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#we have to write an essay on it
sapphicwithapen · 1 month
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first fated memes of 2024!! (by me at least)
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barblaz-arts · 1 month
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As someone who ships Chaggie as well, I want your opinion on this.
Someone made a kinda good point about Charlie and Vaggie’s relationship; the point being that there’s a power imbalance between them. Charlie is the princess of hell. She wouldn’t physically loose anything or be hurt physically if she breaks up with Vaggie. But Vaggie would loose both the love of her life and her home and friends if they break off. And so they see this toxic dynamic because Vaggie is “walking on eggshells” in order to stay in Charlie’s favor and not getting on her bad side.
So….thoughts?
The problem is people who say these things treat the terms "power imbalance" and "toxic" and "unhealthy" as the same things when they are not.
There is a power imbalance, yes, definitely. I constantly make jokes about the fact that Charlie and Vaggie have a forbidden love story in a Boss/Employee HR violation kinda way for pete's sake. It's just a lot more funny thinking about the fact that that probably has more weight than the demon/angel situation.
But the thing is, no matter what Charlie will ALWAYS have a power imbalance with whoever she dates because she is literally the princess of Hell, as they have said. Even if she dates a fellow hellborn royal, the fact that Charlie is in a higher position of power will always be a fact because her parents are literally the only ones above that. So what? Should she just not date anyone??? Also, isn't the one has a higher position of power but still loves the other a super popular ship trope? Rich x poor. Royalty x commoner. Goddess/immortal x normal human. Popular in school x the social loser. The list goes on. So why is it a problem now?
The fact that they think Vaggie "walks on eggshells" around Charlie is a bit...? I'm just a little confused you know? Vaggie is definitely not afraid of Charlie. When they had their fallout, she wasn't afraid of losing the things she was dependent on Charlie if they ever broke up(i.e. a home, her safety, money etc) because Vaggie damn well knows Charlie wouldn't do that. Everyone in hell knows Charlie goddamn Morningstar wouldn't do that. Vaggie was merely afraid of losing their relationship, which is a perfectly normal thing to be afraid of. Vaggie's dedication to Charlie isn't rooted in fear, it's rooted in devotion in the name of what she thinks the person she loves deserves.
The thing that makes Chaggie so great despite that power imbalance is the fact that Charlie is an absolute sweetheart. She isn't the kind of person who would take advantage of that power and Vaggie, as someone who knows her so well, is perfectly aware of that. Vaggie is safe with Charlie in every way that matters, and this is where toxicity and the unhealthy elements come into play.
Charlie and Vaggie as individuals have all the ingredients for an unhealthy relationship. As Husk so plainly pointed out, Charlie would rather fix everyone else's problems than help herself. Meanwhile Vaggie has deep self-hatred that seeps into how she feels about everyone but Charlie. They're both the type of people who would rather think about others rather than themselves. This is the root of their codependency, and why their relationship can be quite unhealthy. It's extremely evident with Vaggie, which makes perfect sense since she probably never saw herself as a person before Charlie.
Those flaws can so easily be taken advantage of in a relationship, but the thing is, do they do that? Do either of them think the other ever would? As Rosie did say...
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While Charlie likes to shoulder everyone else's problems, Vaggie looks at the love her life and decides she'll take some of that load so she doesn't get crushed under the weight of the world. Vaggie reels Charlie in by being the realist to Charlie's dreamer. Vaggie used to essentially be Heaven's living weapon, but she has now sworn to be the armor for someone who looks out for everyone but herself.
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On the other hand Vaggie's self-worth is shrewed because she's an ex-soldier who thinks she should always be under someone's service to be deserving of anything. But here Charlie is who constantly calls Vaggie her partner and blatantly treats Vaggie as an equal and still loves Vaggie "more than anything" and doesn't doubt that Vaggie loves her in return even after finding out Vaggie's lie and true origins.
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So are they good for each other? Maybe not, but there's still more of the show to see. They can be unhealthy, but not to the point that being together damages each other in any significant way. Their relationship is imperfect, which is fine. No relationship is. Especially not in fucking HELL. And perfect for a story because, yunno... They are still in an ongoing story. They aren't a lost cause yet. It's something they can develop from, something we can get to SEE them develop from.
Are they toxic though?? Are they harming each other physically, emotionally, sexually, or financially? Definitely not. Because although whether they're good FOR each other still remains to be seen, it is an undeniable fact that they are good TO each other, despite all the ways they could not be. The unhealthy elements are due to how they treat themselves, but their relationship can't be deemed toxic because of how they treat each other. And for now, that's what matters and that's why I love this ship.
