use ProWriting Aid or Grammarly, at the very least. If you’re putting it out in a professional capacity, hire a qualified editor.
You don’t want to be labelled a bad writer because of something that is easy to fix.
There are probably many more reasons something could feel off, but these are some of the main ones. Keep in mind that these problems can be fixed. 
Reblog if you found this post useful. Comment with the problems you’ve noticed in writing. Follow me for similar content.
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corvixa · 4 years
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I have this thing, that when an idea gets in my head, I either get it out on paper or it will create a traffic jam in my head and bugger up everything. So, not including my ongoing Fics, which includes the Gold Universe as part 4 is still nearly finished, I just need that last push on it. These are Ideas that can have anything from a few scenes, an idea, plots, or several chapters.
So I call this -
Winteriron WIP
(because what else 😅, I have a problem.)
In Fire & Flames - In this universe, Phoenixes and Humans live together, if one species dies then the other will too. When a Phoenix does for good, lots of natural disasters happen, starts with Tony'parents dying and then Rhodey, who is also a Phoenix, finds Tony. Who is now familyless and dying as lone phoenixes tend to die. There are several different kinds, and they come in pairs general. Golden and Ice, for example, Golden are high in magic, Ice tends to protect, especially the rare Golden, it's more tribes than individuals, there is no requirement for who likes who. It's surprising how much making a few other Avengers phoenixes tweaks things here and there, this actually goes up to the fight in Siberia and is one of the bigger WIP's. (26k)
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Flash of Gold - Avengers are shifters or humans with magic, and they think they know what Tony is. They believe he is a human with magic, but they notice that he has some shifter traits, which is odd as shifters can't have magic in this AU. Only in very old stories and myth. Tony, however, is a dragon, which are myth. Instead of being like most shifters a, a human that shifts to something, he is the reverse. It only has a few scenes. Full shebang, team as Family. Steve is even a good guy. James is brought to the tower after being found and slowly integrated into the group and is wondering wtf Tony is. (13k)
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The Operative Program - Howard was never meant to be a father; he was a weaponsmith. So he took the red room and the wolf spider programs and decided to create himself an Operative that he hoped would be the darker side to help Steve when he found him. Two sides of the same coin, one for the light and one to work in the shadows, Tony would be under Steve's control, he would be a weapon for the man who only picked up a shield. (Also assassin Tony is just fun.) Tony in this is a mash-up really, Tony traits, like Gold but different as he has been trained his entire life, the only reason he has developed a sense of self is Rhodey and the fact his parents died at 17. Rhodey got there first after the car crash, getting to Tony before anyone else who knew what he was could potentially claim him. Tony definitely collects people. Yinsen and Vanko for example. Chapters from Ironman up to Avengers (not complete). But enjoyed myself rewriting some out of sequence chapters, so there is a nice big scene in Siberia. (15k)
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Another Persons Wish - Now this was based on a post I saw going around. Person A is married to Person B. Person A is looking back at their life and wondering if they should have married B, etc. So, A is offered a wish. Poof. Goodbye Marriage. Person A is Steve, and the story is from Tony, person B's POV. It goes from Tony planning his anniversary(because I was apparently extremely angsty when I started this!) to waking up in the past, alone and wondering what the fuck has happened. 6 chapters entirely written. Chapter 7 is in a different file and in progress when I dabble on it. (30k)
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Tarnished Gold - This is an AU from my AU AU XD. Basically similar set up to the Gold Universe, Tony escapes Hydra Captivity but is brought in by Rhodey instead of spending 2 years on his own cleaning up Hydra. He only spends about 7 months before Rhodey convinces him to come in. Few other tweaks here and there but that is just side. Rhodey and James are pals too. The plot here is Howard and Maria are brought back from the Dead and Rhodey is trying to work out how to tell them what has happened and that he can't just bring them to Tony, because he doesn't know if Tony will remember them yet. Tony is a little less 'give me orders, and I'll gut you, and more 'orders made things easier'. I basically flipped his and James reactions from the original Gold universe. Tony is more in need of a hug. It's very loosely put together. I wanted something where Howard was a good dad to offset the fact I kind of made him Hydra in the next piece, and I wanted a good family man Howard with the bringing the parents back because I love reading fics that bring Howard and Maria back. (9k)
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Sins of The Father - Arno has just buried his father. His mother is in a coma, he is 20 and mourning his life now he's expected to take on the business when a visitor flips his work upside down worse than the phone call about the crash. His Father? Part of a program that summoned a creature known as a Void Walker. (A creature from the Void Loki fell into, the only native species to that area, most others can't survive the void, so Loki will read as Void Touched and is 'To Be Protected' because I think that could shake up the Avengers section nicely.) Oh and he has Howards DNA. So Arno is freaked that he has a brother, that someone released and sent to him and Arno is 100% sure he is not meant to deal with severe traumatised half-human assassins that could be his kid brother. That is how Arno meets Tony and becomes very invested and turns up big brother protective instinct to 13. When summoned they're tired to a person and has to obey orders, that person was chosen as The Asset under the idea he can't disobey, which obviously fails as Winter does everything to protect Tony, including freeing him and sending him to Arno. His last order is that Tony is not allowed to go looking for or rescue Winter, which I think will be some nice drama when Bucky gets brought in (I really like this one) It has mostly set up but 2 scenes for in the future, Tony finding Coulson threatening Arno in IM2 and the data dump. (21k) (in this S/S Helped is Yelped, I'd fix it, but I've been working on this post forreeever)
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Blood and an Arc - This came about from reading the Tony is a vampire fic and noticing that when he gets turned, generally Tony hates being a vampire. There aren't many where he comes back from Afghanistan a vampire and goes, huh... Well. This could be interesting. Loosely based on Vamp the Masquerade but I've tweaked it because my brain takes ideas and then runs off madly into the sunset. It is however utterly all over the place, some from Ironman and then random out of sequence chapters that I'm unsure about as I hadn't slept in a very long time on writing them and Tony went kind of Spike-ish calling James 'Pet'. I do like the idea of Tony fully embracing his changes. Yinsen never intended Tony to live, so he did something extra whilst turning him, so he is not an ordinary baby vampire and is convinced (justifiably so) that if he meets any other vamps, they'll try to kill him. In notes have Sam considering being a werewolf who works out Tony is a vamp and freaks out, because Vampires vs Werewolves and Tony is utterly confused and tells Sam he smells of mint (seriously, insomnia) Sam is baffled to find out the centuries of hatred that is claimed to be instinctual is actually taught. Sam gets kind happy he has a Vamp friend. (20k)
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The Original Plan - This sets up around the end of the Mandarin (because honestly, I prefer working with Tony that has powered, especially because James has the serum and I personally think it would expand life span more than shown in Endgame. So I like evening things out and powered Tony is my jam) Tony has a bunch of plans, and they go awry. He doesn't see why and has zero clue what's going on. It's because no matter how well he plans this out, he's caught up in other people's plans. Steve is a little more "End goal justify the anything and everything." In other words, getting Bucky back is his plan and everyone are just pawns in said plan. I've taken that tactical genius title and also pushed him a little darker. After Ultron, he brings Wanda on for 3 reasons. 1 Precedence. 2 Fixing Bucky. 3 Making sure Tony doesn't find out about his parents and making sure he is on the team and available to fix Bucky's arm. That last bit changes things as instead of pulling away from the Avengers, Tony fully moves into the compound(just after AOU, it's not good). There will be no accords and Steve will find Bucky and just move him in and general plans on telling no one about the Winter Soldier. I summed up a chunk of AOU in this format, and I liked it (in an angst and pain fashion.) But it's quite long for a screenshot, so here's a chunk. Bucky is being brought in soon, but as it is, Tony is not having a good time, there might be Wanda conditions in his mind that Steve can use to convince Tony to do things... Also, because he is living there, I couldn't justify Sam not noticing there is something very wrong, so he is asking questions he didn't in canon as Tony's PTSD is more in his face living together you know? (16k)
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spideypoolbigbang · 4 years
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SPBB 2020 F.A.Q.
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For those over 18, feel free to join the Spideypool server through this link. Please make sure to introduce yourself and state that you are a participant in the SPBB, as well as what type (writer, artist, beta) so that we may assign you the correct roles. This will grant you access to the SPBB rooms, where you can discuss your creations freely. 
What is a Big Bang?
A Big Bang is a type of challenge wherein writers have a set amount of time to write a story that fulfills a minimum word length requirement. This story is then claimed by an artist, who will create art for the story. 
Writers and artists work together as a team. They share a posting date and create a masterpost of both the story and art that is promoted by the challenge blog. This is a collaborative effort, NOT a commission. Though writers can suggest scenes they wish to have drawn, ultimately it is the artists who choose an aspect of the story they would like to draw. The artist should also respect what the writer suggests and take their notes into consideration. Communication is key to a fun and friendly experience.
Artists can claim up to two stories and can work with multiple writers. However, writers will be matched with only one artist. If an artist drops out after claims, we will arrange for a pinch-hitter (someone who will create art for the story at the last minute). 
This is a fun event and a collaborative effort that will hopefully create more Spideypool content for the fandom and foster closer fandom friendships. 
How do I sign up as a writer/artist?
Sign-up forms are linked on the blog during the sign-up period. If you have trouble finding the post or have issues/questions about sign-ups, let the mods know either through an ask or by emailing us at [email protected]
I missed sign-ups. Can I still register?
Unfortunately, only writers and artists signed up within the given timeframe can participate in the event. If you missed it, please follow the blog for updates, as this is a yearly event, and you will have an opportunity to join the event the following year.
Can I sign up as an Artist, a Writer, and a Beta Reader?
Firstly, we applaud anyone willing to undertake such a heavy workload! We do not recommend this route because editing can be just as time-consuming as writing and drawing. However, we do allow those registering as only a Writer or only an Artist to register as a Beta as well. You must fill out both the writer form and the beta form. 
Will you email me reminders? What if I need more time? 
We will send out email reminders several days before official deadlines. Reminders will be emailed for all check-ins, claims, and posting dates. Please consider adding the dates posted on the schedule into your calendar to keep track. We will grant extensions on a case-by-case basis. This is a low-stress event, and we understand that life gets hectic. If you feel like you need more time, let the mods know as soon as possible before the deadline.
I’ve never participated in an event before. Can I sign up?
Yes! Everyone is welcome to participate as long as you are above the age of 14. However, we do ask that you are fully aware of the responsibilities that come with signing up. So make sure you read the rules carefully!
Will we be assigned a prompt? 
We do not assign prompts. You can write what you want, as long as the main pairing is Spideypool. You may work from a prompt, but you cannot reveal what prompt you’re writing from until after claims and it cannot be a prompt you have discussed writing publicly in the past. This is to keep the anonymity of your fic during the claims process. 
When can I start writing?
You can start writing as soon as you sign up (or even use a previously unpublished WIP for this event). 
I want to talk about my fic, but I’m afraid of revealing too much. What is considered information I can reveal?
The most important thing is that no identifiable details of your fic are made public before claims have been completed. This is to prevent the possibility of an artist seeing it and connecting that detail to you. We want to make sure the claims are absolutely anonymous so there is no bias while picking the stories. All stories will be chosen by artists based on summaries and visual components only. 
If you need group feedback and are 18 or older, the Isn’t It Bromantic Spideypool Discord has a designated section for the SPBB event, where there will be rooms for participants of the event. Event announcements are also posted within the SPBB-specific rooms, as well as on the tumblr blog and via email. Event rules apply to the server, as it is a public forum. However, there is a writers-only room named #spbb-writers-cafe, where writers may discuss their works freely and receive feedback/brainstorm ideas. This means that writers may not share details of their story in any other chat. 
If you are under 18, or otherwise cannot/are not interested in joining the server, discussing details with your beta or another individual (who is not participating in the event as an artist) in a private one-on-one chat is allowed. 
Here are a few examples of what information is allowed and what is not:
“I’m almost done with writing my SPBB fic!” ← This is okay because it reveals no specific details about your story that an artist could recognize. 
“I’m almost done with my Princess Bride AU fic for the SPBB!” ← This is not okay because it is a specific detail. 
“I’m writing a story involving an alien invasion, but I kind of want to write this royal au as well. Which one should I pick?” ← This is not okay. Even if you didn’t mention the SPBB, you’re using one of these stories for the SPBB, and it might be recognized based on these descriptions. 
“Is there anyone not drawing for the SPBB who could help me bounce plot details (In private chat) for this idea I have?” ← This is okay because you will be taking discussion to a one-on-one private chat. 
Can I use any version of Spider-Man and Deadpool for my fic/art?
Yes. We understand that there are many versions of these characters, whether it be the actors or the comics. We ask that teams respect each other’s preferences. As long as appropriate warnings are given in the story and the art, teams are free to create what they please, and that includes underage Peter or Tom Holland!Spidey/Ryan Reynolds!Deadpool. Or Spider-Man Noir/Sumo!Wade Wilson, if that’s your thing. Go wild! Please note that we do not tolerate shaming or harassment of any kind. Leaving negative comments or complaints or otherwise being disrespectful to or about another participant’s creative choices because a piece depicts an iteration of Spider-Man or Deadpool that you do not approve of will result in disqualification from this round and a possible ban for the next round, as well. Be respectful and mature when communicating. If you have a problem with the iteration of the characters your partner is using, please contact the mods for mediation.
Can I write other pairings, such as Spider-Man/Mary Jane or Deadpool/Cable?
