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#90s thrash metal era
kb-p2730 · 6 months
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jarofalicesgrunge · 5 months
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Cliff Burton and Timi Hansen bass player of Mercyful Fate (1984)
📸By PG Brunelli
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slowfisblog · 6 months
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OKAY
I have been trying to find this clip of Kirk dancing EVERYWHERE does any body know where it’s from 😭
credit to kirkhammettsgirl on TikTok
it’s driving me insane- I hate when I cant find the ONE CLIP 😭
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hetfields-load · 10 months
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something about this james is just soooo perf. maybe it’s the hair? the mustache? maybe he’s just perfect.
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k-i-l-l-e-r-b-e-e-6-9 · 10 months
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𝔐𝔢𝔱𝔞𝔩𝔩𝔦𝔠𝔞 - ℭ𝔯𝔢𝔢𝔭𝔦𝔫𝔤 𝔇𝔢𝔞𝔱𝔥 𝔏𝔦𝔳𝔢 𝔐𝔬𝔰𝔠𝔬𝔴 (յգգյ)
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stinkman007 · 9 months
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EVERYONE SAY HAPPY BIRTHDAY TO THE WORLD'S FINEST GINGER ROCKSTAR <3
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🎉🎉🎉🎉 WE LOVE YOU DAVE !!!!!!!!! 🎉🎉🎉🎉
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playgurlbuffy · 6 months
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the always handsome, kirk hammett 🖤
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elscaptive · 9 months
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Señor
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cigar and alcohol + load era kirk
red wine spilled on a white furry carpet. burnt cigar stains on the coffee table. cloudy window from the rain. sparks of fire from the furnace.
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spacenintendogs · 7 months
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how embarrassing is it that metallica is my fucking kryptonite
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Metallica when they created their album load
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sadomatica · 22 days
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What's your favourite music genre?
NOW THIS ONE IS HARD.....It's always changing so dramatically LOL like one year it will be black metal and the next I'm in my dembow era. I guess my home genre will always be somewhere around grunge/90s divorced dad rock....Seems thats what I always end up gravitating back towards, fuckin Creeding it out....If we're talking Currently Current tho I'm definitely in a bit of a thrash metal thing rn. Definitely not because that's what all my eli playlists consist of tho. Definitely not.
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jarofalicesgrunge · 2 years
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Cliff - Metallica.
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mushroomminded · 10 months
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If assigning things to the P&P the cast, I'm assigning them Music Genres I Associate With Them/Think They'd Like
Peachy: screamo, metalcore, melodic hardcore, death metal
Ira: "Classical" Music (broad term definition, but with a particular love of Baroque period and Romantic period works), modern orchestral music, minimalism/experimental orchestral music
Django: acoustic rock, 90s style alt rock, grunge, garage rock
Mars: skate punk, oi, thrash punk/metal, post punk
Shelle: various forms of Jazz (smooth jazz, a little big band era jazz, some freeform jazz when she's feeling Spicy), likewise varying forms of funk and soul
Kell: Top 40 Radio, with a penchant for the bubblegummiest of pop/idol group music
YAYY
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k-i-l-l-e-r-b-e-e-6-9 · 3 months
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Metallica
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stinkman007 · 10 months
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MEGADETH AT THE CLASH OF THE TITANS TOUR 1990- FOOTAGE FROM 'ARSENAL OF MEGADETH' DVDS- 1/?
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okay, these gifs actually came from a youtube video, (since i couldnt figure out how to get the dvd contents onto my laptop..) anyway, no credit needed to use these :) this is all you get for now, i have some guitar to play... i'll be back soon with more gifs....
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joemuggs · 4 months
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Albums of 2023 part 3
And - continued from part 2 - some more! This one does what it says on the tin. Levon Vincent knows the old chestnut "dancing about architecture" is accidentally profound: this is 11 pieces of holy four dimensional architecture exquisitely designed for your body to move through.
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It's been a great year for old school BRAINDANCE, in no small part thanks to Mighty Force records releasing thick and fast, and this from Kams, straight out of Beckenham, is the best - just warm-hearted, melodic, acidic, danceable, classic electronica.
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My old mucker Culshaw is a scholar, a gent, an adventurer, and on the sly a great musician. This comeback to the studio is MAGIC - global and spiritual and incidentally Balearic in a Jose Padilla sense - but its connections are based on highest common factors, never dully fusioneering.
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Just fries my mind that Boris seem to get creatively hungrier and angrier with every passing year. This collab brings in all sorts - goth, thrash, synthwave - but what I really love is the unironic POWER METAL energy. Music to be struck by lightning to.
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It's been an incredible year for electropop - and this album from producer turned singer songwriter Avalon Emerson is the *sweetest* of the crop, lighter than air, a gentle digital dream, but with surreptitious emotional heft. Reminds me a little bit of millennium era Morr Music, Tarwater etc? Must listen as a whole: it draws you in and in....
