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crybaby-bkg · 6 months

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Bakugou asks you to join him during one of his photoshoots for a pro hero campaign. he doesn’t understand the point of it, nor why he has to only be in his underwear, but he doesn’t mind it much when he gets to look over to your shy little face.

you’re propped up in a corner on an old couch, laptop perched in your lap, its glare bright despite the way you never really look at it. you’re supposed to be catching up on some work, but you’ve been distracted by the glorious sight that is the love of your life.

when he looks at you, do you duck down, eyes suddenly focused on your screen again. it only makes him smile a little, step away from the assistant of the photographer who comes up to him, calls out your name.

“Huh?” your head whips up with a quickness neither of you expect, goes to show just how invested you really were with your work. but Bakugou only grins at you now, jerking his chin over to you as he grabs the bottle of oil the assistant was trying to pour over him.

“C’mere and gimme a hand, won’t ya?” he asks you, boyish smile gracing his face as he tilts his head at you. immediately, your face warms as you put together the request that’s suddenly dropped in your lap. everyone in the studio looks at you, with both envious and excited gazes, and it only makes you shrink in on yourself.

“I hate you.” you mutter under your breath when you finally rise up from your place on the couch, which he somehow hears. but Bakugou only laughs at you, grabs you by the waist when you’re close enough to kiss you breathless in front of everybody, before he’s handing off the oil to you.

“Such an attention whore,” you whisper when you’re close, the air between the two of you thick. everyone tries to look away, give you guys a bit of privacy, but it’s hard when such a soft and amused look passes over the usually rough and hardened hero’s face.

“Only for your attention.” he grunts back to you, holding his arms out for you to start dripping the oil down his skin. it’s a sensual gesture, the softness between you two sliding into something more, something that you only ever reserve for the bedroom.

you tip the bottle over his shoulders until it drips down his chest, massaging it all in with your hands in crude, circular motions. you can see the way he bites his lip, ignore the way he looks at you down the bridge of his nose lest you two create a scene not meant for the public eye. you gather more oil, warm it between your palms, kneeling in front of him to help massage it into the defined muscles of his stomach.

you ignore the twitch in front of you, swallowing thickly, glancing up to Bakugou who hasn’t taken his eyes off of you yet. you mouth at him to behave, but he only grins, something feral.

“We only need it above the waistband.” the photographer suddenly calls out, snapping you back to attention. you stand on shaky knees, nodding with your eyes casted low, ashamed, that your freak of a man had you doing something so…so—

“Go wait in my dressing room, yeah?” Bakugou asks you, pulling you in close to peck at the corner of your mouth. “Gonna wrap this shit up.” he promises you, and you can only nod silently, mind going a mile a minute. but before you go, you remember to grab the oil. just in case.

#I hope this makes sense and sorry that it’s This.#I’m sleepy and having an allergic reaction and it’s HELL!!!!!!!#and I’m also coming on my cycle life just won’t stop beating my ass #on the other hand I really enjoyed my schoolwork this week which was a nice relief #I have a week left and I’m so happy bc I’ll finally have more time to write what I want again!!!#bakugou treats! 🍬#—new treat in the streets! 🍫#also I’ve talked about model bkg before but I can never get enough of him I fear #him as a model or even just modeling in general does something to me #mr pretty face with such a terrible attitude and such a brat bc he wants only you for everything #I need him terribly so

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pick-a-lane · 3 months

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ghoap nap

a little soapghost doodle I did tonight.. can you tell I was also a bit sleepy lmao. I forgot about daylight savings so tomorrow I will be tired :( enjoy this little sketch though! (also these are new brushes yay very fun :) )

#call of duty #cod #cod fanart #simon ghost riley #call of duty fanart #ghost fanart #soapghost #john soap mactavish #ghoap #ghostsoap #what is their ship name #???#they are eepy ok just let them be #I imagine them on a train… nice lighting… just got out of a pretty tough mission.. finally get to sleep!!#(there was also a faralex version of this too but it didn’t look that great so I won’t post it)#just know that it exists #ok ima go sleep now gn yall!!

