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#Kase-san and series
yuripoll · 10 months
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SEASON 2 ROUND 3
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NOTE: Asagao to Kase-san contains some suggestive scenes. Asumi-chan [...] is borderline hentai - very frequent sexual content, very explicit. As the title implies, it also contains depictions of sex work.
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createcore · 1 year
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short haired anime girlie icons 💙 like/rb if used? character names in tags!
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deenquality · 2 years
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@/therumano on Twitter putting out fantastic Kase-san content as always ;;;;;
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roakkaliha · 1 year
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tbh i kinda miss early kase-san era mikawa. she was so mean for no reason n that entertains me
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takeshitakyuuto · 11 months
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I think my favorite GL trope is romance Not set in an all girls school but there are little to no male characters
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sweetmelodie · 1 year
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copingwithcomics · 9 months
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engshoujosei · 1 year
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Kase-san and Yamada
2 volumes (in English as of 4/18/2023, ongoing.)
Licensed by Seven Seas
Yamada is in heaven at her school’s horticulture department, and Kase-san is training hard at the sports university. With classes and a long train ride to keep them apart, hanging out together is tough. Can they beat their busy schedules and find time for one another?
Related Series 
Asagao to Kase-san. (Prequel, licensed by Seven Seas)
Status in Country of Origin 
3 Volumes (Ongoing)
Tags:
Cute Female Lead
Dating
Gardening
Jealous Female Lead
Lesbian Character/s
Misunderstanding/s
Secret Relationship
Tomboyish Female Lead
Track and Field
Trust Issues
University Student/s
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Rambling thoughts of various Yuri manga I’ve read
1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima
notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship
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If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.
And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.
Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:
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Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???
And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.
2. Tamen De Gushi by Tan Jiu
Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀
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So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.
However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:
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Like go girl give us nothing
If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔
Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;).  Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.
Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :
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3. Beauty and the Beast Girl by Neji
my personal favorite and the BEST yuri I ever read
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So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.
Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.
At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.
Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.
Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.
Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:
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There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”
The art says:
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And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭
Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.
4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime
Well, at least there are no blondes
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So imma just abbreviate to SiL btw
Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.
When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:
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Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.
And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:
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Girl…yall were “””enemies””” for 10 panels.
Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.
Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.
5. Yamujiburo/Kianamaiart’s Hanamusa webcomic
This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀
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So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!
I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!
Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:
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(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)
This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.
And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:
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no thoughts, head empty
Final Thoughts
Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.
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all-blues · 1 month
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Best anime recs?
Classic yuri anime that must be watched: Kannazuki no Miko, Strawberry Panic, Simoun, Revolutionary Girl Utena (serie + movie), Sasamaki Koto
Modern classic yuri: Boom Into You, Citrus, Asagao to Kase-san
Most recent ones that are on their way to become the newest yuri classics: I'm in Love with the Villainess, Whisper Me a Love Song
Magical girl genre: Sailor Moon, Puella Magi Madoka Magica, Yuuki Yuuna wa Yuusha de Aru
Artistic and metaphorical ones: Yurikuma Arashi, Flip Flappers (both highly recommended)
I personally really like comedy yuri so my fav ones are: Yuru Yuri, Kiniro Mosaic and Yuyushiki. I also would add New Game! and Inugami-san to Nekoyama-san
The classics for the Girls and Guns genre: Canaan, Noir (El Cazador De La Bruja and Madlax to complete the trilogy), the most recent one is Lycoris Recoil, a less recent one is Akuma No Riddle
Original anime: Shoujo Kageki Revue Starlight, Princess Principal, Izetta: The Last Witch, Kill la Kill
Idol anime: Love Live! (I'm an original love liver so my favs are LL and LLS only)
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yuripoll · 10 months
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S2 LOSERS ROUND 4
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NOTE: Asagao to Kase-san contains some suggestive scenes. 2DK, G-Pen, Alarm Clock contains depictions of homophobia, fatphobia and misogyny.
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yuricides · 3 months
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hi!! im so thankful for the yuri manga masterlist. sorry if this isn’t your thing, but do you have yuri anime recs?
Ok so i don't watch anime but here are a few that seemed to be top notch. This is for explicit yuri series, we don't do sub-text around here. Also I'm sorry if i couldn't help you out... Yuri is very uncommon? in the anime community, as in not a lot of animation studios are producing it. But this list should put you on the right track.
1. Strawberry Panic (episodes 26)
2. Adachi To Shimamura (episodes 12)
3. Asagao To Kase-San (58 minute film)
4. Bloom Into You (episodes 13)
5. Birdie Wing: Golf Girls (episodes 25)
6. Aoi Hana (episodes 11)
7. I'm in Love with the Villainess (episodes 12)
8. Riddle Story of Devil (episodes 12)
Be warned that some are old while others are newer.
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sebbyisland · 10 months
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This is a weird question but you have good vibes so do you know any good shoujos for beginners? If you dont then just delete this lol
OH this is the best question i have ever received! Thank you! I hope this can be a helpful resource for you or anyone else interested in getting into shojo!!!
I’m gonna define “Good Beginner Shojo” as stories with an interesting premise, strong narrative(? this is VERY subjective sorry?), and also lacks some of the more squicky/uncomfortable tropes: predatory romantic relationships, borderline sexual assault as flirting, or incest**. This list is split between short and long series. I’ll also try to keep the genres diverse! These are all stories I’ve personally read/watched and are popular enough that they’ve been officially translated in different languages.
Good Shojo for Beginners, Short Term Investment
Princess Tutu: A dark fairy-tale-esque anime about a young girl who studies ballet in the day and fights demons at night using ballet + emotional intelligence. The deeper plot is that the entire cast are treated like puppets by a grand and elusive storymaster, and they all must struggle to escape being doomed by the narrative. There’s a lot of references to Swan Lake, the girl keeps getting turned into a duck, many emotions are felt. Complete, one anime season.
