#you can generalize or not. it only depends on whether men profit from it

[mizandria]

so the occurrence that almost every woman was sexually harrassed by a man at some point in her life is just a cluster of a few individual experiences that you cannot formulate any general conclusions based on BUT a few reddit porn addicted losers not having a girlfriend assigned to them as soon as they're born or being rejected by three girls in middle school is a world scale epidemic that gets its own name, psychologists and media and useless video essayists devoted to finding out what its causes are and to figuring out how to solve it, and every woman is now responsible for solving it. i love living in this world i am totally not chewing on my arm right now!

#you can generalize or not. it only depends on whether men profit from it #last or like second to last post about male loneliness i promise <3 #moids are getting so boring about it anyway it's just that this cowboy guy from last night pissed me off #he kind of cleared andrew tate thought so i've decided i'm not making him my no. 1 enemy #radblr #radical feminists do interact

[chiimaera]

LORENA "LA LLORONA" neutral evil.

mexican/spanish folklore. fc: summer bishil

dossier:      

myths and legends have lived among humans since the existence of language even at its most primitive. walls have been carved with stories of gods and creatures to explain the world, to pass along words of a caution and knowledge from generation to generation. sometimes the universe listens. with humans prayers and beliefs, their legends manifested into the world as entities among them.

the legend of la llorona translates to “the weeping woman,” and is popular throughout the southwestern united states and mexico. the tale has various retellings and origins, but la llorona is always described as a willowy white figure who appears near the water wailing for her children. mentions of la llorona can be traced back over four centuries, although the origins of the tale have been lost to time.

in popular myth, she is a stunning young peasant woman who married a wealthy man. the couple lived happily for a time and had two children together before her husband lost interest in her. when she found out about her husbands affair, she went into a rage and flung her two children into the river, drowning them both. when her anger subsided and she realized what she had done, she succumbed to such profound grief that she spent the rest of her days wailing by the river in search of her children.

la llorona has been connected to the aztecs as one of ten omens predicting the conquest of Mexico or as a fearsome goddess. one such goddess is known chalchiuhtlicue or “the jade-skirted one” who oversaw the waters and was greatly feared because she allegedly would drown people. in order to honor her, its said that the aztecs sacrificed children. but those whispers may have been influenced by the spanish colonizers.

according to this version of the tale, la llorona was actually la malinche, a native woman who served as an interpreter, guide, and later mistress to hernán cortés during his conquest of mexico. some say she was manipulated into submission, others speak of her selfishness to save her own skin. the conquistador left her after she gave birth and instead married a spanish woman. despised now by her own people, it is said that la malinche killed cortés’ spawn in vengeance with a obsidian dagger—before turning it on herself.

in this world, la llorona exists as lorena rios. she is a columniation of her legends in both mexico and spain. a personification of humanities cautionary tales to both men and children alike: avoid the beautiful woman who will lure you to your own demise.

personality:

lorena rios is a femme fatale. she is alluring and demure, seemingly innocent in her practiced compassion. yet do not be fooled — she is as cunning and manipulative as she is beautiful. she is nothing short of siren who knows the draw she has, targeting men and children to do her bidding. she is always married, her rich husbands dying in mysterious ways while she maintains their wealth.

she is a neutral evil. she is out for herself, pure and simple. she sheds no tears for those she kills, whether for profit, sport, or convenience. she has no love of order and holds no illusion that following laws, traditions, or codes would make her any better or more noble. on the other hand, she doesn't have the restless nature or love of conflict that a chaotic evil villain has.

she is vain and selfish, manipulative and moody by nature. she has an unnatural allure and social magnetism that only the most strong willed and powerful can see through. she will do whatever she needs to in order to maintain her lifestyle and cure her own boredom. she enjoys the power she has, playing with peoples lives for her own gain. she is a quilt of her legends, both raging scorned woman and calculated betrayer.

despite her intelligence, she can be easily persuaded depending on what she can gain. she is not known for her kindness or compassion yet can be moved depending on her feelings and emotions. she has the capability of love though it is deeply rooted in her own vanity and can borderline obsession. this can include lovers, friendships and found family relationships.

abilities: enchanted allure, aging immunity (very slow aging), mediumship (talk and see to spirits), allspeak, social magnetism, aquatic adaption (breathe underwater)

verses: 

main & marvel: lorena is a widow living in houston texas, her sixth husband having drowned while they were vacationing in cancún. it was considered an accident and the grieving widow was the sole beneficiary of her husband entire estate. she has many condos and homes all over california, texas and mexico. she owns her own clothing line though few know who she is as she is rarely featured in magazines.

she has a habit of getting into trouble to feed her own ambition and boredom. anti-government militias, orphanages, womens clinics, cartels and organizations all over the world know her as la llorona, a 'nickname' given to the beautiful benefactor who funds their communities and violence if you can persuade her. be warned, she has no loyalty.

supernatural & american gods : follows her main verse but she feeds on the souls of those she kills to sustain her beauty and longevity.

connections:

EDUARDO HERNANDEZ, @dngerclose eduardo is seen as her son. she embodies the toxic cultural attachment that mexican mothers can have to their boys. while he is not her son by blood, he is considered a twin spirit of vengeful rage. they have an unhealthy co-dependence that she will emotionally and financially manipulate when she misses him. if he does not come home, she will track him down and be the reason of his character regression. edwardo will be referred to as her son in all verses.

#biography and verses #xix. character ;; la llorona #mexican mythology #mythology rp

[martinsenfrank99]

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[tallmantall]

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[helmsjoensen46]

Ten Things A Little one Is aware of Wedding Insurance plan That You Don�t

However , under the accrual basis of accounting, earnings is understood to be cash of which comes into your business following a sale has occurred, which makes accounts receivable revenue. The high quality of these low-cost mens suits, several may argue as compensated however the high quality is good until you are the one which lives in a Cheap Mens Suits instructions Suit Sale : Buy Suits. Many people either perhaps have been hit by the recent economic climate and are unable to buy existence insurance or could only afford to get a policy that meets the fundamental needs with their dependents. The type regarding insurance and restrictions you acquire will affect your automobile insurance payments. The best suppose is some, and many of those will certainly end up having to pay a tax specialist to do that will checking, which means individuals will still get paying fees inside of connection with having their income levy filed. The worst type of section of the proposal will be the free drive that it provides to people who would use highways, bridges, and passageways for personal uses. The use of high value a life insurance policy policies, whether in trusts or or else, adds to the compounding impact that continues to widen the salary and wealth breaks.

People fortunate enough to be able to obtain life insurance policy paid by their own employers are almost always given a rather bit, rarely beyond 5 figures, unless perhaps they are high-ranking officers of the company. Is the particular familiar concern concerning? personal privacy.? The particular other is precisely what he calls the? expense of collection.? Rahn? 해외배팅에이전시 concerning personal privacy is definitely his claim of which as secretary of transportation in Baltimore, he observed? the public? s anxiety about just using unknown, aggregated cell telephone data for organizing purposes.? He believes that? having the government actually be capable to identify an individual? s type associated with vehicle to see where and when it is driven will generate opposition that will not be defeat.? He insists that there are? a lot of people that will not really get a transponder to pay tolls for this very explanation.? Yet people previously are giving that information to government bodies. Your VoIP support provider will then give you a phone quantity along with an adapter that a person can plug-in to be able to your PC to be able to receive and send calls just want with the operations whenever calling by typically the use of landlines. Technology eliminates typically the need for the roomfuls of eyeshade-wearing human auditors.? Alternatively, Rahn wants in order to implement what this individual calls a? beneficiary pays? system.

As I wrote inside of Once Again, Rebutting Arguments Against Mileage-Based Road Fees, throughout critiquing a statement from another challenger from the mileage-based street fee,? The Glostone analysis claims of which the mileage-based road fee? would demand every vehicle proprietor to periodically statement distance tax plus create a high priced new bureaucracy of which would need to examine these reports,? and that the? added bureaucracy alone can take any profits in tax earnings.? The tracking unit reports without any need for user intervention. Rahn statements that the proposed surcharge? more straight aligns the price of maintenance and even improvement with typically the benefit.? However, of which approach ignores the fact that typically the wear and split on a freeway varies according to the weight of the vehicle, yet the proposed surcharge will not adequately take that will difference into bank account. Though he but factoring the price of rail, boat, and air shipping out of the amount to that the surcharge would apply, yet another complex cost accounting process that would add in order to the cost involving variety of the surcharge, he doesn? t propose dividing the shipping costs exposed to the surcharge between those suitable to use involving federal highways, links, and tunnels, and people applicable to work with of state plus local highways, bridges, and tunnels.

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[fluxactivecompletepricesblog]

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[arofluxstuff]

The problem with the nuclear family model

An unnecessary division of community. It's a direct product "American dream" propaganda, and the individualistic "pick yourself up by your bootstraps" ideals.

And it is Hurting people.

This concept of families consisting of 3-5 individuals two of which are an adult cis man and woman, the rest being their biological children is completely unrealistic even for some of the people most committed to this ideal. To begin with conceiving children is difficult, and bearing children can be dangerous for the the person carrying them. This dream is one medical condition away from being unattainable whether because one of the would-be parents is unable to have kids or because of a pregancy-related complication that harms the parent or child.

The pressure to birth your own children leads to many women developing lower self-worth or poor mental health because they feel that so much of their worth as humans relies on their ability to bear children. Adoption could be a wonderful option for those who want children, not just as a backup plan but as their primary method of seeking to raise kids. However this is against societal expectations.