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cockroachesunite · 1 month

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Go for broke AU part 2

☞ (Part 1)

#edward little #dundy le vesconte #james fitzjames #francis crozier #fitzier #henry dundas le vesconte #the terror fanart #amc the terror #the terror #the terror amc #my drawings #101 go for broke #go for broke au #why won’t tumblr let me attach nice looking links #ah well #i’ll have to content myself with an ugly link under a ‘read more’#dundy doing that time honored trick where you get your little sibling to talk to your parents for you #edward little: god’s weakest soldier #he is not being very brave about it #as is his right #yes dundy calls fitzjames ‘fitzy’ in this #i know he has actual canonical nicknames #but i thought this was funnier in this case #i assure you he calls him those too #since we are given very little to work off of in regards to dundy’s character in the show #i try to give him a bit of a bertie wooster vibe #because why not #and here’s crozier with the steel chair #i used wwe wrestling pictures as a pose reference #the working title for this was fitzier wwe pillow fight

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palms-upturned · 1 year

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I’m not gonna jump in ppl’s notes over this bc lord knows I do not want to have a debate about it but seeing someone say “I have qualms about people calling Jean ableist for trying to fire Harry and in the same breath saying Harry is unfit for cop work” is really getting to me. I am practically on my knees begging people to actually engage with what disco elysium has to say about disability and addiction and ableism and policing and social murder because it’s not even subtextual, it’s as blatant and hand holding as it could possibly be. The 41st is an awful environment for Harry not bc him being disabled makes him incapable of doing his job, it’s bc the job is fucking hostile to his existence. Like, no one is “fit” to be a cop because they shouldn’t exist, firstly, and even Harry himself will say as much in the Ruby bad ending. But talking about Harry’s case specifically, we know that this job is part of what landed him where he is to begin with.

From the start of day 2:

ELECTROCHEMISTRY — You mean why are you so tired? Too tired and *down* to even think? It *is* worrying, isn't it. You can't be a detective like this -- detectives need to be able to think.

YOU — Why is this happening?

ELECTROCHEMISTRY — It's just that your heart has finally pumped all the *speed* out of your system, buster. Time to get some more.

YOU — Wait. What *is*... speed?

ELECTROCHEMISTRY — Speed is a potent central nervous system stimulant. It kept you propped up all day yesterday despite your debilitating hangover. How else did you think you even got up from this floor?

VOLITION — You got up from this floor because of a holy vow you made sixteen years ago. With *me*. To wake up exactly 07:30 every morning until the day you die.

ELECTROCHEMISTRY — Don't be silly. There was no vow. You were high on speed. That was the only reason you got up. You can't *detect* without it, it's that simple.

YOU — No. I can take this. I am not going to go looking for speed.

ELECTROCHEMISTRY — Are you sure? Ready to live as this pathetic shell of yourself for days? Basically a week? Let's be honest -- two weeks, maybe three? You won't make it. Half the town will be dead by then. You will be fired.

YOU — That's a lie. I can do this without the speed. Half the town won't be dead... (Opt out.)

ELECTROCHEMISTRY — Suit yourself, slow, sad shell-man. See how you do without your spark.

And from this talk with Kim in Klaasje’s room:

KIM KITSURAGI — "Amphetamine -- does it make you a better detective?"

SUGGESTION — Be honest. He's not grilling you, he just wants to know. Ask if he's ever wanted to take it too.

YOU — "Honestly, it makes me the detective I am. Have you thought of taking it too?"

KIM KITSURAGI — "Maybe I should?" He lets out a little pensive hum, rubbing his shoulder...

DRAMA — It's not insincere. He's actually giving it thought.

KIM KITSURAGI — "Doesn't the... pupils and the gurning jaw, the sweating... doesn't it become tiring after a while?"