From Me to You: shy young girl is a social outcast due to misunderstandings that blew out of proportion. She receives an olive branch from a boy in her class and this gives her the confidence to start making friends and support herself!! The aforementioned boy is also her love interest and is endearingly too flustered to make a move. high school drama ensues. Two anime seasons, manga complete ~120 chapters.
Magic Knight Rayearth: three girls get transported to a fantasy world and have to learn to work together in giant magic mecha suits order to rescue a trapped princess + save the world. They make friends along the way as they try to fight monsters. One anime season, manga complete ~30 chapters.
Kase-san: sapphic high school romance with a jock girl and gardener girl who plants flowers near her practice field… they are both kinda shy and build up confidence as their bond gets deeper. it’s just 100% fluff. anime OVA and complete manga, ~15 chapters, there's also a sequel-series though
Library Wars: what it says on the tin. militant librarians fight the government to stop book censorship. the story follows a soldier in training: a reckless young woman who dreams of meeting the "prince" who inspired her to take up arms to protect books. this is more of an action-comedy than a political drama, so don't expect too much from the plot, but it's fun to watch our failgirl get put into situations. one anime season, 73 chapter manga, live action movie. you'll be okay just watching the anime but obvi the manga expands more on the characters + world building.
Orange: high school girl receives letters from her future self that tell her that a boy from her friend group is planning on committing suicide. She works with her friends to prevent this from happening, but things are definitely more complicated than they seem. An emotional drama, discussion of mental health including depression and suicidal thoughts. It’s a really heartfelt series. One anime season, ~38 chapter manga. (originally published in a shoujo magazine, then switched to seinen probably for marketing reasons.*)
In the Clear Moonlit Dusk: Masculine studious girl feels distant from her classmates who idolize her as a “prince,” but then she catches the attention of the local sparkly bad boy “prince.” An innocent, fluffy high school romance about a prince and her prince. SO many sparkly anime eyes, if that's you're thing. It’s a simple plot, but I enjoy the execution a lot. Ongoing, currently ~27 chapters
Tokyo Mew Mew: Captain Planet but magical girl. group of teen girls get accidentally infused with the DNA of endangered animal species + magic and transform into a hero squad to fight aliens trying to destroy earth's resources! Their cover for their secret headquarters is a maid café, where they all work part time. Manga complete ~30 chapters, anime adaption complete + one season of anime reboot.
Good Shojo for Beginners, Long Term Investment
Yona of the Dawn: historic fantasy setting, coming of age for a naive young princess who grows into a capable leader by abandoning her sheltered life within palace walls for…plot reasons (major spoiler in 1st chapter LOL). there’s a slow but thorough exploration of the political issues in her kingdom, i would say the world-building is an unexpected strength of the story. She’s supported by her hot magical anime boy harem, but the story emphasizes found family dynamics over the romcom. there’s still a primary love interest established early on, it’s just VERY slow burn. one anime season, manga ongoing 300+ chapters
Kageki Shojo!!: Follow the adventures of an all-girls vocational school to train to become members of the historic Kouka all-girls musical theater troupe, where women play roles for all genders. The protagonist is a girl who grew up watching Kouka performances and never lost her sense of childlike wonder. Theater doesn’t come naturally for her, but she’s also very talented. Fun cast, lightly discusses social issues as they come up with sincerity and care. Very reminiscent of 80s shojo. One anime season, Ongoing manga 90+ chapters
My Love Mix-Up! what if there was an ACTUAL high school love triangle. boy likes girl who likes a different boy, but that boy is interested in the aforementioned boy. what if this was all a misunderstanding and actually boy and girl like the same boy. what if that was also a misunderstanding. have you ever been a dumbass high school student trying your best. protagonist is bi king. 120~ chapters, no anime, but a live action show.
Ouran High School Host Club: ah yes a classic romcom. girl gets a scholarship to an elite high school and accidentally falls into debt on her first day to the school host club (boys who professionally flirt with girls during lunch). To pay off her debt, she pretends to be a guy at school so she can work as a host. The comedy is a blend of making fun of shojo tropes and the disaster personalities that make up the supporting cast. it's funnier the more shojo you have read/watched before this one. one anime season, 200+ chapters, complete
BL Metamorphosis: elderly widow accidentally reads a BL manga and gets invested, she bonds with a high school girl who works at the bookstore about it. Very cute parallels between her late husband and the fictional love story. Depicts fandom culture without normalizing the creepy and invasive BL fan behavior. Reminds me a lot of spending time with my grandma, which makes me want to cry.~90 chapters.
Sailor Moon: I know i know everyone is going to tell you this but it's actually a classic for a reason. (Sapphic!!!) magical girls traveling across space and time? Fighting evil with the power of friendship and love? Cute character designs? It's a good time. Protagonist is a total brat (normal 14yr old!!!!) AND a good hero. I'm putting this last because I wanted the other stories to have a chance, but it's honestly so good like please. There technically an inappropriate age gap relationship but it's like the disney movie Tangled where you don't realize it until you literally look up their ages. 150+ chapters, complete.
