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daosies · 2 days

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l(over)

when someone else flirts with you in front of them.

heizou, wanderer, neuvillette ♡ gn!reader

warnings: not proofread, neuvillette may be ooc, wanderer is a little crazy 😊

notes: i played heizous hangout quest and he got me 😭😭

frankly, heizou is amused.

"you're beautiful," some random stranger states, "do you happen to be free this weekend?"

you blink in confusion, glancing back and forth between the detective and the strange person. does he not see the way heizou's hand is linked with yours?

"well, someone clearly isn't a detective," heizou states, not bothering to lower the volume of his voice. when the person still doesn't quite understand what heizou means, he lifts your laced hands up to eye-level, emphasizing the fact that he's not letting go anytime soon.

"please don't interrupt," the stranger states, suddenly feigning ignorance to heizou's presence.

"oh!" heizou exclaims, unbothered. "sorry about that!" you can tell by the look on his face and the tone of his voice that shikanoin heizou is, in fact, not sorry. he's not sorry at all.

heizou brings the back of your hand up to his lips, staring directly at the stranger whilst doing so. still, the random man does not budge.

"what's up with this guy?" heizou mumbles, loud enough for just you to hear. you laugh, and heizou can't seem to tear his eyes away from you, his gaze belonging wholly to your existence.

when the stranger glares at him, heizou merely shrugs, a smirk fixed onto his face. the oblivious person then turns to you, a gentle smile on his face.

"might i have the honor of knowing your name? i am kenzaburou kadenokouji, and seeing you has blessed me with the inspiration to write my greatest upcoming novel: 'i was reincarnated as the raiden shogun's plane of euthymia, where i did nothing for 500 years before finally meeting the love of my life in the middle of the city?!'"

your mouth hangs agape, flabbergasted at this surreal experience.

heizou, however, is not fazed in the slightest. "is this based off of true events?"

"do not interrupt an artist's craft," kadenokouji replies, before extending a hand towards your free one.

so he knows i'm holding their hand, is all heizou thinks. without another thought, the detective pushes the writer's palm away, tugging you towards him.

"you're going to need to find inspiration from someone else! my intuition tells me that this isn't going to work out," heizou declares, his thumb coming to rub the back of your hand, as if he's trying to reassure you.

(you think that it's more for him, though. because although heizou is a self-assured, confident man, he is sometimes shrouded deeply in fear, swayed by the same emotions that make him so human, so lovely.)

(it also doesn't help that you adore novels. a majority of heizou's worries are attributed to how you devour those absurd reincarnation stories.)

"no, no... together," kadenokouji trails off, dismissing heizou with the flick of his hand. "together, we will defy fate! and with you, beautiful stranger, i will publish the greatest novel known to inazuma!"

"he's delusional," heizou mutters, but it sounds as if he's more impressed than incredulous.

"i have a boyfriend," you reply, still recovering from shock. "he's right next to me."

kadenokouji takes it the wrong way. "wow, you move pretty fast! although we just met, and i still don't know your name, i am completely fine with this sudden turn of events!"

"wow," heizou mutters to himself, almost amazed, "this guy's pretty good."

"he's like the opposite of you," you whisper, leaning closer towards heizou, "completely oblivious."

that gives heizou an idea.

"sorry pal, but they only like detectives," he declares.

"that's okay! i've been meaning to write a detective novel, you know, i am always switching things up!" kadenokouji exclaims, not taking the hint (but it's not even a hint, it's a full blown answer).

"oh, really? have you ever heard of shikanoin heizou?"

you and heizou exchange not-so-discreet glances (it's not like kadenokouji notices, anyway). heizou winks at you, as if urging you to stay quiet so he can get the spotlight in a novel that he's always been dreaming of.

"yes, yes! i love doushin shikanoin's work—in fact, i've been meaning to ask him for some information regarding his famous intuition! i plan on basing the main character of that novel off of him, really!"