YOU — "I understand it's unbecoming but if I don't perform this job well I am nothing. It's the price I pay."

Harry knows that the cost of getting sober would be that the precinct would let him go. They’re not going to have the patience to deal with him slowing down from the combo of withdrawal and no speed to “keep him propped up.” Not when the reason that he’s stayed on the force this long and risen in the ranks is most likely because he manages such a massive caseload, as we find out from Kim:

YOU — "Is two cases a week a good case load, lieutenant?"

KIM KITSURAGI — "Huh?" He raises his nose from his notes. "Two *complex* cases to undertake is a lot, yes. You *really* have to push yourself. I would not suggest it. Lest you start making mistakes."

YOU — "Two cases a week appears to have been my load, lieutenant. I'm not sure I completed them though."

KIM KITSURAGI — "Two?" He raises both eyebrows. "That's a lot. I didn't mean to say you're making mistakes, by the way. That was presumptuous of me."

And later:

KIM KITSURAGI — "This next row -- the one that wraps all the way around -- is your number of closed cases. *Closed* is good. It means finished. You've got, let's see..."

KIM KITSURAGI — "Wow, more than 200!"

YOU — "Is that a lot?"

KIM KITSURAGI — "It's *quite* a lot, even for someone who's been on the force for nearly two decades. Usually clearing more than 10 cases a year puts you in the 90th percentile of *all* RCM officers..."

Despite the trouble Harry makes, he’s considered an asset so long as he closes cases. To the point where he wasn’t punished for drunkenly beating Burke unconscious and then injuring his knee so badly that he can’t walk anymore just because this allowed them to close the “unsolvable case” of Leslie and Burke. 41 and the RCM as an institution don’t care about Harry’s or anyone else’s wellbeing, they care about whether the pros of having him around outweigh the cons.

From the lazareth call with Gottlieb:

YOU — "Isn't there *anything* you can do for me?"

NIX GOTTLIEB — "What, you want me to do blood work for you again, tell you just how bad things really are *across the board*? You want another rundown of everything collapsing inside your body?"

YOU — "Yes. I want the truth!"

NIX GOTTLIEB — "You want the real, honest-to-god truth? Stop drinking, eat magnesium and vitamin D. Our station is not a retirement home. We don't have the funds to deal with *rock stars* past their prime."

RHETORIC — So it's political! You're being *neglected* because of political reasons...

NIX GOTTLIEB — "And no, I *don't* want to hear a *political commentary* on the topic. In fact -- I've got work to do."

If I were to quote every time Gottlieb was notably uncaring or said something blasé about how you probably didn’t have long to live, I’d have to quote pretty much every word of that dialogue. That’s the whole joke with Gottlieb. That’s just how it is dealing with doctors when you’re in Harry’s position.

From talking to Kim about Uuno:

KIM KITSURAGI — "We could take him to Remedie or Saint Batiste, but he doesn't have money for medical services. The Almshouse would turn him down..."

KIM KITSURAGI — "They don't do charity for people who're trying to kill themselves. Besides, he'll be dead in a few..." The lieutenant stops, listening to him.

RHETORIC — ... years? Months? Weeks?

“They don’t do charity work for people who’re trying to kill themselves” really sums up the absurdity of Harry’s situation and institutional responses to it. Harry isn’t seen as the kind of person in crisis who deserves intervention. He’s treated as a lost cause who deserves to suffer the consequences of his self harm, even though the unending crisis and the lack of response to it is what drives him to harm himself and hope that he “gets worse.” If he weren’t a cop, it’s unlikely that Kim would care about him any more than he cares about Uuno and Cuno’s situation. Harry’s job is killing him, but it’s also the only thing that gives him access to anything resembling a community or support network (at least at the start of the game). Again, that’s just the way it goes when you’re disabled.

From the second tribunal:

TRANT HEIDELSTAM — "Well -- here is my theory: What if this is an absolutely normal reaction to the world we're living in? What if this is *not* a significant anomaly at all, something to be explained, approached as a defect? Look at the sensory input here..." He gestures toward the scenery.