Even queer folks, who by nature of who they are don't fit within the mold of the nuclear family, are pressured to strive to be as close as possible to that ideal because any other way would simply prove how different they are from the clearly superior straights cis folks./s

This concept insists upon conformity and isolation. People are shamed for living parents into adulthood, and are treated as immature outcasts without further inquiry as to why they're living with family. When people do comply they are divided into groups with only one other adult who is expected to be their only emotional support and vice versa. Women can, in some cases, depend on other friends for some support but it's dependent upon whether they have time to cultivate close friendships along with the stress of parenting, maintaining a romantic connection with their spouse, and whatever job they might have. Men on the other hand are expected to not offer each other support at all lest they be viewed as weak.

This is not a recipe for an emotionally healthy environment for children to grow up in especially since many people have children out of obligation and are completely baffled as to what to Do about this tiny human in their care.

The concept of community into adulthood has all but died as friendships are steadily shuffled to the wayside as the least important of relationships in people's lives.

People on the asexual or aromantic spectrum are obviously harmed by this, as a desire for sex and romance are integral to this ideal and people who are either asexual OR aromantic will often, in an attempt to be respected, point out the ways in which they DO adhere to the standards, thereby throwing the other community squarely under scrutiny in their place (ex. "Well c'mon, I'm not a robot, I still like sex!" or "We still love just like everybody else!").

In the same vein, this affects everyone who wants non-traditional relationships such as queerplatonic relationships or polyamory. These are typically seen as childish or immoral respectively. Because the view point of the general public is that if you aren't doing relationships the way they think you should be you are at best stupid and immature and at worst gross and harmful.

And the worst part is that the only reason for this standard to exist is to make sure people are doing good for business. Each household buying one of each appliance or piece of technology leads to higher profits. People will be too tired from trying to shoulder all their responsibilities as a duo to realize that they aren't being paid enough, aren't being treated well. And I don't think I need to explain how destroying community is good for making sure no large groups are forming which might disrupt the status quo.

Families were not (and still aren't) structured like this in much of the world. There are plenty of cultures where multigenerational households are the norm. Allowing for the young to care for the old and allowing for more dependence upon one another in families with more people to share the load.

And yet even people who claim to understand that families don't all look the same and sing the praises of found families in media can't conceptualize of such a family in real life if the relationships between members aren't falling into the expected patterns of parent-child, siblings, or romantic partners.

The nuclear family is bullshit and serves as only a way to control and divide us, stop letting it trap you

#nuclear family #aromantic #asexual #polyamory #lgbtq #queer

[benevolentbirdgal]

“Thirteen″ Tips for Writing About Synagogues / Jewish Writing Advice / Advice for Visiting Synagogues

So your story includes a Jew (or two) and you’ve a got a scene in a synagogue. Maybe there’s a bar mitzvah, maybe your gentile protagonist is visiting their partner’s synagogue. Maybe there’s a wedding or a community meeting being held there. For whatever reason, you want a scene in a shul. I’m here as your friendly (virtual) neighborhood Jewish professional to help you not sound like a gentile who thinks a synagogue is just a church with a Star of David instead of a cross. 

Quick note: The are lots of synagogues around the world, with different specific cultural, local, and denominational practices. The Jewish community is made up of roughly 14 million people worldwide with all sorts of backgrounds, practices, life circumstances, and beliefs. I’m just one American Jew, but I’ve had exposure to Jewishness in many forms after living in 3.5 states (at several different population densities/layouts), attending Jewish day school and youth groups, doing Jewish college stuff, and landing a job at a Jewish non-profit. I’m speaking specifically in an American or Americanish context, though some of this will apply elsewhere as well. I’m also writing from the view of Before Times when gatherings and food and human contact was okay.

Bear in mind as well, in this discussion, the sliding scale of traditional observance to secular/liberal observance in modern denominations: Ultraorthodox (strict tradition), Modern Orthodox (Jewish law matters but we live in a modern world), Conservative (no relation to conservative politics, brands itself middle ground Judaism), Reconstructionist (start with Jewish law and then drop/add bits to choose your own adventure), and Reform (true build your own adventure, start at basically zero and incorporate only as you actively choose).

Synagogue = shul = temple. Mikvah (ritual bath) is its own thing and usually not attached to the shul. Jewish cemeteries are also typically nowhere near the shul, because dead bodies are considered impure.   

A Bar/Bat/Bnai Mitzvah is the Jewish coming of age ceremony. Bar (“son”) for boys at 13+, Bat (“daughter”) at 12+, and Bnai (“children”) for multiples (i.e. twins/triplets/siblings) or non-binary kids (although the use of the phrase “Bnai Mitzvah” this way is pretty new). 12/13 is the minimum, 12-14 the norm but very Reform will sometimes allow 11 and anybody above 12/13 can have theirs. Probably a dedicated post for another time. Generally, however, the following will happen: the kid will lead some parts of services, read from and/or carry the Torah, and make a couple of speeches. 

Attire: think Sunday Best (in this case Saturday), not come as you are. Even at very liberal reconstructionist/reform synagogues you wouldn’t show up in jeans and a t-shirt or work overalls. Unless they are seriously disconnected from their culture, your Jewish character is not coming to Saturday morning services in sneakers and jeans (their gentile guest, however, might come too casual and that’d be awkward).  1a. The more traditional the denomination, the more modest the attire. Outside of orthodoxy woman may wear pants, but dresses/skirts are more common. Tights for anything above knee common for Conservative/Reform/Recon, common for even below knee for orthodox shuls. Men will typically be wearing suits or close to it, except in very Reform spaces.  1b. Really, think business casual or nice dinner is the level of dressiness here for regular services. Some minor holidays or smaller events more casual is fine. Social events and classes casual is fine too.  1c. Even in reform synagogues, modesty is a thing. Get to the knee or close to it. No shoulders (this an obsession in many Jewish religious spaces for whatever reason), midriffs, or excessive cleavage (as I imagine to be the norm in most houses of worship). 

Gendered clothing:  3a. Men and boys wear kippahs (alt kippot, yarmulkes) in synagogues, regardless of whether they’re Jewish or not out of respect to the space. Outside of Jewish spaces it’s saying “I’m a Jew” but inside of Jewish spaces it’s saying “I’m a Jew or a gentile dude who respects the Jewish space.”  Outside of very Reform shuls, it’s a major faux pass to be a dude not wearing one.  3b. There are little buckets of loaner kippahs if you don’t bring your own and commemorative kippahs are given away at events (bar mitzvah, weddings). Your Jewish dude character not bringing or grabbing one is basically shouting “I’m new here.”  3c. Women are permitted to wear kippahs, but the adoption of a the traditionally masculine accessory will likely be interpreted by other Jews as LGBTQ+ presentation, intense feminism, and/or intense but nontraditional devoutness. Nobody will clutch their pearls (outside of ultraorthodoxy) but your character is sending a message.  3d. Tefillin are leather boxes and wrappings with prayers inside them that some Jewish men wrap around their arms (no under bar mitzvah or gentiles). Like with the kippah, a woman doing this is sending a message of feminism and/or nontraditional religious fervor.  3e. Additionally, prayer shawls, known as tallit, are encouraged/lightly expected of Jewish males (over 13) but not as much as Kippahs are. It is more common to have a personal set of tallit than tefillin. Blue and white is traditional, but they come in all sorts of fun colors and patterns now. Mine is purple and pink. It is much more common for women to have tallit and carries much fewer implications about their relationship to Judaism than wearing a kippah does.  3f. Married woman usually cover their hair in synagogues. Orthodox women will have wigs or full hair covers, but most Jewish woman will put a token scarf or doily on their head in the synagogue that doesn’t actually cover their hair. The shul will also have a doily loaner bucket. 

Jewish services are long (like 3-4 hours on a Saturday morning), but most people don’t get there until about the 1-1.5 hour mark. Your disconnected Jewish character or their gentile partner might not know that though. 

Although an active and traditional synagogue will have brief prayers three times every day, Torah services thrice a week, holiday programming, and weekly Friday night and Saturday morning services, the latter is the thing your Jewish character is most likely attending on the reg. A typical Saturday morning service will start with Shacharit (morning prayers) at 8:30-9, your genre savvy not-rabbi not-Bnai mitzvah kid Jewish character will get there around 9:30-10:15. 10:15-10:30 is the Torah service, which is followed by additional prayers. Depending on the day of the Jewish year (holidays, first day of new month, special shabbats), they’ll be done by 12:30 or 1 p.m. Usually.  After that is the oneg, a communal meal. Onegs start with wine and challah, and commence with a full meal. No waiting 4-8 hours to have a covered-dish supper after services. The oneg, outside of very, very, very Reform spaces will be kosher meat or kosher dairy. 

To conduct certain prayers (including the mourner’s prayers and the Torah service) you need a Minyan, which at least 10 Jewish “adults” must be present, defined as post Bar/Bat/Bnai Mitzvah. In Conservative/Reform/Recon, men and women are counted equally. In Ultraorthodox women are not counted. In Modern Orthodox it depends on the congregation, and some congregations will hold women’s-only services as well with at least ten “adult” Jewish women present.

In Conservative and Orthodox shuls, very little English is used outside of speeches and sermons. Prayers are in Hebrew, which many Jews can read the script of but not understand. Transliterations are also a thing.  In Reform synagogues, there’s heavy reliance on the lingua franca (usually English in American congregations). Reconstructionist really varies, but is generally more Hebrew-based than Reform. 

We’re a very inquisitive people. If your character is new to the synagogue, there will be lots of questions at the post-services oneg (meal, typically brunch/lunch). Are you new in town? Have you been here before? Where did you come from? Are you related to my friend from there? How was parking? Do you know my cousin? Are you single? What is your mother’s name? What do you think of the oneg - was there enough cream cheese? What summer camp did you go to? Can you read Hebrew? Have you joined?  A disconnected Jew or gentile might find it overwhelming, but many connected Jews who are used to it would be like “home sweet chaos” because it’s OUR chaos. 

