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#PUBLIC NOISE
kiwiplaetzchen · 1 month
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"I'm admittedly partial to more fiery forms of magic."
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gollancz · 6 months
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Happy Paperback Publication Day to @jonnywaistcoat and FAMILY BUSINESS!
DEATH. IT’S A DIRTY BUSINESS. When Diya Burman’s best friend Angie dies, it feels like her own life is falling apart. Wanting a fresh start, she joins Slough & Sons – a family firm that cleans up after the recently deceased. Old love letters. Porcelain dolls. Broken trinkets. Clearing away the remnants of other people’s lives, Diya begins to see things. Horrible things. Things that get harder and harder to write off as merely her grieving imagination. All is not as it seems with the Slough family. Why won’t they speak about their own recent loss? And who is the strange man that keeps turning up at their jobs? If Diya’s not careful, she might just end up getting buried under the family tree. . .
'A triumph, thriving on relatable fears, hyper-realistic dirty homes, and understandable grief' - Fantasy Hive
'It completely blew me away' - FanFi Addict
'Don't read by yourself in a strange hotel room if you want to come out psychologically unscathed' - Me, specifically, learning lessons the hard way so that other people don't have to.
If you want a book that will:
Make you twitch at strange shapes outside the windows as the nights get darker
Break you in the smallest ways with the simplest observations of the meaning of humanity and love
Give you new and exciting things to be scared of that actually, on reflection, had probably always been lurking in the depths of your psyche just waiting to be called up
FAMILY BUSINESS is the book you want to grab.
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crabsdaily · 4 months
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havent listened to welcome to nightvale in a solid year but sometimes i do like to look through the nightvale tags just to see whats up and im so pleased that its still always absolutely incomprehensible
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jahiera · 6 months
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as we exit the period of people overly woobifying astarion we will enter the period where people who don’t like him will wildly over-exaggerate and misconstrue flaws he doesn’t even have as a way to combat the woobification and the most painful thing about it will not be that people are talking about his flaws but that they’re not even addressing the right ones
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mixedmediahmm · 1 year
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how can I draw a character inconsistently if I kin her? check and mate haters
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orokay · 8 days
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The thing about Protestant churches is that they took everything the church historically learned about acoustics for cathedrals and focused it into the architecture of their bathrooms
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witchofthesouls · 18 days
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Tarn is purple as his prose, so did he ever rizz the wifey?
Pffft, only unintentionally. The nurse had seen his Megatron closet and was impressed with the variety as well as the dedication to keep the memories in tact. That kind of devotion reminds the nurse of Caminus, but the Decepticons are not into fire and sun. They unfortunately enjoy high-powered, not-efficient arms. Nurse mourns over their wasteful lifestyle.
Tarn was charming during the wedding, but outside of that, he's your polite weirdo with Strong Opinions on music, justice, and literature.
If Megatron ever ordered Tarn to keep the Camien because of Reasons and Tarn went Shakespearean on you, then he would need to deal with your well-earned paranoia that he's been replaced with a Quintesson clone or a mech with a sigma ability related to mimicry.
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tozettastone · 2 months
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Today I was at a cafe in my neighbourhood where I often go after the morning rush hour to write and drink too much coffee, and a guy (probably under thirty but old enough to grow a full beard) came into the small and quiet seating area where about 3 other people were seated, sat down with his coffee, and began watching something involving a gunfight on his phone, without headphones.
This has happened to me in the gym, in elevators, on trains... I have become someone who says things like, "Excuse me, sorry to interrupt you, did you know that your headphones aren't plugged in?" But they always decide I'm the person being rude, and I'm really tired of, and frustrated by, having bizarre arguments with strangers in public about this.
I'm sure the people following my blog do not much overlap with the ambulatory noise complaints I'm describing, so I'm probably preaching to the choir, but I'm just.... so ANNOYED by its prevalence.
Today in the cafe I just got up and left.
Why do strangers have to teach these slovenly people about basic public decorum? What were their parents doing for eighteen years? What kind of person do you have to be to enter a quiet cafe and blithely play a cinematic gunfight on your phone at top tinny volume?
And, most importantly: what the fuck is going on?
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detectivedeckerstar · 7 months
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Sam, thank you
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On behalf of all of us thank you
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We have what we need for our fan edits for years to come
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To whoever wrote these prompts
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You gave done a great service here today. Thank you.
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convolutedblasphemy · 2 months
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I swear to God we should ban cishet men from driving cars with a horn. I just walked 10 minutes from my office to my car and a total of 3 of these motherfuckers honked at me for being a woman on the sidewalk I guess.
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musicktoplayinthedark · 11 months
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My albums selection for the next heat week:
Cancerous Growth — Remission
Ersatz Olfolks - Ersatz Olfolks
Killing Joke ‎– Killing Joke
D'incise -l'étreinte
A Certain Ratio – To Each…
Godflesh – Purge
Public Image Limited – Metal Box
Pain Teens ‎– Case Histories
Kovana – Club Catharsis
Cosey Fanni Tutti – Tutti
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deers-doodles · 10 months
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Colored in that one contained leshy doodle for the sole purpose of using it as my pfp for this account XD
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transfaguette · 2 years
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You all really need to internalize the concept of competing accessibility needs. For any power-point presentation you can make detailing your specific needs, there is always going to be another person who's needs are incompatible with yours. Neither of you are more or less deserving of having those needs met. Neither of you are more or less deserving of existing comfortably in public.