**When I first read shojo, I was a very young child, basically the target audience, but there are things I read as a child that would make me feel a bit disgusted to read now. Knowing this, I want people who are new to shojo to make informed decisions. There are problematic tropes present in MANY well loved stories--and they are well-loved for a reason!!! These complexities are part of reading and enjoying fiction. I've excluded some of my all-time favorite stories from my childhood thanks to the criteria I set as good "beginner" shojo--but I also don't want to contribute to a world that divides stories as "problematic" and "unproblematic" as if such a binary exists. Ultimately, this list is just based on my PERSONAL taste, what I deem more comfortable to read than other stories, so I can't guarantee that you'll have the same experience. I can't even promise I would have the same experience re-reading some of these, since the stuff that made me comfortable/uncomfortable in the past has changed in the present. It's all very subjective. That's why I'm intentionally specific about the tropes I've excluded. Note that this doesn't mean the stories listed are not littered with their own flaws. I hope this disclaimer didn't seem too excessive, haha.
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roakkaliha · 2 years
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as much as i love the kase-san series, u can definitely tell that it was originally just meant to be a oneshot/a series of oneshots instead of a serialized story fgfg
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yurimother · 1 year
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Yuri of Absence and The Chair of Yuri: Combining Lesbian Manga and Science Fiction - The Secret Garden
This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.
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In the “olden days” of Yuri, which is really to say anything in the ‘00s or earlier, there was not much variety in the mainstream Yuri market. If you wanted to read a manga about the romance between two women or watch an anime with clear lesbian elements, choices were between a sweet school story or a classic tragic school Yuri story. As I have mentioned many times recently, one of the most significant advancements in the recent Yuri genre is the advent of sub-genres. Once considered an element or subgenre itself, Yuri hosts various works from isekai to feminist literature. However, one of the most curious and certainly most well-known subgenres is science fiction.
Yuri science fiction is in the spotlight right now, with everything from visual novels like Synergia to webcomics like Ratana Satis’s Soul Drifters. However, one of the most prolific and rightly celebrated titles is Iori Miyazawa’s Otherside Picnic. The series began publishing under Hayakawa’s Bunko JA imprint in 2017, and over the past few years, it exploded onto the scene.  It has an upcoming sixth book, a manga adaptation serialized in Monthly Shounen Gangan, healthy overseas publishing, and of course, an anime adaptation helmed by Kase-san and Stiens;Gate director Takuya Sato. It has garnered praise from critics CBR, Anime News Network, and Erica Friedman of Okazu. I wrote glowing reviews for the first few books, complimenting its worldbuilding, pacing, and characters. However, Otherside Picnic did not spring out of anywhere. Indeed, it is the product of gradual shifts in Yuri and sci-fi storytelling and Miyazawa’s genius theories and knowledge of the genres.
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The mixture of Yuri and science fiction is not anything new; it predates most other forms of Yuri save Class S school romances. You may not picture many of these when you think of modern Yuri sci-fi, but as early as 1975, we had Yuri stories like Boku no Shotaiken that included small sci-fi elements, in this case, transferring the mind to another body. Over the next two decades or so, a time during which so few Yuri titles surfaced, it is occasionally referred to as Yuri’s “era of Darkness,” multiple titles sci-fi titles including Dirty Pair, Project A-Ko, Bubblegum Crisis, and Iczer featured science fiction settings and Yuri elements. At this time, Yuri was not much of a genre as we think of it today, but more of a factor inserted into a larger narrative. Think of Yayoi and Shion from Psycho-Pass for a more contemporary example. In fact, except for Iczer, none of these titles feature any outright lesbian characters, just female casts with “Yuri-ish” moments of women standing close together and being companions.
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These titles feature two key elements that many current series have shifted further away from, soft sci-fi and Weak Yuri. Soft, as opposed to hard science fiction, is the more established of these two scales. Science fiction can be separated between outlandish and impossible ideas, sometimes known as science fantasy, and those based in reality, research, and the hard sciences such as physics, astronomy, and mathematics. Sorting works between these two labels is, ironically, not an exact science, and fans and critics alike argue about their precise definitions. However, let us consider soft and hard science as a spectrum, with outlandish premises like Dragonball on the soft end and the reality-based concepts of Space Brothers at the other. One can sort most titles along this continuum. M Alan Kazlev does an excellent job dissecting this scale in further detail. Many of the titles we enjoy today, including Otherside Picnic, inhabit this transitory space, as it is not fantasy. Still, its reliance on anthropology and psychology’s soft sciences may put it a small step below more grounded hard sci-fi. Still, it is far above the aliens and superpowered robots in ‘80s anime, so we shall consider it hard sci-fi for the sake of this argument.
*Note: Many science fiction circles use the abbreviation sci-fi for soft science fiction and SF for hard science fiction. For ease of readability and common vernacular, this article uses “sci-fi” for both instances.*
Sci-fi Yuri did not break out of soft science fiction territory until very recently. In the 1990s, Yuri underwent dramatic changes thanks to Sailor Moon and Revolutionary Girl Utena, which helped reform it as a genre rather than a feature. Maria Watches Over Us revived S Yuri traditions, and new titles were set in schools and focused on modern girls’ lives. In the 2000s, Yuri magazines began serialization and featured stories such as Kisses, Sighs, and Cheery Blossom Pink and Strawberry Shake Sweet (both serialized under different names). Despite being primarily aimed at adult women, the magazine found success with male audiences, prompting new stories appealing to men and boys. These works reintroduced action and science fiction into the genre with pieces like Kannazuki no Miko: Destiny of the Shrine Maiden, Blue Drop, and Kashimashi: Girl Meets Girl (Yuriboke does a better job breaking all these down). However, all these were still vehemently in soft sci-fi territory, with Kashimashi’s only surreal element being an alien because the author was, to simplify grossly, unable to fathom the existence of transgender people (coming full circle from Boku no Shotaiken). Possibly the only contemporary mainstream hard sci-fi title to include Yuri and enjoy a modicum of success was Qualia The Purple. However, this series did not have the genre-defining power that later works would.
