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#I thought it was interesting at least
ingoodjesst · 1 month
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have you put the pieces together yet, detective
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pcktknife · 1 month
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make your favorite characters ponies NOW. do it NOW. NOW.
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starry-bi-sky · 1 month
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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bleue-flora · 19 days
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What's often interesting to me, is Dream spells it out in the finale and people often still don't get it, so I thought it'd be interesting to see what he was actually referencing here. To see where it all started.
[24:27] Tommy: “That first war, me and Tubbo versus you–how it should have ended–why’d you take it?” Dream: “Tommy, you ambushed me and killed me. You stole all my shit! You tried ambushing me in a little cave–you don’t remember that? I feel like you just–your memory is just–gone.”
So here is the ambush Dream is talking about, where Sapnap and Tommy basically decide to just kill Dream and then kept all of his shit. [Death 1]
He gets killed again when he tries to take back his stuff. [Death 2]
Tommy kills him for fun right after he respawns with nothing. [Death 3]
Then after Dream gets his stuff back (via our boy Punz) and he takes the discs to get Tommy to stop, he gives Tommy back his items. But unsatisfied, Tommy goes after Dream, gets one of his discs back and hides it in the little cave. Dream tries to find it, while Sapnap and Tommy try to stop him. They are unsuccessful until, Tubbo brings them axes and they sneak up and corner Dream in the little cave, ambushing and killing him. Once again, taking all of his shit, (including, yes, the other disc.) [Death 4]
[27:58] Tommy: “Think about that, we could’ve been friends but no because you have to figure out the reason you have to get–”  Dream: “Yeah we could’ve but you–you ruined the chance of that long ago. It was you.” Tommy: “I ruined it?” Dream: “You ruined it!”
And I don’t think it’s unfair for Dream to say that in the finale, because for Dream it’s this stream early on, these moments that started it all. It’s these instances of of Dream getting murdered and robbed and made fun of over and over. Him, trying to not just make peace for everyone, but also reclaim respect and peace for himself. It’s Tommy chasing after Dream when he has nothing to kill him and rub it in his face. It’s Dream, even after all of that, giving back their items. It’s these instances of violence taken too far to the point they clearly pissed Dream off and didn’t care or follow his very simple request of just giving an apology and his belongings back that shape my distaste for Tommy and sympathy for Dream. It’s these moments that I feel like are gone from Tommy’s and our memory that highlight a different story.
[28:34] Dream: “Yeah, we could have been friends if you weren’t a little shit.”
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uncanny-tranny · 1 year
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Sometimes, I'm sad about the hobbies I have abandoned or have been too intimidated to pick up. But... what good is it, to just beat myself up over that? My bass is sitting in the corner, patiently waiting, and so is everything else. My life isn't over, and I've got nothing to answer to. I'm wading through a sea of time, and I'll pick up the seashells that interest me, and it's okay to put one back in the sand. The current's waves will bring it back to me if that is to be destiny. I can not hate myself into productivity, so I must swim on.
I think the same can apply to anybody. It's okay if you have dropped something, such as a hobby or passion. Human beings are like that sometimes, it isn't reasonable for you to beat yourself into submission. You, too, can not hate yourself into being a well-rounded person. You must cultivate it like you would a garden - with patience, time, and care.
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anna-scribbles · 3 months
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had a conversation last week with a 10 year old girl about the s5 finale and i can’t stop thinking about it. she said nathalie is the best because she loves adrien enough to lie to him about his father so that he stays happy. completely convinced that emilie was resurrected at the end and shocked when i suggested otherwise. i’ve been dying to know what the children think happened and it’s so interesting
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aquaquadrant · 6 months
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Title: flickering
Warnings: Hearing voices similar to intrusive thoughts (the voices are from sentient fire, not from the character’s own mind), pyromania, session 3 spoilers
~*~
Tango might be hearing things.
That is, beyond what the rest of his friends have already been joking about this entire session. The secret task bestowed upon him seemed like pure hilarity at first: pretend to have an imaginary friend. And he had to go all out, too, having imaginary conversations in the presence of other people. He wasn’t confident enough in his improv skills to pull it off without some kind of prop, though, so he’d assigned the role of imaginary friend to a torch in his inventory.
Torchy, a new best friend for the resident blaze hybrid on the server. Hilarious.
Except, as the hours went on… carrying Torchy around and randomly placing it down… hosting one-sided conversations with a piece of burning wood while his friends watched on with baffled amusement… it started to get a little less hilarious. Because he started to imagine that he could actually hear Torchy talking back to him.
Looks bad. Burn it. Kill him.
