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maritotoy · 3 months

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MAUGA X Support/Medic Reader ((Part. 1))

NOTE: Believe it or not, I never realize how long I've written this one.

This narrative tracks Mauga's obsession with Y/N as it grows to the point where he is prepared to kill everyone who stands in his way. With this in mind, Mauga's commitment would gradually grow. He would start out softly and then this need on you would get stronger.

It all began when your talents were initially utilised for recruitment. You were a terrific help, willing to assist your teammates in whatever way they needed.

Your main issue was that you could never truly let them handle things on their own. As a result, it became increasingly difficult to care for yourself.

They promised you riches if you helped them fight back against their threat. There were only so many ways to profit from rival worlds, after all. You were aware that you were going into a whole new universe when you agreed, but you also felt that you had no choice but to accept them.

Ultimately, you didn't wish to pass away, did you?

It was stated to you when you first joined TALON Organization, that you should concentrate only on the battlefield. Up until you met Baptiste, an exceptional combat medic, it was great with you. Your shared enthusiasm for curing illness is what unites the two of you. It turned into a shared passion. As you try to acquire experience in several areas, like medical supplies, you both hope to discover some more useful abilities, like healing or even a unique kind of combat capability.

But you can hardly ever get to Baptiste, he's constantly at the top. Both a combat mercenary and medic. You're always looking for ways to sharpen your skills.

Even after meeting him again at your base and on missions, you are still determined to improve your ability to deal with any possible emergencies. Not until later do you find out what happens when a member of your unit gets injured.

Baptiste surged in, carrying an imposing stature and a solid, muscular frame. His voice sounded desperate, asking, "I'm sorry if I came to you! I know you are busy, but I need help with my friend, please, Y/N!" The urgency was so obvious that there wasn't much resistance. Even if he was a doctor himself, it must have seemed urgent enough.

Besides... You were in the right place to help.

You rushed over to his side and helped him stabilize his huge friend. "What happened, Bap? Are you hurt?" He didn't reply, but his eyes told you all you needed to know.

You fix your sight on his pal. He does not appear to be hurt or seriously damage. However, the man's body is completely soaked, which looks very suspicious to you. "Is he alright, Bap? I don't see anything wrong." He shook his head and gave a sigh.

"We were attacked. Mauga and I found the source of the enemy attack and got separated."

"How long has it been since then?"

"Four hours, maybe five."

"Do you have any idea of what may have caused the damage?"

"I'm not sure. However, I had already discovered him unconscious but unharmed on the ground. It should not take long for him to awaken.." You glance at the unconscious man again before you say, "Let me take a look at him." He nodded and stepped aside.

"Mauga could never be wounded by shots like that. Despite his size, he could easily absorb one hit thanks to his physique." He explains.

You crouch down and check on his comrade. He seems fine to you. There's nothing unusual about him, other than the fact that he's a bit too heavy.

You knew Mauga.

And with such.

You just don't know how to engage with him.

On a conversation? Yes. Your profession is your duty.

You don’t really get along with those who rely solely on themselves as an advantage, even though you respect their abilities.

The feeling is mutual. Every time someone gets hurt because of something beyond their control, you are there to help them.

Because that's your job as a medic.

You both have quite a difference in interests, though. You can't stand the fact that he’s so reckless, you can't understand why he doesn't think more carefully before he acts. As soon as he sees blood, it's always the most important thing.

Mauga stands tall, towering over his opponents with an impressive height of 7'5 ft tall. (My headcanon)

Mauga is a formidable opponent on the front lines thanks to his strong, muscular physique. His broad shoulders and thick neck gives off an air of strength and power, and his body is well-built, demonstrating his strength and capacity to deal severe damage to rivals.

Did I mention he has two hearts?

Unlike you, Mauga is a ruthless and cunning individual, driven by his own motivations. He never lets anyone interfere with his goals, whether or not they involve you. While he might act with reckless disregard sometimes, he is also able to calculate the best course of action.

Not anyone knows this. But you knew nontheless with Baptiste.

You may be underestimating him in some way, or you may have witnessed the genuine thing, up close and personal, but he always brags about his achievements without hesitation or shame. His fighting style turns wild and unpredictable when he fights. If Mauga doesn't want to win, he will take his time, before using ChaCha and Gunny, his chainguns, to grab the victory, and he won't give up until he achieves his objective.

He definitely is careless, isn't he?

"He's breathing just fine, Baptiste. I would say he is in perfect health, aside from the injuries, I can't detect any signs of any damage injuries either." You said as you stood up. Baptiste sighs relief. "I'll leave him to you doctor. Don't worry, I trust that you have everything under control." He says this to you while nodding in satisfaction.

This gesture of his is a way of gratitude towards the medic's work.

"I will be back later," he says as he leaves to make a round to prepare for battle.

While Baptiste was gone, you sat next to the downed mercenary soldier and begin to observe him. In the midst of his unconsciousness, he seems to be in a good state. There was no sign of discomfort or pain. His pulses are fast but steady, knowing that Mauga have two hearts, one that allowed him to replace his damaged, organic heart with a cybernetic one. That way, his heart will beat twice as fast. You can easily tell that Mauga is in his natural state.

Your eyes began to feel heavy after observing him for some time. You weren't sure if it's due to fatigue from watching him, or simply exhaustion from your duties as a medic.

Before you knew it, you fell asleep.

When you awoke, you find yourself staring back into the face of Maugaloa Malosi, whose lips formed into those flashing, same pasted smile as usual. “Ah, Doctor. How nice to see you again.”

You quickly wake up, sitting straight up on the chair. “M-Mauga!" You exclaimed, alarmed. "H-How is you- I mean are you feeling alright?”

He grinned at you. “I am feeling rather fine.” You let out a long, sigh of relief. However, you didn't anticipate that this would happen frequently. “I see..." You replied.

Silence takes over for a while. Mauga stared at you intensely before taking a step forward. “Your Y/N, correct? Baptiste little assistant. I've heard much about you, but never expect that I would get to get treated from you.”

You flinched slightly at his words 'assistant' and the word 'little', but you remained calm. “I'm glad that you feel better now. You should rest and recover. If you still need them..."

“I appreciate the concern,” he says as he reaches towards your shoulder. You instinctively raise your hands in preparation of blocking. This caught him off guard, causing him to pause in his movements, then booms laughing.

“My apologies, Teuila. I thought that you might have forgotten what I do here,” he said in that familiar, friendly tone.

“If I recall correctly, I haven't given you permission to touch me.” This comment caught him off guard as he chuckles deeply.

He stares at your hand for a while longer. You're beginning to become worried. After a brief silence, he reaches forward and lightly holds onto your wrist.

“That’s a very sensitive spot…” He whispers gently. Your heartbeat begins to accelerate. “And your pulse is fast. Is this normal?” he asks. “Yes,” you respond in a soft voice.

“Then why are you afraid? You know I'm not going to hurt you...” He grinned. His sharp teeth glinted menacingly in the dim light. "Surely you've already made a friend? You also gave him a lot of attention than you do with me. Or have you grown to dislike me?"

"...I... I beg your pardon-" your speech is interrupted by Baptiste with a tired expression.

"Hey... Sorry that I took so long. I went to gather supplies. Mission was a success." He sighed in relief as he approached you.

"Mauga, I'm glad your awake bud." Baptiste sighs in relief and smiles at Mauga. Mauga returned the gesture before looking back at you.

He still has that huge grin plastered across his features while his eyes darted towards yours. "You're crazy out there Mauga. Do you really think that you can defeat the enemies single handedly?" Baptiste says with a chuckle. “You know me Baptiste, I never do things without planning them out.” He grinned, revealing that row of dazzlingly white teeth. “I still don't understand how you've been knocked down so easily. It's hard to believe that you can be beaten like that.” Baptiste gives a half smirk, half frown.

You listen to their conversation, and you try to make sense of it. Mauga laughs at the situation, as if it's all so obvious. "C'mon, Baptiste, we have bigger problems than me right now. The mission is a success because we finally found the enemy camp. But it was a close call, and we needed your medical expertise to treat the wounded," Mauga explains to Baptiste while looking directly into his eyes with a sly smile. "I carried your massive ass in this camp with support of your weight alone. You ought to be pleased to have a subordinate with such skill." Baptiste smirks. He was referring to you. Mauga laughs at his friend's criticism, displaying his amusement at the circumstances.

"So yeah. It was pretty rough, but we managed to secure the objective! Isn't that great news?"

It's not really a surprise to you.

Mauga does tend to put himself in danger, especially when he's in an unfamiliar place.

This guy is completely reckless, which is why you can't believe that he managed to survive so many battles without falling apart or breaking down.

"Your a loose-canon, but I hope ended well..." you say calmly, hoping that you sound convincing enough.

"I can assure that I have the highest respect and admiration for your abilities as a medic. I would never doubt your skills, even if I hadn't personally experience how skilled you are in dealing with wounds." Mauga comments, he sounds sincere as ever.

Baptiste grins again. "That's a big ego of yours, my friend. You should consider giving a few compliments to the people who did more than you."

"I would love to, my friend, but there's nothing wrong with being modest about our accomplishments."

"Alright," Baptiste said, sounding annoyed.

--------

After several hours, days, months of treating your patients at base. You cannot help but wonder seeing Mauga quite often, whether that is purely because of duty or something else. Although it is difficult to tell what he's thinking, there are moments where you notice the way that he is constantly staring at you. Like he's trying to figure out something about you:

studying your appearance, facial expressions, mannerisms. Sometimes he gets lost in his thoughts, sometimes he appears to be lost in his own world, occasionally, you could catch him smirking knowingly, or even smiling to himself. These small gestures usually only occur during times when it's with you with him. Sometimes, the man is just too cheerful, or too energetic in general.

You could hardly handle the stress of handling all these patients in the infirmary on your own. You're starting to miss having Baptiste around to keep him occupied while you go through patients. You sighed loudly not until Mauga appears behind you

You found him with wounds on his chest and torso. You turn to look at him, "What happened?"

"Nothing serious..." He grins, showing his sharpened teeth.

"Just a minor injury, eh?" You raise an eyebrow at the mercenary, crossing your arms over your chest. Mauga simply shrugs as he sits on a table.

There was another period of silence between you two, and the atmosphere seemed to tense up considerably. This time, it's you who breaks the silence. "I'm sorry that you got injured. I don't know how I should react seeing someone else getting hurt so casually. You could have died out there. And that's not the worst thing that can happen," you said sarcastically and sternly.

He chuckles. "Oh really? Tell me more." He leans closer to your face, gazing deeply into your eyes. "Ah. So that's how it is."

You glare at him angrily, but he ignores you as you continue working. "Are you seriously going to mock me for worrying about you?"

"Not at all," he replied, with a hint of sarcasm. "But there is one thing that concerns me."

"What? You're going to insult me too, aren't you?" Mauga laughs while Y/N tends his injury.

The felt of your touch sends shivers throughout his entire body. He tries hard to suppress the sudden urge to grab her hand and hold on tightly. It's becoming harder to control these urges though. He shakes his head rapidly as he pulls away from you. He looks at you with narrowed eyes. "I'm not mocking you, you know?"

Your gaze flicks briefly to his. "Hm."

There was a short silence between you two, until you began to clean a cut on one of his legs. You noticed his gaze follow every movement of your fingers. "Why are you staring at me like that?"

"I'd prefer that you didn't ask questions so frequently, Teuila."

"Teuila?" You face him. "You know, I never asked you of this... But why do you call me that?" He lets out a deep chuckle and replies. "Because you look like Teuila. It fits well, doesn't it?" He flashes you a warm smile before turning his head away again.

You shrugged of his answer, continuing your work without saying anything further, although you were extremely curious. "Teuila... What does that word mean?" There's a brief moment of silence in between the two of you once you finished cleaning up the blood staining his leg. A faint smile plays across his lips again. "I thought you were better than that."

"And you think that you're better than me?"

"Yeah," he replies smugly.

"Then... You've obviously underestimated me, don't you?" You give him a challenging smirk. He returns the smile with a smirk of his own, but he then turns serious again. His eyes narrow. "Let me enlighten you. That name means 'flower'. Do you understand what kind of flower it means?"

