Tumgik
#006
prisoner-000 · 7 months
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wonderful comm i got from @/huyandere of mahiru & kazui friendshipisms! go commission him!
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icedsoup · 5 months
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girls when they are so normal and get their ass beat
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asuyaka · 6 months
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i keep like, struggling to click the 'ask' button, BUT—i love the taking care of geto little one shot. so what about helping him with nanako and mimiko? like he just shows up at r!'s house late as hell with two little girls with him, bc he has zero clue as to how to take care of them. m!reader is pref but idc. i love ur writing btw (^▽^)
★ - yesyesyesyes!! 'm soo inlove with the helpin' Suguru agenda !! ヾ(≧▽≦*)o
☆ - Girldad! Geto Suguru x Male Reader
♡ - off topic, but 'm love your writin' s'much!! really 'm inspiration t'keep writin stuff like this (≧◡≦) ♡
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You were borderline asleep in your room after staying on the phone with Gojo for a few hours until he fell asleep.
It wasn't always like this, he could usually fall asleep on his own but that was when Geto was there with him. Now that's he's become a curse user and has turned his back on the Jujutsu world, everything has basically fallen apart.
Your sleepy eyes glance at the time, the saturated red of '12:42 AM' oozing into your pupils.
You try not to think about Geto so you can get some sleep for the first time in a few weeks. You two were... you're not really sure what your label is.
You two have talked, kissed, cuddled, and gone on dates, but Geto never actually put a label on your relationship and now he probably never will.
A sigh leaves your lips as you cuddle your pillow. Thinking of those big arms that used to wrap around you to keep you safe, or that warm chest that you couldn't help but use as pillows.
Needless to say, you missed him.
You weren't sure how long you stayed there almost on the verge of tears before there was a knock at your front door.
Yeah, you weren't going to open that because— A, you've seen enough horror flicks to know that there's a 99.9% chance that it's a serial killer behind the door, and B, it's 12 AM. You aren't stupid enough to open the door this late.
The knocking persisted. Getting heavier every second you didn't open it, and deciding you didn't want a noise complaint and realizing you were a sorcerer, you begrudgingly got up to open it.
You, surprisingly, were right. It was a serial killer.
Of all the people you thought it could be, you didn't think it would be Geto fucking Suguru outside your door.
"Geto? What are you—" You stopped yourself when you finally saw the two girls behind him.
His expression was something like fear and desperation as they clung onto his clothes, looking at you with weary eyes. "Please, [Name], I need help."
That took you for a spin. After the Star Plasma Vessel, you had to pry it out of him that he needed someone to take care of him, someone to help him, and now he's coming to you with two unknown children willingly asking for it?
Without a word you open your door wider, letting the three of them file in and take a seat on your couch.
You close the door, wiping the tiredness from your face and taking a deep sigh. Yeah, this was going to be a long night.
"What is it, Geto?" You ask, taking a seat on the opposing couch and staring at him. You hope your tone doesn't come up as too mean, you were just really— really tired.
The two girls never left his side. They have masks on, one of the girls with light brown hair, a white hoodie, and a black skirt was pressed on his left while the other with black hair, a black hoodie, and white skirt was pressed against his left, holding a small doll in her hands as well
"They're sick. I've tried everything, medicine, letting them rest, dilating their food but nothing's working." Geto's voice sounds helpless and it honestly scares you because this is the same Geto who went against the Sorcerer Killer.
The same Geto who killed a village, scared over the fact his two... daughters(?) were sick.
The thought brings a smile to your face as you squat in front of him, a soft expression on your face.
"What're your names, hm?"
The girls squeeze him tighter but you don't take offense to it. They're staring at a random man they've never seen before so they're obviously cautious.
"It's okay, he's my— my boyfriend, he's not going to hurt you." You notice the small pause in his voice but you won't speak on it. Not now at least.
The girls look at each other before looking at you. "Nanako." The blonde one says, her small finger pointing at the black-haired girl. "Mimiko. My sister."
You can see the adoring smile on Geto's face and you can't help the smile that tugs on your face. "Mind telling me how you guys feel? Any fevers?"
"My throat hurts and my nose is stuffy. My body feels hot sometimes too." Nanako says, interrupting herself with a cough. Geto shushes her softly, rubbing her back so she can get over her coughing fit with the comfort that her dad was beside her.
You get up, using the back of your hand to feel their foreheads. "Yeah, sounds like hay fever. You mind getting something to drink? Make sure it's hot, but not too hot to burn them."
Geto looks surprised. Maybe he didn't think you'd help him after the whole village incident— he's legally classified as a serial killer, and he's heard from word of mouth that he's a kill-on-sight curse user— but he gets up anyway. Nanako and Mimiko following behind like a pair of ducklings.
