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morinaperfume · 8 months

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Beauty Boutique: A Curated Collection of Luxurious Brands

In the enchanting world of beauty, embracing luxurious beauty products from prestigious brands has become a transformative experience for individuals seeking to elevate their beauty routines to new heights. The rise of luxury beauty boutiques has redefined the way we approach skincare, makeup, and personal grooming, offering us carefully curated collections from the finest brands the beauty world has to offer.

But what exactly is a collection of luxurious brands?

A collection of luxurious brands is a haven of sophistication and elegance where the most exquisite beauty brands converge to create an unparalleled shopping experience. Unlike conventional retail stores, luxury beauty boutiques curate a limited yet distinctive range of products, ensuring that each item embodies the essence of opulence and effectiveness. From lavish skincare to enchanting fragrances and makeup treasures, these boutiques house a treasure trove of beauty wonders, thoughtfully designed to meet the discerning aspirations of beauty enthusiasts.

At a collection of luxurious brands, beauty enthusiasts are transported to a realm of indulgence, where every product is a masterpiece crafted by experts, showcasing the finest ingredients and the latest innovations. It is a sanctuary where quality, efficacy, and aesthetic appeal intertwine, promising a journey of self-discovery and transformation with every purchase.

Stepping into the world of luxurious brands is not merely a shopping trip; it is an immersive experience that beckons us to embrace the art of self-care and revel in the luxury of beauty, here are some beauty brands:

1. Carven: A Captivating Blend of Parisian Elegance and Modern Sensibility

Carven, the illustrious French fashion house, has long been synonymous with timeless elegance and Parisian chic. Founded in 1945 by Carmen de Tommaso, who later adopted the name "Madame Carven," the brand quickly established itself as a symbol of refined taste and sophisticated style. With its iconic designs and innovative approach to fashion, Carven has left an indelible mark on the fashion world, captivating generations of fashion enthusiasts with its alluring creations.

Carven's ready-to-wear collections are a testament to the brand's expertise in tailoring and its ability to create effortlessly chic ensembles. From impeccably tailored blazers and dresses to stylish tops and trousers, each piece exudes an air of understated luxury and sophistication. The brand's use of luxurious fabrics and meticulous craftsmanship further enhances the allure of its creations, making them a favorite among discerning fashionistas.

In addition to its coveted ready-to-wear collections, Carven has also made a mark in the world of fragrance with its captivating scents. Each fragrance is an olfactory masterpiece, meticulously crafted to evoke a sense of sophistication and allure. From floral and fruity accords to woody and oriental notes, Carven's fragrances offer a diverse range of options, catering to different tastes and preferences.

Carven's dedication to craftsmanship and attention to detail extends beyond its fashion and fragrance offerings. The brand also delights in creating accessories that complement its collections. From stylish handbags and elegant footwear to statement-making jewelry, Carven's accessories embody the brand's signature blend of timeless elegance and contemporary allure.

Carven remains a captivating brand that celebrates the essence of Parisian elegance while embracing modernity. Whether it's in the realm of ready-to-wear fashion or captivating fragrances, Carven's legacy of elegance and style continues to captivate and inspire, making it a brand to watch for those who appreciate the art of refined fashion and beauty.

2. ROCHAS: A Tale of Timeless Elegance and Artistic Innovation

When it comes to the world of haute couture and luxury fashion, ROCHAS stands as a beacon of refined elegance and artistic excellence. Founded by Marcel Rochas in 1925, the brand has woven a rich tapestry of creativity, craftsmanship, and sophistication that has resonated through the decades. With its unique blend of classic style and innovative design, ROCHAS has carved a distinct niche in the realm of fashion, leaving an indelible mark on the industry.

One of ROCHAS' notable contributions to fashion history is the iconic "mermaid" dress, which Marcel Rochas introduced in the 1930s. This innovative design featured a fitted bodice and a flared lower half, creating a silhouette reminiscent of a mermaid's tail. This avant-garde approach to fashion set the tone for the brand's future, establishing it as a pioneer of unconventional yet timeless designs.

ROCHAS has also left its mark on the fragrance industry with its enchanting scents. The brand's perfumes are an olfactory journey that mirrors its fashion philosophy—elegant, timeless, and distinct. Each fragrance is a harmonious blend of carefully selected notes, capturing emotions and memories in a single bottle. From the ethereal "Eau de Rochas" to the iconic "Femme Rochas," the brand's perfumes evoke a sense of sophistication and allure, making them a favorite among fragrance connoisseurs.

3. ISSEY MIYAKE: A Creativity and Innovation

In the world of fashion, where artistic expression meets wearable art, the name ISSEY MIYAKE shines brightly as a true pioneer of creativity and innovation. Founded by the visionary Japanese designer Issey Miyake in 1970, the brand has consistently pushed the boundaries of traditional fashion, redefining the concept of clothing and sculpting garments that are as much a reflection of artistry as they are functional pieces.

