Ghost : Ok, why do you baby Gaz so much, you do know he's a grown man, right?
Price : Oh come on, first off I don't baby him, second, jealousy doesn't suit you, third, he's the youngest of us, it's only normal that I watch over him a bit more, he's basically a baby, he just turned 27 last week!
Gaz : Damn, don't remind me, I feel old. But also like, maybe it's because he's the youngest sibling, but I do feel older than Soap most days, to be honest.
Price : Well yeah, you two are very close in age, but Soap's actually gonna turn 29 later this year, right Soap?
Soap :
Price : ... Soap?
Soap : Yep, sorry, yeah, wasn't paying attention, sure, I'm gonna be uh... 28? Wait no, that was last year, 29 right, ahah...
Ghost :
Gaz :
Price :
Soap : *avoids eye contact*
Price : How old are you son?
Soap : 29?
Gaz : Aren't you supposed to be 28...?
Soap : Ahah, yeah, that's what I meant, I'm 28, I'm gonna be 29... right?
Ghost : You're lying aren't you. You look like you're lying. Price, he's lying.
Price : What's your birth year?
Soap :
Price : ....
Soap, visibly counting on his fingers : 1994 !
Ghost, staring at Price with his look(tm) :
Gaz : Wait, you don't know your birth year by heart?
Ghost : No, he just doesn't remember the lie he said.
Soap : Come on, LT, what do you mean, a lie, I'm just your average 29 years old man, born in 1994, what do you want me to say?
Ghost : Johnny, you'd be born in 1993 if you were 29, I mean, if you didn't also lie about your birthday.
Soap :
Price, having had enough of today already : Okay, how old are you really. What's your real birth year.
Soap : ..... 1996 ?
Gaz : I'M NOT THE FUCKING BABY ANYMORE THIS IS THE GREATEST DAY OF MY LIFE !!!
Ghost, concerned : You're 26 ?? But your file said you've been in active duty for 10 years !
Soap : Yep 😁👍
Ghost :
Soap : Funny story, I was actually 15 when i enrolled, cause it was before my birthday, but yeah.
Ghost :
Soap : Don't look at Price like that, he knew all about me ~allegedly~ kidnapping a military officer and still wanted me, he's not gonna push me out because my joints are gonna hurt two years later than he originally thought.
Gaz : Wait, no, back up, you did what to a military officer?
Soap : Oh, I never told you? Yeah, he was really pissing me off, you know how it is-
Price : I'm going back to bed.
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I did it, I'm done!!! I finished what is probably one the coolest projects I have ever done and it turned out SO COOL, I'm so excited!!! Everyone come look at it cause I made a fucking killjoys shirt collection!!!
Everyone of the Fab Four got their own type of shirt that I think fits them and they're all the same concept (logo on the back, name in the front, most of the design in their color plus some smaller detail in another color that's kind of in their pallet (taken from their ray guns), words associated with the character) but the font and placement of the writing changes and all that and I really love that they obviously belong together but still look so different!
Also fun fact it took fucking FOREVER to paint Ghoul cause it's sooo many lines and painting lines takes so much time cause you can't just carefully draw a sharp edge and then quickly fill in the rest (like for example Jet's logo) because basically everything is edge! And the design for Kobra's name? Such a pain in the ass, there's so many sketches that were all scrapped. Like in total it took me maybe one and a half to two hours to come up with all of the designs, except for Kobra's stupid fucking name, I kept going back to it for literal weeks!! But honestly so worth it, it turned out exactly as I wanted and just all in all feels very Kobra to me
(As for the different shades of blue/green on Jet's and Ghoul's shirts... The shirts have been done for a while and were lying around my room without being folded or anything, so that's just folds and light reflections, the colors are actually very even)
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
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ANALYSING Q!SLIME'S FINAL BIRTHDAY GIFT [12/08/2023]
With the addition of the underground railway within the mines of q!Slime's Eggxile base, the choices on the birthday build (from the lead-up, the threshold, to the house itself) adds so much on to q!Slime's character as well as gives hints on the bigger picture of the Federation and the new wave of codes.
Prior to today's Birthday stream, the two significant builds in Eggxile are the Altar to Lil J and the Basement - two builds that represent q!Slime's religious devotion and his familial devotion respectively.
I did an analysis comparing the two in another post HERE as a Part 1 - big recommend to read through that one before this one when you can!
This time I'll be going into detail specifically about the underground railway and how it represents q!Slime's 'devotion' to the island itself and the Federation.
long rambling ahead be careful
[EXPLANATION UNDERCUT]
PREVIOUS KNOWLEDGE:
Quick SparkNotes summary about Slime's way of building:
Slime's builds are simplistic, symmetrical layouts (preferably circular)
Comprised of mostly local, easy to obtain/manufacture materials
A lot of flora interior
NO security, little-to-no input from the Create-mod
These characteristics were derived from the similarities between Slime's existing builds of the Altar and the Basement. The uncanniness of the Birthday Build is that it is an extension NOT built by Slime, but instead is the Federation's attempt to imitate his style and forcibly insert itself into his life.
