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flashfuckingflesh · 2 years

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The Reining Bullies Get the EVIL They Deserve! "Massacre at Central High" reviewed! (Synapse / Blu-ray)

The Reining Bullies Get the EVIL They Deserve! “Massacre at Central High” reviewed! (Synapse / Blu-ray)

“Massacre at Central High” is Grade A Exploitation! David just transferred to Central High School, reuniting with his good friend Mark, but Mark is no longer a part of the outcasted crowd at his new high school as he has joined Bruce and his pals to be the apex elite in the school’s lopsided social hierarchy. Refusing to abide by the relentless and ruthless bullying, attempted rape, and…

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evanpetersbr · 10 months

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🚨🚨NEWS! 🚨🚨

Evan Peters has just been nominated for an Emmy Award for "Outstanding Lead Actor in a Miniseries/Limited Movie" for his role in 'Monster: The Jeffrey Dahmer Story'!

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clemsfilmdiary · 2 years

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Amadeus (1984, Milos Forman)

9/3/22

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johndoe-lesbo · 1 year

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Just found out Evan Peters won a goddamn fucking Golden Globe for being J/effery goddamn fucking D/ahmer. DEATH AND PAIN AND SUFFERING ON THE PLANET EARTH.

#can we all just burn true crime series to the ground please #we don’t need them anymore #and now Jeffery Dahmer is essentially an award winner now 😃😃😃#Evan peters #anti Dahmer #Dahmer Netflix tw #jeffery dahmer #Jeffrey Dahmer tw #anti tcc #true crime tw #Netflix #tv shows #golden globes #pic #me post #🖤🖤🖤

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cyarskaren52 · 1 month

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Shoutout to @cordjefferson not just for his phenomenal Oscar-winning film #AmericanFiction, but for making plain what we’ve always known — our stories are not a monolith and ALL depictions of Black life and Black experiences should be told and embraced. Looking at you @theacademy, and Hollywood gatekeepers…👀👀👀 #REVOLTRevolutionaries ✊🏾

#Oscars #oscars 2024 #the oscars #academy awards #winners #american fiction #erika alexander #jeffrey wright #american fiction movie #american fiction 2023 #american fiction review #Instagram

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mariocki · 2 years

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The Sentinel (1977)

"Since you have abandoned the Church and Jesus Christ you have been lost and without guidance. Once you have re-embraced Him the guilt within you, that breeds suspicions and deceptions, will vanish. The Lord brought you here; the Lord will protect you. For each one of us, He has a purpose. Embrace Christ, my child. Trust again."

#the sentinel #1977 #horror film #american cinema #horror imagery #films i done watched #michael winner #Jeffrey Konvitz #Cristina Raines #chris sarandon #burgess meredith #arthur kennedy #john carradine #ava gardner #martin balsam #sylvia miles #beverly d'angelo #eli wallach #christopher walken #josé ferrer #deborah raffin #jerry orbach #jeff goldblum #William Hickey #a mean spirited take on the book to blockbuster horror train of the 70s‚ following the Rosemary's Baby‚ Omen and Exorcist lead #notable for its embarrassment of riches cast (seriously‚ run your eyes down that cast list and wonder just what awful things Michael Winner #did to get them all in one film) and does feature some fleeting but astonishing gore fx. I'd like to have liked it more but there's just #this air of unpleasantness to the whole film‚ a cloying christian moralising that (whilst still critical of the church as an institution)#accepts it as a necessary and vital force that exuses misogyny‚ homophobia‚ ableism‚ lesbophobia.. some real unpleasant stuff going on in #this movie. but it also has a birthday party for a cat which is one of the most charming things I've ever seen. so a mixed bag

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jasposeyblog · 1 year

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My commission of Patriot by Erik Fidel

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newschannel24 · 2 years

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Emmy winner Evan Peters In "Monster: The Jeffrey Dahmer Story"

#Evan Peters #Monster: The Jeffrey Dahmer Story #Emmy winner Evan Peters

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maysshortmoviereviews · 2 months

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American Fiction (2023)

🎬 A novelist who's fed up with the establishment profiting from Black entertainment uses a pen name to write a book that propels him into the heart of the hypocrisy and madness he claims to disdain.

📝An original, thought-provoking, and very funny take on stereotyping people and putting them in a box. If you are looking for something that will make you laugh non-stop, then this won't be for you. But if you enjoy original writing, good satire, and work that highlights the hypocrisy as well as the dangers of stereotyping, then this will be for you. It was just brilliant, and I absolutely loved it. Highly recommended.