At the core of ISSEY MIYAKE's philosophy is a deep appreciation for nature and technology. The brand's designs often draw inspiration from the natural world, translating its beauty and complexity into garments that challenge conventional silhouettes. Combining this inspiration with cutting-edge technology, ISSEY MIYAKE has pioneered groundbreaking techniques that have revolutionized the fashion industry.

One of the brand's most iconic innovations is the "Pleats Please" collection, introduced in the early 1990s. This innovative technique involved using heat-pressed pleats to create garments that were not only visually striking but also remarkably versatile and low-maintenance. The result was a collection that defied wrinkles, offered freedom of movement and became an instant hit among fashion enthusiasts.

The brand's fragrances also reflect its ethos of creativity and individuality. ISSEY MIYAKE's perfumes capture the essence of nature and emotions, often with an avant-garde twist. "L'Eau d'Issey," the brand's debut fragrance, is a celebration of water's purity and fluidity, while "PLEATS PLEASE" perfume captures the vibrant energy of the iconic fashion collection. These scents resonate with individuals who seek distinctive fragrances that mirror their unique personalities.

You can visit the following social media sites to explore and stay updated on the latest fashion and makeup trends Facebook, Instagram, Tiktok

Beauty Boutique: A Curated Collection of Luxurious Brands

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gemville · 6 years

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Burmese Ruby and Diamond Ring by Carven French The center Burmese Ruby is 3.02 carats while the diamond weight is 2.44 ctw

#carven french #burma ruby #burmese ruby #diamond #diamond rings #diamond accent ring #burmese ruby ring #burmese ruby jewelry #burmese ruby and diamond ring #burmese ruby and diamond jewelry #fine jewelry #fine jewellery pieces #high jewelry #luxury jewelry

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lovefoundmodelslost · 5 years

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Model - Luka Badnjar

Nationality - French

Height - 6'2

Agencies - Wilhelmina (NY, London) Success (Paris) d'management (Milan)

Notable Work - Carven FW 2013 Campaign

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eirian-houpe · 3 years

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Bravery Will Follow

Fandom: Once Upon a Time (TV)

Rating: Explicit

Warnings: Graphic Depictions Of Violence

Relationships: Belle/Rumplestiltskin | Mr. Gold

Additional Tags: Angst, book AU, traditional tale au, Imprisonment, Pining, Eventual Smut

Summary: Belle is promised to Gaston, lord of a neighboring kingdom of barbarians who are seen as ogres in order to end the war. The Blue Fairy promises that she will help to bring safety to the kingdom of Avonlea so long as Belle performs a task for her, and in the heart of the forest Belle meets the Dark One, who offers her an alternative deal, warning Belle that the fairy will betray her. Belle rejects his deal, trusting Blue will do the right thing...

For @joylee56

Here is your gift, m’dear! There are seven chapters to enjoy - which I hope you will. It was a ball writing.

Chapter One - Snowdrops in Winter

Those years would come to be known as the Ogre Wars.

They were not real ogres. There hadn’t been any real ogres in the Enchanted Forest or the lands around them since the Dark One vanquished them all in the time of Beowulf. Belle knew that. She also knew that those that threatened her father’s kingdom might as well be the monsters of the land’s history. Her father’s scouts brought in news of yet another village pillaged and razed to the ground, women and children slaughtered, and the map in his audience hall did not look the picture of optimism.

“Belle, my dearest.”

She turned at the sound of her father’s voice, a smile already on her face, but the smile froze and shattered at sight of the man beside him. He was tall, broadly built, his face overly smooth and sculpted, like some carven thing… and not a dark hair out of place.

Read more on AO3 - Chapters 1 through 7 posted there.

#rumbelle #rumbelle gift swap #rumbelle fic #joylee56 #AU #enchanted forest #angst #pining #book au #eventual smut

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selfhelpmag · 5 years

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#carven #lookbook #louisvuitton #versailles #france #french style #luxury #window #shirt dress

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apuntesdeestilo · 7 years

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Rose by barbarela11 featuring rose gold pencils ❤ liked on Polyvore

Dolce Gabbana dolce gabbana sweater, 3.631.790 CRC / Carven high waisted mini skirt, 90.820 CRC / Alexander McQueen chain purse, 686.150 CRC / Casetify apple ipad cover case, 28.355 CRC / Peter Thomas Roth brightening mask, 17.845 CRC / Clinique facial cleanser, 16.460 CRC / Smith Cult shiny nail polish, 10.220 CRC / Butter london nail polish, 8.780 CRC / The French Bee twin pack, 44.845 CRC / Rose gold pencil, 995 CRC

#polyvore #fashion #style #Dolce&Gabbana #Carven #Alexander McQueen #Casetify #Peter Thomas Roth #Clinique #Smith & Cult #Butter London #The French Bee #clothing

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histoireettralala · 4 years

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Le Pardon de Bonchamps

Very eloquent, this grave to the glory of the Vendean leader was paradoxically created in the XIXth century by the descendant of one of his enemies. Like a sign of reconciliation, it is under the strokes of a republican soldier's son that his block of marble morphed into the apotheosis of the royalist general, and, through him, into the celebration of triumphant goodness and humaneness.

