i miss human!cas so badly 😭 i feel like we've been robbed. do you think human!cas endgame can still work after the finale and spnwin?
SAME. omg same.
And... yes, absolutely. I don't think anything in the series, or in The Winchesters, precludes a human Cas endgame, mostly because we got zero resolution on him, you know? Yes, he Spoke His Truth, but he wasn't allowed to hear any sort of response.
All of s15, I screamed about how all the stuff he was "teaching to Jack" about being loved and wanted for who he is (when Jack was struggling with his seeming inability to do anything right or actually be able to "help" or "be useful")... ALL THAT STUFF EQUALLY APPLIES TO CAS HIMSELF. AND HE NEVER WAS ALLOWED TO FULLY EMBRACE THAT UNDERSTANDING.
I spent all of s15 yelling that yes, that's all great, but now SOMEONE NEEDS TO SAY ALL OF THAT TO CAS.
He understands the concepts, but doesn't fully understand that they apply TO HIM.
Because the narrative didn't allow Dean to TELL him.
And that's just a damn crime!
I mean, so much of Cas's entire character arc from s4 onward was this struggle with being USEFUL versus just being WANTED and NEEDED for who he is. I just recorded the podcast for 5.21, where he struggled with feeling useless because he'd completely lost his powers for the first time. And yet... was completely badass as a powerless, effectively-human participant in the raid on Niveus. But then it's all washed away and he's magically restored to full angelhood, and feels like it's his MISSION, his DUTY to "save Heaven" and take on the responsibility for what every other angel does. Because he was given that power back.
His entire arc his this struggle against Duty™ and always feeling like there was a Cosmic Reason™ for him being resurrected, or being in a position to Do Something About The Problems. Versus him just being IMPORTANT TO THE PEOPLE AROUND HIM BECAUSE HE'S CAS. Like... that's just as valid a "reason" for him to be in the story, you know?
So... yeah, to me, there's nothing more important to the completion of his arc than for him to finally lay all that duty aside and just be allowed to CHOOSE what he wants for himself, based on the full understanding that he's Loved, that he's LIKED, that he's wanted and needed for HIM ALONE, and not for how useful or powerful he can be to anybody. Art, hope, love, dreams... he deserves all of that too. And not to be sacrificed pointlessly in the vain hope that everyone else he cares about will be able to have those things without him. Because really, they can't.
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Cheat Code #2 for accommodating disabled characters in sci-fi/fantasy:
How you aid a disability depends on if it's a new development or had always existed.
i.e.: If someone's lost their legs to a griffin biting them off last week, giving them steampunk prosthetic legs is a good aid. There's something they can't do, that they very recently could, that they need to learn to work around. The prosthetic legs still need an adjustment period to learn how to use them, but your character knows how legs should work and can figure it out more easily.
If someone lost their legs because, as a child, they wandered away from the space field trip and got partially eaten by a carnivorous plant, then it depends. Prosthetic legs can technically work, but the longer the character was without legs, the harder it'll be to re-learn how to use them. You might want to go with bionic legs for short distances, but a hover chair for daily use.
If someone was born without legs, then prosthetic legs are more hindrance than they're worth. Your character has never had legs, and has no idea how they're supposed to work.
Imagine if you're in a world of centaurs; you're given prosthetic hind legs, and now expected to be able to climb up cliffs with the grace of a mountain goat. It's a whole new skill you'd have to learn, and you would get annoyed with it very fast; how are they supposed to sync with the legs you already have? How are you supposed to balance? You can't feel anything, you don't know how much space it occupies.
Someone who's always been disabled doesn't need the thing they were born without, they need aid that lets them do what everyone else can in a way they're familiar with. If your character has always been deaf, glasses with subtitles appearing on them are infinitely more useful than aids that let them hear, because hearing when you've always had silence is going to have a steep learning curve and be ridiculously overwhelming.
Your rule of thumb?
Try to give them something they're used to.
Note: This is different with very small children, because they're already learning how to use every part of them. If a toddler in your sci-fi was born without legs, they can be taught to use bionic legs at a very young age, but it has to start early or it'll run into the problems above.
Cheat code 1: How to avoid eliminating disability in your setting
Cheat Code 3: How to make your setting itself disability-friendly
Cheat Code 4: How to personalize your character's disability aid
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NASA Inspires Your Crafty Creations for World Embroidery Day
It’s amazing what you can do with a little needle and thread! For #WorldEmbroideryDay, we asked what NASA imagery inspired you. You responded with a variety of embroidered creations, highlighting our different areas of study.