Jeffrey Wright and Sterling K. Brown continue to impress with their versatile roles.

#American fiction #Satire #Excellent writing #original work #original writing #comedy #humour #Jeffrey Wright #tracee ellis ross #erika alexander #John oritz #Adam brody #smart writing #Sterling K. Brown #african american #Oscars 2024 #bafta 2024 #bafta winner

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sketchistudios · 2 months

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e You're winner! 🌭

#you're winner #sausage #jeffrey the human centaur #animation #animation wip #wip #art #trophy

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determinate-negation · 3 months

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The New York Times pulled a high-profile episode of its podcast “The Daily” about sexual violence perpetrated by Hamas on October 7 amid a furious internal debate about the strength of the paper’s original reporting on the subject, Times newsroom sources told The Intercept. The episode had been scheduled for January 9 and was based on a prominent article led by Pulitzer Prize-winner Jeffrey Gettleman, claiming that Hamas had systematically used sexual violence as a weapon of war.

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poetrysmackdown · 10 months

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welcome to the 2023 tumblr poetry smackdown

tumblr has developed something of a canon of poetry over the past couple years, and i figured others might enjoy getting a chance to voice their opinions on a few of those poems! poems i chose for the poetry smackdown had to be more or less widely read on tumblr (generally 10k+ notes, most with more or spread across compilations), and relatively short so as to make voting easier. they also had to be complete—there are a lot of popular lines floating around on tumblr that are excerpted from very long poems and/or poems that are inaccessible via internet, and those aren't included here. a handful of poets are represented here twice reflecting my sense of their popularity, but i arranged the bracket in such a way that it won't be able to stay that way past round 2 at the latest. if i missed a poem that is super popular i'm sorry, that said the bracket is staying as is because this was a shit ton of work to put together and i don't want to. ty.

you can get to the polls by following the links below or going to the #round1 tag on my blog. you can also send me propaganda if you want via ask and i'll post it/add it to the next round's post if the poem wins.

happy voting!

sincerely amelia @poetriarchy :)

ROUND 1: ENDS JULY 17 at 6pm EDT

"The Two-Headed Calf" by Laura Gilpin vs. "Butter Dish" by Leonard Cohen (cow poems)

"Poem" by Langston Hughes vs. "A Meeting" by Wendell Berry

"Miss you. Would like to grab that chilled tofu we love." by Gabrielle Calvocoressi vs. "My Sister, Who Died Young, Takes Up The Task" by Jon Pineda

"Hammond B3 Organ Cistern" by Gabrielle Calvocoressi vs. "Hong Kong" by Sue Zhao

"someone will remember us" (fragment by Sappho trans. Anne Carson) vs. "Wait" by Faraj Bou al-Isha trans. Khaled Mattawa

"The Quiet World" by Jeffrey McDaniel vs "Invisible Fish" by Joy Harjo

"Want" by Joan Larkin vs. "Come, and Be My Baby" by Maya Angelou

"Swan" by Mary Oliver vs. "How I Go to the Woods" by Mary Oliver

"The Orange" by Wendy Cope vs. "The Tenor of Your Yes" by Mary Ruefle

"Here There Are Blueberries" by Mary Syzbist vs. "Instructions on Not Giving Up" by Ada Limón

"To The Young Who Want to Die" by Gwendolyn Brooks vs. "A Litany for Survival" by Audre Lorde

"Night Walk" by Franz Wright vs. "Meditations in an Emergency" by Cameron Awkward-Rich

"Summer Was Forever" by Chen Chen vs. "I'm not a religious person but" by Chen Chen

"How to Be a Dog" by Andrew Kane vs. "Scheherazade" by Richard Siken

"I'm going to Minnesota where sadness makes sense" by Danez Smith vs. "Dream Song 29" by John Berryman

"Having a Coke with You" by Frank O'Hara vs. "Having 'Having a Coke with You' with You" by Mark Leidner

ADDENDUM: at 6pm on July 17th (or possibly a day earlier if there's already a clear sweep), I will be releasing a one-day poll that will give voters the option to sub in "Wild Geese" by Mary Oliver for the winner of matchup #8: "Swan" vs. "How I Go to the Woods". this is to help correct my significant oversight when I was remembering which two Oliver poems I've seen most on tumblr, and it's the only time I'm doing this kind of thing, so don't suggest it for any other poems after this please. that said, a sincere ty to @darkcomedies for first bringing its absence to my attention! and keep an eye out for this extra poll which i am calling ROUND 1.5: A HAIL MARY (OLIVER)

#poetry #poll #bracket #round1 #masterpost

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respectthepetty · 5 months

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Pit Babe Colors Ep. 4

Because I have asks in my inbox about the color coding in Pit Babe even though I don't want to watch it, I'm challenging myself with this show and seeing how good my color skills really are. I'm doing my normal thing of watching it double-speed on mute, but now, I'm going to take off the captions.

