#Aya Shimura

[speedracer2008isart]

Characters + signature colors (redone)

#speed racer 2008 #speed racer movieverse #speed racer #trixie shimura #mom racer #pops racer #aya racer #dragon racer #spritle racer #sparky sabu #sparky racer #racer x #vinnie #horuko togokahn #ep arnold royalton esquire #arnold royalton #speed racer gifs #colors #my gifs

[finalverse]

Now that you're awake, why don't we introduce ourselves? I'm Aconite Shion, ultimate doll. You

“Ah..right,”

“Aya hiromi, I’m the ultimate Art’s and Crafts expert.”

“Art’s and craft sounds useful…”

“But the heck is the ultimate doll for?”

“Haruhi!”

“Sorry about her, I’m Reiko shimura, Ultimate paranormal investigator..”

#aya hiromi #haruhi mizaki #reiko shimura #thrills and risk arc #final verse

[vital-information]

“Early Summer is about the difference between the married and the unmarried, how the married try to persuade or (worse) coerce the unmarried into getting married, and how maybe that isn’t always such a good idea. This theme is explicitly called out more than once in the film.

Early Summer further implies that there may be a good reason why some unmarried people, including Noriko (but not just Noriko), don't want to marry: they may be “that type of person,” as the young lesbian Fumi described herself in Takako Shimura's manga Aoi hana. This subtext rises briefly to the level of text at least once before being ambiguously dismissed.

Both Ozu and Hara remained unmarried until their deaths, and to my knowledge neither were ever credibly reported as having a romantic relationship with anyone. Per Donald Richie’s commentary on the Criterion release (referenced in the next post), Ozu was reported to become angry at any talk of his marrying. Meanwhile Hara, though termed “the eternal virgin” by a film producer for her film image, in real life had close friendships with many women, including a hair and makeup artist whose friendship with Hara began early on and continued after Hara retired into obscurity at the height of her career.

In modern terms we could therefore hypothesize Early Summer as a queer film subtly but firmly protesting compulsory heterosexuality, made by a (possibly) queer director and starring a (possibly) queer actor.

…

Early Summer opens with three establishing shots: first a shot of a dog walking freely on the beach with the ocean in the background, then a shot of a single bird in a cage outside, and then a final shot of birds in cages inside a house. This is the house in the oceanside town of Kamakura in which Noriko (Setsuko Hara’s character) lives, along with her brother Kōichi (Chishū Ryū), his wife Fumiko (Kuniko Miyake), Noriko and Koichi’s father (Ichiro Sugai) and mother (Chieko Higashiyama), and Kōichi and Fumiko’s two young boys.

If we wish, we can interpret the first and third shots as showing a strong contrast between freedom in nature on the one hand, and the restrictions imposed by society and the Japanese family system on the other. In this interpretation the second shot represents Noriko, who has a degree of independence that her mother and Fumiko do not have, but is still constrained by the bonds of family and society.

In the following scenes Kōichi takes an early train to his job as a physician, while Noriko goes to the Kita-Kamakura station to catch a later one. There she meets Kenkichi, another physician who works with Kōichi and who (along with his mother) is the family’s next-door neighbor. Kenkichi tells her that he’s been reading a book, implied to have been recommended by Noriko. The Criterion release describes it only as “this book,” but the BFI release names it as Les Thibaults.

Les Thibaults (published in Japanese as Chibō-ka no hitobito, and apparently relatively popular in Japan at the time) is a multi-volume French novel that begins as one of its protagonists is discovered writing passionate messages to a fellow schoolboy — something Ozu himself was apparently falsely accused of — and is then separated from his friend. Later volumes describe their diverging paths in life. Why might have Noriko recommended this particular novel to Kenkichi? Hold that thought.

We then see Noriko at work, as a secretary and executive assistant to the head of a small firm (Shūji Sano). As she talks with her boss regarding café recommendations, her best friend Aya (Chikage Awashima) arrives, there to collect payment for the boss’s spending at the restaurant her mother owns. Noriko’s boss wonders when they’ll both get married, and refers to them as “old maids.”

(Before becoming a movie actress, Chikage Awashima was a musumeyaku top star in the Takarazuka Revue and occasionally played “pants roles,” i.e., as a female character dressing as a man for plot reasons. Osamu Tezuka was a fan of hers, and she supposedly inspired the main character Sapphire, “born ... with a blue heart of a boy and a pink heart of a girl,” in his manga Princess Knight. Why might this be relevant to Early Summer? Again, hold that thought.)

After work, Noriko meets Kōichi and Fumiko for dinner. While they eat, Kōichi complains about post-war women (“[They’ve] become so forward.”) and Noriko corrects him: “We've just taken our natural place.” Kōichi then claims that’s why Noriko can’t get married, and she rebukes him: “It’s not that I can’t. I could in a minute if I wanted to.” (Note: a bit of foreshadowing here.)

Next occur the two key events that set the main plot in motion. First, Noriko’s great-uncle (Seiji Miyaguchi) arrives for a visit. He wonders why she isn't married yet. “Some women don't want to get married,” he tells her. “Are you one of them?” Noriko laughs and leaves the room, but the seed has been planted in the minds of her family.

Noriko’s boss also thinks it's time for her to get married, and he has just the man for her: “He’s never been married. Not sure if he's still a virgin.” Her boss has photographs to show her, and won’t leave her leave without taking them.

Meanwhile Noriko and Aya mercilessly tease one of their married friends, and after attending another friend’s wedding have dinner with that friend and another married friend, with a side dish of sexual innuendo. One of the married friends brags about how she spent a rained-out honeymoon playing with a “spinning top”: “My husband is very good at it.” Her friend cautions her: “You shouldn't flaunt it in front of the single girls.”

However, Aya is not impressed with the implied amazingness of heterosexual intercourse: “Silly! We don’t play with tops, do we?” Noriko enthusiastically agrees with her: “That’s for children, isn’t it?” The debate between the married and the unmarried continues, after which Noriko goes home, where Kōichi and Fumiko are scheming regarding the marital candidate proposed by Noriko’s boss.

Kenkichi’s mother then visits Noriko’s mother, and tells her that a man from a detective agency has been asking about Noriko: “I realized it was about her marriage.” We also learn that Kenkichi’s wife died two years ago (leaving him with a young daughter), and that he's not interested in remarrying: “All he does since his wife died is read books” (like Les Thibaults). Finally, we learn that Kenkichi’s best friend, Noriko’s brother Shoji, went missing in the war.