You gave him a blank stare. He continues to smirk, waiting for you to understand his meaning. Eventually, you sigh, putting your hands on your hips. "Do I look like I care to know?" You scoff, rolling your eyes lightly.

Mauga laughs. "Well, I guess it doesn't matter what you think of it..."

There was silence between you two for a few seconds, and you looked away with furrowed brows.

You finish patching up the mercenary, placing some bandages around him and securing them securely. "Now that I finished helping you, you're dismissed." You professionaly said after you made sure that everything was covered properly. Mauga laughs at this. "Really? Now? Just like that?" He asks mockingly.

"Yes Mauga, I don't have any other duties besides tending to your wounds. I've been doing that for quite some time now," you responded coldly.

Mauga raises an eyebrow at this. "You know, if you start beginning to care about those wounds, you might find yourself losing them. If you want me to leave your clinic quickly, then you'll have to earn my trust first, which requires some work."

You sigh heavily. Of course Mauga will insist on making things difficult for you. "I am no doctor Mauga, I cannot cure your injuries." You sarcasticly said.

"Oh I know that. But you're still willing to take the risk." He chuckled.

"You wouldn't had to waste precious time coming here in order to talk shit."

Mauga laughs at you again, grinning like a cat that ate the canary. "I wouldn't waste too much time coming here either, but I also wouldn't be able to enjoy it quite as much because you'll be gone by then," he says confidently. "Besides, you're not exactly known for your patience." You roll your eyes, turning back to the table in front of you.

"You know I've always wondered what it feels like to be your patient," Mauga mused. "To be the one receiving the attention of the most skilled medic in your battalion."

"You must be joking," you replied, you know what he meant, not wanting to think that you would ever become his patient.

"No. You know me... " He grins. You groaned. "Don't' make such assumptions, we don't know each other all that well yet."

"Yet..."

You glared at him as he laughed. "Whatever. It seems like there's no stopping you, is there? We haven't even officially met yet, and already you're acting as if you have a good relationship with me." You sighed exasperatedly, massaging the area of your forehead in irritation.

"Listen, Mauga. My job is simple, I care for my patients and treat them well. Nothing more, nothing less."

"Oh yeah? Well, maybe I'm different," he said cockily.

"How? Are you not afraid of dying?"

"No... No I'm not... I've done so much more reckless things than death." His expression suddenly shifted to an emotionless one. For a moment, it felt almost as if he wasn't looking at you anymore. Then he chuckled softly, giving you a playful wink. "But I'm no saint."

"It must be hard to admit being human." You shook your head slightly.

"Sometimes." His grin returned to his features.

You couldn't help but stare directly into his eyes for a little longer, taking in how dark they actually are.

Mauga shows a huge plastered face. His still wearing his dumb smile.

You blinked at him.

He blinked back.

You rolled your eyes. "Stop smiling so much." He continued to laugh, as you turned away from him again. Mauga stood up and stretched lazily, "I have something to attend to, I'll be seeing you later," Mauga teasingly said as he made his way towards the door. He opens it, but he glances back.

A small smirk forms on his lips.

You watch him disappear outside the door, closing it behind him with a click. Once the door closes you let out a heavy sigh, resting your back against the wall behind you. Your heart is racing a mile, a minute, both at the prospect of having finally been alone with Mauga again, and the strange feeling within you after you spent several hours alone with him.

This feeling...

It's definitely not normal.

End of part 1

Part 2- ???

#mauga #maugaloa malosi #mauga overwatch #overwatch mauga #overwatch #mauga x reader #ow mauga #mauga ho'okano #overwatch x reader

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ideas-4-stories · 13 days

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One piece story idea where Buggy has had medical issues since he was a baby, but most of them went unknown, undiagnosed, or not caught early enough to "make a difference".

Buggy with an autoimmune disorder of some kind (leaning to fibromayalgia bc I love projecting on my baby blue blorbo, but also the overactive nerves would tie in nicely with his devil fruit)

Buggy with hypermobility at the very least, possible Ehlers Danlos Syndrome, but it's damn near impossible to properly diagnose due to his DF and the tech available by and large.

On the Oro Jackson, few genuinely believed when Buggy would say something hurt or felt wrong or when he was more foggy headed than usual. Shanks could always read him like an open book. Roger could hear the changes in his youngest's Voice. Crocus did the best he could, but his options were limited and his attention was split. It was Roger, Rayleigh and Shanks who were Buggy's main support system.

Roger absolutely cried the first time Buggy got injured in a big fight and casually relocated a joint with just a soft hiss. That alone had been jarring, but Buggy's response to Shanks' worried question of "are you okay, does it hurt-," left the captain biting back tears. How else is a father supposed to feel when his little boy simply rolls hod eyes and says "not much more than normal"

When Roger disbanded the crew, the plan was to leave the boys on Drum. It had good doctors, Buggy would get more support, and it was rarely an island under siege due to the medical renown it had. They of course did not tell the boys as such, and it was only through a series of wacky events that lead Kureha to meeting them and taking a liking to their sparks. Shanks wasn't the most interested in medicine but he learned some things, specifically first aid and some things to help Buggy. He actually found psychology pretty interesting when he had the patience and attention span to spare. Buggy on the other hand took to it all like a fish to water.

They were there for almost two years when the newspaper was delivered and both boys lost their SHIT when the headline announced the execution of their captain, their father. Kureha sent them off, arguably with more supplies than they needed, and gave them her Denden number to reach her if they needed anything at all. She couldn't go with them, but she refused to send them truly alone.

They have their fight in the plaza, but it doesn't end with a monumental break up. They meet back up the next day, and they bite the bullet together and talk.

They take some time to come to a decision moving forward.

They ultimately decide to go with the co-captain avenue but with careful misdirection and smoke and mirrors. To the world at large, they will seem completely independent and unrelated. In truth, they will be leveraging their independent skills to further themselves and each other. The brains and brawn, as it were.

It works out in their favor for a good deal of time until the cluster fuck that is marineford. Secrets are out, identities revealed, and Buggy is having 6395716 panic attacks stacked up like Legos.

He and Shanks roll with it as best they can, trying to salvage what they feasibly could.

Two years later, Cross Guild is formed and begins rolling. Buggy's crew knows of his illnesses/disabilities, but he has a strict set up to address them. It's on a need to know basis.

Crocodile and Mihawk just so happened to swirl in like a hurricane and never got the memo until there was an attack on the island.

Somehow, someway, Buggy got absolutely soaked in sea water, but he's still fighting, knives in hand, bobbing and weaving with a trail of blood in his wake. It's as he pivots to lunge that Mihawk catches sight of him suddenly paling, a minute flinch, but beyond that, Buggy doesn't react, instead throwing the knife, reaching down and making a strange move at his knee before he cringed, took a sharp inhale, and dove back into the fray.

Upon asking why, hours later in the meeting tent, the swordsman and mafioso present blink when Buggy shrugs and says "oh, my knee cap tried to dislocate. Couldn't disconnect with the sea water so I had to push it back by hand."

"Pardon?"

"Hm?" Buggy glances up from where he's brushing some dried remnants of the battle from his locks, one eye shut against the debris. "What?"

"What caused the injury? I did not see any attacks to your legs in the chaos."

"Oh, it just happens sometimes," Buggy says casually, as if this were knowledge the other two ought to know. "I'm used to it."

They are not sure what to do, nor how to respond. They let it rest for the time being but they do keep a closer eye on their chairman following this.

They learn Buggy is rather adept at working with and around his unusual burdens, either disconnecting a joint or alleviating pressure on it until it can be addressed, even chop-chopping the offending area back to the proper place. They catch sight, now that they know to look, of hints of braces, wraps, the way Buggy occasionally presses his iced drink to a knee, a wrist, on an ankle in movements familiar but exceedingly casual, never belying their true purpose.

It is then that the two dark haired men realize there is much more to their clown than they first assumed.

I agree that overactive nerves would tie nicely with his Devil Fruit. Buggy having medical issues that went unknown, undiagnosed, or wasn’t caught early enough would make sense after all if the HC that Buggy was with the Roger Pirates as a baby or even if he wasn’t with them during his infant stage. These are pirates, how are they supposed to know that they need to look for things that could be wrong with the two babies they now have?

I’m sure some of them have things that have went unknown and undiagnosed. Anyway, back to Buggy, I had to look up Ehlers Danlos Syndrome because I didn't know what it was. I agree that it would be nearly impossible to diagnose properly because of no good tech around, as well as the fact he is on a pirate crew, I assume for the most pirate crews they don't stick around island for very long. I HC that Buggy swallowed the Bara Bara Fruit when he was nine.

Poor Buggy, I want to think that more people on the crew understood that Buggy has problems but didn’t how they could help him. Because acting like Buggy was fragile would make Buggy become angry because kid doesn’t want to be treated like that.

Poor Roger, having to watch that without saying anything, with all the other times it happened. Then after he disbanded the crew. Leaving them on Drum Island is a good choice and it makes sense that they didn’t tell the boys (I feel like they don’t tell the boys many things that should of been talked about, but this might be a good thing they didn’t say anything about. But who knows)

I wonder what the series of wacky events were to the meeting between them and Kureha? To me, they seemed like it there in this AU.

I think anyone would lose their shit if they see someone, they really love is getting murdered in front of so many people. I feel that Kureha only let them go because she knew they would go anyway, and this way let’s her give Buggy and Shanks the supplies they need.

I believe that with all the stress and pain of losing someone they hold dear in their hearts. I think Buggy wasn’t in the right mind set nor was Shanks in a way. Anyway, Love that they came back around to talk about it. I think the smoke & mirrors co-captain route they have… or is it more like Buggy and Shanks are allies? They have their own crews, but they still have each.

Then Marineford happened, poor Buggy and Shanks. I hope in this AU that Ace lives, but it was never stated so I don't know.

The idea that Buggy's crew knows about his illnesses/disabilities makes me feel that his followers would say he so strong to overcome them or we just talking about Buggy's crew from East Blue. Then yeah, those folks definitely know about his illnesses/disabilities.

Mihawk and Crocodile coming in without any knowledge and it took a battle to find out. I can see Buggy is nonchalantly about it as Mihawk did a doubletake when he said ‘Pardon?’ Crocodile did a doubletake too, because with those two didn’t know.

Once Crocodile and Mihawk know about what’s going on with Buggy, they see that the signs were always there. It’s just they didn’t paid attention to those signs, but they are.

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unhappytimeleaper · 8 months

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Character analysis; main concepts

A lot of this references some hints to lore and stuff I found. Not a lot are direct spoilers, but since Venti is built on his vagueness to his past, this likely will be able to be subject to change as time goes on.

Also, I wasn't sure if I asked if anyone would reply to whom to pick for my analysis. I asked some friends on a Yandere discord server, and in passing, one of them mentioned Venti, so I just went with it. Shout out to them. I hate making decisions. And leaper lore, but Venti is the reason I got into Genshin, so I guess it's fitting he is first.

Anyway, that means sending who I should do next. I'd prefer to space Genshin characters out, but anyone on my lists can be requested, as well as general requests being open.

The final quick personal note is I wanted to thank everyone for the 150 followers. I know it's not a lot, but I am thankful for the handful I know have been around for a while and for those who have considered following; Tumblr and most other SNS are rough for creators as reblog ratios are so low and other issues, but I am very grateful for those who keep coming back.

Venti [Barbatos]; Unedited. Gender neutral reader. Part 1 of 3

Warnings; yandere!! It touches on every main category of the troupe, so if you are sensitive to manipulation [emotional and mental], alcoholism, codependency, guilt [even self-imposed], obsession, lying, stalking, some general creepy behavior, breaking and entering, possessiveness, delusional thoughts, unwanted touching [sfw], and anything else you can think of being related to yandere troupes, then it's best to just not read. Also, a massive warning for talks about religion, idolization in the 'church,' and abuse of power within religious settings.

Word Count: 8.4K

This blog is 17+ please have your age in your bio or tagged; any ageless blog and below the age asked for will be blocked at the end of the week.

