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#but he cannot express it in public to save his life
sparkles-and-trash · 2 years
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My favorite flavor of erasermic is Aizawa being all 😩💞✨♥️💗😍💫❤️‍🔥💖 on the inside everytime he sees, hears, thinks about Hizashi, but on the outside, the only reaction outwards is 😐-> 🙂
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gunsandspaceships · 16 days
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Tony’s Childhood. Part 2.1. Effects: Own Will
Before this part, be sure to read Part 1.
If you're not aware of Tony's strange understanding of the importance of his own wants and needs, check out this post from daydreamsandnightlights.
Here I will try to explain the roots of this behavior.
At age 4 Tony built his first circuit board (IM1)
At age 6 built his first engine (IM1)
Let's think about what it meant that he built all these things at such an early age. Was this his own or his father's will?
Let’s take Morgan for comparison – she is indeed a brilliant kid too, since at the age of 5 she can count up to 3000 (ordinary kids count up to 1000 at the age of 8), knows how much is in a ton, what “disintegrate” means and can easily manipulate her dad, a genius.
Looking at Morgan's behavior, we can assume that she is already capable of building a circuit board under the guidance of her father. But she doesn't. Because her father does not demand this from her. She is a kid. She plays with plush dogs and beavers, sleds on Captain America’s shield, and likes to have bedtime stories read to her before bed. She sneaks into her father’s garage because there are interesting things inside that she can take and play with, not to build something and add it to the list of impressive achievements.
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The question is: did Tony want to create things because he liked it, or because his father did it and wanted his son to do the same?
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We know that Howard had plans for Tony to "change the world" with Howard's ideas about the future. Apparently, he was preparing Tony for this purpose.
Do small children have a desire to tinker and build things? Some yes. Do they want to or should they play with cubes and constructor sets? Yes. Do they want to or should they work with real motorcycle engines and soldering irons? Hell no. They usually don't have the appropriate motor skills to do this, so they can easily hurt themselves. I'll talk more about this later when I discuss his pain tolerance.
I think it’s impossible to say now whether Tony was interested in engineering from that age (I mean sincere desire, not ability). So we cannot answer that question. But I doubt 4-year-old Tony realized what he was doing when building computer parts. He liked it though. Because those were probably the only times he spent time with his father.
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Howard continued to deny his son his will when Tony was sent to boarding school when Tony was 7 years old. There he had a regulated, planned life for 7 years. Then college for another 7. And then became the youngest CEO at 21. None of this sounds like a child’s “I did what I wanted”.
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He did not express his will but pleased others. Because this way he received a little love. Or a substitute for love, to be precise. And when, perhaps for the first time, he was taken care of by Yinsen, who saved him, even in such a terrible way, and died for him, he was incredibly grateful. And after that, his attitude towards people changed.
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But not the attitude of people towards him, since they continued to want something from him, expecting the same behavior that they were used to seeing from the “rich and famous”.
*Doesn’t want to celebrate his birthday with a bunch of strangers in his house? Wants to spend his last days with the woman he loves? DENIED*
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*Needs psychological support from people he trusts? DENIED*
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*Wants to save the team from a breakup because he cares and knows what’s coming? DENIED*
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Conclusion: Tony didn't belong to himself his whole life. He didn’t use to defend his own, laid deep within, interests. First, his will was moved aside by his father’s. Then Stane’s and the public’s. Fury then came with his Initiative without asking what Tony wanted. Then S.H.I.E.L.D. came to him (not) asking to find Tesseract and save the world. Then the whole team came. Then the government with its Accords, and so on and so forth. None of them bothered to ask, “What do you want, Tony?”. And the only times he insisted on something, were the times when he tried to keep the team together and prevent their death.
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insomniakisses · 10 months
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The king’s Daughter and the Queen | 2
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Character: Alicent Targaryen Neè Hightower (HOTD)
Taglist: @fuckinglittlekitten, @sydneyyyya, @federalclassroom, @watercolorskyy
Warnings/notes: death of the king, brief mentions of plotting to take the throne, omega!alicent, Alpha!reader, omegaverse au, tw; Otto.
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One. / Three. / Three (Alt. Ver)
Just then a knock sounded on the door, a servant entering with the news that would change your lives.
“Princess, I have a message” you hear your handmaiden call from out side the door.
“What is it?” You call, pulling alicent closer in your hold. A smile pulling at her lips when you kiss her cheek.
“The king… he is dead.”
You feel Alic stiffen next to you and your eyes widening at the news. On one hand you feel a rush of happiness and relief. With your liver now a free woman you could marry her, and publicly parent your kids. On the other hand you felt saddened by wishing your fathers death all of this time.
Then one thing came to mind, Rhaenyra. Though you loved your sister, you knew that she would forbid the marriage between you and Alicent and put your children to the sword for you could not tell her they were your own. Unless… maybe it wouldn’t hurt?
“What do we do?” Your broken out of your thoughts by your Alicent’s voice, “We… We invite Rhaenyra here, we discuss whats to happen with her. She is heir.”
“We cannot!” She gasps, “She will kill our children, Y/n please don’t do this!”
You couldn’t bare the look in her eyes, the pain and fear of losing your children. You sigh agreeing and excusing yourself to check on the children. While it was not a total lie, you took the time to send a raven to your sister not mentioning great detail just that the king had taken a turn for the worst and there were things to discuss.
The next stop you made was helaena’s room finding her awake you asked if she needed anything to which she asked for her mother’s presence. You coo and tell her to go to your chambers.
Aemond is next you find him leaving his room as you approach you see him try to hide his smirk bowing slightly, “I am sorry for your loss mother,” you smile kissing his forehead and pulling him to a hug one he reciprocates eagerly.
“Oh my sweet boy,” you coo kissing his head once more. “If you want more cuddles you can join me and your mom in my chamber? Hel is already there?” He nods a smile pulling at his lips heading off in that direction before he pauses turning to look at you once more.
“D-does this.. mean i can call you mama in public now?” He asks hesitantly, though you hear the excitement hidden in his words. “Yes baby,” you smile, “you can call me mama whenever you like.”
Pleased with the answer he takes his leave again, as you make your way to your eldest son. Pushing open the door your greeted with Aegon sitting on his window ledge staring blankly at the sky.
“Aegon?” You question making your way to him, he turns to you then face soaked in tears as more escape his fearful eyes. His expression emotionless and a quiver in his voice, “Mama.. I don’t want to be king,” he cries. Moving to burry himself in your arms. “Please don’t make me”
You wipe his tears grabbing his head and placing a firm kiss to it. “Never.” With the confirmation he relaxes slightly, his exhaustion taking over. Scooping him up you make your way back to your room, smiling at the sight of your love cuddling with your children, placing Aegon down next to Aemond you climb in too wrapping your arms around him as you all cuddle up together. Enjoying the calm and freedom of the moment.
Your eyes begin to shut and your mind falls back to your promise. It’s then that your mind is made up. You could save your children from a life of fear by telling your sister of their true parents, but you could not save them from the misery of duty to the crown. No. You would all swear oath to your sister and you would save your children and Alicent no matter the cost.
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Soooo part 2 is out! I hope you like the dynamics! What do we all think? Will Rhaenyra see the good or the bad in the news she will receive? Will she be over come by anger at her once friends hypocrisies or the love for her dear sibling? 🤔
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itachi-with-a-chicken · 8 months
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Today I'm here to traumatize you with something probably not so groundbreaking but!! It broke my mind!! So I'm gonna share
I've been thinking about the sentence "you said 'trust me'" and why it felt a bit strange. Like, sure, Crowley trusts Aziraphale. We know that, we know Aziraphale knows that, they say it explicitly for once, so what is the matter
Well, the matter is that Aziraphale asked Crowley to trust him, like it was Aziraphale shooting the shot, but in reality we know it was Crowley the one with the loaded gun
So what was Crowley trusting?
Well, Crowley was trusting Aziraphale, who in return was trusting Crowley with his - technically only corporal - life.
Now, aside for the entire ordeal of not being actually dead only discorporated and ecc ecc, let's speak symbolism
Because in my humble opinion, this is the closest thing we have to an admission of feelings from both of them.
On one side, we have Aziraphale - who is having a quite exciting night between the nazis, the show, the miracle not working, the hots for his knight in a shining armor - who is saying "I know for sure you will never hurt me, you'll find a way, everything will be fine"
If we ever gonna get Aziraphale admitting he's lost his faith, I believe he's gonna recall this moment. He's not praying God, he's on his own, and he's not afraid
(what was it? Even though I walk through the darkest valley, I will fear no evil, for you are with me)
On the other side, Crowley is just having a nightTM: saving their angel in distress (nice), him being grateful (NICE), contraband gone wrong (less nice), flirting with the angel (I don't know how else to call it)(niiice)
A normal tuesday.