Rummaging through your medicine cabinet, you try and find fever and congestion medicine for kids. You have some, surprisingly, it's fresh and isn't expired somehow.
You don't even remember buying it— you don't require it as you didn't follow the 'strongest duo' pipeline of adopting children after the duo split up.
Walking back into the living room, you walk in on Geto blowing the steam off their cups, the recognizable scent of hot chocolate permeating the room.
"You didn't tell us you had a boyfriend, Geto-sama!" Nanako whisper yells, slightly wincing when she drinks her drink too early.
"He's pretty..." Mimiko's voice is so soft, it sends a pang of endearment through your heart. Is this what baby fever feels like?
You wait to hear what Geto says. It isn't eavesdropping if it's in your home, right?
"Yeah, sorry for not telling you it's just... complicated between us." Geto breathes out, kissing their heads as they continue to sip on their coacoa.
Complicated is one word for it, but you keep your thoughts to yourself. Announcing your arrival with an unnecessarily loud shutting of the cabinet.
"So how are you two doing? Feelin' any better?" You ask, placing the medicine on the table in front of them.
Nanako nods excitedly and Mimiko keeps it down. While waiting for them to finish, you decide to put on a movie. The Nightmare Before Christmas, a classic you, Gojo, Geto, and Shoko watched on Halloween when you were first-years.
You catch Geto's nervous glances at you but decide not to speak on it, again. It was adult business, and his kids were around.
The girls take their medicine, it's bitter, but you're sure it'll work. They persuade their dad to letting them sleep over after realizing you have a pillow fort in your room.
You don't really know why you never take it down. Maybe it's because you're too lazy, or you like being reminded of the first place you and Geto had your first kiss, but that's a whole can of emotions you're afraid of opening.
They fall asleep holding each other's pinky. Several of your stuffed animals surround them as their bodies move at the same time rhythmically. Maybe it was twin telepathy, who knows.
Now that it was only you and Geto alone, it was... awkward to say the least.
"I'm sorry for dropping in on you like that," Geto says too afraid to look you in the eye.
"Why didn't you take them to the hospital if you didn't know what was happening?" It's a genuine question, you're sure the doctors would've noticed it was a hay fever quicker than you did.
"I'm not letting those monkeys anywhere near my daughter."
Ah, you forgot he hates non-sorcerers.
You let out a breathy laugh, flopping on the cushion next to him. "I'm your boyfriend now, hm?"
Geto blushes at that. "We never technically broke up, so..."
You smile. Even after his mild— they're not mild, they're very serious— crimes, he's still the same Geto Suguru.
The same Geto Suguru you fell in love with.
"I missed you, you know?" Your voice is barely above a whisper, it's vulnerable.
"I missed you too." His hand is on your cheek and he presses a small kiss on your lips.
You've missed this, you've missed him. His hands, that boyish smile on his face the rare times you manage to get him flustered, his smooth saccharine like voice, everything about him.
As he holds his body against yours, hands intertwined and cursed energy mixing together, you realize you never want to let him go, you don't want this to end.
You want him to stay with you until the end of time.
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sharkbytes662 · 5 months
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A monstrous dilemma!!! I just love you so much
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nenestansunsthings · 5 months
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absolute BEST song of trial one bar none. if the polls still ongoing vote for this is how to be in love with you in the song tournament!! if not then enjoy a mappi!! my favourite milgram character :))
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firebugging · 4 months
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coloured the panel!!! it's 12am and I had to use my finger and this fucking touch screen laptop someone save me
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PLS LMK IF I NEED TO FIX ANYHTING BTW
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bbbrrritv · 5 months
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kgmilgramau · 26 days
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006
(2/2)
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"......"
"I know my little teddy bear, ⠊⠀⠅⠝⠕⠺⠀⠊⠞⠄⠎⠀⠓⠁⠗⠙⠀⠋⠕⠗⠀⠽⠕⠥⠀⠃⠥⠞⠀⠏⠇⠑⠁⠎⠑⠀⠅⠝⠕⠺⠀⠞⠓⠁⠞⠀⠊⠀⠁⠍⠀⠓⠑⠗⠑⠀⠋⠕⠗⠀⠽⠕⠥, .- -. -.. - .... . .-. . .. ... -. --- .-- .- -.-- .... . -.. --- . ... -. .----. - .-.. --- ...- . -.-- --- ..- .-.-.- - .-. ..- ... - -- . .-.-.-, please"
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"I'm tired of listening to the words my mother said. I listen to them until I don't understand what she's saying.."
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"But I don't want to stop listening it...I don't want you to disappear too.."