We now come to the climax of the first half of the movie. As Noriko’s nephews and their friends play with their model train set downstairs (one nephew asking if their father will buy them more train track), Aya visits Noriko and they talk in her room upstairs. Their married friends have made various excuses for why they couldn’t also visit; Noriko recalls how close they were at school and laments their drifting apart.

Throughout the first half of Early Summer Noriko and Aya are shown as mirroring each other’s gestures and speech. That mirroring continues in this scene (for example, they sit down next to each other at the exact same time and in the exact same manner), and then a very interesting thing happens. Ozu’s typical modus operandi is to continue a shot until someone stops speaking or moving, or even until they leave the room. But here he cuts immediately from Noriko and Aya simultaneously raising their glasses to drink, to Noriko’s father and mother simultaneously bringing food to their lips, as they relax sitting on a street curb in town.

If I were to speculate about what this juxtaposition might mean, if anything, I’d speculate as follows: that Ozu intended to show that, whatever Aya and Noriko might be to each other, they are as close, secure, and happy in their relationship as Noriko’s mother and father are in theirs — as much a couple as any other in the film, but not formally recognized as such.

Noriko’s father tells his wife, “This may be the happiest time for our family,” although he’s sad at the thought of Noriko leaving. They continue their conversation, and then are interrupted by the site of a balloon rising into the sky. “Some child must be crying,” Noriko’s father remarks. “Remember how Kōichi cried when he lost his balloon?”

…

The good times continue as Noriko brings home a cake to eat with her sister-in-law Fumiko, and their neighbor Kenkichi drops in unexpectedly and is invited to share it with them. The scene re-introduces Kenkichi and brings up the subject of his remarrying — something he doesn’t want, but his mother (played by Haruko Sugimura) does.

…

In the meantime Noriko’s brother Kōichi has been pursuing the idea of a marriage between Noriko and an unseen bachelor first suggested by Noriko’s boss, including asking his friends and associates for more information on the proposed groom. The results are “very promising”: “He’s in the social register, and seems to be a fine businessman.” “How nice,” replies his mother, but, “how old is he?”

…

Then Noriko’s boss asks a few questions that we’ve been asking ourselves. While Noriko is away from work, Aya stops by, and the boss questions Aya on whether Noriko will go through with the match or not: “I don't understand her ... Is she interested in men?” Aya at first demurs: “What do you think?” Noriko’s boss has seen indications both ways, and presses the question: “Has she always been like that?” Aya responds in the affirmative. The questioning goes on. Aya tells him that Noriko’s apparently never been in love, “but she has an album of ... Hepburn photos this thick,” holding her thumb and forefinger about 4 centimeters apart.

Here we have the first of two translation issues. Aya actually refers to “Hepburn” without mentioning a given name. The Criterion subtitles — by Donald Richie, who should have known better — make this a reference to Audrey Hepburn, who’d had only small roles by then. It’s almost certain that this is instead a reference to Katherine Hepburn, who was a major star by the time Noriko would have entered middle school. Was the teenaged Noriko besotted by the androgynous beauty of Katharine Hepburn (who would have made a stunning otokoyaku)? It sure looks like it.

The subtext now threatens to become text, as Noriko’s boss learns that “Hepburn” refers to an American actress, and asks the obvious follow-up question about Noriko. In the Criterion subtitles it’s translated as “So she goes for women?” The BFI translation puts it more bluntly: “Is she queer?” What is Noriko’s boss really asking? Japanese speakers can correct me here, but I believe his actual question uses the term “hentai.”

Western fans are used to thinking of “hentai” as referring to pornography. However, my understanding is that at the time of the film “hentai” in colloquial Japanese would have referred specifically to sexual behavior that was considered abnormal. So if Noriko’s boss did use the term, another possible translation might have been “Is she a pervert?” Both the Criterion and BFI translations soften the question; in particular BFI’s “is she queer?”, while defensible, risks projecting our current ideas about “queer” (including its positive connotations) onto a film created in a different time.

In any case, Aya is determined to shut down any discussion of Noriko’s proclivities. “No!” she firmly replies. Noriko’s boss is apparently unconvinced: “You can never know. She’s very strange, in any case.” His prurient instincts aroused, Noriko’s boss then envisions another solution to the problem of Noriko, and queries Aya about it: “Why don’t you teach her?” “About what?” “Everything.” “What do you mean, everything?” He pats her shoulder and admonishes her: “Don’t try to be coy,” as we viewers pause to consider the implications of what he’s asking her to do.

Aya rejects this line of inquiry as well: “Don’t talk to me like that! That was rude!” Noriko's boss laughs, offers a half-hearted apology, and then (after telling Aya that Noriko won’t be back that day) invites her to lunch and quizzes her on her preferences in sushi: “Tuna” she says. He continues, “How about an open clam?” (which Donald Richie's commentary helpfully informs us is a euphemism for the vagina). “Sure,” she replies. “And a nice long rice roll?” “No, thank you!” His final words are, “You’re strange too,” and again I think I hear the word “hentai” enter the conversation.

…

Recall that Kenkichi decided to accept an offer as a department head in a hospital in Akita, several hundred kilometers north of Tokyo and on the opposite coast. Noriko meets him in a café before her brother Kōichi is to host him at a farewell dinner party, and they talk about Shoji, Noriko’s other brother who went missing in action during the war. Kenkichi recalls how he and Shoji were best friends in school, often eating at this very café, indeed at this very table. Kenkichi tells Noriko that he still keeps a letter that Shoji sent him, with a stalk of wheat enclosed (probably indicating that Shoji was deployed in northern China). Noriko asks if she can have the letter, and Kenkichi agrees.

Afterward Noriko visits Kenkichi’s mother, while Kenkichi himself is still at his farewell party. Kenkichi's mother tells Noriko her secret dream (“please don’t tell Kenkichi”): “I just wish Kenkichi had gotten remarried to someone like you.” She apologizes and asks Noriko not to be angry (“It’s just a wish in my heart”), but Noriko stares at her with an intense expression (her usual smile absent), and asks her, “Do you mean it? ... Do you really feel that way about me?” Kenkichi’s mother apologizes again, but Noriko presses on: “You wouldn’t mind an old maid like me?” Then before Kenkichi’s mother can respond, Noriko speaks: “Then I accept.”

Kenkichi’s mother is incredulous. She asks Noriko several times to confirm what she’s saying, thanks Noriko effusively and weeps tears of joy at her good fortune, but continues to question Noriko about her decision even as Noriko leaves to go home. (Incidentally, this scene features a bravura performance by Haruko Sugimura.)