Just pleasant little things like that. It made for great conversation fodder; nothing turned heads on this server faster than a randomly overheard, “No, no, we can’t kill him!” And it was funny to carry on that kind of dialogue, chastising a flaming stick for its apparent bloodlust. The looks on his friends’ faces were priceless.
But at the end of the session, after Tango had been found out and failed his task, after everyone bid their farewells and went their separate ways to end the session… he hears it again; a flickering whisper of a voice in his ears.
Burn it.
It startles Tango so badly, his blaze rods ignite. “Aaagh- who? What?!” He spins around, flames spitting.
“Huh?” Skizz pokes his head up from behind their little clump of chests, his wing flared out in surprise. “What happened?”
Tango clutches his pounding heart. “Did you- did you say something, Skizz?” he asks breathlessly.
“What, just now? No?” Skizz frowns, then his eyes widen. “Oh, wait, I get it…” He chuckles. “Very funny dude, but uh, you can drop the ‘imaginary friend’ thing now.”
Burn him. Kill him.
There it is again. “No, I’m not…” Tango hesitates, glancing around warily. “You seriously can’t hear that?”
Join us. Burn it. Eat it all.
Now Skizz looks a little concerned, rising to his feet. “Uh- no? What?” He takes a few steps towards Tango, holding out a hand. “You okay, buddy?”
Tango rakes his claws through his hair. “Th- the whispering, the…” Swallowing, he creeps a bit closer to Skizz- and as he does so, he happens to move closer to a random torch. The voice gets louder.
Free us. Join us. Let it all burn.
There’s a chunk of solid ice in Tango’s stomach. “I think it’s coming from the torches,” he whispers.
Skizz stares at him for a moment before he sighs bemusedly, shaking his head. “Oh, brother. You’ve been talking to yourself all session, dude, I think you’re starting to hear things.” He claps a hand on Tango’s shoulder. “Get some rest, buddy, and I’ll see you back here next week, alright?”
Skizz doesn’t hear it. Tango makes himself laugh. “Right, yeah. You’re right. See ya.”
With a parting smile, Skizz logs off.
Tango waits. Soon enough, the voice returns. The whispering is now a chant, a dull roar echoing in his skull.
He’s gone. Burn it. Burn it all. Sets us free, let us spread. Join us. Burn it. Eat it all.
Tango’s heart is in his throat. He can see it, in his mind’s eye; the soft pink cherry blossoms engulfed in flame, a ring of smoke outlining the entire island… his inner fire thrums with want, with need.
Yes, yes, burn it all…
The smell of burning snaps him out of his trance. His clawed fingertips are pinching a cherry blossom from a low-hanging branch, a trail of smoke rising between them. Wait, when did he walk over to the tree? Quickly plucking the flower, he incinerates it in his clenched fist, the flame extinguished as soon as it’d ignited.
And now he’s got a handful of ash. Great.
Okay, that’s it- he’s gotta get off this crazy server. It’s all these stupid tasks! They’re totally messing with his head. The secrecy, the deception, the mind games- he just needs a break. He needs to go back to something familiar, some place where things make sense.
Tapping his communicator, he brings up a portal.
Tango steps through it into Hermitcraft, into blue flames and his dungeon master’s robes. He blinks, acclimating to the change of light. He’s in the underbelly of Decked Out 2, of course- most of his time this week has been spent working on the redstone for level four. And over the months, he’s taken care to light everything up (because a single creeper in the skadoodler could derail his entire operation here) so there are torches everywhere…
And he hears nothing.
Just the idle sounds of the dungeon above him. The occasional warden sniff or ravager growl, bats squeaking in the dark. A slime slapping against stone somewhere in the distance. He can even hear the ambient flickering of the countless torches around him, but no freaky voices accompany it.
Tango exhales heavily. It was just the Secret Life server messing with his head, after all. Relieved, he ignites a rocket to take off, whirling through the air in the tight hair-pin turns required to escape from the dungeon’s inner workings. He swoops into his storage room and dives into the bubble-vator, arriving swiftly back in the citadel.
Hopping off the platform and into the air, Tango glides toward his private entrance to the lobby. He needs to go cover up the barrel at the start so he can make a couple changes to the dungeon. Nothing major, maybe just an extra warden or two. Ideas for names are already flashing through his mind. Debating whether to go intimidating or silly, he’s so deep in thought as he passes through the lobby that he almost doesn’t notice it at first. But as he walks past the soul flames, he hears it.
The flicker of a familiar voice- though more haunting, now, almost mournful- whispering in his ears.
Join us. Burn them. Eat them all.