TRANT HEIDELSTAM — "Look at the ruins, the neon, listen to the radio, the multitudes. The people. Live here for forty years... As a police detective, he's like a magnetic reader on the world-tape -- to borrow a known metaphor. Harry's been pushed *flat against it*. Total input."

TRANT HEIDELSTAM — "Hard-wired to the free market..." He nods confidently. "He just needed for it to end."

JEAN VICQUEMARE — "Okay, Trant, thank you. That's... absolutely meaningless. I'm glad we brought you. Will he or will he not be able to work in the Major Crimes Unit? Is he a cretin now? I want to know *that*."

TRANT HEIDELSTAM — "He is *not* a cretin. And he *is* able to do work -- if not in his previous leadership role, then as a line detective."

YOU — "Line detective is good for now."

JEAN VICQUEMARE — "For *now*?" He looks at you, then at Trant. "I misphrased my question. It should have been: Is he able to put his clothes on, and use the potty, or do we need to get him on a disability pension?"

Or, alternatively:

YOU — "He's wrong. I'm too far gone for work."

JEAN VICQUEMARE — "Agreed, Harry." He nods. "Just don't expect us to get you a disability pension. Cops who actually gave a shit are waiting in line. You're not gonna hog their seat."

Trant, who, notably, is technically a civilian consultant rather than a cop, (edit: and maybe even more notably, as someone pointed out in the tags, has had experience with addiction, too) suggests to Jean that Harry’s breakdown is a basically inevitable result of his circumstances and the systems that created them, and Jean’s response is that he doesn’t care and all that he wants to know is whether or not Harry can work or if he’s going to be “hogging” resources from other people who are more deserving of help because they “actually gave a shit.” He’s a mouthpiece here for the institutions that he represents and his ableism is blatant and heinous to drive the point home. He denies that Harry’s case is as serious as it is and accuses Harry of faking it, despite the fact that it’s happened (at least) twice before, and very recently:

JEAN VICQUEMARE — "I believe you *drank*. People do that -- you especially. What they don't do is forget their *whole life* because of drinking."

JUDIT MINOT — "But, Detective Vicquemare," she interjects. "He *has* blanked out before."

YOU — "I have?"

JUDIT MINOT — "Yes, a couple of times. After some of the more... serious benders." She pauses, remembering. "One was after the Two Drunks case, the other when we looked into that mural."

REACTION SPEED — The two cases... in your ledger. The Unsolvable Case and the Next World Mural. Those were recent.

And despite the fact that even Gottlieb doesn’t seem shocked about it:

YOU — "I've lost my memory. All of it."

NIX GOTTLIEB — "With all the damage you've been dealing yourself with drugs and alcohol, I'm not surprised."

AUTHORITY — There is no surprise in his voice. Only careless superiority.

DRAMA — It's hard to say if he doesn't believe you -- or doesn't care.

(Considering that Gottlieb’s PSY stat is so high (he’s even eating one of the PSY boosting candies during the call), along with his uncaring responses to all your other problems, it’s more likely the latter.)

Jean also won’t believe that you’re sober even if you haven’t touched so much as a cigarette for your entire playthrough, and even when Judit points out that he’s wrong, he’ll double down and say that it doesn’t matter because you’re going to relapse:

JEAN VICQUEMARE — "Even the insect -- I don't care. But you're an *alcoholic*. And you've been drinking -- again. I won't let my life unravel because of this."

JUDIT MINOT — "Jean -- I think he hasn't. I can see it on his face..."

ENDURANCE — The bloating *has* gone down since you woke up that morning...

JEAN VICQUEMARE — "Okay, so he's stayed clear for what? A week?" He sighs.

TRANT HEIDELSTAM — "It's tough. One of the toughest addictions to overcome. Comparable *only* to heavy synthetic opiates. Even morphine is easier to kick than alcohol -- statistically. The odds are against him. Especially at his age."

