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#secret avengers 2014
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Secret Avengers (2014) #3
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shieldaddies · 1 year
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Secret Avengers 2014, #5
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modok: IM IN LOVE WITH MARIA HILL
me: wtf wtf wh at the f u c k
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avengerscompound · 2 years
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Secret Avengers (2014)
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starsnheroes · 9 months
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Memes & Ask Box Prompts -> Accepting // do you really think that inviting the Hawkguy to space is a good idea, @danversiism you've basically brought along a personal complaint machine -> " join the fun ! " ( clint ! )
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GO TO SPACE THEY SAY.
Star Trek says it's the final frontier. These are the voyage of the starship BLAH BLAH, it's five year mission (dear fuck almighty please don't be a five year mission ⸺ let's change that to mission of indeterminate time), to explore new worlds (scratch that not applicable), to seek out new life and new civilizations (pretty sure they had already fought very old and familiar problem and kicked their ass), to boldly go where no man has gone before (he could name several people off the top of his head that has probably been here before)
Tony Stark, Sue Storm, Johnny Storm, Reed Richards, Ben Grimm, Bucky Barnes, Thor, Vision, Hank Pym, Bruce Banner, Spiderman, the list goes on, do you get the point?
THE CAPTAIN MARVEL HERSELF.
He could name even more NERDS AND GEEKS who would be thrilled to be hijacked for adventures in space. What were none of them available, granted this had started out as a dimension hopping, fall into a portal kind of thing that only went one way.
Clint had a whole speech thought up just special for Carol Danvers on why him being out here was a terrible idea. HE DIDN'T REALLY HAVE A CHOICE ANYMORE. It had started like this with complaining about the last time that he had gotten hijacked and ended up in space. HE HAD BEEN NAKED, and than he had to rescue Agent Coulson and Agent Fury from a space and terrifying cybiote called The Fury.
NOT A FUN TIME.
Than said speech, which he thought was a real winner except it had done the opposite of what he had wanted and had in fact proven his competence as one of the older aveners, when the OGs retired beside CAP? Who was on the new team, the first next set? HIM. Clint went on to explain how archery worked, with the idea that his counter point was that he would be in useless in space.
A BOW IS BASICALLY A LONG ROD WITH TWO ENDS CONNECTED BY A STRING. The bow bends when the archer (him, the master marksmen) pulls back on the string. The bow can bend because it made of an elastic material. Bending the bow gives it elastic potential energy. DO I NEED TO EXPLAIN ARROWS TO YOU, CAROL? The arrow is a long, straight shaft. It has a pointed object on one end (the arrowhead but I have more cooler trick heads) and a balancing device, such a feather (that's the fletching; the hen, and cock or index, plus the nock) on the other end. WHAT DIDN'T EXPLAIN OLD HAWKEYE TO UNDERSTAND PHYSICS? The archer (again him, greatest archer alive) hold the feather end of the arrow against the string while pulling it back. Releasing the string thrusts the arrow forward with the elastic force of the bow. The elastic potential energy of the bow is converted to the kinetic energy of the arrow. GRAVITY IS INVOLVED. SPACE DOESN'T HAVE THAT EARTH RULES OF PHYSIC DO NOT APPLY. SPACE SUCKS SEND HIM HOME, DANVERS.
Beside that, he had taken some tech and spent an eternality figuring out how to rig his arrows to function more like mini rockets which he has had rocket arrows before so this wasn't that much a stretch. DON'T LET ANYONE KNOW HE'S SMART. This is the only thing he was good with to be far, ask him for no help with anything else; all his ideas come stolen from others or breaking down tech from all his smart friends (tony stark is his biggest victim) and macguyvering some bullshit.
❝ Join the fun ! ❞
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And here he goes being dragged down the hallway and presented with a table of cards. GO TO SPACE THEY SAY. IT'LL BE FUN. Now the old carny, the thief and the conman in him knows what a card game was. He knows how to rig them, win them, and lose them. Knows a card trick or two, nothing like Gambit but he's cheating (he's got powers and all Clint has is childhood raised by criminals).
He's particularly good at strip poker. ❝ Please tell me this is strip poker. ❞ Not that he thinks there is chance he's getting lucky with anyone here, either indisposed like the particular captain was for a particular Peter (probably one of the better peters even if he knows for a fact he did not own hawkeye merch because he's clint barton's biggest fan but he would agree on being a kate bishop fan himself so he gets the pass) or they scared him.
He's just a mortal human man who liked keeping his heels dug firmly in Earth dirt. HE SHOULD HAVE BROUGHT UP THE COWBOY ARGUMENT. He's a cowboy, a fan of the old Wild West, not an astronaut.
❝ I am very good at strip poker. ❞ He loses on purpose, because it than mean he gets to strip and the ladies he typically played with would oogle him and perhaps make a bad decision with him for one night only (unless Natasha or Bobbi was there but not the other than that could turn into three night mistake for his heart). NO ONE IS NAKED YET, so he has to rule out strip poker which is a pity; as Clint determines this since he had been brooding in his cot (dealing with cravings and yearning for home) while it sounded like games had started. No one is nude which rules out stripe poker. DARN.
❝ Alright, so what's this game and how do I win all the loose change in in your pocket, Cap? ❞
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age-of-moonknight · 2 years
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“Slasher,” Moon Knight (Vol. 7/2014), #1.
Writer: Warren Ellis; Penciler and Inker: Declan Shalvey; Colorist: Jordie Bellaire; Letterer: Chris Eliopoulos
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nightmareinfloral · 4 months
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Jericho- Where to Read?
Joseph William Wilson (Jericho) is the youngest son of Slade Wilson (Deathstroke) and Adeline Kane. Beneath the cut is a complete list of Joey’s major appearances updated as of January 2024. Most important issues are in bold.