After she leaves the house, Noriko encounters Kenkichi, just returned from his farewell party. Noriko exchanges some small talk with him, but says absolutely nothing about what she just told his mother.

Noriko's decision then plays out across multiple scenes:

At first Kenkichi doesn’t understand what his mother is trying to tell him (“She accepted.” “Accepted what?”). When he finally gets the message (“She agreed to marry you. To become your wife!” “My wife?” “Yes. Isn’t it wonderful?”), he looks absolutely gobsmacked. His mother breaks down in tears again telling him how happy she is, and how happy he should be. He tries to play along (glumly echoing, “Yes, I’m happy”), but he looks for all the world like a man who would sooner eat nails than enter into another marriage.

Kenkichi’s mother doesn't understand why he’s not happy. She concludes, “What an odd boy you are.” The Japanese word here appears to be “hen,” which I understand to be a softer adjective than “hentai,” and not sexual in nature. But note that Kenkichi is now the third person after Noriko and Aya to be referred to as not normal in some way.

Meanwhile Noriko is interrogated about her decision by her family, especially by Kōichi, in a beautifully framed and shot scene — Noriko in white, her head bowed, her brother in black, barking questions like a prosecutor cross-examining a criminal. Noriko is unrepentant: “When his mother talked to me, I didn’t feel a moment’s hesitation. I suddenly felt I’d be happy with him.” Her parents retire upstairs to chew on their disappointment — Noriko walking silently past them on her way to her room — while Kōichi tells Fumiko, “What could we do now? She’s made up her mind. You know how she is.”

…

Meanwhile Noriko and Aya have their last scene together. It starts by echoing and completing the action at the end of their previous scene: then they raised their glasses together to drink, now they lower their glasses in a simultaneous gesture. Aya tells Noriko that she can’t believe Noriko would ever end up like this: she thought Noriko would be a modern woman living “Western-style, with a flower garden, listening to Chopin,” “wearing a white sweater, with a terrier in tow,” and greeting Aya in English — “Hello, how are you?”

Instead Aya now imagines Noriko wearing farmers clothes in rural Japan, speaking the local dialect. She playfully imitates country speech, and Noriko responds in kind: “Ya don’t look it, but ya talk like the locals.” “I figure to live in Akita when me and my man get hitched.” The subtext here I read as follows: Noriko knows how to pretend to be something she is not — a conventional heterosexual woman in a conventional heterosexual marriage — and she will accept doing so in her self-imposed exile from Tokyo, the price she must pay for avoiding what she considered to be a worse fate.

The tone then turns serious. Aya recalls meeting Kenkichi when they were in school, on a hiking trip with Noriko and her brother Shoji, and presses Noriko about her choice: “Did you already love him then?” “No, I had no particular feeling for him. ... I never imagined myself marrying him.” Noriko evades Aya’s questions about how she came to love Kenkichi, refusing time after time to acknowledge her feelings for him as those of love. Instead she insists, “No, I just feel I could trust him with all my heart and be happy.”

But trust Kenkichi for what? we want to ask Noriko. To respect her for who and what she is? To not want a conventional relationship with her? To not press her for sex or for children (after all, he already has one)? To keep her secrets, as she might keep any secret of his?

…

The family then gathers for one last commemorative photo. Without Noriko's salary they can no longer afford the house in Kamakura, so they break up: the parents to live with the great-uncle; Noriko to Akita with Kenkichi, his mother, and his daughter; and Kōichi, Fumiko, and their sons to some other less-expensive dwelling (perhaps an apartment in the Tokyo suburbs).

The parents recall when they moved into the house: “It was spring and Noriko had just turned 12.” Kōichi remembers that time as well: "She used to wear a ribbon in her hair, and she was always singing." But “children grow up so quickly,” her parents remark, and living together forever, "that's impossible."

Her usual smile nowhere in evidence, Noriko takes it all upon herself: “I’m sorry, I’ve broken up the family.” Despite reassurances from her father (“It’s not your fault. It was inevitable.”) she flees from the room, goes upstairs to her own room, and cries her heart out, distraught about the turn that her and their lives have taken.

The final scene shows Noriko’s parents at the great-uncle’s house, far from the sea. They glance at a wedding procession walking through the fields (“Look there. A bride is passing by. I wonder what sort of family she’s marrying into?”), think of Noriko, and resign themselves to the family's fate: “We shouldn’t ask for too much.” “We've been really happy.”

— Frank Hecker, “Ozu’s Early Summer Seems Pretty Darn Queer to Me”

#yasujiro ozu #ozu #queer history #setsuko hara #early summer #film criticism #queer film #gay subtext #queer coding #long post

[morebedsidebooks]

LGBTQ+ Characters in Comics from the 21st century I like

A few years back I did a post on LGBTQ+ characters in comics from the 20th Century I have a soft spot for. When it comes to the new millennium, the last two decades have seen an explosion of such comics and characters. So here is my short little follow up for the 21st century.

  Jade

Starting off the new millennium the French comic series Djinn with Belgian writer Jean Dufaux, illustrated by Spanish artist Ana Miralles would run through three arcs for 15 years. I’ll never forget the first time during a comics exhibition I saw an absolutely captivating illustration of the character at the heart of the series, Jade. A fascinating, queer, and amoral enigmatic figure, Sultan’s favorite in the last years of the Ottoman Empire spoken of as a djinn who also seems the key to an immense treasure.

  Fumi Manjôme

With little nods to Japanese girls’ literature and culture Sweet Blue Flowers by Japanese artist Takako Shimura is an enduring yuri series around high school girls and maturing. The shy lesbian Fumi and messy feelings are a major focus. Later adolescence can be an emotional time for anyone. Shimura softly explores when and how her characters mourn disappointments and disenchantment along with finding their identity.

  Kevin Keller

Archie Comics were a staple of my childhood. The quintessential US slice-of-life comic focusing on a group of teenagers goes way back to 1941. However, the 21st century saw a reinvigoration of the Archie brand. Among the successes the gay Kevin Keller created in 2010 by US comic artist Dan Parent debuted in Veronica #202 and has since enjoyed huge popularity. Eventually, I was also drawn back as an adult reader with the gang grown up in the Life with Archie series. In 2012 Life with Archie #16 saw Kevin not only following in the footsteps of his dad as a soldier in the Army but marrying Dr. Clay Walker. Despite protests from bigoted groups the installment of the series would be another sold out hit earning Kevin the designation as “most important new character in Archie history.” Further a character that has also represented fighting the epidemic of gun violence in the US going on in the series to become a State Senator on the issue.