Maxed Stats

General manipulation

As a key component, Venti is a general trickster; he comes naturally with the skills of forgery, fabrication, pilfering, and illusion-making. These tools under his control make him naturally an enigma but build into easy traits of manipulation as he needs not just to you but to anyone. And for an early establishment, Venti's natural manipulation is not just tied to these specific skills. Still, it almost comes coded into how he exists as more of himself is revealed. Though these particular skills of lying are much harder to pick up on, between the riddles of his words and decent, innocent appearance, it's easy for him to pull off a twist of words or lie his way out of a situation.

As pointed out, manipulation is a skill that Venti can best use against anyone. To you, he is likely able to find excuses to keep up his actions. Outside of the wall of Mondstadt, he can quickly find reasonings as to why he's there, too. More often than not, he's somewhere close. While in areas like Windwail and Brightcrown, he can stay hidden, only needing to reveal himself if you find yourself in trouble, in regions like Starfell and Galesong, you can often see him not too far off in the distance. Even if you doubt his reasoning, it's hard to find proof of his stalking, making the moments unsettling, but his cuteness and way of words make it hard to get upset. Guilt festers as he looks so sad with accusations of something more sinister and that he has ulterior motives. Or how within the walls Venti is quick to find you and cling on, either in close proximity of walking or physically bound to you somehow— it's easy to tell when he's been drinking as he tends to be much more touchy in those moments. While it takes a lot for him to truly get drunk, he likes to play it up as there are so many more benefits and things you let slide. You have to take care of him in some way, and he always has a reason to be around longer.

In cases of late nights together, Venti sometimes lets you feel as if you have the upper hand, too. Pretending to be more drunk than he is and more open, allowing you to handle your chance at burning questions as he wistfully gives answers. Often, they are still vague but do let you delve more into his past, the trauma he has endured, or the loneliness that has come into his life. The more you learn, the more guilt grows at the idea of rejecting him. Of leaving Mondstadt in favor of exploration or answers. It's also not one where everything he shares is a goal of manipulating these feelings or actions.

Venti's love is absolute; for that, he wants to share what he can, with his goal of being bound to you, which means sharing these personal moments. For him, learning about you is so much easier with his status and age. Still, you can seldom learn about him in the same way, even more, as he can't fully spill his guts about his past at a moment's notice. However, he can think of this as an added benefit; manipulation, even if it's not the goal, is still emotional manipulation.

These times, there often are levels of manipulation about other places and people he puts in place. Different regions and gods aren't free from their past either, and Venti is known to share moments of these in his riddles. Aspects of how the lands have changed, how they have changed, but the imposing struggles carry through their lands. It's not really shit-talking them, nor a full-on slander campaign, but the language and words he uses are often dulled in favorability of what they could be. Similarly, he might often find ways to weave in things that could cause greater fear in you to manipulate you into thinking you are much too weak for the creatures that lurk there. While some parts you can chalk up to his story-telling nature and that by making it more dramatic, it sounds better, there often is a growing uneasiness about how vicious parts it could really be. More than countless times, there have been moments of your own danger, only saved by the grace of the wind and Venti nearby… In contrast, he speaks of Mondstadt and its people much more positively, and while he has some jealousy of those in his region you gain closeness with, he also tends to have a much more positive relationship with them, allowing those to be better tools to help in his love life than those in say Sumeru or Inazuma. He tends to maybe add in some more lighthearted jabs that can have an air of jealousy in them, even more if Venti feels you've been around them a lot recently, but in the way he talks, it often is more of playful bad-mouthing than down right insults.

As touched on, Venti's manipulation of you isn't always intended or done with negative goals. One side of this is again linked generally to how he speaks. Being this enigmatic person whose words are always wistful and hold more profound meaning, there is a natural draw to learn more. It's only made more of something that is hook when he doesn't often go around sharing this self-lore to someone so known but distant in Mondstadt to just anyone. It's almost like a balloon or bubble; the hints that are added build up little by little as time goes on without seeking out Venti for more until it pops. A droplet of information at a time until it consumes your mind, going back looking for more details to answers to the questions you'd had running in your mind for days. Soon enough, you are the one asking where the mysterious bard is to the townspeople, only cementing more in their minds the nature of your relationship being more than platonic. It also, again, just makes you feel special, a self-imposed superiority that you are the person who knows him best [which this ego can be inflated more if you know him as barbatos as well]. Venti knows these actions are manipulative in a sense, and again. At the same time, it doesn't truly harm anyone; it's still manipulation at its core in building this unique reliance on him.

And Venti's manipulation is ever present in the town and the people of Mondstadt. The key ways he uses these are to get more information about you and, as usual, get away with things. However, as briefly stated, Venti uses the wind and himself as a factor in starting rumors that there is naturally more to what is happening between you that can be exploited for later use. But back to the first point, Venti is able to once again use his 'charm' and way of speaking to easily coax others to give out more information about you. He literally likes things about your past, interests, personal relationships with others, likes, dislikes, and such through his friendly demeanor and guiding the conversations. And while he can easily track and monitor you through the wind, by talking to others around and having them tell him where you are, it helps set up a close alibi if you were to question him later. Essentially, in this case, the guards and townpeople become effective scapegoats for his stalking if needed. Furthermore, these questions end up helping intensify any rumors as the questions, over time, can become more and more romantic.

His manipulation does also be a benefit as he really is one with the people, if not distant in details. By having personal connections to groups like people in the Adventure's Guild and Knights of Favonius through people like Jean & Kaeya, they easily can be tools to help with his… well, propaganda. Even the temple with Rosaria. You ask about traveling and other nations to people in the Adventure's Guild, and they tend to often only share more gruesome or darker aspects of their stories. Of have plenty of tragedy by the time they reach the 'positive goal' that it's a natural persuasion to not want to often venture too far outside of Mondstadt. Or say you are one to leave; Venti could use points of manipulation he's built to have, say, Rosaria or Kaeya go with you, depending on where. The wind can always join you, but Venti isn't up and one to fully be able to run off from Mondstadt for long periods of time. If you plan to go on just a trip for travel, it's one thing for him to run off and join you, but freedom itself in Mondstadt is unique. It's not necessarily true freedom, and while he's awake with a purpose, he can't in his heart run from Mondstadt to travel with you. And while he'd be able to do anything in his power to persuade you to not leave, he's one to physically force it unless you're genuinely trying to run off for something dangerous. However, if someone else were to go. Friends of you and Venti… you'd have to come back, right? Kaeya can't leave his post forever, and it was him who accompanied you for this task, so it would be unfair to go on alone and not see him back… Yes, through others, you'd always be lured… guilted into returning home to him eventually.

Manipulation is also used here in more of a test; he does this often with people but imposes an idea or thing involving you. Those he wants to use in a way of getting close, he bluffs some lies out, and their reaction or steps they handle in regards usually is how he tests to see if they are reliable in what he needs. It's nothing extreme, but it's best to know if he can trust their feelings and opinions on you before letting you get too close. If they fail, well, a little bending of the truth to make it so neither of you wants to interact and never really hurt anyone.

This all helps build into how appearance tends to help. Not only for the general public but even for you, as his boyish charm and looks naturally tend to frame him as innocent. People are quick to brush off his questions even if they progressively get more concerned as 'puppy love' or that it's simply 'too cute' to see the young love from the bard. Many might even favor this as they see it as him likely being willing to turn a new leaf and grow into something worth settling down [i.e., get a job and place to live, though really, instead, it grows more into him crashing at your home and still playing song for whatever he can— money or alcohol]. His verbal actions are easily brushed off, but even the physical side of things, too. Pilfering is a great talent of his, but when caught with your items or breaking in when you're out, he tends to be pushed aside if he plays up his demeanor and lies. Scolded with warnings, sure, but scratching his head and sighing with a 'promise I won't do it again' tends to get everyone to roll their eyes and back off. As mentioned, his appearance can even present him as harmless to you; if someone brings it up, you might also awkwardly laugh and brush off the events. It's just Venti being Venti. He truly is primarily harmless, and he's stayed over so much at this point him breaking in was likely just a result of a habit of being in there…

And the limits of manipulation can be pushed if he so chooses. Call it divine intervention, more or less cause while he does so more with a dirty conscience, he can be driven as Barbatos to truly step in. Religious intervention. It seems weird when the Church of Favonius suddenly comes in contact with some old documents, ones with never seen details of an old love interest to their beloved god. The news and rumors sweep the nation, and even weirder, most of the details and notes recount someone… like you. Things seemed to get stranger, and from there, only more documents could be found of this exact figure appearing throughout history, like some sort of reincarnation. The fascination of it all quickly became the center of the topic, and with the likeness you bared in the story and aspects of appearance, you're status seemed to shoot up within the night. Not so much a holy figure but deemed with some strange uplighting in the way people spoke. That is, or how Barbatos ever seemed to come back to Mondstadt, you'd need to be there just like how the past reminisced. For those who do know, it weirdly only pushes you away from them if you ever seek help, that that story must be bound to fate, and that Venti can't be as much of a nuisance if you give it time. The problem is only dug in worse as Venti creates poems and ballads of the sort, claiming he actually had heard of these but never sought to share them until now. As the stories grow, you're pushed more and more to the church with the idea of gaining barbatos' favor and attention. Leaving… just became much more complex.

Dependence [reversed]

Dependence comes in a weird form, at least compared to others. While in general fashion, dependence typically is the idea that they want you to solely rely on them for everything, not only for power and love, it can even be with money, housing, or other necessities. While Venti likely would be much more dependent on him being really the main source of your love and affection, the rest… he doesn't care so much about. Power may be a little; he doesn't need or want you to depend on him for it, but it does give him a little ego boost when you have to or ask him. And too many other aspects of actual dependence go against aspects of his belief in freedom. Venti's course of manipulation never truly prohibits your own freedom; again, less you actively seek to do something he knows poses a threat; it just often forces you to rethink and become more hesitant in actions or thoughts.

As for other forms of dependence, well, Venti doesn't have them. He steals, only really eats apples, to your knowledge, and is homeless. It's quite pitiful in a humorous way. However, as you get closer and bond more with the bard-friendly nature, it is hard for you to let him live like this. Well, in certain ways, stealing alcohol or bribing others to give him some with songs you can't really stop unless you plan on going bankrupt. But more frequently, you invite him for meals and shelter him in your place. Even more frequently if the weather is bad or as winter approaches. Venti isn't manipulating you necessarily into these tasks, but dependence some with a factor of self-guilt. He's your friend, someone you've gotten close with, and with that, he's come to truly rely on you for these things. He was fine in the past, but to leave for who knows how long and let him fall back into such a life would make you a bad person. Right?

Logically, Venti knows he doesn't need to depend on you for these things as they don't have any real effect on his life, but it's so domestic. He gets access to all your items; you put time and love into meals, or even sharing what you purchased from Good Hunter fills him with warmth. On cold nights, he finds it easier to slip under your blankets and, even if it's fake, pretend to sleep like how couples would. Being a god comes with a lot of good but a lonely life, and after seeing so many, there comes a time when it's nice to indulge in it. Gluttony has always been a crime of his, it seems, such as with alcohol, but this also can't be that bad if no one is getting hurt. So just let him depend on you a little longer. At least until he can find out some solution before he sleeps again.

Self Harm

Similar to dependency on basic things, one form of manipulation that Venti doesn't do on purpose but knows that there still is a benefit to his actions is his indulgence in drinking. While it takes a lot for him to truly get drunk, as noted, he does like to play it up for you, and it's not uncommon for you to have to take care of him or come help him. In all sense, Venti, while not necessarily drunk, is an alcoholic, and to a detriment, it is a form of self-harm. Through learning more and hearing the tales and songs of his past, it's apparent the wounds run deep, and Venti's only way he knows to deal with them is through drinking in an attempt to numb or forget. The reality of knowing this is hard; you see it with others you've likely gained closeness with and how drinking has affected the lives of so many.

