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rallamajoop · 2 months
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That time Heisenberg stabbed Ethan with a rusty fencepost
Thanks to this one fic project that needed a pornographically detailed list of Ethan’s most memorable injuries, I've spent some time trying to figure out exactly what Heisenberg stabs him with when they first met. Working mostly from a free-camera version from youtube, I settled on calling a metal pipe with a square profile.
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Tumblr: I was wrong. The reality is so much worse.
Having cracked the game files and installed my own free-camera mod, I tracked down the original asset for this thing, and, well...
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No, really, this is it! Check out those matching cross-bars if you doubt me.
FWIW, it isn’t actually a spear. Those semi-mangled crossbars flag it instead as a spear-headed fence-post. (This may not be a distinction that Ethan would find very comforting after being stabbed with the thing, but there it is, regardless.)
In fact, if you poke around the cemetery area just outside the castle gate, you can even find the fence it presumably came from.
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Look in on the cemetery near the church from the lane leading up to the Duke's shop beside it, and this is what you'll see.
It's not a perfect match (in fact, it's even worse viewed from the opposite side, because someone has clearly stuffed up the textures on different sides of the same asset). I'll also note that if you go back to this fence again after meeting Heisenberg, you won’t find any suspicious gaps in it where a post was recently ripped out. So I’m going to just go ahead and assume this particular piece was lying in a pile of surplus scrap in the cellar somewhere, and Heisenberg did not, in fact, drag the thing all the way there from well outside the whole damn building. I mean, at that point, you’re just showing off.
The fence post is, admittedly, pretty hard to get a good look at in the actual game. Unlike all the other crap Heisenberg already has levitating around him in this scene, the fencepost doesn’t appear at all until Heisenberg stabs Ethan with it. It actually seems to emerge at speed from between a couple of barrels at the back. But if you’re enough of a lunatic to play around with the various slow motion/rewind settings that came with the free camera mod, you can get a decent shot of it in flight, cleaning up any remaining doubt that this is the same asset that was used in game.
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It even freaking spins in the air as it moves. FTR, yes, it does go in pointy-end first. And the whole fucking spearhead ends up buried in poor Ethan. (Please feel free to insert your own dick-joke here.) Those paying really close attention might even note that the blood on Ethan's shirt is present even before the spear hits him, but that's just going to be virtual-stunt-coordination having a normal one.
I can offer you no similarly definitive insight into why Heisenberg would think stabbing Ethan with this thing was a good idea. I can’t even tell you if he knew for sure that it was Ethan Winters he was talking to at this point (maybe he's just playing dumb, pretending not to recognise him. Or maybe he legit didn't know that Ethan himself had made an appearance until Miranda told him. Sure, he's already got that whole conspiracy board, but finding real pictures of this Ethan-guy is surprisingly hard.) But whether Heis was already testing out Ethan’s ‘interesting body’, or whether he’d just generally assumed that anyone who could survive a full lycan assault on the village wouldn’t be too seriously inconvenienced by a little stabbing, hoo boy was this one way to make a first impression.
I’m not even sure which of these losers is the bigger idiot here: the one who imagined Ethan might still agree to work with him even after inserting a very convincing imitation-spearhead into his intestines, or the one who never thought to seriously question how he keeps shrugging off injuries just as exciting as this one.
They probably deserve each other.
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raccoonscity · 1 year
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How Ada is being mischaracterized in the RE2 and RE4 remakes
I've been thinking about Ada in RE2/RE4make and how her character is so badly characterized. Ada is made out to be a selfish, manipulative villainess or whatever. Massive changes were made to the story and her character in both remakes, which fundamentally don't understand her character. Yes, she manipulates people, but most of the time it is the villains (Wesker, Krauser, Simmons, etc.). She is also made out to be selfish and heartless and that couldn't be further from the truth. She's morally complex but that doesn't make her a villain or inherently evil or selfish.
Ada's character was changed majorly in RE2make. In RE2, she's still a spy sent to retrieve the G-Virus, but her cover was a civilian looking for her boyfriend, John Clemens, who worked for Umbrella and was presumably in Umbrella's underground laboratory. In RE2make, her cover is an FBI agent sent to take down Umbrella and take the G-Virus as evidence. This change could work, in theory, but the problem with RE2make is that her cover achieves nothing but fooling Leon--when Ada first meets Annette, she immediately asks for the G-Virus and Annette does a background check on Ada she knows she's a spy. What is the point if the most important person to your mission can see through your cover immediately.
The other thing that was changed about Ada in RE2make is that in the original, Ada isn't really manipulating Leon at all. Ada never asks for Leon's help, he instead runs into her and chooses to help her. She always either runs off alone or, when she's injured, tells him to worry about himself because she'll slow him down. And even when injured she leaves where Leon left her to complete her mission alone. Ada didn't want him to get involved and is consistently discouraging him from following; even in their confrontation she says: "That's why I told you to leave without me. But you wouldn't listen." Checking her gun after she falls reveals that she didn't load her gun and never intended to hurt Leon if it had to come to that.