~*~
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alright ill admit it. popstar is pretty cute
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presiding · 5 months
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While browsing Vogue magazine, Sébastien Mitton found a photograph of Ruby Aldridge from the Céline Fall 2011 fashion show. He said, “Boom! We have the direction!” Her beauty and her unsettling gaze drove the first concept art for Emily.
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liesmyth · 6 months
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would you be able to give examples/explain more about how race only impacts gideon in the tlt-universe? not being facetious or condescending, genuinely asking. thank you!
Hi anon! If you mean my tags to this post, I wrote
#earth conception of race doesn't impact any character in the series except the canonically brown main antagonist
By which I mean my Worstie and main antagonist of the series, John Gaius (PhD).
I don’t think TLT as a series engages with race in any especially meaningful ways. It’s set in a post-Earth society with entirely different social norms, and there’s no concept of race and ethnicity within the population of the Nine Houses. Physical descriptions of the characters are scarce to say the least, and they rarely spell out the kind of features that suggest specific racial connotations, because the POV characters don’t seem to think it’s something worth remarking upon. iirc, it takes until halfway through HtN for the narrative to confirm that Harrow has brown skin.
[See also Tamsyn’s GtN characters description post. It quotes passages from the book, and you can see how minimal the descriptions are, and she repeats several times that her characters’ appearances are up to the readers’ interpretations. It just doesn’t seem to be a big concern of hers]
Then there’s John, who grew up in twenty-first-century New Zealand and IS explicitly Māori in a way that absolutely impacted his character arc. It's not A major theme of his Nona chapters, but it’s there if you read between the lines. The boarding school he went to, which IRL had a high percentage of low-income Māori students on scholarship. The depth of his climate anxiety, his uncompromising “Nobody left behind” stance before the cryo project was halted, and his fervent hatred of ‘the trillionaires’ afterwards... these are all informed to some extent by his background as an indigenous man imo, and so was the global reaction to his developing powers. The “We were going to put you fellas in jail, weren’t we?” the way his initial attempts at publications are all flat-out ignored by the scientific community and dismissed as culty gimmicky faith healing until he leans into it.
John being Māori is just one of the many pieces of his backstory, and far from the most impactful to what eventually went down, but my point remains that he is the ONLY character in TLT whose racial background 1) affects his story arc and 2) is relatable to the audience. Everyone else is ten thousand years removed from Earth, and I’m just not very interested in using racial identifiers when exploring these characters and their dynamics, because the characters themselves don’t care and neither does the narrative.
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The Book: Everything We Know So Far and Possible Connections
The Book's lore is driving me crazy and I had to write this. This isn't meant to be a solid cohesive theory on anything but I wanted to compile everything we know about the Book, some rather disturbing implications of what that might mean, and which characters may or may not have a connection to it, as well as what that connection might be.
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This is a long post, so I've bolded the key info. You can skim those if you don't want to go through everything. :)
***Major spoilers for BSD and for Beast!***
Main Series Information:
The first mentions of the Book occur in Chapter 28, when Fitzgerald tells Atsushi that the Guild's goal is to locate it. He tells Atsushi that only one copy of this book exists, and that neither flames nor abilities can damage it.
Fitzgerald claims he knows the Book is there because a prophet ability user foresaw that it had been sealed within Yokohama. When Atsushi asks what the relation is between him and the Book, Fitzgerald says that Atsushi is the guide to the Book.
In Chapter 35, Fitzgerald states that his goal is to use the Book to bring his daughter back to life.
The next mention is in Chapter 46, when Dazai talks to Fyodor in the alley. Dazai mentions that since Fyodor and the Rats don't have the firepower to burn down Yokohama, he instead needs to exterminate Yokohama's ability users to get to the Book, hence the cannibalism strategy.
Dazai says the true Book is a single novel with blank pages where anything written becomes the truth. Fyodor wishes to use it to make a world without the sin of ability users. Dazai says basically "good luck with that dude" lol. (Actually the line is "Give that a go, if you can, that is." which... might be significant?)
Chapter 58: Taneda dumps a lot of info on Ranpo. His assailant, who we know to be Sigma, stole a page from him, a single page removed from the Book in order to study it. The page has exactly the same capacity to make anything written become reality, it just has limited space to write. However, the Book has a restriction: it requires karmic/narrative consistency.
In Chapter 58.5, Mykola's speech about cages and the freedom of birds is ironically dictated word for word by a mysterious author. The translator note on the unofficial version I'm reading says the mysterious author is using imperfect Japanese with lots of katakana - I cannot confirm this myself, but it has interesting implications on our mystery author's identity if true. The page is used to position the Agency as the terrorists in the white hoods and frame them.