In Orthodox synagogues, men and women have separate seating sections. There may be a balcony or back section, or there may be a divider known as a mechitzah in the middle. Children under 12/13 are permitted on either side, but over 12/13 folks have to stay one section or the other. Yes, this is a problem/challenge for trans and nonbinary Jews.  Mechitzahs are not a thing outside of orthodoxy. Some older Conservative synagogues will have women’s sections, but no longer expect or enforce this arrangement.   

Money. Is. Not. Handled. On. Shabbat. Or. Holidays. Especially. Not. In. The. Synagogue. Seriously, nothing says “goy writing Jews” more than a collection plate in shul. No money plate, no checks being passed around, even over calls for money (as opposed to just talking about all the great stuff they do and upcoming projects) are tacky and forbidden on Shabbat. Synagogues rely on donations and dues, and will solicit from members, but don’t outright request money on holidays and Shabbat. 

Outside of Reform and very nontraditional Conservative spaces, no instruments on Shabbat or holidays. No clapping either. Same goes for phones, cameras, and other electronics outside of microphones (which aren’t permitted in Orthodox services either).  11a. In the now-times an increasing number of shuls have set up cameras ahead of time pre-programmed to record, so they don’t have to actively “make fire” which is “work” (this is the relevant commandment/mitzvah) on Shabbat, so services can be live-streamed. 11b. After someone has completed an honor (reading from the Torah, carrying the Torah, opening the ark, etc), the appropriate response is a handshake after and the words “Yasher Koach” (again, Before-Times).

Jewish services involve a lot of movement. Get up, sit down. Look behind you, look in front of you. Twist left, twist right. A disconnected Jew or gentile visitor would be best off just trying to follow along with what an exchange student we had once termed “Jewish choreography.” Some prayers are standing prayers (if able), some are sitting prayers. It’s just how it is, although a handful of prayers have variations on who stands. 

#jumlbr #jewblr #jewish #jewish writing help #jewish writing #jewish characters #writing jewish characters #jewish representation #writing advice #writeblr #writing jewish spaces #how to write synagogues #another long one sorry not sorry

[zedecksiew]

Kriegsmesser

When I received Kriegsmesser in the mail I finally googled "kriegsmesser", and found out it meant "war knife". Which makes sense; Gregor Vuga's ZineQuest 2021 project is a tribute to "roleplaying games named after medieval weapons".

I love Warhammer Fantasy Roleplay's piss-renaissance Old World setting. I tend to pick up WFRP-a-likes sight unseen:

Warlock (quality);

Small But Vicious Dog (yesss);

Zweihander (which I have come to hate); etc.

Anyway: I backed Kriegsmesser without really knowing anything about it. So Kriegsmesser surprised me.

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Kriegsmesser grew out of a Troika! cutting. Its 36 backgrounds are compatible with that system: each come with a couple of lines of description; a list of skills and possessions; an a visual cameo cropped from actual 16th-Century woodcut art.

Cohesive and competently flavourful. My favourite is the Labourer, who always starts with "an empty pine box":

"You've spent your life breaking your back, working hard for other people's profit. You have nothing to show for it but a spectre of the future."

(The obligatory ratcatcher-analogue , called the Vermin Snatcher, is here -- check that box!)

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Kriegsmesser also comes with its own ruleset. Hits all the notes it needs to, with lots of orientation and advice for how to run a game -- but ultimately super-simple, mechanically:

Roll d6s equal to the value in a relevant skill, look at the highest result. 6 means you get what you want; 5 or 4 means you get what you want, at a cost.

It's not quite a dice pool, since only the highest result matters. No opposed tests.

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Kriegsmesser intends to have this base mechanic handle fights, too. The combat rules - with armour, toughness and weapon values -- are nested in an optional section.

For a WFRP-a-like, this feels like a purposeful departure.

Many of WFRP's most celebrated adventures are celebrated for bits that their underlying ruleset does little to support: the investigative structure of "Shadows Over Bogenhafen"; the complicated timetable of "Rough Night At Three Feathers".

Ludwig von Wittgenstein never needed a statblock to be memorable.

Not to say that lethal, hyper-detailed fights isn't super Warhammer-y. (Kriegsmesser includes an injury table, broken down by body-part -- check that box!)

But here it feels like Gregor is saying: "I'm not Games Workshop and Roleplay isn't an ancillary of Warhammer Fantasy Battle; we can evoke grim-and-perilous-ness even if we fork away from heavy combat rules."

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It has become ritual for me to read my partner Sharon to sleep.

Sometimes I read her RPG things. The other night, after I read her Kriegsmesser's introduction --

" The Empire wages an eternal war against Chaos. Its priests preach of Chaos as an intrusion, something unnatural ... These men see Chaos in anything that does not buttress their rule. They call it disorder, anarchy, corruption. They say that to rebel against their order is to rebel against god and nature. That the current arrangement is natural, rather than artificial.

" Meanwhile, the common people look to the Empire to deliver the justice that they were promised and they find none. They look to the Empire and do not see themselves reflected in it. They look around at what they were taught was right and good and see only misery.

" Their world begins to unravel. Chaos comes to reside in every heart and mind sound enough to look at the world and conclude it is broken. "

-- Sharon remarked: "Nice one."

The RPG things I read her generally leave Sharon lukewarm. She has enjoyed a couple -- but, yeah: for many of these books, text isn't their strong point.

Kriegsmesser is the only time I can recall Sharon praising the writing of an RPG book without my prompting.

Nice one.

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That introduction surprised me. It underlines Kriegsmesser's biggest departure from its WFRP-a-like pedigree: how it characterises Chaos.

Corruption, a mainstay of most grim-dark-y games, is made an optional rule, like combat. Explaining this, Gregor writes:

" Kriegsmesser partially subverts or deconstructs the traditional conceit of Warhammer where the characters are threatened by the forces of Chaos. In this game it is the player characters who are the agents of 'Chaos': they are likely to become the 'rats' under the streets, and the wild 'beast-men' in the woods bringing civilisation down. It's the Empire and its nobles and priests that are corrupt ... "

Describing the Empire, Gregor writes:

" The Empire encompasses the world yet is terrified of the without. It enforces itself with steel and fire yet considers itself benevolent. It consumes the labour of others with bottomless hunger yet calls its subalterns lazy, or wasteful, or greedy. "

Holy shit this is the first time I've seen the word "subaltern" in an RPG thing, I think?

I love this.

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Rant incoming:

With every passing decade Warhammer abridges its Moorcockian roots more and more; nowadays it is "Order = Good" and "Chaos = Evulz", pretty much.

Gone are the days when chaos berserkers are implied to grant safe passage to the helpless (because Khorne is as much a god of martial honour as he is a god of bloodletting); Or that the succor of Papa Nurgle is a genuine comfort to the downtrodden; Or that Tzeentch could unironically embody the principle of hope, of change for the better.

As Chaos is distilled into unequivocal villainy, Order goons get painted as Good Guys by default --

Giving rise to Warhammer's contemporary problem, wherein fans are no longer able to recognise satire.

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When I was introduced to 40K, it seemed pretty clear that the Imperium was a Brazil-esque absurdist-fascist bureaucratic state: planets are exterminatus-ed due to clerical error; the way it stamps out rebellions is the reason why rebellions begin in the first place.

Tragi-comic grimdarkness. That was the point.

Nowadays that tone has shifted -- and you're more likely than not going to encounter a 40K fan who argues that the Imperium's evils are a justified necessity, to prevent worse wrongs.

We went from:

"Space Nazis because insane dumbass fuckery, also chainswords vroom vroom rule of badass!"

To:

"Space Nazis because it makes sense actually, and also chainswords make sense because [insert convoluted rationalisation here]."

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Even Fantasy Flight's Black Crusade line, which ostensibly offers a look at 40K from the perspective of Chaos, never truly commits to its conceit.

With prep you could play a heroic band of mutant freedom fighters, resisting the tyranny of the Evil Imperium --

But I don't remember Black Crusade giving that kind of campaign any actual support. Its supplements service the relatively more conventional "You can play villains!" angle; the Screaming Vortex is a squarely Daemons-vs-Daemons setting.

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This tonal drift culminates, in my mind, with Age of Sigmar, Games Workshop's heroic-fantasy replacement of the old WFRP / WHFB setting.

Here's the framing narrative for AoS's recently-launched Third Edition. Let's see whether I've got things right:

A highly professionalised, technologically-superior tip-of-the-spear fighting force (the Stormcast Eternals);

Backed by an imperialist military-industrial complex (Azyrheim);

"Liberating" rich new territories (Ghur) for exploitation by a civilised settler culture (Settlers of Sig-- I mean, Free Cities);

Justified because the locals are irredeemable heathens (Chaos and Kruleboyz).

I mean, that's a sweet-ass Warhammer setting. It's contemporary, laser-guided lampoon. Except it is played totally straight.

In AoS, a literal crusade is justified as the moral good.

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I think Kriegsmesser surprised me because its framing of Chaos -- as a promise, as the light of hope shining through cracks of a broken world --

It feels so fucking right.

Yes: its a subaltern deconstruction of the conventional moral universe of Warhammer -- but it is a take that is also already implied / all but supported in the various depictions of the setting: from WFRP to the modified title-crawl of Black Crusade.

I'm annoyed I didn't think of it, myself. Damn you, Gregor!

