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royalarchivist · 2 months

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Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.

Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.

At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.

Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.

Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.

via @QuackitySubs

#Quackity #QSMP #QSMP Official #Translated #This is very long and I bolded parts to make it easier to read #but if there's a way to make it more accessible to folks lemme know!#I personally find the bolding thing helpful but I know everyone is different #Edit: got rid of the additional ''Quackity:'' bolded parts since that's unnecessary #since. you know. he's the only one speaking here #Quackity Subs also missed a few words in here so I added those in but otherwise this is exactly what was posted #Minus the part where they said ''fro''#I don't know if they meant for or from but that's a very vital difference so I'm leaving that as-is #IMO: It's reassuring hearing the full statement #''Please do wait for official announcements since a lot of incomplete and incorrect information is being spread''#is an especially important reminder #There has unfortunately been a lot of misinformation and catastrophizing / doomposting going around #I understand it's a very scary stressful time for many people #and it sucks being told to be patient #but we actually DO need to be patient if we want to get actual accurate information

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haunted-xander · 1 year

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Every komahina artist is obligated to draw something about this scene at least once i think

#hajime is as dense as a rock sometimes #my man did u forget why nagito is in the hospital to begin with. did u forget wat his crappy disease is. hajime.#nagitos here begging his crush to stay but unfortunately said crush has stupid disease everyday #hajimes doesnt even need despair disease #nagito komaeda #hajime hinata #komahina #hinakoma #danganronpa #super danganronpa 2 #sdr2 #art #my art #xanders art #xanders haunting art #digital art #fan art

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moeblob · 1 month

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Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.

So I had to draw this. Thank you for understanding.

#fe three houses #byleth #hanneman von essar #i like that Byleth just kinda stares at him and he realizes WHAT HE SAID and the implications and is like #step back uh forget that I said that #like man so zoned in on research he blurts that out and has to backtrack mentally to AH socially bad to say that my bad #if i need to tag this as anything lemme know even though it is a conversation in game basically (minus the marriage)#also if you have never married hanneman i genuinely enjoyed his s support and was VERY surprised and hes just #honestly one of my favorites overall in 3h ?? and im still bummed i cant play as him in thropes like thats just mean #also i think if byleth was like oh well if its awkward to see someone undress randomly #then marriage would solve the awkwardness this is truly the best deduction #which is really funny that i can see it happening with both leths despite my hc of them #with fyleth as bi and myleth as ace i think both would just be like AH cool we can avoid awkwardness by marriage #and hanneman just wants to go lie down in a ditch because he said something like that #and and byleth doesnt even know about religion while working at church school they dont know about school regulations #that wasnt really on their mind to check ok just saying you could tell byleth no to something #and then they just go oh school policies i understand unfortunately #and the person is like no we just meant its frowned upon to do archery practice in the tea garden its not technically illegal just dont??

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angelsdean · 5 months

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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

#long post #LONG-ass post #but it needed to be said!#i'm sorry if you think every creative involved with spn was a braindead asshole but the thing is.#even the most mediocre of writers understands a thing or two abt symbolism and writers working in TV are plagued by S&P #countless writers have talked abt the S&P bullshit and having to tweak and edit down their work to get past censors #it's a reality of writing for television #and the people who understand all this and understand the context of making TV in the early 2000s (to present tbh!) aren't 'delusional'#i'm sorry but it's naive to think that queer stories and queer characters are free to be told even nowadays. it's still a constant battle #times have changed but unfortunately not as much as you'd think #the confession !!!!! the confession still struggled to air and what we got was so obviously hacked down to bits!!!!!!#how can anyone think getting destiel content into the show was ever easy?#how can anyone think the pro-destiel writers weren't constantly having to be careful and underhanded in their writing?#there's a reason queercoding and subtext exist and it's this!!! it's censorship from TPTB #anyways. people much older than me have been talking abt this for ages. younger fans who are used to more open queer rep need to understand #it hasn't always been that easy and even nowadays SO many networks are still not willing to take a risk on queer stories #so creators do what they can #vic.txt

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janeaustenlover · 5 months

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“Myself. I killed the old me so I could come with you.” She plucked the splinter free. “There. Well, I hope old you doesn’t haunt new you. We’ve already got enough ghosts us.”

