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finelythreadedsky · 5 months

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JSTOR Wrapped: top ten JSTOR articles of 2023

Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.

Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.

Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.

Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.

Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.

McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.

Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.

Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.

Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.

Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.

#alphabetical order. im not ranking them #i still have two more froma zeitlin essays to read (one new and one a reread) in the next few days though #and its possible one of those might knock amy richlin off the rest (nothing personal; its a great piece just not my area)#but if im willing to have two things by the same scholar i would have to rethink including grethlein 'the poetics of the bath in the iliad'#some of my favorite articles/book chapters of the year are not on jstor though...#bill beck 'lost in the middle: story time and discourse time in the iliad'!!!#and lyndsay coo has a 2020 chapter updating and expanding this 2013 article that is 🔥🔥🔥#and of course judith mossman 'women's voices in sophocles' which is what send me to garrison 1989 and rood 2010 but is not itself on jstor #i also reread some of melissa mueller's objects as actors book which is wonderful as always #and i would be incredibly tempted to put william m calder iii's tereus article on a top ten list for sheer entertainment value #jstor wrapped #mine

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neilien · 2 months

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IT'S ME!🎵 YES IT'S ME!!🎶 I KNOW YOU WERE ALL WAITING FOR ME!!🎵🎶

#ITS ME SPINEEEEEL!!!!!#steven universe #hazbin hotel #same voice actor #sarah stiles

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deoidesign · 25 days

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important distinction.

Testing a few different things with this one

#I spent straight up 5 hours testing out and trying to use different animation programs and you know what #they all suck all the fun out of it for me. frame by fram 4 ever yaaa #anyways I'm thinking about trying to make like an animated short or something. might get some voice actors and everything #extremely excited thinking about it #however I fucked up super hard and I accidentally overwrote my original file with my reduced size version. so #I only have this like 500px version of this now #so if I were to use this clip I'd have to redo it anyways #but I think I wouldnt? idk. maybe I would. but either way I was just doing this as a test I dont think I'd want the same composition anyway #this is what I am telling myself so I dont get sad losing that file WHWLJGLJGLKSJG I am extremely sad about it but. its okay.#ok anyways #animated gif #2d animation #my art #digital art #ocs #my ocs #time and time again #animated #animation #gif #rough animation #adam #ttawebcomic

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puppyeared · 3 months

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mascot

#this isnt vent dw!!! i dont smoke either i was just kinda going for some sort of vibe #i know its usually played for laughs or like. dark humor whenever ppl draw mascots without their heads and u can see the actor #but i always found it fascinating and a little sobering. ever since i was a kid ive always been hyperaware of ppl in costumes #like. even if i tried to block it out id be thinking the whole time 'its not real. theres a person in that suit who gets paid to do this'#it used to be an uncomfortable nagging feeling but now its like. oh yeah theres someone with a whole life story doing this. idk #i think when i tell ppl im not conscious of my body its like. im not dysphoric or experience dissociation but. at the same time #it feels like my physical body doesnt fully outwardly represent me..?? like some sort of costume #i like to phrase it as being a giant hairless mecha and inside theres a very tiny puppy piloting the damn thing #and the other thing is. when i draw my sona i dont really see it as what i /wish/ i looked like or how i want people to see me #its like being in a costume and just. fucking around with some sort of barrier between myself and others #plus mascots arent allowed to talk and i dont really. engage with other ppl in public spaces that it kinda feels like ad lib #i share a lot abt my life but ironically im also a private person..... i guess it just gives me some sort of control over my identity #my art #myart #my oc #sona #mascot #furry #??? is this furry art????#twinkle #puppysona #edit: had to outline it bc i just realized it looks really weird on dark mode -_-

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c-kiddo · 22 days

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(about cr2 rewatch again) i litrally love tmn so much i will frow up. theyre so good. the cast are so good at embodying them. they dont sound like people trying to be characters sm of the time they sound like just (weirdo) real people it makes me crazy !!!!!!!!!!!!!!!!!!!!!!!!!