Charles Melchior Artus, Marquis de Bonchamps, was born in 1760 in Jurvadeil (Anjou). He served in India and was a member of the royal army when the French Revolution broke out. He took refuge in his estate of La Barronière where revolted peasants came in 1793 to ask him to lead them. He invested part of his personal fortune to equip his little contingent. A cautious general, he regularly faced the Republican troops without fate being always favorable to him.

On October 17, 1793, he takes part to the undecisive battle of Cholet which ends up in a vendean defeat. The insurgents leave around 8000 men on the battlefield. Bonchamps is fatally wounded. The Catholic and Royal Army withdraws on St Florent le Vieil with 5000 prisoners and the general in agony.

Defeated, the Vendean peasants, sickened by the loss of their comrades, want to avenge them by executing the republican prisoners. The slaughter is prepared, the city is furious, the bloody intent of his men reaches up a dying Bonchamps. Horrified by this behavior, he gives his last order - grace for the prisoners! His cousin d'Autichamp jumps on his horse and rushes toward those who were about to do something irredeemable. The unexpected, merciful order bursts out and spreads like wildfire into the city : “Grace! Grace for the prisoners! Bonchamps wants it! Bonchamps commands it!" This event became a real idealized image of the history of the Wars in Vendée, the parallel being very clear for the partisans of the Catholic and Royal Army between the dying Bonchamps' forgiveness and the words of Jesus dying on the Cross: "Forgive them, for they don't know what they are doing".

The general's last will is respected and the republicans freed against the oath that they will never again serve against the vendean armies. Bonchamps breathes out his last on October 18 and is buried in St Florent le Vieil. Bonchamps's charity wasn't especially rewarded, the republican soldiers were forced to take arms again against those who had spared them, and they were given the instruction not to mention this act of generositye. They were told to say they were saved from the clutches of the rebels by the republican army. It is sometimes difficult to admit what's good when you find it in your worse enemy...

(David d’Angers (1847), lithograph by Henri-Charles Oulevay)

Pierre Jean David, called David d'Angers, didn't take part in the events since he was born in 1788. A sculptor, he begins his career under the First Empire (he will then work on the friezes of the Arc de Triomphe). He continues his career under the Restauration and even becomes a teacher in the Ecole des Beaux Arts de Paris.

When in 1817 a subscription is launched to build a grave for General Bonchamps, David shows a great eagerness to participate to the undertaking. Why ? Simply because his father was one of the 5000 prisoners owing their life to this man...

He creates the grave (1825), choosing of course as a subject this scene which saved his father: Bonchamps on his death bed rises and raises his hand to halt the incoming slaughter, his lips opening to deliver the sentence carven in the tomb." Grâce aux prisonniers!" The style is perfectly neoclassic, the wounded is an opportunity to work on a body that is glorified in his heroic nudity and the drapery in a sheer style antique. The face is already showing a certain baroque romantism: the loose hair, the face contracted by a pain that seems to be as much the physical pain of agony as the moral pain about men's behavior. His lips let out his last breath, which, taking the life of one man, saves 5 000.

The grave is still visible today in the church of St Florent le Vieil, a copy is displayed in the museum of Angers.

Translated from this article: Source

"Bonchamps was the one that the Rebels cherished the most and to whom at the same time the greatest talents were granted."

Jean-Baptiste Kléber

#french revolution #guerres de vendée #charles melchior artus de bonchamps #david d'angers #battle of cholet #sculpture #arts and crafts #xix #le pardon de bonchamps #today in history

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chicinsilk · 1 year

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❤️❤️❤️❤️❤️

Jacques Griffe Haute Couture Fall/Winter 1957-58 Collection. Cocktail dress, "Virtuose" (right Carven). Photo Georges Saad. Models not identified.

Jacques Griffe Collection Haute Couture Automne/Hiver 1957-58. Robe de cocktail, "Virtuose" (à droite Carven). Photo Georges Saad. Modèles non identifiés.

colorized with/colorisé avec Palette.fm

#jacques griffe #collection haute couture #french designer #french style #1957-58 #fashion 50s #fall/winter #automne/hiver #carven #georges saad #palette.fm #cocktail dress #robe de coktail

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libraryofvenus · 3 years

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Middle Passage - Robert Hayden