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"please..."
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"Don't go, I've already suffered enough..."
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"Can you at least listen to me for a little bit?"
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"I'm not a child anymore"
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"Please stop..you know you can't do it to me anymore"
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"YOU CAN'T..."
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"oh... don't cry..please..."
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"...."
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"I...I...I should show you how much better I am..but why can't I just stop crying..."
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"Hm???"
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oh...
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"Welcome home"
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After all, I'm the problem, so if I just do a little more it'll be fine, right?
...I love you...
Even you probably never loved me... because I know...I was family's mistake...
_______________________________
006
Guilty & Innocent
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Your choices will affect him in Season 2
please choose carefully
(Please don't just vote. That's not supporting us at all, Press ❤️ for us too)
((If you share or comment and vote it would be great. Because we want to know who voted what))
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emiliasilverova · 10 months
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007 Fest 2023, Scavenger Hunt item no. 9 (5/5): ‘Create an “incorrect quotes” post. Can fill up to 5 times. (Take a set of dialogue from another piece of media and assign it to Bond characters. Example link here)’
And one more for the road. Always a pleasure to pit those two idiots against each other, eh Q? *cackles*
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prisoner-000 · 8 months
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That makes them doubtlessly, clearly, absolutely, unequivocally, categorically, emphatically, GUILTY!
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yurimaxxing · 2 months
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hi.... u like m,ilgram.... kazuior mahiru pixel please...,,,,,,,,,
?
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yes I do like milgram heres both ☺️ (sorry they are so ass milgram is hard to find stuff for…..)
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nojillnolife · 5 months
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iamumbra195 · 4 months
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I've been thinking for a while... are the numbers split by specializations?
In chapter 96, Ijin says that 005 is specialized specifically in assassinations and then he mentioned kidnapping and blackmail. So I've been thinking that certain numbers, because of their abilities, attitudes, or even their preferences specialize in certain things.
Let's take 004 and 006 for example. 004, while I believe he's fully capable of these things, doesn't specialize in info gathering or blackmail of any sort. I don't think he'd enjoy it and he's very temperamental. He even says at one point that he likes risking it instead of playing it safe and efficient the way Ijin did. He kinda seems like a loose canon. So like 005, who while incredibly intelligent is still reckless and gets angry very easily, I'm going to lump him in the area of assassination, specifically using closer combat like hand-to-hand, knives, and pistols. 006 on the other hand, is very well-suited for info-gathering and maybe even infiltration given all that we've seen from him in canon.
I'd like to say that Ijin and 002 are relatively on similar grounds and are very well-rounded in nearly everything which is why they're given the numbers they have and are regarded as the overall leaders.
So basically I think the numbers are split based on what they specialize in, whether that be intelligence, assassination, kidnapping, infiltration, maybe even robbery lol? What do you think?
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rwbyrg · 6 months
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Reason Why Rosegarden is Canon: #006
In V6E9, Oscar returns after disappearing in the previous episode. When reuniting with the group, he has donned a new outfit and talks about his resolve towards their fight against Salem that directly mirrors the talk he had with Ruby in The Dojo Scene in V5E5.
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The outfit he has chosen lends many more colours to his initial design and mimics the look of his Little Prince allusion. But what's important about this upgrade is the colours and placements he has chosen.
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He's thrown on red shoes which are emblematic of his commitment to "keep moving forward". In other words, to follow the path Ruby is walking. Beyond just the boots, he has also put a red mantle on his shoulders in the same shape as Ruby's hood which is symbolic of his commitment to help her shoulder her burdens.
💡 Important to note that Ruby's following Atlas outfit upgrade, starts to mimic Oscar's shape language as well. And, while team JNR are all designed by Erin Winn, Oscar's design has always been done by Ein Lee, who is responsible for all of team RWBY's outfits as well, adding more evidence to these design similarities being intentional from the beginning.
Also important to note, that when Nora asks Oscar "What are you wearing?" she is literally pointing to Ruby signaling to the audience where he got the inspiration from.
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Beyond this, we have confirmation from Eddy Rivas, one of the show's writers, that wearing the colours of your partner is a common sign of affection or expression of the bond a person shares with someone else.
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We've seen this same pattern in other canon couples throughout the show as well. Most notably with:
Renora, who have always shared pink elements
Arkos, with Jaune wearing a red sash in honour of Pyrrha and
Bumbleby incorporating each other's colours into their weapons
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Bumbleby has also been designed with that complementary colour scheme in mind since the very beginning with their Yellow/Purple duality. And this same design intention is clear in Rosegarden as well. Not only with the Red/Green, but also their Silver/Gold contrast as well.