You can, but keep in mind that the fic has to be majority Spideypool and endgame Spider-Man/Deadpool. Poly ships such as Peter/Wade/Vanessa or Spider-Man/Deadpool/Daredevil are also permitted, as long as they are not the main focus of the story and are not the final pairing.
If your preference is to write polyships, we encourage you to seek out a polyship big bang event. 
When am I assigned an artist/writer?
You will be assigned a partner during Art Claims. It will be an anonymous claiming process, wherein the artist chooses a story they would like to create art for. Instructions will be sent out by email before claims. You cannot pick your own partner. 
Are we assigned beta-readers? What is a beta-reader? Do I have to use one?
A beta-reader is an editor who will go over your work. They mostly look for grammatical and structural errors. We require all participants to have at least one beta-reader look over their work. It is good etiquette to thank your beta-reader and also credit them for their help in the author’s note of your story once it is posted. 
You will not be assigned a beta-reader. However, we will have a list of volunteer beta-readers prepared, and a list of their contact information and preferences will be sent out through email to all the writers. You don’t have to work with the SPBB betas if you already have a beta to work with, but if you cannot find a beta, you will be able to contact any beta on the list we send out. 
Be aware that they will have refusal rights if your story goes against their stated preferences (i.e. If they state that they aren’t comfortable with Tom!Spidey fics and your fic is set during Infinity War, they can refuse to beta for you, etc.). It is your job to read up on what they offer and to contact them. Make sure to do so as soon as possible to ensure a beta is available to work with you. You will be asked to name your beta on the final check-in form, so it’s a good idea to secure one earlier rather than later. They will  need time to beta your work, and you’ll need time to edit before posting day, which is why we want to make sure you have found a beta ahead of time. 
Artists are also encouraged to work with an art beta, which can be found in the Discord SPBB artists chat. Basically, the best people who can give you feedback are your fellow artists participating in the SPBB. 
What is a Check-In? How do I check in/submit rough drafts/summary/visual components for claims? What are visual components?
When we say “check-in”, it is usually done through a form sent out via email a week before the check-in is due. Check-ins let the mods know that you’re on track and show us any progress you have made. 
Summaries sent in during the initial Writer Check-In will be used to give Artists an idea of what each story will be about prior to Art Claims. They are not an official summary. The Claims summary can be as detailed and spoilery as you want. More information and examples will be sent out with the first Writer Check-In email.
Visual components will be a simple list of what color palette/aesthetics/mood the story might provoke and/or maybe places/scenes that stand out in the story. Example: Fic has lots of cloudy days, grey colors, sometimes in forests. Hectic blood rituals. Moonlit nights. Wade fights a lot of ninjas. Peter likes to cosplay Steampunk. They are used to help artists better narrow down what they would like to draw. 
I prefer to wait to read the finished draft before starting my art; is that okay?
It’s important to remember that the event is a collaborative process, and both writer and artist participants are expected to be working on their projects throughout the event in order to meet their required check-ins. This means that you should begin working on your artwork as soon as you have received and read the draft of your writer’s story after Claims. If you feel inspired to make art for parts of the story which haven’t yet been written—bearing in mind the draft you receive will be 50% complete with an outline of the remaining plot—you should still begin work on this: you can have detailed discussions with your writer in order to form your ideas, or base it off the parts of the story written so far and the outline. Your writer has their own deadlines to work towards, and should not feel pressured to write particular scenes for you to illustrate or finish the work ahead of final check-in if they feel unable to do so. Remember, “WIP” exists for a reason!
What is Preview Day?
Preview day is a few days before the actual Claims, and is the day summaries and visual components are sent out to artists  Artists then have a few days to read over all the summaries and pick their top 3. In consideration of the Writers participating, Artists should not share their top choices on public forums.
If I sign up as an Artist, how can I be sure that I don’t accidentally claim a story that contains content I’m uncomfortable reading?
When the Writers submit their summaries and visual components for preview day, we ask them to include as spoilery a summary as possible so that there aren’t any surprises for their potential Artist later. We require tagging for all major AO3 warnings (Graphic Depictions of Violence, Major Character Death, Rape/Non-Con, and Underage), and encourage including any other potentially triggering or squicky tags as well. We will be asking Artists for any particular tags or story elements they want tagged during claims on the Artist sign-up form so that the Writers will know to include those tags in their previews during Claims. Our main goal in hosting this event is to make sure that everyone is having fun and enjoying what they do, and making sure that all participants are comfortable with their partners and the work they are creating together is a top priority.
What is Claim Day, and how do I claim the fic I want to draw for?
Claim Day is the official day when Artists will be sent a form to submit their top choices for stories to draw for. The email will be sent out at a specific time and date detailed in the Previews email. Because claims are assigned on a first come, first serve basis, it is important for artists to fill out the form as soon as possible to best assure that they receive one of their top choices. We have done our best to pick a time that will work for a wide variety of time zones, but as the Mods are based in the UK and the USA, we had to choose a release time that best fits our own schedules as well. Be aware that this might mean that you have to set an alarm for the middle of the night depending on where you live to make sure you have the best chance at getting your top pick.
I haven’t heard from my partner in a while; what do I do?
When you sign up for this challenge, you are agreeing to communicate with your partner through emails or other methods determined by you and your partner(s). Some teams might communicate only a few times, and some might communicate regularly. It is up to the team members to check in with each other. It is critical that you respond promptly to your partners and check your messages, even if it’s just to say you’re busy and will respond later. 
Team members are required to make contact with each other within 48hrs of the Team Intro emails being sent out so that drafts can be exchanged and you can begin working together as soon as possible. 
At all other times, if you send a message to your partner(s) and do not receive a response within 2-3 days, please contact a mod so that we can attempt to reach out separately. PLEASE DO NOT WAIT UNTIL THE LAST MINUTE TO LET US KNOW YOU HAVEN’T HEARD FROM YOUR TEAMMATE. If a participant does not respond to their partner(s) and/or a mod within 7 days, they will be added to a probation list. If this happens repeatedly, that participant will be disqualified from next year’s event. Ghosting your teammate will also lead to disqualification. We take communication between teammates seriously, and we hope our participants do as well.
What if I need to drop out?
There is no penalty for dropping out before claims. However, we ask that you let us know as soon as possible so we can remove you from the mailing list. 
If you have gone through claims and need to drop, contact us immediately at [email protected], so we can arrange for a pinch-hitter for your teammate. You must also let your partner know you will be dropping out. Please note that dropping out after claims (for anything less than an emergency) will disqualify you for the next round of SPBB.
In the event that an artist drops out of the challenge before posting, we will arrange for a pinch-hitter for the writer. If a writer drops, artists can still post their art on their assigned posting date. Do not announce that you are dropping out through social media before telling your partner. We do not want your partner finding out that way. Instead, let the necessary people know through private chats or emails. 
If there is an emergency, get in touch with us as soon as possible, and we will work with you the best we can. 
What’s a pinch-hitter and how can I become one?
In the case of an artist dropping out of the event, leaving a writer without an artist, a pinch-hitter is asked to sweep in, often with only a few weeks notice, to create art for that writer’s story. Artists will also be asked during sign-ups if they’d like to register as a pinch hitter. If a pinch-hitter should be necessary, we will contact the artists who agreed to be pinch-hitters first. Should none of them be available to assist with the story in need, we will then post an open request for an artist.
Am I allowed to write timestamps, epilogues, or sequels for this fic? What about additional art?
You may write as many timestamps, epilogues, or sequels to your fic as you like, however these can only be posted after the event is complete and the final Masterlist has been posted by the mods. 
Additional art can be posted after the Masterlist of Writers and Artists has been posted by the mods and the current round is over. If someone creates fanart for your story as a gift, you may include it in the notes of your story, but the original fanart created by your partner must remain in your masterpost and linked or embedded in the AO3 story as well. 
Commissioning art for a story or asking a friend to create additional art for you because you dislike the art you received is not allowed. This is a collaborative event and to do so is disrespectful to your artist’s efforts. If you wish to commission art or have someone else create art for your story, you may not include that art within the story itself until one year after the posting date. The original art created by your partner must remain linked directly in the story.
What if I’m co-writing? Do we sign up together or separately? Do we get two Artists?
If you plan to co-write, both of you must register separately. There will be a place in the sign-up form for you to name a co-writer, but each co-writer must submit their own form with contact information, etc. during the sign-up period. You cannot add a co-writer after writer registration closes. Co-writing is essentially working together to create one story. As per the rules, each story, even if you’re co-writing, will only receive one Artist. This also does not mean you can demand more art from your artist. They only need to fulfill the minimum requirement and can choose to create more art if they have the time to do so. 
Can I have multiple writing partners? 
Yes. While we prefer that teams stick to one or two Writers and an Artist for schedule coordination and easier communication, we have no problem with a team of three or more Writers submitting a story together. As with co-writers, you will still only be paired with one Artist, and all writers in your group must sign up for the event separately. 
To make communication and scheduling easier for everyone, we would also ask that your team choose a point person to respond to communication, coordinate schedules, and submit check-ins and posts when applicable. While we have no problem with large writing groups working together, trying to chase down three or more individuals for one story is a bit more challenging than we, as mods, are equipped to deal with. All participants will still receive relevant emails and reminders, but if we only have to look for one email instead of three or more, that will make our jobs significantly less challenging. 
What is the Promo Period? Do I need anything special for it?
The Promo Period will be a month where (depending on how many teams we have), each team will be creating what is essentially a teaser for your team’s story and art. These posts may be used by the teams to promote their upcoming work on whichever social media platforms they wish, but as the original post will be submitted to the SPBB blog, you may reblog it from the SPBB blog, but do not repost on your own tumblr. We will post a promo for a new team every day during the Promo Period, in posting schedule order. This is why we ask that each Artist create a banner for the story they are creating art for. More details on what is needed from both artists and writers will be sent out a week or two before the actual promotional period. 
How do I post, and when do I post? What if I’ve never posted on AO3/Tumblr/etc before? 
We will be sending out emails to the teams with details walking you through the process of posting and will be on hand to offer support and answer any questions. Make sure to contact the Mod Team at least a few days prior to posting for a walkthrough. If you do not have an AO3 account currently and are in need of an invite code, please contact the mod team immediately (AO3 invites can take anywhere from a few hours to a few months to go through AO3’s approval system, so please make sure to let us know you will be needing one ASAP), and we will try to accommodate you.
One team will post per day during the posting period until we run out of teams. Both Writer and Artist must post your works within your given day. We will send out emails asking which days your team can and cannot post, and will be creating a posting schedule from that information. Make sure to discuss availability with your partner. 
If I don’t want to be associated with my story after the first year, can I delete it from AO3? 
Yes, but we encourage you to orphan the work, rather than deleting it if you choose to remove your affiliation with the story past the one-year date.
Why are we posting during February? Why not sooner or later?
Because, my beautiful chimichangas, that was when Deadpool the movie was released. And we all know a Spideypool Bang is what Deadpool would have wanted. To honor his glorious movie debut, we are going to release a bunch of Deadpool romancing Spidey (and vice versa) creations into the world. 
[Credit to the kind mods of DCBB (DeanCas Big Bang) who gave us permission to use their FAQ as reference.]
[Banner edits courtesy of jdragon122, who kindly took the time to make these awesome high-quality banners.]
35 notes · View notes
doctolka · 3 years
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Intro to New WIP: The War of the Shadows Book 1
This is my last post tonight, I *promise*. I'm out of coffee and excerpts that make sense out of context. The former is probably going to be more influential....
Anyway, this is the opening scene (currently) of my new WIP, which takes places several hundred years prior to the other one (yeah, that one's still not done. I know), during the fabled War of the Shadows. It introduces the root causes of some of the disagreements and problems in the modern, and was actually the first plot I built for Adoana... So without further ado....
A Guide to Adoana...
Note: I'm leaving off the taglist for Adoana, since this is technically a new WIP and I don't like assuming people are on board... so if you want me to make a taglist for this, and want to be on it, do let me know!
It was a dark summers night when the first of the band began to arrive in the pre-ordained clearing. Chismos shone darkly overhead, the barest glimmer of its swirling blue light breaking in through the treetops. They had chosen this location well; they did not wish to be disturbed this night. It was an assured place, safe from prying eyes, and far enough away from the city walls that even the sharpest-eyed soldier in the highest tower would not see their meeting had they been looking straight at it.
They were very self-assured, these cultists, as they filed into the clearing, each bearing their respective talismans and rune-inscribed voidglass. This one was from the city, look at all his rings, glittering in the light of the candle he brought about; many cultists only used the finest candles. That one was a poor farmer, though his face lay hidden like the rest by a deep cowl, his rough hands worrying the rounded wooden bowls he held. That trio, warming their hands over a small brazier, they were merchants, their charges already placed: a stark white blanket, soon to be red, covered a set of folding desks; a set of seven voidglass-covered boards sat waiting, with a stack of parchment and charcoal beside.
The final two of the ranks entered the circle of dim light with heavy burlap sacks over their shoulders. They were contacts, the face of the organization that worked with the various undergrounds in the region: a supply of bodies, both warm and long cold, was always a profitable venture. This night, only on of the sacks contained a body as they emptied them onto the ground.
She was a fair maiden, long of hair and thin of bodice, a light green chemise. Likely she had been taken from her bedchambers, hoisted out after drinking carefully drugged water, or after a sharp knock on the head. The two contacts lifted her up to the prepared table, then began to distribute the tools of their trade: colored powders for the fires, some mixed with an incense that would drive those near the brazier to intoxication and even greater fervor than they could get into without it. The woman, directly next to the fire, would be driven to the brink of insanity, if not past it, her mind shattered by the sudden influx of alchemical magics, and leave perfect roosting ground for the beast the cultists were so eager to summon away from prying eyes.