Then, the miracle stopped working and they are on their own and they're pointing a loaded gun to their angel and oh boy things are going south fastly. The camera does a great amazing job in expressing how stressed Crowley feels with the trembling and the movement, just right on the spot. It starts trembling from the moment the gun is passed to Crowley, and its underlined when they cut to Furfur and it's perfectly stable, and stops only when the trick is done (amazing I love it)
Crowley is terrified, but Aziraphale said "Trust me" and he did. Only, it's not Aziraphale who is doing the risky part in theory, by shooting and aiming while never firing an arm before. But in practice? He totally is.
From facts, it's not news for us that they'd do anything to keep the other safe, but they can never acknowledge it, right? But here he is, entrusting his very own existence in Crowley capable hands and not only it's risky for a number of reasons, no, that's straight away nuts from any point of view. And it's even nutter (ehehehe like Agnes) when you realize he's doing the very same thing in the 67 by gifting him holy water.
I've always found odd that change of heart by Aziraphale. I couldn't only be because he found the entire heist thing silly, but it's not like they gave us more material to work with.
But in the light of what we saw in the 41 I feel a little bit more certain to say that Aziraphale is moving on the same feeling he moved in the bullet catch.
"I trust you to not hurt me, I trust you to not kill yourself because you know what it would mean to me"
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Of course, they cannot speak of it. Of course, all they have is flirty banter and Crowley hyping Aziraphale up for his show. Of course, when Aziraphale gave them holy water, he nearly couldn't stop their feelings from coming to the surface and Aziraphale needed to be the one to put a break on it. They had one (1) public appearance and it took an earthly miracle to not get discovered.
All they had, for so much time, was those silent confessions and those candle light lit and glasses of wine shared. Someday, tho, they will dine at the Ritz (metaphorically, too). (And maybe have some go--sat--damn explicit conversation about their mutual feelings towards each other)
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cleolinda · 1 year
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Varney the Vampire: A Preface
I want you to think back to what it’s like to reread your old work from years ago—your old stories or poetry, your old school papers, or even your old tumblr posts. Sometimes you’re actually kind of pleased, sure, but I want you to really go back and locate yourself in the heady cringe of that feeling.
In related news, I'm going to pick back up with the Varney the Vampire recaps I started in late 2010 CE. I got about nine chapters in, and then something, who knows what, derailed my life, as things tend to. Like, I'm used to this, it happens with the regularity of a lunar cycle. But I like writing about vampires (clearly), and since I feel like Dracula has been tread pretty thoroughly in recent times, I figured I might go back to something different; we had some lively discussions about Varney back then.
But 2010 was a time before A Lot of Things happened. I was in my early 30s at that point, so I won't say, "Oh, I was so young," but I had a very different energy as a blogger 12-13 years ago. So I've decided to rewrite the recaps a little—some more than others, some not much at all. I just feel like I have a really different perspective on the first chapter in particular, in 2023.
As before, I'm using the full, unabridged text. It is hideously long, something like 230+ chapters, but go big or go home, I figure. The thing is, I was using the files hosted at the University of Virginia, and now you can only get those through the Wayback Machine, but they are still usable for now. I have various backups saved, but I do want you to be able to see that I am, as ever, Not Making It Up.
I'm also not going to quibble anymore as to whether James Malcolm Rymer or Thomas Peckett Prest wrote this behemoth. Per Wikipedia sources, scholars seem to agree that it was all or mostly Rymer. When it's mentioned that they figured this out based on his dialogue style, I went... yeah, that checks out. Because it sure is A Style, and I'll be honest, the repetitive filler dialogue in chapter 10 was such a speedbump for me that I just threw up my hands and said, "I don't know how to recap this. Something I can't remember now is going on in my life and I Cannot. I no longer Can."
Well, it's the 2020s and we're gonna. Like I can't tell you how much stress I do not have about this. I've had covid three times and also spinal surgery. Varney the Vampire can no longer hurt me.
To start, this ordeal has a preface—apparently written upon the occasion of collecting the serial into book form—wherein The Author expresses his gratitude for "unprecedented success of the romance of Varney the Vampyre." First off, Rymer uses "vampire" and "vampyre" interchangeably, because fuck me for caring about consistency, I guess. Second, as Wikipedia notes,
It first appeared in 1845–1847 as a series of weekly cheap pamphlets of the kind then known as "penny dreadfuls." The author was paid by the typeset line [YEAH, I NOTICED], so when the story was published in book form in 1847, it was of epic length: the original edition ran to 876 double-columned pages and 232 chapters. Altogether it totals nearly 667,000 words.
For comparison, all of Lord of the Rings plus The Hobbit is 576,459 words. I sure do blanch every time I see those numbers! It's fine. We're gonna be fine. Back to the preface:
The following romance is collected from seemingly the most authentic sources, and the Author must leave the question of credibility entirely to his readers, not even thinking that he is peculiarly called upon to express his own opinion upon the subject.
"Seemingly" is doing a lot of work here.
Nothing has been omitted [for real, nothing down to the tiniest fly-swat has been omitted] in the life of the unhappy Varney, which could tend to throw a light upon his most extraordinary career, and the fact of his death just as it is here related, made a great noise at the time through Europe, and is to be found in the public prints for the year 1713.
I've seen more than one Dracula multimedia art project where people recreated the letters and diaries and recordings in the book (have you heard my whole thing about how Dracula actually was a cutting-edge techno-thriller back in 1897?), but I've never heard of anyone creating ARG-style media for the Totally for Actual-Fact Real tale of Sir Francis Varney the Vampire, and I think it would be hilarious if someone did.
I won't belabor the entire preface, but what I do want to touch on is Rymer's mention of "unprecedented success." Varney is actually standing on the shoulders of a vampire giant, and it's not the one we would think of. Nowadays, our big touchstone—the influence so great that most works either evoke it or take the trouble to say "Our vampires are different"—is Dracula, obviously. Which was published exactly 50 years after Varney, in 1897. But Varney's touchstone is Polidori's short story "The Vampyre" (1819). And for most of the 1800s, this was everyone's touchstone. Per Wikipedia (which I'm going to lean on for how concise it is, but I concur with this from my own research as well):
An adaptation appeared in 1820 with Cyprien Bérard's novel Lord Ruthwen ou les Vampires, falsely attributed to Charles Nodier, who himself then wrote his own dramatic version, Le Vampire, a play which had enormous success and sparked a "vampire craze" across Europe. This includes operatic adaptations by Heinrich Marschner (see Der Vampyr) and Peter Josef von Lindpaintner (see Der Vampyr), both published in the same year. Nikolai Gogol, Alexandre Dumas [note: I have the Ruthven play he wrote around here somewhere] and Aleksey Tolstoy all produced vampire tales, and themes in Polidori's tale would continue to influence Bram Stoker's Dracula and eventually the whole vampire genre. Dumas makes explicit reference to Lord Ruthven in The Count of Monte Cristo, going so far as to state that his character "The Comtesse G..." had been personally acquainted with Lord Ruthven. [...]
In England, James Planché's play The Vampire, or The Bride of the Isles was first performed in London in 1820 at the Lyceum Theatre based on Charles Nodier's Le Vampire, which in turn was based on Polidori. Such melodramas were satirised in Ruddigore, by Gilbert and Sullivan (1887); a character called Sir Ruthven must abduct a maiden, or he will die.
Back when no one gave a shit about copyright, Polidori's work was spun out into a cottage industry of knock-off stories and plays, an entire horror zeitgeist. Lord Ruthven was, for 78 years, who you copied, who you riffed on, who you parodied, what Count Dracula is to us now: the archetypal vampire. The Big Guy. And Varney is clearly cut from his cloth—the ostensible gentleman who worms his way into the lives of respectable, unwitting people. Unlike Dracula, there's no foreigner Othering, no "historical basis," no undercurrents of contagion and infection, no ambition to make the world his wine-press, none of that; Ruthven is a simpler figure, but the dominant one of this time no less. He is a stranger who shows up in the middle of London high society, icy and distant, his eyes “dead grey”—stern, yet somehow compelling when he cares to be. And when he cares to be, you're in trouble.
And this is the cultural consciousness when Francis Varney shows up.
[Chapter one will go up sometime this week, March 8-10 or so.]