The 1980s:
Tales of the Teen Titans (1984) 42-44, Annual 3, 45-48, 50-52, 56-57, 58
The New Teen Titans (1984) 1-2, 3-5
Crisis on infinite Earths (1985) 3-5, 9, 11
Who’s Who: The Definitive Directory of the DC Universe (1985) 11
The New Teen Titans (1984) 6-10, Annual 1, 11-13, 14-15
The Omega Men (1983) 34-35
The New Teen Titans (1984) 16-17, 18, 22, 24-31
Action Comics (1938) 584
Teen Titans Spotlight (1986) 3-6
Secret Origins (1986) 13
History of the DC Universe (1986) 2
The New Teen Titans (1984) 33-34
Blue Beetle (1986) 11-14
The New Teen Titans (1984) 35-37, Annual 3, 39-49, Annual 4
The New Titans (1988) 50-55
Secret Origins (1986) Annual 3
The New Titans (1988) Annual 5, 57-59
Batman (1940) 440
The New Titans (1988) 60-61
Secret Origins (1986) 46
The New Titans (1988) 62-63
The 1990s:
The New Titans (1988) 64-67
Hawk & Dove (1989) 11-12
The New Titans (1988) 68-69
Who’s Who in the DC Universe (1990) 1
The New Titans (1988) Annual 6
Wonder Woman (1987) 47, 49
The New Titans (1988) 71, 75-79, Annual 7, 80-85. 86
Deathstroke the Terminator (1991) 1-7, 9, 11, Annual 1
Showcase ‘93 (1993) 2
Batman Shadow of the Bat (1992) 34
Deathstroke (1991) 48
JLA/Titans (1998) 1
Nightwing Secret Files and Origins (1999) 1
The Titans (1999) 10
The 2000s:
The Titans (1999) 25, 46
Teen Titans (2003) 2
Batman Gotham Knights (2000) 44
Teen Titans (2003) 3-5, 7-8
Avengers/JLA (2003) 4
Teen Titans (2003) 9, 11-12, 21
Nightwing (1995) 106
DC Special The Return of Donna Troy (2005) 1
Teen Titans/Outsiders Secret Files and Origins (2005) 1
Teen Titans (2003) 33, 39-47, 52
Countdown to Final Crisis (2007) 36
DC Universe: Last Will and Testament (2008) 1
DC Universe Decisions (2008) 3-4
Titans (2008) 6-12
Teen Titans (2003) Annual 1, 69
Vigilante (2008) 5
Teen Titans (2003) 70
Titans (2008) 13
Vigilante (2008) 6
Teen Titans (2003) 77-78
The 2010s:
DC Universe Legacies (2010) 5
Titans (2008) 37-38, Annual 1
Deathstroke (2011) 0, 13, 19-20
New Teen Titans: Games (2011)
Deathstroke (2014) 2-6, 17-20
Convergence New Teen Titans (2015) 1-2
Deathstroke: Rebirth (2016) 1
Deathstroke (2016) 1-3, 6-10, 12-16, 18
Teen Titans (2016) 8
Deathstroke (2016) 19
Teen Titans The Lazarus Contract Special (2017) 1
Deathstroke (2016) 20-25
DC Holiday Special (2017) 1
Deathstroke (2016) 26-27, Annual 1, 28 -32, 34-50
The 2020s:
Dark Knights: Death Metal: The Last Stories of the DC Universe (2020) 1
Batman Black and White (2020) 5
Deathstroke Inc. (2021) 1, 5, 7
Future State Gotham (2021) 12
Tales of the Titans (2023) 2
Thank you to @jerichogender for helping me compile!
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swan-of-sunrise · 5 months
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His Girl Friday
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Summary: At Tony Stark's forty-fourth birthday party, the genius-billionaire-playboy-philanthropist and his longtime personal assistant finally address what's remained unspoken but secretly acknowledged between them for many, many years.
Pairings: Tony Stark X F!Reader
Word Count: 2.2k
Warnings/Disclaimers: None
A/N: Hi guys! This is my first time writing a Tony-centric fic and I had a lot of fun with it, so thank you for reading and I hope you all enjoy!
His Girl Friday May 29th, 2014 Avengers Tower, New York City (Fanfiction Masterlist)
Being employed as Anthony Edward Stark’s personal assistant was a challenging and often times perilous job, and that was before he’d announced himself to the world as Iron Man. But (Y/N) (Y/L/N) was no ordinary personal assistant; she stood by the genius-billionaire-playboy-philanthropist when he vowed to stop producing weapons at Stark Industries after being imprisoned by terrorists for three long months, she stuck with him when his secret illness and subsequent erratic behavior drove nearly everyone else away, and she flat-out refused to believe he’d been killed at the hands of the Mandarin. It was evident that Tony Stark was the closest thing she had to a best friend. Lately, however, she’d begun to notice a significant shift in her feelings towards her employer, feelings that definitely went beyond friendship and feelings that she suspected he was feeling as well; she tried her best to keep them at bay, fearful of ruining such a meaningful friendship and throwing away the only job she’d ever truly enjoyed on a baseless suspicion, and thankfully, there were always plenty of distractions to keep herself preoccupied with in her unique line of work.
From her place at the back of the room, (Y/N) scanned over the enormous checklist in her hands to see if she’d missed anything important; the guests were chatting, dancing and taking full advantage of the open bar while the DJ was playing all of Tony’s favorite songs in honor of his forty-forth birthday. All in all, not one of the worst birthday parties I’ve ever planned for him, she thought to herself, a reluctant smile playing on her lips as she recalled the disastrous thirty-ninth birthday party that resulted in the Malibu mansion’s near destruction at the hands of Tony and Rhodey. That particular birthday party was the reason why she’d initially been a little nervous at the prospect of the Avengers attending the soiree, but it only took a brief glance around the bustling common room to see that they were the perfect guests; Steve Rogers and Sam Wilson played pool with Clint Barton and Natasha Romanoff, while Bruce Banner hovered near the back of the enamored crowd of people that surrounded a slightly-inebriated Thor and listened to his enthusiastic re-tellings of the adventures he’d had on Asgard. Pepper and Dr. Helen Cho were seated at the bar and chatted over glasses of Chardonnay while Happy was hyper-focused on his phone, no doubt catching up on an episode of Downton Abbey. With an inward chuckle, the personal assistant returned her attention to her lengthy list of tasks as the classic rock music continued to play.
“Hey beautiful, how ‘bout a dance?”
“Sorry, but I’m worki-” (Y/N) looked up to see Tony Stark himself standing before her, looking as handsome as ever in his expertly tailored black tuxedo and flashing her his signature grin that never failed to make her heart skip a beat. “Hey, you. How’re you enjoying your birthday party?”
Tony tucked his hands into his pockets and shrugged noncommittally. “It’s one of your better-executed extravaganzas, I will say, but it would absolutely skyrocket to the top if I could spend the rest of the evening with my favorite personal assistant.”
(Y/N) arched a skeptical eyebrow. “Tony, I’m your only personal assistant.”
“Exactly, which meant you get the title by default. Yay you!” The billionaire gave her a small applause and she simply heaved an exasperated but fond sigh at his typical theatrics. “C’mon, Girl Friday, you’ve been working your ass off all night and the Birthday Boy says that you should take a well-deserved break.” As his trademark smirk softened into a gentle smile, Tony took his hand out of his pocket and offered it to her in a clear invitation to join him. “Please?”
Although her heart was screaming at her to take his hand and allow him to whisk her into an evening of laughter and coy flirtations, the rational part of her knew that she had a job to complete and that anything more than a friendly conversation could jeopardize their platonic relationship. Masking her disappointment with a shrug and apologetic smile, (Y/N) shook her head and held up her checklist for him to see. “I’m sorry, Tony, but I still have so much to do; I’ve gotta do another check-in with Maria and the security team downstairs, make sure that the pastry chef brings out the cake on time, that the waiters serve the guests champagne at the right tempera-Tony!” She exclaimed when Tony’s hand shot out and snatched the checklist out of her grasp. “Anthony Edward Stark, what the hell do you think you’re doing?”
“Getting rid of an obstacle,” Tony easily replied, holding the checklist above his head and snickering when she unsuccessfully attempted to snatch it back. “Seriously, Girl Friday, just one dance and I’ll let you get back to your boring planning. I’ll even avoid bugging you the rest of the night if it means I can spend a little time with one of my best friends.”
Tony’s rare sincerity softened (Y/N)’s heart, and she felt her resolve crumble as she stared into his gleaming brown eyes. “All right, one dance. Do you ever get tired with always getting your way?”
“Nope!” Tony happily popped the ‘p’ and tucked the checklist into the pocket of his tuxedo jacket before offering her his hand once again, and (Y/N) smiled to herself as the billionaire escorted her to the edge of the dance floor and whisked her into a slow dance to Bon Jovi’s ‘Bed of Roses.’ The warmth of his hand on the curve of her waist combined with the feel of his body brushing up against hers caused her heartbeat to quicken its pace, and she silently prayed that he wouldn’t notice the effect he had on her. “You know, I was being serious before. You’ve truly outdone yourself tonight, (Y/N), and can I just say that you look amazing?” Tony’s eyes briefly glanced down at her red chiffon evening gown and he gave her an appreciative nod. “Mm-hmm, hot-rod red is definitely your color. So, what’s your secret? How is it you can organize and schedule a genius-billionaire-playboy-philanthropist’s entire life and look drop-dead gorgeous while doing it?”