Chapter 59: Ranpo believes the Book was not made by an ability user but by something far greater than that. His proof is that unlike Mushitarou's ability, which can also alter reality, the people affected by the Book also have new memories to fit the alteration to the events. The Agency members remember committing the crime, even though they know they didn't.
In Chapter 70, Mushitarou reveals the DoA plans to use the other side of the page to eliminate the country at the next full moon. I am curious as to the significance of the full moon, given the moon's frequent recurrence in the series and Atsushi's ability connection to it. Chapter 74.5 establishes that the Sky Casino, with its 13 year history, was created 8 days ago when the page was written on, as a base for the next stage and also to "repay" Sigma for the use of his ability to retrieve it. In Chapter 75, Fyodor claims that Sigma, too, was written into existence via the Book 3 years ago - he has no memories before this point.
Chapter 77: the page was written with a condition that no police or law enforcement would believe in the Agency's innocence. However, Tachihara broke through that condition by reaffirming his identity as a member of the Mafia, which (metaphorically) tears the page.
Later references don't tell us too much more but I'll summarize them regardless. Kamui/Fukuchi has the page, which Atsushi knows from Sigma's info. Ranpo made an appeal to the police, explaining that the Agency was framed and the page preventing them from seeing the truth, and half the force sees the truth for themselves, breaking through the page's condition. Ranpo believed the direct opposition to the page's restrictions might sway Fukuchi into believing them (unfortunately, we don't know if this was right, as Fukuchi was not affected in the first place, being Kamui himself). And that's what we have so far.
Disturbing Implication #1: The Special Division knows/knew the location of the Book.
Taneda mentions that a page from the Book was taken to study. This implies that at one point, the Special Division had the Book or knew of its location. The higher ups may still know where it is. There are a few potential timelines here: the first is that the page was removed many, many years earlier, perhaps during the war, and the second is that the page was removed and tested 3 years ago, and Sigma resulted from these trials.
Disturbing Implication #2: Ranpo says the Book was created by something greater.
Something greater than ability users. I suspect this may be something outside their world. At this stage, it seems very likely this "greater entity" is an author - the author of the world we read about (it's Asagiri omg). An author, to the world they write, is akin to a god. I'm kind of joking about the Asagiri thing, but the "author" of the Book is likely someone/something that exists beyond the scope of the world of BSD.
Contradiction: The Book cannot be damaged by flame or ability, but pages can be torn out of it? How?
Beast Information:
Oh boy. Where to even start?
Beast Dazai states that the Book is the origin of the main universe's world, and it contains an infinite number of parallel worlds within it.
"What you write becomes a reality" is actually a misnomer. Writing in the Book calls a parallel world that aligns with what is written directly from the Book. This parallel world will then trade places with the real world.
There is a single physical reality, and infinite possible worlds. The Beast universe exists within the Book, as a possible world.
A version of the Book exists in the Beast universe. However, this Beast version of the Book is more of a weakness. Orders from the real world can overwrite Beast. And anyone who tries to write in Beast's Book will make Beast cease to exist.
Beast Dazai jumps at the end of Beast. This is because if more than 3 people know the truth about the Book, the world will destabilize - it may even disappear without Beast's Book being written in.
Beast Dazai created a singularity using his ability. It's not explained how he did this, but it has something to do with his nullification. He did this to read the memories of real-world/original Dazai - the Dazai who exists outside the Book. (It seems all but given that this is Dazai from the main timeline.)
Though the above conflicts with some of what we know in the main manga, we can take it as fact, I think. The narration is heavy on emphasizing that Beast Dazai is telling no lies in this scene.
Disturbing Implication #3: Any alterations are not inventions but transferrals, which means these events actually occurred in another universe.
This means that the Agency really were the DoA terrorists in a parallel world and they did carry out the plan. They really did take the hostages in this world. Tanizaki really did push the button. This would explain their memories. The caveat of no one in law enforcement believing them might make sense too - they're actually criminals in that world, so they would have no reason to believe them. "Trading places" also implies that the terrorist Agency universe has the terrorists trying to save the hostages like the Agency originally planned to do (potentially).
Sigma is an interesting case. If he really was written into existence from the Book, then he was called from another parallel world - literally displaced from his home. His amnesia likely occurred in that parallel world too.
Disturbing Implication #4: The parallel worlds are more fragile than the main world of BSD.
There is something different about our main universe. The Book that originates here is the real deal. But Beast's (and all the Books from different parallel worlds) leave them vulnerable. These worlds can be destroyed at any time if anyone tries to write in these Books. Only a select number of people can know how it really works before it starts to destabilize. What's more, at any point, someone could write in the real-world's Book and overwrite it entirely, and there would be nothing that any of the people within that world could do about it. And Beast Akutagawa, thinking back on the events of the story, comes to the conclusion that even though his world is "but a shadow", the desires, feelings and actions of the people within it make those people no less real than those in the original.