Except in RE2make, even though she initially doesn't want his help, after a certain point (especially when she's injured) she is actively manipulating him. The change in her cover story was made so Ada can appeal to his sense of duty as a cop, by lying and telling him the sample would be used for evidence. The kiss in RE2make is meant to manipulate but backfires, but the only kiss scene in the original is genuine, after Ada gets injured saving Leon from Mr. X.
When she is manipulating someone, it's the actual villains--Wesker, Krauser, Simmons, etc. We don't know a lot about Ada's true motives or backstory, but we know she never goes out of her way to make the other protagonists' lives/missions harder, and she's not out to destroy the world or cause wars.
She regularly helps the protagonists--not just Leon. In RE2, she will throw a rocket down to either Leon or Claire in the B scenario (even though she never interacts with Claire otherwise). She patches Leon up after he takes a bullet for her and will "die" protecting him from Mr. X. In RE4, she repeatedly tries to convince Wesker that Leon was not a threat and when Wesker tells her Krauser was sent to kill Leon, she does not hesitate to stop Krauser. Ada gets the jet-ski so Leon and Ashley can escape, and in a few instances Leon can find notes that Ada left behind giving tips. She agrees to help get Luis away from the Los Illuminados. In RE6, she helps Jake and Sherry fight the Ubistvo and helps Leon and Helena defeat mutated Deborah. She also gives Leon the evidence needed to take Simmons down.
But unfortunately, RE4make removed one of the key moments Ada helps Leon (saving Leon from Krauser after Wesker orders his assassination) and gave this moment to Luis. I do actually like this scene but it sucks that one of Ada's defining moments in RE4 was just given to another character. It also annoys me that the scene in which we see Ada talking over comms to Wesker, he doesn't seem to care at all about wanting Leon out of the way. In Separate Ways Ada tries to convince Wesker that Leon is not a threat, but Wesker knows otherwise, so Ada avoids Leon and lies about not being able to kill Leon. When Wesker tells her about Krauser being sent to kill Leon, she drops everything to stop him, lies to Wesker about what happened with Krauser, then finishes him off herself. Except now, Wesker doesn't see Leon as a threat at all? Wesker was the one Ada was working with in RE2 so he's well aware of who Leon is. So there's no threat on Leon and that removes a key part of Ada's conflict in SW, unless we're missing some context without a SW campaign yet.
Ada also left him notes in RE4 such as this one where she tells Leon how to remove the Plagas and warns him of the dangers (this role is also given to Luis):
Once a Plaga egg hatches, it's nearly impossible to remove it from the body. But if it's before it hatches, then it can be neutralized by medication. If it does hatch you might be able to get it out by surgery before it turns to an adult. But it won't be easy. There's a high chance you won't survive the operation. As far as I know the girl was injected with the egg before you. Her time is ticking. You should prepare yourself for the worst case scenario.
Now to be fair, Ada does still give Leon advice when they talk over comms, and it makes more sense for Luis to tell Leon about the surgery. Even then, Ada still helps Leon plenty. But why rewrite her story from RE2, why change and take these interactions from Ada, then say she only ever manipulates Leon? Ada never tries to convince Leon that saving Ashley is a lost cause either.
Again, Ada is not a heartless person. I hate that scene with Kendo in RE2make for that reason, because it exists so Leon can teach her to be sympathetic. She doesn't always have ulterior motives for helping others (most of the examples listed above she has no reason to do so and is doing it just to help, and in some cases she is actively putting her life/mission on the line) and is capable of being sympathetic. In RE6, she sympathizes with Carla and says: "If you had only sought vengeance against Simmons alone, I would have helped you." In Ada's reports, she says this about wanting to help Luis:
I'm the one who told the organization of [Luis Sera's] importance. I did it because I like him. His history betrays an enthusiasm I once shared. It was a stroke of luck that I happened to intercept his e-mail for help. It seems he can't trust the police, so he sent the e-mail to an old friend from college. He must have thought his friend was still alive. At any rate, that's how I managed to find him. […] When I told him who I was, he practically begged to be taken into custody. He needed protection. He said, "I have no love for Las Plagas or this stupid cult. I want out. I just want peace and quiet again." I ordered him to bring me a master Plaga specimen - a sample - for evidence.
And then there's that ending scene of Ada and Wesker in RE4make. After Ada secures the sample, she talks to Wesker and seems blindsided by the fact that Wesker is planning something that will kill billions of people. This scene bothers me for two* reasons.
One: This is framed like Ada has just now had a change of heart and doesn't want to be complicit in the death that Wesker will cause... except that's what her arc in RE2 was. Ada expresses this in Umbrella Chronicles immediately post-RE2. After her conversation with Wesker, she narrates: "If the T-Virus did this [to Raccoon City], what would happen if the G-Virus got out?" The only reason Ada gives the G-Virus to Wesker at that point was because she had no other way out of Raccoon City. Why wasn't this in RE2make?