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yeoldontknow · 2 years
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Fermata ❧ jhs ❧ M+
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⤕ as part of the Once Upon A Fantasy collab with @jamaisjoons @yoonia @inkedtae @kookdiaries @kth1 and @opaljm  | banner by the lovely @jamaisjoons | thank you to @xjoonchildx​ @inkedtae​ and @sugaurora​ for reading this over and being so incredibly encouraging. every single word of praise helped me get through this. i cannot express how grateful i am for you! ⤕ Pairing: Emperor!Hoseok x Court Musician!Reader (inspired by The Nightingale by Hans Christian Anderson) ⤕ Genre: fantasy retelling; fantasy au; soulmate au; romance, angst, smut, horror, angst with a happy ending ⤕ Rating: NC-17 ⤕ Summary: Hoseok has spent his whole life promising and swearing that one day he will marry you. After rejecting an arranged marriage with the High Princess from a neighboring kingdom, the scorned Princess uses her dark magic to curse Hoseok into falling in love with her in an effort to usurp the throne. Heartbroken, you flee the empire. When the world is plunged into permanent night, you start to know it is down to Hoseok's curse. When you receive word Hoseok has fallen deathly ill, you start to wonder if anyone can save him at all. ⤕ Warnings: explicit sex; explicit language; graphic depictions of violence; graphic depictions of blood; discussion of death; graphic depictions of murder; depictions of hoseok dying; vaginal fingering; cum play; semi-public sex; loss of virginity; virgin sex; pain kink; size kink; impreg kink; impregnation; blow jobs; hand jobs; pregnancy kink; body worship; breast play; nipple play; creampie; dirty talk; unprotected sex; manipulation; betrayal; arranged marriage themes; crying; begging; marking; scratching; biting; politics; blood; cum swallowing; teasing; passionate sex; wedding night sex; depictions of ptsd; depictions of depression; loneliness; sadness ⤕ Word Count: 60K
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Hoseok was born at the first crest of new dawn.
In the Emperor’s quarters he was placed into his mother’s waiting arms, the rich crimson slivers of morning light breaching the boreal curtains at the same moment her tears spilled from the corners of her eyes. Kneeling anxiously at her bedside, his father pressed his fingers to his lips in nervous silence.
A passing sensation of greed claimed him entirely, wanting the entire world, and all the light inside it, for the small bundle who only cried in the same instant he took his first breath. Words evaded him; too much rapture, too much pleasure, too much love and, all at once, the terrible, insurmountable fear the comfort of his family’s existence would soon disappear.
Hoseok’s mother, so content and at peace as her newborn son settled into the valley of her breasts, did not find any cause for worry. She had been blessed with an angel, and angels ride the wings of sunlight. Instead, she smiled at her husband, casting a reassuring glance as she pressed a kiss to the soft tuft of hairs at his head where his crown would eventually rest.
READ MORE ON AO3
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respectthepetty · 10 months
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What Color Did You Wear Yesterday?
Because we are getting a second season of What Did You Eat Yesterday, I thought it was time I committed to watching the first season, the special episode, AND the movie, so I could finally see the hype surrounding these color-coded boys men in love and the balance they bring to the table (and each other).
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Shiro is a Brooding Boy Man. He is a lawyer, frugal, and normally in dark solid neutral clothing.
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Kenji is a Happy Human. He is a hairdresser, extravagant, and normally in bright colorful clothing with some patterns.
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When they first met in the club, Shiro was dating Kenji's friend, but that relationship quickly fizzled out because Shiro is a frugal brooder.
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Yet months later, Shiro ended up in Kenji's salon chair, and after several dates, Shiro made the practical decision to ask Kenji to move in after Kenji told Shiro he had to move out of his apartment. Kenji moved in on Christmas, and although it was awkward, Shiro made Kenji a Christmas feast to celebrate their new living arrangement.
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However, now that Shiro and Kenji have been together for over three years, Shiro's personality has started to brighten up, and so has his color because everyday Kenji brings light into his entire world.
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But when out of their apartment, which is their safe space, Shiro is his darkest because he constantly worries about the prejudice he'll experience if people perceive that he is gay.
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Their wacky and kinky friends share this same color dynamic. Daisaku is a Brooding Boy Man, while his younger, rude, and bratty boyfriend Wataru is a Happy Whiny Human. (I love them!)
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Neither Kenji nor Wataru trust their handsome brooders alone with each other because they believe everyone wants their suit-and-tie guy who can throw down in the kitchen, so they make sure to always be by their guy's side even though their brooders only have eyes for them (well, and a famous actress, but these men are aggressively adamant that they are gay, not bi, so . . . Kenji and Wataru are still on the defense!).
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Luckily, Shiro and Kenji are comfortable around their friends, and it shows in their color dynamic.
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But they struggle slightly with Shiro's parents since small barriers divide them, and Kenji feels the needs to dress more like Shiro to not scare them (since they believe one of them has to be the woman of the relationship and wear woman's clothing. They are kind people, but they deliver the cringe sometimes).
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Although Shiro's parents love him and recognize Kenji as his partner, even Shiro struggles staying light around them.
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Kenji also struggles with his color when him and Shiro are at odds, like when Shiro got upset that Kenji invited his clearly gay friends to a public restaurant to eat where everyone could see them.
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Or when he wanted to impress Shiro with his cooking since Shiro was sick.
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Or the time he thought Shiro was cheating on him (He wasn't. I already told you that Shiro would NEVER!).
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Or when he knew Shiro went to a wedding and all the women hit on him.
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Basically, Kenji stays worried about Shiro (remember him and Wataru hilariously think everyone wants their man), but it's because Shiro doesn't openly express how much he loves Kenji. Instead, he saves all his money for their retirement, gets plenty of peaches and apples because he knows Kenji loves them, and makes him a Christmas feast on their first night of living together. So when he realizes Kenji is bothered by women thinking he is single, he suggests a practical solution - couple's rings.
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And even though he isn't overly romantic and struggles with his color outside of their home, he knows who the light of his life is.
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He told his bargain buddy Kayoko that although Kenji would be outwardly devastated if they ever broke up because Kenji wears his heart on his sleeve, Kenji would be able to easily move on to another person while Shiro would never recovery or find another. Which, sidenote, but when is Kenji gonna meet Kayoko because we cannot have her believing that Wataru is Kenji?!
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Although he can't say it, Shiro loves Kenji.
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That's why even when they are at odds, Shiro's color is still lighter.
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Because he appreciates the love and light Kenji has brought to their home.
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So that's why Shiro tries to take that light outside every now and then to show Kenji he doesn't just love him at home, but all the time, like a public cafe where everyone can see him being gay with the light love of his life.
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And even though Kenji, with his bomb ass new hair style, still tries to tame his personality down in public, so Shiro isn't anxious,
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In the end, Shiro embraces his lighter side, and knows the biggest reason his self-acceptance was possible was because the constant color and light beaming from Kenji.
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SECOND SEASON WHEN?!
This post was brought to you by the best grocery store worker, the Employee of the Year, and the love of my life.
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She has no name yet, but when she takes my last name, that little conundrum will be easily solved!
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throwaway-yandere · 4 months
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𝗦𝗖𝗣-███: “𝗗𝗘𝗠𝗘𝗧𝗥𝗜𝗨𝗦”
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[Artistic depictions of Researcher "Ansy"'s deceased husband]
“𝐼 𝑚𝑎𝑦 ℎ𝑎𝑣𝑒 𝑏𝑒𝑒𝑛 𝑎 𝑠𝑒𝑎 𝑑𝑟𝑎𝑔𝑜𝑛, 𝑎 𝑟𝑜𝑦𝑎𝑙— 𝐼 𝑚𝑎𝑦 𝑏𝑒 𝑎 𝑟𝑒𝑡𝑎𝑖𝑛𝑒𝑟 𝑎𝑛𝑑 𝑎 𝑚𝑎𝑑 𝑟𝑒𝑠𝑒𝑎𝑟𝑐ℎ𝑒𝑟 𝑛��𝑤, 𝑏𝑢𝑡 𝐼 𝑤𝑖𝑙𝑙 𝑎𝑙𝑤𝑎𝑦𝑠 ℎ𝑜𝑙𝑑 𝑡ℎ𝑒 𝑡𝑖𝑡𝑙𝑒 𝑜𝑓 𝑏𝑒𝑖𝑛𝑔 𝑦𝑜𝑢𝑟 𝑠𝑝𝑜𝑢𝑠𝑒 𝑤𝑖𝑡ℎ 𝑡ℎ𝑒 ℎ𝑖𝑔ℎ𝑒𝑠𝑡 𝑜𝑓 𝑝𝑟𝑎𝑖𝑠𝑒. 𝐼 𝑙𝑜𝑣𝑒 𝑦𝑜𝑢. 𝐸𝑣𝑒𝑛 𝑤ℎ𝑒𝑛 𝑦𝑜𝑢 𝑎𝑟𝑒 𝑔𝑜𝑛𝑒 𝑖𝑛 𝑡ℎ𝑒 𝑡𝑟𝑢𝑒𝑠𝑡 𝑠𝑒𝑛𝑠𝑒 𝑜𝑓 𝑡ℎ𝑒 𝑤𝑜𝑟𝑑, 𝐼 𝑤𝑖𝑙𝑙 𝑙𝑜𝑣𝑒 𝑦𝑜𝑢 𝑤𝑖𝑡ℎ 𝑎𝑙𝑙 𝐼 ℎ𝑎𝑣𝑒.”