This leads to two outcomes: this, again, guilt that breeds when thinking of leaving. The connection Venti has formed is tangible with how deep it is to you, even if you don't reciprocate in that way. That's if you were to leave, would things only get worse with his drinking problem? Unlikely, he would died from drinking, but it's more than just drinking; it's the mental state of him in that position and how the loss of more people would rip the wound open even more. Furthering, if you had actually spent time talking about his past and working to unpack and find better ways to cope with the trauma outside of alcoholism, leaving would be a dick move and revert all that progress no matter how you explained it. How much could you're conscious take knowing this? How far could you make it without the guilt of him back home as the stories of his past cloud your mind? The wind tickling your skin and almost like a whisper reminding you of it. It's one thing to share a drink or two with the bard and have a fun night in the tavern, listening to his songs and dancing. It's another to picture him alone under a tree, empty bottles scattered from stealing from him alone, reminiscing about his lost friend and the imagery of war. The wind gets colder, licking the back of your neck, and the guilt is painful, ready to burst out your chest for even thinking of it. Some wounds you cannot heal, but the idea of making them worst or abandoning the person who's come to need you most is mentally crippling.

General obsessiveness

Venti doesn't necessarily read as obsessive. Not outwardly, at least, though it's easy to blame his charm for that. Okay… well, maybe not charm, but within his manipulative nature and looks, his actions and questions regarding you don't play as obsessive to those who listen. It's unlike many others who you can just look at them and feel in your bone there is something off, or in how they speak, they care just a little too hard. His sharp tongue and trick of words allow people to very easily give up information without thoroughly having them aware they have, making his tendencies go far under the general public's radar still. And for those who do somewhat witness it, he doesn't mind playing up his role a little more. Just a young, helpless bard looking to woo someone. It isn't a crime, right?

The mask he wears holds many layers. The bard, the god, the lost wind. Not many will ever get a look at what really goes on and what is an exaggeration. Or under exaggeration when it comes to you. In most cases, Venti stretches his stories up, his words riddled and larger than life that people have to dim down to work out the true meaning. So when he sells his obsessive love as much less, people are quick to brush it off or dim it down further to avoid those actual layers of emotions being peeled forward.

A chunk of this also extends to the shame and questions it brings out of freedom. Venti has never tried to take it away in a solid way, but is it true freedom to either of you when you fill so much of his thoughts that you can't really do anything without him? It is the thought that replays and replays of you and him doing things; it's the obsessive nature of having to know where you are, who you're with, and what you're doing. Are you safe? Are you planning on leaving? Should he come to find you just to be sure?

What about the images. The visions he remembers from the wars, from the people he's lost, and that truly, at any time, perhaps something will happen, and you'll be next. The flashes of violence and fear that only make the goal of getting his next drink to numb them go away— or you. The sight of you, the smell of you. Having you hold him and remind him that the past is gone.

You'd be able to see it, maybe not the full extent, but you've come to know the bard enough to tell when the cogs in his mind are turning and the way he tries to drown out aspects of himself. It's hard to tell what he's thinking, but you know some of it is tied to the past as he holds the stolen wine in one hand and grips you so tightly with the other as you try to stumble back to your home and out of sight. You can tell something is off when he's snooping through your things early in the morning as you're just waking up and when he's clearly been inside your place while you were out with a friend. Or that he's been leaving more and more questionable lyrics? No, less like poems or lyrics but ramblings about love and fear and what can only be aspects of you on the counter as he runs around god knows where. It's worrying. It's uncomfortable to an extent, but not enough or in a way that you can just cut him off. Kick him out. Maybe just talking or setting a little break, but the pressure in your chest and bile in your throat at the thought of cutting contact brings you to a sobbing mess each time.

But, what does keep him from being fully obsessive is that Venti still has things to do. Freedom of Mondstadt and giving up his title as the god doesn't mean he's abandoned his role truly, and if he's awake, that means between drinking, being with friends, telling stories, and everything about you, there is something he has to do. He still is out fulfilling a duty no one, but he knows of, and really, part of that seems more scary than anything he's done to you. You know he'd never hurt you; it's not a fear of that, but as Venti opens up more to you, the parts he still keeps hidden remind you that this is only a fraction of what you know. Guess it's good that you still have some time and space to yourself, but as obsessive as he is in his thoughts and other flaws, he can dial it back if needed for a short amount of time. At least from your perspective.

Wrong idea; type 2

In a sense, Venti is give an inch; he'll take a mile. Like a stray cat. You feed him once he keeps coming back for more. One thing is that this wrong idea can start more slowly, but the second you mess up and do something more romantically affectionate, it instantly becomes much more intense in the progression of what he's willing to take or do.

As mentioned, for anything to start, you need to be at least on a friendship level basis with Venti, and a sorta higher level of one. Nothing extreme, but the type of friends who do spend a considerable amount of time together and, for example, willing to open your house to him to stay in occasionally. Not even in a 'stay in the same bed' type way, but he knows aspects of your personal life, and to a level, you learn more of his 'Venti' side for any of his traits to really start manifest. However, it is already very easy to set off more and delve into the realm of leading him into the wrong idea territory.

Some ideas of how this might be are such as gaining more physical contact. While the intent is friendly, Venti is from a different time, and being touchy already seems less common than you already have a 'flirty' aptitude. Grabbing his arm or hanging off of him when sober makes his heart flutter that there could be more. Certain gifts, flowers, or making uniquely special foods just for him. Not just any meal, that's normal, but if you were to make something sweet with apples that wasn't a typical dish, it leads his heart to beat just a little harder. Or that one time when he did stay over and you fell asleep holding onto him rather than the usual routine of wandering off to your own spot after putting a drunk Venti 'to sleep.' You must have been exhausted… but this is his first time really getting to see you up close.

You must be doing all this with some… ulterior motive. Sure, he's heard of courting; he's older than people think and knows more of the ins and outs of things. People treat him like someone far more innocent by these looks— not just with drinking. And yeah, it comes in handy sometimes, but not when people talk down to him about this. At first, there was some apprehension. Teyvat was in a dangerous time, and as carefree as he plays himself up, he's always guarded about his next move.

Obsessiveness starts more simple. His questions are more of curiosity about many things, and what is better than to trick it out of people and you. Sure, he knows most basic things of your life, but that couldn't mean you aren't linked to more questionable things and had figured out he was Barbatos, either. He comes off a nosey at best. When digging to see if you'd ever been caught doing 'bad things' most inform sure— but in the sense you had been a kid and teen once. You'd easily gotten into trouble more than a few times but never was it for anything imminent or serious. He digs more into the lineage of your family and the other people you associate with. Nothing strange… fine, but perhaps a different route. He remembers some old common courting techniques, and he's seen some of them in this era, too. He's not blind to it, but as he shares more of the details, the more people tell the 'young' bard. It's probably a hint that he should reciprocate. I mean, he already hangs off of you like a hangover anyway. It's surprising he isn't already attached at your hip with how much you both sort of rely on each other. Although you tend to treat him more as a companion than him, he depends on you like a leech.

And the switch flips.

In certain aspects, if you did have some sort of crush, it likely would melt away with how quick his obsessively wrong idea notion takes over. What was harmless flirting testing the waters is instantly blown into a large scale. Even if you didn't like him in that way and other signs were one of platonic closeness or accidents, it doesn't seem to make a difference. His touchiness is insatiable, and the amount of time he starts demanding you spend with him is much more intense. If you try to brush him off, his poutiness damps the air, and things just an uneasy tingle. You find him trying to make all sorts of snacks and now haggling not just for drinks but for gifts. Every story he tells, every song he sings, and every poem has some romantic undertones that, paired with former questions and actions, people know it is about you. And the stalking doesn't help.

Venti's turning point makes him feel like there is more and that there could be more. He's not fully delusional. There are aspects of a lucid point that you're pulling away, but that just means he needs to try harder, right? He's seen so many relationships go like that. If you stop trying, if you let them pull away, that's really how you lose them. It's obvious how much time he puts into this, how much he thinks about how to move forward, and how he can use things like his skill sets of manipulation to keep you bound to him [not literally but in a figurative state]. However, it is only time before you get worn down from trying to fight and redirect… adapting does become just so much easier. Conversations, trying to explain, just don't seem to reach him. Lucid and all, you can't understand him or his goals anymore, and even when he does calm down back into a slight breeze, the second you give him a bit of that former closeness back, it picks back into a blustery.

Stalking

While Venti's stalking habits have mostly been pointed out, there is one other big thing that needs to be recognized. Sure, in Mondstadt and the borders of other regions, he often can find himself about to sneak away and physically follow you around for extended periods of time [days, weeks, etc.]; what happens if you leave. Of course, Venti can easily manipulate others to go with you as a safety net and use it to get you back home, but things are rough when you're gone. Luckily, or to your dismay, you aren't ever really alone as the wind follows you. No matter how far you go, how pleasant the weather is, or how rough the wind is a constant companion following in your wake. It's often a nice breeze, though it picks up a significant amount if you're nearing danger or in danger. Though a strange pattern of it picks up when you spend a little too long talking with locals…

Yes, the wind itself can't do much, but its following reminds you of your faithful companion back home, the one you'll have to eventually return to. And while 'freedom' is given, it's never truly 'free' as the wind follows far and wide until you come back to your love.

Final [unique]

Where final comes in is related more to Venti's 'sleep.' From the context, it seems Venti has less control over when he sleeps and for how long. It's not that he chooses to abandon his land in the time. It's that he cannot fight when he goes into his slumbering state. For hundreds of years, and the times he wakes up are only that when there is something of great importance. This wouldn't be much of a problem before you— Mondstadt was given their freedom, and it was just how it was. He awoke, he came, he helped, and he left; nothing more or less.

However, he had been awake for longer than usual. There was something, even outside of you, that had brewing. Something deeply important kept him awake, even if he didn't know what. And he established a life. A true life this time, with friends in the taverns and everyday 'enemies' with his habits. He found a 'job' and a 'home' within his city as one of the people. And he fell in love. It's one thing to become intrinsically a part of an environment, and even if you don't feel the same way, have that connection knowing any moment it could be lost. To go back into a long-standing sleep with every person, even facet of that life is potentially gone when you are to wake up again. To lose that loved one to time.

Venti has lost so much, each person he's established a bond with passing or having to move on to more incredible things. When he awakes, everything is different; every person is mostly a new face, with few exceptions of those only being a few like him. Is it wrong for love to be so fragile when he knows the change of fate of it being lost is greater than the reward? That if he were to fall asleep, you would easily be able to move on. Find someone new, forget about him, or at least be nothing more than a distant memory. He knows other types of love can be platonic, that the affection you give to the city kids isn't the same, or the way you play with the cats as he watches from a distance. He knows that when he sees the couples in Mondstadt, he's supposed to be happy for them, and imagine if it was you two rather than have the breeze pick up ruining their outing. That he shouldn't be this jealous or bitter; it's unsuiting of his persona, but how else are you supposed to know when love is useless if not with you, the one person he could so quickly lose. When you're not around, this gets worse. Celestia, be damned if he were to fall asleep without at least getting to see you one more time.

This acknowledgment does considerably bring out more of his obsessive nature, almost like paranoia, but in a way that no one can quite place. That he needs to have knowledge of where you are and how long you've been gone, or that he needs to be with you to make up for the time. The obsession leaks into you're time together; since he doesn't need sleep, he'll just lay there watching you. Hands sometimes ghost your face as he pulls you close, worrying about if he can't save you if he were to suddenly fall back asleep tomorrow and never see you again. It's the way sometimes he grips your arm a little too tightly and breathes in too deeply when hugging. That he needs to find a solution to keep you immortal so if he does sleep, you'll still be there when he awakes, or even better, you can sleep with him [and awake] at the same time. You'd never have to be alone, he'd never have to be alone. And sure, it's a stretch, but it's not a loss of freedom because once awake, you can still go anywhere you want together, and even with this idea, you still have full mental awareness and control over your mind.

General Delusional [unique]

Venti isn't delusional. His perceptiveness to things around him and his need to protect himself, plus his lifetime, has made him more or less hyperaware of things and life around him. He hears the prayers of people and the lives of others, and being lucid/logical is simply a must for that of a god. But he hears the prays, he hears the others speak, and he yearns in a sense to be able to have the luxury of being delusional. Of just being able to let everything go and pretend things are good or that you like him back in that way. It sounds nice. Easy. To be able to imagine your life together as some fantasy story, he's the knight who'd come and save you and live happily ever after.

