i cant even express how hurt upset and angry i am right now. anyway nobody watch vol 2
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As a victim of abuse. I know why a ton of people are angry. I am too. While I wish that Wilbur receives every terrible consequence. I hope he loses all his friends. And I hope he loses his platform. I hope he DOES actually grow one day. I hope he gets better. I hope he's able to truly understand what he did. I hope that he goes to therapy. I hope he actively works on becoming a better person. I hope he apologizes to every person he hurts. I hope he knows he can never and should never be a content creator ever again. I hope he does this so he never hurts another person ever again.
I don't give a shit about him. I don't say this because I care about him. I say this because it's all I can wish for. I can want him to rot and die. But that won't change anything. Him just disappearing won't change anything. Unless he actually changes. I can wish him to die all I want, but I know my words can't change anything. So I hope he loses the power to ever hurt another person. I hope grows to one day actually understand what he did. If he never does? Then I hope he rots.
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We need to remember that Shubble stated that Wilbur would manipulate and gaslight friends and family. With this, we must be patient with streamers that were close to Wilbur. This was likely surprising and shocking for them. They may need time to come to terms with what has happened.
I have been vocal about how important it is for men to be critical about abusive behaviors. However, Wilbur had many close friends—some would even consider him family—and now they may feel they hardly knew him at all.
There is a deep stress felt by viewers. It is difficult to think we have given any amount of time or money to an abuser. Could you imagine a close friend right now? The pain and betrayal must sear. They need time to understand what has happened and come to terms with it. Many of them may not be live in the coming days (weeks even).
That being said, as time passes, criticism may be necessary. Complacency is not an option. Men that are willing to ignore abuse to protect an abuser are just as pathetic as the abusers themselves.
Let's give this situation time to breathe. I ask that we give patience and courtesy to those close to Wilbur at this time. But please do not forget that this happened. There may be a few streamers hoping to lay low and then drop a collab in a few months. Do not let them. This is too important.
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Why we don’t like it when children hit us back
To all the children who have ever been told to “respect” someone that hated them.
March 21, 2023
Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.
Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.
If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.
It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.
The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.
This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:
Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.
By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.
- Heide, Why Kids Kill Parents, 1992.
Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:
Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.
(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)
But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.
Sources:
“The Adult Gaze: a tool of control and oppression,”
https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression
“Filicide,” https://en.wikipedia.org/wiki/Filicide
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god the scene in season one where jonathan comes home to joyce and lonnie on the couch drinking together is harrowing. it makes me want to cry just thinking about it, your brother is dead, your mom is horrible mental state and is now also introducing your abusive father back into your house. what a fucking nightmare.
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"Sansa bullied Arya? Oh so you think she's worse than Tywin Lannister, Gregor Clegane and Ramsay Bolton??" is such a hyperbolic, insincere and ultimately non-existent argument. Literally name one person who says this shit with any sort of sincerity, if at all lol
This is up there with "Talking about Arya's importance to the North means you think Jeyne Poole's life doesn't matter!!!" in terms of disningenous talking points.
It's only ever used to shut down any attempts at considering Arya's feelings and well-being when discussing the girls' relationship.
and no offense, but why are 🫵 YOU🫵 equating the acknowledgement of a fictional child's flaws with calling her a war criminal? why are you treating it like that?? 👀👀👀
I mean, this fandom regularly says Arya lacks morality for surviving war zones with violence. They consider her a walking tragedy whose story is about losing her humanity and becoming the ultimate killing machine. Everyday Dany gets called a N@zi Barbie for not abolishing slavery perfectly. But Sansa gets clocked as a mean girl bully in the first book and y'all fall apart at the seams at that?? C'mon now
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Sometimes I think people need a few more lessons in media literacy before they engage with something that deals with sexual trauma/abuse. I see takes like "wait, did Cazador actually sexually abuse Astarion and the other spawn? Omg it's just so ambiguous idk!"