Had they the care to look upward, however, they might have seen that there were indeed eyes to pry, several of them, in fact, perched like so many awkward birds amongst the long limbs of the trees.
Like birds they had feathers, poking out this way and that, in such a way that the trees might have had more fletching in them than leaves, so stuffed were their quivers. And all their bows were held ready to draw, heads already aligned with their targets; all that remained now was for the cultists to begin, and signal their watchers that all members were present.
As if on cue, the man with many ringlets marched to the head of the group, so that a line drawn connecting them all would make a fine teardrop, seven paces tall and four wide, with a sacrifice in the middle. He raised his sparkling hands high, beginning a low, sonorous chanting which the rest took up just after. His hands were filled with the dyes, secreted safely in pouches to burn in the fire. Marcus drew his fletching to his jaw with a creaking of bowstrings about him. The man tilted an arm back to throw as he inhaled, and Marcus released just as the man’s arm began whipping forward.
A burst of yellow powder was quickly followed by a less vibrant burst of red as the long, blade-shaped arrowhead split the man’s hood and temple. A cacophony of surprised shouts and screams rose underneath them as the hail of arrows rained down, each striking true as a mounted troop jogged into the clearing, lances high.
Some few dismounted, drawing their swords, while the rest rode about, back into the woods to harry the cultists back into the hellfire of the clearing. They were a motley assortment, their arms and armor as mismatched as if they were but farmers. Which, after a fashion, they were. Or had once been.
Marcus nocked and loosed again, choosing this time on of the contacts as he slipped past the ring of steel toward the untended horses. He fell with no fewer than four arrows through his chest—or rather her chest, her hood falling back as she fell—and plenty other littered the ground where she had once stood.
For a battle, it was silent, a ritual for the hunters just so much as it had been a ritual for the cultists. Stalk, ambush, kill. Rinse and repeat. That’s what Marcus had done for well over two years now, and many of his comrades even longer. With exception of the screams of the cultists, and the occasional grunt by a hunter as one turned to fight, it was quiet. No shouting orders, no horns or drums or horses galloping across a field.
It was, to put it bluntly, a massacre.
Tirosh dropped to the ground just as Marcus did, drawing his long hunting knife even though the fighting was wrapping up. He was a King’s Ranger, on loan along with a couple of others from King Relnero of Corval to help bolster their numbers. Fredrick was fighting to drive all of these witches out of the man’s kingdom, after all.
There was one cultist left standing as the rest of the bowmen slipped from their trees, dueling with one of their own. No one stepped in to help; Marion had it well under control, even though the last of the contacts was clearly trained. She was an expert duelist—she even entered in tournaments, sometimes—and even with her arming sword against the other’s longsword, it was clear to all that she was, once again, playing with the kill. Some of the men contended that she was really an Other-Kin, a Skin-Changer, and that’s why she acted the way she did, sometimes, but never within her hearing.
They twirled about each other, not in the dance that some poets call swordplay, but in the manner in which a caged wolf might stalk, and the way a deer might flee a hunter. Marion deflected thrusts and slashes alike calmly, letting them get almost close enough to her to hit before sweeping them aside. Finally, she deflected a straight thrust from the man, aimed high for her should, and swung around the outside of his sword arm, inserting her blade easily between his ribs and sliding it out in one quick pirouette. He had time to look down at the hole in his side before he fell; she had sliced both lungs and punctured his heart.
She wiped her blade on the man’s cloak as he gurgled the last of his life away. “That was entertaining,” she said lightly, returning the blade to its sheathe at her side, ornately worked with a red rose. “But why didn’t one of you louts see to the girl?”
“Just wanted to make sure that bastard didn’t have any tricks up his sleeve,” Fredrick growled. He always growled, though he was not an unkind man. “All you need is one time meeting someone as good as you out here to end the game, one for all.”
He was one of the few people who could get away with talking to Marion like that. Isaiah was another, but he was the one who healed their wounds and crafted their antidotes and poisons. He could talk to Fredrick like he was some lost puppy and get away with it. Not that he did, of course, but that did not mean he could not.
“And what of the rest of these, eh? You’d just trip over each other!” she returned, speaking first to Fredrick and then to all of them, sweeping out one long arm in a great arc. “Go see to the girl, and make sure all the fuckers are dead!
Marcus and Tirosh were the closest to the table and Marcus hid a grin from his companion as they loped over. He hated checking the pulses of the cultists. It was one thing to shoot a man, and another thing entirely to feel a man’s pulse and plunge a sword through his chest because of it. He supposed there was a mercy in it—they were almost always too wounded to survive—but it was a cruel sort of mercy, the kind that made him feel black inside, as though he were no better than these cultists that worshipped the Shadow. He checked the woman’s pulse while Tirosh gently checked to see if she was wounded; just because they hadn’t seen any wounds from the treetops didn’t mean they didn’t exist. More than once they’d rescued a victim only for them to die later on from some wound or poison they had overlooked.
Tirosh nodded his beak-like nose as he finished his assessment; the woman would be fine, when she woke. There wasn’t so much the question of if she would wake, since the incense had never made the brazier, though it was a consideration. Together the lifted the lady—who else would have dyed bedclothes? —as gently as they could from the table and tipped her up onto Fredrick’s stallion, Bright-eye. He always like to carry the victim back to safety, to Isaiah’s caring hands, even if they arrived too late. Something about it being his responsibility. He had a lot of those.
“Mount up, folks,” Fredrick called as Hisam and Regenor returned to the clearing, “I mean to be back in a warm bed by sunrise!”
Some of the men laughed at that, a rough, raucous laughter of men used to death, but still uncomfortable with it. At least the cultists hadn’t had a battlemage with them, or a medium such as a wand or staff. Only a week ago, they’d lost ten men in a raid much like this one because of a fellow with a wand. Isaiah had it now, though he was uncomfortable with the thing—he didn’t much care for violence.
As much as Fredrick wanted to be back into a town by sunrise, he didn’t make them push their horses. Fredrick didn’t make them do much of anything, really. He planned and organized their raids, and led them in that regard, put the time between raids was their own. There was nothing binding them to the party, save for the bounties.
Under typical circumstances, witch hunters like themselves would be under suspicious eye at the best from the law. Some kingdoms made them bring some witness or other—a sheriff or detective, typically—but in Corval the custom was to bring back the thumbs; the king would not stand for witches within his borders, and didn’t much care if they were caught in the act or ambushed in the streets: he would pay the bounty.
Fredrick’s group didn’t need to do that any longer—and each and every one of them thanked the ancestors for it; it was a most gruesome task—since they’d been personally tasked with removing even the slightest vestige of the ‘infestation,’ as the chamberlain had but it. Fredrick fell on the task with vigor.
They walked through the early morning, dew falling and fog rising as they worked their way out of the woods. Fredrick trotted on ahead, taking with him a good three quarters of their number, but Marcus was in no hurry, nor did it seem that Tirosh was. Though many of them thought the cultists less than human for what they did, some needed time after raids to come to terms with themselves. That category marked a significant group; the new had no trouble, or at least feigned not having it, and they passed on ahead with nary a glance to a side; the old had already come to terms, and had been for years. They had no need for quiet plodding. No, the ones that lagged behind were the ones that were old enough to recognize what they had done, but not quite seasoned enough to simply brush it away.
Marcus grabbed his reigns from Isaiah, swinging into the roan’s saddle with practiced ease. He had ridden a lot growing up, once he had gotten off the streets. It was one of his few comforts on the estates of Lord Darius Tyldian, one of the few things he could do without being watched by a half-dozen servants and guards. It was quite difficult to steal a horse, after all, from a walled-in area. Word had come recently of the odious man’s death. There were no estates waiting for him—for which he was eternally grateful and simultaneously put out—as they had all gone to his sister, an equally odious individual.
He fingered the sword laced to the saddle horn as he walked the horse through the mists. It wouldn’t be long now before they started north again, nearly to the border with Salos. They would have to be careful up there, more so than usual, since the mountain passes offered little in terms of cover, and even less in terms secrecy.
“So how’s the lass look?” Henrik asked, walking his horse beside Isaiah’s—to whom the girl had been transferred.
“Not terribly well, I’m afraid,” Isaiah said in his usual timid manner. “I don’t quite know what to make of it, for certain… I can’t say she’s been drugged, but nor can I say she hasn’t been! A typical bump on the head would leave signs, which I haven’t seen, so they must be using some sort of toxin of which I’m unfamiliar, I think, but there really never is telling with witches whathas been done. You follow?”
“Aye. That I do, at least in part,” the burly Sundlander said, combing his bushy blond beard with thick fingers, “You’re saying these witches is up to no good, that’s what you’re saying!” he finished with a bark. There was nothing much that could keep Henrik’s spirits down for long. No one was really sure why he stayed back with the mourners.
Isaiah shook his head. He knew Henrik was joking—he had to, he’d known the man for some two odd years running—but sometimes the man’s disposition got under his skin—especially when he had a patient he didn’t know what to do with. “Even the dullest of dimwits could tell you that, Henrik, and gladly pass along their title to you,” Tirosh interjected, earning a relieved grin from Isaiah. He might be as dour as could be from a man, but he was a good one, and of sharp tongue to boot.
Henrik’s scowl melted to a wide grin moments later, his feigned hurt evaporating like the morning mist under a hot summer sun. “Aye. That I could tell myself, though I haven’t any idea about handing a mantle to myself—waste of energy, if’n you ask me.” He wasn’t slow—though some considered him to be, as much due to his heritage as to his demeanor—and he always had a clever quip coming to deflect any real hurts.
Marcus tipped his head back as they continued to banter amongst themselves, gazing up at the stars that glimmered through the trees overhead. This was what life was supposed to be, minus the killing; walking through the woods with nary a care in world, surrounded by friends… too few people experienced such freedom. What would the world be like if more people were allowed to live happily?
Speculation and philosophy never got him anywhere. Too many ifs and buts; too many unknowns. Likely there would be just as many depraved sorts as there were now, if not more, what with those too lazy to work even for themselves. That was what was said, anyway, though usually by the people doing the whipping. It was almost ironic in that one of the few areas where all people, no matter their walk of life, were equal was within covens.
Not all covens were bad, despite what Fredrick would have a man believe. Marcus had run into the first kind some time before joining up with Fredrick, though it had been an incident with the second that lead him to fall in. The first kind he wouldn’t overly mind joining when he grew too old to hunt the others; they were a kindly, peaceful people, so much so that neither beast or Other-Kin would trouble them. They lived secluded lives, unlike the second kind—the killingkind.
The second kind was worth eradicating. They were named Cultists of the Shadow, politely, and witches when safest from their cursing. They lived in the cities and towns, they could be a man’s neighbor without him knowing… at least until he ended up a sacrifice for their dark god.
That was where Marcus had found himself, a year ago now, in the same place this woman had found herself in this night. He had spent the evening with a farmer on his way back to Marasol after his horse bolted with all his belongings; he’d mucked out his very first pigpen for his board, and found his bed instead being a cold wooden slab in the middle of the forest.
He attributed his survival in no small part to the incompetency of his captors, but mostly to the timely arrival of Fredrick and his band—not so differently from the raid tonight, in fact. That was how a sad majority of them got into the business, it seemed. Victims turned vigilantes, as some put it. Whether they’d found themselves on a cutting table, or next to an incensed brazier, or whether they’re home had been burnt down, or their village victim of an unnatural plague; they all had some grievance or other with the cultists. Few were those who could stay without a firm, personal vendetta.