I Jesús, Estrella, Esperanza, Mercy: Sails flashing to the wind like weapons, sharks following the moans the fever and the dying; horror the corposant and compass rose. Middle Passage: voyage through death to life upon these shores. “10 April 1800— Blacks rebellious. Crew uneasy. Our linguist says their moaning is a prayer for death, ours and their own. Some try to starve themselves. Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.” Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed. Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes. Jesus Saviour Pilot Me Over Life’s Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening. Jesus Saviour “8 bells. I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism. 4 days scudding, but now the sea is calm again. Misfortune follows in our wake like sharks (our grinning tutelary gods). Which one of us has killed an albatross? A plague among our blacks—Ophthalmia: blindness—& we have jettisoned the blind to no avail. It spreads, the terrifying sickness spreads. Its claws have scratched sight from the Capt.'s eyes & there is blindness in the fo’c’sle & we must sail 3 weeks before we come to port.” What port awaits us, Davy Jones’ or home? I’ve heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck. Thou Who Walked On Galilee “Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: “That there was hardly room ’tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: “That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: “That when the Bo’s’n piped all hands, the flames spreading from starboard already were beyond control, the negroes howling and their chains entangled with the flames: “That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: “Further Deponent sayeth not.” Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons. Have seen the nigger kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us. And there was one—King Anthracite we named him— fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He’d honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories. Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I’d be trading still but for the fevers melting down my bones. III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer’s mouth; plough through thrashing glister toward fata morgana’s lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore. Voyage through death, voyage whose chartings are unlove. A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement. Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love’s rotten gelid eyes. But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper’s claw. You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will. “But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell. Swift as the puma’s leap it came. There was that interval of moonless calm filled only with the water’s and the rigging’s usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike. It was as though the very air, the night itself were striking us. Exhausted by the rigors of the storm, we were no match for them. Our men went down before the murderous Africans. Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife’s wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work. He hacked the poor mulatto down, and then he turned on me. The decks were slippery when daylight finally came. It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam. Enough, enough. The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery. Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana. And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks. We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincy Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero’s garland for Cinquez. I tell you that we are determined to return to Cuba with our slaves and there see justice done. Cinquez— or let us say ‘the Prince’—Cinquez shall die.” The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives. Voyage through death to life upon these shores.

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bydesireepore · 5 years

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These Cabin Crew Uniforms Look Like They Came Straight Off the Runway

There was once a point in our life that we dreamed of being able to travel frequently. Flight attendants are the ones realizing everyone’s dream, traveling everywhere from east to west. While flight attendants are required to look out for their passengers, they’re also required to look good while doing the job.

Over the years airlines have collaborated with different high-end designers to create pieces that would best fit with their image. Take a look at some of the standout cabin crew uniforms that would make you do a double take while they strut the aisle with style.

Singapore Airlines

The Singapore Girls have been donning their iconic sarong kebaya-inspired uniform since 1968 and hasn’t changed since. The uniform was designed by legendary haute couture designer Pierre Balmain, who upgraded the traditional ensemble to a more chic and modern piece. The whole Singapore Girl look is so iconic that a wax figure was created in honor of the airline’s famed cabin crews.

Hainan Airlines

The Chinese airline upped the cabin crew uniform ante when they unveiled their haute couture-inspired uniform in 2017. The airline launched its new set of uniforms at the Paris Haute Couture Fashion Week and was designed by Laurence Xu. The design shows the fusion of East and West, combining the aesthetic of a cheongsam, a traditional Chinese dress, and a Western-inspired double breasted suit.

Emirates

One of the most iconic uniforms that we see up in the air, the cabin crews of Emirates has been wearing their quintessential uniform since 1997. Uniform manufacturer Simon Jersey gave the airline’s uniform a slight makeover, but their signature red hat, cream scarf and beige suit still remains.

Air France

Air France first recruited air hostesses in 1946, and ever since the airline has collaborated with different designers and fashion brands for their uniforms. The airline adapted fashion fads over the decades, seeking fashion houses such as Balenciaga, Carven, and Christian Dior, all of which brought haute couture in the airline’s cabin crew uniform. Their current set of uniforms is designed by French fashion designer Christian Lacroix.

Etihad Airways

The UAE-based airline launched their new set of cabin crew uniforms in the most fashionable way: a runway show. Milan based haute couturier Ettore Bilotta previously designed the airline’s cabin crew uniforms, but in 2014 the designer upgraded the airline’s sleek uniforms into a more runway-friendly look. To make it even more fashionable, the airline commissioned New York-based photographer Norman Jean Roy to capture editorial-like photos of the airline’s new uniforms set in Abu Dhabi’s picturesque Liwa desert.

*article can be found here.

#writing

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mogulinteriororlando · 6 years

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HONEY its New Years eve 2018 by puhizaxox featuring a pink shirt ❤ liked on Polyvore

WYLDR pink shirt, 1,205 INR / T By Alexander Wang rose shirt, 8,085 INR / Carven pink skirt, 9,235 INR / La Perla pink pants, 24,640 INR / Fleur du Mal no wire bra, 3,025 INR / Nude shoes / Nine West pink bag, 765 INR / Sunday Somewhere clear sunglasses, 18,465 INR / Too Faced Cosmetics eyeshadow, 1,655 INR / Facial mask, 190 INR / Tom Ford body cleanser, 2,235 INR / French Girl beauty product, 2,430 INR / Farrow & Ball Paint - Pink ground, 365 INR / Farrow & Ball Paint - Middleton Pink, 365 INR / Sanderson Paint - Chic Pink, 385 INR

#polyvore #fashion #style #WYLDR #T By Alexander Wang #Carven #La Perla #Fleur du Mal #Nine West #Sunday Somewhere #Too Faced Cosmetics #Tom Ford #French Girl #Farrow & Ball #SANDERSON #clothing

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anais-mitchell · 5 years

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Philip Tour 12/29/18 Evening, Ft. Lauderdale

This show was so incredible. We were seated in the very back row of orchestra left, but the Broward theater really isn’t that big so we had a good view. Not really close enough to see faces but still decent. I’ll put this under a read more because it will probably get long!