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However, what changes between these series and those mentioned earlier is the Yuri itself. The relationships become much more explicit and central to the plot. You can deliberate whether or not Bubblegum Crisis is sapphic, but just try sitting someone down and arguing that Kannazuki no Miko is not built around the crux of two women holding romantic interest in each other. Yuri science fiction author Gengen Kusano proposes a dichotomy similar to soft and hard sci-fi to analyze these titles, Weak and Strong Yuri. He explains it in his own brilliantly convoluted and philosophical way, but in short, Weak Yuri relies on using logic and the mind to make the real imaginary, while strong Yuri is about emotionalism and realism, making fiction into reality.
Strong Yuri is Yuri that focuses on realism through feelings and emotions. Kusano describes it as fiction characters having real emotions. They have strong connections and affection for each other that are real and powerful. The audience experiences the feelings between the characters as they are felt and portrayed. Think of how emotional the exclamations and love, sorrow, confusion, and affection are in titles like Bloom Into You and Citrus. In a sense, they can be so strong that they transcend their fictional confines and become real, as they are experienced by considers, a stage called “radically Strong Yuri.” Most explicit Yuri, which is not subtext or suggestive content but in-your-face lesbianism, is Strong Yuri, although not all Strong Yuri is outright depictions of lesbianism; it is a square rectangle situation, not all rectangles are squares, but all squares are rectangles.
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Weak Yuri is cemented in the areas of thought, logic, and epistemology. It deals with the theory of mind, the ability to attribute mental states to others or ourselves. For example, when we see someone smiling or laughing, we may not feel their emotion ourselves, as we do not have direct access to their mind, but we recognize that they are happy. In Weak Yuri, one uses their theory of mind to observe facts and deduce the existence of a Yuri relationship, even if one is not present. So-called “Yuri-ish” titles like Yuru Camp or K-ON! do not outright state or depict romantic or sexual attractions, but is attributed by the viewers onto characters.  Said observer witnesses the interactions between girls and, using that factual and observable data, puzzles out a lesbian attraction they prescribe to the subjects, whether real. Shipping culture relies on Weak Yuri’s logic Kusano’s most extreme, “Radical Weak Yuri,” the relationships of real people, like idols, become imaginary through these projections.
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Blue Drop and Kashimashi may have been soft Sci-fi, but unlike the soft sci-fi, Weak Yuri series of the twentieth century, they featured Strong Yuri and placed it more as a central aspect of the work with other elements built around, rather than as a side element. The next revolution in sci-fi Yuri came when hard sci-fi titles began production. A few of the principal players here are Kusano himself, Otherside Picnic Creator Iori Miyazawa, and editor Rikimura Mizoguichi, all of whom feature in the viral Yuri Made Me Human interview of Miyazawa. Most of the theories and ideas discussed in this article, including Kusano’s Weak and Strong Yuri arguments, came from these seminars.
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It all started with Kusano’s existential widescreen Yuri baroque proletariat hard sci-fi Love Live AU fanfic of the popular ship NicoMaki, consisting of Nico Yazawa and Maki Nishikino. The revised edition of this story, Last and First Idol, was published in 2016 and became the first debut title to win the prestigious Seiun Award in 42 years. Satoshi Maejima’s post-script essay at the end of the Last and First Idol collection gives far more detail into these works’ history. However, Idol was the first prominent story to feature Yuri in a hard sci-fi narrative. It was not perfect. In fact, in its push to feature gruesome content and insane hard sci-fi that Yuri is pushed to the wayside during most of the story.
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*Author’s note: The first time I read Last and First Idol, I was completely unaware of its contents, which was a shocking experience; the story comes with a severe content warning).
Last and First Idol did not create a woven hard sci-fi, Strong Yuri narrative. However, it was a definite proof of the concept, a testament that the sprawling details and imagery of hard Sci-Fi could work with Yuri relationships. Kusano’s next short story, Evolution Girls, which would appear alongside Last and First Idol in the collection of the same name, saw the author focus more on emotionalism and create a Strong Yuri work. Nevertheless, Last and First Idol was a massive success. Future hard proof that Yuri hard sci-fi was coming in force came in December 2018, when Hayakawa Shobo ran a special edition of its long-running S-F Magazine featuring Yuri stories. The issue, planned by Rikimura Mizoguchi, proved so popular for the second time in its then 59-year history, the magazine had to reprint before release.
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While Kusano was developing theories on Yuri and Hayakawa Shobo worked to push the public eye onto Yuri sci-fi, author Iori Miyazawa was refining his own Yuri premises, ones that, though he did not know it at the time, would not only see Strong Yuri and Hard sci-fi standing side by side in the same story but would synthesis the two into a unique product that could attract new fans and expand the borders of science fiction and Yuri. The work in question, of course, is Otherside Picnic. This light novel series about girls journeying to another world to hunt creatures from occult internet lore is to date Yuri science fiction’s best execution.
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As Miyazawa admits, he strives to create Strong Yuri by focusing on emotionalism and realistic characters. However, such character-driven narratives are often at odds with hard science fiction, which requires dense walls of text to explain the complicated science behind its concepts and world. Miyazawa avoids this trap by utilizing Yuri tropes, specifically scenic Yuri and “Yuri of absence,” and integrating Yuri relationship into these explanatory literary lectures. Examining the latter first, rather than using narrative or exposition dialogue to unravel the intelligence behind the world or elements of science fiction, Miyazawa uses the relationship between Sorawo and Toriko.