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ashvayr · 4 years
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10 Questions Tag Game
i was tagged by @montevena! thank you so much i actually can’t wait to answer these <3
rules — answer the 10 questions, ask a different 10, and tag 10 people.
which trope you’re writing is the hardest for you?
i’m actually really bad at identifying tropes in my own writing drtfyghnj this is not to say that i’m not writing them, just that i’m a Fake. but blood and bones, and the entire godswar saga really, has a chosen one trope that's sort of twisted, and because i don’t outline (so many people just screamed, but if you would like me to further explain this, i definitely can in another post!) i found that turning it into an overarching plotline to the whole series was difficult, but i have it pretty much sorted out now!
who are five of your favorite characters from books/tv shows/etc.?
mia corvere from jay kristoff’s nevernight chronicle is probably my favorite character of all time. those books are honestly just masterpieces; murder, sex, revenge, brilliant dialogue, better twists, canon gays. mia epitomizes all of this, of course, and her character i find is very unique especially in the sense that she’s a female assassin in a high fantasy novel, her actions/dialogue are still very natural and clever, which pairs really well with the world. she’s not like other girls, basically, in this essay i will
tyrion lannister from “game of thrones” (the tv show, not the books, i’ve never read the books, i am ashamed) (i am not talking about season 8 though, as i never will) is another favorite of mine. peter dinklange does a great job playing him and i never found myself tiring from him, his story, or his characterization. again, i must use the word ‘clever’.
alex stern from leigh bardugo’s ninth house has actually found herself in my top five. going into the book, i wasn’t sure what to expect, mostly because leigh’s previous stuff had all been ya high fantasy and this was adult low fantasy, but i was pleasantly surprised. alex became addictive almost (darlington too, leigh really knows how to write pretty boys™) and she had a very different kind of smarts to her that she was able to apply to a number of situations, all made very enjoyable by a generally cynical (more pessimistic? there isn’t one word for it i don’t think) personality.
nona grey from mark lawrence’s red sister surprised me, mostly because the story was such a great combination of world and character; it felt as if you were watching a film while reading, there was sort of this bigness to the world around nona, even though the plot was driven by her. also, a majority of the book, nona is not older than 12 and i often find that kids under the age of 15 are portrayed as naive and stupid, so the fact that nona was not (which was partially due to her trauma) was refreshing. her aspirations were also much older than she was, which ultimately strengthened the character/read relationship.
baru cormorant from seth dickenson’s the traitor baru cormorant is another excellent character. first of all if you like politics in fantasy at all i highly, highly recommend these books, dickenson does a brilliant job not only world building but building in complex politics, with themes that deal with colonialism and its effects, something i rarely see in fantasy. you follow baru all through her life and her thought process is left bare for the readers, something that works really well in the book’s favor and aforementioned complex politics. 
who are five of your favorite ocs?
i only really have five ocs and you can read about them here! i’ll also be doing individual character edits soon, hopefully.
what literary devices do you enjoy reading most? are they the same ones you like to write most?
ur kid loves a good juxtaposition.
if you could only have one wip, which would it be? why?
i only have one wip :( this is because i am lazy :( :(
fantasy or contemporary?
fantasy, generally, but i think it depends on the themes of the contemporary. mixing the two can also be very interesting.
romance or bromance?
i’m not a very big fan of most romance, especially in fantasy where it can overpower the need for world building or decent characterization, drowning out the actual plot, but when it's done well, it's done well and i prefer it. 
do you have any pet peeves in writing?
i have so many and yet i can think of none. adverbs are the first to come to mind, i just hate when people don’t use them sparingly. lacking description, or rather, saying instead of telling. on that note, when the author thinks the reader is dumb (this is a bigger problem with newer writers i’ve found, you have to remember that readers are smart and once invested and trusting your story/ability to tell that story, they will want to figure out puzzles and problems. that trust won’t come though if you’re treating them as stupid.) i really don’t like it when flowery writing is used for anything outside of literary fiction, as in genre fiction it tends to distract or make the writing look unprofessional?? again, i think i would need a whole post to explain this rdtfyubnj
if you had to choose one album of some musical artist/band to represent your wip, which would it be?
anything by BANKS is probably the best musical representation of blood and bones just because her songs are all sort of dark and romantic and betrayal-related. shameless plug to my self-made soundtrack for bab and the playlist for the entire series.
do you have any pet peeves on writeblr?
writeblr is pretty much the perfect tumblr community (is that what we are i honestly don’t know), but i do think that creations, whether that be writing or edits, are not reblogged nearly enough, even though they should be!
tagging — @helleruine @astorsa @katabasiss @noloumna @norawritess @gothemark​ @medeaes @paracomas @zielenheil @alknst and anyone else who wants to do this!
my questions —
are there any historical events or people that have inspired the events or people of your wip?
which of your characters are more likely to adapt to their environment and which are more likely to change their environment?
what are the overarching themes (both tangible and philosophical) of your wip?
what is the greatest influence for your magic system? if not applicable: what is the greatest influence for your mc?
do you think that there is a “right” way to write?
do any of your characters possess a tragic flaw that becomes their downfall (not necessarily their death) and if so, who and what?
greatest visual inspiration? audio inspiration?
your favorite writing resource(s)?
a genre you wished you read more of? wrote more of?
a book, graphic novel/webcomic, tv show, or movie that you think needs more attention?
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clevercatchphrase · 4 years
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2019 year in review
So… The 2010’s are almost over. Huh. What a decade it’s been. Hard to comprehend how much has changed in 10 years. I can barely believe that I was in high school at the beginning of this decade, and now I’m a college graduate with 2 degrees who’s been working at the same job for the last 3 years. But trying to summarize the past 10 years in a single post is a good way to give myself an existential crisis, so let’s not do that! Instead, let’s just focus on 2019 because there has been more than enough shit that’s happened to me in this year to talk about.
PART 1 OF 2: 2019 AND 2020 GOALS AND RESOLUTIONS
Huh, looking back through my archives, I apparently didn’t make a tumblr post about my goals this year. I definitely had some, though. Lemme list ‘em off real quick, and then we’ll go through them point by point.
1)      Pay off all my student loans 2)      Finish some song comics 3)      Make art for my Redbubble account 4)      Finish the first rough draft/script of a game I wanted to make 5)      Practice ASL 6)      Sew some stuffed animals 7)      Finish some fan fictions 8)      Work on Ghost Switch 9)      AMVs 10)   Do some original writing 11)   Make illustrations for my fan fictions
Okay, first off, the student loans. I was actually SO CLOSE to successfully completing this one bUT THEN MY CAR HAD TO BE A WHINEY PISS BABY AND HAVE ITS ALTERNATOR DIE ON ME WHILE I WAS ON THE HIGHWAY AND THEN A BLOW OUT THREE WEEKS LATER.
GOD, if I had to summarize this year in two words, for me it would be “Car troubles”. I swear I spent more on auto repair in the first third of this year than I ever have just freakin’ OWNING a car. All four of my tires had to be replaced, my alternator failed and my car literally just SHUT OFF while I was driving, and I was barely able to coast into a gas station. Both my front breaks and rear breaks were worn down the metal and I only learned this when my car was barely able to stop after I had to slam the petal down full force!  I went in for an oil change, and they found some problems and then I didn’t get my car back for three days! I don’t even like owning a car! I hate driving! I hate my country’s refusal to provide universal, free public transportation! I NEVER ASKED FOR THIS!
Oh-kay… number 2. Finish some song comics. I didn’t finish any. But that doesn’t mean I didn’t work on them. I have made tiny progress, but that’s certainly better than no progress. One of these song comics I hope to be realizes is going to be a collab with one of my friends. It’ll be a long-time coming as it’s pretty low priority for the both of us, but if anyone else out there was disappointed with KH3’s ending, we’re gonna have ya’ covered… With SONG!
3. Make some redbubble art. I actually did this one! Not in the way I expected, but I added (technically) 3 new designs to my redbubble in the middle of the year. If you like butterflies and dragons, I got some product for you~!
Number 4, finish a script for a game I want to make. I… thought about this. I thought about this a lot, but I never put pen to paper, so… oops. It almost happened! I debated making this my main writing project for NaNoWriMo this year, but ended up having more inspiration for another story. Maybe next year? (god, I hope not. I don’t want to wait a full year just to write something)
Number 5, practice ASL. I just straight up didn’t do this and I only have myself to blame. Still keepin’ up that Danish Duolingo streak, though. 4 years going strong and not a day missed yet.
Number 6, sew some stuffed animals. Again, another one I just straight up didn’t do, but I have an excuse of trying to save money while my car crashed and burned in every other sense except literal this year. Hopefully 2020 will be different. I’ll definitely be able to pay off this last loan within the first half of 2020, and then I can start saving for whatever I want to buy.
Finish some fan fictions was number 7, and I did this! Well, I only finished, 1, but it was a story I’ve been working on for over 3 years, and it came out to over 200 THOUSAND words long, which is the longest thing I’ve ever written, and I’m quite proud of myself. Now that the big story is out of the way, and I’ve gotten into a good rhythm of working on Ghost Switch, maybe I can squeeze in some short writing sessions more frequently. (either that, or just wait for my car to break down again and then go on a writing spree in a pepboys. The lord and the fan fic discord know that’s solely why I finished my other fic this year)
Speaking of Ghost Switch, working on it was a goal this year too, and I did that! I kept it up all year and took a vacation in November and it was wonderful. While the major plot points have been in place since before I started drawing, I still need to script each arc beyond Snowdin, but hey, by the time we get there, it’ll be 2022 so I got time. (Note, don’t do this, kids. Script your stories and comics thoroughly before publishing. The road I’m on is paved with misery and pain and it will only end in tears unless I change lanes soon)
Number 9, amvs. Do people make AMVs anymore? Idk… the last one I made was... Jesus, 5 years ago? (it was a gravity falls/fall out boy crossover, if you were curious) I’ve been wanting to do 2 more for just as long, but in order for me to do that, I’d have to spend time re-watching the shows to find the footage, and then actually edit them together, and I just don’t…. feel like it. Maybe someday, but not any day soon.
10; do some original writing. I did this! For nanowrimo! I wrote the first draft of some original fiction I’ve been planning for a year or two now and it completely sucks! But it’s on paper now and I’m happy. Will I revise and edit it? Sure, but not for a while. I want to let it sit and forget about it and look at it with new eyes months from now so I can be sure I can make it better when time comes to rewrite.
11, make illustrations for my fan fics. Now that You Monster is done, I want to go back and add pictures to it. I didn’t do any this year, but I did keep a list of scenes I wanted to draw, so I have plenty of ideas to do as warm up sketches next year~ I kinda want to stream them~
So, that was 11 goals, and I successfully fulfilled 4 of them! That’s! Not a very good ratio… QmQ So, goals for 2020. Some I’m gonna keep from this year, some I’m gonna drop and some I’m gonna add. In short I would like to,
1)      Finish paying off that last student loan 2)      Put more stuff on my redbubble 3)      Illustrate my own fan fics 4)      Sew at least one stuffed animal 5)      Make an enamel pin 6)      Read one new book a month 7)      Write one page a day/Complete at least one new fan fic 8)      Learn Python or C# for the game I want to make 9)      Finish fully scripting Ghost Switch 10)   Boost my patreon
Most of these I think are pretty self-explanitory, but I’ll go into detail just a bit because I’m on a roll and typing my thoughts helps me feel less alone in the middle of the night when you’re super tired and you know you should probably go to sleep, but the toddler in you is throwing a tantrum and doesn’t wanna go to sleep just yet, but you can’t fight the progression of time either way.
Number 1- I should be able to reach this goal by the end of March. End of June at the absolute latest. Once that goal is met, my secret new year’s resolution will be unlocked as well!
Number 2- I want to put more art of my OCs on redbubble. These OCs are tied to the game I want to make. There’s already some art of them up there, but I want at least one piece for each character.
Number 3- Mostly for You Monster. Embrace the cardinal rule of fan fic and apply it to fan art. If you want to read about see art about certain ideas, scenarios, or what-ifs, you gotta make it yourself.
Number 4- I have 3 potential ideas to sew. One is definitely leagues easier than the other two and will probably be chosen if/when I have the time and materials.
Number 5- This year I got really, REALLY into the idea of making enamel pins. Unfortunately it’s a pretty big investment (like, $350 to make 100 pins you  might not even sell). If this happens, it’ll probably be towards the end of the year, and if I get enough interest. I’m currently torn between making an original enamel pin and one based off Undertale. We’ll just have to see where this goes.
Number 6- Back in 2018 when I paid off one of my many student loans, I rewarded myself by spending over 200 dollars in used books. All these books had a theme; they were focused on dragons because I have a problem. I have not yet read a single one of these books I have bought, and I would like to fix that. I have, like, 20 unread dragon books, and even if I only read 12 out of 20, I would consider that an amazing accomplishment and money well spent.
Number 7- I currently have about 8 different WIPs I could work on. (well, I don’t know if I can even call them wips. More like, a general idea and a title written down.) I want to build good writing habits, and if I can write just 200 words a day, hell, even 200 words a week and just one of my 8 stories done, I would consider this goal met.
Number 8- I’m torn between making my game in unity or ren’py. I know jack shit about both. Ren’py is more user friendly, but unity will allow me more customization. (Lol, can you guess what kind of game I want to make yet?)
Number  9- I really just want the full story to be done and written incase anything goes horribly terribly wrong in my life and I find myself unable to continue making ghost switch in comic form. Then at least I can finish the story by other means, you know?
Number 10- It always surprises me every month when I get that patreon email saying I got paid. Sure, I don’t even make double digits on it, but it still awes me enough to know that people out there like my work enough to throw me a tip. I can’t thank my patrons enough for supporting me and I hope to one day be in such a good place I can update my comic/song comics/writing frequently enough without need for goals or milestones. But until that magical day arrives, money is always a great incentive for anything, I suppose. ¯\_(ツ)_/¯
 ALRIGHT. PART 2 OF 2: SHIT THAT HAPPENED TO ME IN 2019
Cheesus crust what a year. This year started off great! Back in late January Kingdom Hearts 3 FINALLY released, and let me tell you a little story. Back in the summer of 2006 I was a 13 year old middle schooler with no way of making money other than by doing house hold chores at a rate of 25 cents a task. A few weeks ago, I had a sleep over at a friend’s house and they let me play this weird game called “Kingdom Hearts” and god, I was instantly hooked on it. That summer, I did over 800 chores, enough to earn myself 200$ and buy myself a playstation 2 (just in time for the ps3 to come out, gg me) The only games I had for the ps2 were KH1, 2, Re:CoM and Okami, and I beat them all… except Okami. Miffed that the PS3 wouldn’t allow for backwards compatibility, little 13-year-old me made a promise. I looked myself in the mirror and said “I will not buy the next playstation console until KH3 comes out, AND BOY that was probably a good choice for me to make with my level of gaming. I’m even less of a casual gamer than the average casual gamer, but I have been waiting 13 years for this piece of closure, and I even told my friends and family that “the day Kingdom Hearts 3 comes out is the day I will buy a playstation 4”. My dad apparently thought this was the funniest shit, because he literally took the day off from work that Friday to drive me on base to get the game and console (he thought it would be less crowded than a regular walmart, I suppose). I paid $400 on a ps4 pro while he bought me the game. Again, I have an impecible sense of timing seeing as the PS5 is now right on the horrizion, but just like before, I’m not buying a new console until the next KH game is released. See you in 2045, sony~. While I was at the gamestop on base, I also picked up Okami HD and The Last Guardian. For all of February and even early March, I took my time playing through KH3. And…! It was the best disappointment I’ve ever played. After a month away from gaming, I started The Last Guardian and finished it in a couple weeks. I love trico and would die for him, but trying to get 100% completion on that game is udder insanity. Okami, HD, however… again after a month break after finishing TLG, I started replaying Okami. I think I had only managed to get about halfway through the game before I just… stopped playing it on my ps2 version. I am currently SO CLOSE to getting a 100% on the ps4 version. In fact, I’ve beaten the game. I only (techinically) need 2 more trophies to be done; 1st, escape the water dragon without being eaten, 2nd, I need to beat that dumb stupid race with Kai, in order to get the last bead on my rosary, as well as the top dog trophy. I hate her so much. I hate this race so much. It’s awful and bad.