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Even heavier than the Boris, and the record that made me fall in love with grindcore all over again - had to order the vinyl even given transatlantic premium. Nepalese band in New York Chepang TAKE. NO. PRISONERS. HUURUUUURURRGGHGHHH.
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I was NOT expecting this from Anhoni - but I'm a sucker for Muscle Shoals style country-soul grooves, and though they risk getting "a bit Jools Holland", here they're delivered with total assurance plus the bleakness of the lyrics, fierceness of delivery and a few noises moments all adds some serious edge.
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More electropop - this one from Jessy Lanza is not a million miles from the Avalon Emerson in its pristine futurist sound, but it's a bit spikier, eerier, like she is setting puzzles for you.
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My most played record of the year. Like the Culshaw, a bit Cafe Del Mar in the most urbane possible sense - Sissoko & co's blend of jazz, classical, W African & European folk is done with unbelievable poise and emotion and is completely addictive.
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This has been all-conquering this year and rightly so. It's not just the fearsome doom bits, it's the straightforward folk that's great: Lankum remind us of dreadful, beautiful paradoxes of being human that don't really change through the centuries.
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Paul Simon says this was written in dreams, and it really sounds like it. Genuinely transporting, surreal, gorgeous and - I have to say it - roughly 10,000,000 times more interesting than anything Bob Dylan has done this century.
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Completely UN-deconstructed trance... the way Romy taps into the melancholy of the most globe-conquering of 90s pop dance is something quite special and will serve as a real cynicism test... go on, let it twang your heartstrings!
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I've kind of idly admired King Krule's music from a distance previously but that changed last year - he really is something special eh? Way more than the sum of influences, and a proper world-builder.
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One of many where I missed the promo at the time (sorry PRs) but then discovered it via my sp****y recommends. Just beautiful post-classical, post-ambient musing music from Audrey Carmes that sounds like austere but lovely perfumes and crisp clean cotton.
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Of course death is at the heart of Depeche Mode's music so how tragic but appropriate that it took Fletch's death to turbocharge them creatively. This is like a telescoping together of their whole history - but also still in love with new sounds...
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More death, more darkness, with Amy Winehouse serving as a dark angel muse drawing together and crystallising the ambient, abstract and dream cabaret influences Kevin Martin has been incubating in his solo KRM albums since 2019. Crushingly sad and great.
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Espec after seeing him rock it in the morning at We Out Here, I do feel like Joshua Idehen is in danger of becoming a late-blooming star, you know. Explicitly connecting David Byrne, Mike Skinner, Maxi Jazz and a finger-jabbing Nigerian preacher, he ROCKS.
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Yes, Yussef Dayes really is all that and a packed of Pickled Onion Space Raiders. Brit jazz just seems to have been in a consistent triumphant state these last five years or so and there's no sign of it stopping being that way with albums like this still coming.
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Ben Howard is an artist who'd completely passed me by despite being really quite big - but again the sp****y algorithm brought me this and it's really amazing, thought provoking, grown up pop. I *instantly* guessed it was Bullion on production too, no lie. ❤️
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I've said for a long time that "mumble rap" has deep atavistic echoes of the blues and psychedelia - and here's the mumbler in chief Lil Yachty joining the dots back through the decades. Funkadelic, Hendrix, Beck, Outkast, BUTTHOLE SURFERS? Yeah it's all here. Not saying it's one those levels, but it's great and
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Holy shit is Dot Allison on a roll or what? This is effectively 2021's Heart Shaped Scars growing in all directions: bigger, grander, more cosmic, even more beautiful. The partnership with Hannah Peel as arranger is front and centre and works incredibly.
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Alright it's not as unique as Bad Bunny's 2022 masterpiece Un Verano Sin Ti - this is more trap, less overtly "Latin" - but it's really, really good. Sometimes not knowing the language can emphasise the emotion in the sound: the blues in the trap, the Spanish derived "tristeza"...
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My fave Villalobos moments are often him working his wonky magic on "real" instruments and songs (see his Tony Allen / ECM reworks) so a whole album of him tweaking A Mountain Of One's Balearic soft rock is a real treat. Gets progressively "more Ricardo" as it goes on.
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I love how Young Fathers have become such a beacon of what a "big festival band" CAN be when it broadens its influences out and grooves a bit. This album is such a big step up for them, and I really hope they keep this momentum because it's BIG FUN.
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And talking of Scots "big festival bands" with diverse influences pushing the envelope and having fun with loading in more pop, dance, rap etc, The Djangos really went to town on this one and I was surprised not to see it getting more hype. A proper weird and wonderful party of an album.
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Okayyyyyyyy last part is here, get stuck in!
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