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An example of queercoding in Alhaitham and Kaveh's relationship: Madam Faruzan edition
Due to the rules in place for game development in China, the possibility for queer confirmation within Genshin Impact is denied, which therefore renders the usage of characters alluding to the potential romantic connection between two same-sex characters as impossible. However, the same insinuation can be made by omitting specific language which strictly conveys romantic sentiments, such as ‘couple’. Instead, the idea of secrecy or something unmentionable can be drawn upon as indicators, as this draws parallels to the taboo of homosexuality practiced within certain cultures and media forms, which the real world audience can identify.  
For example, Alhaitham and Kaveh as secret housemates. This can be used to convey an idea of ‘taboo’ as Kaveh desires to protect his reputation by concealing his shame of having to live with Alhaitham. In-game, the context here is that Kaveh wants to uphold his reputation of a successful architect, but within Alhaitham’s Story Quest, upon the player’s discovery of Kaveh living with Alhaitham, this context is omitted for some time. This prompts Paimon to question what exactly Alhaitham and Kaveh’s relationship is, with Kaveh denying that the two used to be friends but are not anymore: “I wouldn’t say ‘friends’ exactly”.
This tactic of double entendre can be seen again in A Parade of Providence when Paimon almost reveals Kaveh’s living situation to Faruzan.
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Faruzan’s can be observed to resort to a thinking pose, in comparison with Layla, when Alhaitham is mentioned in relation to Kaveh wanting to buy property, as Paimon almost ‘outs’ the truth, that Kaveh resides with Alhaitham.
She then seemingly dwells upon the subject, as she returns to it after Kaveh requests for a change of topic later in the conversation. Here, Faruzan follows up on whether Kaveh lives alone, which he fails to deny. 
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Here, it can be seen that she has already began associating Kaveh and Alhaitham, possibly speculating that the two live together. When Kaveh fails to supply an answer, therefore not denying her theory, she explicitly ties the two together, and asks if the two are “hiding” something.  
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This question evokes a physical reaction from Kaveh, as he denies this question out of fear of being revealed, with Paimon opting to leave in order to cover her role in revealing Kaveh’s predicament.  
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A deliberate potentiality has been created here in regard to what Faruzan has inferred, as her phrasing of “are you two hiding something from me?” is non-specific. Rather than asking: “are you two living together?”, she asks a question which holds multiple connotations. Due to the ambiguity of her meaning, her question can be observed as a non-explicit version of the: “are you two a couple?” question.
On the surface, this question is a reference to their situation as roommates, however, her phrasing is non-specific, and hints to another cause for “hiding” something. For Faruzan, Kaveh’s blatant evasion of the topic and dismissal of Alhaitham’s name, could easily be inferred as “hiding” a romantic connection – which is something that the player, too, can pick up on from her gesture of suspicion, her inquisitive questioning, and her excitement when piecing together the clues. The ambiguity of her question generates multiple meanings as to why she has surmised the two could be “hiding”.  
This overt secrecy in Kaveh’s living with Alhaitham, another man, prompts the player to generate associations between this in-game secrecy and real world queer shame. In this, there is an implication of the need for Kaveh to confirm the status of his relationship between him and Alhaitham. Not only does this scene connotate an ‘outing’, in which a queer character has their queerness forcibly revealed to a heteronormative audience, but this creates a sense of secrecy, which, again, can be interpreted by the player as ‘taboo’.  
Kaveh does not want to tell anyone of his living situation out of preserving his stellar reputation, however, Faruzan is missing this context. She relates Alhaitham and Kaveh together in the phrasing “you two”, coupling them together in a secret that they “hid[e]”. The player understands this as indicating to their living situation, however, this creates a separate context which Faruzan has interpreted and that, we, as the audience are not privy to, but can interpret based on her allusions to cohabitation between two men being a secret.
Whilst this is not explicitly romantic within Genshin’s world of nameless sexuality, Faruzan’s ambiguous questioning here draws parallels between real world understanding of sexuality and the connotations of queerness which stems from two men living together in secret. 
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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when-wax-wings-melt · 7 months
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Y'all wanted the presentation? Here's the presentation. Image descriptions are below the cut!
(technically this wasnt part of the assignment, which was "write an essay and read at least one full page to the class" so the reason why there's those huge blocks of text is because that is taken directly from the essay. i can condense things if I WANT to condense them)
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[ID: 15 screenshots of a powerpoint presentation. The text is either white or gray, and the theme is various shades of purple, typically with bubbles of dark/light purple and images.