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duckprintspress · 10 months
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I feel like I need to start talking more about how one of the big things that Duck Prints Press does is open the door to people who could never even get a foot in with traditional publishing or even most medium/"small" presses (we're a small press, but we're really more of a micro-press, I see places calling themselves small presses that are fucktons bigger than we are).
I've got some anecdotal evidence that people avoid the publications of Presses like this one because they think our writing and editing standards are lower - that we're the people who failed to make it in bigger presses because we weren't good enough - and that, consciously and unconsciously, gatekeeping biases on who is and isn't qualified to write lead people to support small presses less than they might support a more established organization.
So...y'all realize that there are a lot of reasons people wouldn't pursue working with trad pub, right? and I don't even mean ethical doubts, and I don't even mean "trad pub doesn't want to publish certain kinds of stories," though those are definitely factors - we're able to give more space to play with themes and genres because we don't focus solely on "is this marketable" as a sales rubric.
But that's not what I consider the biggest difference.
Hi, I'm Claire, and I own Duck Prints Press, and I have a massive history of clinical depression, including being suicidal in the past. I'm a great writer, and I'm not just tooting my own horn, I've got almost 150,000 kudos on AO3 that suggest that just maybe, I know wtf I'm doing stringing words into sentences. I don't need a big press to tell me I'm competent, I already know that. What I do need is to not end up suicidal again. If I face the gauntlet of rejections that's supposedly "required" as part of gatekeeping trad pub, it will do severe damage to my mental health, and probably destroy my ability to write as depression-induced self-deception eats through what I know to be true.
THAT'S what's different about a micropress like ours. Yes, our founding vision was to work with fans, but the vast majority of the people who work with us have mental illnesses, physical disabilities, neurodivergence issues, and/or other "meatsuits are terrible actually" issues that strict publishing environments can't or, really, won't accommodate. We say "fuck that noise" and go out of our way to accommodate people, granting extensions and ensuring everyone can work on their own schedule. We're able to be very flexible, which means we bring in a lot of people whose incredible skills are overlooked, ignored, looked down on, kept out of, more mainstream publishing options.
If someone has trouble with deadlines? We still work with them.
If someone has an illness that flares irregularly and unpredictably? We still work with them.
If someone needs frequent reminders? We still work with them.
If someone works slowly because they can only do a little at a time? We still work with them.
If someone needs extra time, additional support, special software...we have thus far been able to accommodate literally everyone who has come to us.
As long as the creators who work with us keep communicating and keep showing at least a little progress, we will find a way to make things work, because we want to be as inclusive as possible, and because we know that most people with these challenges, no matter how good they are at writing or art or whatever it is they do with us, would face many more hardships to have these opportunities with a larger, more strict organization.
Just, every time I see indications that people think we're "less" because we're not HarperCollins or Penguin or Tor or something, I get so angry, because it shows so little understanding of how gatekeepy and especially how ableist trad pub is, and I wish more of the people who are thinking things like that would recognize that their behavior is, essentially, snobbery.
And to be clear I'm not saying "people with these challenges never get trad pubbed," that's clearly ridiculous and untrue, but I am saying, people with these challenges shouldn't have to be The Most Exceptional just to have a chance, and we deserve to have a place that will accommodate us instead of having to perform health, perform neurotypicalness, etc. just to succeed. We deserve to not have one flare-up potentially ruin our careers, and we deserve the same opportunities and respect as people who choose other directions.
Between trad pub, small press, and self-publishing, no one route is inherently "superior." Backing one over another doesn't guarantee you're only going to get good stories, or good editing. Trad pub publishes utter schlock sometimes, and self-publishing is fantastic sometimes, and some small presses do have lax standards, and some small presses are exceptional, and I feel like maybe people just really don't understand why places like Duck Prints Press try to exist - it's because we're trying to create spaces that meet us where we are, instead of focusing on rigid conformity, marketability, hard rules, etc.
The only way we'll get a diversity of voices in publishing is by supporting a diversity of publishers. The only way we'll be able to make space for everyone is by supporting the places that carve out new spaces to fit those who didn't fit elsewhere.
I wish more people would understand what we do and why we're here, and that folks would at least try our publications before assuming that we're "like big press but worse at writing/arting/editing."
Idk. I'm just tired, and sick, and still working even tho I'm sick, and frustrated with how hard it is to get anywhere, so here, have a rant I probably shouldn't post.
(this post brought to you by me seeing Chuck Tingle - entirely reasonably, to be clear, Chuck Tingle is awesome and I support him entirely! - celebrating the Camp Damascus release to thousands of notes, and Tor posting a poll about some Locked Tomb short story and getting 1300+ votes, and how I have to claw our way out of the background tumblr noise to get 100+ notes even on our biggest releases)
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gwydionmisha · 10 months
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egberts · 7 months
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girls wake up there's a new worm bike playlist in progress
alana said the new one is way more funky, I've noticed a lot of punk bands are piggy dippin in a funk/punk sound more than a pop/punk sound and honestly? I'm so obsessed.
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