Tumgik
#this is a case of the latter
scrollypoly · 1 year
Text
Feeling oddly validated in this chillis tonight
2 notes · View notes
sapphic-agent · 1 month
Text
Let's Talk About How Book 3 Ruined Aang
If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.
(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)
Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.
But for some reason, that aspect of Aang's character was completely flipped in Book 3.
The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.
(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)
The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.
One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.
For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.
(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)
And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.
So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.
But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.
(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)
I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?
Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.
Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.
And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.
I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.
The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.
He runs away when things get hard.
Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.
There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.
Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.
And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.
Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.
All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled
222 notes · View notes
sysig · 4 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Puts the “plates” in “Fellplates” (Patreon)
237 notes · View notes
miramelindamusings · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
I’ve been drawing Eddie and Chrissy lately :)! The first one is a sketch for an idea I have where its a hellcheer version of Francis Tipton Hunter’s “Helping with Homework,” and the last one is a bit of a continuation of Eddie and Chrissy exchanging mixtapes--Chrissy is listening to ZZ Top’s “Pearl Necklace.” Also, I’m not sure if anyone else remembers Schoolhouse Rock! (it was already old when I was a kid), but it was an American educational program from the 70s and I thought it might be cute for them to bond over it - “3 is a magic number” is a personal favorite (x)!
1K notes · View notes
cryptvokeeper · 2 years
Text
don’t get me wrong I think the general interpretation of Leo being like “I put up a cocky front but deep down I don’t actually think I’m that great and that’s why I have something to prove” is good. It’s cool, plenty of drama/angst potential and probably what the creators were going for, I’m here for it.
But there is a distinct appeal to me of the slightly-to-the-left interpretation of Leo being like “it’s not a front, I know I’m that good/smart/skilled, but I also know I’m seen by others as just the goofball face man and that’s why I have something to prove.”
#Rottmnt#Wild metaphor incoming but it’s like the difference between a hersheys bar and fancy Ghirardelli or something#At the end of the day they’re both chocolate. But ones got a bit more depth.#where was I going with this again idk I got caught up in food metaphor#It’s like. With the first one it boils down to character A (in this case Leo) going “I’m useless because I’m not good at [thing]”#Resulting in those around him either going “of course you’re good at thing! Remember the time you were good at thing?”#Or sometimes “it doesn’t matter that you’re not good at [thing] we love you regardless of what you can provide”#And again THATS GOOD THATS SOME GOOD SHIT#I LOVE THAT#but with the latter it’s more like “I know I’m good at thing *but I don’t know how to prove it to you*”#And that gives you the best of both worlds where you CAN get character A feeling bad but not for their lack of thing#But because if no can see it surely they *must* be doing something wrong right?#And ALSO you get the characters around them getting all sorts of feelings of “we didn’t do enough to show we believe in them”#Or “we didn’t notice how hard they tried”#Cuz you can get that a little in the first one but it can come off as kinda meh cuz they didn’t actually do anything wrong#It also has more opportunities for emotions besides straight sadness#You can have anger and conflict of “why am I not good enough for you?!”#That straight sef deprecation doesn’t always allow for#You can also have jealously and envy that feels less toxic and more justified#Not that it strictly needs to be justified mind you#Sometimes some toxic feelings stemming from perceived inadequacy are fuckin *chefs kiss*#But again it’s abt the VARIETY yknow#This isn’t even about Rottmnt anymore I’m just rambling#It’s my post and I get to choose the bullshit tags
1K notes · View notes
maspers · 8 months
Text
So I was watching Pokemon (as ya do) and I saw these dynamics:
Tumblr media Tumblr media
And I thought.
wait just a diddly darn second I've seen this before
And not just because Pokémon shippers have been arguing about it for like a decade. 