And I'm annoyed that more Warhammer fans aren't thinking it, also.

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lmagine if Kriegsmesser's perspective stood on equal standing as the GW orthodoxy. Imagine if, instead of simplifying stuff into "Order = Good" and "Chaos = Evulz", GW did a Gregor Vuga.

You'd have a Rashomon-ed Warhammer, where villainy depends on perspective:

You are fearful villagers, huddled around your priest, muttering prayers against the wild braying coming from the trees beyond your gates.

You are Aqshyian tribeswomen, defying the thunder warrior towering over you, the foreigner demanding you bow to his foreign god.

You are a Tzeentchian revolutionary cell, desperately trying to disrupt a Inquisitor's transmissions so your home planet isn't destroyed by fascist orbital fire.

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Get Kriegsmesser HERE.

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( Image sources: https://theenemywithinremixed.wordpress.com/2021/05/21/thoughts-on-the-4e-death-on-the-reik/ https://www.criterion.com/current/posts/59-brazil https://www.deviantart.com/faroldjo/art/Warhammer-40k-Black-Crusade-273596035 https://www.warhammer-community.com/2021/06/09/fancy-a-new-life-bringing-order-to-the-mortal-realms-join-a-dawnbringer-crusade-today/ https://www.nme.com/blogs/the-movies-blog/team-america-15-anniversary-south-park-2558750 https://commons.wikimedia.org/wiki/File:Palestinian_children_and_Israeli_wall.jpg )

#reviews #kriegsmesser #gregor vuga #warhammer #writing #rants #overthinking #rpgs #wfrp

[thedreadvampy]

Ok like I'm sorry for all the Elias discourse but stepping off from OGlias for a moment I legit saw someone saying it was a mischaracterisation to assume Jonah Magnus was himself a rich white dude which

uh

Let's leave aside for the moment that Jonah Magnus not being wealthy and privileged utterly sucks the meaning of of a lot of what the podcast has to say about class and exploration because hey, that's a matter of interpretation

What do we know about Jonah Magnus (from all statements mentioning his original incarnation)?

1816: Interacts as at least an equal with Albrecht von Closen, who has at least one family estate and an aristocratic pedigree and thus could be expected to be at least middle class if not wealthy. This is relevant because Georgian class was very stratified and cross-class mixing heavily discouraged, 1816 is probably fairly early in Magnus' career, and Albrecht doesn't address him as one would a social inferior.

1818: Established the Magnus Institute, apparently without external funding partners because he's the only one ever mentioned in connection with its organisation and his friends talk about it as his own project; it certainly isn't associated with an existing university or academy as far as we can tell.

1824: not a lot of additional information, except that again Magnus' friends are all moving in wealthy, upper class circles

1831: In a position to hire professionals for Millbank under good terms. We learn more about Albrecht, he's definitely painted as wealthy old money, which continues to speak to this association

1841: reasonably close friends with Sampson Kempthorne, workhouse designer, who expresses the expectation of Magnus agreeing with him about workhouses and the treatment of the poor through work. At this time, Magnus is living in an Edinburgh townhouse, by which I'm guessing we're talking about one of the New Town Georgian 4-floors-plus-servant's-quarters which that name implies. Those aren't mansions, but they weren't where a clerk or shopkeeper would live - they were built for ship owners, lawyers, doctors, the upper-middle and upper classes, and as the name townhouse implies they were generally occupied as one of several estates, with the usual occupants being likely to also have a country place.

Beyond specific statement letters, Magnus largely crops up via his association with his wee gang, all of whom are wealthy upper-middle or aristocracy (Smirke, Rayner, Lukas)

He has the resources and social clout to devote his time to pursuing what is, effectively, a hobby; his interest in the supernatural doesn't bring in much income and, conversely, often costs him to chase up. He doesn't appear to have a full-time job at any point; he works on Millbank with Smirke but he doesn't appear on the records, meaning this is unlikely to be a paid management role. His friends refer to his supernatural work as a hobby or interest, not a job, and make it clear that at least by the 1830s-40s this is his whole life (he's "rattling around with his books and letters") - ergo he does not have a need to support himself beyond that.

He had the resources and funds to, by himself and for his own purposes, not only shape the building of Millbank but also to set up an independent academic institution which is still running 200 years later

Like, is it explicit that he's a rich white man? Not per se. Would all of this information make sense if he wasn't? I suppose it's possible but it's a reach, and one that I'm not sure why you as a writer would make without making pretty clear. To be able to move comfortably in moneyed Georgian circles without being born to money, and to be able to do the things Magnus does without having substantial disposable income - that would be exceptional, and would surely merit some sort of comment.

(I've talked about the race politics of Georgian Britain as relates to Jonah Magnus before, but just to sum up: in a time before the abolition of the slave trade and during massive colonial expansion into Asia, being a British man of wealth and not being white was pretty unusual. We can see this in the description of Rayner; he's very specifically described as Black, but also his Blackness is notable to a contemporary narrator. so again, not impossible for Jonah to be a person of colour, but definitely unexpected and it would be an interesting choice to write that unremarked)

just by way of historical context, as I say, class was very structured and immobile in Georgian Britain for the most part. It was also, as I understand it, much more discrete. Whereas now, the lines between working class, middle class and upper class are pretty fuzzy, in the 1800s they were a lot more clear-cut - the working class worked for little money, had little to no education past basic literacy and numeracy, and the entire household would work; the newly developing middle class made a living through highly-skilled jobs (artists, doctors, lawyers, clerks, shopkeepers, factory owners, shop owners and pub landlords, for example) and would have enough disposable income to buy property; and the upper class/gentry may work (but only appropriate to their station; academia, law or the church, largely, and of course a lot of them in the 1810s made bank from Caribbean plantations and their imports) but substantially they lived off the profits of investments, ownership and estate management, built off heritable wealth. 

There’s a big range of middle class though, although it was a small segment of society. At the bottom end, you have your grocers, pub landlords, shopkeepers, clerks and so on - they probably own their homes and business and have money to buy things outright rather than renting. At the top end, we have some really pretty substantial wealth - we’re talking multiple houses and estates, large-scale business concerns, tens of permanent staff, and only one person in the family needing to work. The difference between upper middle and aristocracy isn’t necessarily in quality of life, aside from blood it’s really just a question of whether the majority of your income comes from work or from investment and property management. So for example, Smirke is upper middle, but very wealthy - he has a career in a high-profile trade, he’s notable and welcome in high society, but ultimately his wealth is dependent on him continuing to get work. Von Closen may have more or less material wealth than Smirke, but his money is old money and he does not work; he’s very much a gentleman of the upper crust. Particularly with Industrial Revolution and the profit that the slave trade and the expansion of the Empire were bringing in for traders, the middle class was abruptly getting a lot richer in at the start of the 19th century and if anything class was getting a lot more discrete - urbanisation and industrialisation meant the poor were getting poorer (and less able to exist outside a monetary economy) and the working rich were getting a lot richer (until of course after a couple of hundred years the upper middle class almost eclipsed the idle class as the Rich and Powerful)

So the gentry/nobles/old money/upper class were the only class whose wealth wasn’t to a high degree reliant on them working, and so honestly being a Georgian gentleman was stultifyingly boring. That’s why so many comedies of manners crop up from the lower end of the upper class - you have to find something to keep you busy and social politicking is something. But it also meant a lot of gentlemen scholars - men with time on their hands and nothing they desperately needed to be doing, who got really into eccentric hobbies and niche interests (like social engineering, or art theory, or the occult, or unpicking weirdly specific theological concepts, or a bit earlier experimenting with light and lenses, or a bit later investigating the origins of species, or getting super into a specific aspect of the classics). The idle rich weren’t the only ones doing academia or research, but they had the time, money and resources to devote to really deep dives into things without much financial use.

So my personal take is that, given that by 1818 Jonah Magnus had the capital, the social heft and the time to found and run an independent academic institution focused on his relatively niche interests, and to do so with enough resourcing that it still runs 200 years later, the safest bet is that he was born a gentleman. At the very least, all the people he socialises with are securely upper-middle or gentry; he has a visible disdain for the poor; he owned substantial personal property by at least middle age (the Edinburgh townhouse); he had the social clout to get involved behind the scenes in a major social architecture project - it seems like the lowest this could possibly place him is mid-to-upper middle class at birth (he could have made that much money from working and lucky investments, but to get into a position where by middle age you can afford to become the Idle Rich, spending all your money and time on an obsessive personal interest, you would need to have started off with at least the capital and clout to get a high-level education and/or make significant business investments (say, buy a series of factories or build a shipping empire). You could make a case that he could work his way up from being born to a middling-middle-class family - maybe a country vicar or a shopkeeper - but friends can I show you some numbers I googled?

In the 1810s, being mid- or upper middle class (fourth or above) meant you were richer than 94.5% of the civilian population. Upper middle and above (like literally every person we know of who had social ties to Magnus except maybe the architects)? Literally top 1%. (well. 1.25%).

The middle class in Georgian Britain was the elite. They weren’t the elite of the elite, but they had money, land, property, staff, clout and privilege. You can’t project the class politics of 2021 onto 1818 (that is, in fact, why pure Marxism still requires an updated reading, bc in even the last 150 years the specific distribution and attributes of class and wealth has changed substantially (although the same people do stay at the top and bottom)). 

I think our perceptions are altered by the worries and perspectives of popular contemporary authors. For example, Austen characters often bemoan their lack of wealth, and are firmly Middle Class, and compared to the upper middle and the gentry they are living frugally and on a budget, but with “cottages” that are often six- or seven bedroom houses with several parlours and one or two servants, plus a town house, and with only one breadwinner per family and enough invested wealth to live entirely off the interest (that’s what the incomes of these characters are), they are living in a degree of wealth that would be unthinkable to 95% of their contemporaries, and it would be fair to assess them as rich by modern standards.