Flash forward to December! Earlier this month I was at Barnes and Noble, buying myself a planner for 2020. I exit the store and notice that there’s a gamestop across the street. For shits and giggles I go inside to look at their game selection, and I find KH 1.5 and 2.5. Now, my PS2 died a few years back (it just won’t read my discs anymore, I don’t know why) and I haven’t been able to replay any of my other kingdom hearts games since. If you had seen me the day I finished kingdom hearts 3, after the ending credits rolled, you would have heard me say “Man…. I wish I could play kingdom hearts 2 again”. AND NOW I CAN, ALONG WITH BBS which I had never even played yet, but knew the story of. I’ve restarted playing kh1, and I was so happy to hear that familiar music when I booted the game up for the first time. While at the game stop, I also picked up Rime and Tearaway, two games that had looked interesting to me. At the time of writing, I’ve finished Rime and am 25% done with tearaway. Rime was…. An interesting experience. I learned about it through Jacksepticeye’s channel a couple years back and thought the art style was enticing. For a super casual gamer like me, I found the puzzles just the right level of challenging and exploring was a blast! The music gave me VERY strong Princes Mononoke vibes, but the overall story left something to be desired. Overall I had fun, and enjoyed completing this game to 100%. Now for tearaway. Can I just say this game is super fucking adorable? I know the original was on the ps vita and the gameplay there was arguably more diverse and imaginative, but this game is just so fucking cute I don’t care?? ALSO, this game’s sound track is ABSOLUTELY incredible and I’ve only heard the first fourth of it! Listen to The Orchards, Pig Riding, and Gibbet Hill Pilgrimage for a taste of their wonderful beats and fantastic use of string and woodwinds! God, I’m so excited to get some more games in 2020. I’m proud to say I currently own more ps4 games than I ever did with my ps2 (and now the majority AREN’T Kingdom Hearts titles!), and I’m still hoping to play Journey, The Witness, and Abzu before everything becomes ps5.
What else happened to me this year. Oh, I went to a doctor for, like, the first time in seven years. I also had my blood drawn for the first time ever, and the nurse said the most disturbing thing to me while she did it. Now, whenever I get shots, I refuse to look. I did that here. So she thought it would be appropriate to say to me “Can you feel your blood leaving your body?” Lady… You can clearly see I am uncomfortable with what is happening here. Why, of all the things you could say, did you choose to say that. Unfortunately, while my doctor is nice, she keeps wanting to run tests on me, that I just cannot afford with my current salary, and my monthly insurance is about to go up to 200$ a month, so I’ve cancelled my next appointment with them, and don’t plan to go back until it’s absolutely necessary. Capitalism is fun, guys. Preventative healthcare is for wusses.
I started going to a chiropractor on a monthly basis. Story time- I don’t know when it started, but sometime late last November I began to notice that I had a headache that just... wasn’t... going away? And each day it was starting to get a little worse. It made it hard for me to find a comfortable position to sleep, it made it hard for me to be in bright areas or move fast. So I said to myself “Okay, if this headache persist through the month of december, then something is proooobably wrong and I should go see someone about it. And hoo-boy were thing wrong with me. By the time this January rolled around, I couldn’t even stay on my feet for more than a few hours without it physically hurting to just BREATHE. So I started going to this chain called The Joint (A+ name, I know). THey aksed me “How are you doing?” I said “I’m in pain” and they said “We can help fix that!”. I’ve only been to a chiropractor once before in my life a few years back after my freshmen year of college because I began to notice my hips weren’t able to support me? LIke, I would lie on my back, and I couldn’t push my hips up when my feet were flat on the floor. I also couldn’t climb anything steep, because my legs just couldn’t push me up if my knee had to bend more than 90 degrees when I lifted my leg up. (Turned out both my hips were apparently out of place). This time only one of my hips were out of place (which they fixed. they said one of my legs was an inch “longer” than the other because I had been leaning all my weight on one leg when I stand). But two of my ribs were apparently “Stuck” which was why it was hurting for me to just breathe, and one of my shoulders was missaligned too, causing one of my trap muscles to constantly be streched, which was pulling on my skull, and causing the headache. Anyway, after they popped all my bones back into place, I still felt terrible, but by god, that night was the first time in weeks I was able to sleep without a migrane. A chiropractor can’t magically heal your arthritis, or fibro, but I definately think they have merit to keeping your posture good and helping your body with things like circulation. 10 outa 10, would recomend. It’s all the fun of getting your neck snapped without the dying!
Earlier this month I got together with two of my friends and we baked Christmas cookies. It was a lot of fun, as well as a great learning experience. A member of my family has a gluten allergy, so we used rice flour for most of the cookies. We learned this is a bad idea! The cookies will just fall apart! A few member’s in one of the friend’s family have nut allergies. Other friend and I knew this and were careful to avoid cookie recipes with nuts, bUT THEN COMPLETELY FORGOT THAT ALMOND MILK AND ALMOND EXTRACT COUNT AS NUT. IN FACT, ALMOND EXTRACT IS PURE CONCENTRATED NUT JUICE AND WE FELT SO BAD FOR ALMOST ACCIDENTALLY POISONING THE FAMILY.
Earlier this year me and these same friends took a field trip to Hobby Lobby and just dicked around the store for a couple of hours. It was super fun, 11 outa 10, would recommend, a great date idea for your artsy S.O.
Back in May I went to a wedding for the first time in my life. (well, not true, but the first one I could remember) we left at 5am, drove 5 hours to get there, hung out at a zoo and spent the night in a la quinta before the wedding day. I slept on the bathroom floor because my mom was snoring too loud in the main room and keeping me awake, and the rest of the day was just spent me trying to keep myself together because I was pissed off and tired.
Other than all of that, nothing really major happened to me this year. I guess one more thing I’ve tried to do this year is started the process of breaking certain internet addictions so I can use my free time for more personal projects. Seriously, I found myself watching way too much youtube and following blogs that didn’t even make me happy. I had a personal intervention with myself where I sat down and asked myself, “why do you watch these videos and youtubers? Why do you follow these blogs? Do you really enjoy their content? Do you really care? If you stopped watching/following them, would you even notice?” After critically thinking it over, I’ve found myself unfollowing several channels and blogs and suddenly I feel so much happier. I thought I would miss it, but I realized I didn’t really care if I saw their content or not. I wasn’t missing much. And now I feel like I have more time to draw, read and write. If you think you spend too much time consuming and not enough time creating, I suggest you try and de-clutter your internet habits as well. It’s done wonders to un-fuck my headspace.
And… well, that about sums up my year. How are your holidays going? Anything fun, exciting, dramatic happen to you this year? I hope your new year is warm and safe! Good night, everybody!
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ren-c-leyn · 4 years
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QnA tag game
I was tagged by @hyba​ to play this. Thank you very much.
rules: post your answers, and tag some pals.
1. When did you first learn you enjoyed writing?
Honestly, I used to hate writing. It wasn’t fun, it was boring school essays and annoying prompts on exams. That being said, I had always enjoyed storytelling, and had been telling stories since before I could remember.
How I reconciled that gap between the written and the spoken was I went through a really shitty period of time in my life and I took up poetry to help vent. And it was so freeing and fun that I kept with it.
I had been doing that for a while when I decided to try writing some fantasy story that popped into my head, though I can’t quite recall why I bothered to try. It wasn’t a very good story, but I filled up like an entire notebook with it and started writing it on another, and I discovered ‘hey, writing can be fun... if it isn’t about something boring.’
And over the years, fantasy has over taken poetry. I still write poems from time to time, but not like I used to.
2. Tell us about the first project you ever wrote.
It was one that tried cramming way too much into one story, but there’s elements of it that I still use a lot of. I can’t remember the exact plot I had in mind for it, because it was all over the place, but I remember there being some sci-fi, a lot of fantasy weirdness, and a chosen one who was both angry and horrified that her world ended when she had the power to save it, because no one knew what she was or that their world was in danger. It never got finished, but I had fun with it while I was working on it.
3. How does your favorite media shape who you are as a writer?
In ways I don’t even realize it did, I’m sure. Particularly since I binge read without really analyzing the writing techniques of people. My writer brain turns off and reader brain takes over. Which many people say is bad, but it works for me. That being said, I can draw some obvious parallels between things I’ve read and my own works.
I know that Tolkien was a big influence for my ‘this string pulls on this person’s string, which does that, which leads to a poor hobbit having to lose his finger to throw a cursed ring into a volcano and save the world’ kinda plots. I also enjoyed his world building, but, and this is just my opinion, it slowed the Lord of the Rings triology down a lot and made it a little clunky to read. So it taught me both what I kinda wanted to see in my world building, but also how I didn’t want it to come out in the story. Plus, The Hobbit is the book for me. It is one of the first ones I got when I finally learned ‘oh, reading can be fun’ (because child me hated reading like she also hated writing boring essays), and it’s the one that got me stuck on fantasy.
Douglas Adams, there are many who will probably consider it a crime I have not read The Hitchhiker’s Guide to the Galaxy and yet still list his name in this, but my favorite book of all time is probably The Long Dark Tea-Time of the Soul, and it was the way the characters existed and the hidden easter eggs that I’m still finding like 7 read throughs later and the pacing and red herrings. I learned from and loved a lot about that book alone.
There was also J.A. Jance, the author of many of the murder mysteries my grandmother loaned me, and it was from her and other mystery authors that I finally, finally figured out how to set up suspense and tension. They were also really good studies in character motivations and how a character’s mindset can change the way they perceive the world and the things they notice and miss.
Video games is another thing I know has influenced me. I like story and lore rich games. Dungeons and Dragons is another thing I play a lot of and has followed me through my writings. The stories that get told can be every bit as awesome as a book, and the mechanics are also part of what helped me learn to structure my magic systems. Because if the wizards didn’t have rules, who would play a fighter who does? The same idea got translated into my writing very early on, ‘if I don’t give my wizards rules, why would warriors exist?’
And I can keep rambling, but I think I’ll leave it at this for now ^^
4. What’s something you’ve wanted to write, but aren’t sure you could? (A tv show, a genre, a style, a time period, a video game, etc)
I had an idea for a fantasy world inspired by various Asian myths, and even had a basic map drawn out in my head and some ideas for a magic system, but I’ve been too terrified to actually do anything with it, and it’s been so long since then that I don’t remember anything about it. Plus, I had no plot to use for it at the time.
I also wanted to write a mystery, but when I tried I found that while I has suspects and everything, I couldn’t think of the crime or how the heck anyone would just kinda figure it out from a bunch of random things normal people could just play off or not notice XD
5. What is the thing that keeps you from writing the most?
Procrastination is sometimes a problem, and I do occasionally need to kick myself in the shin. But there’s also life and plot snags and just days when a story isn’t working for me.
6. How do you deal with an inner editor?
That depends. Sometimes the inner editor saves me a lot of headaches later, and sometimes a tiny mistake can break the flow of writing. I normally don’t have an issue with fixing things on the spot, but on nights I need to focus on writing I just keep myself from reading back.
7. How long have you been writing?
I mean, they make kids write really young for school, so begrudgingly that long. Creatively and for fun? I’m not sure. I can’t quite recall how old I was when I started with the poetry. But considering the notebook I have the earliest pieces in is falling apart, I think it’s been a long time. lol
8. What is your general writing process? Do you write chronologically? Do you do a lot of planning?
I normally get this idea that shows up out of the blue as a daydream or a random thought. Then, there’s at least a month. If it’s still there, it gets considered. If it’s grown and expanded into something resembling either a world or a plot by then, it’s probably getting written.
After the idea finally bugs me enough, I’ll start world building and building a bare-bones plot, complete with bare-boned characters. I never flesh anything out completely, since I do most of that while I write and having strict outlines suffocates my story.
If the world building, characters, and whatever I have of a plot are interesting, I’ll start chronologically and keep moving from there.
9. Assign a scent to your writing style.
A scent for my style? Um... that’s kind of a weird question and I have no idea how I would even begin to think of an answer for that. Like, how do you translate comma usage and word choice into a smell? I mean, I use roses a lot in my stories, so maybe that would work?
10. One book you hope everyone reads?
I have to agree with hyba that I hope everyone just finds their version of the book. The one that gets them through a hard time, the one they really need, and that that book won’t be the same for everyone.
11. What is it about your least favorite genre that makes it your least favorite–and how might you change that to better appeal to you?