JEAN VICQUEMARE — He nods. "He's too old. He's been like this for too long. I've seen him try many times. It's a farce by now."

SUGGESTION — They're leaving. They're all turning away from you.

ELECTROCHEMISTRY — No. You can figure it out. *Replace* it! Replace the alcohol with amphetamine. Or GBL! Fuck it -- morphine! Graffito removal agent! Anything. It'll buy you time. All you need is time.

Electrochemistry brings up yet another facet of Harry’s struggles with substances, which is the idea that some of them may be replacements for alcohol. He doesn’t have time or space to try to quit in any way that is remotely healthy. What he has are substances like speed that keep him from collapsing from the strain of it all so that he can keep showing up to work, and other substances that might (he hopes) help him wean himself off the alcohol.

The game explores all of these different factors of Harry’s struggles with addiction and the circumstances that keep him trapped in them exhaustively (and the fact that Robert Kurvitz apparently was recovering from alcoholism during the development probably contributed a lot to that). The structure and culture of the RCM are hugely responsible for Harry’s situation. He’s mocked and berated for being an alcoholic and told repeatedly to get his shit together without actually providing him with the means to do that. Instead, he’s not only enabled but practically forced to keep using just so that he can show up to work at all and not risk losing the only support network he has (even if it’s the shittiest and most unhelpful network imaginable). As Luiga (iirc) said, Harry’s biggest tragedy is that he’s incapable of quitting the force. Many of the reasons for that are genuinely just due to Harry being a class traitor and an asshole, but it’s also true that even if he did want to quit, there is no safety net to catch him.

And then Harry comes to Martinaise, a town that has been “orphaned” by the RCM and neglected by Revachol at large, left mostly to their own devices. It’s not like policing doesn’t still exist in Martinaise, and things are pretty dire for everyone in the community, but at the very least you can see that it is a community. Isobel houses you for free. In Kim’s absence (and after Gottlieb stitches and ditches you), Cuno and Garte take care of you when you’re shot. Acele responds to your breakdown on the ice by saying it’s okay to cry and that you can talk with her about it when you’re ready. Idiot Doom Spiral and co run to your aid when they see you drive your car into the sea and invite you to come drink with them just to stop you from doing it again. Harry discovers that life, while very painful and bleak at times, isn’t necessarily hopeless for the marginalized. You can still find solidarity and support outside of the system.

Meanwhile, if Harry in the end has no one to vouch for him and hasn’t stayed sober, that system will abandon him, a well-known suicide risk with at least one bullet hole in him and severe amnesia, with the promise of nothing but getting served a station call slip. The point is not whether or not Harry “deserves” to be forgiven or even whether he’s a danger to himself and others (to be clear, he is). The point is that this is a system that doesn’t care whether Harry and people like him live or die. That is why, even in a “good” ending where Harry is welcomed back to the 41st, the work won’t be sustainable. It’s going to kill him because that’s what it’s designed to do. The miracle of Martinaise was the realization that he doesn’t have to die. There are people who will help to keep him on this earth. They’re just not members of the fucking RCM.

It’s not a “gotcha” to say that if Jean (and the RCM, and the institutions of Revachol on the whole) is ableist for wanting Harry fired, then saying that cop work is unsustainable for Harry is also ableist. I won’t even say what I personally think of that logic because I’m trying to keep the tone of this post polite. Jean’s dialogue during the tribunal is meant to parrot every bit of ableist rhetoric that the system is built on and that keeps Harry trapped in this hellish feedback loop. He’s a mouthpiece for the general culture of the RCM, just like Gottlieb is a mouthpiece for the shit that addicts and the disabled have to deal with from the medical system. He thinks Harry should be fired because he’s a drunk and therefor a lost cause. The truth is that Harry needs to quit this job because it shouldn’t exist and because it is actively killing him.