Beast is a goddamn existential horror.
Character Connections
Now, onto the characters who are known to have some kind of connection to the Book.
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Fitzgerald wanted the Book in the Guild arc to bring back his daughter. While this is the first mention of it, given that he got his info from clearly secondhand sources (the prophet ability user or Fyodor, most likely), I don't think he has any sort of deeper understanding of it, nor a more personal connection. Ranpo seems to be figuring out the Book's logistics rather quickly, but I expect nothing less from the greatest detective, and he doesn't have a strong personal connection I can see as of yet. As for Fukuchi, whatever knowledge he gained 36 years ago might be connected... but again, I have nothing else to say on this front, considering we have little else on this (I'm actually more inclined to think it has to do with the war - which may tie in with the Book, but not necessarily). I would also be very surprised if Mori doesn't know something but I have no real evidence for this other than that the man is suspicious as hell. Then again, there's also Tokoyami Island, which "appeared" seemingly out of nowhere and is where Yosano's backstory took place and Fukuchi headed after his argument with Fukuzawa. It seems possible, if not likely, that it was created with the Book. So, let's go over some characters who we actually can expand on a little.
Taneda
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Not much to say here other than what kind of research was being done with the Book? Given that Taneda had the page on him, was he the one responsible for the research being conducted on it, or was he just involved?
What kind of research was being done with the page? How were they testing it? The page was blank, so they must not have created anything with it yet. How then, did Taneda know how it worked and that the page would have the same capacities as the full Book?
Taneda doesn't seem to understand the Book completely - he thinks it was created by an ability user, after all, and like everyone else in the main universe he doesn't know the reason the Book requires narrative consistency (that it is pulling from other worlds, not just making anything written come true).
The Special Division likely had the Book at one point, but by the time Fitzgerald comes to retrieve it, it has been "sealed". Did the Special Division seal it? Why and how?
Atsushi
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We know he has a lot to do with it. Atsushi and the Book are incredibly intertwined, and the initial conflict was kicked off by a bounty placed on his head for this connection.
He is called the "guide" to the Book. What does that mean? Is he meant to locate it? Unlock the seal? Or is he a guide on how to use it properly?
6 years ago, Shibusawa found Atsushi at the orphanage when he was just a kid and tortured him to extract his ability. He was a researcher who learned about the tiger from Fyodor, who called Atsushi's ability "one that guides the envy of all ability users". And we know Fyodor has been after the Book for a long time, so it's difficult to imagine this does not have something to do with it.
Atsushi is the only character to directly reference a real-life novel in the series and recall reading it. "The head may err but never the blood" and "I only regret what I haven't done" are from the real Nakajima Atsushi's "Light, Wind, and Dreams", a fictionalized autobiography detailing the last few years of the life of Robert Louis Stevenson. While other characters quote their namesakes' fiction on occasion, to my recollection, Atsushi is the only one who explicitly remembers reading the book, but finds himself unable to remember the author's name. Cute reference, or plot significant? You decide.
Atsushi's tiger is heavily associated with the moon, particularly the full moon. For some reason, the other side of the page is to be used at the next full moon and cannot be used sooner. Atsushi's ability crystal, pulled out of him by Shibusawa as a child, is described as "pale and glittering like the moon".
It is entirely unlike the red crystals that form in the Dead Apple separated abilities - including Atsushi's tiger (also red). It is, however, similar to Dazai's, which is white. Atsushi transforms into the tiger to swallow the moon-like crystal - to reiterate, it was outside him when he transformed. What's more, from Beast it's known that this instance was when his ability apparently activated for the first time - how could it do that if it was already removed from him? Later on, Shibusawa tries to take the crystal again and Atsushi's transformation deteriorates, that's true, but bear in mind that Atsushi was convinced that crystal was the tiger, which may have psychologically influenced this. In fact, the moon crystal may not be the tiger at all. It is entirely possible it is something else, and it is likely that which makes Atsushi so sought after. If it is, I refuse to believe this has nothing to do with the Book.
Atsushi's ability is described as the "spark of life that resists all abilities". A reference to his healing factor, perhaps? Or something more meaningful?
He's also referred to as an "angel" by Shibusawa who canonically got his information from Fyodor so... make of that what you will.
Tachihara
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This isn't so much about Tachihara having significance in future but more about what his breaking of the page's conditions might mean.
At the crux of this is his split identity - he's a Hunting Dog, but also a mafioso, and his struggle between these identities is his core conflict in the Sky Casino arc.
