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#what a night indeed
paperlignes · 10 months
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- Ah, this is your wish? - This is my wish.
Bonus Guillermo:
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insertsomthinawesome · 6 months
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art slow have a WIP askljdflKSJDLGJSDG -NO ROMANCE INCLUDED-
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daily-hanamura · 8 months
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thirteenemeraldcats · 3 months
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in one of your tags you mentioned-
'one of the things that gets chatted about A LOT in teaching is meeting students at their point of need- which ted does NOT do with jamie'
I would love to hear more of your thoughts on this! Both in terms of what that concept entails, and also what you think Jamie's point of need was at the time versus what Ted saw the situation needing
(You have excellent tags btw, don't know if anyone's mentioned that)
I HAVE MANY THOUGHTS ON THIS THAT I LOVE THAT YOU'D LOVE TO HEAR!
(I have more thoughts than I anticipated, this got errr, long. Whoops)
(potentially necessary/relevant background here is I am a high school teacher 👋)
Okie dokie, so, one of the principles of best practice in teaching is the idea I tag-rambled above; meet both the individual students and collective class at their point of need. Essentially this means practising differentiation in teaching and adjusting how content/ideas are communicated to students based on who they are as learners and people. Particularly if a student is performing outside the 'average' (either exceeding or still developing), this means adjusting to their needs by (among other things) curating differentiated resources and adapting delivery style. Differentiation is especially important in an all-abilities classroom, unfortunately public education is perpetually underfunded and overcrowded so everyone's just out here doing their best (the decent people of the world at least). BUT! WHILE I'M ON IT! SPEAKING OF THE THINGS I'VE TAG RAMBLED, the education system's (global) inability to adequately differentiate for students of different-abilities, particularly students with ADHD, ASD and Dyslexia, is perhaps the greatest failing of the whole dang thing and if anyone who ever stumbles across this is neuro-divergent and feels like they were a bad student or couldn't 'keep up' in mainstream education- THAT WAS NOT YOUR FAULT. You don't have to break yourself to 'fit', school is MEANT to bend for you. (Particularly when you're young, ESPECIALLY WHEN YOU'RE YOUNG)
ANYWAY, the fictional football of it all!
We don't see a lot of Ted actually coaching in this show (stick with me). The scenes in which he 'coaches' are typically him and various other coaching staff standing on the sidelines while the team skirmishes or occasionally runs drills, so me saying Ted doesn't differentiate is more based around his patented Ted-talks. NOW, Ted PROBABLY knows the team fairly well as individuals, particularly in season 2 and 3, purely by having spent quite a lot of time with them, despite this the only times we really see him 'adjust' his style with the team are ironically season 1 (examples include conferencing Jamie and Roy in 1x04 For The Children, and allowing/facilitating Nate's speech in 1x07 Make Rebecca Great Again). The moment that always sticks out to me as most significant is when he goes and seeks out Keeley's advice on how to get through to Jamie in 1x02 Biscuits.
Side note: I will be forever obsessed with Keeley jumping straight from 'blowjobs' to one of the four operant conditioning techniques (positive reinforcement) when asked about this. That woman is a very fascinating puzzle of a person.
Ted recognises that his typical perpetual-optimism-style isn't cracking the Jamie-Tartt-nut and seeks out a different opinion. This kind of collaboration and whole-system approach is key in teaching too, either by tapping the knowledge-well of a student's broader school context or the difficult-to-crack student's parents.
SO, having gotten the Jamie-Tartt-cheat-code from Keeley he DOES meet Jamie at his point of need, speaks clearly to him and communicates what he needs from him. AND IT WORKS! Temporarily! During the conversation between the two in Ted's office we see Jamie engage, he even practises self-reflection! Granted it's about his left foot cross, but still! The nut is cracked.
Jamie even maintains the perspective Ted has taught him for about two seconds while talking to Trent, until Jamie's other (definitely not positively-reinforced) behaviours rear up and he reverts to what James others have taught him.
On the other hand.
Multiple times throughout the show we see Jamie be visibly or verbally confused by Ted's communication style. Ted often talks in meandering metaphors that Jamie doesn't seem to be able to follow. We verbally hear him state 'Why doesn't he just say that then, do you know what I mean?' in 2x07 Headspace after Beard has to translate Ted's 'peas and carrots/beefchunks' analogy to 'starters and reserves'. Then there's the infamous 'What the fuck are Denver Broncos?' from 3x09 La Locker Room Aux Folles. The only notable time we really see Jamie 'get' one of these metaphors is the sewer-system-tunnels from 3x01 Smells Like Mean Spirit.
(His understanding of that specific metaphor, along with his use of the magnets to demonstrate total football in 3x07 The Strings That Bind, and a Watsonian-perspective of his near perfect mimicry of movements he saw two years ago when executing the decoy play in 3x12 So Long, Farewell, are actually all examples I use to head-canon Jamie as a primarily visual/physical based learner. For whatever that's worth!)