We can presume that this is the Federation's doing and by extension JuanaFlippa's current identity by the context clues during the scavenger hunt. The main giveaway being the location of the START placed at the QSMP Dinner Hall: the first sightings of the Egg Codes and the location of Gegg's assassination. The detail of the FIRST CLUE as well being Slime's train ticket to the island supports this theory in assumption that it was the Federation that both brought the original 17 residence to the island and is currently withholding the tickets themselves.
The scavenger hunt goes as planned, all in all directing Slime back to his Eggxile base. (Note the poster being placed IN FRONT of the school's only exit)
THRESHOLD BETWEEN THIS WORLD AND THE NEXT:
Not much of Slime's actual base is touched in the scavenger hunt other than the nook in the Basement Slime had originally designed to be JuanaFlippa's area. Here it is decorated with the carpet, two chairs, and two presents. Everything before that (lamps including) was made by Slime.
After Slime collects what he believes is the last of the presents the lamps in the Basement are progressively removed directing him to the only other light in room being the black wool platform and chest. These lamps were destroyed NOT turned off. The contents of the chest read as follows:
Hostile architecture is defined as a design strategy to purposefully guide or restrict movement (targeting mostly the homeless. it sucks). And by limiting Slime's vision here is the first of many examples of the Federation restricting Slime's movement as the path progressively becomes more and more forced.
From here to the mine entrance Slime is still given a physical choice whether or not to follow the light. This is the Federation's way in giving Slime the illusion of free choice. 'You chose to follow the light' 'You chose to break that wall in the mines' 'You chose to activate the train carriage'
The train carriage and its small, difficult to move around, interior being the last direct choice Slime makes. It locks him inside and sends him on a trip that goes no where but down, deeper into the mines.
It's worth noting that originally these mines originally belong to Slime. He made this entrance and he was able to freely explore any part of these caves. What the train carriage does is give Slime a strict path to follow and a very limited window to look through - no straying from the path here. Look only where the Federation tells you to.
Given the connection between codes and trains, symbolically this can also represent Slime's gradual spiral (the shape of the tracks) into hell - the madness that is the island led on by the Federation.
JUANAFLIPPA'S HOUSE:
The road ends at a small house at the very bottom of the lush caves. It's a nice house! Supposedly trying to replicate the arched partition walls in the Basement... But not quite perfectly imitating his style of build. The giveaways being its asymmetry and the choice of materials: a variety of different wood types, most NOT local to Eggxile (also the fake house just looks prettier wwww)
Here's the two houses for comparison (Slime's house is an 8x8 block square)
Stylistically, the vibe of this house given the location and purpose remind me of that one Cold War bunker in Las Vegas. An underground mansion designed to look like the outside world - a secluded, controlled paradise for a family to live in.
The confirmation that the underground house being a facade becomes clearer the deeper Slime explores the inside.
Normal interior. Normal kitchen. Normal table: 4 chairs (like the outside bonfire), 3 mugs (Slime, Mariana, Juanaflippa). Shelves like Slime's old house in Sacapuntas. A passageway in the wall leading to Juanaflippa's room.
All these things portraying the life Slimeriana and Juanaflippa could have lived. A happy family tucked under from all the dangers of the outside, far far away from the world. Until you look deeper into the cracks only to find out it was all fake, there is nothing back there. A mockery in disguise of a gift.
THE FEDERATION AND SLIME:
Prior to the birthday stream with the assassination of Gegg, Slime had initially come to terms that Juanaflippa was well and truly dead and had told ElQuackity (a member of the Federation) that he no longer had any attachments to the island, and because of that would try to be himself.
The Federation responded to this twice: the first being ElQuackity offering a position to work with them and ElQuackity win the Elections (this fails as ElQuackity is assassinated by q!BBH); the second being this birthday stream.
So far the Federation has not destroyed anything Slime has built but instead added on top of it. These decisions both give Slime a reason to stay on the island whilst pushing him to do things aligned with the Federation's goals shown by the gifts he gets in the scavenger hunt (Ghillie suit, landmines, grappling hook, dark metal ingots).
Interestingly the 2nd prize during the scavenger hunt is quite literally called the CHARLIE Flag and is the nautical symbol for YES. While the purpose of this flag is for whatever mission the Federation is about to send Slime on, this is also metaphorical as the only response Slime can give right now is YES.
Additionally the flag metaphor could be applied on the controls at the beginning of the tracks: Red flag both socially and in Nautical terms (BRAVO) meaning danger/carrying dangerous cargo.
These are literal red flags in the world in the architecture that are warnings to Slime that once he 'agrees' to these terms and conditions, life for him will only get more dangerous with no way in turning back. Deliberate decisions made by the Federation in guise of Slime's actions and the places he's impacted in the world.
In the end, Slime is a product of the early QSMP and how its history shapes a person and is represented physically by the builds he makes. By the interference of the new tech and prettier structures, the Federation overwrites Slime's creations against his will, creating a world unfamiliar to him - blending what is the truth of the past with the new, augmented present. In another context, change like this can be a good thing - but in this circumstance presents itself as an invasive decision into Slime's private life. This is the Federation forcibly applying itself as one of Slime's priorities in sacrifice of rewriting everything Slime has gone through.
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