#theyre so funny . theyre so real . theyre so the girls.#cad and fjords interactions are going to make me explode the admiration. the gentleness. the warm hug of the wildmother through cad #just like. through the way he talks . the comfort . the vulnerability fjord trusts him with (im deeply unwell abt this)#dont even need to say this but man taliesin is such a good actor T_T like soo committed to the bit. jester bought pastries and passed #them around to everyone and immediately he's talking like he's eating the cupcake at the same time as talking #also lol cad being like 'its vry sweet. hmm . hrmrm mrm'#also got to the bit when cad walks around eating fungi garnish off peoples plates <3 his swag #the way in which hes so odd and gentle and joyous and kind but theres that odd little lingering loneliness in there too . whatever. dies.#kiddo say

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webbelzebub · 25 days

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in universe I would imagine each actor playing a dozen people is just somewhere in the realm of similarity or family resemblance and not intended for them to all actually be identical. but I think Rudolph and max genuinely being near identical is very funny. you turn a corner and see max jagerman and think you're about to get your ass beaten then realize it's just the gay swede on his way to improv

#hatchetfield #i think lex and grace actually do look really alike just bc its funny idk #mariah and jons characters are all super distinct in my mind despite being the same actors #npmd #max jagerman #rudolph npmd #does. does he have a last name #idc

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mishapen-dear · 6 months

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no but its so crazy to me that “intense character driven plotlines were interrupted by intense insane event the admins put on” is even a complaint we can HAVE. like. god. We have it so good. invested creators AND invested admins AND sickass storylines AND fucking incredible storytellers everywhere we look??! we have it so good we have it so so good

#qsmp #neg #<- mentioned but idont care honestly every time theres a bad thing i dont like about the server i just go wait #why am i upset aboutt the fly in the creme brûlée IVE GOT CREME BRÛLÉE #i remember yesteryear when all there was to sustain us was three peas a slice of bread and an entire cake that rotted slow #theyre all so invested theyre all godtier actors and storytellers and are addicted to the same server i am like #hot diggity damn!!#i cannot wait to see where this event goes and how its gonna effect the characters #these motherfuckers are all so creative they are GONNA get silly with it

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marymekpop · 1 month

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⟢ highlight of the hour: lovely runner [01/16] ⟣

life-changing

#lovely runner #korean drama #byeon woo seok #kim hye yoon #lrhoth #mmkfav #mygif #i already really like this drama #i luv it when your two lead actors are super good #and even greater together like #theres so much chemistry between khy and bws i luv it so much #theyre so good and this drama is so fun and funny #but its also a bit sad and bittersweet at the same time #i already know this drama and our main couple is gonna be my obsession for the next however many weeks #i am so ready

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gritsandbrits · 1 year

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And before anyone says it Ariel's story is not inherently tied to race/ethnicity. Anyone can play her. But Nani and Lilo's ethnicity and even skin complexion is tied to the story as the big theme of their story is how indigenous hawaiians are mistreated on their homeland, how they are othered bc they look or act a certain way (which make the parallels to stitch all the more poignant).

#it's like casting Tiana as a lightskinned woman #goddamit disney WHEN WILL YOU LEARN THAT YOUR ACTIONS HAVE CONSEQUENCES #then again this is the same company that doesnt defend its actors of color (or actresses in general for that matter)#lilo and stitch #the little mermaid #disney salt

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alyona11 · 2 months

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Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

#me being me #hadestown #thanks for coming to my ted talk #I still immensely enjoyed the production and would come see it again #but when you know the show at its fullest you seem to miss some parts that worked better #also I was able to appreciate the same cast from different angles the second time I could see them from the first row so I could #get a clear view of their acting #and don’t get me wrong Zach and Lauren are really interesting to watch and I liked them #but also I started thinking if it was my first time to watch the show would I understand the appeal of Hades/Persephone line?#and I can’t stop thinking about it #hades #Persephone #hadestown broadway #hadestown west end #it’s also not about WE only but just about some characterisations I saw from different actors in different productions #I just felt like it would be fair to compare to the production and cast I saw life because obviously bootlegs even the greatest are not #the same #thanks for reading this long post

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trashbag-usa · 13 days

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it feels like a lot of people have given up on fully connecting ISWM/Engie Mark to the wider lore (aka WKM) since IRL Mark straight up told us he wasn't Actor.

but not only am i a stubborn son of a bitch, but yknow what Mark also said?