NOW! Ted's willingness to seek and apply alternate techniques in season 1 when he should know the team as both individuals and a collective the least, coupled with his inability or unwillingness to practise differentiation in later seasons when he DOES KNOW THEM is why I don't think Ted is meeting the team, specifically Jamie at their/his point of need. Any person's ability to differentiate behaviour to meet the needs/requirements/comforts of the individual or group they're talking to is increased the more they know them. (We all do this in life, consciously or subconsciously we typically try and 'match the vibe' of whoever we're communicating with [doubly so for people who're engaging in masking.])
Ted should and does learn more about Jamie as a person and his background as the show progresses. He listens to Jamie vocalise both his internal justifications for his actions and his reflections of those justifications/actions in 1x06 Two Aces, he sees him being explicitly physically abused in 1x10 The Hope That Kills You, he listens to him describe a spiralling mindset in 2x02 Lavender, he sees him being explicitly verbally abused in 2x08 Man City.
Of course, one of the fascinating things about Jamie is how much he learns and grows over the course of the show, and there are instances in which I don't think Ted is recognising that (primarily his dismissal of Jamie in 3x03 4-5-1 and not utilising Jamie's knowledge of total football as a resource from the beginning in 3x07 The Strings That Bind).
Ted understands and has previously applied Jamie responding well to positive reinforcement, yet at multiple times in the series doesn't respond in a way that reflects his perspective being informed by that knowledge. Essentially not practising the appropriate level of care/caution when interacting with/around Jamie.
There's not intervening on Jamie's behalf in 2x03 Do the Right-est Thing or 2x06 The Signal when the team and Roy are targeting or ignoring him respectively. The assumed absence of any follow up to the events of 2x08 Man City, the Zava of it all in season 3, and of course the eternal 'forgiveness' kicker from 3x11 Mom City.
POINT BEING. And to actually answer your inquiry lol, I think Jamie is someone who needs clear communication, ideally bracketed in positive reinforcement based operant conditioning as a learning technique (reward behaviour you want reinforced by offering something desirable [praise in Jamie's case]) and visual/physical aid/references for concepts; as a LEARNER.
AS A PERSON, there's more. Ted can readily infer from all he's heard and seen that Jamie's a victim of child abuse. The long term damage to the adult psyche that abuse during formative years has is astronomical, it literally changes the foundational structures of a person's brain. And yet, again, we never see Ted even acknowledge this. Jamie in 3x11 Mom City, incidentally compares his father to Freddy Krueger, Ted elaborates on the comparison, then Jamie reiterates that Freddy Krueger's 'fucking terrifying'. Ted doesn't reassure Jamie (the requirement of his point of need), he gives him a Ted-talk (and in doing so doesn't differentiate his perspective/communication technique).
As far as what Ted thought the situation needed... search me I've got no idea. I do think Ted projects onto Jamie a hell of a lot. That he gets Jamie's personhood and life experiences all tangled up in the emotions he has about his father's death and his consequent perceived abandonment, his insecurities about his own ability to parent Henry and even in his own inability to clearly communicate with his mother. I do think Ted relies on his own forced optimism to 'get by'. Like how a great white shark dies if it stops swimming, if Ted stops being 'Ted', if he stops swimming, his past and his fears and his feelings will catch up to him and swallow him whole. (For what it's worth, I do think Ted is more unwell than even the show explicitly tells us, much like Jamie experiencing ongoing trauma due to childhood abuse, the effects both short-term and long-term as well as potential causalities of having a parent die by suicide are... grim.)
(Essentially the entire fandom has talked about basically all of this at one point or another, I'm just using slightly different language.)
NOW! These characters are fictional (obviously) and I am judging them based on real-people conventions and the best-principles of my own profession, as well as my background in theoretical psychology (which I think I forgot to mention and is also probably [??] relevant). My Doylist-perspective of Ted and his coaching/communication style is ...kinder, but if I get too sucked into the narrative it results in either brief tag-rambles or... whatever this thing I've just typed is. I think it's been too long since I've written academically, my thoughts have gone circular 🫠
ANYWAY! I hope this made something-approaching sense! Thank you again for asking to hear my thoughts! Always happy to word vomit!
ALSO, thank you for saying my tags are excellent (you are the first and currently only to say so!) - The tags are where I send my thoughts to die (in a 'I must banish them to move on' kind of way rather than a 'I'm strangling them' kind of way) so you saying they're excellent is even MORE flattering than you realise! Makes my brain want to purr 💚🤣
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turrondeluxe · 2 years
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Do you think Breakdown has nightmares about what happened with MECH? I think Knock Out would be a nice thing to wake up to if he ever has night terrors
(P.S: Do transformers even have nightmares?)