Angelica Tour Review

Alexander Hamilton: Very good! It’s been said to death but the choreography is just so cool. I’ve heard criticisms of Nik for looking proud when saying “I’m the damn fool that shot him” but either he toned it down or I was too far away to see clearly.

Aaron Burr, Sir: Nik and Joseph just are such a good Burr and Hamilton together. I’m not sure if this is always the case but they were chatting while the squad introductions were going on rather than watching. Nik looked very offended by “what’ll you fall for?”

My Shot: LOVED Joseph here. He had so much energy and you could really feel that he was inspiring the guys and was so excited to finally share all his ideas and goals. Nik was very funny in his little bit, but Fergie had me CRACKING UP with his coat flourish; he like put his leg up on the table on pointe and it was ridiculously funny. King definitely showed Laurens’s shit stirring angry nature with the rise up bit, and Joseph had such a great buildup from Hamilton’s quiet self doubt to being emboldened by his ideals and new friends.

The Story of Tonight: This really revived the Lams shipper in me not gonna lie it was Gay. At one point they were like staring into each others eyes and Lafayette and Mulligan had to physically pull them apart and Kyle was like “eyes over here” with his fingers, definitely calling them out for checking each other out lol. They also were very touchy-feely walking off together. Anyways their voices were excellent and you could feel the camaraderie very well.

The Schuyler Sisters: YESS so much fun. Nyla was sufficiently sassy and Jen definitely reminded me of Solea with her excitedness and expressiveness. Her voice is just so clear and pretty I’m in love? Ta’Rea was also so over it with Burr and really went for it on her bit.

Farmer Refuted: Joseph is so tiny and angry it made me laugh. At “my dog speaks more eloquently than thee” King and Fergie (I think? Two of the Sons of Liberty) like got on each other’s back and mimicked dogs humping or something it was sooo funny. Also this confirms my theory that Eliza is definitely in character watching Alexander in the wings, she looked so entertained and giggled a little when she was pulled away by Angelica.

You’ll Be Back: Jon Patrick Walker is a pretty funny king.

Right Hand Man: This number is genuinely really underrated the ensemble choreography is so fucking cool. Marcus definitely commands the stage as Washington and really conveyed his frustration. Joseph and Marcus played off each other very well, Hamilton was definitely very inspired and reverential of Washington. Nik was all ruffled after being sent off by Washington.

A Winter’s Ball: Nik was super pissed at the beginning and very “wtf how does this guy do it,” which was kinda his attitude towards Hamilton the whole show. Laurens and Hamilton were also hanging off each other a ton at the start of this number.

Helpless: Okay so this was a definite highlight of the show!! Jen freaking killed it I was so so impressed. She had such a huge crush it was adorable, she was basically gushing to the audience and Angelica. She looked genuinely shocked when Hamilton looked back at her and like she had butterflies as he was walking over. Nyla did a super cute “look I have your letter!” dance on “one week later..” and both Joseph and Jen had the cutest victory dances. But ugh Hamilton’s bit KILLED me Eliza was so excited to spend her life with this dork and he cupped her face on “but I’ll never forget my mother’s face that was real..” Their Hamliza just had no concept of personal space they were so close together and intimate. Her riffs were also 10/10 I can’t stress enough how pretty her voice is. He was cupping her face again after the wedding kiss and they just looked so in love and happy my heart could not take it their chemistry was insane.

Satisfied: Lmao King played Laurens as so drunk for the intro. Ta’Rea did a very good job, her conflict between her feelings for Hamilton and love for Eliza was expressed well. Her bridge was really sad and she almost sounded on the verge of tears, she also had some very good riffs on the end. I thought she was good but didn’t really do much to make it her own. I wish I had more to say but it was a pretty standard Satisfied imo.

The Story of Tonight- Reprise: Silly and fun all around for the first bit. Joseph and Nik genuinely seemed to be friends in this song, Nik’s “to be sure” was pretty heartfelt. Fergie twerked on Nik which was as perfect as it sounds.

Wait For It: I was surprised by how much I liked this. It was an interesting paradox between how Burr was singing about self restraint and waiting for it but was also really letting himself go and be taken by his passion. I wasn’t totally sold on his Burr at first but I thought this was so strong, there was a definite moment at the end where he kind realized how he had let his passion overtake him and straightened his jacket and settled back into his calm, collected demeanor. This is a super hard song to pull of convincingly and I was impressed.

Stay Alive: Quality all around. Marcus and Joseph continued to play off each other very well and Joseph seemed so pissed that he couldn’t fight Lee.

Ten Duel Commandments: Oh my god Burr was SO OVER IT it was really funny. He directed “you have him turn around so he can have deniability” straight to the doctor as in “dude, turn the fuck around!”