Oh that’s simple, it’s because horror does it’s job. That’s it. It’s nothing particularly about the style or anything besides that the genre is what it is.
12. Design a “collector’s edition” for your first novel. Include items that might be of interest to your audience.
Never thought about it, but I guess I could throw in the world map I drew for The Plight of a Sparrow into it.
13. If one thing was real from your project, what would you want it to be?
Nothing in particular? I can’t think of anything that would make sense to transfer from my projects to the real world, because I don’t want magic to be real, because my magic systems tend to be brutal, but also, we have stuff like or better than a lot of what doesn’t run off magic. Maybe some of the creatures would be cool, but I don’t know how that would affect ecosystems.... probably not for the better.
14. What’s something you always include in your work? Do you have any other Easter eggs?
As far as easter eggs, I can’t think of anything off the top of my head. If I do, it probably wasn’t intentional.
15. What is your favorite passage from your own work?
I still am not really comfortable with sharing things out of my WIPs on here. As far as things I’ve written for the blog itself go, there are quite a few pieces and passages that turned out really good. I think one of my favorites is from a really old piece I did back before I was doing fusion stories. It’s from this one specifically, if anyone would like to read the full tale, it is a grim one, though.
The very edge of the forest was about as welcoming as a gallows. Crows watched us hungrily, like we were dead men about to sway. None of them made so much as a peep as their dead eyes followed our trek through the knotted mess of brambles, ivy, knotted shrubs, and gnarled trees. We hacked at the plants, and they hacked right back at us. We traded blows like it was a war. hatchet and sword blows countered with sharp thorns and parried with thick branches.
I’m going to leave this an open tag, jump in if you’d like to. =D
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mslynnwrites · 5 years
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11/11/11
@stand-inthe-rain​ tagged me in this little game, so I’ll bite. I’m only procrastinating, after all lol. Basically, I answer 11 questions that were given to me on the post I was tagged in, then make 11 questions for other people and tag 11 people. We’ll see how well this goes. ^-^
1. When do you do your writing?
Usually in the middle of the day or late at night. Kinda have to work around my jobs’ schedules.
2. Are you a planner or pantser, and why?
Bit of both, really, but more of a pantser. I try to make a plan, but I pretty much immediately disregard the entire thing. Most of my outlines end up being short 1-2 sentence descriptions of the most important things for each chapter and I just fill out the rest while I write. There’s not really a “why,” though. It’s just what works for me. I can’t hold to elaborate outlines, and that’s mostly because I discover my characters and worlds while I write, no matter how long I world/character-built.
3. What made you want to start writing?
Not really sure. I just really enjoyed reading as a kid, but it’s so hard to find the kinds of stories that I want to read. I started writing fanfic back in grade school so I could make those stories, and now I’m writing original stuff for the same reason.
4. Which OC do you most enjoy writing?
Caveron. Definitely Caveron. He’s the one character that comes very easily to me (apart from Kaetren, but he’s been my OC since middle school, so I know him very well). He just clicks for me, and he’s really a fun character.
5. What book or author has had the most impact on your own writing experience?
I’m not really sure I can name one in particular. I pick up things here and there from multiple sources, then combine them into something I can use. If I have to name one, I’d probably say either Jenna Moreci or Rick Riordan. Jenna, because she’s the one with the youtube vids that really got me to start writing my stories and actually planning them out to some extent, and Rick because his books inspired me a lot as a kid. 
6. Where do you get inspiration for your characters?
Many sources. Dreams, random shower thoughts. games, roleplays, people I know, music. It just depends. 
7. Which OC is most like you?
I want to say Kaetren, but that’s really not the case. I’m really a bit more like John: the mom friend keeping all my dumb friends from doing stupid things, but also internalizing things a bit more than others probably do.
8. Which OC is least like you?
Kava. He’s everything I hate in a person. He makes me want to stab everyone within a 6 mile radius. Although there is that inkling fear that maybe I hate him so much because it’s things I hate about myself in some cases. Then I remember that I’m not a self-important rapist who kills people once they’re no longer of use to me, so I think we’re probably good here.
9. Do you think of themes for your WIPs before you write, or do you discover what they are as you go along?
I don’t really think of themes at all. They just present themselves while I write, so I expand on them in later drafts. Occasionally, there’ll be one or two things that I definitely want to show within the story, but for the most part, themes appear while I work.
10. What was your favorite book when you were younger and has it changed?
The Westing Game by Ellen Raskin. I first read it in summer school after 3rd grade, and I still adore it. It’s short, sweet, and fun. I do still enjoy plenty of other books, and I’m sure another book will come to mind whenever someone asks me that question, but this has always been my most consistent answer, so I’ll stick with it.
11. Which would you choose to live without if you had to give up either your sight or your hearing?
Oh sight without a doubt. Sure, I love to read and see pretty sunsets, laugh at cat pictures, and all that. Hell, I practically live off of memes. But I’m a very auditory person. I love music. It’s what gives me inspiration. I love to sing and hear myself sing. I love to hear the same Vines over and over just because I think they’re funny. And as fun as these things are to watch as well, I could live without sight. In fact, it’d probably help my writing in some ways. I have a highly vivid imagination, so sight wouldn’t be as much of a problem for quite some time. Other senses tend to be slightly enhanced (or at least more noticed) when one is lacking, so my sense of touch and smell (which I’m very bad about using in writing) would actually be noticed enough for me to give them focus.
Now for 11 questions to other people!
1. If you could choose one fictional world to live in, where would you go?
2. What are the strangest traits you find in your characters?
3. If you were a mage, what kind would you be/what would your magic focus on?
4. Would you want to be the Chosen One in a story? Why (not)?
5. Apart from writing, what do you want to do with your life?
6. Dogs or cats?
7. Favorite music genre?
8. What genres do you prefer to write, and are those usually the same as what you read?
9. Are you currently procrastinating something mildly important?
10. What do you tend to focus more on while planning your story out? The plot, the subplots, the characters, the world, etc?
11. What’s the longest story you’ve ever written, and how long was it?
Technically I’m supposed to tag 11 people now, but I’m just gonna tag a few. Anyone else who feels like doing it, though, feel free! Just let me know so I can read your responses!
@arwallace @duskdragon39 @madammuffins @writing-and-nutmeg @the-clockwork-anything
(If I tagged you, and you don’t want to be tagged in stuff, sorry. Just shout at me and I’ll make sure not to do that again.)
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dcubang · 5 years
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DCU Bang 2019 FAQs
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Please make sure to read all the FAQs and check out the DCU Bang Rules before signing up or sending in a question!
What is the DCU Bang? A Big Bang/Mini-Bang is a writing challenge that prompts authors and artists to work together to create a story and work of art that go together. In this case, our fandom is the DC Universe, and our goal is 10,000/5,000 words!
Do I need a DreamWidth/LiveJournal/Tumblr/Twitter/Ao3 account? The only account that is required at this point is Archive of Our Own. The reason for this is that all stories will be posted to the DCU Bang Ao3 Collection, rather than being posted to the DreamWidth/LiveJournal communities, as in years past. After being posted to Ao3 and being approved for the collection, you’re free to post your story/art anywhere you wish!
What are check-ins? Check-ins are a way to see how you’re doing on your work! Some of them are mandatory and some of them are not, so it’s important to keep track of which ones are mandatory! They’re also a great way to keep yourself on track and a time to talk about your work and let others know how you’re doing. If an author does not respond to 2 mandatory check-ins, they will be considered dropped from the current Bang!
Do I need a beta reader? Starting for 2019, beta readers are no longer mandatory! However, you must edit your work for at least spelling and grammar and submitted stories found to have excessive spelling and grammar issues will be asked to edit, or be removed from the collection. Consequences for this will be handled on a case-by-case basis and can include being banned from participation in the next round. Beta readers are still strongly recommended to use. We suggest finding a beta sooner rather than later, and here is the 2018's DCU Bang Beta Reader Resources Post. If you want to have more than one person beta read your story, that's fine, too!
Can I drop out? Yes! Sometimes life gets in the way or a story just doesn’t happen, and we understand that! However, there is a cutoff point, and if you do not let the mods know before this date, you can be banned from the next round. Even if it is after this cutoff date that you need to drop out please let us know so that we can discuss options. We can’t help if we don’t know there is a problem! Dropping all contact with mods after the cutoff date is grounds for an automatic ban, as we can’t help at that point. Please get in contact with us, so that we can arrange for art if needed! Solo participants are free to drop out at any point, without consequence. Tandem artist/author groups can also drop out at any point together without consequences.
What can I do if I have problems with my author/artist? Contact the mods! Let us handle things as we understand that sometimes people just don’t get along. Abuse or rude behaviour toward any participant in the Bang will not be tolerated, especially for story/art content. (It’s important for artists to read all the warnings in a story summary, and for authors to list all warnings in their story summary!) Please just get in contact with us mods to resolve issues between participants, rather than disappearing. If an author or artist needs to drop out from the Bang, after artist claims have happened, there is a limited grace period to do so, please keep track of the schedule. If an artist needs to drop out, the author’s story(s) will go out for pinch hits, so that they still receive art.
What is the grace period? The grace period is one last chance to allow authors or artists to drop out of the Bang without consequences, after claims have been made. It is a very short period, from July 5th to July 20th so it is very important to communicate to the mods if you are needing to drop out during this time, for any reason! It is also possible to drop down to the solo track during the grace period as well, but this must be discussed with the mods as well.
When do I post my story? For 2019, October 1st-5th is the “due date”***. Rather than choosing a single day that all works are due, we will be giving everyone 5 days to get their works into the Ao3 collection before reveals happen. This allows more flexibility for authors and artists to check over their works on Ao3 before going live and being revealed. This also allows the mods to check over works to make sure they are complete. Do not submit works that are incomplete. If your work is not complete, it could be revealed before you are ready for it to be revealed and no one wants that! Authors are welcome to submit their works and do minor editing and polishing while they wait for their reveal date to come. Please contact the mods if you will not be able to post your story between October 1st-5th, so that we can help you decide if you can post during the amnesty period or not! ***Why the change from a long posting period? Frankly, it got to be a lot to handle and keep track of and after doing research and looking at many other Bang setups, this is fairly close to how they are run as well. It’s also more fair to participants to have a solid due date, rather than some participants getting nearly 2 extra months to work on their projects.
What is the reveal date? The reveal date will be whatever you choose on September 14th, this is not to be confused with the due date, which is October 1st-5th. The official reveal period will run between October 5th and October 20th. If you will not have your work completed and polished in this time, please do not post to the Ao3 collection, contact the mods instead to discuss things and set up for amnesty posting instead! We’re here to help and work with you, but we cannot help if you do not contact us!
What is the amnesty period? The amnesty period is a chance for participants that couldn't quite finish on time to have one last chance to post for the current Bang! If for any reason you cannot post on your chosen reveal date, please get in contact with the mods ASAP!
Where can I post my story? Anywhere you wish, so long as it is also in the DCU Bang Ao3 Collection. Posting it there is how we will count your work as completed***. ***Artists will not be required to post to Ao3, though it is highly encouraged. (Ao3 isn’t great for hosting some types of art, like picspam or gif sets, we understand that!) If you are not posting your art to Ao3, you must make sure the link to where you art is posted is provided to the author and linked within the author notes or story.
So, what's allowed here? The easy answer to that is: pretty much anything DC Comics! We're open to slash, het, and gen, no matter your pairing preference. If you want to write Clark/Lex or Jason/Tim, that's awesome, and if you've got a great idea for an epic Batman/Catwoman or M'gann/Conner, that's perfectly acceptable as well. You can base your story off of any medium or canon - so whether you’re a diehard Young Justice cartoon fan, into Smallville, or someone who loves the comics, you can participate! The only thing explicitly not allowed is pedophilia for the sake of pedophilia - if it's a plot point, it's okay, but we're not going to post stories that have sexual situations involving children (for our purposes, anyone under the age of 15). If you have a question about your pairing or specific idea, leave a note in the Page-A-Mod post, send an email to [email protected], or send a PM, and I'll discuss it with you on a case-by-case basis.
What about crossovers, fusions, and AUs? The only requirement for this Bang is that the primary focus of your story be on at least one character from the DC Universe. If you want to write Batman in Ancient Rome or Superman as a new member of the Hawaii Five-0 task force, you are more than welcome to. However, if you want to write a crossover that focuses on Harry Potter being a new member of the Justice League, this is not the place for it. The focus must be on a DC character. Crossovers with other comics fandoms are allowed, but the focus has to be on the DC character.
Can I write original characters? If they are a minor character, yes! Even more important characters, such as Batman protecting an original female character, are acceptable, so long as it is from Batman’s POV and the story isn’t explicitly about this original female character. A work that features, for example, an original character journalist doing an in-depth piece on Superman is also allowed, as the work would focus on Superman, not the journalist. A work wherein your original character joins the Justice League, or exists within Gotham, or is the child of a DCU character would not be acceptable for this Bang. We want to keep the focus on DCU characters as much as possible! If you’re not sure if your idea for including original characters is within these rules, please contact us at [email protected], so we can discuss it on a case-by-case basis!
Can I submit a story I have already started? That depends! Stories and art have to be new for the DCU Bang. If you've written something that's 10k/5k already and posted it, awesome! However, this is a chance to create something new (or finish an unposted WIP), so if your story has been posted elsewhere in its entirety, it doesn't qualify for this challenge. If you have never posted the story anywhere, it qualifies for this Bang, even if you started writing it 10 years ago!