Oh he definitely has
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Bro I was reenacting the "Just So" clip while I was putting away the dishes and when Frank yelled at Barnaby I was gonna say "oi fuck you" y'know because I was being silly but what came out was an almost PERFECT imitation of Barnaby's voice- I couldn't even finish the "fuck you" because I broke down laughing
Btw the reason this is so funny is because I'm a 5'2" Latino AFAB with NO experience in voice acting whatsoever yet for some reason the spirit of Giant Blues Clues decided my vocal chords were the PERFECT place to set up real estate
Anyway peace and love
HAGHASBCAKJSCNAKLD I WHEEZED
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booasaur · 2 years
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NCIS: Hawai’i - 1x01 - Extended scene
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bumblingbabooshka · 4 months
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Fake Voyager Episode: Tuvok gets kidnapped and forced to compete in an arena where telepaths fight one another to the death for a shot at fortune and prestige. He was initially kidnapped as 'fodder' - the aliens who run the arena will grab any telepathic alien they can find regardless of skill and they're essentially just there to be killed by flashier veterans of the bloodsport. The episode is mainly Tuvok showing off his tactical know-how and combat skills. We also get several flashbacks to him as a young man, learning how to fight both on Vulcan and in Starfleet. There's a concern that he will lose himself when forced into this seemingly endless battle, surrounded by violence, but in the end he prevails and manages to escape without killing a single person. He leaves the arena after giving a message of peace. Patreon | Ko-fi
Unnamed Goon: [Laughter] That puny 'Vuulcan' didn't land a single hit for all his bluster. Once I sealed his telepathic powers it was over! Huh huh huh… If I keep up this pace I should have him crushed beneath my fists in- What...? I can't move...? Tuvok: By now you have surely noticed it.
You are certainly a formidable opponent. Most would assume you to be a simple bruiser but that is not the case. You are a knowledgeable telepath - able to not only bolster your own physique but nullify the telepathic capabilities of your enemies.
However. You rely too much on one tactic and are too proud to allow yourself to look 'weak.' This was the ultimate cause of your ruination. While you gleefully battered my body about the field I was able to locate twenty two out of twenty four 'kobat sfek' on your body - points which will render you immobile for approximately…four minutes. More than enough time. It was a shrewd precaution to nullify my telepathic ability. However. I do not need them to best you in combat.
Even now, I am ten times stronger than you. Unnamed Goon: T-Ten...TEN TIMES!? [Imagining the sort of gruesome end that might await him, the unnamed Goon faints - leaving Tuvok the victor.]
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frukostbuffe · 1 year
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time 4 bed
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fategoflatass · 9 days
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Often times, it's not even up to debate whose death was more impactul—if Sua's or Ivan's. Most of the fandom will reply that hers, since she and Mizi had required feelings for one another and thus it's a canonical love story that, in a very homophobic way, ends in tragedy.
But I couldn't disagree more.
After all, Sua might've gone with a bang, but Ivan went off with three.
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So, apparently…
According to the Marvel Database, Jack Russell goes/has gone by the nickname Pretty Boy.
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Then they make the movie and the guy looks like this—
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Clearly, they were trying as hard as they could to be true to the source material.
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attyattlaw · 1 year
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didnt draw all day so have a timelapse instead bc i accidentally checked record on CSP and now the file size is bloated
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songofwizardry · 6 months
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had about half of the most recent critical role episode left, decided to watch some to calm down before sleep.
that was two hours ago bc holy shit was i uh. not expecting the whole last hour. holy fucking shit, did ashton ever push that damn red button. we got the perches. we got sam hiding in the hood. we got the book-on-the-head. we got the yelling. we got what i am now referring to as matt's 'molly face' every time he rolled. i have not been this tense since the otohan fight and... this felt like a different kind of tense? also it's been a while since then i hadn't realised!
what an absolutely fucking wild series of events and rolls and i cannot believe that worked.
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goldenhypen · 2 days
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guys i was so fortunate and lucky to get to see enhypen irl tonight :’) sooo grateful omg it was so good and i’m going coocoo bonkers crazier than ever rn
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badgerclawsaresharp · 11 months
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bdubs called his clock “a handcuff” in his commercial break today and i cannot get over the implications
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ragnarokhound · 9 months
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man, wish i knew enough about shakespeare to decide if Jason Todd is a tragedies, comedies, or histories kinda guy (or an eclectic mix that i definitely can't speak to OTL) I know the handful of heavy hitters pushed on me by my high school lit classes along with a few comedies my parents liked and that's p much it
like does he like the tragedies because ah, murderers doomed by the narrative, how satisfying and #relatable (or does he dislike them for the same reason lmao)
or does he like the comedies because ah, witty social commentary and also imo he's a romantic at heart
or does he like the histories because fuck. i don't know enough about shakespeare to talk about the histories lmao
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