"that sounds great! you know, doushin shikanoin believes that he needs the publicity, so your novel would be the perfect match!"

"is that really so? that's incredible! i must reach out to him immediately!" kadenokouji says, his attention belonging wholly to this newfound idea.

"i can relay the message to him," heizou replies, "what would you like to ask?"

"yes, thank you! please ask him if he's willing to meet me outside the tenryou commission for an hour or two for me to ask questions! and if he's willing to tell me about his intuition and how it works! my novel's main character will also have something akin to his intuition, but not exactly because i am always original and meaningful with my work—"

"alright, i will!" heizou declares proudly, "he'll hear of it by today!"

"thank you, kind sir! if i might be so bold to inquire, what is your name?" kadenokouji asks, suddenly becoming heizou's biggest fan whilst forgetting about your presence. how the tables have turned.

"shikanoin heizou," he states, the smile on his face never wavering. "my intuition tells me you're going to fall to the floor in utter shock!"

his intuition, as always, is correct. kadenokouji collapses to the floor as if he had just witnessed the most terrible thing, all the color draining from his face while his jaw hangs wide open.

"d-doushin shikanoin?!"

"that's me! also, could you include me in the novel's credits? you know, being a detective isn't always just about skill. in this day and age, we need publicity! we need a name for ourselves!"

kadenokouji faints.

"did you come from another world?" someone asks. "'cause you look otherworldly."

"that was ridiculous," wanderer mutters, "and redundant."

"is he bothering you, your highness?" the person queries, taking a step towards you. their hand reaches out for yours, as if they're trying to take you away, but wanderer is quick to intervene.

he blocks you with his figure, the vision on his chest beginning to glow vividly as a gust of wind rushes through the akademiya's library, sending papers and books flying. scholars panic as their research projects flutter all across the marble floor, and usually, that'd be enough to deter a sane man.

unfortunately for you, your admirer (the other one) is no sane man. you suppose that you attract a certain group of people.

"so you think you're a big shot 'cause you have a vision, huh?" the stranger asks, unimpressed.

"hah! you don't even know who you're talking to," wanderer replies, clenching his fists. he takes a step toward your admirer, the air around him becoming tense and unwelcoming as it begins to manifest into something grim, something violent.

you're not in the mood for a suspension right now.

"wanderer!" you exclaim, tugging at his sleeve. "let's go somewhere else. this guy's just weird."

"you go first. i have things to deal with," wanderer replies, irritated. but the way he looks at you doesn't quite match the tone in his voice, because when the wanderer's cornflower pupils fixate on you, they melt. you mold him into something quiet, something lovely, when you do so much as exist.

briefly, the wind brushes past your face, kissing you with its tender touch.

(all you have to do is exist, and that'll be more than enough for him.)

"he's not worth your time," you say, not releasing your hold on the puppet's wrist. even though wanderer could easily escape your grip, he chooses not to—instead, he basks in your touch, inching closer towards you, letting you hold the strings of his artificial limbs to move him as you please.

wanderer relinquishes himself to you. wholly. and he trusts you with his fate, with his severed strings.

"whatever."

his severed string manifests anew, wrapping around his pinky and yours, turning red—not red from blood, but rather, from love—and knotting.

you are bound to him.

and then he gives in.

(he does a lot of that when it comes to you.)

"surrendering already, huh?" the stranger asks, clearly not knowing his place. "i knew you were nothing but bark."

oh, you think, sighing, this guy's an idiot!

"does the akademiya accept anyone who applies?" wanderer asks, contemplating murder. still, he doesn't release himself from your hold.

"that's what i was thinking when i saw you. leave us alone!"

a category 5 hurricane begins to brew in the akademiya library at the word "us." scholars begin to evacuate the premises whilst the insane man stands amidst it all, still trying his best to court you despite getting blown away.

i tried my best, you tell yourself, glancing away.

you let go of wanderer's hand, and then you close your eyes.