Scratch that. barbatos isn't delusional, but Venti can be. The mask, the person he's playing can be. He isn't just a storywriter; he's a storyteller. An actor, a character of his identity. So no, deep down, he knows the truth; he's extremely aware of that, but why not just play the part. Let him play as if he was lost in those delusions and that whatever it is can be that way. When you're cooking dinner for each other, Venti knows you're just making a meal as always, but why not play it up. That you're coupled and that this is making a meal together as a such— it was a little weird when he came over to help, but you didn't question it. At least he was doing something. But meal times together when he would help progressed weirdly. Putting his arms around you as you try to cut things, holding out utensils for you to try things on. It got very strange the one time when baking, he leaned over and licked a crumb off your face. You didn't bake for a while after that.

Or going out. What once was normal progressed into him inching closer and closer, then hands briefly touching. You didn't think much. It's the bard unless your Diluc. He's been pretty much harmless around the city. You think. So what if he was one to try to hold hands or brush arms that just matched his bubbly personality. Though the linking of arms and leaning into when waking, staring into your eyes with such affection did change things a lot.

It's nothing more than a role, or sort of game to Venti. The delusion is there, but it is more like oil sitting on top of water. He can turn it off at any moment, but where is the fun in that when everything in his life is so serious. With you, it's easier to just pretend. At least he still has all the control and lucidity of the problems when needed.

Projection

This has been touched on already, but to relate it back, Venti isn't so much delusional in the sense he believes it's real but that if he projects the message hard enough through stories, through songs, and to the people of Teyvat that you're together then in some way, that will be true. The projection of his words he knows are false, and he knows in some way, even if it isn't true, that if a story is spread enough, people take it as fact. And if everyone takes it as fact, then it's just easier for you to accept it as well. He really doesn't have to do anything to force you. It's not taking away anything. It's just altering it so that way things work out in his favor. Much like the general sense, it pairs as well. If he tells himself it's true, perhaps he can force that delusion to cloud the lucidity he feels about all of it. It's almost like in a state of being drunk, where you know what's going on to a certain level, but it's foggy. It's rose-tinted enough that if everyone thinks it, he can, too.

This projection is only made worse if he gets involved as Barbatos. It changes things from just the slightly weird couple who, honestly, the people of Mondstadt can't really explain how they ended up that way. They remember bits of it, but it seems like someone through someone, though some random grandma just mentioned you were taken, and everyone ran with it. But if the church were to find the falsified relics and stories, then there just is nothing you can do. Now, it's not only Venti trying to project something there but the whole church following, believing that you are some saint and by having you married? Honestly, you aren't really sure what all this goal is to have you 'connected to Barbatos' even means, but whatever it is… it doesn't sound good. The expectations of you are doubled, and the projection of you being more than human is suffocating. But it's only made worse when Venti comes forward as Barbatos to you, saying you should just play the part. Stay with the church as some saint and with him. You'll still have a life of freedom outside of it, just with some more expectations about how you interact with others. You'd be bound by the marriage of some sort, and he'd find a way to make it eternal. It doesn't sound too bad, right? Freedom isn't truly free, but it never has been. It's an elusive concept, something subjective, but if you still have the right to enjoy your life and the good of being such, then it should be okay. You can still leave the church figuratively and travel, arguing it's on some journey for something. You aren't restricted in how you speak or think, but things like infidelity and how you speak of love need to be more kind. Yet you'd live a life of peace, one of never needing to be allowed and have the blessing of a god in your favor.

If not, think of the projection people will have if you say no. If you try to run away, you lose everything. That would be the true loss of freedom. The loss of your friends, your loved ones. Your home. Venti projects this idea of love and what love should be for you two, not between you and him necessarily, but to everyone else, making it all the more terrifying at the consequences when he finally does. Not if, but when.

Monopoly

This is where things get rough because Venti is possessive in a way that can't be controlled. He feels it settling in his chest when he spends too long talking to the shopkeeper or giggling a little too hard at a friend's joke. He hates it when you work and when you dedicate your time to the kittens outside The Cat's Tail. He whines when you have to leave in the morning and when you turn up to Angel Share just a little too late, begging to know who you are with. It hurts him. He can't explain it in the way it crushes his soul, seeing you give your time to others, your energy, and your care. It pains him so deeply to see you run yourself thin for the world around you, for those who could never understand you like he does.

Venti knows it would be easy to whisk you away. To use his godly powers to keep you safe, to keep your attention and love only on him. How things would be so much better for you, for each other, if you could just monopolize your time for him and you and no one else. The idea weighs on him like a pile of bricks. He knows it's wrong; he knows it goes against everything he stands for. And call him childish, but he can't help how he feels.

It's true he never really acts on it. Clinging onto you and carping over it, sure, the way he tugs slightly on your arm after you keep talking to the passerby you bumped into, an old friend, ready to drag you off to somewhere in Mondstadt, you can be alone. How he holds on just a little too tight when you talk about events at work and the people you chatted with, quickly wanting to move to a more interpersonal topic.

Venti never really monopolizes you or your relationships, but his bratty and more childish act really is brought out more with you around. You still get the socialization and ability to be around whoever, but it always needs to be rightfully compensated with some alone time with the god as well, so pick your battles sparingly and just go with him when his fuse starts to burn out.

Bizarre Seeking [unique]

Tying back to his sleep issue, the case of bizarreness only relies so much on how far he's willing to push to keep you immortal, either through godhood or other means. It's surprising he'd even consider it; his testament for Celestia is apparent in conversations, and the path to godhood is not seen in a much higher light based on conversations. But Venti knows sacrifices need to be made to get what you want, and if that means the pursuit of godhood or immorality to not lose any more of his loved one, then that's a sacrifice to be made.

Because of this, Venti ends up pushing you into countless more and more weird scenarios. You end up visiting a certain alchemist more, not really ever knowing the reasons why, and stranger things of yours seem to be going missing. What is that strange bruise on your arm, and why does this one piece of hair seem slightly shorter than the rest? You also swore that Caramel Pinecone tasted weird last time, but even when you ordered the Love Poem instead, it was still off…

The limits of Venti's morality are very much pushed with the goal of finding a way to extend your life more permanently, and while the actions he takes are questionable, they aren't anything he would do less deemed necessary. Beyond that, once he finds the key to unlock it, his bizarre-seeking tendencies end up dying down or stopping altogether.

Also, while he considers and will try to push for a Celestia ascension if push comes to shove, the ability to actually achieve godhood this way is much more complicated and dangerous. Something he might keep trying for, but this way is much less likely to succeed, and he knows this, which is why other bizarre tendencies take priority.

General protectiveness

Overall, protectiveness is a standard feat. Venti doesn't want you to get hurt and will do nearly anything to prevent it, hence a considerable factor of his stalking outside of walls of the city or towns. Even with others, if he thinks they pose some physical threat, Venti has little fear of stepping between you and 'the threat.' It's not so much a protective coating or an extreme case where he needs to check everything you do, touch, eat, drink, or interact with. Still, there is a natural sense of him wanting to protect you and watch over you to make sure that nothing can gravely hurt you. This mirrors why the wind follows you if you travel and picks up to warn you and redirect you away from dangers, a protective aura of Venti that trails after you. It's not even a doubt that you can't, but the inherent need to make sure you make it back in one piece.

There is, again, only one primary reason Venti will use full force to intervene, and this is if he knows you are purposefully trying to run off somewhere that will put you in danger for any reason. Often downplaying his strength of wind, the storm, if needed, will border Mondstadt making it. Hence, nothing gets in or out until you agree to drop it, tearing nearly everything that comes in contact with the barrier if you don't agree to listen to him first and think of a genuine plan. The wind sees all, and while terraforming isn't much on his bucket list anymore, Barbatos has no fear of proving his worth and power if in the name of love and protection. Even if it hurts you to know whatever your goal is foiled, if it's the one-stop against your freedom, there are some things not worth being risked.

Lowest Stats

General [none]

The one trait Venti inherently lacks is sadism. Nothing he does to you or others is derived from the pleasure of hurting or seeing others hurt. And while those such as the abyss creatures for fatui foot soldiers are at the whims of his fighting, it's not done with the goal or satisfaction of a battle but rather a necessity for 'his' people and you.

It's apparent that actions that long-term hurt you or have serious effects, both mental and physical, that fundamentally change you aren't truly a goal. Yeah, the immortality would literally change you, but not with the goal of making you conform or transform into a new mental mindset. At least not right away, as he knows that a long life naturally changes people, but there never is a purpose to rid you of traits. To tie you down and break you until you love him the way he loves you.

Freedom, as touched on, is never truly free. Not of people, not of actions, or even of mindsets. But is it that Venti wants you to be you; be the self you choose to be and the freedom that comes with that, even if aspects of it hurt him. It's why if he has to let you go to Sumeru for a festival he knows wouldn't be possible for him to also attend, he lets you know you'll come back to him without the burden of being changed or conformed to have to come back. It's why, in every case, Venti does whatever is in his power to keep you from being genuinely hurt, even if he can't always fulfill that promise. It's why, despite everything, he can't hurt the people who create the fires of jealousy in his core being.

Venti has an awareness that many of his actions are immoral and that he has dirtied his hands in the past just as much. he knows of the guilt you struggle with, and then he is using his skills to manipulate and play everyone like a fiddle, but in the eyes of a god and one who believes in freedom, it is not in his role to harm anyone in the light of you. It's a turning point he could never come back from if he were to directly hurt you or anyone else with the goal of keeping you with him, and it would be a dishonor to everything he was created from. A stain on the nameless bard he honors so deeply, so while the envelope of what is okay is pushed every day with his other actions, there is never once a hand that is laid on you for the sake of 'love' from Bardatos.

──⭒─⭑─⭒────⭒─⭑─⭒──

Statistic diagram; Venti [Barbatos]

#leaper.analysis #yandere #yandere writing #yandere x reader #yandere headcanons #yandere scenarios #yandere genshin #yandere genshin headcanons #yandere genshin impact #yandere venti #genshin.leaps #genshin x reader #venti x reader #tw: yandere #tw: manipulation #tw: alcohol #tw: stalking #tw: religious themes

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youroomwasquare · 5 months

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Marcy Wu, and Why Her Unfinished Character Arc Worked.

I'm gonna ramble a bit about our favorite newtopian ranger, marcy wu!!

so. I, like many others in the fandom, was a bit disappointed with how the show handled marcy's growth and character arc. it felt rushed.. incomplete, and overall messy. I felt that marcy's growth wasn't given the same attention and care that anne & sasha's growth was. coupled with the overall tragedy of marcy's character and role in the story, I was feeling extremely discontented with marcy's character.. until I realized that the show writers may have unintentionally made that the point of marcy's arc.

because LISTEN. out of all of them, marcy was the one who came away with the least positive things from amphibia. she didn't connect with her amphibian charges (she even admits it herself in the finale, and says that she wished she got to know them better), she was more focused on the technical and worldly aspects of amphibia, and while she did come into her own, she wasn't able to address and tackle her underlying core issues in the way that anne and sasha were. --

the two main themes of amphibia are learning to embrace change and letting go. and all the story arcs of the calamity trio showcase this in different ways (that's a discussion for another time, however). of these two themes, marcy's arc leans more towards the letting go aspect. but here's the thing. that was her main problem. marcy's greatest fear is being alone, and her greatest flaw is her inability to let go. marcy couldn't FATHOM a world without anne and sasha. they were her biggest support system, and by moving, marcy was essentially stranded. she had a hard time connecting with people, and she didn't have the social skills that anne and sasha did. so to her, moving was the absolute WORST thing that could have happened. she was unable to live in a world without anne and sasha, and so she didn't. she chose to take matters into her own hands, and as long as she was able to get anne and sasha on board, everything would be fine, right? wrong. we obviously saw how catastrophic that was, both for marcy and everyone around her. it was beat into marcy's head repeatedly how reckless and stupid and downright fatal her mistake could have been, how fatal it was. marcy's biggest lesson in amphibia was that there are some things you will have to let go of. no matter how desperately you latch onto them, there will always be claw marks left behind.