"Engineer Mark isn't Actor Mark, but Actor Mark just might be Engineer Mark."

so hear me out, y'all.

preamble; if you saw this in a yt comment section, no you didn't. (that was also me i didnt steal this i prommy-)

i have this entirely insane theory about iswm that Engineer Mark is actually Damien, but only sometimes.

the most obvious places i can spot him is in the abandoned ship with the candles ("captain needs their sleep" and whatnot), as Old Mark (specifically in the empty diner), and most definitely as the "Mark" we see as part of the finale, the one who realizes he was wrong.

Actor is allergic to admitting fault so I Don't Believe That's Him.

this explains the thematic focus on sleep and rest in these scenes, things told to Damien and told to US by DARK several times.

("Don't remember" anyone?)

speaking of Dark, it explains why he isn't there. we DO however see the suspiciously Darkiplier-esqe Ms. Whitacre, which it isn't controversial to say atp is CLEARLY Celine.

that is, until the universe does its final kablooey and Dark as we know him, Damien attributes and all, comes to take the warp-crystal.

and besides, think about it.

given Actor's whole goal in all this, as laid out in the Damien Project, do you REALLY think he would write a story in which all problems arise from HIS OWN NEGLIGENCE? NO!

that would make him a villain, and all he ever wants is to be portrayed as the hero, literally for eternity!

but you know what i think he would do? set up a farce for the most troublesome of his "co-stars".

you, the viewer, want genuine choices? you want to have some real control over the story? some responsibility? FINE.

everyone looks to you, but under your leadership everything goes wrong, no matter what. you don't know why, but you're actively villinized and the harder you try to go back and fix things, achieve an "ending" on your own, the more people HATE you. the more the thought that maybe there IS something wrong with you specifically will stick in your mind as a possibility.

all these options, but none of them "right", creating MORE suffering instead of fixing it just to find that ever elusive end.

damien wants control of the narrative? he wants his old friend, you, the District Attorney to be released from his eternal story and given back to him? FINE.

here's his role back in earnest, given the possibility to engage and choose instead of intrude and twist like usual.

(yes, i do think Damien/Engineer is genuinely going down his own hopeless path while we find our own. in one of the descriptions leading to the final "Hold On/Let Go" confrontation, it says "you're not the only one making choices. you're not alone, you never were".)

he is allowed to fight for the safety of others, side by side with his closest companion, just as they did when they were alive.

BUT, the twist is Damien becomes a genuine villain. in his quest to do the altruistic thing and help at all cost, he is personally responsible for the death of LITERALLY EVERYONE EVER.

this is a personal hell for someone like Damien, as seen from WKM, all he ever seemed to want was help others and guide them towards peace.

for his actions/leadership to fail so unthinkably catastrophically, seems like the exact hell a bitter Actor would want to subject his "old friend" to for meddling. :/

Actor sets the stage for a theatrical punishment game. Mayor and Attorney, together again, taking an impossibly long stay in a personally crafted hell for the horrendous crime of ever even thinking they'd be worthy of ✨️staring roles✨️.

Actor turns you two against each other, and once Damien is brough down to the depths of despair and you have finally learned that true responsibility can lead to catastrophic, painful results, we're brought back to our proper places.

you go to a proper ending, with the Engineer role now being played by Actor once and for all, and Damien once again becomes part of Darkiplier, pocketing the warp-crystal to plant on the box in Heist.

Engineer isn't Actor, it's a role he plays when it suits him and his goals, to make his enemies suffer. he's willing to be Damien's understudy, if only for this purpose.

but at the end of the journey, Actor becomes Engineer to take in the fruits of his labor. ..and maybe invite you to a Heist while he's at it.