  Richard III

Japanese artist Aya Kanno inspired by Shakespeare’s tetralogy Henry VI, Richard III and the famous 15th century War of the Roses in her series Requiem of the Rose King goes in a different direction, making her Richard intersex. Only the first of many choices in this girls’ comic which has also garnered attention from other well-respected artists. YMMV but the saga of this Richard has consistently been one of the more compelling examples over the last decade.

Lisa Williams and Ally Carter

Beginning as fetishistic illustrations and short strips by Croatian artist Stjepan Sejic (under a pseudonym) on DeviantArt, BDSM comic series Sunstone was a notable read for me in 2015. With genuine class and smart use of humour, the characters Lisa and Ally and their growing relationship are wonderfully relatable on many levels.

  Ace

If you love the movie Grease but crave something 1950’s vintage queer the webcomic Rock and Riot by Chelsey Furedi might fit the bill. The cast is as wide and beautiful as a rainbow. Among the many teenage delinquent characters is the 17-year-old agender, asexual, demiromantic Ace. And founder of their own gang the Bandits and who definitely does things their own way.

  Ionel

Another of the top titles from the 2010s I first came across the exquisite mystery webcomic Heart of Gold in the (now defunct) digital magazine Sparkler Monthly. The atmospheric ongoing series features Ionel a panromantic asexual pianist with albinism who is losing his sight and a gay priest Father Dunant who is known as a faith healer.

  Milagro Villa

I’ve seen feathers, wings, and birds stand in for representations about abuse and trauma before. In the short comic Songbird For A Vulture US artist Naomi Franquiz does exactly that. Crafting one of the most poignant examples of an abuse survivor, found family, and healing included in Power & Magic The Queer Witch Comics Anthology.

  Ed Fiedler and Lucardo von Gishaupt

Forgive me the terrible pun but I’m a sucker for vampires, especially the queer variety. Letters for Lucardo by Finnish artist Otava Heikkilä is a delightful erotic comic series with a romance between vampire Lucardo and the older Ed.

  Ryô Watari

I’ve gone on about self-actualization in fashion before. Series Boys Run the Riot by Japanese artist Keiko Gaku acutely presents a comic about trans teenager Ryô building confidence, friendships, and a street fashion brand.

#lgbtq characters #lgbtq comics #favorite lgbtq characters #djinn comic #sweet blue flowers #life with archie #requiem of the rose king #sunstone comic #rock and riot #heart of gold #songbird for a vulture #letters for lucardo #boys run the riot

[demifiendrsa]

Bleach: Thousand-Year Blood War TV Anime - English subbed Trailer #1

Bleach: Thousand-Year Blood War TV Anime will premiere in October 2022.

Key visual

Cast

Masakazu Morita as Ichigo Kurosaki

Fumiko Orikasa as Rukia Kuchiki

Noriaki Sugiyama as Uryū Ishida

Yuki Matsuoka as Orihime Inoue

Hiroki Yasumoto as Yasutora Sado

Kentaro Ito as Renji Abarai

Shinichiro Miki as Kisuke Urahara

Satsuki Yukino as Yoruichi Shihōin

Binbin Takaoka (replacing Masaaki Tsukada) as Genryūsai Shigekuni Yamamoto

Houko Kuwashima as Suì-Fēng

Shouto Kashii as Rōjūrō Ōtoribashi

Aya Hisakawa as Retsu Unohana

Masaya Onosaka as Shinji Hirako

Ryotaro Okiayu as Byakuya Kuchiki

Tetsu Inada as Sajin Komamura

Akio Ohtsuka as Shunsui Kyōraku

Tomokazu Sugita as Kensei Muguruma

Romi Park as Tōshirō Hitsugaya

Fumihiko Tachiki as Kenpachi Zaraki

Ryusei Nakao as Mayuri Kurotsuchi

Hideo Ishikawa as Jūshirō Ukitake

Naomi Kusumi as Ichibē Hyōsube

Yōji Ueda as Ōetsu Mimaiya

Tomoyuki Shimura as Tenjirō Kirinji

Rina Satou as Senjumaru Shutara

Ayumi Tsunematsu as Kirio Hikifune

Takayuki Sugo as Yhwach

Yuichiro Umehara as Jugram Haschwalth

Shunsuke Takeuchi as Askin Nakk Le Vaar

Ayana Taketatsu as Bambietta Basterbine

Yūki Ono as Bazz-B

Yumi Uchiyama as Candice Catnipp

Natsuki Hanae as Gremmy Thoumeaux

Satoshi Hino as Lille Barro

Staff

Director: Tomohisa Taguchi

Character Design: Masashi Kudo

Music: Shiro Sagisu

Chief Animation Director: Michio Hasegawa, Sei Komatsubara, Kumiko Takayanagi

Action Effects Animation Director: Satoshi Sakai, Yoshihiro Kanno, Yong Hoon Chong

Art Director: Yoshio Tanioka

Art Design: Toshiki Amada

Color Design: Saori Goda

Editing: Akinori Mishima

Director of Photography: Kazuhiro Yamada

CG Directors: Toshihiro Sasaki, Kazushi Goto

Sound Director: Yukio Nagasaki

Sound Production: Zack Promotion

Animation Production: Studio Pierrot

#Bleach Thousand Year Blood War #Bleach TYBW #Bleach #Bleach anime #Studio Pierrot #anime #TV anime

[octentaya]

Adult Hana, fanchild of my insert Aya and Tomura

The Shimura genes are strong

#art #drawing #anime #manga #boku no hero academia #my hero academia #bnha #mha #shigaraki tomura #tomura shigaraki #digital art #original character #fan character #selfinsert #oc x canon #selfinsert x canon #my hero academia original character #oc #fanchild

[cartoonfuel]

Mind Games Chapter 12

Chapter 12: Hana

See Chapter 1 for synopsis, trigger warnings, rating, etc.

