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#tom hardy and leonardo dicaprio
cinemagal · 10 months
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Trivia for Inception (2010) dir. Christopher Nolan
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mieczyslawn · 2 months
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⠀⠀ ⠀⠀ ★ . . . my boyfriend’s pretty cool
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escapismthroughfilm · 7 months
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#209
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denimbex1986 · 5 months
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'When Cillian Murphy took to the podium during Sunday night’s Golden Globes, his nose smudged in his wife’s lipstick, it was as if a door had opened on this Hollywood Neverland and an ambassador for the real world had stepped through.
Accepting the Best Actor in a Drama award for Oppenheimer, Murphy wasn’t so much un-starry as stonkingly everyday. Here was a normal person who had somehow beamed into peak Tinseltown and, if pleased, was also clearly a bit perplexed by it all.
The Oppenheimer win has made Murphy a frontrunner for the Oscars. In all likelihood, he will be up against a creepy Barry Keoghan in Saltburn, an overblown Bradley Cooper in Maestro, and a fervent Leonard DiCaprio in Killers of the Flower Moon. With the arguable exception of the grandstanding Cooper, all would be worthy winners. And yet, underdogs everywhere will be cheering for Murphy. He’s spent the past 20 years negotiating Hollywood on his own terms and has rejected Tinseltown’s showiness in favour of staying grounded and playing the long game.
Murphy always wanted to be an actor rather than a star. Such a choice could easily have condemned him to a lifetime of supporting roles. Or a hiatus in TV, to which he seemed exiled when he settled in for a long run as Tommy Shelby in Birmingham noir Peaky Blinders.
But his decision to turn away from flashy parts has proved inspired. He is that rarest of things: an experienced A-list actor who comes to the Oscars without baggage. Unlike DiCaprio, he hasn’t had to overcome a past life as a teen pin-up. Nor does he have to justify a lucrative stint in comic book films, as Cooper has with his time as Rocket Racoon in Guardians of the Galaxy.
Above all, Murphy goes into Oscar season as an antidote to the “look at me!” culture of the social media era. In an age when fame is regarded as the ultimate commodity – more important than awards or critical acclaim – Murphy would rather let his work speak for itself. He lives humbly in suburban Dublin with his wife and two children – and his great passion outside of acting is music, as demonstrated by his semi-regular presenting slot on BBC 6 Music.
That’s lifetimes removed from Hollywood, with its self-mythologising and turbo-charged fakeness. It is also of a piece with his career since he broke through playing a survivor of the zombie apocalypse in Danny Boyle’s 28 Days Later. Ever since, he has chosen his jobs thoughtfully. In so doing, he has assembled a body of work of which he can be proud.
He hasn’t been above popcorn. He was a memorable villain in Christopher Nolan’s Batman Begins, where he played the Scarecrow as a trippy nightmare. But even when shooting for the box office, Murphy has been studiedly un-starry. Careful to keep his ego in check, he’s often happy in an ensemble – hugging the background in A Quiet Place II and settling for an extended cameo in Nolan’s Dunkirk, where he was content to let Harry Styles and Tom Hardy hog the spotlight.
Hog it they did – yet it was Murphy who proved to be in it for the long road. Because he could go into Oppenheimer without a Hollywood aura, he disappeared into the role. If hardly obscure, he nonetheless assimilated fully into the part. Throughout that film, you were aware of its stars. Florence Pugh and Emily Blunt doing their best with under-written female characters. Robert Downey Jr trying to pretend he hadn’t spent a decade as Iron Man.
Murphy, by contrast, split the acting atom. He vanished into Oppenheimer with a performance that exuded humility and sincerity. Bookies have now installed him as a favourite for the Best Actor Oscar. If he wins, it would be a victory for knowing who you are and what you stand for and believing good work has value beyond short-term acclaim. Above all, his success shows that it is possible to stay grounded while scaling Hollywood’s giddiest heights.'
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ynwa1892 · 11 months
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Inception + Water
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cinemoments · 6 months
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Inception, dir. Christopher Nolan, 2010.
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hellish-cruelty · 1 year
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Drowning in sorrow
Films in frame - Frances Ha, The virgin suicides, Mommy, Blue is the warmest colour, Black Swan, Inception
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geekynerfherder · 10 months
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'Inception' by Steven Chorney
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jaskiersbard · 1 year
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I went to the cinema and watched a throwback screening of Inception this evening… I will now be requiring 2-5 business days to recover because my entire being is shook to its core.
For those unaware, Inception is now one of my favourite movies after I watched it properly a few weeks ago. It’s an amazing film regardless of how you watch it, but seeing it on the big screen with proper cinema speakers and in the dark? It hits completely differently. 100% would watch it again on the big screen - truly a cinematic masterpiece from start to finish ❤️
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nihillist-blog · 5 months
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The Revenant (2015)
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cloudtinn · 1 year
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"What is the most resilient parasite? Bacteria? A virus? An intestinal worm?
An idea.
Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. "
Inception (2010), dir. Christopher Nolan.
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cinemagal · 1 year
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21 FILMS OF THE 21ST CENTURY Inception (2010) dir. Christopher Nolan
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dainpo · 3 months
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yassslayboss · 2 years
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𝗜𝗻𝗰𝗲𝗽𝘁𝗶𝗼𝗻 (𝟮𝟬𝟭𝟬)
Just watched this film recently after having it on my watchlist for a while and wow it was incredible! I thought the plot would be a little confusing as I often find with Christopher Nolan films but I actually did follow along and really enjoyed it. Went into this movie fully aware that Cillian Murphy would be in it but still freaked out when he turned up on my screen (I am a weak woman) .
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sunflowerfilms · 11 months
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Inception
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domhnallgleesonhaven · 7 months
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The Revenant LA premiere, 2015
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