In Otherside Picnic, explanations of the mysterious Otherside come primarily from two sources, dialogue and Sorawo’s inner monologue. When Sorawo and Torikko discuss a nuance of the paranormal creatures they investigate, it no longer becomes a large infodump but a Yuri scene about their relationship through their interactions and responses. According to both the strong Yuri theory and Yuri’s traditional definition, these emotions and discussions are the crux of the genre – stories about females’ relationships. Similar emotionalism fills Sorawo’s inner monologues, specifically in the frequent romantic admirations of Toriko. Thus, an explanation existing in that same space becomes Yuri, as it mirrors the same emotions and attraction. Merely by placing the usual exposition into interactions and relationships, Miyazawa was able to open hard science fiction to new readers, who may have been apprehensive before because of these text walls.
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Miyazawa’s other secret weapon is, as he describes it, “Yuri of absence.” Relying on the principles of Strong Yuri, that Yuri is fiction made real through emotions, Yuri of absence extends these parameters outside of characters. As Strong Yuri relies on feeling, not observable data like characters, anything that invokes two women’s feelings together is Yuri. It could be a song, or an empty bench, as one can imagine two women on it and feel emotions tied to that. Of course, taken to its extreme, nearly anything can then be Yuri, as I have joked before, gesturing to an empty chair proclaiming, “Behold, a Yuri!” However, Miyazawa uses this Yuri of absence sparingly, rendering it closer to scenic Yuri’s intimacy.
Scenic Yuri, a particular type of Yuri of absence, focuses exclusively on setting and imagery, a feature that works particularly well in science fiction as according to Masahiro Noda’s “sci-fi is all about images.” Traditional Yuri uses character interaction and supplements it with images and sights that help communicate characters’ emotions and intimacy, like fleeting shots or descriptions of the sky. Take the shot from Kase-san and Morning Girls where Yamada stands by the bus stop. The distance between the girls, the tree in the foreground on Yamada’s side, and the pole on the right all invoke emotion and help tell the girls’ story, distanced by their differences and upcoming life paths. Now remove the girls, the scene remains, as does its meaning and emotions, whether the characters are present or not.
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Scenic Yuri is employed vigorously in more male-targeted S Yuri (a minority of the Class S genre). Here, the imagery provides intimacy so that the voyeuristic viewer could look into the characters’ private and forbidden lives, specifically the girls in all-girls schools. Take the shot from Strawberry “Mo Man May Enter Here” Panic. The sweeping view of the Strawberry Dorms atop Astraea Hill, a place where men are forbidden, gives the consumer an exclusive inside look at the private home of its subjects. Otherside Picnic uses these same scenic Yuri principles in its descriptions. In this case, the intimacy does not come from a place where men are prohibited or a shot describing women’s relationships. Instead, the reports of abandoned ruins and deserted open fields where only Toriko and Sorawo exist provide extreme intimacy. It is an emotional view of two of the few women in this world with nothing but each other; thus, Yuri.
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Yuri science fiction is easily the most exciting place in the genre right now. Its creators are experimenting with new theories and storytelling methods to expand the boundaries of what science fiction or Yuri alone could never do. The subgenre has undoubtedly come a long way from its Weak Yuri roots and continues to grow. Industry leaders like Miyazawa and Mizoguichi will continue to push into this excited and uncharted territory, using tactics new and old to bring together Yuri’s emotional and romantic core with science fiction’s epic and provoking imagery. I have few doubts that we have seen all these pioneers have to offer and that Last and First Idol and Otherside Picnic are just the beginning.
Sources
Friedman, Erica, and Kishiji Bando. “Shoujo Yuri Manga Guide.” Yuricon, 29 Mar. 2011, https://www.yuricon.com/oldessays/shoujo-yuri-manga-guide/.
Hanson, Katherine. Yuri No Boke 百合のボケ 〜百合が好きだ〜: Sci-Fi Yuri Anime and Manga. 17 Feb. 2012, http://yurinoboke.blogspot.com/2012/02/sci-fi-yuri-anime-and-manga.html.
Kit, et al. Tomo Choco Podcast Episode 58: A Trip to the Otherside. https://directory.libsyn.com/episode/index/show/tomochoco5287491142565609/id/14974343. Accessed 18 Feb. 2021.
Komatsu, Mikikazu. “S-F Magazine’s Yuri-Themed Issue Gets Reprints Before Release.” Crunchyroll, https://www.crunchyroll.com/anime-news/2018/12/18/s-f-magazines-yuri-themed-issue-gets-reprints-before-release. Accessed 18 Feb. 2021.
Kusano, Gengen. “[R-18] #SF #矢澤にこ 【SF合同サンプル】最後にして最初の矢澤 - 節足原々(セッソクハラハラ)の小説.” Pixiv, https://www.pixiv.net/novel/show.php?id=4992326. Accessed 18 Feb. 2021.
M Alan Kazlev. “The Scale of Hardness in Science Fiction.” Futurism, https://vocal.media/futurism/the-scale-of-hardness-in-science-fiction. Accessed 18 Feb. 2021.
Masayuki Sakoi. Strawberry Panic S01:E21 - Like a Flower. Madhouse, 2006. tubitv.com, https://tubitv.com/tv-shows/558933/s01-e21-like-a-flower.
Maser, Verena. Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre. ubt.opus.hbz-nrw.de, https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/695. Accessed 18 Feb. 2021.
Miyazawa, Iori, et al. Yuri Made Me Human, Part 2. Translated by Kati_lilian, 24 Aug. 2018, https://teletype.in/@kati_lilian/S1yjBCJgH.
Miyazawa, Iori, and Rikimaru Mizoguchi. Yuri Made Me Human — Interview with Iori Miyazawa. Translated by kati_lilian, May 2018, https://teletype.in/@kati_lilian/SJA8KwjjN.