"Haunt Me" from There Is No Death, There Are No Dead by Gemma Files // "Killing the Love" from The Divorce Papers by Anne Sexton // "The Valley Song (Zoo Lullaby)" from The Ballad of Songbirds and Snakes by Lucy Gray Baird Suzanne Collins // "Wuthering Heights" by Emily Brontë // "Herakles" by Euripides (Anne Carson's translation) // "The Ballad of Songbirds and Snakes" by Suzanne Collins // "A Game of Thrones" by George R. R. Martin // "Crime and Punishment" by Fyodor Dostoevsky.

#thgedit #tbosasedit #snowbaird #coriolanus x lucy gray #coriolanus snow #lucy gray baird #the ballad of songbirds and snakes #the hunger games #shitty things i do for love #in closing i need to write down two more quotes because they're matchless #*but they didn't quite match THE haunting x doomed theme unfortunately*#when zamyatin said 'she is like a bee: both a sting and honey are inside her'#and when margaret atwood said 'both dark and light like snow'#i mean??????? whaaaat????? that's exactly my lucy gray and that's exactly my coryo #last but not least: god bless maiah wynne for recording every single lg's song #tbosas movie had let me down when i needed it most *the valley song*#and god bless marg for not leaving me alone in this world of suffering #uwuwuwuwwuwu

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luck-of-the-drawings · 18 days

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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

#jrwi fanart #jrwi show #jrwi riptide #gillion tidestrider #GONNA START FORMATTING MY COMICS BETTER. W THE PROPER 'PREV' 'NEXT' LINKS #REALLY DIDNT EXPECT TO CONTINUE THIS SERIES BUT AAAUUUHH MY BRRAAAIN MY BRAIN IS SO IDEASSS. I HAVE 3 OTHER PAGES SKETCHED OUT #NO PROMISES ILL FINISH EM ANY TIME SOON OR EVER. MY WHIMS ARE THEIR OWN BEAST AND I ONLY DRAW ON MY WHIMS #THAT BEING SAID IF U COMMISSIONED ME ILL GEEETT TO YOUUU IM SORRYYYY. ART IS AN EMOTIONAL RELEASE FOR ME N BABY I HAVE EMOTIONS.#ESPECIALLY ABOUT GILLION TIDESTRIDER CHAMPION OF THE UNDERSEA HERO OF THE DEEP.for the desc here i put smth that i typed up in the tags of #another thing i made. i gotta make a proper Baby Gillion tag or smth. eventually.. eventually...I LOVE DRAWIN THIS LIL BABY GUY..#i also LOVE depicting the teachers as just being so fuckin mean. ofc theres variation in that. just like in all things.like the teacher her #idk if itll be mentioned but the octo lady is named Ms Octburn.an octopus pun based off the name of an actual councilor i had #when i was in elementary school i got bullied alot but teachers never did anything. i hated adults and didnt trust them.#but this councilor o mine was so genuinely sweet. i remember spending alot of time w her. she doesnt work there anymore.#but that one school adult that actually earns ur trust and is there for you when they can be.its SO important for a child i think #i hope she knows how much she helped me.youll see in the next page that ms octburn isnt perfect either.but she tries. they all try.somehow.#ALL these comics are gonna be inspired by somesorta experience o mine in the school system. school is so fucked up u ever thing abt that #AND GILLIOOOOONNN IN THE MOST FUCKED UP LITTLE SCHOOL OF ALL. MAINTAINED BY A CULT. CENTERED AROUND HIM. OUR CHOSEN ONE #I IMAGINE ALOT BANKS ON HIS SUCCESS. THIS IS THE WORLD. THE WHOLE WORLD. THE PROPHECY IS GOING TO COME TRUE N UR TELLIN ME #THAT ITS THIS LITTLE IDIOT THATS GONNA BE SAVING US? WHAT IF HE FAILS. IF HE CANT GET THIS RIGHT THEN HE WILL FAIL AND WE WILL DIE #WE NEED TO TRAIN HIM. WE NEED HIM TO LEARN. AND TO SUCCEED. OR ELSE WE'RE DEAD. WE'RE ALL FUCKING DEAD. I IMAGINE THAT MUST BE STRESSFUL #in other news i hope ppl actually giggle when they read these. they ARE intended to be comical. dark humor or whatever. like its also sad #this is intended to be a sad comic series. but a funny one too. does that make sense? god i hope so.saw some1 say they had flashbacks-#-reading this. like YES!! THE INTENDED EFFECT!! YOU GET ME!! i love seeing ppl get upset on this lil baby boys behalf. i LOVE seeing ppl-#-wail n weep n cry in the comments. i LOOOVE seeing ppl RELATE to baby gillion. and i love letting u all know that this wont be a happycomi #gillion gets his happiness arc in the actual show. this series is one of unfortunate events. teehehehe. do u guys remember that show #i keep listening to the lil songs from A Series of Unfortunate Events for inspiration. GOOD STUFF!!#anyway uuhh uhh thats all i got in my brain. for now. feed me ur comments give me ur input i NNEEEEEDD THHEEEMMMM