Chapter 13: The Complete Set

A/N: This chapter is a little shorter than usual. I felt I needed to end it where I did. See you next chappie! - Cartoon ✨

~~~~~

“Who is Kotaro Shimura?”

Shigaraki groaned, his fingernails digging into the skin on his neck once again. “This again?”

You swallowed nervously. “Well?”

“Tell me about All Might’s power first, then we’ll talk.”

“He’s your father, isn’t he?” Much to your surprise, Shigaraki turned his back to you. You had thoughts of running your knife through him right then and there, but more emotional matters left you paralyzed. “Which is also why you aren’t outright killing me.”

Shigaraki just stood idly, dawn’s red sunlight bleeding into the surrounding scenery. Out of the blue, you remembered the name of the little neighbor you knew so long ago.

“…Tenko?”

You hoped you hadn't made a mistake by calling him that.

“He is,” Shigaraki finally spoke up, clenching his fists.

The villain looked back at you, long hair draping over his vermillion eyes. Your palms began to sweat, a feeling of dread washing over you as he pulled a literal hand out of his pocket and shrugged. You knew of his regular attire, in which he was usually decked out in multiple severed hands, but ever since you'd met him all he dressed in was a black trenchcoat and red sneakers.

“It seems my Master isn’t the only family I have left.”

You stumbled backwards, your quirk suddenly behind you. Kindly enough, the clone helped steady you.

"What's wrong, Aya? Am I really so repulsive that you can't even stand on your own two feet? Father's to blame here, not me."

You stayed silent.

“Whatever,” Shigaraki shoved the extra hand back inside his coat, “And you’re absolutely right. I’m not at all sure what to do with you.”

He stepped towards you, Mindscape now holding you in place.

“To be completely honest, this explains a lot. Every time I look at you, I see her… Hana.” His hand moved to cup your cheek, but you pulled away in fear of Decay. He snapped back into reality, remembering the power he wielded. You had no idea who Hana was, but she must've meant a lot to him. “If it weren’t for her, my life may have looked very different,” Shigaraki grimaced. Oh. Maybe not. “I’m curious, Aya,” he whispered to you. “Knowing all this, would you still side with the Heroes? Or would you join me in becoming their savior…?”

“I don’t think you’d like my answer,” you whispered back, locking eyes with Tomura. “You’ve chosen your family and I’ve chosen mine.” Immediately after, you stabbed your quirk in the thigh, causing it to release you. It gasped and took a few steps back, blood spurting from the wound you inflicted. Mildly annoyed, Shigaraki lunged at you and took ahold of your wrists, the middle finger of each hand lifted so he wouldn’t reduce you to dust.

“You’re so damn dramatic. It reminds me a little bit of him,” he growled, causing you to scowl. “And I’ve had enough drama for one day.”

Your frowning turned to shuddering the moment you recognized severe pain shooting up and down your right arm. You heard the thud of your knife plummeting to the ground, all five of Shigaraki’s fingertips squeezing the life out of your wrist.

“Why must you string the Heroes along if you don’t plan on becoming one?”

Feeling like your hand was about to fall off, you couldn’t even bring yourself to answer.

“Wouldn’t joining your brother make more sense?”

“H-half-f-f,” you winced in agony.

‘‘This can stop if you just agree to ditch the Heroes.”

All of a sudden, Midoriya practically teleported into view, freeing you from your attacker by violently kicking him into a brick wall. Immediately after, he relentlessly threw your quirk into a tree.

“Ouch!” your doppelgänger exclaimed. “Izuku, that hurt! If you wanted to dance, all you had to do was ask.”

Midoriya protectively placed himself between you and Tomura, who was slowly standing back up again.

“You again,” Shigaraki sighed as he rolled his shoulders. “Midoriya, was it?”

Uh-oh. Shigaraki is…a very talkative villain. Could this be one of Muttering Midoriya’s greatest weaknesses? No, he gets too anxious. Besides, being quippy isn’t exactly a trait of Izuku’s.

“Aya, are you hurt?” Deku asked instinctively, completely ignoring Tomura, much to your surprise.

“A little,” you replied, heart pounding as you gathered your bearings. You bent down to pick up Doppelgänger’s knife with your non-dominant hand, hesitantly examining the eerie discoloration of your rotting wrist. “My arm feels weird more than anything.”

“Holy crap! That’s not ‘a little’, Aya—I, uh, I mean—I’m sorry! Don’t worry, more help is on the way.”

“Tomura,” your doppelgänger coughed, attempting to get up. “That was quite the beating I took just now.”

“That attack should’ve killed your quirk… The copies aren’t the most durable…” Deku murmured to you. “Which has me wondering. How is it still alive?”

Your doppelgänger continued on. “How much longer do I need to keep this up? I don’t think…I can…”

“We have what we need, Toga,” Shigaraki replied, staring the One For All user down as he spoke. You and Deku stood back-to-back between both villains. “Stand down.”

“I can barely stand up.” Your copy melted away to reveal Himiko Toga once again. “Thanks for the disguise, Aya-chan,” she commented, managing to creepily smile despite her injuries. Her next statement made you shiver. “Your blood was soooo tasty!”

All Might stirred for a moment, catching Midoriya’s attention. “What’s up with All Might?”

“Aya-chan attacked him,” Toga snickered evilly, pointing a shaky finger directly at you.

“She’s got it all wrong,” you said defensively, your face turning pale. “It’s a long story but he’ll be okay, promise!”

Izuku glanced over his shoulder, piercing green eyes meeting your wide ones. “I think I saw your real quirk a minute ago,” he stated, suddenly changing the subject. “I’d assume it’s been sneaking around collecting peoples’ thoughts and information—go look for it, please. I’ll deal with Shigaraki.”

“What about Doppelgänger…?”

“Mr. Aizawa’s got that part covered. His quirk basically cancels out Doppelgänger’s. If you can imagine, Doppelgänger wasn’t very happy.”

You nodded. “Please be careful.”

“Of course.”

Before going to search for your legitimate doppelgänger, you unexpectedly veered towards Toga, your feet moving on their own. Seeing how off balance she was, you forced her onto the ground again by poking her in the chest with a single finger.

“Don’t make me regret this,” you sneered as you untucked your white shirt and cut some of the fabric, handing it to Toga. You were practically in a crop top now. “Make sure to wrap it tight.”

“Why are you helping me…?” Toga asked curiously, her back leaning against the tree she was hurled into. “And you better not give me some ‘Heroes are supposed to save people!’ mantra.”

“It’s actually pretty simple. I didn’t intend to stab you in the first place.”

“I find that very intriguing, Aya. Are you sure about turning down Shiggy’s offer? Things are about to get very messy around here.”

“I’m not.”

With that, you spun around and jogged away, your eye immediately catching movement behind a nearby bush. You dashed towards the noise, leaping through the brush and attacking — “Aoyama?!” you shouted, your knife pressed against the student’s neck.

“Calm down, please!” Yuga squealed underneath you wearing nothing but pajamas. “Your quirk went that way! I was following it!”

You looked to your left to see a silhouetted figure trotting away. As much as you wanted to stay and interrogate Aoyama, you pried yourself off of him and pursued what you assumed was your quirk. It didn’t take long for you to cut a few corners and catch up, quickly identifying your clone and pinning it to a tree trunk. It just stared at you, your head oddly beginning to throb and ache.

“You’re afraid,” the doppelgänger murmured to you, perfectly mimicking your voice.

To tell the truth, you were. Thanks to your quirk’s big mouth, you knew exactly how to proceed.

“And so…unsure. You know, you don’t have to do this. Don’t you want to be free of me?”

“That’s enough,” you declared as you ran your knife through the clone’s chest, its body disintegrating into dust. “Things are different now. We have people counting on us.”

The next thing you knew, your decaying hand had fallen clean off.