Two: Ada already knows Wesker is planning something horrible, even if she doesn't know the extent of it. The whole point of Ada working with Wesker in RE4 was to sabotage his plans and send him a fake sample. She and her organization want to take the sample for themselves and want to gain insight into his plans.
In Ada's last report regarding Wesker, she says this:
It wasn't easy, but I'd say the mission has been a success. Getting my hands on the sample was my initial objective after all. But I've sent Wesker a different present, just as the organization ordered. Pretending to work with him was entertaining. Albert Wesker… I wonder where he's headed next. Something tells me this whole affair was just a taste of what he's got in store. To him, Umbrella represented power. He used it to hide behind while he made plans of his own. And now the umbrella's been folded. With the sanctuary of their old umbrella ruined, those in power struggle to erect a new one. They are aware of their own crookedness and deceit as they engage in their personal war of light and darkness. That's why Wesker will stop at nothing in opening his new umbrella. The giant pharmaceutical corporation, "S" maintains medical and drug facilities the world over. We know for certain that Wesker has been in contact with them following Umbrella's demise. There's no doubt we'll next hear from him there. The organization must remain vigilant.
A quick note: "S" or "Seashell" was the working title for what eventually was made into Tricell in RE5. Ada and her organization already know that Wesker is in contact with Tricell and want to "remain vigilant" against whatever he's planning. We don't know too much about the organization she works for, what their goals are, and how she came to work with them, just that they research and sell viruses and bioweapons and work with people like Wesker--which sounds bad except look at everything Mia does while working with the Connections, but Capcom just ignores that. Yet Ada is the evil manipulative one 🤔
Some other instances of Ada working with villains include her history of working with Simmons, who she stopped working with specifically because he was involved in the decision to destroy Raccoon City. At the end of Damnation she hints that she won't hand over the Plaga sample to her anonymous buyer/Simmons.
The problem with Ada is that while Capcom has hinted since RE4 about her true motives, they've not touched on the subject since, and everything we know about Ada's backstory is vague. Is she just in it for money or authority? Was she forced to work with them? Does she want to destroy Umbrella and other bioweapons groups from the inside? Does she want to research the viruses hoping to find cures or vaccines? Ada's moral complexity comes from the fact that we don't know why she does what she does, but just because she mostly helps out in the shadows doesn't mean she's selfish or manipulative, and she is still considered one of the main heroes (or anti-hero) of the series.
*A secret third reason I hate this scene is it's so OOC for Wesker, it drives me crazy. There's no reason for Wesker to tell Ada any of this (they don't trust each other) and he's notoriously a strategist who works in the shadows and doesn't tell people his plans. Wesker didn't even have any doomsday/Uroboros plans yet because he only starts his plans after learning about Project W from Spencer, like two years after this. I hate this scene🙃
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stridingseer · 1 year
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Throwing my brainrot/general notes for the two Krauser fights in the CN dub. It is, some really interesting material to dig into and I can’t stop thinking about it. Everything under the cut
First fight in Chapter 11 (start at 32:07): https://www.bilibili.com/video/BV1rx4y1A7rX?p=11 Second fight in Chapter 14 (starts at 38:21): https://www.bilibili.com/video/BV1rx4y1A7rX?p=14
FIRST FIGHT (Mines)
- Rookie is not directly brought over as instead Leon is known as a new soldier (xinbing) compared to Marvin's new guy (xinren). Which means it's NOT a double meaning word to drive the knife in further. If anything, calling him a new soldier is more or less just his title and how he's technically below Krauser station wise, completely different energy than 'rookie' which can be read as an insult. - Instead of calling Krauser by Major, Leon uses the much more respectful and admired 'shaoxiao' for rank. It is even more respect than simply calling him Major (his title) and in a way implies that Leon looks UP to Krauser. Gets compounded by the fact that Krauser calls him a little kid and only by 'rookie', he never gives an opportunity to be closer and highlights this difference in rank. - 1:1 translation of the ENG fight for the most part though it's neat to see how CN Krauser doesn't sound like he's scolding Leon when he says 'didn't I teach you that knives are faster?' it sounds more like an actual observation than anything in CN and really a request that Leon to USE that knife. He sounds like a teacher I had in chinese school when he's disappointed. - Instead of the 'major! you're not thinking straight!' we get 'major! is your brain broken?!' Also it's MIDWAY into the fight that Leon calls Krauser by his last name, prior to this it is only the title. Regardless of which title is being used, it's not until Leon is PUSHED that he uses Krauser's name (kinda like how you don't call a teacher by their name unless it's told to you or if you're close enough to know it. Strangely enough because of how rare Krauser's name shows up, it's as if the fight gets MORE personal once Leon says 'Krauser') prior to this point, Krauser is 'Major' and 'Major' only.  - Krauser instead of saying that what he taught Leon was 'a waste' implies instead that this entire match they just had? A waste of time. Like straight up, he just wasted his time on all of this and maybe on Leon too (which considering how Leon is the student is oof) - Everything else is a 1:1 of the ENG fight for the most part. Krauser does a LOT of scolding.  SECOND FIGHT (Ruins)