"let me know when you're done," you mutter, voice drowned by the whistle of the winds and the screams of scholars whose projects are getting engulfed by the storm.

wanderer, of course, hears you. he can always hear you, picking out your voice from the cacophony, taking the sound and placing it deep within his empty chest, letting it resonate and replay there. instead of a heartbeat, wanderer has your voice echoing throughout his torso, fusing into his artificial ribs.

he is bound to you.

a breeze wisps past your nose. even with the whirling winds and the threat of suspension lingering around your figure, no harm ever comes your way.

you are in the eye of the hurricane.

the eye of the beholder. it melts.

neuvillette is flabbergasted.

back in fontaine, he had the luxury of comfort. everyone knew that the two of you were together, so he never had to deal with someone trying to court you, much less in front of him.

this is how he experiences culture shock. not by the customs of other nations, but rather, by the sheer audacity that some people have. especially when your hand is laced tightly with his.

"i think... i think..." the stranger trails off, his voice filled with an adoration that makes neuvillette's stomach churn. "... i'm getting lost in your eyes, beautiful."

the stranger reaches his hand out to give you a rose, a dashing grin on his face. you smile awkwardly.

"sorry, i'm taken."

"taken... by my good looks?" the stranger asks, putting a hand under his face to emphasize his features. neuvillette squeezes your hand.

"no, they are taken by me. we are partners," neuvillette explains, his tone remaining polite.

"partners in work?"

"yes, but—" neuvillette starts, but is quickly interrupted. you spare him an endearing glance, charmed by his honesty.

the tips of his pointed ears begin to blossom red. again, he squeezes your hand.

"no, we are married," you state blandly, and the stranger's gaze flickers over to your hands, searching for a ring. neuvillette doesn't like the look on the stranger's face; it's evident in the way the iudex narrows his eyes, the way he steps forward a little even though he'd usually try to avoid confrontation.

"i could get you a ring," the stranger says, clearly not getting the hint, "and you wouldn't have to lie about being married."

"there is nothing we owe to you that requires us to prove our marriage. we are married, and that is all you need to know," neuvillette declares firmly, his tone becoming harsh.

"but words alone don't mean anything," the stranger replies with a shrug.

neuvillette furrows his brows, clearly stumped by the stranger's statement. he disagrees—words don't mean everything, but they are definitely worth something.

"just back off," you suddenly chime in, tugging neuvillette closer to you. he lets you string him along to your whims, allowing his figure to inch towards yours, finding its place by your side.

"i'm not interested in you. i already have a lover."

the stranger rolls his eyes.

"ugh. i didn't even like you anyway."

neuvillette frowns. "now that is completely incorrect. just moments prior, you were—"

"just shut up!" the stranger yells, not even bothering to listen to neuvillette's explanation.

clouds begin to form.

"let's go, neuvillette," you say, rubbing the back of the iudex's hand with your thumb. "don't worry too much about that guy."

he looks at you, and the sun emerges.

"you're right. thank you, [name]."

a ring dangles from the silver chain on your neck; it's a vibrant shade of blue.

it glows.

"and you wanted to try this land's water, right?"

he lets you string him along, a gentle smile on his face.

"yes," he vows, "i do."

his hand slots perfectly into yours, and the world is engulfed by a radiant glow.

#genshin impact #genshin impact x reader #genshin x reader #genshin x gender neutral reader #genshin #heizou x reader #heizou x you #shikanoin heizou #genshin heizou #neuvillette x you #neuvillette #neuvillette x reader #neuvillette x y/n #wanderer x you #wanderer x reader #wanderer genshin

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egophiliac · 1 day

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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?

thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')

1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:

and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!

2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)

and you can also use lines against each other to get different vibes:

it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.

(just gonna use my own art as examples, apologies)

if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.

and don't forget about negative space either! the spaces between things have their own interesting shapes too!

I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D

3. acting!

just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.

this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)

it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!

3. thumbnailing!

this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.

it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!

(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)

then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!

(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)

4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.

that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.

↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!

#art #twisted wonderland #(not really related but since that's what the examples are)#i'm so sorry most of my art advice boils down to 'SHAPES ARE FUN'#(they are though)

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noneorother · 21 hours

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The art director & the Good Omens book cover tier list of doom, part 1

This is going to have to be a multi-part series because there are *checks notes* 64 different covers that I've found so far.

I am your resident Art Director/Good Omens enthusiast, and welcome to my completely meta-free book cover tier list. Listen, making a book cover is HARD. I should know. But while we salute these artists for their hard work and time, I think we can all admit that once in a while, the vision is just not on. And on very rare occasions, publishers seemed to have managed to commission the cover art directly from hell... 1. The original UK cover

Ahh, the standard by which all shall be judged. We're starting off with a nice & easy cover, with adorable woodcuts of Aziraphale and Crowley flanking a custom Good Omens font! While I have to take a few points off for the terrible kerning of the word "GoOD", the blockprint vibes and general bitchiness of Aziraphale's teeny weeny wittle face, along with the sick colour palette puts the orignial in my good graces. Tier: Great

2. The duelling US covers

Progress! Hail to the designer who figured out trying to make "GoOD" and "OMeNs" fit the same width was a fool's errand, and even managed to IMPROVE on the original handmade title by adding a little halo and devil's tale to the design. Aziraphale and Crowley are facing each other, while also managing to serve absolute cunt. Aziraphale is wearing EIGHTIES SNEAKERS. Crowley's little snake boots have HEELS. They've managed to keep the woodcut vibes and colour simplicity, while balancing out the full title of the book. Both authors get to trade off on who's name comes first! Dare I say, this is a work of genius. I could dock some points for Crowley's sad bat wings growing out of his right clavicle, but who am I to question greatness.

Tier: Blessed by God Herself

3. The Halo Master Chief(?) cover

How the mighty have fallen... As a Canadian child, I was subjected to maybe the most horrifying ad in existence by the War Amps warning children about machine safety. This cover is the paper embodiment of that ad. I am confused by the purple haze. I am frightened by the seeming ethereal flatness of Adam and Dog. I am strangely aroused by Aziraphale's eyebrows, and intensely saddened by the terrible outline/drop shadow they had to inflict on the type to fit "Pratchett" in that god awful space. Tier: WTF

4. Germany, Ein Gutes Omen covers

This cover inexplicably exists in two colour ways: red and teal. I put the audiobook cover here so you could experience the full illustration, and also how fucked up it is that they cropped the book version to include three horse-people of the apocalypse, but cut off DEATH on the regular cover. Points must be given for drawing a pretty slick Bentley, but I think we have to take even more points away for turning Crowley into a Ray Charles/Mike Wazowski hybrid. The ducks are nice. Tier: Not so Good (Omens)

5. Germany, Ein Gutes Omen covers continued

I don't know if the German designer of this cover *knew* that they were using western yeehaw cowboy woodblock letters when they made this cover, but judging by how they spaced the rest of the text at the bottom, THEY DID NOT CARE. And that seems to be a running theme for this one. We get kind of a duality thing going on with the black and pink background, but it just seems like somebody whispered the general themes of Good Omens into a jar, and threw it down a well, and this poor chap came along and picked it up. The baffling choice to align every piece of text on the cover *except* Neil Gaiman's name which is right aligned and rotated 90 degrees (not even real vertical type) will haunt my dreams, I think.