Moore, Caitlin, et al. “The Winter 2021 Preview Guide - Otherside Picnic.” Anime News Network, https://www.animenewsnetwork.com/preview-guide/2021/winter/otherside-picnic/.167892. Accessed 18 Feb. 2021.
Nicki “YuriMother” Bauman. The History and Future of Transgender Representation in Yuri - The Secret Garden, January 2021 | YuriMother on Patreon. https://www.patreon.com/posts/45495024. Accessed 18 Feb. 2021.
---. “Yuri Is for Everyone: An Analysis of Yuri Demographics and Readership.” Anime Feminist, 12 Feb. 2020, https://www.animefeminist.com/yuri-is-for-everyone-an-analysis-of-yuri-demographics-and-readership/.
Pinansky, Sam. Interview with J-Novel Club’s Sam Pinansky. Interview by Erica Friedman, 1 Oct. 2019, https://okazu.yuricon.com/2019/10/01/interview-with-j-novel-clubs-sam-pinansky/.
Sarantos, Constance. “How Otherside Picnic Breaks the Yuri Genre Mold.” CBR, 10 Jan. 2021, https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/.
“「SF冬の時代」は雪解けを迎えた 早川書房・溝口力丸 Vol.1.” KAI-YOU Premium, https://premium.kai-you.net/article/201. Accessed 18 Feb. 2021.
Snapshot. https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/. Accessed 18 Feb. 2021.
Takuya Satou. Watch Kase-San and Morning Glories. Sentai Filmworks, 2018. vrv.co, https://vrv.co/series/GYQWD1X1Y/Kase-san-and-Morning-Glories.
Walter, Damien. “Science Fiction vs SciFi vs SF: What Is the True Definition?” Damien Walter, 7 Aug. 2018, https://damiengwalter.com/2018/08/07/science-fiction-vs-scifi-vs-sf-what-is-the-true-definition/.
YuriMother. “LGBTQ Light Novel Review - Otherside Picnic Vol. 1.” The Holy Mother of Yuri, 12 Dec. 2019, https://yurimother.com/post/189635367305.
This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.
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coldgoldlazarus · 1 year
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Heyy so i've been enjoying a lot of the yuri things you post about a lot, are there any good shows that you recommend watching? Ive seen and enjoyed bocchi and witch from mercury a ton and i have a lot of time these next few days to burn :)
Oh, I'm glad to hear that!
Hmm, what are some good Yuri shows aside from Gwitch and Bocchi?
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Admittedly, this is hard to answer as thoroughly as I'd like, since I generally have a hard time starting new shows and keeping up with them, so there are a fair few that I haven't actually gotten around to watching yet that I've really wanted to. Still, I'll mention a few of those since they do come highly recommended and I've had my eye on for a while, and then get into the ones I actually have seen.
-Kase-San and Morning Glory: Haven't seen, but did read the manga it's based on a while back; as I recall it's a very simple but very sweet slice-of-life sort of thing about a girly girl, a tomboy, and their shared love of gardening. Rather than a full series, I think it was adapted as a longer OVA or two? So I don't know how much of the story it covers, but it's also the kind of thing where, outside of the developing relationship of the leads, there's not too much in the way of like, a hard-hitting narrative to adapt. It's just super cute.
-Lycoris Recoil: In contrast to the last one, LycoReco is a recent anime-only sort of thing, and much more plotty from my understanding. It's basically the next thing I plan to properly sit down with in the near future, but until then I'll admit I don't know a whole lot about it; the main vibe I've gotten is that it is like, this action-drama about secret agents(?) first, yuri romance second, but it still does go out of its way to make the romance unambiguous and compelling, rather than trying to hide it behind subtext like older shows would have done. So at least based on what I've heard, it sounds worth your while, just I guess tread with caution since it may also get into some darker territory?
-The Executioner And Her Way Of Life: Another recent one that I haven't gotten to yet, but have read some of the manga for and so at least have some idea of what to expect. It's similar to Lycoris Recoil in being an action show first, but still very very clearly gay, so yanno, factor that in on whether you want to see it or not.
The premise is a sort of parody-taken-seriously of standard isekai stuff, taking place in a fantasy world that's constantly suffering from people reincarnating there from earth, growing overpowered and selfish, and causing radical, harmful upheaval. In response, an elite assassin's guild was formed to hunt down and eliminate these isekai "heroes" before they can get too powerful. The protagonist is one of these assassins, and the plot (and romance) starts when she's sent to kill a recently-isekai'd girl... who's special power is that she's seemingly unkillable, and immediately develops a crush on the assassin. Very much a slow burn enemies-to-lovers sort of vibe, but what little I read seemed promising.
-Wandering Witch: Another one I don't know a whole lot about, just that it's come highly recommended by some people whose good taste I generally trust. As the name implies, it seems to be a fairly slice-of-life-ish piece about a pair of witches? But beyond that, I don't really know much, so prolly worth looking into more yourself.
-Otherside Picnic: As I understand it, it's basically like the movie Annihilation, but gay? A pair of girls traveling through this uncanny sectioned-off region where all sorts of creepy supernatural happenings are going down, and it gets very existential. I've admittedly kinda dragged my feet on this one, since I have a complicated and inconsistent relationship with horror stuff, but it does sound very intriguing. Though I will say, from my understanding the yuri is very clear in the LN and manga, while the anime downplays that stuff into subtext? So it's probably more worth reading than watching.
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With those out of the way, time to talk about the ones I do know! A couple of these I'll pair up because their vibes are similar, but I'll still try and discuss each with due depth.