(Y/N) chuckled in amusement, the skirt of her gown swirling around her legs as he twirled her in a circle. “We all have our own superpowers; you fight aliens and terrorists in a red and gold Nitinol suit, and I oversee the hectic life of the man inside the suit to the best of my abilities.”
“Not sure which is the more dangerous job, to be honest.” Tony smirked, expertly guiding her back into his arms and holding her slightly closer than he had before. “But if I could do that death-glare that you’ve perfected over the years, then that would sure make my job a helluva lot easier and people would think twice before messing with Iron Man.” (Y/N) arched a brow and in response, Tony snickered. “Yep, there’s the death-glare!”
“I hate to burst your bubble, but this death-glare is tailor-made for Tony Stark and Tony Stark alone,” (Y/N) replied with a wry smile, and the billionaire’s grin widened as she looked into his sparkling brown eyes. They danced together in a comfortable yet expectant silence, almost as if one was waiting for the other to speak first, but both remained quiet while the 80’s power ballad continued to play; it wasn’t until she noticed the way he was biting his lower lip – one of the few tell-tale signs that there was something weighing heavy on the billionaire’s mind – that (Y/N) finally mustered her courage to address him. “You got a lot of cool presents this year, not to mention hundreds of thousands of dollars in charitable donations gifted in your name. Not too shabby, huh?”
Tony shrugged and replied, “I’m a sucker for gifts and I’m beyond stoked that we’ve raised so much in donations, but…” His eyes briefly flicked downwards to focus on the fluttering movement of her chiffon skirt, suddenly appearing as anxious as (Y/N) felt. “Can we play a quick round of Hypothetical Hold’em?”
A nostalgic feeling washed over (Y/N) at the mention of their old game. Back in the more impulsive and less responsible days of Tony Stark, it had been an effective form of decision-making created out of the billionaire’s respect for her opinions and general advice; they hadn’t played very many rounds in the years since he announced to the world that he was Iron Man and while she was happy that he’d grown and matured so much over the years, a small part of her missed their little game. “I’m a little rusty but I think I’ve still got it. Shoot.”
“A guy I know, Walter, he’s got just about everything he could possibly want in life, except the only thing he really wants is something he can’t have. You see,” Tony expertly dipped her and her breath hitched at the sudden movement, their eyes connecting as he continued. “There’s this woman – let’s call her Hildy – and he’s been in love with her for a while. And Hildy, she’s goddamn fantastic: smart, kind, funny, gorgeous, the whole enchilada.”
Heart sinking into her stomach, (Y/N) mustered up a small smile to hide her pain while he slowly righted her. “Hildy sounds wonderful. So, what’s stopping this Walter guy from telling her how he feels?”
“A couple of things, actually.” He took a deep breath. “She’s not just one of his best friends, but…you see, she’s also his personal assistant.”
The din of the party faded away as (Y/N)’s eyes widened in shock at the billionaire’s candid words; if not for the seriousness written across Tony’s face and the longing gleam that had formed in his brown eyes while he stared into hers, she would’ve assumed that he was pulling her leg. But she knew him, knew him far better than almost anyone else in the world, and it was clear as day that he was speaking directly from the heart. “…Oh.”
Tony nodded, the corner of his mouth twitching upwards in a tried and true attempt to hide behind a more lighthearted façade. “She’s taken such good care of him. He was a loose cannon for a long time…still is, in a way, but she’s gotten him through all the tough spots. He’s good friends with some ex-assassins, a super-soldier and a literal god, but she’s the strongest person he’s ever met and the only person he could ever imagine giving his heart to. But as much as he loves her, he’s not willing to roll the dice and risk losing her from his life forever; that’s why he…” Tony cast his gaze downwards and his hand gripped hers tight. “That’s why I never said anything before.”
“So, what changed?” She whispered as she slowly moved the hand that had been resting on his shoulder to press against the spot where his arc reactor once resided, feeling his rapid heartbeat and silently marveling at how perfectly it matched her own.
“Looking across the room and seeing you with your checklist; you’ve planned over a dozen successful birthday parties for me, but that didn’t stop you from treating tonight as if it was the first. It’s one of the thousand ways you show how much you care about me, and that’s what gave me the courage to walk to the back of the room and finally ask you for a dance.”
The booming opening chords of AC/DC’s ‘You Shook Me All Night Long’ filled the room and while more guests took to the dance floor for the lively song, (Y/N) grabbed Tony’s hand and practically dragged him away from the crowd, not stopping until they were tucked away from any prying eyes in Captain Rogers’ nearby office. When she closed the door behind them and turned around, she was met with an apprehensive-looking Tony and her subtle smile grew into an all-out grin as her eyes filled with happy tears. “You love me?”
“I love you,” Tony replied, his voice growing steady and his eyes filling with confidence at her obvious happiness. “C’mon, Girl Friday, you’re killing me here. Do you love me or what?”
Beaming with joy, (Y/N) brought her hands up to cup his face between them and nodded. “You’re such an asshat, but I love you with all my heart.” Tony’s grin grew to match her own and he leaned forward to kiss her, but was halted by her fingers covering his eager lips. “And in the spirit of covering both our asses, I’d like to take this moment to formally tenure my resignation, Mr. Stark.”
“Duly noted, Miss (Y/L/N). And since I’m such a good ex-boss, I’ll send your resume and a letter of recommendation to a certain defrosted super-soldier who could use all the assistance he can get.”
“Becoming Captain America’s personal assistant? It’ll be a cake-walk, but at least I’ll have my favorite hot mess to come home to.”
(Y/N) moved her hand and giggled at how quickly Tony’s arms wrapped around her waist to tug her closer, but her amusement soon gave way to passion as their lips finally met in a long overdue kiss.
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A/N: I figured that we all could use a little fluff, and what better way to deliver it than in a friends-to-lovers trope-fest? Thank you all so much for reading and commenting, and I hope that you have a wonderful holiday season!
Fanfiction Masterlist
Marvel Taglist: @brooke0297​
All Works: @crowleysqueenofhell​ @momc95​ @groovy-lady
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hexhomos · 7 months
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HI! hope your day is treating you well, i’ve been interested in doomreed for some time but cape comics are sort of daunting to me just because there’s so much content and i really don’t know where to begin. what do you suggest? thank you!
STRAIGHT OUT THE GATE ill say, read [ "My Dinner With Doom" ] (this is a rly high-qual upload, open it up on desktop!)
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It's a key issue oneshot with a lil bit of backstory retelling, featuring a private dinner that happens in the 00's - a good entrance point if you're curious about doomreed in summarization + generally speaking a Real Good Comic overall.
LONG POST INCOMING THIS IS A LONG POST / click readmore
the fantastic four are one of marvel's darling old founding teams so there is pretty much... endless archival, ongoing, multimedia and games content popping up all the time.
They are also kinda one of the rare teams where the growth of the characters is consistent? The kids are allowed to grow older and events from every major run are carried/referenced by the next author so if you want to do chronological there's a lot of incentive and fun stuff.
