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#Downtime - Me time
neptunesailing · 8 months
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hades art dump part 2
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starflungwaddledee · 2 months
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do you have any tips for leaving compliments on other people's art ?? your tags are always so well phrased !
oooo oooooooooooooo uuhhhhhhhh hmmm!
firstly, thank you!! i'm rather glad to hear that! i try quite hard to leave meaningful comments so it's nice when folks notice or appreciate it!
outside of commenting on the work, i first consider the tone of what i'm saying and who i'm saying it to.
i always try to make sure that what i'm saying will be appreciated by the person! that's the point. for the most part i leave comments to bring joy to the op, and thank them for their hard work, for being here and sharing art that made me happy! if i'm speaking to a mutual or friend, there's gonna be inside jokes and probably an amount of casual yelling. possibly even a little friendly roast, if i know them well enough. if i'm speaking with someone i don't know as well i try to keep it a little more professional, but i keep in mind that this is a fandom so an amount of yelling and screaming is expected. i tend to think about what i would like from someone else.
also if i notice that a caption or a blogs about is not in english i double check. if english is not the first language of the artist i make sure to construct tags that are easily translated and i use only and exclusively positive phrases. saying things like "delete this!!!! /pos" or "eating my own hands" can be totally lost in translation. i also keep in mind the age of the OP. don't tag as though you're Looking Disrespectfully at the art of a minor, even if that's your favourite blorbo.
as for how to comment on art or storytelling itself, this is indeed a learned skill, and it can be helped by training your eye to understand different things in artwork. but it's easy to start practicing! this is intuitive to me now, but an easy way to begin is to pick out one or two things that really stand out to you on a piece. (examples could be line quality; is it smooth? neat? textured? full of emotion?, shading: is it crisp? atmospheric? realistically rendered?, or colour choice: is it vibrant? is it moody? is it perfectly on model?) and draw attention to them and how the artist successfully used them to make the piece work.
if the piece includes design-work, pick something of that which you like as well. (clothes, colour choices, abilities, parallels to other characters, totally new or unique concepts that you haven't seen before. if you see your favourite colour combos or notions, let them know, but if it's a stranger remember they made the design for themselves, and you just share (good) tastes!) if you really want to make an artist/designer/storyteller's day, try to find the Little Thing that they've snuck into their art or design that ties into the story or lore that they are telling. even guesses to this end tend to be appreciated!
generally useful things you can also comment on are how well an artist has utilised a medium for its strengths, especially if the medium is a little unusual. if someone @'d me in particular i make sure to acknowledge that too because they probably read me for something and i should acknowledge the effort!
another thing i also always, always encourage, is to try to periodically share and comment on the work of people who are either less experienced or who have less visibility than you. especially if you have more of a platform! if you want to keep your blog clean of too many reblogs for aesthetic or professional reasons you can even go through and remove them later, but sharing the work of smaller accounts- even temporarily- makes such a huge difference! and encouraging + supporting younger or beginner artists is something we should be endeavouring to do as much as possible!
at the end of the day, i always just try to be very earnest in my tags.
there is generally no reason to withhold any praises i can think of, because it's usually nice to have your work perceived and appreciated! i personally loooovvve long rambling tags, screaming tags, stuff like "AAHH NOOOOOOO (THE BLORBO)" and so on. i try to leave the kind of thoughtful comments that i like (and am lucky enough) to receive, and i try to share artwork from a wide variety of people!
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markantonys · 6 months
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WOT season 3 episode 1 title is "to race the shadow" (source)
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starbuck · 17 days
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the thing is, i know realistically that full time jobs take up a lot of people’s time, but that’s also hard for me to put in perspective while working full time AND doing school AND volunteering a bunch. Like. i very literally have no free time right now and the idea of ONLY working 40 hours a week sounds so luxurious to me… Like. imagine if work (that stayed at work) was my ONLY responsibility… if i could just come home and lounge?? unfair. obscene, even.
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jinxofthecipher · 1 year
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As someone who hasn't considered the ship of ichigo and byakuya in more than a "oh that'd be an interesting ship", getting to the whole fullbringer arc really made me interested.