Meet Me Inside: I’m pretty sure Joseph accidentally said “Joe, we won!” instead of “Go, we won!” for some reason lol. He was very petulant with Washington and his “call me son one more time!” was so pissed.

That Would Be Enough: Heart eyes heart eyes heart eyes. Joseph was so full of wonder and amazement when her first saw Eliza’s pregnancy. Like I said, no concept of personal space between these two and it was perfect. I feel like Jen’s Eliza was less begging him to stay and more confident that he would; kinda as if she was just reminding him of their love which made “I’m not afraid, I know who I married” more poignant. They were extremely soft as the lights went down with him touching her belly and kissing her hand.

Guns and Ships: I hate talking negative because it really was a great show but this was a letdown. Kyle’s French accent is poor and when you combine that with how deep and thick his voice is the quick paced rapping was just not working for anyone in my party, especially after seeing Chris Lee in Atlanta. The Hamliza goodbye was very sweet and sad though. Jen was not happy for him to be leaving.

History Has Its Eyes on You: Marcus really brought it, you could tell he was haunted by his past and that Joseph really understood the gravity of what he was saying. These are also some of my favorite ensemble harmonies of the show.

Yorktown: Seriously fuck Florida audiences for the dead silence after “Immigrants, we get the job done.” It was so awkward. But this number is always incredible and this was no exception, Joseph fully inhabited Hamilton’s emotions and drive to win. Fergie’s rap was so energetic and perfect. While Marcus didn’t hit “not yet” as powerfully as Carvens, it was still very good.

What Comes Next?: The stamping on “I’m so blue” is always funny.

Dear Theodosia: Lovely. They sang together very well and were super optimistic and proud.

Laurens Interlude: Again the Lams was really emphasized. Joseph knew by “it’s from his father” and you could just see his grief. The look between them was very emotional, as was “I have so much work to do.”

Non-Stop: This song is totally driven by the Hamilton-Burr interactions and Joseph and Nik did it excellently. You really started to see Joseph’s ambition and confidence increase throughout the song and Nik continued his “wtf” reaction to everything Joseph did. Also, my new favorite moment in the show with both Nicholas Christopher and Nik Walker is “he’s just non-stop”; while Christopher was like fake smiling through gritted teeth, Walker was just so exasperated and basically saying to the audience “the fuck is he on about?” Both equally hilarious. You could definitely see Eliza starting to lose some faith in Hamilton at “would that be enough?” and she was super pissed in “Alexander” and “isn’t this enough?” They all really set up the Act 2 conflicts well in this song.

What’d I Miss?: Right away I preferred Kyle’s Jefferson to his Lafayette, although it still wasn’t anywhere near Chris Lee’s (but few are to be fair.) My dad thought he was late on some of his lines but I didn’t pick up on it. I don’t remember that many details but he was funny.

Cabinet Battle #1: Kyle was shamelessly high fiving and shaking hands with all the ensemble members before it started lol. His mic drop to Fergie got a lot of laughs. Joseph went really hard on his verse especially the slavery bit, and when he went after Madison he started having a coughing fit and Jefferson was slamming on his back to get it out which was hilarious. Their exit off the stage was so silly and funny too. Also Joseph is so much shorter than Kyle it is ridiculous. Bonus note, watching Burr’s reactions to the argument in the left balcony is almost as entertaining as the argument itself.

Take A Break: ELIZA LOVES PHILIP SO MUCH MY HEART COULDN’T TAKE IT. Her beatboxing was so “proud mama” and King had an adorable Philip rap. I really liked Ta’Rea and Joseph’s delivery of “my dearest, Angelica.” Jen’s Eliza was SO EXCITED to see her sister!! And the end just broke my heart because throughout the whole song Eliza seemed so confident that he would come with them and she was really sad when he didn’t. Jen’s journey as Eliza really had to do a lot with her gradual loss of faith in her husband and it was super heartbreaking.

Say No to This: Nyla played a very sympathetic Maria, you definitely got the vibe that she was being pimped out and wasn’t lying about “beating me, cheating me, mistreating me.” Joseph was so angry at her but eventually gave in and had some pretty intense “yes” moans lmao. Nyla slayed the high note too.

The Room Where it Happens: By this point you could tell Joseph’s confidence was at a point where he really felt Burr was beneath him and somehow Burr was so confused as to how this had happened. Nik really put on a show in this number and his big revelation moment was electrifying. (Side not, I never understand why this moment gets laughs??) He tore up the stage towards the end and really hammered home the shift in Burr’s character. I said this was the highlight of my Atlanta show by far, and while it wasn’t the same level here, it still was amazing.

Schuyler Defeated: Nik was super self satisfied here and all “who’s better than who NOW hmm?”

Cabinet Battle #2: Good all around. I thought Joseph was really funny.

Washington on Your Side: The way Burr came out was so freaking funny, he had this goofy smile on and was doing this stupid little dance like “ooh yes lets bond over hating Hamilton.” They were all very intent on taking him down and conniving.