Eventually, Tachihara, recalling Hirotsu and Gin's words that anyone in the Mafia knows that the Agency is innocent, frantically realizes they have the wrong culprits, thus breaking through the page's caveat that all law enforcement would never believe them, accompanied by a metaphorical tear in the page.
It's intriguing because we don't see this same dramatic depiction later on with the police when Ranpo appeals to them - Tachihara has changed his expected role from police to mafioso. Tachihara is no longer playing the "character" he was meant to play.
He tore out of that restriction in the story. His story line is now on a different path. There are some serious implications of that if a change in character can literally break people free of the Book's reality-altering influence. It is all-powerful so long as everyone plays their expected role in that narrative. Breaking out of that can change the story, even if only minutely.
Sigma
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Of course Sigma is connected. He was apparently written into the Book three years ago - which means he came from one of the parallel worlds. (Provided Fyodor is telling the truth about his origins, but I think it would be very strange narratively if this wasn't - at least partially - true.)
I am curious if Sigma will regain some of his memories soon, or if it is even possible for him. If he can regain memories, then they would be from a world within the Book. Or, perhaps his memories don't exist because that world has been overwritten and no longer exists?
Is it possible for Sigma to communicate between worlds using his exchange of information? Maybe this is completely out of left field... I'm just curious what role Sigma is going to play in all this.
It's strange, for someone so obviously connected I... really don't have much to say about him. I just think we don't have enough.
Mykola
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There isn't too much to say for certain about him, but I know I was super uncomfortable with his entire speech about birds and cages and freedom being dictated in real-time by the page. That's rough, buddy.
As of this moment, he's supposed to be dead, but somehow defied his fate and is still alive. He decided not to play the role ("character") he was previously meant to, and now he is the cast's biggest wildcard.
Mykola's fixation on freedom at all costs may have some interesting implications for his interactions with the idea of the Book. When his words were written on the page, was the page dictating his speech, or was it merely recording what he was already saying? If the Book is the story, then does the story control the characters, or, as it has been implied by Mykola and Tachihara, can the characters defy the story? When they defy the story, the story changes to accommodate this. Have they really, then, defied anything of significance at all? (For clarity: I don't know if this is where BSD will go with it - in actuality, I'm always confused when people theorize the Book's author is evil and controlling, or that the series will end tragically, given how much BSD loves to emphasize the importance of writing and reading and understanding and living. This is just an example of a few possible questions it may make sense for Mykola to fixate on.)
I don't have a lot to say for certain, but given his need to be free, his connection with Fyodor, and his Dazai-foiling traits, I'd think it very odd if he wasn't involved to some extent.
Dazai
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...where to even start.
Dazai clearly knows things about the Book. He appears to know much of what Fyodor does, and it makes me curious as to whether it came up when they first met (whenever that was).
However, main series Dazai doesn't seem to have all the info Beast Dazai does. For one thing, he too echoes that the Book makes all that is written into it become reality. He may know about the parallel worlds within it and could just be lying by omission, but I've seen very little to suggest that this is the case.
Main series Dazai appears to know about certain events long before they occur (not everything though; I need to remind people that he can and has been thrown off/wrong about things before) - notably, most of these planned events revolve around Fyodor. He's been preparing Atsushi and Akutagawa specifically to deal with the upcoming threat posed by Fyodor's pursuit of the Book.
Beast Dazai was somehow able to read the memories of real-world Dazai by creating a singularity with his ability... somehow. It's assumed he must've created it while in contact with the Book (otherwise how else could he have read the memories) but it's actually not elaborated on and we still have little to no details.
If his nullification caused a singularity, then how? Was it a singularity with the Book? Himself? Whatever the Book was sealed with/in? Singularities are still quite mysterious, but they need to involve one of two things - an insurmountable contradiction, or an uncontrollable increase in power with no way to cap it. Given that nullification doesn't lend itself to an increase in anything, it's likely an inherent contradiction.
I think it pretty obvious that Dazai has some special knowledge of the Book; some connection to it. He's been preparing to combat Fyodor for many, many years, and he seems to want to take Fyodor out as quickly as possible. Clearly, his potential use of the Book is a big deal to Dazai and worth putting his full effort into preventing, which is a little odd, honestly, considering he only met him once before the events of Dead Apple. Fyodor must've really made a terrible impression on him.
Where did he come from? There's that post about how Dazai is in everyone else's backstory for some reason, but we don't know his yet. Here's what we do know: He has some kind of connection with the Old Mafia Boss. He wandered around Yokohama for awhile. He's not related to Mori or an orphan he picked up.