Like Tsukishima is able to place himself in memories and shit, which he does with the important people Ichigo has in his life. And all these people, Ichigo's family, his close friends, and the girl who loves him, instantly turn on him when Ichigo attacks Tsukishima.
The people who care the most about Ichigo and trust him with their lives are unable to break out of the ability or even question it. Orihime and Chad do try and fight it near the end but even they don't manage it before being removed from the situation entirely.
Tsukishima does this too with Byakuya and yet, out of all Ichigo's friends and family, it's Byakuya who actually goes against the enemies ability and cuts him down because anyone who dares to hurt Ichigo, even if they're a friend, must be cut down. And he does this almost instantaneously, without mulling it over unlike Chad and Orihime who only started to question things later.
That's just. . . Very interesting that out of everyone, it was Byakuya who would do such a thing, especially since, up to this point, we've not seen a lot between him and Ichigo.
Anyway I can see why my friend was a bit obsessed with these two when she was reading the manga. I can certainly see the potential even more now than I did and I certainly did earlier.
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charmedbuffy · 2 years
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Buffy the Vampire Slayer 5.14 | Crush
you don’t know what feelings are. I damn well do.
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astaraels · 2 days
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I can't wait until my brain is ready to get back to writing because right now I'm just...not, apparently
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thinking. rotating even. eyrie’s way of showing love and how it so quietly bloomed during their time in thavnair w estinien. how it slowly found its way there and so much of how it was both felt. they love each other—as friends and romantically. it’s all there, utterly unspoken, but it’s there.
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inconmess · 11 days
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Orym is fucking cold tonight and between him and Ashton, the anger is running high? Thems not pulling any punches
That Liliana convo, I just want to bash my head somewhere. I mean, good for you that you want to be an inside man for your daughter but at the same time, stop being wishy washy and open your fucking eyes for once if you want a life with your daughter?
Also, Evarova and the lore...
Air out the feelings tonight man. Air out the feelings
and indeed MFMM indeed. Are we going back to Aeor now? Are we going to see FRIDA soon? We still need to break the shit to them 😭
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rohirric-hunter · 30 days
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.
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moki-dokie · 3 months
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how to make 19 year old boy who came of age during the pandemic and never had a real real job before now realize he needs to Chill The Fuck Out and be Less eagar about working for free holy shit he is impossible to wrangle
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thefirstknife · 1 year
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Narrative, lore and abuse
I want to talk a little bit more about the constantly repeating ideas about how Destiny used to be better, how the lore is constantly being retconned and how writing was better before. Not only are these sentiments entirely factually incorrect (and I'm currently working on a project to document 8 years worth of reviews, opinions and comments about Destiny to show that no, people really didn't enjoy vanilla D2 or D1 as much as they think they did); the sentiments about lore, supposed retcons and mistakes as well as ideas that it used to be better and that original visions were better are all ignoring a very real and very serious troubled past that came with working at Bungie over the years.
Specifically, I think a lot of people forgot about this article. It's an in-depth review into the hostile work culture and crunch at Bungie, focusing mostly on the troubles that the narrative team went through. The snide comments about how Bungie doesn't know their own lore and how they don't pay attention to details and how they changed certain things over time really ring as petty and hollow when they're put into context of what the employees were going through. I want to remind people.
This article was also not debunked by Bungie and they instead acknowledged it and apologised. In case there are people who think that these devs were exaggerating their reports. They did not.
To start:
There is seemingly no better microcosm for Bungie's historic, company-wide cultural troubles than its narrative team, which has experienced toxic leadership, issues with crunch, and at times unmanageable separation between ideas of ‘Old Bungie’ and ‘New Bungie’ culture, and more — all within the last five or six years.
The narrative team had it worst. This basically plagued the entire development of Destiny.
Several sources spoke of a narrative team lead from that time who appeared to suffer massive burnout during the project, creating an increasingly toxic work environment for others on the team, enough so that team members kept a countdown of days since his last "explosion" on a whiteboard. Many people I spoke to were familiar with a story of him throwing a chair at a window because he felt others were ruining his creative vision of the game.