If you wanna dip your toes into the F4 as a concept, check out:
*the #1 issue of Fantastic Four By Waid & Wieringo (1997) *Mythos: Fantastic Four (2007) [ *The FF (1994) movie that is up for free on youtube!! ] *Fantastic Four (2022) by Ryan North as the current ongoing!
(Some) Singles centered on Doom/Doomreed:
*Fantastic Four (1961) Annual 2 is Doom's original backstory issue *Marvel Two-in-One (2017) by Zdarsky issue #11 & Annual #1 are both crazy good but they spoil big events/conclusions from previous runs if u care abt that!!! (My current fav fic came from these issues.) *Doomgate (novel) by Jeffrey Lang is a good option if you want something that is mostly prose, instead of a comic or movie
NOW BEFORE YOU JUMP AHEAD WITH ANYTHING I *am* following [ this reading guide ] which breaks down specific issues relevant to their relationship as a line through all the different authors over the years.
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[ There's also this 2021 guide w/ a few other story/AU highlights! The author said u can send the blog questions and theyll answer too ]
The 'Modern era' (late 90s/00s/10s/Now) Starts with Waid and McDuffie's stuff. The latter wrote My Dinner with Doom!
If you're scared by all the names, don't be - when searching for the issues, just pay attention to the year, # number & author/artist creds.
What I'm reading/liveblogging rn is Hickman's Secret wars era, generally regarded as yaoi ketamine; It's a good epic narrative entrance point if you want to jump into it, and it eventually led into this huge marvel event that changed the multiverse and even brought miles morales into the main timeline, so its BIG and it happened in multiple books - the best way to go about it is;
Pre-hickman:
Fantastic Four (1961) #551 #552 #553 ➡️ (these introduce main ideas we will touch again in secret wars)
Fantastic Four (1961) #558 to #562 ➡️
Doom appears in these too, first/last issues more heavily. Stuff here will be ref'd during the next era.
If you're having fun and want to keep reading you can! Just know that the next storyarc has gathered a largely mixed response bc..... its Millar going hammywammy....... not that necessary.......
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anyway when you see hickmans name in the cover STOP and
Jump to actual Hickman secret wars era:
Fantastic Four by Jonathan Hickman: The complete collection➡️
(optional, side plot) If you like Val + Doom, read specifically; *Fantastic Four (2014) #3 & #5 + Fantastic Four Annual (2014) #1 *Agent of Asgard #6 & #7 *Avengers World (2014) #15 & #16
New Avengers (2013) ➡️ check issues on picture, or, if you're a completionist, look for 'Avengers by Jonathan Hickman; complete collection' and skim for the doom/reed relevant bits. There's a lot of characters here but this is a buildup to the big secret wars. Secret Wars (2015) ➡️ (All issues!) Infamous Iron Man (2016) ➡️bendis' doom writing is not very good but hang in there because right after him: Marvel 2-In-One (2017) ➡️ (All issues!) is a banger. Yaoi btw.
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You can basically read all the future/past ones as listed, or starting from the beginning of that author's period without worrying, bc they aren't as indebted to each other storywise.
You can also start somewhere else if you want or check out other single issues on the reading guides; It's not a crime! There's a lot of stuff with different takes and genres, I'm slowly chipping away at the secret wars era bc its just very thick and like a serious television drama attempt, except its also insanely funny sometimes.
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(I'm still making my way through it so that's what I have at the moment!)
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Hawkeye’s descriptions in Secret Avengers (2014)
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Jess and Nat's favorite hobby? Bullying Clint.
Secret Avengers (2014)
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shieldaddies · 1 year
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Secret Avengers 2014, #7
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Jason Todd Reading List
Pre-Crisis Robin
(this includes his origin, how he becomes Robin, and what happens to this version of Jason in the Pre-Crisis Timeline)
Batman #357-399 (1983-1986)
Detective Comics #524-567 (1983-1986)
Batman #400-403 (1986-1987)
Crisis on Infinite Earths #5, #9, #11-12 (1985-1986)
Post Crisis Robin
(includes his origin, how he becomes Robin and his death - i tried to have this chronologically according to when these events take place so that means the publishing order is a bit weird)
Nightwing #103-106 - Collected as Nightwing: Year One
Batman #402-403, #408-425, #430-431
Batman Annual #10-12
Tales of the Teen Titans #86-91
Legends
Detective Comics #575-578
Batman: Full Circle
Superman Annual #11 (1985)
Blue Devil #19 (1986)
New Teen Titans #18-31 (1986-1987)
Action Comics #556, #594
Batman: The Cult
Batman: A Death in the Family
Post Death Mentions
(includes any mentions, memories or appearances of Jason's "ghost" after his death. honestly, you don't need to read these to follow along for Jason's storyline but they show how those who cared about him dealt with his death.)
Batman #432-435, #496 (1987-1993)
Detective Comics #606, #609 (1989)
Underworld Unleashed #2 (1995)
Batman/Demon (1996)
Nightwing #10 (1997)
Batman: Legends of the Dark Knight #100 (1997)
Nightwing: Secret Files and Origins (1999)
Jokers Last Laugh (2001)
Joker: Last Laugh Secret Files and Origins (2001)
Deadman: Dead Again (2001)
Batman: Gotham Knights 16, #34, #43-45 (2001-2003)
JLA Avengers #2 (2003)
Batman: Gotham Country line (2005)
Detective Comics #790 (2004)
Batman #620-630 (2004)
Red Hood
Red Hood: The Lost Days - This is before Jason returns to Gotham as the Red Hood. It shows a bit of what he did after coming back to life
Hush/Batman #608-619 (2002-2003)
Batman: Under the Red Hood
Teen Titans V2 #29
Nightwing V2 #118-124 - collected in - Nightwing: Brothers in Blood
Outsiders V3 #44-46
Outsiders V3 Annual 1
Green Arrow V3 #69-72
Countdown to Final Crisis: Countdown to Final Crisis #51 (2007) Teen Titans #47 (2007) Countdown to Final Crisis #50-33 (2007) All New Atom #13-15 (2007) Countdown to Final Crisis #31-1 (2007-2008)
Battle for the Cowl: Robin #177, #182-183 (2008-2009) Azrael: Deaths Dark Knight #3 (2009) Batman: Battle for the Cowl (2009) Batman and Robin #3-6, #23-25 (2009-2011)
New 52 Red Hood
Batman #0
Secret Origins #5
Red Hood and The Outlaws V1 #1-14 (2011-2015)
DC Universe Presents #17 (2015)
Batman: Death of the Family: Batman #13-15 Red Hood and The Outlaws #15 Teen Titans #15 Batman #16 Red Hood and The Outlaws #16 Teen Titans #16 Batman #17
Red Hood and The Outlaws #17 (2013)
Batman and Robin #10-12, #17 (2012-2013)
Batman Inc (2012-2013)
Red Hood and The Outlaws #18 (2013)
Justice League #19 (2013)
Batman and Robin #20 (2013)
Supergirl #35 (2014)
Batman/Superman Annual 1 (2014)
Action Comics #34 (2014)
Action Comics Annual 3 (2014)
Batman and Robin #33-37 (2014-2015)
Red Hood and The Outlaws #19 (2013)
Red Hood and The Outlaws Annual 1 (2013)
Red Hood and The Outlaws #20-40 (2013-2015)
Batman Eternal #10-12,#15 ,#18-20 ,#25 ,#26 ,#28 (2014-2015)
Grayson #12 (2015)
Deathstroke V3 #15-16 (2014)
Batman/Superman #25-27 (2014)
Red Hood/Arsenal #1-6 (2015)
Batman and Robin Eternal (2015-2016)
Robin War: Robin War #1 (2015) Grayson #15 (2015) Detective Comics #47 (2015) Red Hood/Arsenal #7 (2015) We are Robin #7 (2015) Robin: Son of Batman #7 (2015) Robin War #6 (2016)
Red Hood/Arsenal #8-13 (2015-2016)
Rebirth Red Hood
(current continuity)
Red Hood and The Outlaws V2 #1-6
Batman #16
Nightwing #15 (2017)
Trinity Annual 1
Trinity #12-15 (2017) - This and Trinity Annual 1 is also known as Dark Destiny Arc
Red Hood and The Outlaws #7-18
Red Hood and The Outlaws Annual 1
Batman #33 (2017)
Detective Comics #967-968 (2017)
New Talent Showcase (2017)
Batman and The Signal #1, #3 (2018)
Batman: Prelude to the Wedding: Red Hood vs Anarky
Red Hood and The Outlaws #26-31
Red Hood and The Outlaws Annual 2
Teen Titans #22 (2018)
Teen Titans Annual 1 (2019)
Red Hood: Outlaw #31-36 - Continuing on from the Red Hood and The Outlaws comics but Jason is on his own now.