— Junior Researcher Astrilde "Ansy" ███████-█████
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𝗔𝗻𝗼𝗺𝗮𝗹𝗼𝘂𝘀 𝗜𝗻𝗳𝗼𝗿𝗺𝗮𝘁𝗶𝗼𝗻:
𝗦𝘁𝗮𝘁𝘂𝘀: See the addendum below for more details.
𝗖𝗹𝗮𝘀𝘀: Euclid.
𝗔𝗻𝗼𝗺𝗮𝗹𝗼𝘂𝘀 𝗣𝗿𝗼𝗽𝗲𝗿𝘁𝗶𝗲𝘀: SCP-███ are conscious and sentient beings produced by Dr. Ansy using water and other confidential matters that cannot be disclosed for researchers below Level 2 Clearance. They are known as "mimics" in Fodlan & Valentia and "hydro eidolons" in Teyvat. They take form in any shape the creators (and rarely, the SCP themselves) desire.
𝗔𝗱𝗱𝗲𝗻𝗱𝘂𝗺 𝟬.𝟭: Researcher Ansy confirmed they had mostly forgotten Demetrius' face and only retained information in regards to their deceased spouse's most basic details, which were "blonde and blue eyes."
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𝗘𝘅𝗰𝗲𝗿𝗽𝘁 𝗳𝗿𝗼𝗺 𝗦𝗲𝗻𝗶𝗼𝗿 𝗥𝗲𝘀𝗲𝗮𝗿𝗰𝗵𝗲𝗿 𝗗𝗿. 𝗠𝗮𝗲𝘀𝘁𝗿𝗼 𝗝𝘂𝘀𝘁𝗶𝗻𝗶𝗮𝗻𝗼'𝘀 𝗮𝗿𝘁𝗶𝗰𝗹𝗲 𝗼𝗻 "𝗟𝗶𝘀𝘁𝘀 𝗼𝗳 𝗣𝗲𝗿𝘀𝗼𝗻𝗻𝗲𝗹𝘀 𝗶𝗻 𝗦𝗶𝘁𝗲-𝟳𝟬𝟬'𝘀 𝗗𝗲𝗽𝗮𝗿𝘁𝗺𝗲𝗻𝘁 𝗼𝗳 𝗠𝘆𝘁𝗵𝗼𝗹𝗼𝗴𝘆 𝗮𝗻𝗱 𝗙𝗼𝗹𝗸𝗹𝗼𝗿𝗶𝘀𝘁𝗶𝗰𝘀"
The "End of Year Blues" Tragedy Play is the simultaneously the best and worst way to understand SCP-███ and Dr. Ansy's relationship. It is a crude and sentimental way of expressing what went wrong in their "love story" while continuously painting Dr. Ansy, the author themselves, as the villain.
(𝗜𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 𝗮𝗱𝗱𝗲𝗻𝗱𝘂𝗺: all male leading roles in this play are meant to represent Dr. Ansy, which they themselves confirmed in Log AL-43)
It is public knowledge that the junior researcher was a Nabatean Sea Dragon who was entrusted by their divine ruler to pair mortals into loving relationships. The name "Astrilde", in some Norwegian dossiers, was claimed to be their localized version of Cupid, God of Desire. Act I depicts a draconic judge who had placed his lover on a miserable position of forced marriage.
Act II stars a tyrannical royal, which is a title not far off the role Dr. Ansy masqueraded themselves in one of their many lifetimes. It is common for long life species such as the researcher to fake identities and play various roles. One of their many "lives" involved becoming of grave importance to the imperial throne. The second act follows that the prince killed the lector's child, which does not reflect true history. True historical records dictates that the "country destroyer" did everything in their power to save the lector's family.
Hence, we cannot discern that what occured in the play is Dr. Ansy's definitive history word-for-word since it is likely a distorted interpretation of what transpired. Another junior researcher, Dr. Yemon, asserts that their husband truly adored and worship them, and that Dr. Ansy wrote this story as a belated self-punishment for not being able to save him in several reincarnations.
"This was their weird way of handling grief," Dr. Yemon stated. "They'd rather take the blame for his death every time rather than just accept that fate always wants him to die at such an early age. Astrilde never killed Demetrius and his reincarnations or led him to die— they love him too much, and I know they're too scared to acknowledge that he does love them back. Because if he did, it would hurt them more."
As for the last two Acts, III and IV, I'm inclined to believe it is currently ongoing. Dr. Ansy is currently stationed to handle SCP-██████'s (registered name: Kamisato Ayato) matters as his retainer while simultaneously working for the Foundation as our hydro researcher. In Act III, we follow Ansy's slow descent to madness as they fail to save SCP-███ incessantly, and in Act IV we follow how they fail to clone him as well. A rather tall order, for someone who can't remember what their husband looked like.
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𝗧𝗵𝗲 𝗳𝗼𝗹𝗹𝗼𝘄𝗶𝗻𝗴 𝘄𝗶𝗹𝗹 𝗻𝗼𝘄 𝗰𝗼𝗻𝘁𝗮𝗶𝗻 𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘇𝗲𝗱 𝗿𝗲𝗰𝗼𝗿𝗱𝘀 𝗼𝗳 𝗗𝗿. 𝗔𝘀𝘁𝗿𝗶𝗹𝗱𝗲 "𝗔𝗻𝘀𝘆" ███████-█████'𝘀 𝗮𝘁𝘁𝗲𝗺𝗽𝘁𝘀 𝘁𝗼 𝗿𝗲𝗺𝗮𝘁𝗲𝗿𝗶𝗮𝗹𝗶𝘇𝗲 𝗦𝗖𝗣-███.
𝗧𝗿𝗶𝗮𝗹 #𝟬: "𝗞𝗢𝗣𝗜"
𝗜𝗻𝗽𝘂𝘁: Dr. Ansy's tears.
𝗦𝘁𝗮𝘁𝘂𝘀: KOPI currently resides in an alternate universe, serving as a moderator for "Lumine". He is the first and last test subject that have been made using Dr. Ansy's DNA. The SCP interestingly does not show major similarities with the researcher and many speculate this as a clear sign that "nurture" triumphs over "nature" in child rearing. See Log-ACG for further details.
[ʜᴇʏ ʜᴏᴡ ᴅᴀʀᴇ ʏᴏᴜ!!! ɪ ᴛᴀᴋᴇ ɢʀᴇᴀᴛ ᴏғғᴇɴsᴇ ɪɴ ᴛʜᴀᴛ!!! ᴡʜᴇɴ ɪ ғɪɴᴅ ʏᴏᴜ ᴅʀ. ᴄʀᴇᴍ, ɪ'ʟʟ sᴛʀɪᴋᴇ ʏᴏᴜ ᴅᴏᴡɴ. — ᴀ]
𝗧𝗿𝗶𝗮𝗹 #𝟭: “𝗗█████𝗶”
𝗜𝗻𝗽𝘂𝘁: Demetrius' hair.
𝗦𝘁𝗮𝘁𝘂𝘀: Unknown. Likely exterminated. Known to be the closest replica to "Demetrius" Dr. Ansy had created, but his vital organs had allegedly failed under a month. Seemed to have shown signs of affection for them. See files LOG-JM to know more about his platonic relationship with (Person of Interest) Joachim.
𝗧𝗿𝗶𝗮𝗹 #𝟮: “𝗗𝗮𝗶𝗻𝘀𝗹𝗲𝗶𝗳 — 𝗕𝗼𝘂𝗴𝗵 𝗞𝗲𝗲𝗽𝗲𝗿”
𝗜𝗻𝗽𝘂𝘁: Demetrius' hair.