Slide one: Title reading "Keeper of the Lost Cities: A Love-Hate-Love Relationship, And What It Can Do To Your Psyche" with three images on the side. The first image is a meme of two stick figures, the first saying "kotlc lore is second nature to us rabid fans so it's easy to forget that the average person only knows the average special ability count and one or two vackers", the second figure saying "and valin, of course," and the first saying "of course." with text at the bottom reading "Even when they're trying to compensate for it, experts in anything wildly overcompensate the average person's familiarity with their field." The other two images are of Shannon Messenger, a white woman with blonde hair. The images are captioned "The dastardly mastermind behind it all" and "meet Shannon Messenger".
Slide Two: Title reading "Background" with a block of text and two images. The text reads "In total, the Keeper of The Lost Cities (KOTLC) series has over 7000 pages, split between nine and a half books (Book 8.5 was, uselessly, a novella) with a planned tenth coming in late 2024, and a graphic novel dropping in November. It’s the kind of series that hooks you the same way a fisherman hooks a fish: with a promise of a treat that goes very, very unfulfilled." The top image is the cover of the first keeper of the lost cities book, captioned with "book one of what will soon consume my entire brain for years and years and years" and the bottom image is a fish staring at the top image as if it is a tasty treat, captioned "Poor, innocent little 6th grade me".
Slide Three: A block of text reading "This is to say: KOTLC is a good series, at least at first. It’s certainly been my core obsession for a good (or bad) five years. It’s a hook because you can’t escape once you’ve begun. It’s my own personal brand of heroine, as Edward Cullen might say if Bella were a too-long book series that doesn’t resolve any plotlines or character arcs and instead piles more information on top of worldbuilding until contradictions are more plentiful than the packed main cast." An image of Edward Cullen from twilight is captioned "Me, apparently".
Slide Four: A small caption at the top reads "If the series ever ends you can call me Brant when Jolie asked him to leave the Neverseen the way I will burn down my house and kill everyone I love (haha just a joke to get us going)​" with an image of a huge explosion below it. Text reads, "Basically, KOTLC is a good series, but the idea of recommending it feels like I’d be violating several articles of the Geneva Conventions. I wouldn’t wish it on anyone. The thought of it ending is an impossibility on the scale of the apocalypse and I hope (I'd rather) the world ends before this series does."
Slide Five: Titled "Queer-Coding in the Lost Cities" with the image of Sophie Foster and Fitz Vacker on the side. Text reads, "The queer-coding doesn't just stem from Sophie’s dedicated denial of both her worth as a human being and her desire to kiss her pretty girl friends. A connection called a “Cognate Bond” is often referred to in the text as the closest two elves can become, emotionally and mentally. Cognates exist when two Telepaths (such as Sophie) have such a deep and unbreakable trust bond that they become more skilled together than they were apart. In creating and maintaining this bond, they have to complete trust exercises and not hold back secrets keeping them from total confidentiality. Sophie’s cognate is her friend (and love interest, and, debatably, ex-boyfriend) Fitz, whose romantic relationship was in a large part focused on their cognate one. Their trust exercises involve staring into each other’s eyes, holding hands, having matching rings, and Fitz telling Sophie that she’s the only person he can truly trust. Fitz also asks his father at one point if cognates are allowed to date each other— his father affirms the statement."
Slide Six: Titled "Queer-Coding: Qualden, Tiertice, and such other 🤨🏳️‍🌈 moments​" with the text, "Notably, Alden has the authority to do so since he himself was a cognate, only undergoing a nasty breakup— sorry, only losing the bond after his cognate, Quinlin, kept too many secrets. It’s implied that two other characters were once almost Cognates, only to grow too far apart when one of them, Prentice, has his sanity forcibly shattered and is locked in prison, leaving his (gay lover) best friend, Tiergan (code name Granite), to raise his son. The choice to parallel Fitz/Sophie, Alden/Quinlin, and Tiergan/Prentice was possibly not a conscious one, since Messenger has never attempted to hint at the existence of homosexuality before, but it still resonates with hundreds of queer teen readers who look at the portrayal of utter devotion and trust between two men and think, wow. this is what i see in myself.​" The image is a quote from Neverseen, reading "'What did you give him?' Granite asked, cradling Prentice like a baby. Prentice's head lolled to the side, his body limp and pale." / "Granite held Prentice tighter, whispering, 'It's going to be okay.'"