my point however, is that this was marcy's only major flaw. marcy was a flawed character, deeply flawed in some ways, but from what I observed, she was never flawed in the way anne and sasha were. outside of her major flaw.. marcy was a pretty well rounded person. and of course, there is growth to be left desired, but most of marcy's (visible) flaws were communication, and the ability to make yourself be truly seen in a friendship.. and they aren't really even flaws. more just things she needs to work on.

unlike anne, she didn't have self-esteem issues. she was pretty confident in her abilities and her interests, as shown by the first temple. surrounded by the right people (which at the time, were unfortunately not anne and sasha), she would've flourished. and in amphibia, she did. because for once, she was allowed to be the person she truly wanted to be. and unlike sasha, she didn't have horrendous control issues. anne and sasha's flaws are what I like to call character flaws, flaws that are innate and come from you; ie, they aren't as a result of other people's actions. anne and sasha were allowed to address and properly correct their character flaws because amphibia (and the places they landed in) was the perfect environment for them to see their flaws and to see the consequences that came with them. sasha learned that trying to control everyone and everything around you will only drive them away, and end up destroying both them and you in the process. her strength came from lifting people up, allowing them to rise WITH her instead of pushing them down like she used to. anne learned that self love is important, and in order to become the best version of yourself, you need to surround yourself with love, and in turn, it will come back to you. anne's heart comes from the people around her. their love allowed her to give love tenfold-- both to herself and the people around her. their major flaws only got resolved because of amphibia.

but marcy? her main flaw, which is letting go? that could not be resolved in amphibia, no. because amphibia only amplified this flaw. because choosing to go to amphibia, making the conscious decision to run away, is the entire reason why this flaw is most prominent. marcy flourished in amphibia, yes, but she was never able to address her major flaw. because of a multitude of different reasons, of course, but also because to marcy, amphibia was another out. another way to run from her problems instead of facing them head on and dealing with the fallout. anne dealt with the fallout. she stood up to sasha, for ONCE in her life, and watched her plummet down a cliff in return. (this is a weak point, but for the sake of parallels, I can't take it out.) sasha dealt with the fallout. she betrayed anne, once, twice, and was forced to go back to wartwood, anne's town, with the knowledge that she and anne are no longer friends, no longer anything. marcy's way of dealing with the fallout.. was not the core. to many, the core may be a physical personification of all of marcy's flaws coming back to bite her in the behind, but I disagree. the core was a cruel, merciless, and downright horrible way for marcy to learn her lesson, yes, but the core was not the fallout. the fallout, that showed marcy the consequences of her major flaw, was in true colors. was in the throne room. was in watching anne and sasha's faces twist into horror and disgust, respectively. the fallout was in living with the fact that everything she did was for nothing, and that she still had to live in a world without anne and sasha, that in her mind, they now hated her. that was when marcy hit rock bottom. and when you hit rock bottom, you have nowhere to go but up, right?

marcy did atone. in the core, in the face of everything she could have ever wanted being handed to her on a silver platter, she said no. she swatted aldrich’s hand, and said that for once in my life, I'm not going to run away. I'm going to face this head on. and why did she do that, pray tell? because of anne and sasha. because everything that marcy wu did depended on anne and sasha. because in her mind, even if they hated her, she'd rather face their potential wrath instead of accepting a reality without them. the real them. it's natural, of course. her major flaw was not of just letting go. it was letting go of anne and sasha.

and so, the reason why marcy wu's major flaw could never be resolved in amphibia, is because amphibia is a personification of marcy wu's major flaw. sure, she had good moments, and things about it she will always cherish and remember (and less good things that she’ll always remember), but marcy wu could not start getting better, could not start healing, until after she left amphibia. going through that portal meant many things, for all of them, but for marcy, I think it represented her final act of truly letting go. of letting go of her escapism, and her tendency to run away. of letting go of the old version of her, who came to amphibia with the intent of being with anne and sasha forever. going through that portal also symbolizes the end of that version of their friendship, the version that marcy kept chasing after. and I think that’s one of the many reasons why the only way to close off marcy’s journey, at least from our point, is by having her move. the move, and how marcy dealt with it, was what started this entire, crazy journey. and by choosing to have marcy move at the end of the series, even after everything that happened, is a brilliant move from the show’s writers. because it shows that marcy truly did learn from her time in amphibia. she HAS accepted and is taking the steps to overcome her major flaw, and I think more than anything, that is proof of the growth that marcy is capable of. marcy acknowledges that anne and sasha changed, yes, but through her actions and words, she also acknowledges that she changed as well. going through the portal, going back to earth, facing everything is a symbol of marcy's growth. because the marcy we were introduced to would have never done that.

going to amphibia changed all three of them. and even though we only get to see anne and sasha’s growth, marcy’s growth is SO poignant as well. I think it was for the best to leave marcy’s arc unfinished, because it shows that she still has a lot to learn and a LOT of healing to undergo. marcy’s final arc in the show has drawn to a close. but her character has not. and the amount of opportunities, possibilities, lessons, friendships, love, and more, are limitless. I also think it's poignant that we're left with a sort of open ended interpretation as to what happened to marcy after she moved. as for her friendship with the girls, I have many thoughts on that, but that’s also a discussion for another time. I think I’ll close it off by saying that moving was good for marcy in a different way as well: it allowed the calamity trio to truly come into their own. their reconciliation with marcy in all in was proof that they want to give their friendship another try, and that they are better off in each other’s lives. but showing that they drifted apart, came back together, and redefined their friendship on their own terms is beautiful. I think even without amphibia, they eventually would have to come apart. not forever of course, but long enough to carve out their own paths and figure out what they want to do with their lives. I know the fandom loves the idea of them being codependent messes together (it’s also a guilty pleasure for me lol) but I LOVE the fact that in canon, they allowed their childhood friendship to morph into something new, something better. in the wise words of anne boonchuy, change can be difficult, but it’s how we grow. but of the things you let go, you’d be surprised what makes its way back to you.

not to get all sappy, but out of all of them, I think I’m the proudest of marcy. and I relate to her a lot! so writing this was extra personal :,)

#amphibia #amphibia analysis #marcy wu #I wrote this to distract from the pain that is the rest of the finale #one day I’ll talk about the found family ever.. if I can get through it without absolutely SOBBING #baby's first tumblr analysis btw so please be nice 🙏

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lloydfrontera · 6 months

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this is like. so non-important compared to all my other grievances with the webcomic but like. the reasons kim hyunsoo gives for changing javier's hair from silver to mint. lol. lmao even.

they're so,, lazy,,,,

that sounds like a skill issue my dude :/

i mean the novel illustrations did it perfectly well imo

'but nali' i hear you say 'those are novel illustrations, where there's only one drawing per chapter. of course it's more difficult to do in a webcomic'

and sure. you're right. it's very different in a webcomic. in fact i am almost certain that no webcomic has ever had a protagonist with silver hair.

not a single webcomic ever has done that before. truly. a completely unrealistic expectation to have.

really it's not like silver hair is one of the most popular tropes in manhwa and almost every other webcomic has one of those

clearly. this was a completely impossible thing to ask of an adaptation. it's not like it's one of the most iconic parts of our protagonist's design. it's not like it's mentioned almost every single time javier is onscreen.

really. what a truly necessary change.

which. speaking of.

now, correct me if i'm wrong. but shouldn't your deuteragonist, the very first character your character meets, your second main character's design,,, more important than a secondary character that isn't introduced like,,, more than a hundred episodes later???

like. i don't think we even get told what color lloyd's hair is. but god does the novel mention that habiel has silver hair every five minutes.

i'm sorry i just think that if you're gonna adapt something the very least thing you could do is try to be faithful to one of the very few character descriptions we ever get! especially that of your goddamn main character!

how come a secondary character takes precedence over him?? why not change that character's hair color then???

and even then. if your character design skills suck so much that two characters having the same hair color is enough to make them look too similar perhaps there's a bigger problem here.

i just,,,, i am almost certain i know what character he's speaking of. maybe even two characters. hell maybe even three. but fucking guess what. the webnovel illustrations already did designs for those characters. it gave them all silver hair. and there was No Issue at all because their designs were so distinct from one another that at no point was there any doubt of who was who. because that's what good character design is about.

like. that's such a stupid reason oh my godddd if you're gonna pull that bs then what's your excuse for all those other characters with brown hair. are you not worried they're gonna overlap because their hair color is the same. i mean you made silurian's brown hair darker so now it matches like 90% of your background characters. do their design not overlap like that.

i'm just!! it's such a stupid thing to get mad about!! especially when there's far more egregious changes being made but like!! it just,,, it shows the kind of attitude the people adapting tged into a webcomic have towards the source material

it's not about the hair color. i mean it is but there's more to it. it's about how the artists feel comfortable disregarding parts of the novel and canon because it's more convenient to them. it's about how they prefer to focus on unimportant stuff that gets them a few laughs rather than put a little bit of effort into getting their characters right. it's about how they waste entire panels into making ugly faces and repetitive jokes rather than take a bit of time to get the hair color of their protagonist correctly.

it is,, disappointing i guess :/

and because i'm petty. here.

that's literally it. that's all kim hyunsoo had to do. it's such a tiny detail and yet. couldn't be bothered to get it right lol

#i talk a lot <3 #tged #the greatest estate developer #javier asrahan #i hope they never see this. they're doing a lot of work and the things they're doing require a lot of effort #i won't deny them that. they're clearly very talented people. i just wish they could care a little more about tged as they adapt it.#but that's very much my issue lol

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thatscarletflycatcher · 27 days

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WHO HAD A SECRET RELATIONSHIP WITH WHOM?!

@miraculoushedgehog replied to your post: I need this info on 81’ Thomas 😂

In Sense and Sensibility 1981, the servants of Barton cottage are not ones coming with the Dashwoods from Norland; whether sir John sent them or they are just a fixture of the place, the series doesn't tell us, but they do get a grand introduction:

Thomas, who is doing some gardening as he awaits the Dashwoodses, with as much or more enthusiasm as Mr Collins' noticing Lady Catherine's carriage, tells the maid when he sees the carriage:

Darcy cannot fix the hour or the spot? Skill issue. This man certainly can, as he ran inside, put on a coat and proceeded to greet them:

What a meet cute! Ma Dashwood is not at all displeased:

She has not withdrawn her hand! she smiles at him!

I know who this woman was voting for on that tournament.

Once she moves past him, he pointedly looks at her as she makes her way to the front door, and then adds:

He introduces Susan, and then:

He's taken with her!

You'd say, Scarlet, you are reading too much into this! these are just some perfunctory introductory lines!

Well, you are wrong, because this sequence hasn't ended yet! I'm tempted to think this is the servant character with the most lines in any Austen adaptation. Which reinforces my theory that this is done ON PURPOSE :P

He shows her the different rooms, and then:

He smiles at her approval, and clearly attempts to prolong their conversation with:

Realizing perhaps this is pushing his luck, as she doesn't answer, he adds:

This is not the last time we see him in this very episode, as he comes in to assuage Lady Middleton's fears that her son might be injured, and informing all that only his cucumber frame has been destroyed, showing with that his great presence of mind.

Episode 2. Tom, who introduced himself last episode as doing gardening and odd jobs, has been ascended to doorman:

After we meet Willoughby, the same way Andrew Davies treated us to some wet shirt Edward, we are treated to some Tom doing physical labour, clearly highlighting how romance is blossoming in parallel between so similar a mother and a daughter:

He stops to listen to Marianne and Willoughby sing a song:

The face of a man in love!

The Queen Maab scene follows this one, and then, as Marianne and Willoughby are singing again another day, what do we see first as background to their singing?

Ma Dashwood! Carrying flowers! This is such an obvious yet subtle romantic parallel. This is the kind of soft romantic storytelling I'm here for.

That's Willoughby's carriage as he's brought back Marianne from Allenham. Would Thomas be complete if he didn't love horses?

Episode 3: We open with some Thomas working in the background:

So that we not forget his real relevance in this story's subtext.

Ma Dashwood not even trying to be subtle.