Red Hood: Outlaw Annual 3
Event Leviathan #2-3 (2019)
Harley Quinn: Villain of the Year (2019)
Red Hood: Outlaw #37-47
Batman: Alfred R.I.P #1 (2020)
Robin 80th Anniversary (2020)
Joker War: Nightwing #72 (2020) Red Hood: Outlaw #49 (2020) Batman #100 (2020)
Detective Comics #1030-1033 (2020)
Teen Titans #45 (2020)
Red Hood: Outlaw #50-52 (2020)
Batman: Urban Legends #1-6
Truth & Justice #10-12
Batman Secret Files: Clownhunter #1
Robin #5 (2021)
Nightwing Annual 1
Detective Comics #1041-1043, #1052, #1057
Task Force Z #1-12 (2021-2022)
The Joker: The Man Who Stopped Laughing #2-10 (2022-2023) - This is still ongoing, I will update when new issues that Jason appears in is published - in 6 and 7 Jason is only there for a few panels
Batman: Legends of Gotham (2023)
Lazarus Planet: Next Evolution (2023)
Batman 136 (2023)
Knight Terrors: Robin (2023)
Gotham War: ongoing
Batman/Catwoman: The Gotham War: Prelude [2023] Batman/Catwoman: The Gotham War: Battle lines[2023] Catwoman 57 [2023] Batman/Catwoman: The Gotham War: Red Hood #1 [2023] Batman 138 [2023] Batman/Catwoman: The Gotham War:Red Hood #2 [2023] Batman/Catwoman: The Gotham War: Scorched Earth - releasing 31/10/23
Nightwing 107 [2023]
Future State
(I'll be honest, I don't understand Future State vs current continuity so I can't explain much for this but it's a possible future timeline I think. Jason is undercover as a cop in this btw)
Dark Detective
Future State: Gotham #1-18
Alternate Universes
(can chose what among these you want to read. none of this affects the current continuity)
Batwoman #6 (2017)
- In this comic, Batwoman travels to an alternate universe where we see a Jason Todd who was never taken in by Bruce Wayne and ends up becoming a priest
DC Universe Legacies #5,6
Batman The Brave and the bold #13 (2012)
Li’l Gotham #2, #10, #12, #17, #20, #21, #24 (2012-2013)
- This comic is adorable
Tiny Titans #23, #29, #33, #39, #45, #47 (2010-2012)
- This comic is also adorable
Convergence: Batman and Robin (2015)
Arkhamverse: (these tie in with the Batman: Arkham Knight video game)
Arkham Knight: Genesis
Batman: Arkham Knight - the game picks up right after the end of this comic
DC Comics’ Bombshells #46, #60, #62 (2015-2016)
Bombshells United #18-24 (2018)
The Dark Knight Returns: The Last Crusade #1 (2016)
Injustice: (these tie in with the Injustice video games)
Injustice - Gods Among Us: Year Five #38 (2016)
Injustice 2 #2-3, #5-7, #13, #18-20, #46-49 (2017-2018)
Injustice Vs. The Masters Of The Universe (2018)
Beware the Batman #11 (2014)
Batman: White Knight #7 (2018)
Mother Panic: Gotham A.D #2-6 (2018)
Batman Beyond #25 (2018)
Batman/Teenage Mutant Ninja Turtles III #5-6 (2019)
Titans Giant #1-4 (2020)
DCEASED: Unkillables (2020)
DCEASED: Dead Planet #2-5 (2020)
Batman the Adventure Continues (2020)
Batman: Three Jokers #1-3 (2020)
Suicide Squad: Get Joker! #1-3 (2021)
Titans United (2021)
- This was to promote the Titans HBO show (even though it does not tie with the show)
DC's Round Robin - Robins (2021)
DC vs Vampires
Dark Knights of Steel: (Ongoing, I will update as they are posted. Medieval AU, the Robins are all younger and met each other before they met Bruce)
Dark Knights of Steel: Tales from the Three Kingdoms
Dark Knights of Steel #1
Batman vs Robin (2022)
- Some more honesty, I haven't got a clue as to what this fits in with so I can't help much with this but I do know that it will be 5 issues, finishing in 2023
Batman - Beyond The White Knight #1, #4-8 (2022) (ongoing)
Batman White Knight Presents: Red Hood #1-2 (2022)
Batman: Wayne Family Adventures (Ongoing series on Webtoon.)
Red Hood: Outlaws (Ongoing series on Webtoon)
Batman: The Brave and the Bold #1, #4 (2023) - at the end we get to see an alternate universe where young Jason and Dick are brothers and first meet Bruce
Other Media
TV Shows
Batman: The Brave and The Bold, Season 2 Episode 19 - In this universe, Dick Grayson is the only Robin but in S2 E19, "Emperor Joker" features a scene in Bat-Mite's extra-dimensional museum where Bat-Mite has a statue depicting Jason's death. Bat-Mite then breaks the fourth wall and tells Batman that readers voted for Jason to die.
Young Justice - S2 E8, S2 E9, S2 E20, S4 E19 an image of Jason as Robin is seen with other memorials for heros. - Jason is also thought to be the Red Hooded Ninja who appears in S3 E6, S4 E5, S4 E8
Titans - Seasons 1 and 2 with a short cameo in season 3 of the HBO show
Movies
Batman: Under the Red Hood - Animated movie that changes the storyline of Jason's death, resurrection and return to Gotham
Batman: Death in the Family (2020) - This is an interactive film involving the events of Batman: Death in the Family comics.
Lego DC Batman: Family Matters (2019)
Video Games
Batman: Arkham Knight - Arkham Knight: Genesis and Batman: Arkham Knight comics are set before the events of this game.
Injustice: (these tie in with the Injustice comics listed above under Alternate Universes) Injustice: Gods Among us (mentioned) Injustice 2
Gotham Knights - The Batfamily (Dick, Barbara, Jason and Tim) protecting Gotham, as well as dealing with the death of Batman. This was very recently released and I haven't played it so I can't tell you much.
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I just want to add the following: I cannot guarantee that this is 100% accurate or up to date. I will do my best to update when we get new Jason content. I have not had any help with this and got the information from multiple other sources. Because I've had no help, no one has proof checked this so there might be some errors.