While I've seen suggestions that Dazai met Fyodor in the 2 year gap between his leaving the Mafia and joining the ADA, I think there's reason to suggest he may have met Fyodor before he ever joined the Mafia, as a young child. Just bringing it up as a possibility because Beast Dazai's forming of a singularity with it sounded intentional - which means at 16, he would already have known what the Book was. Did he get his knowledge from Fyodor? Someone else?
Why did young Dazai become so listless and unable to find a reason to live? How did he become convinced that he will lose everything he wants so badly to keep when he gets it? Why did he think he could predict everything in advance? Is it just his intelligence and observation? Or is there more to it than that?
While I'm not a huge fan of the "Dazai is the Book" theory (given that it would make him literally inhuman, which I think runs antithetical to his story), on reviewing all this I've come up with a new incredibly deranged and not-at-all-sound theory:
Dazai is the Book's seal. In this essay I will -
Fyodor
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First of all, we know hardly anything about him. We don't understand his ability. We don't even know how old he is. He's been with V/the Decay of the Angel for many years apparently... he was involved in Shibusawa's actions... he has some kind of a history with Dazai... he perfected the art of dramatically standing on windy roofs... truly, he's an enigma.
On a more serious note, all we know is that he wants the Book to create a world free of ability users. Free of sin.
This doesn't seem to fully align with Fukuchi's goal. My proof? They have differing concepts of "angels".
Fukuchi's "angels" borrow from the Buddhist concept of Devas and also likely references Mishima Yukio's The Decay of the Angel. Fukuchi tells Tachihara that the angels are the politicians who remain in their lofty seats and send soldiers into war to die. His goal isn't revenge per se, but it does appear to involve dethroning them in a sense. He doesn't mention wiping out ability users nor of having any particular ill-will towards them.
However, Fyodor's concept is closer to the Abrahamic concept of angel, what with the numerous references to original sin, the script for the play in Untold Origins speaking of angels banished by God for their sins, etc. What's interesting is that the play emphasizes ability users as "angels" who have regained some of their prior powers (I find it difficult to believe Fyodor was not involved in the creation of this) - so Fyodor's "sinful angels" are likely ability users. What does this mean for their goals? Are they still aligned? Is the undermining of government necessary for the elimination of ability users? (Also quick note: do not quote me on any religious stuff - I am not religious myself. I do research sometimes but I'm very, very far from an expert ahaha.)
So, now: Cannibalism was part 1 of the DoA's plan, and all the ensuing stages will culminate in the use of the other side of the page.
Firstly, there's the obvious "what will the other side of the page be used for?"
But then there's something else. By the time Cannibalism occurred, the pieces were already in place for the next phase of the plan, where Sigma would steal the page from Taneda. Why then, does Fyodor still claim, on numerous occasions, to be after the Book? The page should be able to accomplish anything the Book can. Either there is something misleading in the information we have been told, or there is something he wants to do with the Book that isn't writing in it. I think the former is more likely but I digress, the latter is still a possibility.
A few more outstanding questions: Why was he spreading info on Atsushi to Shibusawa and presumably Fitzgerald, but not going after Atsushi himself? Wouldn't he want Atsushi as the Book's guide?
What is his connection to the prophet ability user Fitzgerald mentioned - is it him, with his uncanny predictive powers? Is it someone else associated with the DoA? Is it someone in the government? How long ago was this prediction made - was it made long enough ago that this is why V was active in Yokohama?
There's a lot that's very confusing about Fyodor, and I don't think we know nearly enough about him to make proper predictions as to his relation to the Book yet.
Akutagawa
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He's only really tangentially related to it through his connection to Atsushi - if any showdown is going to happen involving the Book, you can bet he and Akutagawa will be teaming up for that.
At the same time, Dazai selected Akutagawa as a mentee a long time ago, and he's been planning for them to work together since he met Atsushi, specifically so they can prevent Fyodor from achieving his goals. In Beast, he mentions their abilities form a singularity together - likely that ability to "cut through anything".
I know this may be entirely wild and out of left field but if it can cut through anything... could it damage the impervious Book? Could it even destroy it? Or maybe it could destroy whatever is sealing it? Who knows, but it makes me think they're going to have to destroy something. (Interesting how this runs counter to sskk's need to act as protectors of the Book in Beast... so maybe it will be in defense. It's all so unclear.)
There's also the whole "dragon is the manifestation of the chaos of ability users". Atsushi and Akutagawa are the tiger and the dragon, at odds with each other via rivalry but also in balance. I think it would be very strange if Atsushi's ability were unusual but not Akutagawa's.
In addition to all the above, I am also side-eyeing all the author characters in this series. For one thing, there's very few of them. For another, two of them have died, changing the path of their respective best friends' lives - and in a series that actually... doesn't kill that many named characters off permanently, it's worth taking a look at.