Slide Seven: Titled "Honorary Errol "I have five identities and they're all the true me" Forkle Mention​". Smaller text below reads "Strut it Magnate "I inspired Loki but don’t even ask about the horse thing" Leto!​" A picture of Mr. Forkle is next to a tumble post by me about Forkle being trans based on the Loki thing. The slide is decorated with several trans flags.
Slide Eight: Titled "Beauty Standards" with text reading "Speaking of things Shannon Messenger did subconsciously, it’s so painfully clear that this series was written by a white American woman that it makes me break out in hives. Messenger establishes very early on in the series that all elves, no matter who they are, are gorgeous in comparison to humans. For some reason that I’m sure has no correlation to Sophie and therefore Messenger’s personal biases (aka Western hetero/cisnormativity and gender roles), every single elven character is slim with clear skin and no glasses. For some reason, beards seem to be impossible for elves to grow naturally, since the only time facial hair ever appears on anyone’s face is when they take an elixir to change their appearance." An image of Sophie with her human family is captioned "Sophie with her ugly nasty disgusting human family apparently​".
Slide Nine: Text reading "Valin is a member of “the drooly boys” who, had they been “human, would’ve been skinny, with acne and braces. Since they were elves, they were fairly good-looking—or they could’ve been if they hadn’t slicked their hair into greasy ponytails” (Messenger KOTLC 170). It seems elves have evolved past the need for brown eyes, acne, crooked teeth, facial hair beyond eyebrows, and variations in body fat—not to mention most other features that make people unique. ​There is indeed a single elf who is fat and even has wrinkles (elves also don’t physically age past 30, fun fact). He alters his appearance with berries that swell his skin, making him the only unique body type besides Sophie’s human family, who are consistently thrown in terrible comparison to her new, movie-star-looking adoptive parents. The berries also make him smell, interestingly enough.​" Images of Councillors Zarina, Terik, and Clarette line the right side of the slide.
Slide Ten: Text reading: "By portraying the elves as the standard for beauty and then removing any pimple, stretch mark, fat roll, body hair, crooked tooth, big nose, or any of the thousands of features that add depth to faces and bodies, Messenger tells us that perfection lies in eliminating all “flaws.” She tells her young readers that they are desirable if they look like Sophie, or Biana, or Keefe—not Stina with her curly hair, or Dex’s too-skinny arms, or Forkle’s large stomach, or my human body.​" The family portrait of the Vackers is also there.
Slide Eleven: Text reading: "Mostly, what defines KOTLC is how it’s interpreted rather than the content itself. I look at Sophie Foster and see parts of myself, but that does not make her me. These characters always feel so painfully real, desperately relatable, as if Messenger cobbled together a main cast from bits of my life, but they are not. In the end, they are just characters. ​In the end, it’s just a series made for middle schoolers, in the same way the sun is just the sun, and the stars are just there to twinkle merrily and not to be explored.​" Sophie on the cover of Exile is also there.
Slide Twelve: Text reading "Literally the day after I finished this presentation a new Marella short story came out in the paperback version of Stellarlune (book 9). This is a quote in the short story:​" with a picture of the short story of Marella being gay about Linh. Also on the slide is "🚨🚨🚨Alert Alert!🚨🚨🚨​" "🤨🤨🤨🏳️‍🌈🏳️‍🌈🏳️‍🌈⁉️⁉️⁉️⁉️​" and "Everyone is excited about Marellinh canon but I think she will simply never acknowledge it again.​"
Slide Thirteen: Just the text "Oh, By The Way, This Series Is Off The Walls Insane​"
Slide Fourteen: Text reading "Things that happen in this series: Alicorns have sex and then there is a graphic birth scene (but the Forkle as Loki thing is going too far 🤨)​, Love Interest confesses his feelings by telling Sophie he wants her to be assigned to marry him by the government​, An ogre bodyguard plays matchmaker with her charge and his crush (successfully)​, There's a guy who can sense "potential" except is definitely lying about this​, Villains die so disappointingly. So far we have "hit on head with rock" "smushed by door opened too quickly" "exploded" "fell into evil birthing sauce" (this last one was cool though)​, and A school principal becomes president​" Three tumblr screenshots and memes detailing other things that happen in the book are also there.
Slide Fifteen: THE END. A screenshot captioned with "Credits for the fake book 7 cover go to @/aphelea on tumblr​" shows a canva/booktok style fake cover for Flashback, with a dancing couple, a horse, and the words "he was a boy. she was a horse. could I make it any more obvious?"