- When Krauser says 'you can't save her, you can't save Anyone', Leon does the rough equivalent of 'shut up/stop' rather than a strong 'give it up Krauser!' from English. Also worth noting is how Leon turns this around retorts with basically 'and this can't save your men!' Highlight on how they both focus on the word 'saving' in CN rather than ENG's choice to use 'bring your men BACK' (from the dead) - Also, from this point onwards, Leon uses Krauser's surname. Meanwhile Krauser maintains the colder standpoint of only using new soldier (rookie) to Leon which gives them some distance.  - what IS interesting is how Leon uses brothers (xiongdi) which basically implies that yeah, he knew them too. Also quite normal since they would be battle brothers in a sense. It's not 'men', it's people that Krauser specifically worked with as if it were going for something more distanced/colder, you would be using soldiers (bing) instead of xiongdi.  - Krauser, before letting out fire at Leon, isn't saying to move out and draw fire. instead it's to metaphorically become his torch from a direct translation. - Leon's 'if I'd be dead if I listened to people like you' becomes one of those cheeky lines instead of a comeback in ENG through sheer tone. If anything he just wants Krauser to stop talking and he wants to press some buttons. - Krauser's 'anything to make the pretty boy feel special' literally becomes 'I prepared this just for the little handsome boy!' which is like, christ.  Prior to this, Leon says ‘you did all this for me? you didn’t have to!’ rather than ‘well, you’ve really gone all out for me. you shouldn’t have!’  - Leon, of course (you can hear bits of Kaeya in there), chooses to snark about how the arm must be hurting so much and maybe Krauser should get a break. - Now small difference but Leon's 'oh that's your true power? Oh I'd ask for a refund' becomes about how HE would get a refund. He's straight up returning the ticket over Krauser's true power. - Wanting to see Leon writhe is now about him begging for mercy - Leon's 'the way you're going, there won't be anything to protect! You'd have known that once!' the latter sentence becomes 'you STILL know that!' which is oh boy, loaded. Krauser is still the same man despite everything that has changed to Leon and to Leon, this change still means nothing because to HIM, he's talking to the same man as the one that trained him/worked with him - Krauser's 'do.... what you have to do.' becomes 'you KNOW what to do' - FINAL 'I trained you well... Leon' is now 'I didn't teach you for nothing.. Leon' which is like BOY. Mind you their first fight implies that Krauser wasted his time training Leon and to have this be the bookend to that is... certainly a thing. Leon then agrees with Krauser's final statement about how 'you didn't teach me for nothing' 
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blood-darkened-moon · 5 months
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Alfred, Alexia, and the Dragonfly
The infamous video of Alfred and Alexia torturing a dragonfly and feeding it to the ants can be found twice on Rockfort Island. The first time, you see it in the room with the Lugers and then again in Alfred’s office as the startup of his PC. Of course, it has a deeply person meaning to Alfred. We know about his obsession with his sister, and Alexia is in there as well. Maybe the video is the only one with her or the last one that was taken before her cryogenic sleep. It makes sense that Alfred would hold dear something like this. But is it just about Alexia, or is there more to it? After all, we even have to watch it twice.
The twins do not talk the entire time and barely interact during the video. The only noteworthy interaction happens during the last scene, in which Alfred and Alexia share a knowing gaze. The way they look at each other makes it clear that there is more to the whole scene than what meets the eye. It had a deeper meaning, which only they could understand. A secret they share with each other. Words are not necessary.
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When I first played Code Veronica X, I assumed the video mainly existed to show the cruel and twisted nature of the twins, while it also foreshadowed what Alfred would become. But after replaying the game last year, I changed my opinion. The video isn’t about Alfred and Alexia’s general cruelty or torturing of defenseless creatures. The content represents something more personal to them - their revenge on Alexander.
It was never said when the video was recorded, but the twins aren’t small children anymore. Based only on their appearance, I would estimate them to be between 10 and 12 years old. Now, considering the content of the video, I think it was recorded after Alfred discovered the truth about their origin and after they came up with a revenge plan as the earliest possible date. However, it is more likely that they had already executed their plan some time before.
Let’s take a closer look. First of all, the visual language. The ants symbolize Alfred and Alexia. Alexia sees herself as an ant queen and refers to Alfred as a soldier ant. The dragonfly is Alexander. It is more obvious for Alexia’s third form, but Alexander’s mutated form resembles a dragonfly too. He has three appendages on his back, similarly arranged like three of four wings of a dragonfly. Additionally, these appendages are long and thin, like insect legs. In Darkside Chronicles, he even uses them to move around. Also, Alexander’s real legs are bound together with the rug, which makes his lower body look vaguely like the elongated abdomen of the insect. The belts even give it a segmented appearance.
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The last similarity isn’t related to the real animal but to an item. To activate the self-destruct system, you have to assemble a dragonfly key. On the underside of this key is a prominent red jewel in the middle of its thorax, similar to Alexander’s exposed heart.