If you notice any errors or know of anything I've missed please let me know and I will fix the error as soon as I can!
Last Updated: 25 October 2023
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galaxythreads · 2 years
Note
i literally don't understand the mcu script writes who've bragged about never having seen the previous movies, like bro??? how do you expect that script to be consistent with the rest of the canon?????????
normally I'd laugh and be like Yeah, anon, these guys are insane, but you have bypassed Mental Breakdown part of my brain and now I am deeply, deeply curious.
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Why is it that mcu script writers are so proud to be arrogant?
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Warning for minor language.
So anyway, the person I thought of specifically as being Generally Terrible to the Franchise Lately was Michael Waldron, who wrote Loki, Dr. Strange 2, AND is currently working on Avengers: Secret Wars. (Yay)
So I did a lot of research about where this guy CAME from and how he's impacted everything because I swear to God I'd never heard of him before Loki. And now I see him everywhere, but usually only in loathing.
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Michael Waldron, according to Wikipedia, is currently 35 as of 2022 and graduated from some Film School i haven't heard of and can't be bothered to remember. He is unmarried(?) and has been active in the film industry since 2014. (8 years, for those of you counting.) He started work on Loki in 2020(? unconfirmed).
The thing that struck me the most was how incredibly short his project list is.
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My man has six (6) completed projects. He had three before he started on Loki. And while this doesn't necessarily mean that he's bad, it does show a level of inexperience that baffles me personally.
For comparison, Kenneth Brangah, one of four screenwriters for Thor 1's list is this:
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And again, it's not like Brangah's list is enormous, but I do see a lot more experience under their belt before they were approached by MCU rather than Waldron, who had done three projects. Brangah had 20 years in sceenwriting when he went to work for Thor. Waldron had six.
And the amazing thing to me is that even the shows Waldron's executive producer on, he wrote like, two episodes for it? Then he handed it off to other writers. So he doesn't, as far as I can tell and I found, seem to have a lot of experience actually working the writing process, just supervising it.
(I could be wrong)
But here is his latest series Heels, for reference.
the section says "Written by" above the names, I cropped it weirdly.
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So we have a man who has, at this point, worked six years in the industry. He has worked on three shows. He was the assistant for one show, he did not write in the other one, and he has written for ONE show, total. Produced one show, was the executive producer for ONE show.
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What I am seeing here, is, from what I can see, a lack of experience. And it shows. Badly.
So why did Marvel hire him?
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According to an interview Waldron did, where I'm drawing a great deal of this information, he has always wanted to work for the Big Leagues. He wanted to work on Star Wars mostly, from what I could see, but he didn't think that Marvel would be bad either. When he approached his agent about how to get working for Marvel his agent told him he needed to have written a movie.
Now you're probably wondering. I DID look at that list of projects he's been involved in, and there wasn't a movie.
You are correct!
Waldron wrote a movie called The Worst Guy of All Time and the Girl Who Came to Kill Him. It's on The Black List and was never filmed, to my understanding. But he sure did write that script. And that script, I believe, is where a lot of issues in Loki start to come to light, but we'll get to that in a minute.
"At some point the script made its way to Marvel as they were meeting people for Loki and that got him in the door to pitch and that pitch got him the job."
When Kevin Feige was hiring directors, Waldron walked in and "I thought I was going to get it, but that's my attitude, I guess, hopefully as unarrogantly as that can sound, but I think you got to be confident" (Waldron). Feige was apparently impressed and hired him on.
Which again, a bold choice that COULD have been great, to give a small name the chance to work on a project like this?? Incredible. Just not in this context.
I feel immensely confused that MCU, which is a multi-billion dollar industry, did NOT actually hire someone with years and years of experience like they did for Thor 1. Instead, they went with someone who, personally to me, didn't have enough experience to seem like he knew what he was doing.
So now Waldron is working in MCU. Things are going great for him. He has TWENTY WEEKS to come up with the plot, the scripts, and the story for the entire Loki series.
TWENTY. I cannot emphasize this enough. That is no time at all. They went from blank slate NO IDEAS to a full script in TWENTY. WEEKS.
So HOW then, did Waldron get approached to do Dr. Strange 2?
Apparently, Waldron and Owen Wilson were talking one day and Waldron got asked to do Dr. Strange 2 because it was just as chaotic as Loki was.
WALDRON: Yeah. By that time, I had been able to build the trust. We'd written Loki. Loki was in good shape at that point. It was headed into production. I was getting ready to go to Atlanta. Fortunately, the scripts were in good shape. One of our writers, a close friend of mine, Eric Martin, took my place and went and was the writer on set, which you've got to have, and he did amazing work carrying the show across the finish line, from a writing standpoint. And yeah, it was just, "All right. You did Loki. That was crazy. Come do Dr. Strange. This is going to be crazy, too." That was really fun.
And guess what! This is the instructions he was given FOR Dr. Strange 2.
WALDRON: It is purely, 100%, "Make the most kick ass Dr. Strange movie you can possibly make." There was no, "You got to get here. It's got to fit here."
Which, by the way, Feige stated that he had no plans for the Loki series beyond time travel, and Waldron was instructed to do whatever he felt like. A 100% most kick-ass time travel series, you might say.
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Okay. So now that we have some background, I'm going to get onto my soapbox and explain why this man was a horrible, horrible directing choice and shows 0 understanding of the characters. This is going to go over Loki and Dr. Strange 2, for reference.
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LOKI:
The biggest disaster I see with Loki is that the FIRST -- and I emphasize this, the FIRST -- thing that Waldron says about Loki in the interview is this:
Waldron: And I'd written a time travel movie about a character who was kind of a villain, and kind of a sh*thead, like Loki.
I think that the problem that Waldron suffered from the most in Loki is that Waldron didn't want to make a TV series about Loki. He doesn't like the character very much from what I can tell. Obviously, he calls him a sh*thead, but he never has anything nice to say about Loki as a whole either. He doesn't want to talk about Loki as a person, or Loki's story, Waldron wants to talk about the TVA. I seriously cannot emphasize this enough. Not once in the interview did Loki as a person come up. Loki didn't even seem to be a character to him.
The TVA is where Waldron seems like most of his time was spent, because that was, after all, what MCU wanted to do. I honestly, genuinely do not believe this man would have taken the job for Loki if it wasn't about time travel. Because Waldron could focus on the TVA and not Loki. Loki was an irritant he had to occasionally do something with.
And now we get to his script that was pitched to MCU.
Waldron: I sat down and I wrote a script that was a time travel action rom-com, is how I would describe it...because they [Marvel] wanted to make a time travel show. And I'd written a time travel movie about a character who was kind of a villain, and kind of a shithead, like Loki.
And the thing is, to me, sounds a lot like the TV series. A romcom, with time travel, and a sh*thead kind-of villain. That's the series we got. I do wonder how much of this pitch made it into the final series, because this is what Waldron had as a reference. (The director wanted to make a romance from what I understand, that was her vision of the series was this long-winding romance, and it doesn't look like anyone sat down in the writer's room and explained to them that the last thing that would fuel Loki's story forward was romance.)
And the thing is, Waldron doesn't seem to understand Loki as a character at all, if Loki is "kind of a villain and a sh*thead" because yeah, sure, Loki can be considered that, but that's not WHO Loki is. That's what people SEE him as.