You can argue that Jonah Magnus wasn’t aristocracy. You cannot argue realistically that he wasn’t rich. Not only does that make no thematic or character sense (again, that’s a matter of interpretation, but it seems to me to be Pretty Key to his character that he’s an examination of inborn privilege) but it also makes no contextual historical sense.

#pls pay attention to me i spent way too long on this #p r o c r a s t i n a t i n g #also. there is an argument that class mobility was increasing #but uhhhh that doesn't mean it was a plausible thing to jump from penury to princedom #example: in the 1810s my ancestor walked from Edinburgh to London to seek his fortune and escape starvation at home #his was a remarkable rags to riches story #but his 'riches' was a job as a low-level law clerk and an undergraduate degree from Cambridge #he owned a flat I think #but he wasn't out here with the personal wealth to set up an independent research foundation #(I don't remember which ancestor but I think great grandfather?) #anyway the point is this is a wild take #I could talk at length about how it ALSO makes no thematic sense but I feel like I've tapped that one enough lately #tma meta

[tallmantall]

#JamesDonaldson On #MentalHealth – The Power Of Safe Reporting On #MentalHealth

George Milton/Pexels by Anissa Durham Whether you’ve ever experienced suicidal ideations or talked about it — Black folks are suffering in silence. But it doesn’t have to be that way.   Feelings of sadness and #hopelessness are common in the #Blackcommunity. Some people may experience suicidal ideation, which means wanting to take your own life or thinking about suicide. A recent report by the #CentersforDiseaseControlandPrevention’s National Center for Health Statistics shows that between 2016 and 2020, Black people went to the emergency room due to suicidal ideation more than any other group.   With professional #mentalhealthsupport typically dependent on health insurance, seeing a therapist may seem out of reach. Oftentimes, whether young or old, only 12.5% of Black folks said they felt comfortable talking to family and friends about their mental health. However, if support is not always available, #socialmedia and online support is usually what people turn to.   But the way journalists report on suicidal ideations and death by suicide — particularly when a journalist may lack connection to or empathy for Black folks — can impact readers’ mental health and the way they view suicidal thoughts.   Dr. Jill Harkavy-Friedman, senior vice president of research at the #AmericanFoundationforSuicidePrevention, says in an email interview that the media plays an important role in reducing the stigma of suicide through respectful reporting — “suicide is a public health issue.”  According to the #CDC, more than 12 million people experienced suicidal thoughts in 2021. With 3.5 million people making a plan for suicide. Whether you realize it or not, most people have been affected by or have experienced suicidal ideation and behavior.  #AmericanIndian #males had the second-highest #suiciderate in 2021, and #Black #females had the lowest rate #James Donaldson notes:Welcome to the “next chapter” of my life… being a voice and an advocate for #mentalhealthawarenessandsuicideprevention, especially pertaining to our younger generation of students and student-athletes.Getting men to speak up and reach out for help and assistance is one of my passions. Us men need to not suffer in silence or drown our sorrows in alcohol, hang out at bars and strip joints, or get involved with drug use.Having gone through a recent bout of #depression and #suicidalthoughts myself, I realize now, that I can make a huge difference in the lives of so many by sharing my story, and by sharing various resources I come across as I work in this space.  #http://bit.ly/JamesMentalHealthArticleFind out more about the work I do on my 501c3 non-profit foundationwebsite www.yourgiftoflife.org Order your copy of James Donaldson's latest book,#CelebratingYourGiftofLife: From The Verge of Suicide to a Life of Purpose and Joy www.celebratingyourgiftoflife.com Source: American Foundation for Suicide Prevention • Graphic by Anissa Durham Only data between 2017 to 2021 is shown Stigma plays a big part in how Black people view and talk about suicidal ideation. The mentality to push through difficult emotions and to be resilient — although understandable — is not always helpful and can delay the help someone needs. To break the cycle of #stigma, #Black folks are working to have tough conversations and push each other toward healing.   That makes it even more necessary for journalists to learn best practices on reporting suicidal ideation and #behavior with a lens of intention and mindfulness. And, readers need to know what to do when they come across triggering content.  As a reporter, I constantly have to balance my coverage by stating the facts and normalizing the #mentalhealthexperiences folks have — while being mindful that how I talk about suicide can influence the health outcomes of those who are at risk. https://datawrapper.dwcdn.net/7B3rZ/1/ Suicide is a heavy and complex topic. As a reader, it is OK not to read articles that include this type of content. But, if you do decide to read about triggering topics like suicide, a GoodRx Health article details a few helpful tips.   First, know your triggers. Certain words may bring up painful memories or remind you of a traumatic experience. Second, give yourself some space. If you are reading an article or viewing content that becomes too uncomfortable, take a break, go for a walk, or simply close out the material. And remind yourself that it’s normal to feel unsettled. This can help validate your feelings and past experiences.  Power of Storytelling  Reading stories on suicide can actually help reduce suicidal ideations. Peter J. Franz, one of the lead researchers on a 2022 study told the Psychiatric Times, “It takes 10 minutes or less each day to read a story, yet digital narrative-based bibliotherapy makes a measurable difference, which may have a protective effect against suicidal thoughts and #behaviors.”  According to the #AmericanFoundationforSuicidePrevention, 48,183 #Americans died by suicide in 2021, whereas 1.7 million survived a suicide attempt. The ratio shows that more people survive a suicide attempt than die from one.   “We don’t hear or read enough stories around healing from a suicide attempt,” says Harkavy-Friedman, “and it’s important to include the perspective of people with lived experience to show that there is hope and those who are struggling are not alone.”  If you are ever contacted by a journalist or reach out to one — know that you are the keeper of your own story. This means, do not ever feel pressured to share information about yourself that you are not comfortable with, especially about suicidal ideation and attempts.   But, there is power in storytelling. Some notable examples reported on by Word In Black, include the experiences of Abraham Sculley, Shamari White, and Teresa Akintonwa. Each shared their individual struggles battling suicidal ideation due to experiencing major depression, hypersexualization, and #COVID-19.   Their stories span different generations and illuminate the power of speaking up. They openly shared some of their darkest moments, but a thread throughout was how they survived and healed. This reminds readers that dealing with #mentalhealth woes can be temporary.   “In fact, 90-95% of people who survive a suicide attempt, go on to live their lives,” Harkavy-Friedman says. “By including this message and sharing the stories of survivors of suicide attempts, we can reach those who may be struggling and reassure them that they are not alone and there is help and support out there.”  Best Practices for Reporters  A few years ago, Poynter published an article on best practices for covering suicide responsibly. Some of the best practices — which Word In #Black adheres to — are not stating the means of death, including quotes from #suicideprevention experts, and providing a message of hope and resources for readers.   AFSP expands on that with a list of tips for reporting on suicide. A few tips from that list include, not referring to a #suicideattempt as “successful” or “unsuccessful,” informing readers without sensationalizing the suicide, and not using the word suicide in the headline of a story.  “By reporting about #suicide openly and safely, we are helping to strip away the shame that often comes with #mentalhealthissues or #suicidalideation and normalizing talking about a topic that for too long was taboo,” says Harkavy-Friedman.  As reporters, we have a responsibility to inform the public — but we have to be mindful of the way we write so as not to cause harm to vulnerable people. If you or someone you know is struggling with #suicidalideation, there are resources available.   - #AmericanFoundationforSuicidePrevention provides a list of crisis services and additional resources to support #LGBTQ folks and those in underrepresented communities.  - Call the #988Suicide&CrisisLifeline for 24/7 free and confidential support for people in distress.    - The #CrisisTextLine provides free, 24/7, confidential support through text messages to people in crisis when they dial 741741. Photo by Monstera on Pexels.com Read the full article

[astrowithkaro]

Hi hi 🦷

I love your birthday series, and I was wondering if you could do June 30 when you have time?

It’s a super cool series to read!

~rue

Language Of Birthdays: June 30 - Cancer

[You can find the rest of the series here; or check out my masterlist]

The Day Of Motivation

It is extremely difficult to get June 30 people to do something toward which they are not personally motivated. Those born on this day are usually of two types, introvert or extrovert, both of whom have highly personal goals. Their world is indeed a private one to which few are admitted. More introverted June 30 people will most often manifest a lifestyle in which they stick close to home (often working out of their own house). Their lives are so well circumscribed that favorite haunts are basically just an extension of the home situation safe, secure, known. More extroverted June 30 people may appear to be mild-mannered until they reveal themselves in a performance situation. Here they must be careful that their flamboyance does not get out of control.

Almost all June 30 people have highly developed technical talents, even to the point of virtuosity. They make formidable opponents, rarely at a loss to defend themselves; this ability, however, is most often exclusively either mental or physical. More introverted June 30 people must beware of a tendency to repress their aggressions. Often those born on this day are unable to express these feelings out of a fear that they will injure themselves or someone else.

A more extroverted June 30 person expresses his/her aggression, being extremely competitive, but runs the risk of becoming violent; such a person is a fascinating but dangerous adversary. Paradoxically, however, when these extroverts are alone with those they are comfortable with, or publicly engaged in discussion, they can give the appearance of passivity, even docility.

Both types of June 30 people frequently appear to be other than what they really are, depending on the situation, who is present, and their moods, which are generally more severe in men than women born on this day. This quality may make them somewhat mysterious. Because those born on this day are often unknown even to themselves, they will benefit from self-examination.