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The dragonfly in the video is rather large. It has a blue abdomen with black markings and a yellow thorax. I tried to find out what dragonfly species we see there and found three possible candidates. One is the green hawker (Aeshna viridis), another is the southern migrant hawker (Aeshna affinis), and the last one is the emperor dragonfly (Anax imperator). (I’m not a dragonfly expert, though. Maybe there are other ones that fit better.)
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The abdomens of the green hawker and southern migrant hawker are also blue, the thorax is yellowish-green, and they have black markings on their bodies. The emperor dragonfly has an apple-green thorax rather than a yellow one, but it would fit the other criteria. Other dragonfly species with a similar color palette have either more black markings, differently colored spots on the abdomen, a different body shape, or are too small. In all three cases, only the males have this coloration. The females are green or yellowish green instead of blue. Selecting a male dragonfly specifically could be another reference to Alexander. As for the emperor dragonfly and the southern migrant hawker, contrary to the green hawker, they also inhabit Great Britain, which delivers another connection to Alexander. And while Alexander is, of course, only an earl, not an emperor, an emperor dragonfly could still refer in a wider sense to his peer status.
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From left to right: green hawker (male), southern migrant hawker (male), emperor dragonfly (male).
The general events of the video reflect what happened to Alexander. Only Alfred interacts with the dragonfly. He was also the one who initiated the revenge plot after discovering the truth about himself and Alexia, as well as the one who suffered subjectively more under his father. Alexia stays passive the whole time and only watches her brother, while in real life, she is the one who has carried out the experiments, not Alfred. However, even if she does not join her brother here, Alexia still contributes by providing an instrument to execute the allegorical revenge - her ants (and the virus in reality).
Instead of simply killing the insect, Alfred rips out its wings, making it incapable of flying away. Like the dragonfly, Alexander was still alive when he met his fate. The twins tranquilized their father before Alexia injected him with the virus, which caused his transformation. Afterward, Alexander’s confinement continued, and he was chained for years in agony, probably awaiting his death if he was still capable of having coherent thoughts.
The dragonfly’s death is not in vain. Feeding the insect to the ants serves a purpose. The ants can feast on it, and the colony can grow. Alexander’s life wasn’t wasted either. Alexia directed Alfred’s revenge plans from simply killing their father to using him for research purposes. Their “useless father” could contribute for once to Alexia’s research and the Ashford family. Even though the experiment was a failure, Alexia was still able to use the data she required from it for her benefit.
Why all the effort with the cryptic symbolism? Alexander was a terrible father. Probably not intentional, but this isn’t an excuse. He took the childhood of the twins for the sake of his own ambitions. He used Alexia to fulfill what he could not achieve and disregarded Alfred for not being as intelligent as his sister. Finding out that they were the result of a genetic experiment was the final straw, especially for Alfred. Their father then got what he deserved, according to them. Alfred hated Alexander with a passion. It must have been a great feeling to get rid of him, and to celebrate it, he (maybe Alexia too) wanted a keepsake. Direct photos or videos of their father were out of the question. Alfred even wrote in his diary that they have to be careful so that Harman (their butler) doesn’t discover what has happened to Alexander. The dragonfly video works well. It is cryptic enough that no one could understand its meaning without more background knowledge. People who see it randomly would assume it is a disturbing and slightly eerie home video. Alfred and Alexia, on the other hand, know exactly what it is about. It’s so important to Alfred because it does not only show Alexia but also their victory over Alexander. The insects are nothing more than involuntary actors. The real dragonfly and what is happening to it is secondary. The symbolic meaning behind the dragonfly’s death struggle holds significance.
Some notes as a closure that didn’t fit in the rest of the text: What makes the video so creepy, except for the circumstances you find it in, is the twins’ acting. Without them and out of context, the dragonfly video wouldn’t even be that unsettling if you consider some facts. The video was recorded in the Antarctic base. Dragonflies do not inhabit Antarctica. This means the dragonfly was bred there. The twins did not randomly catch it for the purpose of torture. What’s the purpose of breeding dragonflies? I assume it’s for (virus) research. We know that Umbrella performed experiments on other invertebrates. So, if dragonflies are bred in the lab anyway, why not use some as a protein source for the ants as well? More common insects for feeding ants would be mealworms and meal beetles, house crickets, flies and fly larvae, roaches, and plant lice, though. Also, dragonflies are predators and attack everything they can overpower, including other dragonflies. And unlike ants, they can fly. It makes sense to remove the wings first to prevent it from flying away or attacking the ants. Sure, ripping out its wings and not killing it first is still cruel, but at least the ants will take care of this soon.
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piracytheorist · 1 year
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I NEED TO SCREAM ABOUT SHADOWS OF ROSE SO BAD AGHHHHHH
Can we just talk about the amazing use of contrast when it comes to Michael's written words in the dlc??? Everything is so dark and distorted, meanwhile with Michael's words you feel the warmth despite the lack of a voice.
It helps too that they use golden yellow! A warm color, a color that represents happines, optimism, and friendship. The light that guides Rose to her journey to the crystal.