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pestilentbrood · 5 months

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VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

#i also really really do not understand the ''word count'' explanation given by staff.#I'm honestly rather lenient with ignorance happenings like this so long as they're remedied but.#cutting out important details of lore Fundamental to the understanding of it? For? ''Word count''?#Like firstly. Surely someone on the team is skilled enough to pull that off right? To get all that needs to be said in a short story?#but secondly. w. why is there a word count limit to begin with. This is Your House. Why are you limiting yourself unless this is like #a paid-by-word situation and they don't have the money to afford something longer #but like it feels like shooting yourself in the foot if you're going to write something that leaves a ton of information vague instead of #properly explaining your lore so there's no unfortunate misunderstandings. But I dunno. I'm just rambling #flight rising #fr auraboa #I'll probably be incorporating my Own version of the lore regardless of what the staff decides to do with this presentation of it #or just ignoring it outright hskdgjhskjh we shall See #Also if anything I've said here is Wrong in some way or comes across ignorant in and of itself. Let me know

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vividbaddogs · 10 days

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some arachne shots from sak a couple weeks ago!!

( medusa and photographer is @firejutsu, other photographer is @thatone-gay )

#i need to redo this wig asap i hate it lmao. unfortunately that is largely due to arda not having the one i wanted to work with </3 #but im very happy with the rest of her!! i said i was gonna make a velvet gown and boy i sure did #and the sleeves are so stupid i love them #soul eater #cosplay #arachne gorgon #soul eater cosplay #sakuracon #sakuracon 2024 #sakura con #sakura con 2024 #slowmocosplays

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blueskittlesart · 2 months

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Feel free to ignore this but as someone who also goes to art school, I find it really interesting how other art schools also have a “don’t date your peers” sort of faux pa. Like so many people I know (including me) refuse to date anyone else who goes to my college 😭

I wonder why that is tbh, small school thing maybe?

being so serious i didn't have anything against dating other art school peers when i first came here and i think most freshmen dont but once you have one or two art school relationships under your belt you realize why all the upperclassmen avoid dating each other like the plague

#it sounds so good on the surface. like when am i ever going to find this many lesbians concentrated into one place at the same time #but unfortunately in order to go to art school you need to be 1. in your 20s and 2. have something wrong with you #also especially as you get into years 3-4 i think maintaining a relationship just becomes SO hard. bc we're all in the trenches #AND ALSO. from experience. this school is SO small that you CANNOT avoid your exes. if it ends badly fuck you you have 4 classes with her #anyway obviously this doesnt stop me from looking for. things. on tinder. i just dont swipe right on anyone i recognize from class #and it ALSO does not stop you from WANTING to date people in your classes. this tinder girl is nowhere near my first art school crush i jus #do not act on them anymore <3 lmfao #that being said tinder girl if youre reading this i didnt mean any of it baby you're so pretty and im so stable please dm me

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bluebobatea · 1 day

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if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)

an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.

my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.

which is really sad given all that he has been through.