June 30 people have an undeniable talent for handling money, whether their own or others'. Their astute financial sense often attracts others to them and puts them in a position to give helpful advice. They are extremely sharp in making cost calculations, thus maximizing profit while minimizing expense.

The personal motivation at work in June 30 people often manifests in a hobby or out-of- the-way pursuit which interests them still more than their profession, and they will not hesitate to pour unlimited energy into this area. When, however, they are in touch with their environment and the wishes of others, they can also be valuable contributors to society at large. Those born on this day should actively seek out activities involving trust, give-and-take and social exchange. Because June 30 people will only let very few into their private world, being chosen as their friend can be a true compliment.

Strengths:

Technically proficient

Money wise

Motivated

Weaknesses:

Moody

Repressed

Negative

Advice

June 30 people must beware of hypochondria based on a host of minor complaints. Upsets of the digestive system, lungs and psyche are most common. As far as diet is concerned, those born on this day must beware of a tendency not to eat during times of depression. Balance is the key for them and they should avoid or control food binges, cravings or obsessions if possible. Some June 30 people will only eat food cooked by someone they love and trust; they should, of course, know how to cook for themselves and at the same time treat themselves a bit more gently. Moderate exercise, such as walking or swimming, is recommended for those born on this day.

Learn to like yourself more

See what you can do for others

Channel your aggressions into creative pursuits if possible

Uncover your fears and work on them

Don't allow yourself to retreat into a shell

#cancer horoscope #cancer life #cancer sign #cancer women #cancer sun #cancer #cancer tarot reading #cancer monthly horoscope

[b0rista]

— ❝︎ 𝐘𝐎𝐔 & 𝐓𝐇𝐄 𝐖𝐀𝐑𝐑𝐈𝐎𝐑 𝐓𝐑𝐈𝐎 𝐈𝐍 𝐀 𝐌𝐎𝐃𝐄𝐑𝐍! 𝐒𝐎𝐌𝐁𝐄𝐑 𝐂𝐈𝐓𝐘 𝐀𝐔. ·˚ ༘

♡︎ : the atmosphere i'm going for is frustratingly difficult to describe djjfjg the word "somber" doesn't really do it for me, but it's pretty much these emojis 🌑🌨🎞💸🚬⛓🔭

lowkey just wanted to put this trio & y/n (aka the loml) in a really dark, gloomy, modern metropolis type of place full of cold weather, inner monologues, and cigarettes JFKGK

ALSO my insp was the reiner + annie fanart in the center of the divider i made!! i really wish i knew the artist, but i couldn't find them :(( definitely NOT taking credit, it isn't my art whatsoever. but LOOK AT THEM UGH THE AESTHETIC

to balance things out, i wrote the reader as female! && characters are aged up to their early twenties.

the bunch of you met through your college courses— of course, the three of them had known one another since childhood, but you managed to weasel your way into their close-knit friend group. ever since then, you all share the melancholy city life.

during your guys' campus days, reiner worked for his master's in kinesiology. it isn't that big of a shocker that he aimed for something that pertained to his bulkier build,, mans grows up to be an absolute unit, lmao. wanting to maintain an above average salary, he used his education to earn himself a place in the certified training department. currently, he's a personal trainer of many clients, all of which he does his best to maintain.

bertholdt majored in philosophy, and worked toward his master's degree. with his intelligence, he got it. while all three of you (reiner especially), urged him to pursue non-profit professionalism, praising his skill and all around ability to do so, he lacked the confidence to push for it, and ended up going down another path. currently, he's sticking to the safe road, aiming to become a professor in the very course he excelled in. he's yet to get there, though— right now, he's a professor's assistant. it's less tiring, at least. still, he was capable of becoming something better.

as for annie, she majored in political science. unlike the other two, she worked to obtain a bachelor's degree. with that being said, she attended college for a little longer. eventually, she got her degree, and while she was a little lost after graduation, she made her way into the policy analyst game. she had the writing skills, sOmewhat of the drive, and while she's the youngest worker in her office, she's also the brightest. they're all also terrified of her, she speaks .6 words a day.

of course, what you did is entirely up to you! if you took two or three years to get your degree, you likely graduated alongside the boys. if it took longer, no worries, annie's degree took quite a bit.

now, the four of you are living in the same city, and you're all experiencing that said city's constant mournful, dingy atmosphere. the aesthetic is calming, actually; the weather is never nice, it's a rarity that you ever get an actual glimpse of the sun. no matter the season, so long as it isn't summertime, layers are a must. rainfall is a weekly occurrence, as well as the occasional thunderstorm. the merged stench of coffee grounds and burnt oil linger within the streets of the city, simply adding to the melancholy. basically, the general scenery is dark, cold, wet, and quiet. it's a gloomy place,, definitely comparable to forks, washington, but more of a metropolis than a town.

even with all of that being said, you and your friends have a good time. honestly, if you didn't all have eachother, you'd all probably go mental.

while reiner and bertholdt have their own seperate apartments, you and annie share a place. the rent was cheap, especially once split between two homeowners. two bedrooms, one bathroom, and a single kitchen & living area. it was too good of a deal to pass up. fortunately, you and her are compatible roomates.

with that being said, of course, it's often that the four lounge around at your guys' apartment. bertholdt always makes sure to check in before visiting, while reiner has the sour habit of showing up unannounced. you've both had to deny him a key, despite his pleading. you love him, but not that much.

sometimes, the two of them crash in your living room. typically, it's reiner on the couch while bertholdt takes up the floor, waking up the next morning in whatever flamboyant position he'd folded himself into during the night. every now and then, you and annie forget to head back to your rooms, and you crash right there with them. before you all fall asleep, you're typically all huddled up near the glass doored balcony, allowing the rainfall to serenade the four of you into a deep slumber whilst sitting within the crisp remnants of cigarette smoke and freshly opened liquor.

in a way, it's funny, because you all have a tendency to do that on a work night. just the four of you, sitting in your living room, drinking your alcohol, coating your furniture in the brisk stench of pure, solicited nicotine, watching your very own city drown within the darkening sky's tears as little to zero words are even spoken. when it comes to you and your friends, that's something that can never be contradicted; the quiet. these were how you spent your evenings together, especially after a rough day— silence, smoking, and the most peaceful sorrow imaginable.

of course, when you aren't wallowing in your own self pity, you're known to get drinks together. there's this certain booth in a local pub, it had burnt burgundy seats made out of leather. it's your guys' booth, and whenever you go out for a drink or two, that's where you sit. it's way back in the corner, where none of you can be bothered. one time, a couple of rascals had stolen it, and they refused to move. without a second thought, annie slammed one of those motherfucker's faces into the table. in suite, reiner took care of the other one, yanking him from the collar and kicking him to the floor. you and bertholdt only watched,, you were laughing, poor bert simply dragGed his palm down his face.

hey, at least you got your seats back! absentmindedly, you etched your initials into the bottom of the table with your pen. without a thought, the other three did the same, marking the corner as their own. don't fuck with that table, you'll be slaughtered.

when winter hits, it hits mercilessly. it's insanely aesthetic, seeing your group standing on the side of the busy street, all absolutely layered up in buttoned up winter coats and thickly knitted scarves. because they're both unnecessarily large, you depend on them for warmth every now and then. the amount of times you've buried your face within reiner's side while sitting on the subway during the midst of wintertime is stupid. as for bertholdt, he occasionally takes off his very own coat, draping it over you or annie's shoulders whenever either of you are seen shivering. he doesn't mind getting a cold, so long as you're warm.

speaking of the subway, your city has one. it's a pretty average way to travel, and due to none of you actually owning your own vehicles, it's where you go whenever walking or taking the bus isn't an option. the only one who isn't allowed to ride the subway alone is you. there was instance where on your way home from work, you had a run-in with an unpleasant bystander with the means to hurt you. ever since then, a code has been set where if you want to travel underground, you do it with one of them.

^ one time, you didn't listen, and you went by yourself anyway— unfortunately for you, reiner was boarding the exact same stop as you, and gave you quite the scolding. however, it's only because you're special to him. to all of them.

you and annie are actually closer than you'd imagine. being one of the only female friends she's ever been able to keep, you've grown to be an important figure in her life. of course, she'd never admit that to you, but you know. some nights, the two of you lean against one another on the sofa while black & white reruns play on the television, ultimately sending you both to sleep.

once a week, you have lunch with bertholdt at the university he assists at. you know just how glum the work makes him, and fortunately, you showing up every single sunday with coffee and sandwiches never fails to brighten his day. sometimes, you're the only one that can get him through the week.

bert's crush on annie is still very much a thing, even in this universe. of course, he's older, and for the most part, he's grown out of it. still, he stares. not as much as he once did, but he does. you and reiner only watch from afar, quietly sullen that he'd never quite gotten the guts to act on it.

bertholdt is also the group's umbrella holder. it's constantly raining, and due to his height, he's the one holding the bigass umbrella over the four of your guys' heads. when there isn't an umbrella, you just sort of seek refuse underneath his arms, which he gladly gives you. reiner and annie don't really mind, they get wet. it is a thing where you're all rushing to get out of the rain, the two men shielding the women's hair from the storm with their jackets as they run for shelter.

you all smoke. well, actually, whether or not you smoke cigarettes in this scenario is entirely up to you. if you'd like, ignore this part. anyway, cigarette sharing is a given. while reiner's preferred brand of darts is far more lucrative and more likely to kill him (he's dead inside, it fits), he won't hesitate to snatch a cigarette from in between the tips of your lips, bringing them to his own. it's something all of you do, even bertholdt. sharing is caring, you all say. you tend to do the same thing with wine glasses, or beer bottles.

it's practically gotham city, you're all dead inside grownups, god isn't real.

irllydidn'tlikehowthisturnedout-

#attack on titan #aot #shingeki no kyojin #snk #aot headcanons #aot au #aot scenarios #reiner braun #bertholdt hoover #annie leonhart #aot x reader #attack on titan x reader #modern aot

[slugtranslation-hypmic]

important question that's been bugging me for a while. since hypmic plays in a female powered society.. does that make everything like..our world but reverse? so that guys are more often oppressed and girls are more likely to be predators, taking what happened to hifumi (like men are more likely to us) and stuff like that? (or like if we imagine everything genderbent and apply our society to that) sorry I hope this is not too triggering. love your work!