~~~~~

Chapter 13: The Complete Set

#bnha #mha #reader insert #my hero academia #boku no hero academia #anime x reader #female reader #midoriya x reader #shigaraki tomura #shigaraki #if you ship yourself with shigaraki please do not read #Shigaraki’s Half-Sister!Reader #Aya MHA #Aya BNHA #female oc #league of villains #this was all planned at the start #i didn’t want to spoil anything #idk familial ties are both hilarious and extremely compelling #toga himiko #himiko toga #tw: violence #whatcha gonna do be a baddie or a hero #thank you for your support! #hana shimura #nana shimura #kotaro shimura #Aya Shimura #villain oc #doppelganger

[lyferifaes]

The Story Of Flowing Water characters list

Canon + original characters to not get lost. All names are in Japanese order: family name -> given name

Contains spoilers, obviously! (spoilers to the newest chapter is under the cut)

-

~Daigo clan~

Tahomaru — Lord of Ishikawa’s heir; new Lord of Ishikawa

Hyakkimaru — Lord of Ishikawa’s heir

Daigo Kagemitsu — previous Lord of Ishikawa, Hyakkimaru and Tahomaru’s father

Nui-no-Kata — Kagemitsu’s wife, Tahomaru and Hyakkimaru’s mother

Daigo Iemitsu — Kagemitsu’s father, Tahomaru’s grandfather

Daigo Kageshige — Tahomaru’s great-grandfather

-

Yasue Mutsu and Hyogo — Tahomaru’s attendants

Umeko — Tahomaru’s wet nurse

Furi — Tahomaru’s maid

-

Maeda Masahiro — chief retainer of the clan; Tahomaru’s counsellor

Masashi — Masahiro’s youngest son 

Setsuna — Masahiro’s daughter

Mizuko — Masahiro’s wife

-

Imagawa Yoshinori — Kagemitsu’s retainer; leader of the coup

Taizo — Yoshinori’s third son

-

Saito Hajime — Commander of Cavalry

Ando Hideaki and Otani Tomoya — Saito’s adopted sons, Maeda Masahiro’s attendants

Shimura — Chief of Guard

Yuichiro “Yusuke’s brother” — a samurai, Sen’s husband 

Iwamoto Shinichi — a samurai, Furi’s adopted father 

Aunt Shiori — Shinichi’s sister; a cook at Daigo Castle

Takagi — rearguard commander of the Daigo army

-

~Ikki~

Dororo  — Dororo

Yahiko, Jiheita, Doushu — Ikki leaders

Aki — a girl from Nagaimachi village; Dororo’s friend

Seki — a fisherman from Nagaimachi village

-

~Others~

Jukai — a doctor, Hyakkimaru’s adopted father

Kaname — Jukai’s apprentice

Biwamaru — a wandering monk biwahoshi

Yuki — Dororo’s horse

Sen — a woman in the mountain village

Mamoru and Yukio — Sen’s sons

Inee — Sen’s housemaid

Mai — Sen’s sister

Awazu Takenaga — Lord of Awazu Domain, Nui’s cousin; Daigo’s ally

Hina — Furi’s older sister, a ninja of Kurosaki clan

Uncle Goro — a ninja of Kurosaki clan

Asura — the twelfth demon

-

!Chapter 12 spoilers!

Suma / “Teacher” — Jukai’s brother

Seiji — a physician, Jukai’s adopted father

Aya — Seiji’s wife, Jukai’s adopted mother

Lord Shiba — Jukai’s former lord 

Haruko — Jukai’s beloved 

#dororo #dororo fanfiction #oc #to be updated #probably #or perhaps it's enough? lol #not every minor character included

[ao3feed-speedracer]

picnics at thunderhead

picnics at thunderhead Read it on ao3 at https://ift.tt/ZRz8IPr by akan0yams Speed had always loved racing. He was born racing, he’d probably die racing. He would raise his kids on a track, just like he’d been raised. Sat in the seat of the Mach 3, the Mach 4, and then the Mach 5 when it was all his. His kids would ride in all the future iterations, he knew it. But it was…different, now, that he’d won the Grand Prix. He’d gone from a no-one racer to the man who had helped cause Royalton’s downfall, all at age eighteen. The WRL wasn’t sure how to handle him. Other people were either targeting him or leaving him widely alone, and he kept getting calls from the CIB about different cases. It wasn’t the same, simple racing he’d done before. But when it came down to it…the Thunderhead start line was still the same as it’d always been. Words: 2476, Chapters: 1/1, Language: English Fandoms: Speed Racer (2008) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Categories: F/M Characters: Mifune Gou | Speed Racer, Shimura Michi | Trixie, Mifune Daisuke | Pops Racer, Mifune Aya | Mom Racer, Mifune Kurio | Spritle Racer, "Fukumen Racer" Mifune Kenichi | Rex "Racer X" Racer Relationships: Mifune Gou | Speed Racer/Shimura Michi | Trixie, Speed Racer & Racer X, Speed Racer & Pops Racer, Ma Racer/Pops Racer, Speed Racer & Spritle Racer Additional Tags: The Mach 5 (Speed Racer), Family Feels, Introspection, Post-Canon, Fluff, Hurt/Comfort, Implied/Referenced Character Death, Canon Compliant, Not Betaed we die like Rex Racer, Memories, The Writer's Block Countdown Event 2023 (Video Blogging RPF), Internal Monologue, speed reflecting on thunderhead, Thunderhead (Speed Racer), Racing via AO3 works tagged 'Speed Racer (2008)' https://ift.tt/pUMOJLx January 01, 2024 at 04:36AM

#IFTTT #ao3feed #fanfic #speed racer #speed racer (2008)

[dorothydalmati1]

Ranking of Kings Episode 17: The Curse of Immortality

Written by Fūka Ishii

Storyboard by Hiroaki Shimura

Directed by Tomoko Hiramuki, Mitsutoshi Satō & Atsushi Nakagawa

Animation directed by Masaru Oshiro, Ayumi Abe, Yūko Yamamoto, Aya Nishimura, Yū Kawauchi & Kumiko Nakata

#anime #ranking of kings #noitamina

[ao3feed-izch]

The Omni-Hero Izuku 10

by Ground_Zero123

What if an experimented boy got the alien Watch? What if a quirkless girl got a mysterious ring on the beach? However, Both contain the power of quite literally the entire galaxy and the universe beyond.