They really could've went and made Ethan a cool, badass, still sane mold monster but they didn't, they made him something that literally look like it came from the heavens. He really is an angel sent from heaven 🥺
Also I'm glad they didn't fully make Mia bad here, though there was the weird plot hole where she didn't tell Rose anything about Ethan... And from what me and my friends discussed it appears Rose has gone into a boarding school, resulting in less time to visit Mia. Probably why she mentions "I haven't seen Mom in ages."
Its super cool Rose is hella smart, though it ended up kinda kickstarting the bullying for her :( they're just jelly she's tons smarter and cooler than they'll ever hope to be.
The whole Winters home sequence wa soooo fluffy and cute it just made me giddy inside!!! :3 and when Ethan says "You have me." when Eveline screams that Rose is no more than a freak who has no friends made me break UGHH
And as usual, Ethan puts other before himself even willing to fight Miranda and possibly suffer a lot. But it wouldn't matter as long as his daughter was safe.
And what does Rose do? She sacrifices the only chance she has to be normal, all just to save her dad. Like he did for her back then!!!!
This DLC dude, i swear.... It really made my heart soar...
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That's a good reaction pic for this DLC. Just looking at the void screaming inside.
Ethan's words were like a soft light guiding and supporting Rose through the dark and creepy nightmare. It's not just what he said, but the way his words were shown was so on point. I was so excited to see what he'd say and at the same time felt relief every time he appeared, cause after all the creepy and intense stuff, he provided Rose with support and a moment to breathe.
I feel it's once again them not caring about making Ethan a macho badass. He's just a dude and he cares so much for his daughter, prioritizing her over anything else. And his appearance with soft, glowing words really accentuates that. He's just a soft dad 🥺🥺 and really, it's what Rose needed in that case. It helps build up their relationship up to the end where they hug and say they love each other. It wouldn't work as well, it wouldn't hit as hard, if for most of the game it was just a cool badass portrayal of Ethan who at the end suddenly shows a caring, soft side. I mean, I'm not implying anything about real life; but since this is a fictional story, it worked so well to have "Michael" guide Rose and help her while being portrayed as calm and reassuring, for us to invest and be touched by their final scene. I mean dude they really went for the feels and they wanted us to cry even harder than we cried at the end of the main game.
The boarding school idea is kinda good, although I wonder how and why they decided to send her away. They had seen how Eveline ended up when she felt that she didn't have a family to love her; why did they repeat that mistake with Rose? And yeah I'm wondering too why Mia didn't tell her anything about Ethan. Maybe Rose was too young to remember when Chris took her? But still like, there should be something, idk. And if they do leave it there and don't explore the Winterses' story in any future games, then the reason Rose didn't learn anything about Ethan will stay a plot hole.
Oh I feel that about her being bullied. I was bullied a lot at school too, and it always comes from kids that have something going on with their lives and just take it out on an easy victim. Though that kinda goes to show that Rose had received enough care by that point that she didn't turn full-on Eveline and never burst out using her powers to hurt other people. Or like, you know Stephen King's Carrie? That second doll puzzle where they prepare to throw something on the Rose doll from a bucket could have easily ended up in Rose losing it and killing them on the spot. And now I'm thinking, when K in the beginning cutscene tells her "You're not a freak!" or whatever, it feels like it's the first time Rose hears something like that. And it would make sense, considering it's a fake, only Miranda manipulating her. Geez Rose really doesn't have anyone to support her through this huh. Once again, Chris wants her to join his operation, but god forbid he supports her emotionally and helps her accept that she's not a monster.
No, only Ethan is there for her, and he's not even THERE. That "You have me" breaks me too, I'm going through Maxylobes' first time playthrough and seeing it again makes me wanna scream. My sweet Ethan! He really doesn't care if Rose has her powers or not, he only wants her to be happy in whatever way she wants to be. And he invests in it. Rose wants to remove her powers and is stubborn about it? Imma help my daughter out! Rose accepts her powers back in order to defeat Miranda and have a moment with me? I'm so very proud of my baby T_T
And yeah when Rose breaks the crystal, it's like she's at once and full-force reciprocating her dad's devotion. Like, it means a lot to me that in the main game, Ethan could have left the village at any given moment, yet he stayed and fought in order to save his daughter, even dragged himself back TO LIFE to complete that. And again, Rose has the chance to get out of the megamycete consciousness at any given moment, but she's determined to get rid of her powers… and it's a case of "the real treasure was the friends we made along the way" because she realizes that what she really wanted was not to get rid of her powers, but to embrace and accept them, and feel LOVED with OR without them. And Ethan's guidance, and support, and protection, and LOVE throughout the whole nightmare she was going through, no matter whether she got rid of her powers or kept them, is what helped her do exactly that. She didn't want to feel "normal"; she wanted to feel loved. Her classmates hated her for her powers; Chris seemed to only value her FOR her powers. And instead, Ethan shows her unconditional love, that powers or not, he loves her to death, literally.
Bruh I'm… I'm… I need a moment. I had so many reservations about this DLC but GOD did it give me so much more than I could ever have expected.