No, I'm talking about this:
Tumblr media Tumblr media
IT'S THE SAME THING
YOU KNOW I'M RIGHT
183 notes · View notes
uncanny-tranny · 1 month
Text
It actually does bother me that eating is treated like spending money - that you have an allotted allowance in the form of calories that you are supposed to budget.
"How are you spending your calories?" I'm spending them on experiences. I'm spending them on time with my community, my people, those who matter to me. I'm spending them on satiating a human need. I'm spending them on the feeling of being alive and not just living.
If there is one experience that I don't want to "pay" for, it's the basic human right of comfort, security, community, and care.
79 notes · View notes
Text
i really do love that ryu sun-jae fell for im sol (19yo) and when her personality changed suddenly it did not affect his feelings at all. he loved her when she didn't know he existed he still loves her when she keeps following him around calls herself his fan keeps getting him gifts he even found her sleeping in his room
49 notes · View notes
gordonsicedcoffee · 5 months
Text
Tumblr media Tumblr media
BETSY RUSSELL as JILL TUCK SAW VI (2009) dir. Kevin Greutert
102 notes · View notes
utilitycaster · 11 months
Text
One of my greatest and simplest litmus tests is that if people are like "the finale of (insert literally any show) didn't happen" I have zero interest in hearing anything else. If they say the finale sucked then great, I can engage with that even if I disagree, but when people are like haha I deny the existence of outcomes I dislike it's like yeah I don't really want that energy.
211 notes · View notes
quasarifxxy · 1 year
Text
You ever think about how Miri is unintentionally Kazurei's number one matchmaker. How, if it weren't for her, their hearts would still be closed off. Kazuki would still be running away from love, burying his heart in gambling and the like. Still wallowing in guilt and believing that he's undeserving of finding happiness. Rei wouldn't even consider himself capable of it, thinking that he is powerless beyond the cold-blooded murderer people (him) always believed him to be. They would be static, constantly hesitant and afraid to get past each other's walls beyond what they assumed is ideal, close but not enough to be able to completely understand each other. I mean, they do, but instead of having the guts to communicate and verbalize their inner feelings, they constantly tiptoe around each other's boundaries, hoping that the other will get the message. Miri, on the other hand, broke them free of their constraints and led them to the realization of what they genuinely want.
These two hitmen were emotionally constipated and the presence of Miri in their life allowed them to be capable, or rather, ready to love (again, in Kazuki's case). In the early days, I don't think that either of them were prepared to love at all. Even more, they'd deprive themselves of it -- it was an obligation as hitmen. To love was a hindrance in itself, and would inevitably lead to loss. From the bottom of my heart, fuck you Shigeki
I'm a firm believer that they only started falling in love in the events of episode 6-8 or even episode 11. In Rei's case, I personally headcanon him to have very light, warm feelings since the days Kazuki started taking care of him, but never having the name for it
229 notes · View notes
buttercupshands · 1 month
Text
Tumblr media
mixing is in progress...
29 notes · View notes
loversandantiheroes · 4 months
Text
The dopamine is stored in the farming sims.
30 notes · View notes
sukimas · 8 months
Text
if yakumo yukari asks you to do something just say no and walk in the other direction. not because it’s a trick or anything but because if you do a favor for her you will then in future have to interact with yakumo yukari.
56 notes · View notes
Text
.
50 notes · View notes
oklotea · 5 months
Text
Sooooo I haven't moved on from the trolls world tour bounty hunters.
The reggaeton trolls and their really cool designs and music....
Hickory and Dickory's entire thing with playing the long haul in trying to get close to poppy to steal her string.......
THE KPOP TROLLS AND THEIR MISSED POTENTIAL AND AND THEIR DESIGNS AND THEY'RE REALLY CUTE AND LOVELY
And CHAZ THE FUCKING SMOOTH JAZZ TROLL!??!??!??!?! need I say more. I mean just look at him.
I am going to start. A fandom. Surrounding these guys. Just watch me.
They are so silly and I love them
37 notes · View notes