Words: 2961, Chapters: 1/?, Language: English

Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga), Ben 10 Series, Dragon Ball, 鬼滅の刃 | Demon Slayer: Kimetsu no Yaiba (Anime), Green Lantern - All Media Types, Iron Man (Movies), Ironheart (Comics)

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings, Graphic Depictions Of Violence, Major Character Death

Categories: F/M

Characters: Midoriya Izuku, Uraraka Ochako, Melissa Shield, Aya (Green Lantern), Kamado Nezuko, Eri (My Hero Academia), Yagi Toshinori | All Might, Sensei | All For One, Class 1-A (My Hero Academia), Aizawa Shouta | Eraserhead, Kayama Nemuri | Midnight, League of Villains (My Hero Academia), Vilgax (Ben 10 Series), Omnitrix Aliens (Ben 10 Series), Son Goku (Dragon Ball), Vegeta (Dragon Ball)

Relationships: Midoriya Izuku/Uraraka Ochako, Midoriya Izuku/Melissa Shield, Jirou Kyouka/Midoriya Izuku, Asui Tsuyu/Midoriya Izuku, Midoriya Izuku & Uraraka Ochako, Aizawa Shouta | Eraserhead & Midoriya Izuku, Midoriya Izuku & Yamada Hizashi | Present Mic, Midoriya Izuku & Yagi Toshinori | All Might, Kirishima Eijirou & Midoriya Izuku, Midoriya Izuku & Todoroki Shouto, Midoriya Izuku & Shigaraki Tomura | Shimura Tenko, Midoriya Izuku & Everyone

Additional Tags: Saiyan Midoriya Izuku, Midoriya Izuku Has a Quirk, Midoriya Izuku Has the Omnitrix (Ben 10 Series), Midoriya Izuku Does Not Have One for All Quirk, Experimented Midoriya Izuku, Cute Midoriya Izuku, Midoriya Izuku Needs A Hug, Uraraka Ochako is a Good Friend, Quirkless Uraraka Ochako, Uraraka Ochaco Has Green Lantern Powers, Melissa Shield Has One For All Quirk, U.A. Student Melissa Shield, Female Bakugou Katsuki, One sided kiribaku, Bakugou Katsuki is in Class 1-B, Tetsutetsu Tetsutetsu is in Class 1-A, Kendou Itsuka is in Class 1-A, Bakugou Katsuki Swears A Lot

source: https://archiveofourown.org/works/51651292

#ao3feed #dekuraka #izch #izuku midoriya #izuocha #ochako uraraka #ochadeku #auto

[speedracer2008isart]

Merry Christmas and Happy Holidays

#speed racer #speed racer movieverse #speed racer 2008 #trixie shimura #horuko togokahn #mom racer #mrs. racer #aya racer #merry christmas #happy holidays

[ao3feed-bakusquad]

The Yuuei Aquarium

The Yuuei Aquarium by Codename Avionne AYA

Eijirou has been working in private security with the Fat Gum agency for a while now, and his boss says it's time for him and his senpai to broaden their work place experience. So he'll be taking them with him to the famous Yuuei Aquarium! A world famous aquarium that rehabilitates and releases merpeople. Eijirou is beyond excited but he has no idea what kind of adventure awaits him after he arrives to the island. But he'll do anything to protect the endangered merpeople.

Words: 2092, Chapters: 1/?, Language: English

Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga)

Rating: Not Rated

Warnings: Creator Chose Not To Use Archive Warnings

Characters: Kirishima Eijirou, Toyomitsu Taishirou | Fat Gum, Amajiki Tamaki, Aizawa Shouta | Eraserhead, Shirakumo Oboro, Yamada Hizashi | Present Mic, Kayama Nemuri | Midnight, Yagi Toshinori | All Might, Midoriya Izuku, Todoroki Shouto, Dabi | Todoroki Touya, Shigaraki Tomura | Shimura Tenko, Toga Himiko

Additional Tags: Alternate Universe - Merpeople, Mermaids, Sirens, Aquariums, Animal Abuse, Fantasy, Alternate Universe - No Quirks, Animal Trafficking, Genderqueer mermaids, i guess, they're not a/b/o, Other Additional Tags to Be Added, the identity of the merpeople is a surprise, MerMay

Read Here: https://archiveofourown.org/works/47075275

#AO3 Feed #FanFiction #AO3 Kirishima #♠ #Eijirou Kirishima #💎 #A:Codename #No Quirks AU #Merperson AU #Fantasy AU

[sskk-ao3feed]

playing the hero

by FallenNiji

After a client comes knocking on the doors of the Armed Detective Agency, Kyouka is assigned the case. She must infiltrate U.A.’s Hero Course – all while dodging suspicious teachers, making friends with her quirky classmates, and surviving the high school experience!

(Or: Izumi Kyouka, reformed assassin and ex-criminal, infiltrates a Hero school and more or less willingly surrounds herself with well-known Pro-Heroes and other such law-abiding citizens. What could possibly go wrong?)

Words: 94711, Chapters: 19/?, Language: English

Series: Part 1 of The Life and Times of Izumi Kyouka Part 1 of bsd crossovers that exist

Fandoms: 文豪ストレイドッグス | Bungou Stray Dogs, 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Categories: F/F, F/M, Gen, M/M

Characters: Izumi Kyouka (Bungou Stray Dogs), Nakajima Atsushi (Bungou Stray Dogs), Armed Detective Agency (Bungou Stray Dogs) Ensemble, Higuchi Ichiyou (Bungou Stray Dogs), Akutagawa Gin, Port Mafia (Bungou Stray Dogs) Ensemble, Shinsou Hitoshi, Class 1-A (My Hero Academia), Edgar Allan Poe (Bungou Stray Dogs), Koda Aya (Bungou Stray Dogs), Todoroki Fuyumi, Dabi (My Hero Academia), Shimura Hana, League of Villains (My Hero Academia), Original Characters, Aizawa Shouta | Eraserhead, Yagi Toshinori | All Might, Sensei | All For One