𝗦𝘁𝗮𝘁𝘂𝘀: Alive(?) Currently being used as a "bargaining chip" by the Geo Archon, Morax (Alias: Zhongli). Does not seem to be aware that they are a "hydro eidolon", and not the true Dainsleif. Longest surviving SCP-███ to date.
𝗧𝗿𝗶𝗮𝗹 #𝟯: “𝗗𝗮𝗶𝗻𝘀𝗹𝗲𝗶𝗳 — 𝗛𝗶𝘁𝗺𝗮𝗻”
𝗜𝗻𝗽𝘂𝘁: Demetrius' hair.
𝗦𝘁𝗮𝘁𝘂𝘀: Dead from gunshot wound. See Log-IYT for further details.
𝗧𝗿𝗶𝗮𝗹 #𝟰: “𝗚𝗲𝗿𝗮𝗿𝗱”
𝗜𝗻𝗽𝘂𝘁: Demetrius' right eye.
𝗦𝘁𝗮𝘁𝘂𝘀: Unknown. Test subject was lost in the "back alleys" near the Belobog theater. See Log-1010 for further details.
𝗧𝗿𝗶𝗮𝗹 #𝟰: “𝗟𝗮𝘄𝗿𝗲𝗻𝗰𝗲”
𝗜𝗻𝗽𝘂𝘁: Demetrius' blood sample.
𝗦𝘁𝗮𝘁𝘂𝘀: Dead upon Test Subject #2's demands. Speculated to have been TS #1's lover. See Log-LW for further details.
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autisticsupervillain · 2 months
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Complete Monster Write-Up: Reza Zaydan
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What's the Work?
Hitman is stealth action game franchise following the adventures of the world's greatest assassin, Agent 47. The World of Assassination Trilogy is the latest entry in the series as of now, with its third main story mission having two targets for 47 to bring down: Carl Strandberg and today's candidate Reza Zaydan.
Who's the Candidate? What have they done?
Reza Zaydan is a general in the Moroccan Army, known amongst his peers more for womanizing and social skills than for any actual military victory. A classic nepotism baby, Zaydan is always looking to get more power and is willing to sink to any low to get it if it means upstaging the rest of his highly successful family.
Willingly signing up with an international secret society called Providence, Zaydan agreed to become their Puppet King if they aided him in taking over Morroco. To this end, he hatched a plan with banker Claus Strandberg to initiate a military coup. When Strandberg gets caught steeling millions of dollars from the Moroccan public, Zaydan hires mercenaries to break him out of jail, leaving countless innocents and security personnel dead in their wake. This sparks a public outcry that causes riots all across Marrakesh, which Zaydan hopes he can use to justify a full on military coup, painting the Moroccan government as weak and incompetent to his fellow commanders for their inability to handle the riots so they'll join him in uprising.
To further fuel the flames, Zaydan has his people spread propaganda for the terrorist organization Crystal Dawn, hoping to use their supposed involvement to spark massive violent riots across all the most populated cities in Morroco. Once the dust is settled, Zaydan shamelessly admits he plans to have these false flag operatives executed so they can't contradict the narrative he's created.
When one of Zaydan's closest lieutenants and friends learns that his brother died in the Strandberg prison break, he threatens to go public with the truth behind the coup. Zaydan rewards this treachery by have him captured and tortured with advanced interrogation techniques, smugly taunting him about his dead brother in between rounds of torture. Out on the streets, Zaydan's soldiers have innocent people thrown out of their houses and workplaces to convert them to military bases for the upcoming coup, with one store owner in particular being threatened at gun point and told his family will be shot if he does not cooperate. Zaydan has turned the public school into his personal base for the coup this way, forcing the headmaster to live with a relative nearby as he now has nowhere else to go since he cannot work.
Desiring nothing more than to dominate his own country, Zaydan smugly admits that once all is said and done, he plans to throw Strandberg from a plane once he's no longer needed, happy to kill anyone who gets in his way of conquering Morroco.
Thankfully, Agent 47 is brought in to put a stop to this violent insurrection, eliminating both Zaydan and Strandberg before any further damage can be done.
Mitigating Factors?
Nothing concretely redeeming at any rate. Zaydan comes from a large, wealthy family and its suggested that this is what fuels his lust for power, but he never mentions them and no redeeming care or fondness is implied. Zaydan is not popular amongst his own troops, with many badmouthing him behind his back for being a cowardly nepo baby. Several of his own troops express disgust for his fondness for torture and his orders to shoot civilians, with him childishly blowing up at any he hears criticize him. While Zaydan gets on better with his lieutenants, he's happy to throw them to the wolves when betrayed, as discussed above. If directly confronted by 47, he'll even flee to save his own life, leaving all his troops, loyal or not, for dead.
He's not even liked by his girlfriends. One spy working for international terrorist group IAGO mentions that she hates him so much that she's considering quiting just so she won't have to keep dating him.
The biggest concern is being played seriously. There's an Easter Egg in which, if every soldier in the building is dismissed, Zaydan will start dancing a silly dance to goofy disco music. That said, this isn't canon. It's a silly easter egg with no baring or context in the plot and shouldn't be taken against Zaydan's canon actions.
The other issue is Zaydan's potential death, where 47 can drop a toilet on his head from the floor above while he whines about his soldiers disrespecting him. This is his only silly moment in canon, though, and its not enough to detract from how dead straight his atrocities are played otherwise.
Heinous Standard
Hitman's heinous standard is jacked. Just in the WOA Trilogy alone, we have a terrorist organization that got a diplomat and his family killed by leaking classified flight plans, an organ harvester who experiments on the homeless to create mind control technology, and a cult hellbent on spreading an apocalyptic plague around the world.
That said, Zaydan is the most heinous villain in his niche. The latter above examples are CMs in their own right with backing from large, international organizations. Zaydan is ultimately a small cog in Providence's large design whose mostly content just subjugating his own country. As far as dictators whose scope is limited to just their country go? Zaydan is easily the worst.
All the other dictators in the franchise that 47 goes after are all already retired by the time he gets to them, so their crimes are offhandedly described in conversation and mission briefings. Nothing they do goes quite so far in scope and attempted body count as Zaydan does. We see, in gameplay, most of his atrocities play out in front of us. Civilians forced from their homes, a whistle-blower tortures, a riot in the verge of bloodshed that Zaydan plans to spread to major cities all around the country, putting the pieces in place to justify gunning down thousands of innocent civilians to secure his rise to power. Yeah, I think he's bad enough by a hair or two.
Conclusion
He's got a yes from me. I think he just clinches it.
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lissitzkyfan · 1 month
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"The less you eat, drink and buy books; the less you go to the theatre, the dance hall, the public house; the less you think, love, theorise, sing, paint, fence, etc., the more you save - the greater becomes your treasure which neither moths nor rust will devour - your capital. The less you are, the less you express your own life, the more you have, i.e., the greater is your alienated life, the greater is the store of your estranged being. Everything which the political economist takes from you in life and in humanity, he replaces for you in money and in wealth; and all the things which you cannot do, your money can do. It can eat and, drink, go to the dance hall and the theatre; it can travel, it can appropriate art, learning, the treasures of the past, political power - all this it can appropriate for you - it can buy all this: it is true endowment. Yet being all this, it wants to do nothing but create itself, buy itself; for everything else is after all its servant, and when I have the master I have the servant and do not need his servant. All passions and all activity must therefore be submerged in avarice. The worker may only have enough for him to want to live, and may only want to live in order to have that."
- Karl Marx
I'm going to be posting about art of all types I both like and dislike on here: film, music, literature and more.
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tetsunabouquet · 1 year
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Basic Instinct Part 5
Basic Instinct Part 5
A/N: Finally, part 5! We’re getting closer to the reader and Akashi finally becoming a couple and Akashi is granted another nugget of the reader’s personal philosophy, but there are schemers lurking in the dark. Other then my usual warnings, there are mentions of bystanders who do nothing, in case that’s painful for anyone.  Masterpost
Akashi grinned as he saw you approach the team. Rakuzan had just won a practise match against Seiho, and you were practically jumping on the team. "You guys did amazing!" This, was of course a fact, but Akashi couldn't help but feel a little flustered at your bright, excited demeanor. "Thank you L/n-san, we appreciate your enthusiasm." Reo replied with a smile gracing his features. "Are you guys hungry?" You asked, considering the practise match took place just after classes, with Seiho's team having a free day off of school. Apparantly, the school was excused for a few days because of a fire accident during chemistry class which Akashi had used to his advantage, how he knew, you had no clue. This guy really was absolute. Eikichi belted out a big, "YEAH!" as Kotaro nodded quickly. "Good, because I'm treating you all to the Maji Burger. It's about damn time I repay you Seijuro," you said confidently, although your confidence slightly faltered upon seeing Nebuya's enthusiasm. Akashi noticed, of course. 'Her mother definitely doesn't makes enough to cover for his appetite, and of course she's a volunteer who's too sweet to work for money.' "I'm covering for Nebuya." He turned his head to his teammate and added, "You shouldn't take advantage of someone's kindness like that." Eikichi rubbbed the back of his head with a guilty expression on his face. You smiled, totally melting at his generosity, and the fact he just saved you from going completely broke.