#there are bajillion other reasons people hate him for #honestly i have lost track of the stupid reasons i have seen people give for hating him #and sometimes they just do without any reason *not even exaggerating* unfortunately #im like yeah go on hate him. you guys obv don't have enough brain cells to comprehend his character #they never understood him. and it's not like any kind of reasoning is gonna make them change their minds #and it's not like one needs to do a deep character analysis to understand him. it's literally right there.#all you have to do is stop worshipping konoha and its militaristic policies and the people who enact said policies.#and also the people who enforce those policies while subtly hating them but can't do anything bc it's dictatorship :)#but maybe that's too much to ask of them bc that would mean they would need to question their political views #and we can't have that right bc it's all just fiction in the end right? and fiction exists in a void :) (yes I'm being sarcastic jc)#like the amt of times i have heard people say “you don't need to take this so seriously it's just fiction”#umm you do know that fiction is inspired by real life events right???#tldr: most people throw away their brains while engaging with nart media and have zero reading comprehension skills #this turned into yet another rant T T why am i like this AAAAAAAAAAA #sasuke #uchiha sasuke #sasuke uchiha #pro sasuke #pro uchiha #anti konoha

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dragonling348 · 3 months

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I'm thinking about that first few episodes of the PJO show, compared to the general opinion of the show now. I'm thinking about the ways we saw Percy trip and fall in front of Annabeth, how Percy got distracted instantly and pet a gecko in the middle of a fight, how he almost shot another camper with a bow and arrow after telling everyone it was probably a bad idea to let him hold a bow and arrow. I'm thinking about how this kid fails so often, and we really got to see it for a moment. We *had* that for a few episodes. This total looser who's human, who messes up but still somehow saves the world. We get moments like the consensus song--it's not like the show is devoid of humor. But as the show goes on, you can sense a change. I won't say my critiques on the newer episodes because everyone knows exactly what direction the show went, the pieces of humanity that it's missing. But I will point out how everyone cheered when the 12 year old ran a taxi straight into a wall. Because that's what they remember. They laughed when they were kids reading a chapter list with things like "We take a zebra to Vegas"

I don't know what the point of this post is, it doesn't say anything that the entire fandom hasn't been saying. I'm not even trying to reach a decision on whether or not I like these changes. But Rick Riordan *had* that feeling in the show. It's just that as it goes on, we get less and less.

#pjo #pjo series #percy jackon and the olympians #dragonling says shit #pjo tv show #im hoping as we go on we'll get more gems like the taxi scene #because hey #everyone liked that #the fandom pointed with mouths agape and said #omg so silly so goofy what a silly teen #but guys #we do need plot #plot does exist #rick is probably juggling humor and character and plot all at once #unfortunately we just don't happen to like the one he chose to leave out first

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galedekarios · 4 months

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The people going "it's not a big deal" confuse me. What other character gets shit on by everyone unwarranted and unprompted? What other character is told to not be themselves, because that would be terrible advice for them specifically? None of the devs or writers say that Astarion should be handed over to the Gur hunter and killed by them because as a vampire he's a monster anyway and this way it's a good end and he won't hurt anyone anymore. Lae'zel is brutal and aggressive, but instead of going "haha yeah isn't that so annoying, boo 👎" the devs defend her and say that audiences would not be saying that if she was a man instead. Shadowheart always has something to say, too, about Shar and Selune, and other things, but they don't call her annoying about her religion. Astarion can feed on PC and give you a negative buff, but that's fine. Gale needs a trivial color spray trinket, one of only three(!!) trinkets, and god he's just the worst. And that isn't even the end of it, that's just where I'm choosing to stop this already long message. After a certain point, if the ONLY place where Gale doesn't get shit on is when you're talking to him directly and choosing the nice options, then yeah I feel like there's a problem behind the scenes there. Especially when his story is about forgiveness, belief that you're enough, allowing yourself to love and be loved again, accepting and asking for help, and learning that you deserve to live, but the devs say that an ending where all of that is thrown away and even after telling him that he's enough you still have him sacrifice himself is good... then it's like what would have to happen for people to realize that Gale is treated differently than the rest? And what do they have to say for others to realize that they're going against their anti-suicide message? Because I don't get it. Is the world going to end? No. But that doesn't mean this isn't weird and hurtful. Escaping the cycle of abuse and becoming better is great is the basis of their game, unless your name is Gale.

i really have nothing to add here.

#people can have their own thoughts of course #and if it's not a big deal to them or they read it differently #more power to them #i don't really care #personally though i like to stick to what is actually said and written however #and the message it sends #and not make up excuses for a company and its employees #when everything here mirrors what's happening in the game and outside of the game #they didn't talk about this being of one the possible endings they very much specifically singled it out as the ending that feels 'right'#and that has a lot of unfortunate implications #that need to be looked at imo #ch: gale dekarios #vg: baldur's gate 3 #series: baldur's gate #text: asks #text: personal #larian critical #bg3 critical

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