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And it goes beyond just the colours in their costumes, it is also included in their very names by the colour naming rule.
Ruby (as in Red like the Gemstone) Rose (yes like the flower, but also as in Rise like the Silver Moon)
Oscar (as in Gold like the Award Statues) Pine (as in Green like the Coniferous Tree)
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mureinar · 5 months
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WaHa! We’re zombies, zombies
The bg of this took way longer than it shouldve taken🔥 oh well
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purgemarchlockdown · 5 months
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Milgram and The Rose Bride
(CWs: Child Abuse, Cults, Unhealthy Relationships, Bullying, Sexism, Discussions of Ownership in the context of Marriage, minor mentions of sexual abuse and minor mentions of sexual abuse in relation to Minors)
(Spoilers for Utena!)
Alright so, since I'm putting this on the Milgram blog, most likely most people who see this don't know what the Rose Bride is and what that means so lets answer that question.
The Rose Bride is a concept in the 90s Psychological Shoujo Anime Revolutionary Girl Utena, in which the main premise is that a bunch of highschoolers are dueling for marriage (ownership) of the Rose Bride so that they can revolutionize the world.
Now, the thing is, The Rose Bride is a Real Person, and the implications of her ownership and the environment that Allows for that to happen are explored through the series, and the reason why I'm bringing it up in relation to Milgram is this.
"In the end, all girls are the rose bride."
Let's talk about Mahiru for a bit since her being so focused on romantic love makes it a lot easier to explain what I mean by this.
In T1 we get this interrogation from Mahiru:
T1Q20: What do you think about smoking? I've never smoked before, but I might copy him if who I love smokes.
This is a deeply concerning sentence, Mahiru has just stated that she is willing to do something incredibly physical destructive to herself if the person she loves is doing the same. This connects back to her thoughts on having "matching love."
We fought sometimes, I was happy to get hurt Let's have matching pain, this sickness is pretty bad This is a claim of responsibility From the two of us with matching love
Now, the Rose Bride has to anything the person who is engaged to her tells her to do. The Rose Bride is not allowed any sort of Autonomy or Agency.
(Transcript Link for Utena Scripts)
Touga:  The Rose Bride, cooking? Touga:  You shouldn't do such things as cooking. Touga:  You should only take care of the roses here. Touga:  This birdcage is your territory. Touga:  And you are the beautiful little bird which lives here. Touga:  I want to possess this birdcage, and everything in it.
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Touga:  Himemiya Anthy is the Bride of the victor of the Duel. Touga:  While she was engaged to you, the Code required her to obey you.
I Love You:
What am I supposed to do now? If you won’t tell me, I can’t be me
Mahiru is also probably the most traditionally feminine out of the entire female cast. With her priorities being love, romance, and having children.
(Mahiru Interrogation)
T2Q1: What's your opinion on Marriage? Mahiru: It's something I really dream of.
T2Q10: Do you like children? Mahiru: Yup. I always dreamed of having the older being a girl, and the younger being a boy.
Mahiru is willing to do Anything for love, even if it gets her hurt in the process. That's what she's Supposed to want, that's what is Supposed to bring her joy, that's what is Supposed to bring everyone joy. (Mahiru T1 VD)
Es: I honestly have no interest in those matters.  Mahiru: What? No, no. There’s no such thing as that. Being in love is like a landmine. It’ll explode someday, you know? The only thing that differs is whether it happens earlier or later in life. It’ll happen to you too. Even if you don’t have any interest in it now, one day it’ll explode for you as well. All because you’ll have that fateful encounter with your special someone.
Love is what Everyone Wants and if you say you Don't you just haven't found the right person.
Mahiru: Yeah, yeah. You’ll deny it at first. I mean, I was like that as well. Before then, I always admired soap operas and shoujo manga because I thought that they depicted a world different from our own. 
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Voice:  Once upon a time... Voice:  ...there was a princess grieving over the deaths of her mother and father. Voice:  Before this princess appeared a prince traveling upon a white horse. Voice:  His appearance gallant, and his smile gentle, the prince enveloped the princess
The amatonormativity in Mahiru's worldview is clear. People are Supposed to fall in love and have the Normal Idealized Heterosexual Romance and there's Nothing Else Outside of That At All.
Mahiru: Yeah, yeah. You’ll deny it at first. I mean, I was like that as well.
Anthy:  But I've been engaged to you, Utena-sama. Utena:  I've told you to stop mentioning stuff like "engagement" and the "Rose Bride." Anthy:  Nevertheless... Utena:  Look, no matter how you look at me, I'm a regular wholesome girl. Utena:  I'm only interested in wholesome boys, not a bride or stuff like that.