And:
Some sources who had encounters with him during this later period said that he would frequently issue narrative direction despite no longer being a senior team member, and would become angry when he felt the Destiny 2 writers were deviating from his original vision for Destiny 1. One source told a story of him yelling at her over the phone so aggressively that she was brought to tears, and she subsequently refused to be on phone calls with him without a third party present.
I want people to really read this and commit it to memory. A narrative lead was so toxic that it led to actual physical violence. A narrative lead that was physically explosive over people "ruining" his creative vision of the game. I want us, as a fandom, to truly read this with full understanding that maybe, just maybe, when current employees are changing or "retconing" lore, they are doing it to remove all traces of a person who caused them real trauma and abuse.
What amounts to funny little lore tabs for us to pore through, it's very likely a reminder of abuse to the employees who are writing it. If they want to make minor changes to distance themselves from someone who abused them, I am happy for them if they do it, even if that leads to minor inconsistencies in my lore. The wellbeing of another human is more important than a "retcon" in a fictional story.
I would rather a story change than have "the original" coming from a toxic abusive asshole that is actively making the lives of everyone on the writing team miserable. I frankly don't care about his original vision for Destiny. I don't believe it was anything good.
More under for length. It's a lot.
Writers wouldn’t learn about changes to their work until after voice lines had already been recorded.
Absolutely insane that this is what the writers had to deal with. Yes, of course there are mistakes and issues, especially in the early days of Destiny 1 when the crunch was worse and Activision was forcing them to release new DLCs and forcing them to switch focus to the sequel.
This highlights the issue of people using older lore as proof of retcons. What if these mistakes and inconsistencies that we're seeing are a result of crunch and decisions being made away from the writing team? A lot of old lore could be the actual mistakes that are now being fixed. People tend to prioritise what was written first as some sort of gospel, ignoring all of these well publicised issues that we know Bungie was going through.
The other way around could be true. Old lore, things that were written first, were mistakes due to the disruptive workplace that these devs were struggling with and they didn't have time to double check before their work was shipped off to recording and publishing. Perhaps these people are using this time away to correct some of these mistakes that never should've been released in the state they were released in.
This absolutely makes sense due to the report of an employee that didn't want to stay anonymous. Cookie Hiponia started working at Bungie in 2016 as a contractor and became a full-time employee in 2019. In her words:
Hiponia recalled that when she first stepped in, Bungie hadn't had a lot of editing oversight on the Destiny franchise, and had not previously focused very much on its story, consistency, or continuity. That led to a leadership that appeared to operate without normal professional boundaries. As Hiponia puts it, "They just had a bunch of people who wrote things and kind of had the run of the place."
For years, during entire D1 and early D2, there was apparently no editing oversight, the story wasn't focused on properly and especially they did not care enough about consistency and continuity. Basically, top guys were making things up on the fly and treating the game's story as their personal sandbox. We should be taking 6-7 year old lore with a grain of salt instead of treating is as superior. An actual developer came out publicly to tell people that Bungie did not care about the story, consistency and continuity at the time.
More on hell working conditions:
One leader from earlier in this period was described by one of our anonymous sources as a "sexist nightmare" who yelled in meetings, and would throw papers across tables. Multiple people told us he would frequently rewrite things at the last minute, often on his way to voice recording sessions.
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One lead frequently made sexist remarks, but also complained about "reverse sexism" and on at least one occasion made homophobic remarks to a queer colleague. He would openly mock his team members’ ideas in meetings then play his mockery off like a joke, and would frequently take credit for work others had done.
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A third narrative lead was called a "callous, hierarchical, authoritarian, incurious, cruel leader" by one anonymous source. ... Others recalled that he frequently insulted people who stood up for themselves, including publicly dressing down the narrative team after they accommodated a last-minute request and asked that such a rush not happen again. On another occasion, he separated and cornered an employee who stood up to him to yell at them. Multiple sources say he also regularly made racist remarks...