-Urara Meirochou & Konohana Kitan: These two are cut from a pretty similar cloth, that I guess I'll just call "Historic supernatural cuteness"? Both are set in fantasy versions of olden japan, but the overall vibe is similar to modern-day Cute Girls Doing Cute Things shows. I considered leaving them off the list since they're also much more reliant on subtext than most of the others here, but I have too much of a soft spot for Urara Meirochou to be able to ignore it ^^; (I have half-unfinished fanfic for it, which given the scarcity of my writings these days has to count for something!)
Urara is about a group of girls seeking to become apprentice fortune-tellers in this mazelike city dedicated to the craft, though all coming at it from very different walks of life. It's pretty simple and episodic, but the main thing that made it for me was the dynamic between the main protagonist, a literally feral girl who's having difficulty adapting back to human life after being literally Raised By Wolves, and a prim and proper noble daughter who's completely befuddled but also enamored by her antics.
Konohana Kitan, meanwhile, I never got around to finishing just because Life Happened™ at the time, but it featured a bunch of Kitsune running a bathhouse; very Spirited Away in some ways, but a lot more relaxed in tone.
-Izetta, The Last Witch & Princess Principal: Another pair that came out around the same time, but that are tonally kind of the opposite of the last two. Both take place in kinda steampunky/dieselpunky parallel history versions of early 1900s europe, and feature spies and intrigue and action primarily, while, due to when they came out, the yuri elements legitimately straddle the line between subtext and just text.
Izetta is almost a precursor to Witch From Mercury in some ways? Just again, different settings. It takes place during a parallel of World War I and II, with the Germany analogue attacking a tiny border country as part of its overall war plans. The princess of that smaller country, though, winds up calling on help from (and falling in love with) the last witch in the world to help repel the invasion with magic. Izetta very much feels like a prototype of Suletta, and rides an anti-tank-rifle instead of a broom, which is awesome.
Princess Principal, meanwhile, is more focused on class divides and zeroes in on the spy theme more clearly. Basically, in an alternate version of London that's split down the middle Berlin-style, a group of teenage academy students who are actually plants by the opposing side, team up with a traitorous lower princess to sabotage the royal family... though one of the spies has a pre-existing history with her that makes everything even more complicated. It's a really interesting one, told in non-chronological order, that understands the less glamorous side of intelligence operations while still having a fair amount of dramatic action and twists, and alternates between feeling like a CGDCT show and an intense political thriller. And yanno, the gay. I also actually haven't finished this one because Life Happened™ and it's been a while since, but one of these days I want to rewatch and properly finish it. What I did see, was very very strong, though.
-Black Rock Shooter (2010 OVA & 2012 Series): This is another one I wasn't sure I should include, but eh, here we go. Basically, a sort of supernatural psychological slice of life? It alternates between a fairly straightforward school drama, and mysterious glimpses into this almost eldritch other world where monstrous humanoid entities are locked in endless, often rather brutal, combat. As things go on, the two seemingly disconnected stories wind up coming together in interesting ways. Being an older series, the yuri is very much subtexual, but still kind of a core element of the story anyway? It's difficult to explain. The OVA and the Series are basically different takes on the same premise; I favor the OVA as the more subtly-told version, but despite the series getting weirdly melodramatic in places, manages to expand on the concept in some cool ways, so I'd say both are worth watching if it sounds interesting.
(Sidenote, though: Don't confuse BRS 2012 with the more recent series, Black Rock Shooter: Dawn Fall. Dawn Fall is part of the same franchise, but other than some shared characters it's almost completely unrelated, with a wildly different core premise and tone. And while I did like a couple things it did, on the whole I just can't recommend it, especially in comparison to the original but also just kind of in general on its own merits. I'd steer clear of that one unless you're morbidly curious and able to stomache some frankly unnecessarily disturbing content.)
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-Citrus: Something of a dishonorable mention before we move on to the big ones. Citrus is one I kind of have a lot of mixed feelings on personally, but I still feel like it's worth consideration, at the very least for the historical significance. TLDR; a boisterous gyaru moves to a new school and immediately winds up clashing with the school's repressed killjoy Student Council President, only for it to turn out that thanks to their parents remarrying, the two are now stepsisters. Cue lots of weird sexual tension and a revolving door of side character rival love interests.
A lot of people list the psuedo-incest nature of the two leads' relationship to be the big point against it, but to be perfectly honest, that aspect of it doesn't really bother me; I just didn't care for it because of basically the rest of the writing. There's a lot of what's basically sexual harassment in the manga, that the anime further escalates in adaptation to be as 'steamy' and 'torrid' as possible, and between that and the aforementioned side characters who (almost, there is one big exception and she's another reason I wasn't a fan) all have a more compelling (and respectful) dynamic with one or both of the leads, it failed to really sell me on the central pairing. I hear it does develop in a better direction later on, but that's after I lost patience to keep reading, and the anime basically only covers right up to the point where their interactions stop feeling so... uncomfortable.
At the same time, though, I will admit that Citrus does have its merits. There are a lot of people who do love it, so I'm not really speaking for a crowd here, and while I strongly dislike the student council president stepsister, the gyaru protagonist is a genuinely fun cinnamon roll who did nothing wrong and made what I did read/watch enjoyable despite my complaints. And like I said, I have heard it gets better, if you can get further in the manga.
And if nothing else, we do honestly owe Citrus, because the manga did help make yuri more popular and well-known, and the anime marked the shift from subtext being the only way to imply a relationship between girls, to more recent series being able to show it in full and not downplay the romantic or even sexual elements of a lesbian relationship. So, I guess despite what it took to get there, we probably wouldn't have it nearly as good as we do now without Citrus, so on that merit it is probably worth checking out.