And Mahiru does a lot to preserve a "marketable" quality to her actions and behavior. TIHTBILWY is formatted like a magazine, something that is sold and bought by consumers. Erasing the messiness of her relationship or even Romanticizing those qualities to seem appealing.
Giving you love to the point of pulling you down It's just because I still get worried, please forgive me Even when I test you, even the times we do the breakup ritual, Is because I love you
Voice:  but because of the strength of her admiration for the prince, Voice:  the princess made up her mind to become a prince herself! Voice:  But is that really good for her?
The story of the Prince in Utena is one that is a fabrication, it hides and excludes multiple Very Important parts of the story all in the favor of portraying the Ideal Fairytale Heterosexual Romance.
Unlike Utena who chooses to become a "Prince" (which is a concept I'll get into in a bit.) Mahiru is trying to make Herself the Rose Bride. She orientates her life around who she loves, she's willing to accept a lot of abuse for the sake of an Ideal Relationship, she even actively downplays her intelligence and strength! Something that is explored in detail by this post by archivalofsins you should check out.
Now that isn't to say Mahiru isn't a horrible partner. She is, and this is why. Mahiru is Expecting this sort of incredibly idealistic fairytale romance from her partner, an ideal that no person can possibly live up to without harming the people they care about and themselves!
Do you really think you know what love is? If you do, let's just overheat together The things that I only want to say to you, and the things that I want from you Is love
My emotions are out of control, that’s inconvenient? I don’t care!
You can't live up to this and you shouldn't want to! It's an unrealistic and unachievable ideal with a horrific power imbalance to boot! Yet Mahiru is Trying to conform to these ideals, trying to conform to the unrealistic expectations of women and relationships in society, and that's why she's here in the first place.
"He who believes friendship exists is a fool."
So these toxic and unhealthy ideals and expectations are at the core of Mahiru's character and her situation. But there ideals are perpetuated by an environment that promotes this sort of behavior, one that isn't unique to Mahiru's situation.
Muu Kusunoki is a 16 year old teenage girl who is both a victim of bullying and someone who bullies others for her own gain.
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She also might of had a homoromantic relationship with her murder victim.
Let’s meet up inside the pain, a place just for me Postmortem makeup to hide my heart, how to solve it is a secret The stabbing of the little devil’s voice, counterattack being a suicide note “I love YOU”
I wonder who that reminds me of.
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I'll get into Shiori in a second, but it's important to note that Muu introduces a concept that's present in Mahiru's story but is particularly present in Muu, the concept of the cycle.
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Saionji:  No... I was to be the one to rescue her from the coffin this time. Saionji:  No! I am the one who will save her this time. The castle said to contain eternity... Saionji:  the power to revolutionize the world...
The concept of eternity and nostalgia in Utena tends to be depicted as a coffin, one you need to break out of to grow.
Touga:  If the egg's shell does not break, the chick will die without being born. Touga:  We are the chick; the egg is the world. Touga:  If the world's shell does not break, we will die without being born. Touga:  Break the world's shell! Touga-Juri:  For the sake of revolutionizing the world!
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The duelists want the Rose Bride so that they can gain the power to revolutionize the world. Who she is does not Matter as much as what she can Give Them.
Now, this idea is particularly present in characters like Shidou and Kotoko who position themselves as saviors, not for the benefit of others but for what they Get out of that arrangement, thematically fitting the concept of the prince.
However, Muu is not the prince, she is not a savior. In fact she always positions herself as the victim, as someone pitiful and weak. (Crying B)
Muu: Hey… Prison guard, when you say “I”… Who are you talking about? Es: [breaking down]  Muu: Prison guard? Es: [stumbles]  Muu: Prison guard. What’s wrong? Prison guard! [shakes Es] Hey! Prison guard! Es: Shut up! Don’t touch me! Muu: [cries] You’re so cruel… I… Even though I was just worried about you… [cries again] I can’t take it anymore. I hate you, prison guard! 
Es pain and breakdown is caused by something Muu said, and yet when Es very sharply tells her not to touch them because their uncomfortable with it. Muu immediately starts crying and talking about how much They got hurt because of what they did, when Es is currently unresponsive due to what she did to them, albeit unintentionally.
Muu needs to to be the victim, After Pain shows all the bad things that happened to her and not Any of the bullying she participated in. It's Not My Fault is a whole song about how everything she did was right actually and that everyone else was wrong.
Now, Muu isn't a master manipulator or anything. She's an impulsive 16 year old. If Muu was a master manipulator she wouldn't be here, would she? She'd be still in school taking the honey up as she was before Rei did whatever she did.