This is a delicate question. I am going to put my answer below a cut. Topics included: sexual predators, misogyny, assault, kidnapping, the mistreatment of male sexual assault victims

I don’t think that I’m necessarily the best person to answer this or examine this. I’m not educated enough in this particular topic. However, I have tried to give it as much thought and respect as I can.

The Question of Female Predators

This is a very complex topic. Female predators are already not uncommon in the world we live in, so I guess the question of whether there would be more or less female predators depends on what factors contribute to people becoming a predator.

I could be entirely wrong about this, but I think one factor that causes a lot of fear of being preyed upon is the size difference between most AMAB people and AFAB people. Obviously, there are millions of exceptions to this rule, but AMAB people generally tend to be taller, more muscular, and broader than AFAB people. The majority of AMAB people are also men (whereas the majority of AFAB people are women), so on average, an altercation between an untrained man and an untrained woman is not likely to end in the woman’s favor. This isn’t going to change in the world of Hypnosis Mic.

It’s the societal factors that would change. The Center for Hope and Safety says, “A sexual offender generally believes he is better than other people and so does not have to follow the rules that ordinary people do.” This is a stance the Party of Words elevates. The Party constantly practices “othering” and promotes themselves as an elite group. Only they are allowed to enter a certain area. Only they are allowed to write the name of their ward in kanji, whereas every other location must use the foreign-looking katakana. ARB events frequently feature Party members shoving characters around from place to place with no explanation, as questions are not allowed. Only the Party can know what’s going on. Using this as a guideline, I think it’s very possible for predators already within the Party to use this as an excuse for being a predator. “Men are worthless, so I can abuse them.”

You could argue that the Party is founded on the principles of safety for women and non-violence, but the Party is also very hypocritical. Its promises of safety are only for the party itself; it puts on painful gladiator battles to turn a profit and purposefully cause infighting to keep the Party safe. Ramuda even suggests (and I have no reason to disbelieve him) in TDD 12 that they have a stockpile of weapons as well. The Party doesn’t care for anything but itself and staying in power.

So yes, predators within the Party are probably more likely to abuse their power, but would the shift towards a female-dominated society create more female predators? That’s a much harder question to answer. I am not remotely equipped to speak on what causes someone to become a predator. I do, however, think that societal norms can enable predators or foster mindsets of fright against certain groups.

In the world that we live in, it is very possible for men in certain areas to sexually assault or otherwise mistreat a woman and be applauded by their communities. Think of online communities such as “The Red Pill” or “Men Going Their Own Way”. Such communities believe that women deserve this mistreatment, and while these are very extreme examples, this same mindset permeates a lot of global societies. Even on a small scale, a lot of men tend to make casual sexist comments because we were raised with the notion of this being socially appropriate. And there’s the issue - it’s inappropriate, but it’ll continue to be socially appropriate as long as we don’t continue to challenge ourselves, challenge our friends, and raise our children with better standards of accountability and respect. These social changes do not happen in the blink of an eye, and I highly doubt that a single three years with the Party of Words in power would change that.

Similarly, a lot of girls in our societies are taught (both consciously and subconsciously) to defer to their male peers or even to fear men in positions of power. Once again, unlearning this and teaching future generations more positive standards does not happen overnight. I doubt that most women in the Hypmic universe are able to make radical shifts of thinking and acting over the course of three years. Furthermore, I doubt that many men are really taking the Party’s misandristic words to heart. None of the main characters seem particularly bothered by Ichijiku calling them barbarous fools on the regular; it’s an annoyance, sure, but that’s it. We’d have to see the Party in power for a much longer time to witness any large societal changes.

Additionally, the world inside Chuuouku and the world without are quite different. While Chuuouku boasts state-of-the-art architecture and technology, the rest of Japan gets by like normal, if perhaps in a bit shabbier fashion than to be expected for this futuristic world. Men and women seem to still fit into stereotypical gender roles in much the same way that they do today. Doppo’s bosses are all men; the majority of doctors we see are men, and the nurses tend to be women. While some of Jirou’s female classmates seem to be especially assertive, male and female students get along in the same way as we would expect to see in our world. Women are still kidnapped and trafficked by primarily male yakuza. The former military looks to be exclusively made up of men. Progress moves slowly, so I think we can assume that the Japan outside of Chuuouku is approximately our modern Japan.

One of the major issues in examining this topic is that we see so little female-male interaction in regards to sex or romance. Ramuda and Hifumi are the only characters (that I can think of off the top of my head) who have any on-screen sexually/romantically charged interactions with women, but probably because this is a series largely marketed towards women, these interactions never go beyond light, impersonal flirting. To really take a look at how predators and assault may be featured in the Hypmic universe, we would need a much larger sample size. That being said, I’d still like to examine two case studies: Nemu and Hifumi.

Nemu

The two driving forces of Nemu’s character are her rejection of violence and her desire to have personal strength. The first of these is probably rooted in her childhood, from living with an abusive father, witnessing his violent murder, and witnessing the subsequent suicide of her mother. Samatoki doesn’t appear to have any resources for dealing with his own processing of these events, and he turns to violence and emotional outbursts as a way to channel his feelings. This violence continues to wear on Nemu, but she can still withstand it under normal circumstances up until the moment she is kidnapped.

Nemu cites her kidnapping as an example of her weakness, when in reality, it is an exhibition of anything but weakness. She remains calm throughout the entire ordeal, comforts Jirou and Saburou and keeps them hopeful, throws her shoe at Genchou, and offers him to cut her fingers off if that means the others will be spared. Nemu isn’t weak – she is a hero. She is a seventeen year old girl who lost both parents at a young age and has witnessed horrifically traumatic situations, yet she keeps her head during a hostage situation and acts with courage in order to keep everyone else safe.

Nemu calls herself weak not because she thinks she’s weak for anything she did during the situation, but because the situation happened to her in the first place. She is victim blaming herself for violent assault. This isn’t a logical position, but it’s a very understandable position for someone with her background. Unfortunately, Samatoki doesn’t have the knowledge or resources in order to help her process her trauma safely, and his own coping mechanisms only set her off further.

Nemu isn’t mentally weak, but she is very emotionally vulnerable. Even without the Party’s hypnosis, an offer from the Party would be too tantalizing to ignore. They can promise her a world in which suddenly she has the power over everyone else and where violence is not practiced. An offer like this is impossible for her to ignore. Even though the Party are the ones putting her in jeopardy again, they implicitly promise her that she can never be hurt again. For a young, brave, powerful girl holding in so much pain, that promise is everything she’s ever wanted.

As mentioned before, the Party doesn’t care about stopping violence. In fact, it encourages infighting among its civilians. If Nemu were not in an emotionally vulnerable position, she could see that and reject the Party’s offer, but that’s exactly why the Party targets her and not any of her peers. Imagine how many other young girls in similar situations fall prey to the same trap. These girls need healing and positive environments, but they are fed propaganda instead.

Hifumi

I don’t talk about this much because it’s a very uncomfortable subject for me, but the way Hifumi is depicted is a real tragedy.

We don’t know the details of what this particular girl did to Hifumi, but we do know that it continues to impact him over ten years later. We know that Hifumi developed his coping strategy on his own, seemingly without professional help, and that without it, he can’t begin to live even an approximation of a normal life. The illustrations of him encountering a woman show him hiding, cowering with his neck covered, or crying. He looks to be in genuine fear of losing his life. Consider being this afraid of half of the population and how frequently he must encounter women in his daily life: on the street, in the grocery store, on public transportation. Without the jacket, Hifumi’s life is a nightmare.

And yet the canon source material frames it as a joke. The humurous background music in ARB and Hifumi’s exaggerated gestures in the manga show that his fear and discomfort is a punchline. This would definitely not be a funny gag with the genders reversed (a woman sobbing in fear and running away every time she sees a man), so it is a travesty that this is the stance the authors continue to take.

The world we live in is, generally speaking, not kind to its male assault victims. Misogynistic attitudes create an environment in which it is shameful for men to admit that they were assaulted, especially by women. It should not be a punchline when one human being hurts another, and it is wrong and sexist beyond all belief to perpetuate the idea that women can’t be cruel, violent, and manipulative just as much as anyone else can.

I would like to hope that Hifumi’s case isn’t indicative of all Hypmic universe male assault victims, but I don’t think that’s the case. Hifumi definitely has access to mental health resources, considering that his roommate does, but there is no evidence that Hifumi has ever come forward to ask for help about this issue. This is probably a combination of Hifumi’s internal shame and an unsupportive environment. While Doppo does help Hifumi navigate daily life around women, Doppo’s facial expressions suggest he considers the matter a nuisance. He threatens to take away or withhold the suit when Hifumi’s coping method annoys him, and otherwise doesn’t seem to take Hifumi’s distress seriously. Jakurai appears to be more supportive, but he doesn’t ever offer additional help or resources to Hifumi beyond what Hifumi already has. In fact, the majority of Jakurai’s interest in the subject seems to be around examining Hifumi like a case rather than as a person needing assistance.