Here’s what we found:
Webb’s Carina Nebula
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, created this embroidered piece inspired by Webb’s Carina Nebula image. Captured in infrared light, this image revealed for the first time previously invisible areas of star birth. Credit: Wendy Edwards, NASA. Pattern credit: Clare Bray, Climbing Goat Designs
Wendy Edwards, a project coordinator with Earth Science Data Systems at NASA, first learned cross stitch in middle school where she had to pick rotating electives and cross stitch/embroidery was one of the options. “When I look up to the stars and think about how incredibly, incomprehensibly big it is out there in the universe, I’m reminded that the universe isn’t ‘out there’ at all. We’re in it,” she said. Her latest piece focused on Webb’s image release of the Carina Nebula. The image showcased the telescope’s ability to peer through cosmic dust, shedding new light on how stars form.
Ocean Color Imagery: Exploring the North Caspian Sea
Danielle Currie of Satellite Stitches created a piece inspired by the Caspian Sea, taken by NASA’s ocean color satellites. Credit: Danielle Currie/Satellite Stitches
Danielle Currie is an environmental professional who resides in New Brunswick, Canada. She began embroidering at the beginning of the Covid-19 pandemic as a hobby to take her mind off the stress of the unknown. Danielle’s piece is titled “46.69, 50.43,” named after the coordinates of the area of the northern Caspian Sea captured by LandSat8 in 2019.
An image of the Caspian Sea captured by Landsat 8 in 2019. Credit: NASA
Two Hubble Images of the Pillars of Creation, 1995 and 2015
Melissa Cole of Star Stuff Stitching created an embroidery piece based on the Hubble image Pillars of Creation released in 1995. Credit: Melissa Cole, Star Stuff Stitching
Melissa Cole is an award-winning fiber artist from Philadelphia, PA, USA, inspired by the beauty and vastness of the universe. They began creating their own cross stitch patterns at 14, while living with their grandparents in rural Michigan, using colored pencils and graph paper. The Pillars of Creation (Eagle Nebula, M16), released by the Hubble Telescope in 1995 when Melissa was just 11 years old, captured the imagination of a young person in a rural, religious setting, with limited access to science education.
Lauren Wright Vartanian of the shop Neurons and Nebulas created this piece inspired by the Hubble Space Telescope’s 2015 25th anniversary re-capture of the Pillars of Creation. Credit: Lauren Wright Vartanian, Neurons and Nebulas
Lauren Wright Vartanian of Guelph, Ontario Canada considers herself a huge space nerd. She’s a multidisciplinary artist who took up hand sewing after the birth of her daughter. She’s currently working on the illustrations for a science themed alphabet book, made entirely out of textile art. It is being published by Firefly Books and comes out in the fall of 2024. Lauren said she was enamored by the original Pillars image released by Hubble in 1995. When Hubble released a higher resolution capture in 2015, she fell in love even further! This is her tribute to those well-known images.
James Webb Telescope Captures Pillars of Creation
Darci Lenker of Darci Lenker Art, created a rectangular version of Webb’s Pillars of Creation. Credit: Darci Lenker of Darci Lenker Art
Darci Lenker of Norman, Oklahoma started embroidery in college more than 20 years ago, but mainly only used it as an embellishment for her other fiber works. In 2015, she started a daily embroidery project where she planned to do one one-inch circle of embroidery every day for a year. She did a collection of miniature thread painted galaxies and nebulas for Science Museum Oklahoma in 2019. Lenker said she had previously embroidered the Hubble Telescope’s image of Pillars of Creation and was excited to see the new Webb Telescope image of the same thing. Lenker could not wait to stitch the same piece with bolder, more vivid colors.
Milky Way
Darci Lenker of Darci Lenker Art was inspired by NASA’s imaging of the Milky Way Galaxy. Credit: Darci Lenker
In this piece, Lenker became inspired by the Milky Way Galaxy, which is organized into spiral arms of giant stars that illuminate interstellar gas and dust. The Sun is in a finger called the Orion Spur.
The Cosmic Microwave Background
This image shows an embroidery design based on the cosmic microwave background, created by Jessica Campbell, who runs Astrostitches. Inside a tan wooden frame, a colorful oval is stitched onto a black background in shades of blue, green, yellow, and a little bit of red. Credit: Jessica Campbell/ Astrostitches
Jessica Campbell obtained her PhD in astrophysics from the University of Toronto studying interstellar dust and magnetic fields in the Milky Way Galaxy. Jessica promptly taught herself how to cross-stitch in March 2020 and has since enjoyed turning astronomical observations into realistic cross-stitches. Her piece was inspired by the cosmic microwave background, which displays the oldest light in the universe.