What if I've already posted part of a fic? Can I finish it for this challenge? The purpose of this Bang is to unveil a brand-new, completed piece on your posting date, however we are okay with you finishing your piece as long as you have not posted more than 2,000 words for the 10k Traditional Big Bang or 1,000 words for the 5k Mini-Bang and do not post any more until your posting date. Since this Bang has a minimum word count of 10,000/5,000 words we are asking that no more than 2,000/1,000 words be posted prior to signing up, so that at least 80% of the fic is new. Please note that the 2,000/1,000 word limit still holds no matter how long your finished fic is - even if you complete a 100k epic, you can only submit it for this Bang if you've published less than 2,000/1,000 words of it before signing up for this challenge!
What about a sequel or a prequel to an already posted fic? Prequels/sequels to stories you've written and posted are acceptable! If you write a prequel/sequel, be sure to link back to the original story, so people can read that as well. =D
Can I sign up with a co-author? You can work with a co-author or a group, if you're more comfortable. But remember, the word count will still be 10k no matter how many authors work on it. Just make sure to sign-up all authors on the sign-up sheet and have everyone join the comm. The limit of two stories per author still stands even if all the stories are co-written.
Can I sign up to write more than one story? Sure! You can sign-up to write up to two different stories for this challenge. If you do want to write two stories make sure to sign-up separately for both. If you have to drop one or both make sure to contact the mods before rough drafts are due so that you don't leave an artist hanging!!! If you have to drop either story after the final dropping date, you could be banned for the next round!
Can I sign up as an author AND an artist? If you want to, more power to you! That's awesome! If you wish to create art for your story only, you can sign up as a solo-author, and it will be entirely up to you to create art for your story! By signing up as an artist, you are offering to create art for someone else’s story during the claiming period, so if your intent is to create for your own story only, sign up as a solo-author! And again! Please do not take on more than you can handle!!! If, for at any reason, you do not believe you can continue, as an artist or an author, contact me ASAP!
What is the Traditional Author/Artist track? The traditional sign-up is the one that most Bang-type challenges follow. You sign up as an author, write your story and submit your rough draft/summary according the schedule. Your story will go up for blind artist claims. After that, the mods will match up the authors and artists via email. (It’s very important to sign up with an email that you check frequently!!!) Authors will send their story to their artist(s) and discuss and collaborate on what they would like to do!
What is the Solo Author/Artist Track? A solo author/artist is someone who wants the structure of a fanwork challenge without having to work with someone else to create an accompanying fanwork. By working alone, you don't have to worry about whether you complete your project or not because you won't have a partner depending on you. You can also decide to do your own art or find your own partner to work with. Basically, I won't be matching you with an artist or an author, but you can still have a fic with art if you arrange it yourself. You can also work on other kinds of projects like podfic if you desire. It will also be possible for solo-author/solo-artists to change their mind, should they feel capable of completing their works in time for posting! Please do not choose to switch from solo if you are not confident you can complete your story/art. If, after switching from solo and you are not able to complete your story/art and you have been paired with an artist/author, you will be banned from participating next year. We don’t want to leave anyone hanging!
What is the Tandem Author/Artist track? A tandem sign-up is when an author and artist choose to sign-up together. This way, the artist will be able to work with the author throughout the entire process and have more time to complete their art. If an author or artist want to work with each other, after one or both have already signed up, no problem! Just send me a message and I will get that updated! This is a great option for artists, and authors that want to have more time working together. The Discord server will have channels set up so that artists and authors wanting to work longer together can find a partner!
What counts as art? Lots of things! Traditional art, digital art, manips, banners, icons, wallpaper, gifs sets, picspam, vids, and fanmixes (with cover art) are all fine. If you want to check that what you have in mind is appropriate, leave a note in the Page-A-Mod post. We'll discuss it on a case-by-case basis.
What are the minimum requirements for art? Each story an artist claims is required to have at least one art of quality for each story they claim. If an artist decides to claim 3 stories, they will be required to create one piece of art for each story, so at minimum, 3 pieces of art. You’re creating something for a work that is at least 5k/10k in length, so we want the art to match that effort! Here are the suggested guidelines:
Traditional/Digital art: Cleaned lineart, on unlined paper, that is at least 500x500 pixels is the minimum. Additional sketchier/rougher pieces are welcomed so long as one piece of art is at the cleaned lineart stage! Manips: Clean renders and non-blurry images that do not contain watermarks should be used for photo manipulation. Examples of the quality expected for this Bang can be found right here on Fanlore. Banners or Icons or Wallpaper: 5 icons, of at least 100x100 pixels. 3 banners. 1 wallpaper. More is of course always welcomed! Picspam or Gifsets: At least 6 images, but more images, or multiple sets are welcome! Vids: At least two minutes long, or a full song! Fanmixes: At least 10 songs and include cover art (this can be a manip!).
I'm interested, but I'm not sure what to write. There is a channel in the DCU Bang Discord server, just for prompts! Anyone can leave a prompt, and anyone can take a prompt. If six authors choose to write from the same prompt, that's totally fine. If someone wants to mash three prompts together, that's also fine. If someone wants to use half of a prompt, that's fine. Sensing a trend yet? =D This also means, should you choose to leave a prompt, it is for anyone to use, in whichever way they want. If there is an idea that you want done in a very specific manner, it may not be the best for you to leave it for this Bang, as all authors are free to use prompts however they see fit.
I’ve been banned or think I have been banned, what can I do? Contact the mods! The quickest way is via email, [email protected], or by messaging LuciferxDamien on the DCU Bang Discord server. If you have been banned for not completing your story/art, we might be able to work something out, but be prepared to have something completed in return! To unban yourself, complete the story/art you had promised in the previous round and let the mod know via email or Discord. If you were banned for a reason other than not completing your story/art, please still contact us and we can discuss things further. We’re very willing to work with people!
Thank you for reading the DCU Bang FAQs! Make sure to check out the DCU Bang Rules and familiarize yourself with the DCU Bang 2019 Schedule. If you have any further questions, concerns, or need clarification on any rules, please do not hesitate to contact us, either through the Page-A-Mod Post, emailing [email protected], sending a PM on DreamWidth/LiveJournal to , or sending a DM on Discord to LuciferxDamien. Questions left on the DCU Bang Tumblr or DCU Bang Twitter may not be answered in a timely manner, as the mods are not logged into those accounts at all times so please use a different method of contact, especially if your matter is urgent!
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Author Spotlight: greywash
Every week we are going to be interviewing a writer from The Magicians fandom. If you would like to be interviewed or you want to nominate a writer, get in touch via our ask box.
First things first, tell us a little about yourself.
Hi, I'm greywash! I usually go by Gins, I'm 37, I'm an engineer, and I live with my beta/writing and queerplatonic life partner HBBO (havingbeenbreathedout) in the cheap(er) seats outside San Francisco.
How long have you been writing for?
I apparently "wrote" and "illustrated" a story for my mom about a dragon who forgets his best friend's birthday when I was three, so. It's been a minute. I kill fewer crayons these days.
What inspired you to start writing for The Magicians?
Well... basically, I followed @longnationalnightmare in from another fandom, and a few people on my Tumblr dash were reblogging gifsets, so I originally watched the show basically just for more context. (The threeway. By "more context," I mean "the threeway.") Anyway, it took me about 0.3 episodes to be completely hooked: I had read the books a few years back and was ambivalent about a lot of things in them, so when I started watching the show I was expecting a lot less than I got? I'd expected a sort of silly B-show with lousy acting, and, I mean... it is frequently *very* silly, but then it turned out that the cast ranges from 'very good' to 'incredible', and the interpersonal dynamics are *fantastic*, and those are both pure fannish bait for me. The show's not perfect, but they fixed a lot of my problems with the books, a lot of which lived on a character development level... I think the show really has done some incredible work with Quentin, especially; and also with depictions of complex, liminally-sexual queer friendships, like the relationship between Margo and Eliot, which I feel like I've never encountered represented this well in any other visual media source, ever.
Who is/are your favourite character(s) to write? What it is about them that makes them your favourite?
Ooh, that's hard. Eliot is just my hands-down full-stop favorite character, but there's always that tricky question of "who is your favorite character to write *in the point of view of*" versus "who is your favorite character to write *about*," especially when you have a relationship or relationships you're really invested in (for me, the asymmetrical Quentin/Eliot/Margo triad). When I want to write stories that are love letters to Eliot Waugh, which is often, then I want to write from Quentin or Margo's point of view, because when I write Eliot's point of view, I am inevitably writing love letters to one or the both of them.
Do you have a preference for a particular season/point in time to write about?
Well, since I came into the fandom during the post-S3 hiatus—I started watching the show in October—just by default that's where most of my work is grounded, so far.
Are you working on anything right now? Care to give us an idea about it?
Oh boy, I sure am! I have a lot of work to do on my 39 Graves fic, and then I still have, hm, probably another... twenty or thirty thousand words, ish? On "The Marriage Plot," which is the sequel (...sort of) to "Firebird" and also my sort of... emotional raison d'fanfic, for The Magicians. It's sort of a, uhh... well, let's call it an un-arranged-marriage fic, is the best way I can think of to put it.
How long is your “to do list”?
Oh gosh. It's atrocious, but it's also not all for /The Magicians/. There's "The Marriage Plot," but I also have a long-running /Sherlock/ WIP that got toootally hijacked by me suddenly desperately needing to write hundreds of thousands of words about Eliot and Quentin not getting married, and so I'm just getting back into that; and then I have 39 Graves. I also still owe my partner a /Sneaky Pete/ storylet and have two other outstanding prompts from the summer, one for /Lewis/ and the other for... I.... totally don't remember! /The Good Place/, I think? I saved it around here somewhere. On top of that, I'm doing fan_flashworks bingo over on Dreamwidth, and I don't want my entire bingo card to be "The Magicians," though so far that's been somewhat difficult to resist. And I love the weekly prompt idea that the Rec Center and the Neitherlands Library are running for S4! I had a blast writing for the "Identity" prompt and am looking forward to this week's as well. Well, at least I write fast.
What is your favourite fic that you’ve written for The Magicians? Why?
I think I have to say "Firebird," because I haven't finished "The Marriage Plot," and who knows how that'll go; but they're so inextricably linked in my mind it's hard for me to think of "Firebird" as like—its own separate thing? I guess I can say that "Firebird" was really uncomfortable in places to write, so I'm proud of myself for getting it done without flinching away from all the, like, body horror and murder and super dubious consent; and I think it does what I want it to do. We'll see how I feel when I finish "The Marriage Plot."
Many writers have a fic that they are passionate about that doesn’t get the reception from the fandom that they hoped for. Do you have a fic you would like more people to read and appreciate?
Well, I definitely haven't been here long enough or written enough stuff to have that feeling, but—let's say "The Get Down," which is just a little bonbon about Margo and Eliot being best friends and banging a psychic. I love themmmmm~ ~ ~
What is your writing process like? Do you have any traditions or superstitions that you like to stick to when you’re writing?
I'm not particularly superstitious about writing, but I am hugely invested in my writing routine—I'm a write-every-day person, and I do mean 'every day'; I'm on a 2,179 day streak on 750words.com—that's a little shy of six years. People are usually horrified when I admit this, but: I get up at 5:15 in the morning seven days a week so that I can put on headphones and write for at least an hour and often more like two before work, or whatever it is that I'm doing that day. (I also go to bed at like.... eight forty-five. I am a party animal.) I also very frequently write on my lunch breaks and have the excellent fortune to live with my writing partner, so we spend loads of time writing on the weekends and talking about fiction. This is literally the life of my dreams, but you have to be a very specific kind of obsessive weirdo to feel that way, I think.
Do you write while the seasons are airing or do you prefer to wait for hiatus? How does the ongoing development of the canon influence and inspire your writing process?
I am too much of an egg in this fandom to have an answer to this one yet, I think. :) I probably wouldn't start a longfic during the season, but shortfic, sure, why not?
What has been the most challenging fic for you to write?
"Firebird," because of all the aforementioned body horror and murder and super dubious consent. I am a delicate flower, who happens to be fascinated with narrative about people confronting their personal monstrousness. It's a tough row to hoe, man.
Are there any themes or tropes that you like particularly like to explore in your writing?
For /The Magicians/, the particular dead horse that I love to flog is Fillorian marriage, and the implications that forced fidelity have for consent; and also just for how intimacy *works*, within a marriage or a long-term relationship where that sense of choice, of choosing and being chosen, is so much of what lends richness to the relationship.
Are there any writers that inspire your work? Fanfiction or otherwise?
Nonfannishly: Georgette Heyer, Sarah Waters, Herman Melville, Miranda July. Fannishly.... whoo boy. In /The Magicians/, I'm still catching up on all the great stuff that people have written! @longnationalnightmare , @adjovi , @achray , @shmazarov, @numinousnumbat , and @ohmarqueliot are some of my favorites so far... in other fandoms: gosh, where to even start, I've been in fandom for 20+ years, we could be here a while. I guess since we're on the subject (sort of) of the monstrous, I reread @1001cranes ' "disguise fair nature with hard-favoured rage" the other day and was just as floored by it now as I was... gosh, was that really seven years ago? Well, it's evergreen, go read it again. @septembriseur for fiction about altered consciousness. @drawsaurus for the interplay between warmth and brittleness and humor and darkness. @helenish for her endings. @havingbeenbreathedout for the interplay between sex and story, and basically everything else as well.