Muu gains power by being pitiful and weak so she'll be loved, and by its' very nature it's self-destructive. She cannot be Happy because if she Was this wouldn't work anymore. She Must be in a worse situation, she must be the victim, or else no one would pity and love her.
I am innocent as everybody desires
Juri: You're just like Shiori... Juri: ...cruelly innocent.
Muu cycles from being "weak and pitiful" to being "queenly and powerful" and tends to hurt herself in the process. This attempt at grabbing power and love through pity Harms Muu, and she seems to even be drowning in a lot of self-hatred and self-pity, and is looking for external validation to confirm that she's "good."
But I guess some of it is my faultMaybe it’s ok as it is I want to feel “alive”, is it ok if I breathe?
Hey, what if If I am a bad girl Don’t hate me. Don’t even try to proof from “After Pain”
And, in an attempt to gain power and control, Muu traps herself in a coffin.
Shiori: This is me, the real me! Shiori: And not the underdog that was living a miserable life in the shadow of the bright shining Juri! Shiori: The real me that surpasses the light. Shiori: Yes, this is the me that controls Juri.
But, it isn't all her fault.
Again, Muu really was bullied, horribly so if were judging by her lyrics in After Pain and the sequences we see in it.
If I was gone, If I had just disappeared I overheard, I found out How much I’m not needed
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T1Q4: Is there something you hate? Scary people and ghosts. And right now, school.
Muu isn't lying about this, and Rei isn't fully sympathetic either, she did Hurt Muu and Muu really did want to apologize to her.
T1Q9: Do you have apologetic feelings for who you killed? A: The person who did the wrong thing first should apologize.
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Shiori: Juri-san was so kind to me. Shiori: But I thought she was kind to me because she looked down on me, Shiori: and that she had pity on me for being plain and useless. Shiori: That's pathetic! Shiori: So I wanted to change my relationship with Juri-san. Shiori: But what I did with him made me more miserable than before. Shiori: I should have wanted it for myself! Shiori: But now... Shiori: Now I'm on equal terms with her. No, I've won! Shiori: I always had a place in Juri-san's heart. Shiori: I'm the winner! Shiori: What shall I do? I'm so delighted to know my friend's secret I almost can't bear it! Shiori: She suffered alone, looking at my picture in secret... Shiori: That was Juri-san? Poor thing! Shiori: No good! It's still no good! Shiori: How could you look at me like that?!Shiori: Why did it all turn out this way?
The school as a whole is letting a horrible environment of bullying and toxicity be left to rot and fester. You Really Can't create a healthy friendship in a world like that, it just won't let you. If your not friends with someone because you gain something from them, you'll suffer.
Muu: Wow, poor thing,.. I’ll teach you! Friends aren’t like that, you know. Rather than using each other for something, we just get along because we’re comfortable around each other. That’s all. Es: Well, I’m sorry about that. Muu: Haruka-kun is really nice! He accepts anything I say, he listens to anything I tell him. For me, that’s really comfortable. Es: And that’s… “friendship”? Muu: What do you mean? Of course we’re friends! Haruka-kun is happy with it, so it only has benefits for both of us! Es: I, as someone who has no friends, can’t judge, of course, but isn’t that just exploitation? Muu: Exploitation…? Um, I don’t really understand, but… I do help him pick out clothes [in return], and I recently gave him a hairpin I didn’t need anymore as a hand-me-down!
Akio:  But sincerity by itself changes nothing. Akio:  Without power, one finds themself merely depending on others to live.
Jackalope describes this relationship as a "Master-Servant" relationship and it seems like this is the type of friendship Muu is familiar with. She's emulating how her friendships were in school, just with someone else as the servant and her as the master.
T1Q1: What is a friend? A: Someone who properly listens to what I say.
Now this doesn't completely absolve her obviously, what she did was still Very Bad and even though she Breaks the hourglass in her MVs. She doesn't really leave it.
Muu does not want to accept responsibility for her actions, she believes herself to be justified and in the right, even when she has Done Wrong.
This unwillingness to accept when something she did is wrong and the unhealthy environment of Milgram that assigns strict moral value to people's actions and has no nuance in its judgement...leads her back into the cycle she was trapped in.
“A girl who cannot become a princess is doomed to become a witch.”
Now we've tackled the gender roles and horribly toxic cycles and ideals, so, what happens when you Can't work within those confines, or even want to break out of them? Just, hypothetically, if you cannot become a princess (which is everyone because the ideal of a princess is so incredibly unrealistic that anyone who aspires to be it would destroy themselves in the process) or Don't want to be a princess, what happens?
Well.
You become something Other.
Something Evil and Unnatural.
Something that needs to be Punished and Harmed.