I ship it. The reds are bad, but I don't trust a single blue except Alan. Kim is a honest red. I appreciate that in a show FULL OF LIARS!

Yes, Barbara! Be upset with this fake blue boy. Are you telling him how you saw him with Jeffery?!

I know Babe and Charlie are end game, but without subtitles, my hate for Charles grows each episode. The visuals are telling me he is a liar who does not respect boundaries. Charles should be with Waymond the way they both are LIARS!

And this is why I trust Alan, and only Alan. Drinking that color-coded product placement like his life depended on it.

Waymond, I trusted you. Then you turned red last episode, and now I'm noticing how you don't. wear. blue.

Y'all just talking freely in front of THE SPY NAMED JEFFREY!

Every episode, I feel worse for Barbara. Someone get him out of here (not Waymond or Charles, but a secret third option).

GOD DAMN IT! Not him! Why is everyone so handsy in this show?!

Something is happening! I'm so tempted to turn on the subtitles. Something is going on. What is Waymond telling Barbara?! Because something is clicking for Barbara. This is good acting because Barbara's posture changed. WHAT IS BEING SAID?!

Before he was a Slut for Christ, Barbara had a steering wheel necklace.

Waymond, what did you do because you are in love with our Barbie? Did you make a deal with the devil aka Big Red?

IT HAPPENED AGAIN?!

Babe's posture changed. What is Way telling him?! What is happening?! This is strange. I don't like it.

Wait, did we know Jeff and Charlie were roommates? Was Babe just jealous of them being roommates? Did I think they were lying when Babe is just being jealous?

What is happening?! See, nah. Even if Babe knew they were roommates, I still don't trust Charlie because this incident is too convenient. Babe gets attacked and Charlie just happens to be around. And he isn't even fighting back. This is the fight with Kim all over again. Something is off.

I do not like it here. These two pop up every time there is trouble, and Jeffery keeps staring at everyone all sus like, and BABE RUN AWAY RIGHT NOW! Big Red is there. GET OUT!

There are no colors to guide me here, but I trust Kim, so . . . did Winner send people to hurt Babe and Kim is upset about it? Nah. I don't trust Charles soooooo much, that I'm still betting that he set that up.

I know you and Kim will be a thing, Kenta, and I've thought you were good since the first episode, but I need you to pick a color that ain't black. I trust your future boyfriend, so I'm extending you some grace as you stand next to the devil.

Barbara, why is this man in your house? Did you invite him over or did he not respect another boundary? You probably told him to come over because *love* or whatever. Disgusting. I'm as annoyed as you, Barbara.

He had an entire sling on just hours ago making sandwiches, and now he is slicing and dicing. Don't tell me they have special healing powers. I don't want to know. Babe looks unwell, and Charlie is being creepy, and I'm in my feelings about it.

Jeffrey isn't bothered by touch anymore? Are they already sleeping together then. Babe needs to quit arguing with Jeffrey because the trailer had a car on fire, and I KNOW Jeffrey will be behind it.

Normally, I'd be thrilled for colorful characters, but I 👏🏾 Don't 👏🏾 Trust 👏🏾 Them 👏🏾

Y'all, does Babe know they are roommates, and is just jealous?! I still don't trust Charles or Jeffrey, but now I'm thinking I'm judging them too harshly if Babe is being irrationally jealous instead of being lied to.

So either Jeffrey is coming up with the plan to sabotage the car or he is seeing the future (where he sabotages the car).

I don't care if Babe knew Charles and Jeffrey are roommates and is just being jealous. Charles has no respect for boundaries and is a color faker; therefore, I hate him.

WHY ARE YOU WEARING BLUE AND RED, PETER?! You're wearing more blue though. Why was Kenta watching you? Why did he call Big Red? Why will you end up with Way? CAN I TRUST YOU, KATNISS?!

Babe is at his darkest watching his stalker lurk around his house.

Barbara shook Kimberly's hand, and that's all I need to support my Kim-is-a-good-red theory. But then Charles is watching this game with Sus Bros & Co, so I'm mad all over again.