Another Tom cameo:

And another:

Ma Dashwood's reaction upon hearing that Mrs Jennings has invited Elinor and Marianne to go to London with her:

It is worth mentioning that in this adaptation, there's no Margaret. Ma Dashwood is not sick. There's absolutely no reason for her not to be invited, so why didn't Mrs Jennings invite her? Well, of course, because with her nose for romance she's sniffed her secret out! Ma Dashwood does then demolish all Elinor's objections, is truly overjoyed at the idea of being left behind, and explicitly mentions her having Tom and Susan with her as a reason for Elinor and Marianne to go with a clean conscience.

Ma Dashwood's face after her daughters leave the room:

During episodes 4-5, the series of course focuses on our main heroines in London and Cleveland, leaving us to imagine the full blossoming of this romance happening at Barton cottage, and all the angst and heartbreak that their class separation imposes on these middle aged lovers. Ma Dashwood may be a romantic, but she understands that her daughters come first.

As soon as we return to Barton in episode 6, so returns our favorite gardener-doorman-oodjobman Tom! Without seeing him, Ma Dashwood recognizes his way of shutting the front door, and calls his name, and then smiles at his answering:

♪ So this is love... ♫ (notice Elinor drawing Edward's portrait)

(Then we get the "Thomas tells them Mr Ferrars is married" scene)

Then this scene follows:

It's a really clever piece of writing, where the writers both show us the grown intimacy, respect and appreciation between them, and give us a nice metaphor, where the flowers of the hedgerow, that represent Tom, are picked by Ma Dashwood, beautiful in her eyes, and made fit for polite society. Alas, the crucial question remains: how can they love be, without ruining Marianne and Elinor's prospects?

As we all know, Edward comes and proposes to Elinor, and marries her. We are then treated to a visit of colonel Brandon, where Ma Dashwood sees how much Marianne's feelings and attitudes towards the colonel have changed.

The last line and frame of the adaptation belongs to Ma Dashwood:

That would, to any distracted viewer, seem very odd. Why that? And why that line? But for the attentive viewer who has been able to piece together the little drama behind the curtains, it's patently clear: she has realized that Marianne will marry Brandon, and once that happens, she will be free to have her own second happily ever after herself, with Tom, the gardener of her heart.

#ask #kajaono #Jane Austen #Sense and Sensibility #Sense and Sensibility 1981 #humor #things people are missing out on by not watching the older adaptations :P

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olomaya · 3 months

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youtube

Honestly, I'm relieved. This game was still looking so rough and I'd feel much more comfortable with a June release than this coming out in 6 weeks.

I was watching a video from SatchoSims* and he talked about how LBY is more just a compilation of gameplay features without any gameplay and he definitely pinpointed my main issue with the game despite my excitement for it. I just don't know what I'm going to DO or what I will want to do because they haven't really done a good job of explaining the rules and structures and goals of the game (aka what the game is about).

I'm still excited for it and will definitely play it in June and am eager to check out the modding tools but yeah, what are we doing?

The Sims was a time management game. You had to figure your shit out and meet your basic needs all while juggling other mini challenges and responsibilities and TRY to become successful which would then unlock cool shit to buy or do that you would have the time to do because the money and rewards and perks you grinded for allowed you to do it.

And then TS2 improved on that by focusing on interpersonal relationships and making that more complex so that Sims felt more unique but also had to focus more on mental health and well-being and the drama that comes with interacting with other people.

Then TS3 took that even farther by basically unleashing chaos all around you with an open world so you have less control over what is going on so while you are grinding away to create a dream house for the Sim you want to marry and grow old with, you head over to the park and see your future spouse making out with some asshole in zebra print pants! And then on top of that, they deepened skills and hobbies so Sims have soooo much to do so that life goals are so much more diverse (though I will admit this came at the expense of interpersonal relationships). People often say that they wish TS3 had TS2's hobby system but in my opinion, it not only does but it's infinitely much better than TS2's. I would argue that TS3 at its core is a game about hobbies and interests.

I love that LBY seems to be wanting to improve on TS3 (because TS4 definitely didn't) and give us a true life simulator but I still don't understand what the game is about. They show off how many traits they have and how we can mod in our own traits but what do the traits means? If a character has a Difficult Childhood trait, how is that going to affect their ability to form relationships, fall in love, be a good parent? They said we could have truly homeless characters to play Rags to Riches challenges. That's awesome! Can we see that? How does the economic system work? Could it be integrated, for example, where household taxes and bills actually go towards community development? Like THIS is gameplay. I don't want to see another treasure trove video or someone doing work tasks. Those are features, not core gameplay and if it is then I'm afraid Rod Humble is making TS4 competitor, not TS3 which would be a shame.

*I don't know if I like him or not, but he has good viewpoints compared to the other high-profile Sims 4 YouTubers who at this point are practically on the Maxis payroll desperately trying to pretend that game is interesting because it literally pays their bills 😭😭

#life by you #rants #Youtube

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entomolog-t · 2 months

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GtWAC Day 13 : 3 Different Genres

Clawing my way to catch up (We late late, but we WILL finish) 😭

Today's Prompt is Fic Recommendations in 3 different genres💕

First up is an INCREDIBLE work of Adventure Fantasy : Wick's End

@eightyuh Does an a phenomenal job taking a wild and unexpected concepted and pulling it together into a poignant metaphor. While Wick's End is full of hilarious moments, the comedy never seems to overtake the weight that the story carries. While we can laugh at Glen's expense, there is something deeply relatable and vulnerable about him as a character, making it so easy to feel for him and sympathize with his predicament.

Frankly all of the main cast has incredible premises that are both so out there, yet when shown in the context of their world they feel at home. It's something about the combination of the characters being real enough that you're able to both laugh at them, but also take their issues seriously- A dog struggling to understand human society is a fun and hilarious concept, but theres the weight of his realness?? The wanting of acceptance when others can't see him for what he is??? Like the skill to pace a story where the reader can bounce from laughing to feeling swept off their feet by the reality of their situation??

Each chapter has left me hooked and foaming at mouth for the next release- just ??? JGSFJKDGFKJ

I COULD GO ON FOR DAYS???

NEXT UP IS THIS ABSOLUTE GEM OF A OF A SCIFI HORROR SHORT- ANOTHER GTWAC CREATION TO BOOT!!! I read this a few nights back and was on the edge of my seat!! I absolute love the voice of the main character. @creatorofuniverses writes Casper in a way that genuinely makes them feel like a person I would know. They really do feel like you're everyday person got shoved into the widest job, and I am HERE for it. Without spoiling too much- I LOVED the creature descriptions, both aesthetics but also the mannerisms??? My gosh it just left me feeling so on edge??? Just such a great concept executed in a truly fun yet tense way! I would love to see more of Casper if you ever decide to use the premise as more than a short 😭💕

Finally we have the category of Dark Romance, with none other than @bittykimmy13 / @kendsleyauthor and their amazing fic The Clandestine Queen. Now this made for a wonderful read!! The premise is both so unique and also so uneasy??? There's a palpable tension throughout that just scratches something deep in my brain. Fantastic dialogue, wild premise, and a wonderfully competent female lead?? What more could a gal want? The interactions between Lorelei and the much more cold Andres are truly Dark Romance Magic (especially in the follow up piece) 😭 This just ticks every box for me and I cannot recommend this highly enough. The style of writing is captivating, the characters are intriguing, and the premise wonderfully unique!! The delivery from @kendsleyauthor as always never disappoints!!💕

#THIS FICS GIVE ME LIFE #SDJKWJFEHL #LOVE THESE SO MUCH #READ THEM #I COMMAND IT #g/t #giant/tiny #g/t community #g/t prompts #g/t writing #GtWac

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samble · 2 months

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kyubey's main defense for "why do you cause the suffering and deaths of billions, if not trillions, of children?" is something about how the magical girl system (girls contracting, girls turning into witches, etc) creates energy to combat entropy and the heat death of the universe. while kyubey and incubators as a whole are presented as extremely advanced, logical, and emotionless as a species, this "defense" shows how irrational and paranoid they are.

the universe is still in its "early" years. it is not near its end or even its middle years in any sense of the word. entropy and heat death will not be any concern in the slightest for trillions of years, and that's an absolute low ball amount based on my pathetic math skill guess of the figures. the actual year estimates until heat death i can find all have numbers so large they aren't even written out normally, they're written using scientific notation. a few have said numbers listed like "1.7×10^106yrs (if protons decay)". that is a truly unfathomable amount of time.

yet the Facts And Logic, "why is human thought so irrational?" species is so worked up over this far future event (that is not an immediate threat in any way, shape, or form) that they use their irrational paranoia over it to justify murdering children and causing them to turn into the literal personifications of their own personal misery. "for the greater good" and "the ends justify the means" don't apply when the argument is this backwards.

even if you want to headcanon that maybe entropy was approaching at some point, and they had to beat it back before, which is why they're so worried — it's implied in canon that the present day pmmmverse is in no immediate danger. besides the fact that they'd likely be issuing contracts to literally anyone and everyone if that were the case, all that is said is that madoka witching out caps their necessary quota or something, so they don't need to worry about it for now. this sort of implies that it's not a current crisis, or else why would they stop the second they met this "cap"? why not continue elsewhere to get extra energy?

if incubators are immortal and are concerned for that reason, they have a literal infinite time to figure out a better or more convenient solution. current human theory already has questioned whether things like creating other/new universes intentionally is possible (and seeing that ours exist, "creating universes" is clearly possible Somehow). why not try to contact (adult) humans and exchange information or theories? sure, incubators are supposed to be highly intelligent and almost see humans as cattle, but they've been outsmarted by even human Children before in canon (madoka's wish being the prime example, and that was something thought out by a middle schooler). logic can only go so far, and this is said by someone who, irl, tends to look and act like the -_- emoji when not masking. humans could toss "dumb/silly" ideas at the wall, and incubators could use their advanced technologies and experience to see if they would work. perhaps a solution to escaping the universe/preventing heat death/etc could be found via cooperation, as opposed to "we must murder children because we are scared of something that will happen a zillion years from today, it's not our fault 🥺". many a human idea has been born simply out of "i wonder if this will work?" as opposed to only sticking to logical steps or only doing one thing forever, because you know that One thing For Sure works. even if it's tedious/more trouble than it's worth for the outcome. but incubators do not know or try this, because due to canon implications, it seems their MO has always been "lets murder the populace for miniscule amounts of energy" (as seen by the alien magical girl in one of the games) instead of "maybe we should try to find a solution together".

#pmmm #madoka magica #madomagi #essays #<- ish #upl #sambling

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cerastes · 9 months

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Reed the Flame Shadow has allowed for a lot of creative plays, she’s truly fun to use. I also appreciate that she’s very versatile and that her skill selection is very case to case basis, like Cantabile for example. Both S2 and S3 have a lot of different roles and applications besides their main apparent slotted duties. S2 is her most damaging skill, though also her most resource-intensive skill if the aim is to use it for single target shredding (three deployment slots! Congruent with Kal’tsit, who needs two to do her huge damage — I like this idea of Medics that can theoretically deal a lot of damage but are expensive to use in the terms of slots), but even if you don’t want to use it like that, it’s still an immensely useful skill to lane, sustain and dps.

Likewise, S3 is famous for its big explosions and crowd thinning, but it’s not bad at all when you need a mix of mob control and boss/elite killing power. In IS3 Waves 12, for instance, the ATK debuff in Cinders has actually been very useful to survive some hits that my units otherwise would’ve buckled under, and the fact that it’s multitarget with a decent ATK buff means that Reed will be doling out insane healing in addition to good damage. I keep seeing this aspect of the skill glossed over, it’s an incredibly powerful sustain tool in addition to a damage tool, Cinders also inflict Arts Fragile, which stacks multiplicatively (to my knowledge) with Fragile, so a combo with Suzuran, Shamare, Pramanix and Gnosis can set up some truly delirious Arts haymakers on enemies.

Flame Shadow does so much for a single slot, with varied selection! She’s become core in my teams now. Part of that is my bias since she’s a favorite, but the other part is raw utilitarian pragmatism since she is honestly that good. Funnily enough, her S2 suffers from a similar issue as Laurentina’s S3: It’s description is not quite effective at explaining exactly how strong the skill really is.