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why I think Not A Hero is called Not A Hero
this is a ramble and I am sorry
definition (because i second guessed myself and then reading the defnition was amused): In mythology and legend, a man, often of divine ancestry, who is endowed with great courage and strength, celebrated for his bold exploits, and favored by the gods/ .A person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life.
so in timeline the events of RE6 happened in 2012/2013 and the events where Chris watching most of his team die (including a 22 year old called Finn), getting post traumatic amnesia, heavy drinking over a extended period of time file “ Upon waking up, Chris had no recollection of who he was or what had occurred, but his mind was wracked by an overwhelming and inexplicable guilt. Chris determined to run away, and he left the hospital before anyone could check in on him... Chris lived as a moody and violent drunk, hoping that he could numb himself to the pain of what happened that fateful day”. Going back into it all with a new team and them dying. Finally watching Piers Nivens get so seriously injured that he saw no other way but to infect himself with the C- Virus (to which there is no cure after they mutate its a death sentence) and made Chris leave as he stayed behind (Piers sacrifice leading Chris to remain with the BSAA) and in Vendetta so 2014 Chris was in another incident involving a mansion where everyone but him died and because of this incident his friend Rebecca Chambers was endangered because she figured out how to make a vaccine and other things happened *coughs* the bad guy dressed her up as his dead wife and it was creepy
and in Not A Hero itself Chris was told to look out for soliders that Lucas had captured and save them. He did not succeed. At the end of the dlc he and Veronica have a conversation the scene is Chris looking at the family photo of the Bakers and the dialogue is this “Chris:... "Think we did any good here?" Veronica: "Not for them, unfortunately, but the mold is contained. Hopefully, they're Evie's last victims." Chris: "Hopefully."
Chris has been doing this for 20 years and has lost a lot of friends and lots of strangers and even returning to a small scale outbreak he wasn’t able to save them. He thought it was over so getting the achievement at the end “you’re the hero now“ you felt that as well (random song rec Victory by two steps from hell)... and then village happened and you lose your mind a bit and it all goes back to hell
and why Chris is working with Blue Umbrella
its literally in a file that is in your inventory from the start of the game and he wasn’t happy about it. He didn’t fully trust them of course. And PMC means Private Military Contractor
For many of you this is your first mission with us, so we wanted to make it clear what Umbrella is all about.Though many of our staff hail from the infamous pharmaceutical giant
Umbrella
, our purpose is to make amends for the atrocities perpetrated under the Umbrella name. That is why we re-incorporated as a PMC in
2007
.We will put a stop to not only anyone who is engineering or selling bioweapons, but those who support those efforts as well. We made a mess and now we have to clean it up. By keeping the Umbrella name, we show that we take responsibility for that mess and we want you to remember that you carry this responsibility with you in every mission.
BSAA Alpha Team members. I’m including this list because of a few of the files from RE6 which stated that Chris “treated them like a family and not like expendable soldiers.“
Jeff BSAA operator 2013 Deceased
Keaton BSAA operator 2013 Deceased
Rose, Marco Explosives expert 2013 Deceased
Reid BSAA operator 2013 Deceased
Nivans, Piers Lieutenant 2012 and 2013 Deceased
Redfield, Chris Team captain 2012 and 2013 Alive
MacCauley, Finn Explosives expert 2012 Deceased
Airhart, Ben BSAA operator 2012 Deceased
Alfonso, Carl BSAA operator 2012 Deceased
Walker, Andy BSAA operator 2012 Deceased
STARS Members (because i can)
Aiken, Richard Backup man Communications expert Bravo Deceased Dewey, Edward Rear-security Pilot Bravo Deceased Frost, Joseph Omni man Vehicle and equipment maintenance technician;qualified to handle dangerous goods. Alpha Deceased Marini, Enrico Leader Bravo leader Bravo Deceased Speyer, Forest Omni man Maintenance, Sharpshooter Bravo Deceased Sullivan, Kenneth J. Pointman Chemist Bravo Deceased
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dailyfigures · 6 months
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Kirby & Waddle Dee & Meta Knight & Magolor ; Kirby ☆ Re-Ment
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aroaceleovaldez · 7 months
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reminder that the only reason the "ADHD is actually demigod BATTLE STRATEGIES" and "dyslexia is DEMIGOD BRAINS HARDWIRED FOR ANCIENT GREEK" things exist in the PJO universe is because it's a very direct reference to early 2000s teaching/parenting techniques for neurodiverse and disabled children, which aimed to frame childrens' disabilities and hardships as a "superpower" or strength so that the children would feel more positively about their disabilities or situations. This technique has fallen out of favor since then for the most part since more often than not it just results in kids feeling as though their struggles are not being seen or taken seriously.
Yes, demigods are adhd/dyslexic (and sometimes autistic-coded) in the series. This is extremely important and trying to remove it or not acknowledge it makes the entire series fall apart because it is such a core concept. Yes, canon claims that their adhd/dyslexia is tied to some innate abilities, which is based on an outdated methodology. It's important to acknowledge that and understand where it comes from! But please stop trying to apply it to other pantheons in the series like "oh, the romans have dyscalculia because of roman numerals!" or "the norse demigods have dysgraphia for reasons!" - it's distasteful at best.