Tier: Bad

6. US, UK The Traffic Jam cover

For the love of Good Omens, WHY. I can think of so many more interesting symbols to put on the cover of this book than the ODEGRA SIGIL TRAFFIC JAM. Props for keeping the good colours and type, but like, I think this cover was secretly designed by @amtrak-official, or someone who just really, really likes public works. Tier: Does the Job

7. France, De bons présages cover

Leave it to France to make sure people know that Aziraphale and Crowley fuck severely. While I can't condone leaving out half the title of the book (and thinking a red carpenter's square counts as decoration), I can begrudgingly acknowledge that Ron Pearlman and Benedict Cumberbatch's love child is excellent Crowley casting. I think I give this a solid dark academia/10. Tier: Good (Omens)

8. France, De bons présages covers continued

Just imagine with me, if you will, the absolutely hilarious reality that this cover posits: Good Omens is exactly the same in every respect, but Crowley drives a pink 1950s convertible. Why do all of the colours on this cover look like they've been pre-digested? Why are the font choices and placement so bafflingly bad. My face is the demon's face holding that car. I feel his pain.

Tier: WTF

9. France, De bons présages covers continued

Minus points for not managing to write the full title of the book once again. I don't know what it is with the French. They seem pretty set on Good Omens being demonic. While I do appreciate a good Bosch-style demon party, the dude in the middle confounds me. All-caps Museo Sans that isn't even *centred* in the frame is just so lazy. I am le tired. Tier: Bad

10. France, De bons présages covers continued

Uhh. The font. The font is okay.... I think? Yeah. The font and kerning are. Okay. OHHH GOD I LOOKED DOWN BELOW THE TEXT WHYYYY. Tier: WTF

END of round one. I need a nap.

#good omens 2 #good omens fandom #good omens #art director talks good omens #tier list #cover art #aziraphale and crowley #aziraphale x crowley #book cover #go s2 #gomens #good omens analysis

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penaltyboxboxbox · 2 days

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how long have you been drawing for ? your art seems so confident (that seems mean but it’s a compliment i promise) like your strokes and stuff just seem so… educated? like you don’t need to sketch you already know what you want to do ?

my whole life!!!!! ive been drawing since i was a little childdddd like the second i could hold a pencil i was drawing! i got put into art classes very young as well cause i liked to draw so much. i started formal classes at like? 6/7 years old probably? and i did some form of either art class at school, out of school, or some combination from that age until i was an adult. So i've had a decent amount of formal training as a kid and have always just genuinely loved drawing so on top of that i was always drawing for fun too.

I think things really shifted for me when I was like?? 21/22 ish and i got very very into portraiture specifically- i really honed a lot of my skills in that department and honestly just became so obsessed with form. I would draw so much realism, tons of studies, i loved to work backwards- draw the shape/form of a thing first, usually in paint or marker, and then add the lines/details on top. i generally during this time also completely stopped working in any erasable mediums. i became and still am to this day a pens only artist, i cant stand to draw with a pencil.

Doing this gave me what i think is one of the best skills to have as an illustrator- a very confident stroke. Being able to attack a piece, not be afraid of the marks you make, working with what you have rather than fussing until you think it's perfect, made my work much more striking and made me a lot more comfortable with messing up and figuring out a way to fix it. or even start over.

i think generally heavily and meticulously sketching in pencil is what leads a lot of artists to tons of frustration. the linework never looks as good as the sketch, you sketched for hours and only now you realized something is off, takes forever to go back, etc etc etc. I find it to often be very demoralizing- so i always advise just to get as comfortable as you can with as few lines as possible. focusing on FORM and PROPORTION rather than the skeleton method or going over with tiny little pencil strokes. everyone has different methods that work best for them, but that was one thing i taught myself that really changed art for me!

#IM BLABBERING BUT YEAH...#ask

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tanukipaws · 7 hours

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hi guys, i have a PSA today unfortunately,

DO NOT buy listings like these on Etsy.

it may be obvious to some, but these sellers are buying sticker packs with stolen art from Temu and are reselling them for way more than they got them for. i have censored out their shop names as i don't want hate sent their way, but no one should be reselling people's art. i personally can recall some of the artists' art in the listings, but not their names.

if you happen to know any of these artists, please let them know! if you happen to BE one of the artists they're stealing from, i suggest you report the listing!