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So, now, this is where I have to mention that Utena as a show deals with underage sexual abuse, I didn't mention this for the other sections since they were not as relevant to those discussions. However since this section deals with the abuse received by the Rose Bride it feels important to mention.
I will not be referring to it in the context of Amane's due to how we don't have information in the text pointing to Amane being a csa victim. This is for the sake of Tact, as it feels wrong to speculate about it here and I do not feel like I'm the right person to examine this.
It will, again, be mentioned and alluded to, so stay safe and do what's good for your health.
So, Amane Momose is repeatedly dehumanized throughout her story.
This is a consistent theme with her, she is treated as something subhuman and terrifying.
In Purge March, Amane is consistently depicted as scary, threatening, or otherwise evil.
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There's even a section in her T2 VD where Amane calls herself "evil," though it is done in a roundabout way while she's talking about Shidou (who I will get to in a bit.)
A: Both pain and illness are trials. According to our teachings, those who run from them are the worst evil there is. That’s one of the four great principles. No matter who you are, that cannot be forgiven. E: What are you…? A: Oh – speaking of which, there is one among the prisoners right now. An evil existence that’s trying to steal people’s trials away from them.
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Shadow:  The witch roams this world of darkness even now. Shadow:  Seeking the young and noble, to sacrifice them anew! Shadow:  Surely the light presents an obstacle to the witch, to her dominion over the dark. Shadow:  Beware! Beware! She is still somewhere in this world...
Not only that, but Amane is The Cat, a symbol constantly associated with sin and impurity throughout the MVs with Kazui and Yuno.
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And is implied to have actually Been asked if she was human by her parents.
(Amane T1 VD)
Amane: Yes. It is only natural for a person(/human) to apologize to another for breaking a promise. Es: … Amane: Why are you looking so doubtful? Are you not human?
I promise! A good girl that keeps a promise is like, mwah!
Amane is not to be considered human, she's even collared and leashed in her Prisoner design, the medal and bow on her outfits in the MVs being another "collar" of sorts.
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Amane Needs to be Restrained and Domesticated or else she'll bring harm to the people around her. She isn't good enough to be a "good girl" and seems to Know This.
Only if, only if, only if I could be a good girl
It's always "I can be a better girl" or "I can be a good girl" and not "I am a good girl," and the line above implies its impossible for her to be one. It's not something she can do.
When she gets punished by her parents its to make her a "better girl," and to "change" her into a "good girl." It is love, for they are not leaving her to die as an animal.
(Amane Interrogations)
T2Q9: What does love mean to you? A: To spread mercy with no limits.
But it’s not scary at all, because it’s love I can really think it’s great. See isn’t it a great thing?
Even though these punishments keep on Almost Killing Her!
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It's what she needs to go through to be good! And even if she doesn't even believe its possibly anymore what else can she do? Run? Running away from trials is a sin! One of the worst there is! She can't allow herself to be more sullied than she already is.
Plus she knows this is love, she isn't scared anymore, it's childish to be scared of it.
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Akio:  A child like you can't appreciate my ideals. Akio:  The Rose Bride exists because of ideals you don't comprehend.
Plus there's a sort of comfort in it, she knows what happens next. She idealizes Milgram somewhat in T1, believing that it's possible for this world, that resembles her abusive environment so much, could be Good.
Amane: Ah, I am looking forward to it! Seeing whether your judgement will align with that of these higher standards! If that is the case, maybe Milgram would be the right world for us to live in, rather than the outside world! Milgram relies on your judgement, isn’t that right? In that case, you could become the mediator for a far more righteous world!!
There's a comfort in Milgram's strict forgiven/unforgiven verdict system with a (theoretical) possibility of growth! And she later takes comfort in the same religious doctrine that Harmed her when Es does declare her as unforgiven.
If your so used to a situation, even if it harms you, why would you ever want to leave it? It's scarier if you leave it, you don't know what will happen next. At least at home, Amane knows what to do so she can get off a bit longer without getting hurt.
If you become a bad girl, monsters will come out This is the magic that stops that from happening
Akio:  Anthy, the sword. Akio:  That's right. You're a good girl, Anthy.
Amane's suffered for twelve or so years, an eternity trapped in a coffin. A cycle of abuse and pain and horror and fear. Why would she Ever want to leave it when what she's seen of the outside world is so horrible?
Amane: In fact, there have been people who said that to me. I’ve been told things like, “You’re being deceived.” “You can still make it right now.” “You’re crazy.”
People are always positioning themselves as stronger than her, people are always positioning themselves as smarter than her, people are always positioning themselves as Her Prince.