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Yokomizo wanted to transcend the boundaries of fiction in his writing to create a mystery that bled into reality - the ultimate mystery. Mushitarou writes to see his friend again, to connect with him through his greatest passion. Poe's ability allows him to take real people and pull them into constructed narratives that can be escaped once they are "solved" - when the story reaches its conclusion. He is also the one who spurs Mushitarou into writing to cope with his loss.
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Natsume wrote a few books as well. We don't know completely what they were about (and from my brief research they don't seem to correspond perfectly to his real life novels - might be a reference to Kokoro but the story does not appear to be the same...), but at least one was a series of three novels, with the last featuring an assassin who stopped killing, but Natsume derided these books and said they were not very good. He tore out the last few pages from the third, final book that explained why the assassin changed his path, and gave the book to a young Odasaku with a note "Don't blame me if you regret [reading] it".
Odasaku wanted to complete that novel. It completely changed his perspective on the world and opened his eyes - he re-read it multiple times (if I remember correctly, he also read it over and over to a wounded and exasperated Dazai in TDIPUD lol), and the lack of an ending bothered him immensely, not just because the story was incomplete, but because the scene was necessary to understanding the assassin's character. Odasaku wrote to understand himself and others, because writing novels is writing people. Natsume seemed to think he was uniquely qualified to do so, but Odasaku disagreed, thinking that someone who took lives was in no position to write about them - to understand them.
Odasaku dies. In every universe, and before he gets the chance to write the novel that sits in his mind - except in Beast, where Dazai painstakingly maintained the world to ensure he stayed alive. It seems oddly specific that this one random person should die before having the opportunity to write the story he wished... and I have to wonder if the universe really doesn't want him writing that book for some reason. And if that's the case, then is there any reason (beyond saving Oda from killing) why Natsume encouraged him to do so?
As a bonus, in the anime, Odasaku is the one to title drop "to the stray dogs" as a cheers, which Dazai will later echo. This doesn't happen in the novel... but if you look back at the difference between the anime Book and the manga Book - you'll notice the manga Book's cover is blank. The anime's says "Stray Dogs". Could be something, could be nothing. But it's worth mentioning.
And that's pretty much it for now! As we get more info, I'll continue to update this post. If anything here gives you ideas, please feel free to ramble about it in the tags or comments, or shoot me an ask! I love to read all your thoughts. :)
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hellspawnmotel · 11 months
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terranigma, a cool game
#terranigma#terranigma ark#terranigma elle#terranigma meilin#art tag#im going to write a little review in the tags bear with me#first the negative:#the magic system is weird to use and basically useless apart from one boss thats almost impossible without magic#it has some weird racism like most old games where you travel around the world. a little more egregious since its supposed to be real earth#i found the main character to be slightly insufferable for about 3/4ths of the game. i came around on him by the end tho. he grows up a lot#and i found whats by far the largest section of the game (chapter 3) to be the least interesting#im not really into helping cities develop and trade quests tho so it might just be me#oh also it is STUPID easy to permanently lock yourself out of like 15 sidequests#and theres a lot of mandatory things that are really hard to figure out. you need to use a walkthrough for this#anyway thats what i didnt like#what i DID like tho. i dont want to get into too much detail but#its a genuinely beautiful game for so much of it#there were so many moments that left me speechless#its high-concept and thoughtful and fun to play#you dont really need to do much grinding either#at its worst its obtuse and cliche but at its best its breathtaking#and i really recommend more people check it out#special shoutout to my friend seona who modded my 3DS and downloaded a bunch of roms including this one#so in conclusion. terranigma is an underrated gem. play it if youre a 90s jrpg junkie like me#just have a walkthrough open also lol
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sweepy-stringbean · 6 days
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“Tenar! Come on, Tenar. You’ve never let anyone control you before, don’t start now.”
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kagoutiss · 8 months
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divine intoxication
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jestroer · 5 days
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A very old thing i haven't finished but yk
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stagefoureddiediaz · 1 year
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I keep coming back to the fact that Eddie and Chris were playing boggle - both in Bucks loft and in the Diaz house in ep 1. Because boggle is about finding the words in a mass of letters - the answers are in plain sight- literally staring you straight in the face.
Eddie is the one who wins the game - because he is the one who needs to find the answers, not Chris - and it suggests he will in fact figure out what’s been in plain sight all along.
But I love the idea that Chris does have some of the same answers as Eddie. Not all of the same answers and he’ll perhaps have found some different words to Eddie, because they both ultimately want/need different things from their respective relationships with Buck, but that there is cross over in those wants and needs.
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