BUT HEY, THAT'S JUST A

very long winded """theory""" that is pretty much only insane fanfiction-

#this makes perfect sense in my own head and thats all that matters to me #mark returns to tumblr to tell me personally that im wrong lmao #NO THAT WOULD BE SO FUNNY #yall i rewatched the damien film after i wrote this and when he said “aye aye cap'n” my eyes popped out of my head like in a looney tunes #took all of my strength to not add that to my points bc its so flimsy but goddammit if its not in my hcs now #ramblings #markiplier #iswm #iswm theory #head engineer mark #engineer mark #mayor damien #wkm damien #darkiplier #in space with markiplier #yes this relies on other theories like “adventure viewer is the da” but thats basically canon atp #could go on abt how the capns ordeal kinda mirrors the actors journey to do “the right thing” while also fucking everything up at every tur #obviously we're more benevolent. but im certain the actor thinks the same of himself #hes just like “you have no idea how hard it is being so handsome and misunderstood :'( this is just a TASTE of my pain!!”#then i punch him in the face 10 million times #engie mark

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good-beanswrites · 10 months

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I talked about my Milgram actors theory earlier, but @amugoffandoms reminded me I also have a little emotional support au version of the idea I’ve been meaning to chat about! It's actually not a typical actors au -- the canon events still happen, but are staged by the in-universe Milgram organization.

(Edit, now with a fic!)

Just like in canon, the organization has a mysterious/supernatural ability to identify and track down ten specific people at their breaking point. In this au, though, it's ten people who could have committed crimes soon. They discreetly reach out to these individuals, requesting for them to be actors in their experiment. They say there will be someone playing a prison guard, and explain the premise. With a bit of coaxing or bribing for a few, they all accept.

Milgram ensures these newfound “prisoners” don’t need to change many details about their lives – the less lies to keep track of, the easier it would be for these ordinary people to pull off such an extensive con.

Some of them are exactly as they were right before their murders, such as Yuno, Fuuta, Muu, and Kotoko. Haruka, his sister, and Amane did go through traumatic abuse, but it was Milgram that pulled them out of the situation before they resorted to murder. Mikoto is/has been aware of his alters for a while at this point.

Some of the others are taken from their lives after things that could have ended fatally turned out alright: Shidou’s family got into an accident but all recovered; Milgram picked up on his private realization that he would have done anything to save them, were the damage worse. Mahiru and Kazui’s partners attempted/considered suicide, but did not succeed. In Mahiru’s case, they reached a friendship despite breaking up. I still don’t know enough about Kazui’s wife, but I like to think they’re pretty separate now.

The ten prisoners weren’t allowed to meet beforehand, but they individually collaborated with the Milgram team to write the lyrics for their t1 songs and film their videos. I'll mention more about the other actors later, but the filming process is a lot of fun. Though the topics confront them with some unsavory thoughts about themselves, it's a good time singing and acting and getting the giggles on set and everything.

Milgram pulls Es from wherever they were for whatever reason, wipes their memory, and drops them into the prison. The prisoners are unaware that Es didn't come willingly, as they all did.

Once the experiment begins, everyone’s interactions that we’ve seen to this point are genuine. The prisoners get to know each other, while they come to terms with the fact that themselves and these others all had murderous potential. Their personalities, behaviors, and stories from their lives are all true. In the interrogations, they speak honestly to Es about their values and choices. The only faked things are the actual references to the murders, and the “invisible force” that they pretend to hit when acting in violence. Mikoto is instructed to use a bit of violence during his interrogation, though Kotoko sneaking in wasn’t scripted – she genuinely had her concerns about his character and acted accordingly.

While Es sleeps after T1, the prisoners are treated the same regardless of verdict. They provide the team with their genuine thoughts about one another to decide what the staged incidents should be. Kotoko doesn’t actually hate the guilty prisoners, but she recognizes she would’ve wanted to take justice into her own hands in a real situation. Amane is very upset but Es' verdict, but the team helps her dramatize her transformation a bit. Haruka and Muu genuinely get that close. Yuno does wish to be left alone.

They film their second trial videos, now allowed to be around the other prisoners as they do so. They also invite people in their life to come in and play their victims. Yes, it’s just as awkward as it sounds. This is where the prisoners do their real reflection – they think about Es’ verdict for them and what they could have been capable of. There’s a bit of relief from both parties knowing that things will turn out alright now that Milgram intervened (ironic, I know, but this is my fix-it hehe). Shidou’s kids are excited to be filmed, not really understanding the context. Haruka once again works with an actor playing his younger self, a bit put off by how similar they look and the memories he bring back. Haruka’s mother, Rei, and Amane’s cult members (if they appear) are some of the only characters played by strangers, though they do look strikingly similar to the real people. Fuuta’s victim is also played by a stranger. Things are still tense with Hinako, but she agrees to appear.