Shidou: I…… I just don’t understand. If everything about MILGRAM is true…… why did a child like you have to become a murderer? Just imagining what sort of circumstances must have led to that, it makes me so sad…… Amane: ……*sigh*. Is that right. I don’t think I’m going to get along with you, Shidou-san. I don’t agree with the fact you refuse to acknowledge that I have my own free will, and that I should be held accountable for my actions, just because I’m a child. I may have only been alive for 12 years, but all the choices I’ve made, even if they weren’t the best ones, were entirely my own. What point is there in you getting sad when I have no regrets myself? ……please give me back my test. It seems you don’t have the concentration levels required to be my teacher. I’m going to get Kotoko-san to teach me instead. Shidou: Amane…… I don’t think that’s true. However smart you may be…… you’re still just a child.
Utena:  Cut it out with that "Rose Bride" or "possession" nonsense. Utena:  That girl is an ordinary girl named Himemiya Anthy! Touga:  Is she? Touga:  Is it true that you're an ordinary girl? Utena:  You don't like it, do you? Utena:  Being the Rose Bride or whatever... Anthy:  I... Utena:  Go ahead, speak your mind! Anthy:  My mind... Utena:  Yeah! Utena:  You hate being treated as the Rose Bride, right? Utena:  Tell him clearly! Anthy:  All right. Anthy:  I hate being treated as the Rose Bride. Utena:  What's so funny?
Amane: You are treating me as a child after all. Because I’m a child, you believe that I must have been brainwashed. It’s not like that. I, too— children, too, understand everything! Please don’t just decide that people must be unhappy.
What she wants doesn't matter! When has it ever mattered? The people who say it does, don't like it when she acts in a manner they don't expect and her parents have made it Very Clear that what she does isn't important to them.
Any sort of happiness she could possibly get tends to come from things that are outside of her cult. And because of that, she isn't supposed to have them, and she is wrong for wanting them in the first place.
And yet...Amane cares so much about having free will and autonomy though, it's her main argument in her T1 VD and her biggest problem with her treatment.
Amane: I see. Then, are the things that I as a twelve-year-old think irrelevant? Are you going to cast aside the feelings that I know I have in this very moment, purely based on the fact that I have not yet lived for a very long time? Judging these things based on someone’s age will not take you very far. Do I, at age twelve, not have my own will?
That's the thing with Amane Momose, she doesn't want to be a "princess."
T2Q13: If you could be reborn, would you still choose to be yourself? A: Obviously.
She wants to stay as her, no matter what. In spite of all of this she doesn't want to be anything else But Her. Even if it gets her hurt.
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Amane helped the cat because she wanted to, she saw it hurt and couldn't look away.
Utena:  Hey, save her! Utena:  It's too cruel! Utena:  Save her! Utena:  Save her...
And in the eyes of god, she was wrong for doing so.
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Dios:  She can no longer be saved.
’Tis ordained, thou shall follow thine destiny
But again, Amane doesn't want to die.
T1Q12: What is the meaning of life? A: I think it is something you learn for the first time when you look behind yourself when it ends. I do not want to have regrets then, so I live on with all my might.
This was the tipping point of her, how much more is she willing to suffer? How much longer is she willing to stay here? Because she will die, it's not an if, its a when.
So, she decides, to break out of her coffin, and while it is partially due to how she was given a righteous reason to kill her mother. It is a crime that is mainly motivated by self-preservation and hatred.
Amane: Furthermore, isn’t it condescending of you to assume that just because I happen to be a child, I am incapable of hating someone enough to kill them?
Unfortunately for her, the audience isn't as willing to accept that.
I talk about it in more detail over here but we are Constantly positioned in the place of her abusers. From framing to her opinions on us, ever since we voted her guilty in T1 for the primary reason of "making her realize her mistakes." we mimic her parents.
Since she cannot become a princess, she becomes a witch, and is forced right back into that cycle she desperately tried to escape.
And Someday, Together, We'll Shine
So, that's a bit of a downer. But even so we have hope!
It's not exactly easy when the system built is so counter-productive to everyone's wellbeing and development that it often makes them worse instead of better.
But Amane has made a promise to live. Muu Does want to have genuine relationships with the people around her. And Mahiru has admitted her relationship wasn't as ideal as she initially thought.
And sometimes, you just need to see a possibility for something outside of all this to be able to get out of it.
Anthy:  What will you be doing in ten years? Utena:  I dunno. But... Anthy:  But? Utena:  But I hope we can be together like this drinking tea then. Anthy:  Yes. I hope so too. Utena:  I'm sure that'll be great. Utena:  Let's have tea and laugh together ten years from now, okay? Utena:  Promise? Anthy:  Yes. Definitely.
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