JEFFREY, I SWEAR TO GOD IF YOU DID THIS, I HOPE ALAN CHOKES YOU TO DEATH! And if it was Winner, who was SMILING, I hope Kim chokes you to death.

Alan, don't trust either of their asses. Do you hear me?! Go save our Barbie from the clutches of Charles before it's too late.

Afterthoughts: I really think watching this show without subs was the dumbest idea I've had because now I think I got some of the plot wrong and Babe is just super jealous instead of being lied too, and I'm wrongfully trusting Kim, but I'm committed to the bit. It's too late to turn them on now, and I refuse to go back and watch these episodes with subs since I'm so mad at Charles, Jeffrey, and Waymond who is doing some strange stuff to Barbara.

I only trust Babe, Alan, Kim, and Pete (because he is pretty).

Everyone else is a liar, liar, pants on fire.

#pit babe #pit babe the series #the colors mean things #and they will guide me the whole way through #color coded boys in love #except one is faking it #and his name is CHARLES!#I hate Charles #And now Waymond is making me sick #Jeffrey is gonna get punched is he lit the car on fire #episode 4

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maximumwobblerbanditdonut · 3 months

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Manhunt

Tobias Menzies -Emmy Award Winner in the ‧ Conspiracy Fiction Manhunt - 2024

The 2024 Winter Television Critics Association press tour, Apple TV+ revealed the trailer for “Manhunt,” the upcoming seven-part, true crime limited series starring Emmy Award-winning actor Tobias Menzies (“The Crown,” “Game of Thrones”), and created by Emmy nominee Monica Beletsky (“Fargo,” “The Leftovers,” “Friday Night Lights”), who also serves as showrunner and executive producer. “Manhunt” makes its global debut on Apple TV+ with the first two episodes on Friday, March 15, 2024, and new episodes will debut Fridays, culminating in the finale on April 19, 2024.

Based on the New York Times bestselling and Edgar Award-winning nonfiction book from author James L. Swanson, “Manhunt: The 12-Day Chase for Lincoln's Killer “ is a conspiracy thriller about one of the best-known but least understood crimes in history, the astonishing story of the hunt for John Wilkes Booth in the aftermath of Abraham Lincoln’s assassination.

Part historical fiction, part conspiracy thriller, Edwin Stanton delves into the aftermath of the first American presidential assassination-and the fight to preserve and protect the ideals that were the foundation of Lincoln's Reconstruction plans.

Starring alongside Menzies are Anthony Boyle (“Masters of the Air,” “Tetris”), Lovie Simone (“Greenleaf”), Will Harrison (“Daisy Jones & The Six”), Brandon Flynn (“13 Reasons Why”), Damian O’Hare (“Hatfields & McCoys”), Glenn Morshower (“The Resident”), Patton Oswalt (“A.P. Bio”), Matt Walsh (“Veep”) and Hamish Linklater (“The Big Short”).

Manhunt” is produced by Apple Studios and coproduced by Lionsgate Television, in association with POV Entertainment, Walden Media, 3 Arts Entertainment, Dovetale Productions and Monarch Pictures. Beletsky, Emmy nominee Carl Franklin, Layne Eskridge and Kate Barry executive produce. Swanson, author of “Manhunt: The 12-Day Chase for Lincoln's Killer,” also serves as executive producer alongside Michael Rotenberg, Richard Abate, Frank Smith and Naia Cucukov. Franklin (“Dahmer – Monster: The Jeffrey Dahmer Story,” “One False Move,” and “Devil in a Blue Dress”) also directed the first two episodes.

“Manhunt” will premiere globally on Apple TV+ on Friday, March 15.

Tobias Menzies great actor. I’m determined to watch the series 🍿

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thestylesindependent · 1 year

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Quadruple winner and Columbia superstar Harry Styles, who’s earned enough hardware in 2023 alone to break all of your shelves, is enfolded in the bosom of his music-biz fam. Seen being casually beautiful are (l-r) Full Stop Management’s Tommy Bruce, Sony Music EVP International Marketing Melissa Thomas, Full Stop’s Jeffrey Azoff, Sony Music U.K. & Ireland boss Jason Iley, Columbia President Jenifer Mallory, Styles and Sony Music topper Rob Stringer.

via Hits Daily Double

#harry styles #brits 2023 #february 2023

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ericdeggans · 2 months

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Why hoping Lily Gladstone won an Oscar does not equal valuing race over talent.

Social media is never a great place to have discussions about race and culture. The real issues at hand are way too nuanced and detailed for outrage factories like X/Twitter and Instagram to handle.