My guy. My dude. My brother in Lathander. What the fuck do you think the line "he said my screams sounded sweetest" meant?
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desperately need people to understand that alicent is a victim but she’s also an abuser and a perpetrator
that she actively makes choices to harm other women because of jealousy and envy and the greed deep in her bones because submitting to suffering didn’t get her what those women fight to grasp for themselves.
she is absolutely a victim, in show.
that doesn’t change that she abused rhaenyra and her children, her own son, most likely helaena given how she flinches every time her mother touches her, and is actively weaponizing the patriarchy of westeros against other women- rhaenyra primarily, but also mysaria and dyana.
she isn’t the moral, righteous force of good that even she thinks she is, she’s a wounded woman directing all of the rot, pain, and fury inside her at the wrong people and forces.
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It's weird how people paint "daddy issues" and even "mommy issues" as, like, a joke or a failure on part of the person who has those issues, rather than recognizing that daddy and mommy issues stem, for so many people, from abuse. What this all is is just abuse apologia, and nobody seems to either notice or maybe even care.
When somebody with daddy or mommy issues opens up about the "why," I can't ever seem to shake the fact that they tend to have gone through a ton of abuse and bullshit as a child. It's just crazy that other people would look at that and see a joke or a failure of the once-child who was abused.
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I keep starting and abandoning posts that go into my drafts, as I try to stay tasteful about how fucking revolted this part makes me. Like, I'm legitimately unsure if the very relevant trauma I have is making me see things that aren't here
But first we see that Star Flower is trying to ingratiate herself to the group, just after she reappears from chapter 5. Chapter 5 is about how Clear Sky is still abusive towards his son, and she comes in after stroking his ego, stressing how alone she is, and appealing to how she'll be loyal unlike his child. (She glances over at Thunder, directly implying this.)
Now in Chapter 9, she's babysitting and trying to care for Milkweed's kits (in spite of discomfort from Milkweed), taking a wet sleeping space away from the others, and pulling more than her own weight "without complaint." Putting herself through harsh sitations to prove her worth.
All while trying to appear extra attractive to Thunder, and later Clear Sky. Basically every man in power who can "protect her"
Like, am I going fucking crazy? With how we later find out that Star Flower was "promised as a mate" to One Eye's subordinate Slash, is... is that hypersexualization? One of the extremely stigmatized symptoms of sexual abuse?
She goes to find Clear Sky alone to throw herself at his paws, and he's very quickly attracted to how she promises to perfectly obey him, have no needs of her own, and finally be the perfect servant that he desires
"I don't deserve your trust because I am dirt. I understand you because I also regret something. I'd die for you. I'll never betray you unlike those who have."
This isn't manipulation. She means this. The story is playing their romance sincerely. She's comparing "betraying" Thunder by telling her own father about an assassination ambush to Clear Sky's history of child abuse, physical assault, and murder
She believes she's on the same level as this; a monster who murdered a childhood friend in a fit of entitled rage. She was a victim of One Eye who really believes that the way her father used her means she "understands" this monster, deserves this treatment.
And Clear Sky LIKES that.
He likes that she will have COMPLETE FAITH in him. That she will follow him WITHOUT QUESTION. That she will OBEY his orders. That's fucking verbatim, that's THE TEXT!!!
WHILE HE'S STILL CRYING ABOUT "ive tried to atone every day" FOLLOWING THE LAST TWO BOOKS WHERE THE ONLY SHITTY THING HE DOESN'T DO IS MURDER INNOCENT WOMEN
Am I insane?? Am I wrong??? Am I missing something here???? Why the fuck is the fandom takeaway "haha sexy girl steals his dad." Did I read the same book
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very interesting how everyone and their mothers bash steven universe for redeeming villains who tried to commit mass genocide, killed and harmed thousands of innocent civilians, physically and psychologically abused their family member; but they sympathize with and coddle catra, who did much of the same things.