After you all ate, Akashi insisted on walking you home. He had noticed a few things about you that dinner, something only a group setting and a public situation like this would showcase. Like how your confidence bordered on fearlessness when you were joking around with Kotaro. You didn't seem to care at all at what someone thought of you. It wasn't just at school where you were in a familiar enviroment with everyone knowing you. Your playful confidence and jokes were a constant, and with his teammates bringing more liveliness to the party, it added fuel to your lovely fire. He wondered how you did that, not being afraid to make a total fool out of yourself. "Dinner was quite fun." He said. "Yeah! Everyone was so nice, and I had quite a good laugh." You replied, your smile bright. "Well, you certainly were the heart and soul of our party. I cannot believe you got Kotaro to dance with you in the queue." "Well, there's nothing wrong with a little victory dance." You chirped. "I'm not saying there is. Just curious how you can muster that confidence." Akashi confessed. "Eh?" You asked him, not believing he of all people was asking you about confidence. You blinked a couple of times, before honestly replying, "Well, it's to do with my life's philosophy." "Your belief in great sorrow and great joy?" "Yeah. It was around the time where I adopted my philosophy, when I had this certain thought. It's true what they say in all those guilt-tripping charity commercials, most people would rather close their eyes to what injustice is in front of them. With your life, with what happened at Teiko, isn't that exactly what people did? I learnt that too, painfully well, with my own mother. You admitted to me you investigated me, yet the neighbor who told you about my mom's actions never did something about it, and there are more. It's what people do," you took a deep breath before continuing. "So then I thought to myself, if people don't want to see what's going on when my life sucks, they shouldn't suddenly open their eyes once I'm happy and feeling alive. Let the blind remain blind. The people who keep their eyes open no matter what are the only people who matter." "And thus you stopped caring for superficial people, including their opinions." Akashi concluded, and you nodded, looking slightly uncomfortable at being vulnerable. "It's difficult to find happiness if you care about everyone else's before your own. That same thought should go for trying to please others by behaving accordingly when following your heart is a harmless thing to do." 'A harmless thing to do...' Akashi thought about it. "Have I ever told you that you are wise for your age before?" "No, you haven't. But thank you." You smiled at the compliment, your eyes casted down as you were to one to feel slightly flustered this time. Akashi smiled at your reponse, and longed to grab your hand. "I'm happy we're friends," was what he said instead. "Me too." You replied softly, and you bit your lip as you noticed you were already at your street. Akashi wished he didn't had to watch you leave, but he swallowed back how he felt, and wished you goodnight. Your big e/c eyes were staring back at his own, "Goodnight, Seijuro." You said, before you slipped into your home. Which has made him feel like he was dying because of mutiple reasons.
1. You were leaving. 2. You wished him goodnight for the first time ever. 3. Your voice sounded so very sweet when you did. 4. You called him by his first name again.
'This girl has such a gigantic power over me, and she doesn't even has a clue.'
Who did have a clue, was his father, who was getting very impatient at the fact his son wasn't home yet. 'She gets him to skip classes, both at school AND home, and he spends the free time he does have on dates with her. He should get a better grip on himself.' The man was silently seething in anger, because this wasn't how he had raised his son. Fujioka, on the other hand, was watching on with a pit of dread forming in his stomach. He feared for the young master's return. Not because he was worried for the young master's safety, but for whatever punishment would await him when he'd get home. The boy already had such a workload, and whomever the girl he was seeing was, she seemed to try and save whatever was left of the young master's childhood. The boy should be a boy. Fujioka-san knew, that whilst his master didn't like your influence, Shiori-Sama would have approved of it. He couldn't help but look forward to the future, when a kind mistress would be the lady of the house once more. So when Akashi finally arrived home, he preprared himself. 'I'll defend the young master and his blossoming love from Masaomi-Sama. It's what Shiori-Sama would have wanted, and I was her servant first.'
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gothamscormorant · 2 years
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this is how i imagine dick grayson…
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click here for the other boys
this gets very um… ✨psych eval✨
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- cannot cook to save anyone’s life.
- he eats cereal for most meals so he has a god tier level of judgement of different brands and types of cereal.
- really good at hacking.
- sings in the shower but is actually pretty good at it; and has 90s-Y2K music taste, as well as 80s pop.
- his first anime he watched was definitely the original fruits basket.
- dangerously impulsive sometimes.
- is extremely selfish when it comes to non-super hero things.
- like -based off my experience of being the eldest- he never had to do chores, never had to learn any homely skills really, gets away with doing whatever the hell he wants, things were just handed to him.
- didn’t know how to use a washing machine until he moved out and he still uses alfred to wash delicates.
- there’s no workers in the manor so i like to think after jason, bruce decided everyone had to pick up the slack.
- like vacuuming their own rooms, cleaning their own bathrooms, washing their own plates and cups, hang out the washing etc etc. (there’s definitely a cleaning roster)
- but dick doesn’t. he never had to and still gets away with not doing it when he visits.
- it’s beyond everyone else by this point how he does it.
- has an insane disregard for anyone else’s feelings, like they’ll yell at him for leaving his cereal bowls in the sink and he’ll just shrug and walk off.
- doesn’t mean he’s the favourite tho; just the eldest. he never gets away with things that require a bit of maturity, either hero work or wayne work.
- if he’ makes the wrong call on a mission or messes around in public or makes a bad impression on a client, he gets the phattest spray from bruce because he’s “older and should know better”.
- no one gets yelled at more than dick.
- which does not help the fact that dick has the shortest and most dangerous temper.
- ever heard of something along the lines of the eldest child was the rough draft, the children following were the more polished-parented ones?
- dick was the prime example of this.
- bruce was young when he adopted dick and still working through a lot of shit, a lot.
- (in the harshest way) his unresolved trauma was 100% the only reason he decided to adopt a random kid from the circus who’s parents just died.
- so though well intentioned, bruce didn’t do the best job of raising dick.
- he could hardly take care of himself and suddenly he was raising a child, and so dick wouldn’t have necessarily been nourished the way he should’ve.
- i reckon that’s something that hangs over bruce quite a lot as he aged (but this post isn’t bruce’s hyper evaluation so).
- in the end it resulted in a grown child who was used to getting what he wanted, hardly disciplined, unaware of how to properly express emotions, and in a constantly unstable environment; chasing adrenaline and risky activities (psychology 101).
- it’s no wonder dick would’ve responded badly to jason being adopted; a situation that he thought had become somewhat secure, was abruptly changed again without even a brief mention to him.
- he has a serious uncontrollable temper; where jason has PTSD to complicate his anger, he’s able to make rational (in jason terms) and controlled decisions -and have a decent patience- where-as when dick gets mad, he flies into a rage and does things he regrets afterwards constantly.
- dick’s funny and playful nature comes from needing to impress others and get their praise and attention.
- when he was little he would’ve had to entertain himself in the big manor, and when he joined bruce at galas and events everyone would gush over him -giving him the attention he so desperately craved (and probably anything he asked for).
- his ego and need for validation comes from the lack of attention and validation bruce gave him when he needed it most -whether he realises that’s why or not.
- which also leads into his tendency to be player. he knows he’s gorgeous, and he knows he can get anyone he wants, so he exploits that to solidify the thought that he is wanted, even when he mind tells him he’s not.
- i love bruce and i believe he is extremely regretful and actively trying to do better, however we can’t deny that dick -and jason- were more or less the failed test runs.
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vespersposts · 9 months
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Reap what you sow
Hello everyone!
It's been ages, but I wanted to update this story, hoping it will continue to be an enjoyable read. A hug to all, V.
-> more knb stories here 🏀
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"So?" 
She comes running into the classroom, her long hair pulled back in a ponytail, her smile warm as she hands you a can of coffee and opens hers.
"He said it's OK" you reply, pulling a bag of pretty, hand-wrapped chocolates from your backpack. The ones you'd bought at the trendy restaurant you ate at last night, just waiting for this moment.