more below vv

here is some of the listings on Temu that these people are buying from. DO NOT BUY THESE EITHER! these are ALL stolen art. unfortunately i don't know if you're able to claim that your art was stolen on Temu :( if you could, i'd imagine it's a hard process.

you could also say "what if the people selling on Etsy don't know that the art is stolen?" considering they bought it off of Temu, an app notorious for stealing people's art and selling low quality products, this is hard to argue. i personally think they know what they're doing.

there is also the fact that people reselling things they have bought for a more expensive price is common practice (maybe not good morally), but these listings also HEAVILY affects people who ACTUALLY sell THEIR therian stickers on Etsy. (AKA me and many other small therian bussinesses they have stolen from.)

if i ever find or am told about the artists that were stolen from, i will add links to their shops down here!

TLDR: DO NOT buy listings like these on Etsy (or Temu), they are FILLED with stolen art. please go support the actual artists who made these designs!

#therian #otherkin #therian gear #therian stickers #therian stuff #important psa #therian psa #small business #small artist #therianthropy #alterhuman #nonhuman #therian things #please spread this around! i want the artists whos art was stolen to see whats going on :(#psa

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laurfilijames · 2 days

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"I'm gonna say something. Are you listening?"- Frankie "Catfish" Morales, Triple Frontier

Good. Thanks Frankie.

I've been doing a lot of thinking lately.

About fandom in general, interactions or lack thereof, how something you can feel so happy and passionate about can make you sad at the same time.

The idea of no longer sharing my fics has also been something that's crossed my mind on numerous occasions, but at the end of the day I WANT to share them. I am proud of them and I figure if they make me this happy, I hope they can make someone else happy too.

I continue to trek on, trying to compartmentalize my feelings and press on, creating fics I think others will enjoy as well, and praising the gorgeous man who plays gorgeous characters whose stories I love to change or extend.

Recently, I've felt guilt. Guilt that I haven't been creating and posting enough things for you to indulge in. And then I remember that in the last 4 weeks, I wrote and posted 3 fics.

3 fics where a majority of the reblogs are my own, and most of the notes are likes.

I'm feeling this way because of the lack of interaction. I'm not blaming or pointing fingers or trying to extend any guilt to any of you (and thank you endlessly to those who do reblog and comment and send messages and have conversations about them 💗) But I can safely say that this is a widespread issue across all fandoms alike.

It's disheartening. People leave and give up and have their creativity crushed to the point they no longer participate or share their wonderful art.

I came across a post that I reblogged yesterday that added another level onto all of this.

Artists and writers having to "market" and promote their work in hopes it'll help drum up excitement for what they have coming up.

As if taking the time and energy to create that fic of piece of art isn't enough, now we have to work like a full marketing team in hopes we will get a few more reblogs or comments.

I have seldom participated in tag games where you share snippets of WIPs etc because more often than not, the response to them are *crickets*. It's embarrassing and gives off that "no one is interested so why bother sharing it" vibe.

We shouldn't have to work that hard to get feedback on the things we share.

I know, and respect, that some people experience comment anxiety, but I promise you that if you're able to, whether it be a string of emojis or keysmashes or even a gif, you will be making a difference.

This happened to me yesterday.

Right when I felt like it's all fruitless, someone swooped in with a comment that gave me hope and reminded me why I do it. And it was on my least popular (and personal favourite) series to boot.

Because of this simple act of communication, my hope and motivation has been restored.

Now I know I'm going to get people saying "you should write for yourself" (I do) and I shouldn't rely on others to keep me motivated (I don't, I have Charlie Hunnam for that) but it's such a key component to all of this and I think most creators can agree to that.

So please, for the love of fandom and the things you love (the actors, the characters, the shows or films) PLEASE INTERACT WITH THE ARTISTS AND WRITERS WHO CREATE INCREDIBLE ART AND FICS FOR THEM.

You may not realize what an effect you have, but I promise you, you do, and it may even help save your favourite artist from abandoning it all.

#on fandom #commenting #reblogging #writing #sharing #laur is thinking out loud here

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