Waldron at no point references having read the scripts for the Avengers, Thor 1 or the Dark World inside this interview. This doesn't mean he hasn't seen the movies or read the screenplay, as I often hear said about him, but it is strange to me that he makes so little mention of Loki.
This man is so focused on the TVA. Despite how much of a disaster the TVA ended up being. Here's some notable quotes:
WALDRON: What did I learn? Don't write one about time travel, because it's a pain in the ass.
WALDRON: ...A foundation of what constitutes a broken time law and what doesn't, so that we could then just, which is about Loki breaking a time law, and then you have to move all that stuff as far to the background as humanly possible, because you don't want the audience focusing on the rules of time travel during your show.
I love how "Loki breaking a time law" is supposed to be the center of it all and comes off as an afterthought.
And.
"don't want the audience focusing on the rules of time travel in your show" YEAH. CAUSE IT'S GARBAGE. Maybe if he and the others had had more than a weekend (exaggeration, untrue statement) to work on how time travel works, we'd have something that didn't make me want to scream into a pillow for ten years.
WALDRON:  All over our writer's room, our white boards were just covered in timelines. And it's just, "No, time travel works this way," "No, time travel works that way." That was the great challenge of our show, it was because the Time Variance Authority is an organization that literally manages and polices all of time, we had to define what time is to them and what time is in the MCU. 
I think we can blame this disaster on the Russo brothers. ^
WALDRON: Those are all questions we had to ask and define for ourselves. I think that what's fun about the TVA is it takes something remarkable, like time travel, and really packages it in a very soulless, sort of bureaucratic way. That's what was exciting to me, as a writer, was to take something so magical and just make it utterly soulless. -- So what we have is a writer's room so focused on the TVA that Loki becomes a secondary concern and the lens from which we VIEW the TVA, and then it stops becoming Loki's series and starts to become the TVA's.
But no one seemed to realize this.
And also "That's what was exciting to me...was to take something so magical and make it utterly soulless" is a GREAT way to go about time travel. I also think he applies this to everything and it shows.
So again. Writer focused on the TVA. Appears to me to not care about Loki. Spends a majority of the interview discussing ANYTHING but the main lead of his show. Does not want to talk about growth or character or WHERE LOKI CAME FROM? WHY ARE YOU NOT TALKING ABOUT YOUR LEAD?
But that's okay. Because we all know that the TVA was the main character of Loki, don't we?
---
Another interesting point, I thought, was how Waldron writes relationships. I watched a review of his TV series Heels, where the reviewer came to this conclusion about the main characters:
"...And that's just what made this show so fascinating, is that…all these characters, that in some way, treat each other horribly, but in other sense do care about each other, and they're all so entwined with trying to make this thing work."
and that sounded extremely familiar. Because this is the cast of Loki. Waldron seems to have discovered his Character Formula.
Thanks. I hate it.
I just...this man can't have been a bad writer in just Loki right, and this has to be a consistent theme across all his work? And honestly, he's worked on so little that I don't know. I can't have an honest opinion of him. From what he has worked on, terrible character chemistry seems to be the general vibe. Waldron does not seem to know how to write characters that you understand why they like each other.
Hence, Loki being abused by every figure of authority in Loki, and Slyive treating him horribly, but somehow they all like each other in the end.
Because that's Loki. The TVA series, Loki on the side, getting beat up. Because he's bad.
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DR. STRANGE 2:
Dr. Strange 2 has a similar set of problems. It was written in a rushed time frame, there was no overarching idea for a plot and where the story needed to go, Waldron was just told to do what he wanted, and Waldron didn't seem to be too focused on character arcs.
Wanda, obviously, takes a devastating hit as far as arcs go, but I wouldn't say that Dr. Strange was spared, either. The two of them go through rapid flipflopping in terms of the growth they've incurred throughout the entire MCU, and it shows. Badly.
One thing that Waldron did say that absolutely baffled me was this:
WALDRON: I became good friends with Jac Schaeffer, head writer of WandaVision, while I was writing Loki. Her and I became good pals, because we were kind of in it together and everything...So, I had the benefit of just being able to call Jac and talk to her about Wanda's character and everything, because it was really important to me that I do right by her with what she did with Wanda as a character. And also, with Lizzie, who's a friend of mine. I really worked with her and made sure, "Okay, you guys just did this incredibly intimate show about this character that grew her so much. Let's make sure that we're doing that justice and telling a fulfilling next chapter of that story."
I am so confused. Waldron honestly appears to want to do right by Wanda, but Wanda's growth from WandaVision was destroyed in Dr Strange 2 (and I want to emphasize here that Waldron made no such comment about talking to Tom Hid. or previous directors of Thor movies) so then how did Wanda end up going through such a downward spiral? Waldron wanted to do right by her, and yet???
I think the biggest problem is that Waldron doesn't have to think long term. He's almost not supposed to. He said this:
WALDRON: Well, I think one of the joys of being a writer in the Marvel world is getting to make terrible messes and leave them for your predecessors
WALDRON: For instance, you write the Loki show and then you end up writing Dr. Strange 2, having to clean up your own mess and that can be a lot of fun.
WALDRON: And it will naturally connect to the MCU and it will naturally get the MCU to where it's supposed to go, in some ways that we expect and ways that sometimes you don't expect, and I think that's part of the fun.
Waldron was given the explicit instruction to write a good Dr. Strange movie, but not a good MCU movie. Part of the reason that Phase 4 feels like a bunch of puzzle pieces from different puzzles is that it was designed to be that way. Feige is just going with the flow to see what will happen rather than having any sort of idea of where to take the series.
"It will naturally get MCU to where it's supposed to go" is one of the most hilarious statements I've ever heard, by the way. As someone who has done original writing, and planned out a series, my 200+ page document of planning, background, and worldbuilding laughs at you. (And I still don't have it all finished, because I've had MONTHS to work on this). Maybe. Maybe they want to try and not publish the first draft of phase 4?
Waldron wasn't told to make a movie about Wanda, or how to progress Wanda's character in a way that made sense post her growth. And any problems that were there they blamed on the Darkhold, because it's someone else's problem to clean up. Very neat. Very good planning.
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So overall, I don't think that MCU writers are proud of their ignorance, I just don't think that they see a problem with it. Writers are told to do what they want to, without there being any plans for character growth or plot advancement, so they do. They put whatever they want out on the sandbox and wait for someone else to clean it up.
Feige seems fully onboard with this plan. So the real problem, I think, is the fact that MCU is expecting writers to come up with complex, interconnected plots in twenty weeks, and the writer's don't have the time to write consistent character arcs, they just tell a flashy story because at least you get something out there.
I honestly don't imagine Secret Wars will be any different. Waldron has shown that he really really enjoys writing stories, but not characters. This is not to say that we should blame all of this on Waldron, because I don't think it's really his fault. I think it's more the fact that he's the byproduct of a system set to fail.
The writer's ignorance is someone else's problem in MCU, apparently. But don't worry. This will naturally get MCU where it's supposed to go. Just tilt your head and squint a little. Then close one eye. And then the other. Now you can see what brilliance Phase 4 is clearly.
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fathers not by blood, but by love
giles & buffy, buffy the vampire slayer (1997-2004) / sandy & ryan, the o.c (2003-2007) / harry & sirius, harry potter and the order of the phoenix (2007) / liesel & hans, the book thief (2013) / edward & carlisle, the twilight saga: breaking dawn part two (2012) / haymitch & katniss, the hunger games: catching fire (2013) / mary & lord craven, the secret garden (1993) / samantha & uncle gard, samantha: an american girl holiday (2004) / barry & joe, the flash (2014-2023) / peter & tony, avengers: endgame (2019)
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astranva · 1 year
Note
Please explain the timeline for pe!