In one of Martin Luiga’s articles about the process of creating the game, he brings up the concept of social murder, which is a term coined by Engels:

When one individual inflicts bodily injury upon another such that death results, we call the deed manslaughter; when the assailant knew in advance that the injury would be fatal, we call his deed murder. But when society places hundreds of proletarians in such a position that they inevitably meet a too early and an unnatural death, one which is quite as much a death by violence as that by the sword or bullet; when it deprives thousands of the necessaries of life, places them under conditions in which they cannot live – forces them, through the strong arm of the law, to remain in such conditions until that death ensues which is the inevitable consequence – knows that these thousands of victims must perish, and yet permits these conditions to remain, its deed is murder just as surely as the deed of the single individual; disguised, malicious murder, murder against which none can defend himself, which does not seem what it is, because no man sees the murderer, because the death of the victim seems a natural one, since the offence is more one of omission than of commission. But murder it remains.

None of this is subtext. And all of it is intended to make players actually spare a thought for what it’s like for people in Harry’s situation in real life. For God’s sake, please engage with it. You have to try and understand what it means to be trapped in a life that is made unlivable and to know that your death will be ungrievable. That’s what this whole game is about.

Edit: I’ve seen some ppl say in the tags something like “yeah, I like to imagine a happy ending for Harry, but…” and listen. I am laying a very gentle hand on your shoulders. The point of this post was never to say that there’s no happy ending for Harry. The point is that the first step toward that ending is conceptualizing a life outside of the RCM. In Martinaise, he got a glimpse of what that might look like. Hell, in the bad ending, you can even say to Jean, “fine then. I’ll just live here.” There’s hope for him and for us. I promise.

#meg talks #disco elysium #i have been seething over this all day. sorry.#i’ll be nice and won’t tag any characters mentioned here

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amethysttribble · 3 months

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Father had personally asked Feanor to stand for this portrait, so he was. Father had quietly suggested that perhaps this could be a painless exercise, which did not actually mean ‘painless’ but rather ‘silent’ for Feanor, but he agreed. Father told him this painting did not symbolize anything but his own desire to have a record of all his available loved ones around him, and Feanor was trying to see it that way- for the sake of his own sanity.

Because his stomach was roiling, and there was a heaviness in his chest, a great emptiness which his heart was pounding against, echoing, echoing, echoing.

Father had one hand on Feanor’s shoulder and the other was upon Indis’s. She was sat in front of them, smiling beautifully, little golden-haired Arafinwe in her lap. Around them, her three dark-haired children were gathered. Findis on Father’s other side, Nolofinwe with her, and Lalwen in front of Feanor.

To the unaware eye, Feanor knew, they must all look like they matched. Like they went together correctly. Like a family.

When the portrait was complete and those dark haired children were gathered around the mother and father, who would guess that one child was out of place? Who might glance at all that paint representing their faces and think anything but-

You could almost be her son, Feanor thought, and then his mind replied, But you’re not.

He was so still and he dared not move, because if he did, he’d never get back in place. If Feanor flinched once, the sharp, jagged pieces of him that never fit right in this puzzle would scratch one of them. They’d be annoyed and that would be it: he’d combust in anger, he’d shatter across the floor, snapping and snarling at everyone unnecessarily until he ruined their perfect little scene. Father said this might be a painless exercise. No, no; this was to be a silent, still exercise.

You could almost be her son. But you’re not.

How good a painter was this person Father hired? How varied his faces? Would he capture that Feanor’s nose resembled that of none of the people here? Could he represent that his frame was already different from his father and little half-brother’s?

Would he lie and throw a pleased smile on Feanor’s face? Not even Father had asked him to smile.

You could almost be her son. But you’re not.

Feanor’s presence made them fit together so symmetrically, maybe that was pleasing enough to hide the wrongness of this scene. Maybe that’s why Father made him come here today, the pretty scene. Why he asked him to suffer, even as the longer he stood here, the more and more Feanor felt like he was about to be sick all over the floor.