(while i like steven universe and i do think that people hate on it a lot more than it deserves, i can admit that the show had its fair share of problematic elements. i'm not going to defend it to hell and back like some people do with spop)
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Hello fandom. I understand that very few of you will care about my personal opinion, and that's fine, but I find it important enough to how I run my blog to share anyway.
In the future, all of my posts will simply be avoiding any mention of Wilbur wherever possible. His character is a major part of Tallulah's story, but I will be keeping him away from my blog as much as I can.
Typically, I would go with a "death of the author" approach and keep mentions of the character and cc more separate. However, the cc's alleged quest for money and fame changes that entirely. I will not be contributing to that. That's just my personal choice, so there should be no shame to anyone who chooses to separate the two, obviously.
I watched Shubble's video and I saw his response. In my opinion, it was terrible. The way he centralized his own "growth," minimized the pain he caused, and left the actual apology on the second page is revealing. His statement reminds me of some of the past emotional abuse I've experienced, so his content will no longer be welcome on my blog. I believe in the merit of archiving, so I will not be deleting any past posts, but he will no longer have any place in my death family related tags.
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Some of yall do not know the difference between "media that glorifies Bad Thing" and "media that portrays Bad Thing and the audience has to use critical thinking skills" and its actually concerning
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It's not sexist to claim that Alicent was probably the most responsible for the Dance of the Dragons out of any individual it's actually sexist to claim that it's sexist to claim that.
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Reading something about "why won't the CoS open the borders will Almyra?"
Disregarding the fact that the only CoS controlled territory is Garreg Mach and the Locket is located in the Alliance, why won't the Alliance open the border and welcome Almyrans with open arms?
Well, it's basically showcased (tfw show not tell) in a certain paralogue in FE16.
To start, this is one of the few "defend" maps in the entire game, iirc we have this one, the "protect GM" version of chapter 12, Shamir's paralogue and, iirc, Chapter 14 when Randolph tries to earn "merit".
Basically, the objective of this map is to protect the locket from Almyran forces who are raiding them for some reason.
Hilda starts with :
"Most of our allies have fallen."
So confirmation that Almyran forces aren't only coming with mock weapons to play bowling with their Fodlan neighbours, or are asking politely if they can pass, House Goneril's allies were killed.
"He's not here?! Oh... I'm sorry. You must have been absolutely terrified."
She tries to reassure her random (a Goneril soldier) that she will help, so they don't need to be afraid/to panic anymore.
"That's you, Professor. Please help us save our allies and protect Fódlan's Locket."
The first thing she says is to please "save" her allies/her randoms, and then to protect the locket. Emphasis again on "saving" lives, because Almyrans are raiding not only houses to bring souvenirs, but take lives too.
"Support! We're saved!"
"Ah, things are looking up. Let's keep going, and save the others!"
Yep.
If a loldier dies :
"Oh no! They got one...but we can still rescue the others!"
Hilda still wants to "rescue" the others. She worries about the lives of her soldiers who are defending the Locket, but not only the locket!
If they all die, a soldier says this "We must defend here, or else... Our house... The Alliance...".
And if the line is breached, an Almyran soldier will say this :
"Yeah! We took Fódlan's Locket! With this, we'll be able to invade, no problem!"
:(
So bar this chapter blowing a hole the size of a 7 floors building in Claude's character across both games, we see here that, well, Almyra uses weapons and isn't afraid to kill Goneril soldiers who want to protect their homes and houses to "invade".
So who is behind Fodlan's general apathy towards Almyrans, the CoS like Claude says in both games (even if he seems to reconsider after discovering water is wet in VW), or Almyrans themselves???
Or, in other terms, who are we supposed to believe, Claude who tells us the CoS is the reason why Fodlan people don't like people coming from Almyra, or the game, showing us Almyrans are trouncing Fodlan people to happily invade ?
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Honestly I think it would do us all well to go back to kinda cringy feminism again for a little bit idk cause I think maybe for some people the discourse somehow circled back around to supporting sexism just rebranded or whatever so its more aesthetic
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