It’s also probably a result of the faux macho attitudes that are rampant within the Hypmic universe. Hypmic men are bound by a multitude of ridiculous expectations that I always feel like an idiot translating. “Men don’t cry.” “Men don’t get stuck feeling disappointed.” Absolute nonsense. Men can and will do anything, just like any other group of people. It’s far more productive to encourage men to be their best selves, respectful and helpful to themselves and everyone else, than to feed into this sort of behavior which implies the hideously false “men can’t be assaulted”.

This all results in Hifumi living a double life and only being able to remove his façade in the safety of his own apartment or with his two friends. That’s a miserable existence, and while Hifumi appears to be cheerful enough, it’s sickening to see that this is supposed to be comedic.

The Question of Male Oppression

The Party of Words does institute laws to oppress men, but this oppression is fairly ridiculous. Yotsutsuji says that men are taxed at a higher rate than women and that men aren’t allowed into certain areas (such as Chuuouku, I presume). Despite these challenges, the majority of Hypmic universe men seem to lead pretty normal lives. As mentioned above, the professional fields still appear to be dominated by men, and male-on-female violence doesn’t seem much different from how it is in our contemporary world. These laws aren’t making a significant change in male lives, so they must be made to impact women. Yet these are token impacts only, as they don’t in any way actually make the lives for non-Chuuouku women any better. By making this an “us against them” deal, the Party is able to make more women sympathetic to their cause and cause more infighting (thus distracting people from “us against the Party”) without actually having to make positive changes for anyone.

These laws also aren’t the reason why rebel groups exist. Consider the motivations each character gives in TDD 11. Ichirou mentions a lack of central law and regulations making it difficult to keep loved ones safe. The infighting that the Party promotes via its rap battles allows for power-hungry individuals like Mozuku to take over whole areas and instate whatever rules they want, no matter the cost to the citizens. Samatoki is frustrated by being directed to fight when he can’t see a good cause; similarly, Ramuda is concerned about the effects of the fighting on the neighborhoods they pass through. Even with non-lethal weapons, a country in constant conflict is not one in which its citizens can prosper. Jakurai is concerned about inequalities between Chuuouku and the rest of the country. He mentions in FP/M 15 (which we’ll have up in a few days for you to see for yourself) that he’ll use the prize money from winning the DRB to provide medical care for locations that the Party can’t or won’t supply with aid. Later in the chapter, he drives away from the spectacular, futuristic city of Chuuouku back into a Tokyo marked with graffiti and squalor. Even the male citizens don’t care about how they’re treated as compared to their female counterparts; they care that everyone is suffering together under the Party’s poor governing.

The Party has never sought to oppress men and elevate women. The Party’s goal is to elevate itself and oppress everyone else. The gender inequality is as much of a diversionary tactic as the Division Rap Battle.

#not a translation #asks

[thronerayon0]

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[marshmallowprotection]

Inspired by the song "Flower of The Plateau" by Mothy, this story thats part of Ever Changing Fate (my story) doesn't have much of a connection to the main plot of ECF but I made it to flesh it out more and because why not.

You might have to zoom in on the picture to be able to read it- sorry oof.

Cast:

Oliver's full name is "Oliver Bortè".

"Chrysana" is not actually Chrysana's real name. Her real name is "Zaria Bortè". Her current full name is " Chrysana Orlov".

Marilla's full name as you would guess is "Marilla Orlov".

The Tsardom of Rinael is inspired by Russia. In case you didn't already know since I've mentioned Parie before, Parie is literally just a play on "Paris" and is insird by France. I'm pretty sure I've said that before but just mentioning for anyone else who read this.

Thus:

Chrysana is basically a French woman except France is in the southeast area of the planet and she abandoned her son and left him for dead before fleeing to Russia except it's in the northwestern area of the planet. She traveled very far away for a reason: it's so far out it would be impossible (so she thought) for anyone to find out who she really was.

Harlots (aka prostitutes for any who didn't know) are heavily discriminated against in Ever Changing Fate due to being seen as sinful even though most of them are only harlots because they need money, such as Chrysana. Chrysana ended up pregnant after being "without her consent used in a vulgar way", which is code for "being RP'd". She was heavily scarred and saw her son as a burning reminder of her experience. She never loved him but upon his birth she thought she could get used to him. But she soon realized that having a son was not very profitable because she couldn't afford to feed both herself and him, and the men she brought in didn't like having a kid around. Babies were too much work in her eyes at the time, and so she abandoned him and chose to completely erase her old identity as the harlot Zaria Bortè, and took on a new identity. In the years after she married the head of House Orlov in Rinael after fleeing there as a stowaway on a ship and had a daughter. But she nevr anticipated her son searching for her...

And so she had to maintain her new identity...

And that mean that anyone who knew of her past must be-

Since you read the text in the above picture, you kno what happened...

"The poor Oliver was found dead"

For your information Marilla was completely oblivious to Oliver being her older brother and her mother not being who she pretended to be, along with Duke Orlov who was also oblivious to everything.

Chrysana faked her entire personality as "Chrysana Orlov" when in reality her true self as "Zaria Bortè" was a cynical, scarred woman who hated the world, and was nearly unapproachable. Due to this in order to survive Chrysana knew she had to forge a new personality for herself which was joyful, social, happy, etc, and thus is why she became known as the "Joy of Rinael" due to the fact Rinael was constantly a gloomy land of snow, so someone who was optimistic and happy was sort of just foreign to them.

Other facts:

Chrysana was an orphan. She had been homeless her entire life until she fled to Rinael. She had found and decided to live in an abandoned house that she had fixed up herself and lit up with candles a few years before Oliver was born, when she was 14.

Yes, Chrysana had been a harlot even before she was of age; she became one when she was 12. "It was all to survive" is what she told herself even though she hated everything, her life, the men, the world...

Chrysana was 19 when she had Oliver.

Oliver is aproximately 6 years older than Marilla.

Marilla actually really wanted a sibling and would have loved having Oliver as her older brother. She got a baby sister a year after Oliver's death and a baby brother another two years after that.

Chrysana and Marilla's appearance is somewhat inspired by Hatsune Miku, mostly Marilla with her pigtails and hair color.

The rose on the headband that Chrysana is wearing is a black rose.

Chrysana's birth name and fake name are both flower names; Chrysana comes from Chrysanthemum and Zaria either is a flower or means flower in some other language, I forget. Marilla is another name for the flower Amaryllis.

Orlov was a noble family in the Russian Empire way back.

Vasily is a common Russian name, I believe.

Duke Vasily Orlov had strawberry blonde hair and purple eyes. He was younger than Chrysana by two years and had loved her nearly ever since she had moved to Rinael. Considering he was was 19 when she moved to Rinael, his teenage hormones were still all over the place and genuinely his crush on her was a childish one at first.

Chrysana despises intercourse nowadays but does it anyway to keep up her farce and to satisfy Vasily.

Chrysana genuinely loves Vasily but the relationship can be strained because of her trauma, fake identity, and fake personality.

Chrysana murdered several other men who happened to be people she slept with years earlier if she saw them whether she was in Rinael or visiting somehwere else because she wants to annihilate all record of her past.

By the time she died Chrysana had murdered about half of the men she slept with in the past.

Chrysana lived in the 1200s T.C., 350~ years before the Second Great Theda Civil War and main plot of Ever Changing Fate.

Chrysana's descendants (specifically Marilla's line) eventually married into the royal family of Rinael and several of the members of the royal family ended up bearing her hair color and or eye color due to it being very dominant throughout her bloodline.

If anyone found out she had been a harlot many years later there would be a bit of a scandal about it in the royal family, how big it would be would depend on how far down the line her descendants are at whenever it was discovered. However, her being a harlot was never found out by anyone.

One of the greatest rulers of Rinael bore both Chrysana's hair and eye color. He lived in the 1400s.

Chrysana became a writer later in her life (Around her mid 40s) and wrote a story that was actually based on her past identity. She wrote it in order to get out everything that she had pent up inside of her. She lied to everyone whenever asked that the entire story was fictitious and was based on many stories with several elements pulled from other stories to make it. It was called "The Tragedy of The Harlot Catria". Catria was the name of Chrysana's mother who was also a harlot according to the records Chrysana managed to find about her. She of course claimed that the records she looked at of Catria were just for her story- in reality Chrysana just desperately wished to know anything about her that she could because she never met her since her mother died in childbirth.

Chrysana knew her mother's name because of a locket that she had held onto since she could remember which had the inscription "Love from mama, Catria, to her lovely daughter, Zaria".

Chrysana's mother was a victim of RP just like Chrysana.

Chrysana's eye color is from her mother, her hair is from her father.

Chrysana met her father once and promptly beat him up for everything he did to her mother and never carung about her. However, he didn't know she was his daughter and she didn't kill him because he was a nobleman of Parie and it would have ended badly for Rinael because it could have caused rumors about him being killed by a Rinaelian nobleman/woman or she could have gotten found out.

Rinael and Parie don't like each other very much. :/

I personally like that you've been building on the character designs because it's really starting to come together in a really beautiful kind of way. The way that you're able to draw hair and the way that the environment affects it is just really telling of the characters in a lot more ways than you realize. It stands out more than just color theory in general.

Posture is one thing but you can see a lot just from the way that someone Styles themselves and just by looking at these characters you can tell that they have this specific energy to them. It's not standoffish. But it's definitely something in the realm of uneasy and uncertain.

I just want to say that these guys have been going through so much and their universe that it is kind of tedious. Can everyone in this room just get along for 5 minutes to have a group hug or something?

#mod kait #ask #littleghostlyrose #not mm #oc