Cutting off that racist remark, you can check it out yourself in the article if you want the specifics. I am copying the article directly because I have a feeling not many have read it and not many would if I just posted the link without highlighting these parts.
Those close to the team describe its members working 60, 70, 80, even 100 hour weeks during some expansions, frequently with no breaks in between crunch periods. One team member crunched while so sick they were unable to type, and had to have someone else type for them while they dictated.
People working in these conditions cannot make a coherent story across many years of development and across multiple different teams that were being treated no better than cattle. The fact that there was any kind of a story in Destiny at the beginning is a miracle to be honest so the fact that there are inconsistencies and mistakes is more than expected.
Furthermore, when Bungie decided to stop the crunch, they didn't extend any help to the writing them:
Another source said that the team had been told not to crunch as part of a growing studio push to eliminate the practice — the idea was that the studio would simply cut features if crunch was the only way to get them done. However, many of the writers felt they had been backed into a corner after the painful release of Destiny 2’s first DLC expansion, Curse of Osiris.
This was an incredibly difficult time for the narrative team:
Curse of Osiris' story had been lambasted on Reddit, with a few female narrative team members being singled out by the community for harassment, death threats, and vitriol. Our sources say these women didn't receive support inside the studio or from the community team for what they were going through, and multiple sources were aware of one member of leadership still at the studio who emailed Reddit comments about these women to other company leaders in a seeming bid to tear down the narrative team because players didn't like the story.
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The same leader is also said to have been dismissive during a meeting about the controversy, explaining that no one should be worried because they were just going to bring back the Destiny 1 writing team to solve everything.
Ah yes, because the writing in D1 was just splendid and did not have any issues whatsoever /s. This is already showing the rose-tinted glasses of the "good old days" that apparently plagues not just the community, but the actual developers as well. D1 was lambasted on release, especially for lackluster story, and continued to be lambasted for pretty much every DLC. These first two DLCs were an especially huge subject of crunch, as this article details, they still weren't done up to a month before release. Incredibly in-depth article about how much the game sucked during Dark Below. This also discusses how incredibly bad lore delivery was at the time, with everything being relegated to cards that can only be read on the website.
These are just a few articles I collected during my deep dive into 8 years worth of Destiny's existence. It's an incredibly long task to go through up to 400 pages of content on every website that wrote about Destiny. So I'm sure there are more and even harsher criticisms of Destiny at the time, especially if I deep dove into reddit or Youtube. I am putting this excerpt to illustrate how wrong the claims of supposed greatness at release are. Even some of the devs had this perception, skewed by their own egos and ideals of importance that ended up harming and abusing the entire narrative team.
And let's not forget the community's involvement here as well. The criticisms we post online are seen by devs. That doesn't mean that criticism shouldn't be posted, but maybe it should be posted in a more humane way. The narrative team shouldn't be getting death threats over this.
Because of these comments and reviews and the reception that the narrative team got even from inside the company (especially if these writers were women or people of colour or queer), they just continued to crunch:
As a result, the narrative team was afraid of what would happen if it shipped something else that appeared to the community to be incomplete or not up to standard. So they continued to crunch, some of them going so far as to hide the overtime from their leads so they wouldn’t enforce story cuts.
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Crunch was exacerbated by the constant need for revisions and last-minute changes, often worsened by constant conflicts over who had control of the story.
Worst of all:
Some of Bungie's old guard were especially precious about the vision of Destiny 1, and reluctant to change anything about the tone, characterizations, or direction of the story as the game moved into Destiny 2 and its subsequent expansions. This was especially frustrating for the team in cases where that vision had never been explicitly defined in the game or elsewhere, but only existed as ideas in the heads of people who no longer worked in narrative.
This is absolutely horiffic. And this sort of a sentiment is the same type of a sentiment that some portions of the fandom also exhibit. The utter mystification and glorification of some imaginary version of D1, treating it as a holy relic that cannot be touched, changed, altered, developed or evolved. This is the death of storytelling. Stories and characters have to change and evolve over time, especially if we're talking about a live service game that is supposed to go on for a decade.