Relationships: Armed Detective Agency Ensemble & Izumi Kyouka (Bungou Stray Dogs), Akutagawa Ryuunosuke/Nakajima Atsushi (Bungou Stray Dogs), Dazai Osamu/Nakahara Chuuya (Bungou Stray Dogs), Akutagawa Gin/Higuchi Ichiyou, Akutagawa Gin & Izumi Kyouka, Armed Dectective Agency Ensemble & Port Mafia Ensemble (Bungou Stray Dogs), Class 1-A & Izumi Kyouka (Bungou Stray Dogs), Shinsou Hitoshi & Izumi Kyouka (Bungou Stray Dogs), Izumi Kyouka & Edgar Allan Poe (Bungou Stray Dogs), Izumi Kyouka & Koda Aya (Bungou Stray Dogs

Additional Tags: Infiltration, Dazai-Typical Suicide Attempts (Bungou Stray Dogs), Izumi Kyouka-centric (Bungou Stray Dogs), Crossovers & Fandom Fusions, It's For a Case, Canon-Typical Violence, Established Relationship, Class 1-A Friendship (My Hero Academia), Parental Aizawa Shouta | Eraserhead, Slow To Update, Possible OOC-ness, Implied Relationships, Team as Family, Other Ships Not Mentioned in Tags, Quirkless Discrimination (My Hero Academia), BAMF Todoroki Fuyumi, No beta we die like Oda, Married Aizawa Shouta | Eraserhead/Yamada Hizashi | Present Mic, possible crack?, Boku no Hero Academia | My Hero Academia Manga Spoilers, A LOT OF THINGS ARE NOT MENTIONED IN TAGS BC SPOILERS SO READ AT YOUR OWN RISK

source https://archiveofourown.org/works/22835458

[demifiendrsa]

Bleach: Thousand-Year Blood War TV Anime - Official English subbed Short Trailer: The World of the Living

Bleach: Thousand-Year Blood War TV Anime will premiere on October 10, 2022.  The anime will run for four cours with breaks in between.

Cast

Masakazu Morita as Ichigo Kurosaki

Fumiko Orikasa as Rukia Kuchiki

Noriaki Sugiyama as Uryū Ishida

Yuki Matsuoka as Orihime Inoue

Hiroki Yasumoto as Yasutora Sado

Kentaro Ito as Renji Abarai

Shinichiro Miki as Kisuke Urahara

Satsuki Yukino as Yoruichi Shihōin

Binbin Takaoka (replacing Masaaki Tsukada) as Genryūsai Shigekuni Yamamoto

Houko Kuwashima as Suì-Fēng

Shouto Kashii as Rōjūrō Ōtoribashi

Aya Hisakawa as Retsu Unohana

Masaya Onosaka as Shinji Hirako

Ryotaro Okiayu as Byakuya Kuchiki

Tetsu Inada as Sajin Komamura

Akio Ohtsuka as Shunsui Kyōraku

Tomokazu Sugita as Kensei Muguruma

Romi Park as Tōshirō Hitsugaya

Fumihiko Tachiki as Kenpachi Zaraki

Ryusei Nakao as Mayuri Kurotsuchi

Hideo Ishikawa as Jūshirō Ukitake

Naomi Kusumi as Ichibē Hyōsube

Yōji Ueda as Ōetsu Mimaiya

Tomoyuki Shimura as Tenjirō Kirinji

Rina Satou as Senjumaru Shutara

Ayumi Tsunematsu as Kirio Hikifune

Takayuki Sugo as Yhwach

Yuichiro Umehara as Jugram Haschwalth

Shunsuke Takeuchi as Askin Nakk Le Vaar

Ayana Taketatsu as Bambietta Basterbine

Yūki Ono as Bazz-B

Yumi Uchiyama as Candice Catnipp

Natsuki Hanae as Gremmy Thoumeaux

Satoshi Hino as Lille Barro

Wataru Hatano as Hidetomo Kajōmaru

KENN as Berenice Gabrielli

Takahiro Fujiwara as Jerome Guizbatt

Wataru Komada as Asguiaro Ebern

Daiki Hamano as Luders Friegen

Staff

Director: Tomohisa Taguchi

Character Design: Masashi Kudo

Music: Shiro Sagisu

Chief Animation Director: Michio Hasegawa, Sei Komatsubara, Kumiko Takayanagi

Action Effects Animation Director: Satoshi Sakai, Yoshihiro Kanno, Yong Hoon Chong

Art Director: Yoshio Tanioka

Art Design: Toshiki Amada

Color Design: Saori Goda

Editing: Akinori Mishima

Director of Photography: Kazuhiro Yamada

CG Directors: Toshihiro Sasaki, Kazushi Goto

Sound Director: Yukio Nagasaki

Sound Production: Zack Promotion

Animation Production: Studio Pierrot

#Bleach Thousand Year Blood War #Bleach TYBW #Bleach #Bleach anime #Studio Pierrot #anime #TV anime

[ao3feed-danganronpa]

Hope Restoring Imagines!

read it on the AO3 at https://ift.tt/8kzUJb7

by KokoroThe53rd

A place where you can request DRHR X Reader stuff!

Words: 119, Chapters: 1/?, Language: English

Fandoms: Danganronpa Hope Restoration, Dangan Ronpa - All Media Types

Rating: General Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Categories: Other

Characters: Reader, Reiko Shimura, Haruhi Miyazaki, Kyou Matsuoka, Naomi Tachibana, Yoshio Matsuda, Shin Shizuku, Aya Hiromi, Yuki Katabana, Mika Aiuchi, Momoka Amari, Hayden Shea, Barbara Kamiya, Hideki Takahashi, ??? Takiyama, Moneko, Monomeow

Relationships: Reader - Relationship, Reiko Shimura/Raeder, Haruhi Miyazaki/Reader, Kyou Matsuoka/Male Reader, Naomi Tachibana/Female Reader, Yoshio Matsuda/Reader, Shin Shizuku/Reader, Aya Hiromi/Reader, Yuki Katabana/Reader, Momoka Amari/Reader, Hayden Shea/Reader, Barbara Kamiya/Reader, Hideki Takahashi/Reader, Saemi Sada/Reader, Sachika Sada/Reader, ??? Takiyama/Reader, Mika Aiuchi/Reader

Additional Tags: Fluff, Angst, Fluff and Angst, Tooth-Rotting Fluff, Usual fanfic stuff

read it on the AO3 at https://ift.tt/8kzUJb7

#IFTTT #ao3feed #fanfic #dangan ronpa #danganronpa #dr