The full-sky image of the temperature fluctuations (shown as color differences) in the cosmic microwave background, made from nine years of WMAP observations. These are the seeds of galaxies, from a time when the universe was under 400,000 years old. Credit: NASA/WMAP Science Team
GISSTEMP: NASA’s Yearly Temperature Release
Katy Mersmann, a NASA social media specialist, created this embroidered piece based on NASA’s Goddard Institute for Space Studies (GISS) global annual temperature record. Earth’s average surface temperature in 2020 tied with 2016 as the warmest year on record. Credit: Katy Mersmann, NASA
Katy Mersmann is a social media specialist at NASA’s Goddard Space Flight Center in Greenbelt, Md. She started embroidering when she was in graduate school. Many of her pieces are inspired by her work as a communicator. With climate data in particular, she was inspired by the researchers who are doing the work to understand how the planet is changing. The GISTEMP piece above is based on a data visualization of 2020 global temperature anomalies, still currently tied for the warmest year on record.
In addition to embroidery, NASA continues to inspire art in all forms. Check out other creative takes with Landsat Crafts and the James Webb Space telescope public art gallery.
Make sure to follow us on Tumblr for your regular dose of space!
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Apothecary Diaries is pog as fuck bc serious political issues and dynamics from a woman's POV are rarely depicted in ANY form of media
It's always a man's world where women's issues surround him. Even if we get a female perspective once in awhile- it all comes back to how it facilitates his game in the end. She's a footnote in the overarching scheme of things. Misogyny exists. Back to the real plot.
Apothecary Diaries is strictly from a female perspective and how each class of woman has to act, what limits they have, what rights they have and don't have between each class, etc. These women have to behave a certain way under a patriarchy, which you would think makes it a man's story, but it never is. The women are THE focus of this show, their struggles are THE plot. The focus is about how the patriarch effects them.
Take the concubines for example. The show dives into how bearing a child affects their rank, how traumatizing it is to lose that child, the consequences of that, etc. We have barely seen the emperor who sired all these kids because this is not about him.
Jinshi's personal plot is secondary to Mao Mao's journey- he is mostly there to provide new cases for Mao Mao to solve and to learn more about the shortcomings of his class when taking care of citizens like Mao Mao.
Jinshi is not a bad person, but by virtue of his position in the higher classes, he cannot understand how harsh life as a poor WOMAN is specifically- he can only catch glimpses of it from what Mao Mao tells him and feel outrage but powerless in his wealth and luxury
Mao Mao is a fortunate commoner woman for what privileges someone in her class should and shouldn't have. She happened to be adopted by a knowledgeable man. She is allowed to read, write, learn, and has enough skill to be a poison tester and have a job EXTREMELY out of her class limit as an apothecary, also a job not traditionally meant for women
Mao Mao is not a "noT lIkE oThER gIrLs" protagonist, she is FOR THE GIRLIES. She only wants to help the women around her, and women are whom she has the closest relationships to. She sees a woman being harassed and can't let it stand. She sees a frail, traumatized woman dying from the recklessness of those who should be caring for her and spends day and night nursing her back to health, while also punishing the people who were so careless with her needs.
My girl has STUDIED UP on THE BODY to TEACH these upper class ladies on how to really HEAT things up in the BEDROOM
Sex depicted in Apothecary Diaries is both something women are not shamed to be enjoying, while at the same time being acknowledged as an unfortunately huge economic necessity to market themselves.
Like shit is just so real in this series???
Listen, I can go on and on about how GOATED the series and especially Mao Mao is but you get the picture
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Art for my country Branch au 🥰 Details abt it under the cut ⬇️
Here's my silly little au! So basically Branch ran away from Pop village because everyone (minus Poppy) treated him terribly. While exploring he stumbles upon the outskirts of Lonesome Flats, where he trips and sprains his ankle. Delta finds him and is like "What tf you look weird but ig ur my son now." And from then on she takes care of him. Somewhere along the way Branch starts to call her Mom (or Mama/ Ma). Clampers is born at some point, making her Branch’s cousin. They love/hate each other and have that unhinged sibling dynamic. They just turn into a cute little family and I love em sm.
Delta also helps Branch regain his colors, although they are slightly muted tones of his true colors. Because the county trolls are so adept at dealing with grief, Branch is allowed to process his grandmothers death and his fear of singing with a good mentality. This leads to him slowly gaining his colors back (hence the blue streaks in his hair) and learning to be happy again. He does start to sing again but it's a mix of country and Pop. (Which comes into play during TWT, but more on that later).
Also I made Gary (the remote Imao) into a goat critter. He's stupid and I love him. Delta has an ongoing feud with Gary bc he constantly tears up the garden but she can't do anything brash because Branch absolutely loves him.
There is more but that's it for nowww! Feel free to ask questions and I’ll do my best to answer them! Give me ideas for this aus name pls I have nothing
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