Still, I was disappointed to see so many people – perhaps willfully – missing the point online when discussion rose after the Oscars about Lily Gladstone failing to win best actress honors.

No doubt, a win for Gladstone – who would have been the first Native American woman to earn a major acting Oscar – also would have felt like a serious triumph for champions touting the power of diversity in film.

Feeling the love big time today, especially from Indian Country. Kittō”kuniikaakomimmō”po’waw - seriously, I love you all ❤️ (Better believe when I was leaving the Dolby Theater and walked passed the big Oscar statue I gave that golden booty a little Coup tap - Count: one 😉)

— Lily Gladstone (@lily_gladstone) March 12, 2024

Those of us who clock these things regularly knew that Emma Stone’s turn in Poor Things was most likely to spoil that scenario. Stone offered a showy-yet-accomplished performance as a singular character in an ambitious, creatively weird production. A much-loved past winner delivering a career-best effort, she was just the kind of nominee that Oscar loves to reward. And, as Vulture pointed out, modern Oscar voters seem to enjoy turning against expectations in big moments like this.

But when I expressed those feelings online – that Stone was marvelous and more than earned the award, but the Oscar academy really missed a chance to make history by overlooking Gladstone’s more subtle, quietly powerful turn in a better movie – the knives came out.

The gist of most negative reactions was the implication that I and others lamenting her loss were insisting that ethnicity should trump talent. As if the only or most important reason that an indigenous woman could be nominated for such a lofty award, is by people trying to bring social justice to the Oscars. (I guess Gladstone’s wins as best actress at the Golden Globes and Screen Actors Guild awards, among others, were also nods to diversity?)

As if it couldn’t be possible that perhaps -- just perhaps -- some racial cultural preferences were mixed up in Oscar voters’ attraction to the story of a beautiful, young white woman who has loads of sex while learning to define herself in a male dominated world.

What really disappointed me, however, was reading an analysis which reached all the way back to the 2017 Oscars to imply that one reason Barry Jenkins’ masterpiece Moonlight won best picture honors over La La Land was the pressure to bring social justice to the Oscars.

Talk about missing the point by a mile. What I’m driving at, when I advocate for contenders like Gladstone, Barry Jenkins and Jeffrey Wright, isn’t a finger on the scale to make up for past exclusion.

It’s a plea for Oscar voters to see these performances the way I and so many other people actually see them.

I still remember watching last year’s version of The Color Purple in a screening alongside lots of folks from Black fraternity and sorority organizations. And when the moment arrived where Danielle Brooks’ character intoned about her husband, “I loves Harpo — God knows I do — but I’ll kill him dead before I let him or anybody beat me,” it felt like the whole theater said those words with her. That’s how iconic those lines -- first spoken on film by Oprah Winfrey in the 1985 production – have become for Black America.

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That same feeling came after I first saw Cord Jefferson’s brilliant American Fiction, centered on a frustrated, floundering Black writer who creates a stereotypical parody of a Black novel as a dark joke, only to see it become a best seller. I felt as if Jefferson had pulled the same bait-and-switch with his movie that his lead character managed onscreen – using the outrageous premise to draw us all into a more subtle and deliberately powerful story of a Black man struggling to connect with his family after huge losses.

I needed three attempts to get through watching all of Gladstone’s work in Killers of the Flower Moon. Not because the movie was so long I had to “get my mail forwarded to the theater,” like Oscars host Jimmy Kimmel joked. But because it was so hard for me to watch a film centered on the historic exploitation and murder of Native American people by white men.

It sounds like a simple idea, but it’s worth repeating: evocative moments in films will speak differently to different people.

Sometimes, when I’m pushing for a win in an awards category, or championing a particular project, it’s not because I’m putting a finger on the scale for the sake of equality. It’s because I’m more invested in that story than some others because of who I am. And I’m challenging some people, who might not see their cultural preferences as preferences, to consider exactly why they love one thing over another.

In many ways, it is sad to see great artists pitted against each other in these contests. Comparing the delightful, dangerous absurdity of Poor Things to the gritty, punishing tone in Killers of the Flower Moon feels like a fool’s errand, anyway.

But with so much that comes from an Oscar win – including proof that inclusion brings success, accolades and a great argument for more equity – it is important to understand why some people value some performances.

And part of living in a diverse society means valuing the wide range of opinions and reactions, not shrugging off those that don’t fit your worldview.

#oscars #gladstone #movies #racism #tv #Youtube

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