Even worse, a lot of this were things that just existed in someone's head, were never properly communicated to others and were never established as things that are important or that should be taken as important going forward. All in all, what this tells me, is of a narrative team with leaders who are driven entirely by their self-inflated egos, who treated the game as their personal project, who abused, neglected and demeaned a group of people they were in charge of and who were especially nasty to those they thought of as inferior to them; women, people of colour, queer people.
Knowing that, I don't want to know or engage with their "original" ideas for Destiny. And I don't blame the writing team for wanting to scrub their influence away as much as possible. As a matter of fact, I commend them. I hope every aspect of this toxic crap is thoroughly removed even if it results in the entire rewrite of established lore.
This next bit is for people who want more cutscenes and who think that cutscenes are more important than written lore. This is how cutscenes were being made:
Another issue was with the development of cinematics, which were considered a prestige project. Largely written separately from the main writing team in a "star chamber," the cinematics team frequently tried to operate independently from the main narrative team, resulting in disconnects between established lore, planned quest narratives, and major story beats. The cinematic team’s decisions, Hiponia and others recalled, would override decisions made by the narrative team, forcing last-minute rewrites and more crunch.
Personally for me? Until we know that this sort of an ideal is removed entirely, I would rather we never receive another cutscene ever. I would rather get 20 weblore pieces.
Next paragraphs details how much these leads were fighting against inclusivity and diversity and how much the rest of the writing team (that mostly consisted of marginalised groups) had to fight tooth and nail to get inclusive stories told. We owe everything to these people. We owe them all of our great stories about women, inclusion of characters of colour in important positions and the opportunity for them to be big parts of the story, LGBT+ content and incredibly well-handled stories portraying stuff like trauma.
Under all this stress, toxicity and abuse, these passionate people were still fighting, often risking their jobs, to give us these stories and characters. I want people to keep that in mind the next time they even slightly think of calling it queerbaiting. Queer people weren't getting called slurs and being abused every day at Bungie for years for some fans to call their stories queerbaiting.
Despite their best efforts, these toxic leads who had more power still managed to push stories with negative stereotypes. Some low-tier employees can only do so much against big name cishet white dudes who more or less own the company.
In all of these situations, the members of the writing team who fought for change would routinely be told they were difficult to work with, not supportive enough of their leaders, or were aggressive or abrasive and needed to be better at taking criticism.
This bit also details the absolute uproar that Bungie and Activision made when writers decided to give Devrim a husband. I want people to apprecite just how much of a change has happened since, especially if they dare talk about how things were better under Activision. We would not have a fraction of LGBT+ rep under them. This also goes to everyone calling it a "retcon" that Saint-14 and Osiris are lovers because in the "good old lore" they weren't. Except they were. The writers just couldn't say it. The leadership lost their minds of Devrim saying he has a "partner." Not even openly saying "husband." Just "partner." That's how bad it was.
For comparison, today we have entire lore pieces of Devrim and Marc having dinner, and Devrim helping Saint deal with the trauma of almost losing Osiris. Things changed, for the better. So I am not sure why some would rather we go back to before.
Bungie obviously makes mistakes. They made mistakes before and they make them now. Sometimes stories change, direction changes, ideas change, sensibilities change. Sometimes someone makes a decision to take the story into another direction and it requires ignoring or reworking something previously established. These are all normal things that happen when writing anything, including books, TV shows, movies and so on.
But in this case, with how Bungie was handling narrative and how the narrative leads were treating employees? These aren't just normal mistakes and changes. A lot of these mistakes are due to the overworked and abused employees who had to crunch under people who would demean them and abuse them to the point of mental distress and physical injuries. People working under those conditions will make mistakes, especially when the leads are literally circumventing their writing and making changes to the writing on the way to recording sessions.
The fact that there's any coherence at all is a miracle. And then we get fans nitpicking irrelevant details that are easy to mistake even when you're not being abused by your boss while working 100 hours per week, let alone when you are. Think about how those employees feel when we nitpick stuff that they made while they were actively being abused at work every day.