/end id]
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spaciebabie · 1 year
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you get ta college and realize that everybody here is just Some Guy™ and has been Some Guy™ for their whole lives. the veteran seniors are having breakdowns right next ta the freshmen in the library, our final essays for the semester are started and finished two days b4 its supposed ta b turned in and all our rough drafts look like somebody rubbed 3 braincells on a google doc and then puked on it
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gifti3 · 3 months
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i graduated years ago i shouldnt have to do this...!!!!
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Some notes to myself for writing gay Roman dudes, based on details from Roman Homosexuality by Craig Williams. Not intended as authoritative, but I thought it might be useful for other writers:
Class matters. Are they both freeborn? Slaves? Is one a slave or freedman? This will play a big role not just in the power dynamics between them, but also in what their peers would consider socially acceptable.
Age matters. The Romans judged adult men more harshly for acting "effeminate" than they did for adolescent boys.
Yes, adult/teen relationships were a thing in ancient Rome. Not specifically a male/male thing; girls were usually married off as teens, too. But if (like me) you'd rather not write that, there's plenty of evidence for relationships between adult men (or between two teens), too. There were at least a few triads and other non-monogamous living arrangements, too.
Roman men wouldn't think of themselves as gay, bi or straight. They could certainly have preferences for one gender or another, but that wouldn't have any social consequences. There was no need to "come out" as being attracted to men; everybody knew that sometimes dudes were just hot.
On the other hand, performing masculinity was a big deal. There was a lot of pressure for men to act assertive, sexually dominant, self-controlled, and to get married and have kids. This could be compatible with also having sex with men - as long as you were the "man" in the relationship (excuse the heteronormative phrase). But more "effeminate" partner(s) would be looked down upon.
The Romans cared a lot about who topped or bottomed. This had consequences for a man's reputation. It could be interesting to explore how your characters react to these pressures, how they view themselves, and how they talk to their partners about it.
Sometimes falling in love was seen as unmanly. Roman masculinity demanded that men exercise control of their desires, and a man who seemed too emotional might get mocked or seen as weak. This might make for a neat internal conflict if a character cares way more than he's "supposed to" about his partner.
For consenting adult men, the "dangers" of a romantic/sexual relationship were low. This was not 1960s America; there were no cops busting down gay bars. A man who was seen as effeminate could get mocked, slandered, or passed over for promotion, and he might not be allowed to work as a lawyer. But he wouldn't have been ostracized, and almost certainly wouldn't face criminal charges. Numerous men were called "effeminate" but had successful careers. Wealth, family connections, or a strong military record could also shield a man from stigma to some extent. (Cf. Caesar getting called the "Queen of Bithynia" throughout his career.)
The concept of male/male marriage was understood and talked about. We have some limited (and maybe false?) stories of it happening, and it was never legally recognized. But our Roman sources claimed it happened sometimes, so Roman characters could theoretically consider doing it, too.
The strongest sexual stigmas appear to have been reserved for cunnilingus, fellators and female adulterers, not for effeminate men, and not for male/male couples.
Not all Romans had the same attitudes. Rome was super diverse in the 200 BCE-200 CE period. There were many ethnicities, languages, and religions in Rome itself, and people traveled a lot. Opinions also varied from more conservative to more open-minded Romans, between social classes and professions, and different schools of philosophy. Individuals developed their own opinions, too. So you have a lot of flexibility as a writer for what Roman characters might believe, and what their social circles and daily life might look like.
There was a general shift in the 300s CE toward prudishness. Laws got stricter, both toward homosexuality and toward non-married heterosexual affairs.
There's a difference between having prejudiced characters, and a prejudiced narrative. You might also choose not to talk about prejudice in your story if you don't want to. It's your story, after all.
(Please correct me if I got something really wrong. Not all scholars agree with Williams' conclusions, but I haven't had time to read others yet.)
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kadextra · 7 months
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the q!bad lore experience be like
says concerning and unwell things
4D chess gaslight manipulation testing of all his friends
sings about forever’s gun
denial about changing color
museum trauma
*pulls out clipboard*
insane laughing mania
a new revelation that he’s somehow even worse than we thought
talks to ghosts
starts crying
amazing analogy x20
says even more concerning things
“HEY RON!!!” :D
epic cliffhanger end
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fluffydice · 1 month
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Thinking,,, one of the things Kusuo had feared most happening during the Cat Tank arc, where someone he had "friendly feelings" towards gets roped into his life. Thinking about how he watched his body get stripped and his brother wanted to see more. Thinking about how it kept flashing back to when Kusuke gave him the limiters he turned it into a competition, telling him to protect his right one "even if it kills you," and how the manga shows them constantly fighting for it, showing Kusuo even waking up to Kusuke's 'games'. Thinking about Kusuo's stupid little "...Toritsuka...don't..." when he was standing there bleeding, and about how Kusuke had to instantly reassure him as he knocked out Toritsuka because he knew his little brother would go haywire if he thought for even a second that he'd killed him.