"I knew it!" she exults, choosing the cherry liqueur one, "Dai-chan never lets me down!" she concludes, smiling so warmly at you and at the goodness of the chocolate that you don't have the heart to point out the boy's true feelings again.
"So now you will be seen together in public and..." she continues, lost in her romantic fantasy made of waiting outside classrooms, public kisses and dinner dates with her and Tetsu. 
As if this charade were a real thing.
"No, for God's sake!" you exclaim, fiddling with the tin "For now Kuri will only know that there is a girl he's in contact with, so she can make herself even more pathetic" you smile back at her.
" Last night was so funny, seeing him so embarrassed and that nickname... A masterstroke" Momoi confides, moving her face closer to your ear as the princess enters the classroom.
" I had to play hard to get, your friend and I have nothing in common!" you tell her as you uncork the can under her gloating gaze.
"You just need to take a little time with your relationship, Dai-chan is a lot of fun once you get to know him a bit!" she tells you mischievously, laughing in satisfaction at the desperate look on your face.
Kuri, for her part, must have a radar that alerts her when anybody in the world talks about her beloved Aomine, because she goes to Satsuki to ask for useless information about league games.
" I'd like to get good seats and support the team" she explains, looking down disdainfully at the remains of your snack.
" I can always ask Sensei Shun if he has time, so maybe you can apologise to him in person" you reply ironically, once again pointing out what would have been the right thing to do, but which the champion of morality continues to ignore.
Satsuki's lips twitch briefly, you know she would like to smile but cannot, so she decides to show her sympathy in another way.
" Kuri's right, we need all the support we can get now that Dai-chan is so distracted by his private life" she hints quietly, then turns to you as if you didn't know "Last night he was so strange... Always on his phone, so moody! Then a text came in and everything was fine, right?" she asks, turning her wide eyes to those of Kuri, who suddenly becomes very serious.
" Something about his family, perhaps? He told me that he hears from his parents every night after training," the class leader suggests, so sure of her appeal to the boy that it's almost touching.
"I doubt it" the analyst smiles mischievously and nods at you both, before revealing the secret with a half-hearted voice: "He saved the sender as 'pretty', I saw it with my eyes! So it's definitely a girl!" she giggles, staring at you so that you say something, but Kuri is quicker. 
"Momoi-chan, you really don't know anything about this, do you?" she asks her in a sharp tone, so different from the usual sugary version she offers her.
" Since you're so curious, why don't you ask him directly? Then you would finally have a good reason to spend the whole afternoon glued to his back!" you interject, returning the not-so-subtle accusation to the sender. 
Once again you are saved by the beginning of the lesson.
Even though you think you've done quite well, there's something about Satsuki's expression that doesn't sit well with you.
She often looks at you and smiles, a half-smile you only understand when, sure there are no prying ears, she reveals it verbally.
"It may all be an act, but I'm really glad you've nailed the role" she comments, turning the pencil in her hands.
" You're no fun! " is the only thing you can say as you open your notebook and decide to give your full attention to the lesson. There is no point in explaining, clarifying or talking. Momoi has no idea that everything you do, you are also doing for her, to give her a chance to finally realise that she is the girl Dai-chan has been looking for all his life. She doesn't mean to, but her stubborn positivity will test you, because she's living proof that she doesn't notice you or how you feel. For her, it would be the fulfilment of a dream if you and her best friend became a couple, while you just want her to be true to herself to the core.
What you told Daiki in his living room the night before is exactly what you think, but also what you fear.
You just don't want your friend to realise too late that she's lost the man of her life because she still believes in the infallible nature of first love. After seeing their photos together, after he almost attacks you to claim his right to love her, after seeing how his face changes when he talks about her, you can only ask yourself one thing: why shouldn't Daiki be Momoi's soul mate?
You are distracted from these thoughts when the pink-haired girl's fingertips brush against your elbow and place a note under your nose, a torn corner of her notebook with a single word written on it.
"Sorry."
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For Jia and Miraak, 🦴🧸 and 💐!
💖ask game💖 🦴: Does your OC have much sexual experience? What are they like?
Jia: No, Jia hasn't got any sexual experience, either before or after she got captured. And due to the circumstances of her capture, for a fair amount of time, she was quite numb, even appalled by the idea of having sex. She couldn't believe she'd ever meet that person who would make her actually want it and not be afraid of it, even though in her heart, she secretly craved that kind of intimacy—blame the sappy novels she keeps hoarding and reading again and again in her hours of loneliness. Now, after she meets Miraak, and slowly builds deep-rooted and mutual love, trust, and respect with him, Jia will be very much willing in this aspect. 👀👀👀
(she has also read The Lusty Argonian Maid and other novels like these, for educative purposes and their plot, so...)
Miraak: Miraak is my Beloved Virgin™. He has never done anything romantic in his life, save for some very chaste kisses back in Atmora, before he became a Dragon Priest. In my headcanon, Dragon Priests swore celibacy. They weren't allowed to have wives or mistresses, and they weren't allowed to sire children, since passion and love are sometimes equal to devotion and dragons did not allow their servants to be devoted to anyone else than them—a dragon cannot simply share commitment. Also, dragons are not driven by romantic love or sexual desire, so the same thing was expected by their representatives. Miraak broke his oath of allegiance to the Dragon Cult and the dragons by rebelling against them, and now that he's out of Apocrypha, he's yet ready to break his oath of celibacy... 👀
(he had plenty of time in Apocrypha to scour through various tomes with Informative Content concerning these matters, so just like Jia, he might put his knowledge to good use...)
🧸: Into public displays of affection or are they more reserved?
Jia: She is reserved by nature, so I'd say she'd show her affection when she had the privacy to do so—she is also very expressive in her love and doesn't want to draw unwanted eyes in her personal moments. The only time I can imagine Jia displaying her affection in public is during a big battle when Miraak is in danger or bleeding or does something badass with his powers and turns her on... 😂👀
Miraak: Miraak is not as reserved as Jia, so I can see him trying to claim an affectionate moment with her in public. His possessive draconic instincts may kick in a bit, showing everyone she's his, but his expressions of love also display the true pride he bears for his counterpart. I can imagine him stealing her kisses while thinking, this is my wife. Look at how very strong she is. She is the fire itself. Did you know that she slayed Alduin?
💐: What is their courting style? How would they woo someone?
Jia: She's inexperienced and very subtle in this matter. Maybe with little glances or imperceptible touches or nuanced compliments that make her flustered as soon as she acts them, or, because she knows she's coming off as awkward, she tries to flirt/give away a portion of her romantic feelings by offering gifts she makes herself—for Miraak, she has crafted a dagger, has baked various sweets, has cooked foods, has offered him her bedroom, and all these are her own unique ways to literally scream to him: I fall head over heels for you.
Miraak: Miraak, on the other hand, is a bit more precise about his flirting, even though he also has insecurities and zero experience and gets equally flustered; especially when he receives compliments. While Jia might flirt with little glances, Miraak's gaze might be more enduring and mischievous, so his interest shows pretty clearly—in the beginning, he used to tease Jia regularly to flirt with her and test her own reactions, so he ended up reveling at the sight of her flushed cheeks and accentuated freckles as an answer to his teasing. He also had a bad habit of invading her personal space, not because he wanted to cause her distress whatsoever, but because he was just so desperate for closeness in general and in Jia's closeness in particular. As their relationship evolves and warms up, he may start to offer gifts to her, too! My Miraak weaves clothes with Alteration Magic, so in an upcoming chapter, he will sew something for her... something rather intimate... 👀
(I can see him trying to flirt with her by writing her poems with a loving undertone, and she stands there trying to analyze their meaning all shy and flushed...)
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louisupdates · 1 year
Text
CULTURA COLECTIVA
[Translated from Spanish]
Louis Tomlinson visited Mexico and did not imagine all the love with which he was received
Louis Tomlinson was received with such emotion that at that moment he breathed nothing but love
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Louis Tomlinson in Mexico fulfilled the dream of many Louies. His visit caused an incredible shock that showed how greatly loved and admired he is.
Mexico City was filled with all those voices, singing and clapping each one of Louis' songs to receive him when he arrived. It has undoubtedly been one of the most emotional moments for anyone who was there. It is always exciting to see how much love we can have for an artist who, without knowing it, has marked something important in our lives.
And this happened with Louis Tomlinson. There was nothing around him but love, warmth and a lot of thanks for saving so many lives.
Louis Tomlinson in Mexico
The former member of One Direction arrived in Mexico to present his new documentary 'All Of Those Voices', which recounts what his life has been like after being part of one of the most famous boybands worldwide in recent times.