This isn't a defence of Bungie having narrative mistakes. Bungie failed these employees that they were supposed to care for. It has since become evidently better, but the cost is there. Many lost their jobs and their security and health dealing with these working conditions and this needs to be embedded in the mind of every fan who wants to nitpick something written 5 years ago.
And ultimately, yes, perhaps writers that are still there want to actively change the story to remove all traces of leadership that was pushing a certain narrative. Perhaps that's annoying to us, the players and lore enjoyers. Perhaps we hate seeing certain details change in front of our eyes. Perhaps we hold dearly a detail from 2015 that has since been retconned out of the story. Perhaps someone thinks that Destiny's story was the best during D1 and that everything else that's happening now is a retconned crap.
Then re-read this article again and consider that these stories were made under inhumane working conditions. And if you value fictional story details over the wellbeing of real humans, then it's time to reasses your values. To me personally, I am immediately put off from the way those stories went when I know how they were made and what was the cost. I still appreciate then, but I will not scrutinise irrelevant details being changed or mistakes being fixed years after they were first made while the workers could quite literally physically not type from exhaustion.
I first and foremost rely on new lore and always will. It was made with less abuse and with more employees of sound mind, as well as with marginalised groups not being demeaned and shut down. Bungie is currently very obviously and clearly taking the story much more seriously and are aware of how important it is for Destiny's success. Are things now perfect? Probably not! But even those that were previously abused have said that things changed for the better and that there is hope.
Most of the new lore is also repeatedly going back to explain and rework some of the older stuff which can, yes, cause things to change. I don't mind, not with the context of this article looming over our heads. As I said before, people tend to emphasise the importance of stuff written first as proof of changes which ignores the very real possibility of stuff written first to have been written wrong and new rewrites being used to correct that information to what the narrative should've been from the start.
Are there genuine mistakes? Of course. Not every mistake is the consequence of abuse. Sometimes they are just mistakes. They exist in every writing. Don't take them too seriously, especially if they are about some incredibly niche detail that doesn't change the story either way.
However, please keep in mind how much crap the writing team for Destiny went through. Allow them to breathe, allow them to make mistakes, allow them to choose to change things that remind them of their abusers.
And when you're reminiscing about "good old days" of D1 or early D2, remember the conditions under which they were made. It was not a good time for the employees in any department and the fandom glorification of that time can be incredibly painful and defeating to the devs, especially those that belong to marginalised groups.
While you had immense fun at 16 playing D1, hundreds of people were undergoing the worst time of their life trying to maintain the game while being abused 80 hours a week. I'm not asking for people to stop thinking about how much fun they had at the time; just to put things into perspective and to recognise that this is the work of nostalgia. I had fun playing vanilla D2 as well, but I can simultaneously recognise that this was not a good time for Destiny, I would never want to go back to that time and I especially don't want to shittalk developers into going back to that work schedule only to deliver inferior products. I don't want my entertainment to be soaked in blood.
This especially goes for the lore fandom. We almost always talk about the pvp toxicity and sometimes pve toxicity, but rarely touch on the toxicity of the fandom that treats the story as some esoteric construct that doesn't involve a human cost to be made. Are changes annoying? Sure thing. When in doubt, use the most recent information. That's it. Pondering ancient lore can be fun, to a certain extent. At some point, you have to let it go.
There are still many pieces of lore that have been the same for years (my recent post about the Books of Sorrow is one example), but banging your head against the wall about some niche detail from D1 Y1 is usually pointless. In most cases it's a detail that doesn't change anything. In a lot of cases, it simply reflects an in-universe confusion about some information. Unreliable narrators are everywhere in Destiny; characters are biased or they lack knowledge or they interpret things wrong.
The setting is specifically set up in that way. The Collapse wiped away so much knowledge and context so people are sometimes wrong. This is explored in a really over-the-top and funny way in the Festival of the Lost lore where a Cryptarch misinterprets what a "fourth-grade researcher" means.