Thinking about how Kusuo took out his right limiter in the end, saying he "caused trouble" by living the life he wanted, in front of one of the people who originally planted the idea that he could hurt people just by existing in his head. Thinking about how the "trouble" wasn't even really Kusuo's fault, he just took on the blame for it because it all tied back into him just trying to exist and have friends.
Ugh, and the way Kusuke helped him with his pants, and how Kusuo—at his simultaneous strongest and most vulnerable—didn't even fuss, and the way his eyes shone when Kusuo promised to keep being his playmate,,, because he'd underestimated his little brother's ability to learn and grow just by having the support of other people, and how much Kusuo would let slide against him when it comes to the people he needs in his life.
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destinysbounty · 1 day
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I know I have wayyy too many fan projects on my to-do list to warrant adding another one onto the pile (cough cough the 30-minute love triangle video essay), but for years now I've been wanting to do a rewrite/novelization of the Shadow of Ronin video game. Because like, the lore of this game has so many fucked up implications that never get acknowledged - but unlike with most fucked up Ninjago lore, the game is just obscure enough that not as many people are familiar with it enough to facilitate a broader discussion about this stuff. And dammit, I need at least one fic talking about how messed up SoR actually was and if I cannot find it I guess I'll just have to create it.
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sea-buns · 15 days
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hey to a gorgug liker what do you think about his nightmare section from sophomore year? cause I feel like the horror there is less “ah my grandparents were racist” and more “fuck am I being a stereotype? are the people who hate me right about me?” cause wrt to his having to modulate between barbarian and artificer in fhjy it’s like. idk
oh boy do I have thoughts
Tbh, I had zero recollection of the racism stuff until reading this. It was just SO MINOR. His trial in the forest felt really lackluster to me. I feel like everyone else's really dug into an issue at the core of their character and his felt more like "everyone is getting a trial, what do we do for gorgug?" And idk if that was just a bad delivery/call on Brennan's part or if it could have been helped by Zac engaging more in it but it just. Didn't feel like anything. It was a lot more about the dice than the horror of the claustrophobia and the bugs and you've never fit in anywhere you live to make yourself smaller wherever you go you're just the loser who hits hard. Like yeah I guess there was an overarching theme of Gorgug gaining confidence in himself but it was done very poorly imo.
And I think his trial in the forest was wrong for putting such an emphasis on his intelligence. I think that would have been much better suited in fy, back when he was still being heavily bullied, but beyond that it felt like a quick and easy thing for them to grab. Yes, he had insecurities about his intelligence with all the complications with Zelda. But, to me, the focus of fhsy was his HEART. It put a spotlight on how his social circle has grown, and his bully is his friend now, and he's not alone anymore. His interactions with Ayda, the friendship book, trying to help Fabian, I believe in you spring break, it's Gorgug keep going. I made a post earlier in the season (including a great addition by another user) that I think articulates that emphasis on his emotional intelligence very well.
Fhjy HOWEVER. I think it's doing everything that sy failed at. It's giving him space to have an inner conflict. It's addressing lots of little issues and conflicts he's had over the campaign and combining them into one coherent piece. Like, guy was in a relationship pretty much all of fy, and then dealt with the fallout in sy, but I don't think we've EVER seen as much quality relationship development with Gorgug as we have in jy. He and Fig spent an entire summer together trapped in a tour bus and no season has indicated that bond and friendship more than this one. He and Riz have found something to bond over, meanwhile in previous seasons there was pretty much zero one-on-one personal interaction between them. Fabian expressed sadness over Gorgug leaving the Owlbears, because it was the only thing they had that was just for them to hang out and be friends.
Just with that, we're already doing leagues more with Gorgug's character than we ever have. And I haven't even STARTED on his barbificier journey, oh dear god lmao.
Gonna preface this bit with a post I made before the season even started. It was about Zac's steady improvement in his performances with every PC, and how I was predicting that it was gonna culminate into a Gorgug that does him the justice he deserves. It was initially supposed to be a criticism, but I got a little lost in the sauce of loving my boy lol. Still very relevant to the topic of this ask!