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Louis Tomlinson attended the red carpet at Cinépolis de Oasis Coyoacán, where he expressed his love for Mexico and how grateful he is for so much love and support. He was very loving with all the attendees and there is no doubt that he is a big fan of his Mexican fans.
Along with the singer, we were able to see Charlie Lightening, director of the documentary, who was surprised by the public's reception. The filmmaker even stayed in one of the rooms to enjoy his production with Louis's fans.
Louis Tomlinson was received with much love
The fans couldn't believe what was happening. They were watching Louis Tomlinson and tears were welling up with quite a bit of happiness and shock. If anything was breathed on the red carpet of 'All Of Those Voices,' it was a lot of love and unconditional support.
“Louis, hermano, ya eres mexicano”, it was heard in the entire square of Oasis Coyoacán.
It was an impressive number of people who waited for him, thousands of hearts were beating to the rhythm of 'Bigger Than Me' and wherever you turned, you would see eyes shining with happiness.
It was an environment full of love and admiration, and we cannot judge that from any fan, because many times we do not know the meaning that an artist has in their lives, because music can save the lives of many.
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Yeah, it got a little out of hand...
Yes, it is true that sometimes that passion can get out of control and the anxiety to be close to our idols is so great that we suddenly forget our safety and that of others.
Some Louies have fainted and even hurt themselves, however, what Louis has always tried to stress is that despite all the love we have for him, safety and respect come first. And he is right.
Fortunately, nothing was more serious and the medical and security services in the square duly attended to the young women affected.
Fans were waiting for his arrival for more than twenty-four hours, camping out outside the plaza for a chance to see the musician; Despite the fatigue, they did not stop singing for a second, much less gave up the illusion of seeing him for a few minutes.
The priority has always been the fans
Louis has made it very clear that his priority is his fans, for this reason, he opened spaces for them to be in charge of meeting and interviewing him, in addition to being integrated into various dynamics with Cinépolis to be part of the premiere of 'All Of Those Voices' and participate in a Q&A with the musician and the director.
Louis Tomlinson and 'All Of Those Voices'
‘All Of Those Voices' opens on March 22 in different cities around the world and we will be able to see the totally open heart of Louis Tomlinson, where, from his own voice, he narrates experiences, feelings and stories so that we can get to know him a little more. Or much more.
In this documentary he highlights the nostalgia, but also an impressive motivation and pride, seeing how one of our favorite people has found his place in the world and is proud of it.
You will cry? Yes. There is nothing more moving than seeing Louis struggle with his insecurities, fears and the moments that have marked his life the most (such as the loss of his mother and his sister) to get to where he is now.
'All Of Those Voices' is the portrait that not everything is happiness and fame in our idols, in addition to the importance of fighting and not giving up on the path to make our dreams come true, no matter how dark it becomes; what is destined for you, will be yours.
That is what Louis Tomlinson has taught us and verified.
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dunilefra · 4 months
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Admirable Articles of Malta's Constitution
8. Promotion of culture, etc
The State shall promote the development of culture and scientific and technical research.
9. Safeguarding of landscape and historical and artistic patrimony
The State shall safeguard the landscape and the historical and artistic patrimony of the Nation.
10. Compulsory and free primary education
Primary education shall be compulsory and in State schools shall be free of charge.
13. Hours of work
The maximum number of hours of work per day shall be fixed by law.
The worker is entitled to a weekly day of rest and to annual holidays with pay; he cannot renounce this right.
17. Social assistance and insurance
Every citizen incapable of work and unprovided with the resources necessary for subsistence is entitled to maintenance and social assistance.
Workers are entitled to reasonable insurance on a contributory basis for their requirements in case of accident, illness, disability, old-age and involuntary unemployment.
Disabled persons and persons incapable of work are entitled to education and vocational training.
34. Protection from arbitrary arrest or detention (Part of it)
No person shall be deprived of his personal liberty save as may be authorised by law in the following cases, that is to say -
for the purpose of bringing him before a court in execution of the order of a court or before the House of Representatives in execution of the order of that House;
in the case of a person who has not attained the age of eighteen years, for the purpose of his education or welfare;
for the purpose of preventing the spread of an infectious or contagious disease;
Any person who is arrested or detained shall be informed at the time of his arrest or detention, in a language that he understands, of the reasons for his arrest or detention:  Provided that if an interpreter is necessary and is not readily available or if it is otherwise impracticable to comply with the provisions of this sub-article at the time of the person’s arrest or detention, such provisions shall be complied with as soon as practicable.
Any person who is unlawfully arrested or detained by any other person shall be entitled to compensation therefor from that person.
35. Protection from forced labour
No person shall be required to perform forced labour.
For the purposes of this article, the expression "forced labour" does not include -
any labour required in consequence of the sentence or order of a court;
labour required of any person while he is lawfully detained by sentence or order of a court that, though not required in consequence of such sentence or order, is reasonably necessary in the interests of hygiene or for the maintenance of the place at which he is detained or, if he is detained for the purpose of his care, treatment, education or welfare, is reasonably required for that purpose;
any labour required of a member of a disciplined force in pursuance of his duties as such or, in the case of a person who has conscientious objections to service as a member of a naval, military or air force, any labour that that person is required by law to perform in place of such service;
any labour required during a period of public emergency or in the event of any other emergency or calamity that threatens the life or well-being of the community.
37. Protection from deprivation of property without compensation (Part of it)
No property of any description shall be compulsorily taken possession of, and no interest in or right over property of any description shall be compulsorily acquired, except where provision is made by a law applicable to that taking of possession or acquisition -
for the payment of adequate compensation;
securing to any person claiming such compensation a right of access to an independent and impartial court or tribunal established by law for the purpose of determining his interest in or right over the property and the amount of any compensation to which he may be entitled, and for the purpose of obtaining payment of that compensation; and
securing to any party to proceedings in that court or tribunal relating to such a claim a right of appeal from its determination to the Court of Appeal in Malta:
Provided that in special cases Parliament may, if it deems it appropriate so to act in the national interest, by law establish the criteria which are to be followed, including the factors and other circumstances to be taken into account, in the determination of the compensation payable in respect of property compulsorily taken possession of or acquired; and in any such case the compensation shall be determined and shall be payable accordingly.
Nothing in this article shall be construed as affecting the making or operation of any law so far as it provides for the taking of possession or acquisition of property -
in satisfaction of any tax, rate or due;
by way of penalty for, or as a consequence of, breach of the law, whether under civil process or after conviction of a criminal offence;
by way of the taking of a sample for the purposes of any law;
where the property consists of an animal upon its being found trespassing or straying;
as an incident of a lease, tenancy, licence, privilege or hypothec, mortgage, charge, bill of sale, pledge or other contract;
by way of the vesting or administration of property on behalf and for the benefit of the person entitled to the beneficial interest therein, trust property, enemy property or the property of persons adjudged bankrupt or otherwise declared bankrupt or insolvent, persons of unsound mind, deceased persons, or bodies corporate or unincorporate in the course of being wound up or liquidated;
in the execution of judgments or orders of courts;
by reason of its being in a dangerous state or injurious to the health of human beings, animals or plants;
in consequence of any law with respect to the limitation of actions, acquisitive prescription, derelict land, treasure trove, mortmain or the rights of succession competent to the Government of Malta; or
for so long only as may be necessary for the purposes of any examination, investigation, trial or inquiry or, in the case of land, the carrying out thereon -
of work of soil conservation or the conservation of other natural resources of any description or of war damage reconstruction; or
of agricultural development or improvement which the owner or occupier of the land has been required and has without reasonable and lawful excuse refused or failed to carry out.
Nothing in this article shall be construed as affecting the making or operation of any law so far as it provides for vesting in the Government of Malta the ownership of any underground minerals, water or antiquities.
Nothing in this article shall be construed as affecting the making or operation of any law for the compulsory taking of possession in the public interest of any property, or the compulsory acquisition in the public interest of any interest in or right over property, where that property, interest or right is held by a body corporate which is established for public purposes by any law and in which no monies have been invested other than monies provided by any legislature in Malta.
97. Tenure of office of judges
Subject to the provisions of this article, a judge of the Superior Courts shall vacate his office when he attains the age of sixty-five years.
A judge of the Superior Courts shall not be removed from his office except by the President upon an address by the House of Representatives supported by the votes of not less than two-thirds of all the members thereof and praying for such removal on the ground of proved inability to perform the functions of his office (whether arising from infirmity of body or mind or any other cause) or proved misbehaviour.
by Dunilefra, working for State Policy
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