There is not a single omniscient narrator in Destiny lore. Everyone has their own biases and convictions and limitations of knowledge. Sometimes they will contradict each other by design. Not to mention the amount of complex and secretive characters that are deliberately not telling us everything, such as Rasputin, The Nine, Elsie or Mara Sov. Or the Eliksni who are a displaced and fragmented people that lost much of their own history and often work against each other and have varying perceptions of who they should be as a people. There will be conflicting information regarding these characters and stories.
On top of all that, there will always be a human element present. Writers will make mistakes even on their best days working under the most favourable conditions. So keep in mind what writers went through at Bungie. Not for Bungie's benefit, but for the benefit of largely marginalised people who, despite everything, fought for their voices to be heard and present in the game we love now.
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Insert clever title (2)
SAGAU | Imposter AU
Part 1
You’re pretty sure that if there was an award for the most braindead, incomprehensibly stupid plan ever, you’d earn at least third place, because what else could you possibly call sneaking into Albedo’s camp on Dragonspine with the intent of rifling through his correspondence.
The smart part of your brain (see: the negligibly small part of your brain) tells you that Albedo has a very sharp sword and knows how to use it, and also has magic rocks that obliterate monsters on the regular, and is probably ready and willing to turn you into a red splatter against the cave wall.
The rest of your brain tells you that you’ve got to know what the hell is going on, and clearly you can’t just go around asking people because somehow your face is notifying them that you are to be killed on sight, regardless of what region you’re in. You would know. You have done extensive research.
(You couldn’t even make it past Mondstadt’s front gates. Covering the lower half of your face with a scarf didn’t work in Liyue, and you figured that covering your entire face would just make you more suspicious. You nearly lost your head, literally, when you teleported directly into Inazuma City, and the people of Sumeru weren't happy to see you, either. Even the smaller villages and towns, like Springvale or Konda Village, had guards who knew to try to apprehend you, and it was only your decision to stay within very close proximity to the teleport waypoints that kept your body blessedly free of stab wounds.)
Ergo, Albedo’s camp, which has a grand population of one (1) guy who probably would have to leave at some point. You’re pretty much banking on the possibility that Albedo would have received a letter or something that might explain what’s going on, because something has to be tipping everyone off about you and your apparently-very-killable face, right?
You… are also banking on the likelihood that Albedo is actually still on Dragonspine instead of stationed down in Mondstadt, but if that turns out to not be the case, then no harm, no foul, you can just figure out another plan.
So your current plan is to sneak into his camp while he’s not there and steal the contents of his mailbox, because you’re getting desperate and this is the only thing that you can think of.
It’s probably not your only option. It’s probably not even your best option; but it’s the only one you can think of, so.
Yeah.
You’re doing this.
Or, at least, you would be doing this if you hadn’t forgotten one teeny-tiny issue: the route from the nearest teleport waypoint to Albedo’s camp is interrupted by a broken bridge and a hundred-foot drop down the cliffside. The broken bridge that requires a wind glider to get across. That broken bridge.
Yeah.
You are so fucking mad.
So now, you’re crouching by the broken end of the bridge, staring at the wide gap and trying to figure out how steep the cliffside is (very) and whether or not you can kind of scramble across to the other side (definitely not), because there are no other waypoints on Dragonspine that you could feasibly get to the camp from without freezing to death in the meantime (you’ve checked the game map).
Maybe the waypoint by the exit to Starglow Cavern…? But it’s so far away, and you’re pretty sure that the path from there to the camp runs right past a Ruin Grader. Or was it a Frostarm Lawachurl?
You’re so focused on the map and the broken bridge and the increasingly tempting decision to just give up and try to break into the Favonius Headquarters instead that you don’t hear the footsteps coming up from behind you, near-silent under the whistling of the wind.
“Well, well, what do we have here?”
Alarm bells go off in your head, accompanied by all of the curse words in your vocabulary.
You’d been so anxious about being spotted all day that, as you whirl around to face whoever had snuck up on you, you expect to see ash-blond hair and a face belonging to the worst in-game model in Genshin Impact. Or, if you’re really unlucky (and you’re starting to consider yourself to be so), a nun.