A ghost, a ghost, there was a ghost looming over their shoulders ruining this perfectly symmetrical scene. Couldn’t they feel her breathing down their necks, icy chill against sweat? Didn’t their perfectly posed heads feel her long, clever fingers wrapped lovingly around their necks?

You could almost be her son. But you’re not.

Feanor’s gaze slipped down to the back of Indis’s head. Her beautiful golden hair. She didn’t wear a crown, this was a family portrait, and that felt worse. So much worse.

If he let his eyes unfocus and his mind wander, he could try to lie to himself that her hair was much lighter and the faces of the children around them more closely resembled his own. The woman in front of him loved him, and she fussed over his hair before they sat for this portrait, and he’d let her do it.

The worst part was Feanor did know that Indis would help him with the ties of his robes, if only he let her.

You could almost be her son. But you’re not.

She’s not, she’s not, she’s not. It was a simple statement of fact. It was scandal enough that the father replaced the wife, when one at least chose a wife, but what freak replaced his own mother?

What would the people who saw this portrait think? Would they see Finwe’s happy family or would they see Feanor’s blaring, uncomfortable intrusion upon what gods and men declared to be a better order of things? Father wanted him to belong here, but he didn’t.

He just didn’t.

You could almost be her son. But you’re not.

A painless exercise. Painless, painless, painless, for them. Silent, still Feanor, a happy accessory to the triumphant union of Finwe and Indis, a grateful stray dog permitted to drink from the bowls provided by Indis’s family.

This exercise was just meant to capture the image of all Finwe loved, nothing more. Don’t think too hard about it, Feanor. You might make the children unhappy.

You could almost be her son. But you’re not.

You should pretend you are, though. That’ll make them like you.

Because they did so disdain him, most of the time. They disliked how he glared at their mother and started fights at family dinners and ignored them in the hallways. Why shouldn’t they? Feanor would hate a person who did those things to his family, too.

He just couldn’t stop, though. He wanted to, sometimes, when the exhaustion and loneliness caught up, and then he remembered that he wasn’t Indis’s son and never would be, and remembering that made him angry. Wouldn’t it just be so damn convenient for them all if he was almost her son?

But he wasn’t.

He was Miriel’s son. That was her name. He had no portrait with her. He loved her.

He loved Miriel, but it was Indis he posed with and-

When the session was done, Feanor jerked away from his father and shoved his way past Lalwen. As he went, Indis looked up at him, caught his eye, and he couldn’t help the sneer that crossed his face.

He hoped that was painless enough for her.

When he returned to his chamber, he went to the wash room and heaved in the pot there. The gagging and retching made wetness prick his eyes, and the sudden tightness of throat made him choke all the harder. The sickness and heaving stayed long past when there was anything in his stomach to lose.

No one came. Feanor hoped maybe Father would, but really, why would he? Feanor had been mostly good, just a little rudeness wasn’t worth either reprimand or comfort.

No, they were together. Maybe admiring their portrait, happy and pleased, or complaining about his behavior again. Really, why couldnt that Curufinwe just accept nice things?

I need to get out of here, Feanor thought, face and body wet with both sweat and tears. I need to leave this place.

He was a good son, and he could do anything else his father wanted but betray his mother any more.

Feanor couldn’t pose as Indis’s son even a second longer. He would destroy himself, if he had to think one more time-

You could almost be her son. But you’re not.

#I understand what it’s like to be surrounded by people all telling you that you belong and it’s okay and just /be nice/#just play ball and settle and you can everything in the world #but you know you don’t belong #and you never will #and pretending is killing you #you won’t you can’t and you’re just so fucking sick of them pretending you can fit if you’re just /nice enough/#because they’re lying to you and themselves #just don’t be angry?? omg why are you angry? stop being angry and enjoy what we say you should want teehee #anyway I love feanor and don’t think he should have just gotten over his mothers death #tolkien #the silmarillion #feanor #tribble post #fanfic

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