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And finally, there's my top three recommendations:
-Magirevo (or; The Magical Revolution Of The Reincarnated Princess And The Genius Young Lady): Another recent one, but that I actually was able to sit down and watch through entirely, huzzah! Genre-wise it's kind of a weird one, being technically an Isekai but only barely; the protagonist has vague and fuzzy memories of a past life on earth that do inform her decisions and drive to an extent, but she refreshingly still feels mostly a part of this world she was born and raised in. It also takes a lot of cues in terms of the setting and typical tropes from the traditionally (tragically) more het-oriented Otome/Villainess genre, so without as much familiarity with that, some of the metatextual twists to those formulas that I really enjoyed, may not land the same? But it's still pretty solid even aside from that.
The basic concept there is that the protagonist, a princess in a magically-strong royal family who herself lacks any magical capability, becomes something of a mad scientist in her efforts to find a way to use magic through other means, and abdictates succession to her younger brother. However, over time he begins acting more erratic, until a breaking point is hit when he publically disavows his betrothed fiance. And the princess, who's also a massive lesbian who's long held a crush on said fiance, takes advantage of this to swoop in and drag her into assisting with her experiments.
It's admittedly kind of an uneven series, veering wildly between slice-of-life hijinks and surprisingly in-depth amounts of intrigue, and so the overall tone is a bit messy. The big issue is that its commentary on the flaws of monarchism and royal politics winds up feeling a bit undercut/incomplete, by virtue of being an incomplete adaptation that the LNs and Manga continue past, but I'm still willing to forgive all that, because the romantic development is very strong. While I understand some of the other series above that I have yet to watch or complete also don't have to hide behind subtext like older shows did, this one feels like it really takes advantage of that freedom. Despite the main plot distracting from it at times, on the whole the girls' relationship feels wonderfully central and gets a really good payoff. If you're here for gay with a little extra something on top, this is my recommendation.
-Symphogear: This is a case where I simultaneously really recommend this, while not entirely being sure if it should be on the list. While most of the others I've listed are single-cour and thus pretty quick to blast through, (even if sometimes to their own detriment, more on that later) Symphogear has five seasons' worth of content, with possibly more on the way, (there was a recent announcement of something new coming in a few years, but whether it's a new season, a spinoff, or just some unduly hyped merch or something, is yet unclear.) so is more of an undertaking. It's also a bit more rough around the edges in some spots, so my recommendation does come with disclaimers.
Premise-wise, it's kind of a weird mashup of genres; Magical girls, super robot mecha anime, and idols being the big ones. In a near-future world that's regularly afflicted by incursions from deadly entities called Noise, there are a group of girls wielding Symphogears, music-powered magitech devices that allow them to transform and fight back. However, there's a whole lot more going on beneath the surface, as the mystery of where the Noise are coming from is tied to a web of conspiracy involving alchemists, monsters, enemy symphogear wielders, and ancient sumerian myth.
It's definitely an action show first and foremost, but part of what both makes it interesting (and somewhat difficult to explain conceisely) is the way it evolves over the course of its run. The original season just started out as like, one of the wave of edgy grimdark "being magical girl is suffering" Madoka-clones that came out after Madoka, (so yanno, if you watch it, go in prepared for it to go some dark places) but it fairly quickly found its own identity and direction in being deeply, unapologetically maximalist about everything it does. Maximum edgy darkness! Maximum awesome hype! (And resultingly, maximum weaponized mood whiplash!) Maximum music! Maximum conspiracy! Maximum violence! Maximum comedy! (For better or worse, maximum fanservice!) Maximum gay! Maximum gay drama!
So like, it's just... A Lot,™ for both good and bad, and best taken at a measured pace rather than binged all at once. Also, while it's technically just subtext in its yuri until the last season, as with everything else about the show, it's so blaringly, gleefully unsubtle about that stuff that it may as well be text anyway.
So yanno, I personally like it, I think it's a great show that more people should watch, but I'll also readily admit that while it probably has at least something for everyone, it also probably has something that might turn people away, with either the plentiful fanservice, or the more oppressive grimdarkness of most of the first season being the two biggest concerns. It uh, goes some places. But, all that being said, it's still a pretty great ride on the whole? So if you think you could deal with those aspects, I do think it's worth taking a look, and the payoff is very much worth it.
And finally...
-Bloom Into You: In terms of just pure yuri, this is one of my favorites, and a pretty popular one for good reason. It hits a really nice balance between the chillaxed gentleness of most slice-of-life stuff, and the angst and drama of some other series; I feel like the best word to describe its tone is thoughtful. It's very well-written, and very sweet while still giving more to chew on. (Also helped me realize I was demiromantic, so that's also a point in its favor.)
A girl entering high school has always dreamed of and idealized romance, but after actually getting confessed to and feeling nothing about it, winds up kinda reconsidering and uncertain of what she actually wants. She meets an upperclassman who seems completely disinterested in romance and tries to connect with her over that, only for the upperclassman to fall for her instead; while aknowledging it's unrequited, she regardless asks her to enter a sort of one-way semi-romantic, semi-platonic relationship. As it goes on, and more context comes to light, she starts to realize there's a lot more emotionally complicated stuff going on, that I'll let you find for yourself.
Very very good series, but with one major flaw, that being that the anime only covers the first half of the manga and cuts off before everything can really properly resolve. They did tweak things a bit so the last episode does serve as at least something of a conclusion, but it's still just not quite there. Unless they do a second season to cover the rest, (which at present seems unfortunately unlikely) my recommendation would honestly just be to read the manga on dynasty scans, or watch the show and then read the rest. It is at least a very faithful adaptation, so I don't think you'd be missing too much if you choose the latter route. But yeah, either way, if you only do one thing off this list, this one is what I'd suggest.
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I hope this helped! Went bit overboard here, whoops ^^;
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