#arknights #a serious post for once #reed the flame shadow #reed

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fanfic-lover-girl · 9 months

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Double Standards: Draco Malfoy Edition

My main issue with HP is Slytherin vs Gryffindor double standards. I like Draco Malfoy and I find Slytherins very interesting. I understand why people don't like him. But I hate when people demonize Draco for something but are perfectly ok when another character (eg. the golden trio) does the same thing. So based on the post above, I wanted to share a defense for Draco Malfoy. Most of the logic comes from the post above but a good portion of these arguments are mine.

Draco mocks Hufflepuffs

Hagrid: “everyone says Hufflepuff are a lot o’ duffers–”.

Hagrid also says everyone in Slytherin is destined to be evil. Hagrid is a grown man (well half-giant) perpetuating harmful stereotypes to Harry while Draco is a kid (11 yrs old).

Also, Harry did not lift a single finger to defend Cedric and Hufflepuff house when the lions were bashing and mocking Cedric. This is AFTER Cedric, being a good sport and overall great guy, told his housemates to back off Harry. Cedric was too good for these books. Cedric was the hero horrid Harry could only dream of being.

Draco has not mocked Hufflepuffs since his intro chapter.

Draco bullied Ron and Harry

Harry and Ron initiated this antagonism. Harry likened Draco to Dudley after a short conversation. The same Draco who engaged him in conversation despite his poor appearance. Harry never gave Draco a chance before he painted him as evil. Draco ignored Ron on the train until Ron laughed at his name.

Long before Draco did anything truly hurtful to them, the golden trio cheered his misfortune and his fear. For example, before we saw Draco & Hermione exchange dialogue, Hermione danced in joy at Draco getting detention. Harry declared him his arch-enemy and worse than Dudley (the cousin who abused him all his life) and threatened him with physical violence (threatening to shove Draco off his broom). Up until that point, the worst thing Draco did was set them up to be caught by Filch. That makes Draco worse than Dudley lol.

Draco could be doing something innocent, not Harry related, like welcoming a new house member or getting sweets from Mama Narcissa and Harry would be glaring daggers at him like he is committing a crime. These three boys bullied each other.

Draco called Hermione a mudblood

Draco never said a word to Hermione and ignored her existence until she dissed his quidditch skills. Also, Sybill and Hermione call Firenze a horse. Firenze saved Harry's life - you think Hermione could show some respect. Dean brazenly asked Firenze to his face if Hagrid breeds them like thestrals. Please note: All of these actions are somehow better than Umbridge calling centaurs half-breeds lol! According to the narrative, "half-breed" is more offensive than HORSE. Hagrid and Minerva use "muggle" as a slur. Remember that WE are the muggles.

If JKR wanted "mudblood" to be meaningful, she should have shown how mugglebornes struggled in the wizarding world. Such as strained relationships with loved ones in the muggle world (Lily & Petunia's relationship is an example) or discrimination in employment. But the wizarding world at large is on mugglebornes' side.

What impact does Draco calling Hermione a "mudblood" have? Her blood status up till that point has been irrelevant and does not disadvantage her. Compared to the bigotry centaurs and muggles face in HP! I don't give a crap about Draco calling Hermione "mudblood" when no other slurs or discriminatory behaviour seem to matter!

She is hardly bothered by it anyway so who cares? I don't. Draco is not an impressive bully when it comes to Hermione. Draco's bullying of Hermione basically boils down to him calling her "mudblood" and hardly anything else. It's hard for Draco to truly be a bully when Hermione never takes him seriously and he never has any real power over her (except when he is on the inquisitorial squad in book 5).

Draco bullied Neville

Everyone mistreats Neville. Including his own housemates and 'Queen Minerva'. That includes Harry and Ron btw. Harry and Ron laugh at Neville in his face and behind his back. In book 1, they basically tell him he should not stick up for himself when he confronts them as they sneak out. Harry thinks Neville is a loser half the time. I thought the golden trio were Neville's friends but after looking at the books I am horrified. My baby boy Neville deserves better than the rotten trio. For example, Harry compares Peter Pettigrew to Neville! Harry sees Peter as pathetic and the first person that comes to mind for Harry is Neville!!! Poor Neville :(. Draco, however, has not been seen or mentioned bullying Neville since book 1.

Draco is mean to Hagrid

Hagrid may act like a disgraceful, blubbering crybaby half the time, but he is a grown-ass man. He's what...50 or 60. Draco is a preteen/teenager. We have seen Hagrid threaten Draco several times. For example, when Draco rightfully calls out Hagrid in book 4 about the (possibly illegal) blast-ended skrewts, Hagrid uses the ferret incident (a horrific case of child abuse) to silence Draco into submission. It's so outrageous for Draco to backtalk and mock Hagrid but it's hilarious when Hagrid, the adult, abuses the child under his care. The HP fandom is insane!

Hagrid endangers children and he is a horrid teacher and should have been fired! And he would have been fired if not for the meddling rotten trio (specifically Harry freaking Potter). This dimwitted jackass knows Hagrid is a bad teacher and drops his subject in book 6 but is willing to ruin the subject for everyone else because he likes him!!! And he is willing to intimidate/bully his friends (especially Hermione) to comply with his views on Hagrid. Harry is extremely selfish and can go rot in hell with Hagrid! If I were Harry's classmate, I would be tempted to punch him myself!

Draco is punished for saying what everyone else was thinking. No one thinks Hagrid is a good teacher. Including the rotten trio! Why does the narrative and fandom coddle Hagrid and treat him like a damn child?! Why is Draco, the student, constantly bashed for Hagrid, the teacher, being incompetent!?

Edit: Hermione disrespects Trelawney in Divination (in the same chapter I believe) but she's seen as a girl boss. She has no need to be there and clearly hates the subject (what a wonderful use for a time tuner). But everyone has a problem with Draco hurting dumb Hagrid's feelings wah.

Draco does mean impressions of other people

So do Ginny (of Fleur) and Ron (of Hermione). At least Draco's impressions are entertaining! Draco is totally the class clown and/or theatre kid type. He has a captivating and dramatic personality. I think he would thrive in the arts. I can literally see him as the male version of Sharpay :)

Draco called Molly porky

Molly is objectively overweight. Draco is a 14 yr old boy throwing out insults (porky is pretty tame if you ask me). JKR, through Harry, goes into unnecessary detail every other sentence about how fat Dudley is whenever Dudley is around. Dudley is a kid. Why should Molly be excluded from the fat character treatment? Plus Harry is actually very shallow when he describes people. He always focuses on how pretty or ugly someone is. Even in serious situations, you can count on Harry describing Fleur as beautiful, Sirius & Tom as dashingly handsome and Snape as hideous. Ron is quick to label Eileen Prince as ugly when the trio discovers she is Snape's mom in book 6. She has done nothing to them but he insults her because of who her son is. Why is it ok for the trio to mock people's looks but Draco calling Molly fat is a crime worthy of physical abuse?

Draco wanted his classmates to die

So did Ron and Harry. Ron says “shame that his mother likes him” when discussing shoving Draco off a glacier. Harry has fantasised about killing and/or torturing Draco/Snape. And guess what! He almost made his fantasies a reality! He nearly murdered Draco with very short-lived remorse and then attempted to use the same spell (+ multiple crucios) against Snape! What a hero :). So full of love and pure goodness, right Dumbledore (gag).

Draco used the cruciatus curse

Attempted cruciatus. Draco said ‘cruci-‘ before Harry somehow yelled out an entire sectumsempra and almost eviscerated him to death. I think that is the only time Draco has attempted to use the crucio in a fight.

When Harry saw Draco being forced to use the curse in a vision, Draco was terrified, right? Harry on the other hand has fantasised about the cruciatus since the moment he learnt about it (he daydreamed about torturing Snape after Fake Moody's class). Harry has used the curse multiple times before and after Draco's use in book 6 and unlike Draco's attempted crucio, Harry's actually hit. Harry sure loves his dark spells :). For a while, sectumsempra and crucio became Harry's new expeliarmus. Harry is called gallant for using the cruciatus in book 7 too by 'Queen' Minerva, how lovely.

Why is Draco demonized more than Harry by the fandom for this curse? Harry used the curse 3 more times than Draco. He hit Bellatrix and the Carrow guy and attempted to crucio Snape twice in book 6 in the SAME FIGHT. Make it make sense!

Draco (& Lucius) almost got Buckbeak put down

Hagrid, as the teacher, should be held responsible - not the animal. But if the ministry is going to claim Hagrid has no fault, then Buckbeak sure as hell needs to be put down. In our world, we put down animals that attack people, especially kids. Once again, Buckbeak is a wild animal so Hagrid's bad teaching is ultimately to blame. If Hagrid won't man up, then sorry Buckbeak! I know several people hate Lucius but the man is being a decent father. Wouldn't you be outraged if your only kid, and heir, was attacked in a class like Draco was? Be real.

Also in the same book, Hermione shows gross indifference to the well-being of Scabbers - “All cats chase rats, Ron!”. Ron should have slapped this inconsiderate bitch. Ron has the patience of a saint. If my friend acted like this, our friendship is through unless sincere apologies are made. I am not even a pet person but Hermione was utterly disgusting in book 3. Ron deserves better than this girl with the emotional capacity of a teaspoon. Ron always wants to kick Norris the cat. The Weasley twins experiment on animals. Hagrid mistreats the animals under his care (eg. the dead flubberworms and poor Fluffy). Transfiguration class is 99% animal experimentation. But boo-hoo, the ministry is killing Buckbeak...why should I care again about some random wild animal when animal cruelty is a staple of HP?

Draco hates Muggleborns

Draco is supposed to be from a family of blood supremacists. Yet he willingly engaged Harry in conversation despite Harry being dressed in unkempt MUGGLE clothes and not knowing who he was. So you can't say Draco spoke to Harry because of his fame (unlike Ron Weasley who deliberately sought out Harry Potter). Harry is the one who judged him because Draco was talking about things that are normal to him, ironically proving Draco’s point — “I really don’t think they should let the other sort in, do you? They’re just not the same, they’ve never been brought up to know our ways” — true. How hilarious.

Anyway, all wizards, so-called light side included, hate/mistreat muggles. But it's ok because JKR wrote it that way. It's ok for wizards to invade muggles' privacy and threaten them. You don't see Draco attacking mugglebornes like this when you meet him. He just thinks wizards should keep to themselves. As a muggle, I approve of this message. I don't want these sadistic wizards near me.

So how did Draco go from this in book 1 to the boy in book 2 declaring "mudbloods are next"? I have no clue. Draco was almost creepy in book 2. I think Draco had a grudge against Hermione and was childishly acting out. Draco is a pampered 12 yr old, what does he know about the horrors of death? Heck, sometimes I wished I was aborted when I was an angsty preteen. Not knowing what exactly I was wishing for myself. Plus, I believe JKR was using Draco as a lazy plot device in book 2.

Plus, I think his negative interactions with the golden trio made him more radicalized as time went on. We don't see Draco calling other students "mudblood", right? I don't recall Draco harassing people like Justin. Draco seems to have a "Hermione" problem, not a "mudblood" problem.

Bonus: James Potter bullied Snape to first impress and then later blackmail Lily, a muggleborne, into dating him. And when said muggleborne girl retaliated...James threatened to hex her. James literally threatened Lily with violence for (barely) attempting to defend Snape. The girl he supposedly has a crush on! James Potter is supposed to be from a muggleborne friendly, light-side family haha. At least Draco was upfront that he despised Hermione. I have read Dramione fics with healthier foundations than canon Jily - not that I like Dramione as a ship. But sure Dramione is the only toxic ship around here!

Please add any other double standards I missed! (Book) Canon Draco fans need to call out the unfair treatment of Draco! Draco is not the evil monster people paint him to be. And you can like him too without warping him into this pathetic, bland, crybaby, gay fanon version. I used to like Fanon Draco when I just started reading HP fanfiction and did not know any better, but book Draco is so much more entertaining, colourful and even charming :)

You don't have to like Draco. But stop giving the heroes passes for the same awful actions.

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