Instead, you’re greeted by Kaeya and his fucking indecipherable smile, and you have to wonder if this is the worst case scenario.
You think he’s trying to look unthreatening; both of his hands are empty and in sight, held up like he’s placating a skittish animal, and he’s left a respectable ten feet of distance between you. Until now, you hadn’t realized how much you missed being greeted with a smile instead of a sword, but you did, so much that Kaeya’s was almost enough to get you to drop your guard.
You’ve read his character story, though, so it just makes you wary.
“You’re quite a ways from the nearest camp,” Kaeya comments, amiable as ever. His eye twinkles like a false star. “Without winter gear, too. You wouldn’t want to freeze out here, would you?”
That’s a fucking threat.
‘Yeah, it’s time to leave,’ you decide, before remembering that you need to be touching a waypoint to teleport and Kaeya is blocking the fucking way. In fact— you realize with rising panic— you’ve trapped yourself on the edge of the broken bridge, unless you want to drop a hundred meters into Wyrmrest Valley.
You’d bet that Kaeya knows it, too. He doesn’t even look cold. Bastard. Your hands are stiff and painful despite being tucked into your jacket, your entire face stings bitterly, and even breathing feels like you’re inhaling glass shards. You can’t feel your ears and you’re too afraid to check.
How long have you been away from the waypoint? Five minutes? Ten? Maybe Kaeya doesn’t even plan on doing anything more. Maybe he’ll just block you off from the waypoint until you freeze to death.
Shit. Shit shit shit.
You’re just fucking staring at each other, now, Kaeya with his knowing smile and you wondering if you can, like, trip him, or something. You don’t know. He has a sword and ice powers while you can’t feel your hands or feet. That’s what you get for being an isekai protagonist, you guess.
Christ. You’re going to die here.
Then-
Then-
Kaeya shifts his weight like he’s about to close the gap between you, and your fight or flight instincts kick in— and since you can’t run anywhere, you find yourself clutching an icy rock that’s probably hurting you more than it could possibly hurt him, frost-stiff fingers coming alive with pain. You don’t think that there’s enough strength in your arms to do much damage with it. You bare your teeth and think that they might suffice, if you can stomach the taste of blood.
“Get the fuck away from me, Kaeya,” you bite out, relieved when it comes out like a threat instead of a desperate plea. You scramble to follow up, wildly casting around for anything that’ll give you some leverage in this confrontation that doesn’t involve your usual go-to of threatening to have an intimate night with his father. You think that if you spill his secrets he will impulsively separate your head from your shoulders, so that’s out. “I literally have no fucking clue what’s going on.”
Well… that wasn’t going to gain you any leverage, but maybe it’ll score you some pity points?
And—
Kaeya laughs.
The sound is so jarring, so anticlimactic, that irrational rage sweeps over you. You want to punch his teeth in for having the audacity to laugh at you and giving you emotional whiplash. Instead, you hunker down against the cold and wait for him to stop.
He does, after a few seconds, wiping a fake tear from his eye (at least, you assume it’s fake. You aren’t that funny). “I must admit, you aren’t quite what I was expecting,” he muses. “I wonder… just what have you done to anger the gods?”
A laugh scrapes its way, unbidden, from your throat. Your everything hurts, you’re literally freezing to death, and honestly? You’re exhausted.
“Shit, man. I’d sure like to know, too.”
(Part 2/?)
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@zyzypretty @consumedbymoss @kokxm1 @asoulsreverie @bittersweetorpheus @iruiji @yuyuzi-ling @depressed-bitchy-demon @roger272
(Just FYI this is probably the last time I’m tagging people in the post because that was a bitch to figure out even with so few of you)
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austiebug · 2 years
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The brothers kidnap you from your stupid, boring job so you can spend more time with them!!
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snugglebeans3000 · 7 months
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So
Uh
I may have made a thing
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orderofthedyingstar · 5 months
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And here's a post w just the new profile pics all together!
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