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#the ruby show
Please enjoy this priceless exchange between two ICONIC manic depressives, Carrie Fisher and Elizabeth Wurtzel.
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anthyies · 11 months
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the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.
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glassofoj-twitter · 7 months
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Personality! (Plus original shot)
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clarissasbakery · 6 days
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happy lesbian visibility week
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pakchoys · 9 months
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silly redesigns for the girls, sketchies below
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tobyisave · 1 month
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just a coupla lonesome cowgems roaming free without their sally mays
(aka they both canonically use country music to cope with their aloof blue life partners leaving them and i think thats beautiful) (alt under cut)
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lesovyart · 4 months
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((shows up to Willow 2 yrs late)) I LOVE THEM
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itemprograms · 4 months
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Yayayah Tweaked the Freesmart gijinkas!!! Yippie!!!!!! Satisfied w my ruby design she’s a cute patoot
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robin-buckely · 4 months
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KIT TANTHALOS in WILLOW S01E01 | The Gales
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artbypurplegorilla · 3 months
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they're in love your honour (and super gay) <3
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anthurak · 1 year
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Okay, but just the contrast in writing/performance between Jaune and Ruby in their different breakdowns.
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Miles is giving Jaune this very up-front, very overt, very traditionally dramatic ‘man losing his mind out of isolation and guilt’ performance. He shouts, he screams, he makes big, attention-getting monologues and outbursts where he lays out all his pains and torments for the audience to hear. Again, all in what we’d call a very ‘traditionally’ dramatic fashion.
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Meanwhile, Lindsay is giving Ruby this very restrained, grounded, visceral, far more raw and ugly performance. Ruby is generally quiet and restrained until something sets her off. She doesn’t shout or scream but instead lashes out with things she’s been holding in all this time seemingly at random. She’s not ‘explaining’ what or how her problems are, she’s just VENTING. Because that’s all she CAN do right now.
And it all works brilliantly with both the characters AND what the scene needs to accomplish.
I think from a character perspective, Jaune is making these big, overt dramatic breakdowns in a subconscious attempt to GET attention, as an unconscious cry for help. Specifically, because Jaune is deep down DESPERATE for absolution. He’s become so consumed by guilt over what he did to Penny that it’s now taken over everything he does, and deep down he’s desperate for someone or something to absolve him of that guilt.
But whereas Jaune is dealing with something recent, relatively speaking, what we’re seeing with Ruby is simply the result of coping mechanism she’s been using to compartmentalize, manage and repress her trauma likely her entire life, which has LONG since been pushed past it’s limits, FINALLY breaking down. What we’re seeing start to come out is likely a LIFETIME of repressed pain and trauma. Which ironically she CAN’T let out nearly as obviously as Jaune is doing because she’s still trying to keep it in. Because she doesn’t know HOW to be open with her pain.
And putting Jaune opposite Ruby in this episode only serves to exacerbate Ruby’s problems. Because Jaune’s far more overt and obvious breakdowns just end up drawing the attention of Weiss, Blake, Yang and even the audience AWAY from Ruby’s already subtle and restrained breakdown.
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Until it’s too late and Ruby simply checks out entirely.
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bunnitott · 5 months
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updated freesmart gijinkas!! :3
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fruitface · 7 months
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"How many girls go to this school, again?" "Oh my god, and again, they're all sixes at best."
PJ in Bottoms (2023)
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rubysundaey · 18 days
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finally drew a full version of my MePhone4 gijinka/humanization, including his design through-out the seasons :3
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flipomatic · 1 year
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killerfrostisme · 1 year
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Not to be dramatic but Jonathan Stroud's letter announcing Lockwood and Co's cancelation literally broke me.
Like "Portland Row is always open for business"? "Drop by any time"? "It's your home too, after all"?
HOW DO YOU EXPECT ME TO BE OKAY AFTER THIS
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