God, where do I START?? Addressing his relationship with rage? I'll be honest, I didn't think that would ever be used as a character arc. And I'm not even sure why I've felt that way. I just didn't think... I didn't think about how he might've had a dislike for his own rage. Like, the WAY he rages isn't bad by any means, but I don't think it ever crossed my mind how actually harmful his lessons to sing to combat rage were. No, I did not like the way Porter went about teaching him (a bit too unsupportive of his capabilities and reminiscent of shitty teachers for my liking). But his point about EMBRACING anger; that rage is not bad and does not— should not— need to be stifled. THAAAAT. That opened up such an interesting dialogue for Gorgug.
I do appreciate the beginnings of Gorgug's interest in artificing in fhsy. I think the crumbs of it back then did a great job of leading into his larger commitment to multiclassing. And I think what he's been doing with it this season is exactly what was lacking in his section of the nightmare forest. His trial was a puzzle, based entirely on die rolls, where his solution after failing even when he's assisted by the enemy is to essentially give up. I understand that facing their fears was the whole point of the trials, but his section came off as incredibly anticlimactic and unfulfilling. Just the fact that it was a trial based on stat numbers more than the development of the character itself.
Where junior year succeeds in actually showcasing his intelligence and the evolution of the worth he holds in himself is with the hands-on approach it takes. Yes, the academic rolls are still dice and stats, but there's a physical manifestation that wasn't there before. Gorgug is smart when it comes to getting his hands dirty. It is in the practical applications of his skills that his brand of intelligence shines the most.
And while, once again, I did not LIKE Porter's heavy resistance to multiclassing....I have to admit that I don't think Gorgug would have had such a boost in confidence without that struggle. Even if my boy had trouble expressing it to Porter verbally, HE STOOD UP FOR HIMSELF. Instead of simply rolling over and agreeing that he wasn't built for a technical class and it was stupid to try– he was DEFIANT.
The kid who said "I'm a dumbass. Eat me you stupid bug." took on FOUR CLASSES. Three school years worth of artificer simultaneously. AND stayed with the Owlbears. AND went along on party missions to help Kristen's candidacy. AND was always on deck to help the party with the overarching plotline.
AND HE ACED IT!!! THE FIRST BARBIFICER THAT THE AGUEFORT ADVENTURING ACADEMY HAS EVER SEEN!!!!! He is paving the way for every unprecedented multiclass that follows.
Just in comparison to who he was in the previous season, the amount of drive and self-worth he's gained is astounding. In my eyes, it's done more than enough to makeup for the way his development fell flat in sophomore year.
i hope this fulfilled the ask in the way you were hoping! i told you i'd get carried away lmao. writing a bunch about any of zac's characters is always such a joy. gorgug had always been my favorite of the bad kids but i always found myself wishing he went deeper, y'know? and now it's real. my precious anxious boy has been handled so well. and watching zac's growth as a performer has been such a blast.
thanks for the ask! :D
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lightningidle · 1 month
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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dapg-otmebytheballs · 3 months
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Welcome to philosophy with Dan Howell, today we will discuss such important topics as "Love isn't real" "Democracy is problematic" "A life without dips is no life at all" and "A clone is not meaningfully different in any way from the thing it is a clone of"
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presiding · 5 months
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high chaos/low chaos/join the chaos in my dishonored 2 rewrite
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thefirstknife · 9 months
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rip gambit you will be missed 😔
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Don't even know what to say tbh.
For those that don't know, the big State of the Game article came out detailing incoming changes and adjustments and all the big stuff. Gambit was mentioned! But at what cost. Basically, they are ceasing any kind of support for Gambit. What we have now is what it is. We will get the Dreaming City map back in TFS and they will add Shadow Legion and Lucent Hive as enemy factions in TFS. That's all.
Full text:
As many of you have noticed, we’ve been quiet on Gambit since last year’s overhaul that launched alongside The Witch Queen. In that revamp, the team made significant changes across five categories in Gambit: core activity fundamentals, Primeval tuning, invasions, ammo economy, and rewards. Unfortunately, these updates didn’t move the needle for player engagement. Although we know our Gambit fans mostly care about new or returning maps, this is an area of the game with lower engagement that would take resources away from more popular parts of the game to shore up.   While we don’t have plans to dedicate more resources to significantly transform Gambit, we do have a few updates planned for the year of The Final Shape. These include porting the Cathedral of Scars map and its beautiful Dreaming City setting into the latest version of Destiny 2, as well as adding the Shadow Legion and Lucent Hive enemy types. 