What are you currently reading? Fanfiction or otherwise?
Right now, I have open on my laptop: (1) @astolat 's "And I Alone Have Escaped to Tell You [which I've read before], (2) @ohmarqueliot 's "Reaching in the Dark" [which I haven't started], and (3) what is, in context, the most ironic thing *ever*: a handbook on strategies for managing ADHD. What? Don't judge me.
What is the most valuable piece of writing advice you’ve ever been given?
Basically that learning to write is just figuring out how to ask yourself "What are you trying to do with this _______?" (comma, word, line, paragraph, chapter, story), and then figuring out how to answer. (Thanks, Dad!)
Are there any words or phrases you worry about over using in your work?
Oh, I mean—I'm pretty okay with even the totally predictable bits of my narrative voice, I don't stress about it too hard anymore, but yes, there are a bunch of words I *know* I overuse. Especially since I'm a little bit blind to repeated words if I'm reading and not listening to my work read aloud, which—I try to do at least one pass where I get my computer to read to me when I'm editing, but I need to have both time and focus to make that work, both of which, I find, are often in short supply. "Tells"—he tells her, she told him—is *the worst*; I'm always looking for it my brain just skips over completely, it's like it's not even a word for me anymore.
What was the first fanfic that you wrote? Do you still have access to it?
Oh dear. I'd been in fandom for several years before I started writing, but as I recall, the first thing I actually wrote was an exceptionally overwrought and tragic Snape POV Remus/Sirius story. I have no idea what happened to it and I'm almost certainly happiest that way.
Self-edit or Beta?
Both!
Comments or Kudos/Reblogs or Likes?
All are delicious.
Smut, Fluff or Angst?
Smut.
Quick & Dirty or Slow Burn?
Quick and dirty on the sex and slow burn on the feelings.
Favourite season?
Season Two
Favourite Episode?
Cheat Day
Favourite book?
The Magicians
Three favourite words?
lovely, devastating, yearning
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rosecorcoranwrites · 6 years
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Why “Just Sit Down and Write” Doesn’t Always Work
Originally posted on www.rosecorcoranwrites.com
If you’ve done any prowling around internet circles, you’ve likely heard the bit of writing advice which boils down to (however it is actually phrased) “Just sit down and write”, as if, through sheer willpower, any and all obstacles keeping one’s WIP from being completed can be surmounted by placing fingers to keys and writing. To this advice, I reply in the words of Truman Capote: “That’s not writing, it’s typing”. To be fair, he said this to mock writers like Jack Kerouac and others who, for whatever reason, were not up to his snuff, but I think if we ignore this intention (death of the author, and all that), it’s actually pretty accurate.
Writing is not typing, or at least, it’s not only typing. I’ve probably mused on this before, but the writing process is more like what your middle school language arts teacher taught you than what popular writer zeitgeist would have you believe. Writing involves 3 to 5 processes, depending on where you make the divisions. Let’s split the difference and go with four. These are prewriting, which includes brainstorming and outlining; “writing”, i.e. typing content; editing, which involves rewriting, rearranging, continuity checking, and copy-editing; and publishing, which involves either querying an agent or formatting the whole book yourself. From my experience, most of these processes bleed into each other, meaning that one will do a lot of brainstorming while typing, and might outline while rearranging things during edits, and will certainly type while rewriting, and so forth.
What does all this have to do with Capote? Mostly it has to do with the fact that while you can force yourself to type, you cannot necessarily force yourself through every stage of the writing process. People talk about how to get over “writer’s block” by simply forcing yourself to “write”, which seems sound enough until you realize that not all obstacles to writing, or maybe I should say to finishing a work, are the same thing as writer’s block. I’ve had writer’s block— that horrible ennui where you just don’t want to sit down and put words on paper/word-processor—and, yeah, you kind of just have to power through it. There’s a lot more to it than that, of course, and someday I will write about why I think there are legitimate reasons not to force yourself to type, but that is a post for another day. Writer’s block is one problem, but others are less surmountable.
I personally don’t have problems with prewriting, because I tend to wing it or just let whatever ideas pop into my had and find a place for them. Other people, though, often complain about having characters but no plot, a setting but not characters, etc. I’m not really sure how these people get over this hurdle, so I can’t really speak on it. Then there are issues with the publishing process: if one self-publishes, one simply has to grapple with the peculiarities of whatever program one is using to format, but if one is going the traditional route, then there is literally no way to power through this stage of the process; it doesn’t matter how many queries you send, because you are still beholden to the whims of whatever agents read your query, who have workloads and time frames that you can do nothing about. It’s literally a waiting game. The writing zeitgeist can say “just sit down and write” all it wants, but that won’t get one traditionally published any faster.  
But, being prone to daydreaming, and thus brainstorming, and being self-published, as I am, these aren’t that big of an issue for me. No, my insurmountable hurdle usually comes during editing (I can hear you say, “You tricked us, Rose! All this philosophizing about writing was just one long excuse about why your book isn’t out on time!”. Haha, that it is). True, I’ve experienced legitimate writer’s block while doing rewrites, and that can be dealt with the same as when it happens during the initial writing phase: Just sit down, as they say, and write. But what no one will tell you, so I’m saying it now, is there is no way on earth to power through, skip over, or just-sit-down-and-write away a continuity error or a plot hole or scene that is just awful but that you don’t know how to fix. Don’t get me wrong, you can try to type these away; I’ve tried. I’ve tried starting new scenes to patch over a plot hole, only to scrap them because they add more problems, or rewritten a scene that I hatedover and over and over, ten times, only to still hate it. And I can’t move on from these problems, because I refuse to publish a book with gaping plot holes and, worse, scenes which I absolutely hate.
I have, in my infinite wisdom (acquired from having rewritten my third book four and a half times), discovered two solutions to this problem, neither of which involves typing. The first is to talk to someone else about it. I’ll bounce ideas off my mother, father, or sister, and one of two things will happen. Either, they come up with a solution I couldn’t see, or through verbalizing the problem, I come up with a solution myself. The other way to solve this problem is by writing out notes on paper. I don’t consider this “just writing” because I don’t mean write the scene out on paper (though that can be part of it). I mean scribble out what needs to happen in the scene, or what needs to be addressed by the end of a patch of dialogue, or where the continuity error lies. Then go nuts. Write out any and every possible solution, every way the scene might go, no matter how weird. Is the error one of timing? Write out timelines for each character to try to sync them all up. Is there a plot hole? Write out ways to fix it, or maybe write out any repercussions should that plot line simply be removed. Scratch, scribble, and scrawl until you’ve come up with something, because it will all be scrapped anyway. You aren’t wasting time typing and trying to make anything that will be seen by human eyes; you’re writing out arcane symbols that only you can decipher, and that, once used to type out the actual scene, will literally be thrown away.
I think the issue with “just write” is that typing is still a very insular aspect of the writing process. The words are only those words the author finds acceptable, and has chosen precisely, and thought about. It’s still very much in the writer’s own head, despite appearing on a screen. Talking or note-writing, however, force a writer to get out of their own head—and get their ideas out too—because either another person is listening or the words are just thrown out onto paper and left to sit, rather than being prettied up with the option of spell check and a “delete” button. And it still might take a long time to find a solution to an error or to make a scene that you love. There isn’t really any magic be-all and end-all solution for writing problems, but I think I’ve found something that works for me, where my problems lie, because writing involves a lot of thinking, talking, and tinkering in order to get it just right.
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wolfdancer333 · 6 years
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Writerblr Questions!
I actually decided to do one!! Reblog and answer the questions to get to know each other! :) 
1. Favorite place to write. - Anywhere. If I can write there, I love it! 2. Favorite part of writing. - I can write whatever what I want for whatever reasons I want. 3. Least favorite part of writing. - WRITERS BLOCK 4. Do you have writing habits or rituals? - Hmm. Not really. I just sort of go with the flow, I guess? Write when I want to write and write what I want to write when I want to write it. 5. Books or authors that influenced your style the most. - I have so many I would need three different Tumblr accounts to encompass them all. Seriously. But I do like mostly fantasy/romance authors! 6. Favorite character you ever created. - I will reveal characters on this writerblr so I want to keep them a secret a bit longer ;) 7. Favorite author. - Refer to question 5. 8. Favorite trope to write. - I know there is a huge debate about them but I really like the Chosen One trope. 9. Least favorite trope to write. - Love Quadruples and Beyond. I can deal with a triangle but I don’t like to write a more complicated love feud then that! 10. Pick a writer to co-write a book with and tell us what you’d write about. - Well, @duskblue-art! And thats a secret! For now ;) 11. Describe your writing process from scratch to finish. - Um.....Words? I put words down. I type. I eat. I cry. I do it all again. 12. How do you deal with self-doubts? - Breathe and power through them. They don’t last. And I promise: your work is perfect! 13. How do you deal with writers block? - This nasty little bug....It struck me for 5 years and I’m just now getting back into the game of things! But it will pass. My best advice is keep writing, keep believing in yourself, and if you need a break fro it all, take one! Writers block will pass. 14. What’s the most research you ever put into a book? - 2 years. 15. Where does your inspiration come from? - The Thought Monster in my head. Literally just regurgitates ideas right and left. 16. Where do you take your motivation from? - My readers. Current and present. I don’t just write for me. I write for those who want to read my writings. 17. On avarage, how much writing do you get done in a day? - Here we go. Anywhere from nothing to 8,000 words a day. 18. What’s your revision or rewriting process like? - It’s my child and I’m scared to break it. That should give you a decent picture! :) 19. First line of a WIP you’re working on. - Sometimes, Heaven got a bit boring. 20. Post a snippet of a WIP you’re working on. - If only one choice, one moment, one decision, one encounter had or had not happened then what existed in that span of time? In that single moment of balance where you have a choice is where Fate rests it’s hands. 21. Post the last sentence you wrote in one of your WIP’s. - “Your move.” 22. How many drafts do you need until you’re satisfied and a project is ultimately done for you? - However many it takes! Each work is different and requires different amounts of drafts. 23. Single or multi POV, and why? - Single and because switching too many POV’s can be confusing. I prefer either 1st Person or 3rd Person. 24. Poetry or prose, and why? - Poetry! 25. Linear or non-linear, and why? - Depends on the book or writing! Sometimes, non-linear is better and at other times, linear is preferred. 26. Standalone or series, and why? - Oh my god both! But I do have a soft tender spot for series. After all, when is the end REALLY the end? 27. Do you share rough drafts or do you wait until it’s all polished? - Only with my trusted friends and chosen beta readers.
28. And who do you share them with? - Refer to question 27! 29. Who do you write for? - My readers and myself. 30. Favorite line you’ve ever written. - Oh wow. There are so many WIP’s I have floating around I couldn’t honestly be bothered to look through them all to find one XD 31. Hardest character to write. - Non emotional characters. I am a very emotional person so therefore I have problems disconnecting to write stoic sort of characters! 32. Easiest character to write. - BRING ON THE FEELINGS MAN!! 33. Do you listen to music when you’re writing? - No. Most of the time I will play music, pause, then write. Then so on and so forth. 34. Handwritten notes or typed notes? - Typed. 35. Tell some backstory details about one of your characters in your story. - Sorry, can’t yet! 36. A spoiler for story. - Dragons. 37. Most inspirational quote you’ve ever read or heard that’s still important to you. - When the world says, “Give up,” Hope whispers, “Try it one more time.” 38. Have you shared your outline of your story with someone? If so, what did they think of it? - Only with my co-writer. We came up with it together and we both love it and can’t wait to share! 39. Do you base your characters of real people or not? If so, tell us about one. - Sometimes. Mostly not. One character in a current WIP is based loosely off my deceased grandfather as he was a very big part of my life. 40. Original Fiction or Fanfiction, and why? - BOTH!! Fanfics are my life. 41. How many stories do you work on at one time? - Pfft. How many documents can Windows open at a single time? 42. How do you figure out your characters looks, personality, etc. - Literally, I just guess. I sort of throw their looks together and then fine tune them as I work on the plot of the book. I spend days and weeks just plotting. Character designs, plots, ideas, etc. 43. Are you an avid reader? - YES. 44. Best piece of feedback you’ve ever gotten. - Any feedback is good. 45. Worst piece of feedback you’ve ever gotten. - I was once told I should give up writing and never think about being an author. 46. What would your story look like as a tv show or movie? - Hmm never really thought about it. I’m not too sure I can think of anything at the moment!
47. Do you start with characters or plot when working on a new story? - All of it. At once. Over days and days of thoughts. 48. Favorite genre to write in. - Romance/Fantasy/Drama 49. What do you find the hardest to write in a story, the beginning, the middle or the end? - Honestly? The middle. 50. Weirdest story idea you’ve ever had. - Oh gods. @duskblue-art name one XD 51. Describe the aesthetic of your story in 5 sentences or words. - Nothing is as it seems. 52. How did writing change you? - In what ways hasn’t it changed me? I am who I am because I can create these words and put them on paper. This is the first time I have gone public with anything I have wrote and connected to a writing community. So I would say writing has changed my life. 53. What does writing mean to you? - I cannot stress enough how much it means to write. I absolutely love it. 54. Any writing advice you want to share? - It will get hard. You will feel down and you will hate what you write. Don’t give up, please. Keep your head up. Keep writing. And breathe. It will be okay. You are a great writer. From the time you get an idea to every word you write to every slam of the pen when you can’t. You. Are. A. Writer. And no one can tell you otherwise. You are a writer, your words are great, your ideas are beautiful. You can do it.
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