Following October of 2022, keep an open, flexible mind to the dates and time. Here’s Chris and pe!reader’s relationship timeline.
2011
Chris first publicly spoke about having pe!reader as his celebrity crush during the NYC comic con.
2012
July - pe!reader starts filming The Spectacular Now alongside Miles Teller as the two leads.
August - pe!reader and Miles Teller are spotted on a date.
October - pe!reader and Miles are official.
2013
February - pe!reader and Miles Teller go public.
October - pe!reader and Miles’ first anniversary.
2014
March - pe!reader and Chris meet for the first time at Vanity Fair’s Oscar afterparty.
September - pe!reader and Miles break up.
November 28th - pe!reader and Chris meet again in private Interstellar release-celebratory party hosted by Christopher and Jonathan Nolan and hang out the entire night together. They exchange phone numbers.
November 30th - pe!reader and Chris go out for coffee.
December 5th - pe!reader and Chris go undercover to the movies to watch Wild.
December 7th - • Chris invites pe!reader over to cook for her, burns the meal and gets her her favorite takeout after googling it. • pe!reader and Chris were about to kiss but she stopped so they can take it slow.
December 24th - pe!reader and Chris are papped together.
December 27th - They have their own late christmas celebration at pe!reader’s New York apartment with Dakota Johnson, Jennifer Garner & Ben Affleck, Blake Lively & Ryan Reynolds, pe!reader’s best 3 best friends from theatre; Jia, Sophia, and Raymond.
2015
January - Chris realizes that he has strong feelings for pe!reader.
February - pe!reader realizes that she has strong feelings for Chris but chooses not to act on them because she wants to take more time to know him and be friends.
February 22nd - Chris and pe!reader are talked about when they greet with cheek kisses at the Oscars.
March - They frequently meet at each other’s houses as to not get papped.
April - Chris is busy with Avengers: Age of Ultron’s release.
May - First kiss and first date.
June - pe!reader is busy with Inside Out’s release.
July - They reunite with more dates and get papped once.
August - pe!reader meets Scott, and decides to stop going on talk shows and interviews unless it’s movie press.
September 21st - Chris and pe!reader make it official before she goes to Australia to start filming Hacksaw Ridge.
October - Chris watches pe!reader’s SNL monologue from the audience but it’s kept lowkey.
November - pe!reader and Chris decide to go public and are papped:
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December - Hacksaw Ridge wraps up. pe!reader hosts a bigger Christmas party where people fawn over them as a couple.
December 31st - pe!reader and Chris spend the New Year’s together.
2016
January - pe!reader and Chris go to the Bahamas for a secret one-week getaway.
February - pe!reader and Chris make their red carpet debut as a couple at the Oscars & she meets the rest of the Evans’ family.
March - Chris meets pe!reader’s family, gets interrogated by her 7-year-old sister, Madelyn, but they welcome him.
April - Chris and pe!reader’s stepdad, Marshall, are papped golfing.
May - pe!reader decides to direct Lady Bird. Captain America: Civil War premieres. They make their Met Gala red carpet debut as a couple.
June - pe!reader hosts a huge surprise birthday party for Chris, and also celebrates CACW with him. They go all the way. She starts filming Mother!
July - pe!reader is papped having breakfast with Chris’ mom, Lisa.
August - Mother! wraps up. filming Lady Bird starts, Chris is papped visiting pe!reader on set and stays for one week in Sacramento with her.
September - • pe!reader and Chris celebrate their 1st anniversary. • First big fight. • pe!reader and Chris are papped on her NY apartment’s balcony
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• pe!reader sues the photographer and their agency for violating her privacy and photographing a private property.
October - • Lady Bird wraps up, Chris hosts a celebratory party for pe!reader and the entire cast and crew. • pe!reader and Chris go on a 5-day trip to the Amalfi Coast. • pe!reader starts therapy after her role as Mother in Mother! took a toll on her mental health.
November - pe!reader moves in with Chris at his house in Boston.
December - Chris moves in with pe!reader at her NY apartment.
2017
January - • pe!reader rescues her, then, kitten, Pam and is hers and Chris’ first shared pet. • pe!reader visits Chris on Infinity War set, meets the entire cast
February - Pregnancy scare!
April - Chris adopts Dodger and he becomes their second shared pet.
September - • Second anniversary! • pe!reader wins Emmy award for Outstanding Lead Actress in a Drama Series for her role in The Handmaid’s Tale, briefly and vaguely mentions Chris in her speech.
November - Chris buys an engagement ring and tells his mom only about it.
December - pe!reader and Chris buy a house together in Italy.
2018
January - pe!reader and Chris go together to the Golden Globes. Lady Bird wins Best Motion Picture. pe!reader gives an emotional speech and thanks Chris in it.
February - Chris takes pe!reader to Disneyland in Paris for Valentine’s day.
March - • Chris is busy with Infinity War press. • pe!reader launches her skin care brand, Bare.
April - pe!reader joins Chris for the first time as his plus one for the Infinity War movie premiere despite that she doesn’t go to other movie premieres.
May - • pe!reader sets her LA house on sale. • Chris and pe!reader buy a new house in LA together. • pe!reader buys a private island at the Bahamas. • pe!reader and Chris attend Prince Harry & Meghan’s royal wedding together.
June - Chris proposes and she says yes! They celebrate all month with family and friends.
September 21st - Third anniversary!
2019
February - pe!reader becomes an EGOT winner after winning a Grammy for Best Spoken Word Album (Including Poetry, Audiobooks & Storytelling) for being the official narrator of the book, Circe.
March - • pe!reader hosts a big anniversary party for Bare. • Chris celebrates her on his own and buys her a 1967 Cadillac De Ville convertible car.
April - pe!reader joins Chris as his plus one again at the Endgame premiere and is papped crying emotionally because of Chris’ journey in Marvel coming to an end.
May - pe!reader buys Chris a yacht with ‘Property of Christopher Evans, with love, Y/N Y/L/N-Evans’ engraved on it. They’re papped.
June - They get married in Italy! They spend their honeymoon in Seychelles then went to Greece.
September - • Fourth anniversary! • They buy their farmhouse.
2020
September 21st: Fifth anniversary!
2021
March: pe!reader wins her fourth Golden Globe for Best Actress for Promising Young Woman.
April: • pe!reader receives her third Oscar for Best Actress for Promising Young Woman and thanks Chris so adorably in her speech. • They start trying for a baby!
September: • Sixth anniversary! • pe!reader wins her third Emmy award for Outstanding Lead Actress in a Drama Series for her role in The Handmaid’s Tale.
November: pe!reader and Chris get a false-positive pregnancy test because of her fertility medications.
2022
January: • pe!reader is pregnant! • They tell their families two weeks later.
February: They tell their close friends.
June: Chris announces the pregnancy on his Instagram when she’s 6 months pregnant.
July: pe!reader joins Chris for The Gray Man LA premiere and gets seen pregnant in an event for the first time.
September 14th: River Jude Evans is born. pe!reader announces a hiatus.
October: They move to stay at their farmhouse away from all the noise to raise River there for a year.
From that time forward, time truly is an illusion. Pe!reader and Chris will have 3 more kids and unless I write about this fic until 2028, I advise you read this fic with a grain of salt. Thanks for reading!
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