I don't know how to tell you this Bungie, but the reason "engagement is low" in Gambit is because Gambit sucks. Ever since half of it was removed with DCV, it just sucked. It has no variety, the gameplay is largely busted, it's not sufficiently updated, ammo changes suck, invasion cycle sucks (why is the enemy even getting a portal when their Primeval is at 5% health and the other team is still in mote collecting phase is beyond me), there are no cool armour sets to chase (just look at Iron Banner and Trials stuff, imagine dedicated cosmetics) and finally there are simply no weapons that are worth anything. Both Vanguard and Crucible have more weapons and also adept versions. There is zero reason to go into Gambit without major changes to Gambit. And now with the further changes to how playlists and challenges will work, there will be even less reason to go into Gambit. Observe:
Before then, we’re making Gambit entirely optional to maximize your rewards unless you’re looking for a piece of gear that’s specific to the mode. Gambit will continue to serve as a source of Exotic engrams via weekly challenges, though as we mentioned above, you’ll be able to complete all your weekly challenges in any ritual you’d like starting in Season 22. If you want to stick to Vanguard or Crucible challenges without touching Gambit, now you can.  We’re also reducing the number of Gambit-specific Seasonal Challenges starting in Season 22, so players won’t need to bank motes to be able to earn that big purse of Bright Dust for completing nearly every challenge in the Season. Finally, we’re adding Fireteam Matchmaking to Gambit next Season, which will replace the Freelance node and should result in faster, better matchmaking by combining both Gambit playlists. We’ll keep an eye on reception and player engagement after these additions take place, and we hope you’ll visit ‘ol Drifter next Season to get your hands on his new Void Machine Gun. 
Ngl, but I don't think anyone besides like a total of 6 people will play Gambit next season. The incentive to go in there is completely removed. You won't even have to go in there for pinnacles or for challenges. The Void Machine Gun will not be enough of an incentive because the chance of that gun being better than two recently available craftable Void Machine Guns (Commemoration and Retrofit Escapade) is very low. And besides, once you get it at the end of your first match, you can leave Gambit forever.
This is the feedback loop that just reinforces the idea that people don't like Gambit. And I mean. Who would at this point. I'm pretty sure that if Crucible had stayed the same as it was at the start of Beyond Light, engagement would be low there too. But you know. Crucible has received major updates pretty much every season since with multiple new modes, several Trials overhauls, Iron Banner overhaul, competitive overhaul, new armours and weapons added and YES, even new maps. God forbid even 5% of these resources went into Gambit.
Anyway, this is the whole section about Gambit in 6500 words. It's basically a "you guys aren't playing this so we're doing the bare minimum of keeping it in the game as is, no new work will be done on it ever." Thanks I guess.
And for the record, something I also added while having a rant in my discord, I want to make it clear that I don't want anyone to spiral into a Bungie hate train. Even for this. I understand perfectly well what's the community attitude towards Gambit and what it's been for years now. People just don't like it and they're not incentivised to like it and they're actively encouraged to hate it. Spending resources into a game mode on the hope that maybe you can change people's minds would be insanity. Like, the amount of change Gambit would need to MAYBE start appealing to gamers would be beyond any reasonable time and resources Bungie can put in. And if you could guarantee that people would love and play Gambit then, fine. But you can't. Most likely, even if major changes happened, people would still just do their weekly stuff and bail. It's simply not worth it. In order for people to like it, it needs to be completely and thoroughly overhauled in a way that would need more time and effort than the entire Light subclass overhaul and it's just not a reasonable expectation, nor is it guaranteed to work. So I get it.
I'm still disappointed and annoyed about it because I believe it wasn't given a fair chance at all. I also know how good it can be and how Gambit Prime could've been improved upon over the years if they tried. Instead, it got removed and that was honestly the death sentence for Gambit. It's unfortunate. It's my favourite game mode that could've been so much better was it given even a fraction of attention of Crucible.
I'll still be playing it. You will find me in the Gambit queue waiting for 2 hours to find 7 other lunatics to play with, don't worry about it. But I'm absolutely incredibly sad about them being basically forced to axe the potential of the whole game mode that is incredibly creative and fits with the type of game Destiny is perfectly.
There's other interesting stuff in the article and some upcoming really cool improvements and changes to the game. But if you're a fan of Gambit in any capacity, this is a death certificate for the mode. I suggest coming to terms with it quickly because Bungie changing their minds about this is highly unlikely.
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spoopyloonerisms · 5 months
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thinking of rick riordans books and how no matter the pantheon these children inherit problems caused by the adults. drawing parallels between these kids being left in the wreckage of their parents decisions and having to step up and solve shit they didn’t cause.
it is an inheritance by blood.
in this essay I will—
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