One Last Time: Y’ALL THIS WAS EXCELLENTT. I loved the way Joseph played off of Marcus but this number was all Marcus. He was so ready to rest while also trying to secure his legacy and his voice was incredible in the end.

I Know Him: Definitely the funniest King song of the night. His “WHAT” and “I KNOW HIM!!!” were hilarious.

The Adams Administration: BURR WAS DANCING WITH THE KING AT THE BEGINNING IN SUCH A SILLY PETTY WAY IT WAS SO GOOD. Joseph was just straight up pissed at Adams and his whole attitude was very “fuck it.”

We Know: Yeah Joseph panicked a lot and was very defensive. I think he was also really shocked that Burr had allied with Jefferson and Madison. Eliza and Philip in the balcony was a sad touch.

Hurricane: Ugh incredible. The lighting and choreography of this number >>>>. Joseph still seemed overly confident that he was making the right decision and he totally delivered on the intense emotions.

The Reynolds Pamphlet: As soon as the bass dropped you could see Eliza pull out a paper in the balcony and walk off. All the different reactions were super well done. Philip looked so upset and he first ran off after “his own house? Damn,” but at the mention of “our children” he turned back and had this heartbroken look and then ran off again. Jefferson and the king were having the time of their lives lol, and Washington looked very disappointed. Ta’Rea barely even let him touch her before she pulled away. She was so angry and sad at the same time. There was an interesting touch I’d never seen before where Joseph tried to put his hands like around her waist after “God, I hope you’re satisfied” and she shoved him away.

Burn: I feel like people get so caught up in Eliza’s anger that they forget how sad this song really is. She started off just devastated and totally at rock bottom, in utter disbelief with all her faith in her husband gone. Her “you, you, you” was just totally heart wrenching and then she had that moment of clarity where her emotions totally shifted to anger. Her burn notes weren’t as strong as they could have been but she totally made up with the emotion. The best part was the ending though, she was so icy on “I hope that you burn,” but then you saw her anger melt away and she was just left with that total sadness again. Jen was so so so good and I’m in love with her voice.

Blow Us All Away: Philip definitely inherited his unearned confidence from his father. Joseph seemed like he didn’t take it seriously enough and kinda just trusted it would all blow over. At the duel itself, King played Philip as more confident than nervous.

Stay Alive- Reprise: UGHH everyone brought it so hard here. Joseph was so utterly panicked and upset running into the doctor, the doctor was basically holding him back and he just sprinted to Philip. King very much played Philip as actively dying, he was sobbing and choking out words which I like so much more than “Philip is brave and pushing through it!!” because the kid is DYING he should be upset and terrified that this happened. Jen was in so much shock but she went for it so hard with the scream my heart shattered. You could see Joseph’s world just crash down around him as Eliza ripped her hand away and he realized all he’d lost.

It’s Quiet Uptown: @picquery did a much better job explaining Joseph in this song than I ever could, but he was really good. I wish I had been closer to see his faces better, but you could just see that his whole world and self concept had been completely demolished. This is where Joseph’s emphasis on Hamilton’s confidence up until this point and Jen’s emphasis of Eliza’s decreasing faith in Hamilton intersected beautifully. Hamilton really realized how wrong he had been in everything and how he really didn’t deserve Eliza but wanted her so badly. Watching Jen’s attempt to hold onto her anger but slowly letting it fade away as she fell back in love with Hamilton was so emotional. When she took his hand, they just stared at each other for so long; Joseph was just reveling in her forgiveness that he knew he didn’t deserve and Jen was just allowing herself to feel his love again. This is where their total lack of personal space came back and they were just so close together, they didn’t break eye contact until they left the stage and it was just transcendent.

The Election of 1800: God what a transition lol. Nik played it as if he was disappointed that Hamilton wasn’t initially warm to him rather than jumping right in with the cheesiness. Still, he looked very confident that Hamilton would endorse him and vice versa for Jefferson. Joseph was definitely itching to get back into politics which was very frustrating to see after It’s Quiet Uptown. I thought the ending between Jefferson and Burr was very funny, probably my fave Kyle moment of the show.

Your Obedient Servant: Nik was so shocked at the results of the election; it was almost like he had shown dominance or something over Hamilton in Act 2 and that would make Hamilton respect him when the opposite was true. He was very angry while Hamilton was more self righteous and unapologetic.

Best of Wives, Best of Women: Cute :((

The World Was Wide Enough: You could definitely feel that Nik didn’t want it to come to this but was gritting his teeth and doing it. Joseph’s monologue was definitely my favorite part of his performance, the choreography mirroring My Shot is so poignant and he conveyed this whole feeling of he had finally matured and realized what mattered and just wanted more time with Eliza. “Eliza, my love..” made me cry. Still my favorite moment in the whole show. Nik’s regret was super powerful.