The team helps the prisoners fake injuries with lots bandages and slings. Then they wake Es. The same is repeated for T2/T3.

Now, I’ve played out a few different paths depending on my angst tolerance at the moment – sometimes Es goes through with the third trial verdicts and is forced to watch the executions (not realizing they're cleverly staged). Sometimes they refuse, finding a way to stop the whole experiment. Sometimes the prisoners realize that Es has been an unwilling participant, and bring the experiment to a stop themselves. Sometimes someone jams a wrench in the mv machine and try to blow it up in order for everything to end before final verdicts.

Because of limited details, the ending can play out however one wants. But my go-to is that Es wake up sometime afterwards in a clean facility filled with scientists. They’re brought to an interrogation room – this time on the other side of the questioning. They’re asked about their motivations, actions, emotions, choices, verdicts (or the reason they rebelled at the very end). A few doors down, the prisoners are being asked similar questions of self-reflection and morality.

Es demands to know what’s going on, while the team tries to assure them that the prisoners are all fine. Es doesn’t buy this, though. They know what kind of mind games the experiment has tried to pull, and can’t tell what’s truth or lie anymore. Things get heated as they demand to see the prisoners. Meanwhile, the prisoners are getting worked up asking about Es. If they haven't already, this is when they learn that Es was an actual prisoner there the whole time. The last time they were together the situation was very intense, and they’re all incredibly worried about them.

In the end, they manage to break out of their rooms and reunite in the middle of the facility, and Es is shocked. All ten are alive and well, even those they may have seen die. No eyes or limbs are missing. They’re all laughing and getting along, no matter what kinds of fights they got into between trials. Even more shocking is when the victims join them later – also all alive and happy.

The ending has a bit of unavoidable angst since Es would be pretty fucked up by the whole experiment. They’d struggle with trust issues and knowing what’s reality. However, it’s still an overwhelmingly happy ending. They get to befriend the prisoners and their families outside of the painful context they met in. Regretting their ignorance of the situation, the prisoners decide to make up for lost time and spend a lot of positive, quality time with Es. The kids are finally allowed to play, and the they finally let the adults act a bit protective over them. This is when the found family completely kicks in lol. Es gets to sleep easy knowing they are all alive and happy, they receive all their memories again, and they get to return home to their own family.

I added it to a reblog but editing with @/qrevo's tags because this is what I was looking for but couldn't quite pin down to make it healing for Es too:

#milgram #haruka sakurai #yuno kashiki #fuuta kajiyama #muu kusunoki #shidou kirisaki #mahiru shiina #kazui mukuhara #amane momose #mikoto kayano #kotoko yuzuriha #es #its not 'the prisoners leave milgram and get therapy' its 'milgram itself is the therapy for the prisoners'#i know the typical actors au would be more of a fix-it but i liked still having a small taste of the canon drama and interactions #its also nice to relate to es' relief -- after ive gone through the angst of canon its nice to imagine everything is okay #so in the au they also go through the angst of canon only to be relieved finding out it was fake and everyone is okay #it also keeps the prisoners lives/personalities the same!#as fun as it is to see actors aus give them whole new personalities offscreen im incredibly attached to these characters and this let me #keep them exactly the same lmao #on days i need the most fluff i picture the prisoners all together filming the t2 mvs -- getting giggly and silly on set #making bloopers and cheering each other on and interacting happily with their 'victims'#when i want intense but good emotions i love thinking of that reunion scene. es exclaiming that fuutas eye is okay and theyre all alright #lots of hugs and tears #(the only details i cant quite work out is how jackalope can talk in this fairly-realistic setting asdfd #that and the undercover mv wouldnt make any sense because es wouldnt have filmed it but ah well)#anyway if anyone has any thoughts or anything lmk! ive been really vibin with this au #analysis/thoughts #lights camera sing your sins

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