Who Lives, Who Dies, Who Tells Your Story: Jen carried this so well. Her Eliza was so strong and desperate to preserve Hamilton’s legacy while also making the world a better place. “The orphanage” hit me so hard, the fact that Eliza lost her child and then helped raise hundreds more... Jen expressed this fully. Her reunion with Hamilton pulled on the heartstrings and she had the perfect gasp at the end.

Joseph Morales as Alexander Hamilton: We been knew he’s the best of the best and he was such a joy to see live. He brings so much energy and determination to Hamilton but isn’t afraid to show the uglier sides of him. Like I said, his Hamilton’s arc is really about the rise and fall of confidence and realizing what truly matters; his wife and family. He had amazing chemistry with everyone with whom he interacted but especially Jen, Nik, Marcus, and King. His singing and rapping is impeccable as well and so emotive. I was actually really surprised that my dad wasn’t as much of a fan as he was of Edred.

Jen Sese as Eliza Hamilton: Soo it’s no secret that I adore Shoba Narayan and she was the cast member I was most excited to see, so my heart did drop a little when I saw she was out. But let me say Jen Sese stole my heart!! She gave a near perfect performance as Eliza. Just for starters, she has this beautiful crystal clear almost soprano voice that just soars through the theater. I feel like she would be a killer Natasha or Cosette. I was so impressed by her Act 1 that I wasn’t sure if she’d be able to pull off the emotion of Act 2 but she absolutely did. Her Eliza’s journey was all about faith in both her husband and herself and she sold everything Eliza felt perfectly. She was the perfect Eliza to Joseph’s Hamilton, so grounded and supportive while also being firm and powerful. Her Eliza reminded me of both Solea and Shoba in the best ways. I could absolutely see her taking over this role or even either other sister after departures. I can’t say enough good things about her honestly.

Nik Walker as Aaron Burr: I was surprised by how much I liked him? Almost everyone I’ve heard review him had negative opinions but I thought his Burr was so different and engaging. Something about his Wait For It worked sooo well for me. His humor also worked for me and I loved his revelation moment in Room. I think his Burr was all about being respected and proving himself to carry on his parents’ legacy; it was very sad to see him fail to do so.

Ta’Rea Campbell as Angelica Schuyler: She did everything a good Angelica needs to do. Her bridge in Satisfied and her Reynolds Pamphlet were definitely two highlights of the show, and she had some killer riffs. I do wish she had done a bit more to make the role her own but she definitely played Angelica well.

Marcus Choi as George Washington: He gave a really excellent performance. His interactions with Joseph’s Hamilton were so good and his One Last Time almost brought me to tears, audios definitely do not do him justice because he is so much better live. He’s definitely secured his place as one of my favorite Washingtons.

Kyle Scatliffe as Lafayette/Jefferson: I don’t know if it was the fact that I saw Chris Lee (inarguably the best Laf/Jeff) in Atlanta or what, but his performance sadly did not do much for me. His French accent was Bad and he definitely lacked the rapping abilities to pull off Guns and Ships. I did like his Jefferson a bit more, he was sufficiently funny and had some really great moments such as the end of Election of 1800, but he was just not one of the highlights of the night. I think he’s much more suited to a role like Enjolras that’s more singing heavy, and he definitely had charisma as Lafayette but somehow he just feels miscast.

Fergie L. Phillipe as Mulligan/Madison: His Mulligan was perfection. He had the big booming voice of Oak but totally added some of his own flourishes and gave all the energy. I also thought his Madison was excellent and played really well off of Kyle’s Jefferson.

King David Jones as Laurens/Philip: I have really, really enjoyed what I’ve heard of Elijah’s L/P, so when I saw he was out I kinda resigned myself to a mediocre L/P performance as I have yet to see a really good L/P cover. Boy was I wrong!! King was so surprisingly good!!! His Laurens was definitely shit stirring, angry, reckless, and ready to lay down his life for what he believed in. He and Joseph were VERY strong in the Lams department which is something I definitely missed in Atlanta. Like they definitely fucked after Story of Tonight lol. I also enjoyed his Philip a lot. He oozed swagger and confidence in Blow Us All Away but his Stay Alive Reprise was SO heartbreaking because he was full on sobbing and could barely get words out. You really got the feeling of how much pain he was in and how scared he was of dying which a lot of L/P’s fail to deliver on. One of the biggest surprises of the show for me personally.

Nyla Sostre as Peggy/Maria: This is honestly a thankless role, but she did all she could with it. Her Peggy was super sassy in Schuyler Sisters and excited for Eliza in Helpless/Satisfied, and like I said, she played a very sympathetic Maria with a killer voice. She looked so betrayed and upset when reading the Reynolds Pamphlet.

And that’s that! All in all I am glad I saw the cast I did, they told the story perfectly. I didn’t stagedoor because I actually could not find it, I asked like three different ushers and they all gave me different directions and we were all so exhausted by then that we just went home. I’d be happy to answer any other questions about the show or specific actors!

#my posts #hamilton #joseph morales #jen sese #nik walker #ta'rea campbell #marcus choi #kyle scatliffe #fergie l. phillipe #king david jones #nyla sostre #jon patrick walker #hamilton review #philip tour #philip company

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