A better option is to acknowledge the meta inspiration for why that exists in the series, such as explaining potentially that Chiron was utilizing that same teaching methodology to try and help demigods feel more comfortable with their disabilities and they aren't literal powers. In fact, especially given Frank, there's implication that being adhd/dyslexic isn't a guaranteed demigod trait, which means it's more likely to be normally inherited from their godly parent/divine ancestor as a general trait, not a power, and further supports the whole "ADHD is battle strategy" thing being non-literal. It also implies the entire greco-roman pantheon in their universe is canonically adhd/dyslexic - and that actually fits very well with the themes of the first series. The entire central conflict of the first series fits perfectly as an allegory about neurodiverse/disabled children and their relationships with their undiagnosed neurodiverse/disabled parents and trying to find solutions together with their shared disability/disabilities that the kid inherited instead of becoming distant from each other (and this makes claiming equivalent to getting a diagnosis which is a fascinating allegory! not to mention the symbolism of demigods inheriting legacies and legends and powers from their parents and everything that comes with that being equivalent to inheriting traits, neurodiversity, and disabilities from your parents).
anyways neurodiversity and disability and the contexts in which the series utilizes representation of those experiences particularly during the 2000s symbolically within the narrative is incredibly important to the first series and the understanding of what themes it means to represent. also if i see one more "the romans have dyscalculia instead of dyslexia" post in 2023 i'm gonna walk into the ocean.
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galedekarios · 5 months
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a while ago, as i was playing gale's origin, i was talking about his "i cast my first spell whilst still a babe." line with my friends @lairofsentinel, @shibepetter and @voliialpha, bouncing ideas off of each other. i also made this post about it.
when halsin asks you to share a story about you, origin gale has the possibility to answer as follows:
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Gale: I cast my first spell whilst still a babe. My mother took an awful fright when I conjured up a score of rabbits in the pantry. Halsin: Ha! Talented from the very beginning, then? Almost surprised you didn't cast magic in the womb.
now we have this new bit of information from one elminster's possible epilogue letters, revealing that gale cast fireball, a third level spell, at eight years old:
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Elminster: You could have been no more than eight summers’ old, clutching your mother’s apron, eyebrows singed off by the fireball you’d unleashed into your neighbour’s rose bush. You were crying because the flowers were so beautiful, and you did mean to destroy them. How kind, how eager, how brilliant you were. And yet so naive. 
adding to this gale's background reveal dialogue, where he says that he could not only "control the weave, but compose it, much like a musician or a poet", i'm more and more inclined to think that gale is a sorcerer with a wizard's education.
he would be a very rare type of sorcerer. sorcerers usually have different sources from where they draw their powers from. for gale's case, it seems to be from the weave itself.
this is just a theory of course, but i do enjoy playing around with the idea. of him chosing to study, to not simply be content with his natural gifts and talents, but improving his craft to the best of his considerable abilities.
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knuckleblaster · 1 year
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moodboard
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iridescentscarecrow · 9 months
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there's something so human and compelling to asa's wants. a grappling with her fear of being perceived in her clumsiness but then that raw sense of being acknowledged, her little grin. she's so real it hurts.
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hatosaur · 4 months
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it's pretty implied that ellie never came out to joel in the proper sense. she lets him assume that she's into men, gives him the false satisfaction of "seeing" her "crush" on jesse, does not correct him. she's fairly confident in being gay in public for others to see and having others close to her know; so why not correct him? why dodge the topic?
was it out of fear? could it be that she never broached the topic despite being close to him in the early years because of the possibility of his reaction being negative? that she was afraid that out of all things that could force them apart (further apart after they split), him reacting badly to her being gay would be the worst?
what about at the dance? would she have been as wound up as she was if the moment hadn't been an encounter with a vicious homophobe? maybe she would've still snapped without this context, but why is she immediately on the defensive against joel after he sticks up for her?
what about the porch scene? why did she refute his question of dina being her girlfriend so insecurely, looking away, nervously and quietly stumbling over words? why isn't she mean about it? why doesn't she get defensive at the question? why did she lash out again when he expressed acceptance?
i think these scenes revolving around her queerness indicate it as such; that ellie never told joel for fear of a response, that she lets him think what he wants because that's the easiest way for it to be. then, when she's ready to face off against a homophobe, because that's the way things are, that's what she can expect, and joel defends her, she lashes out.
it's such a clear juxtaposition of support and hatred between joel and seth, and being faced with joel's acceptance is too much, makes her turn to the anger she'd been holding onto and reinforce what she thinks is true -- that she doesn't need him. and in the fallout, as her regret dawns on her, so too does the realization; he was protecting her, like always, without hesitation, over this thing she was always afraid he wouldn't accept her for.
in the porch scene, joel chooses his words wisely, and asks if dina is her girlfriend -- not "so you're gay?" or "why did you never tell me?" or "how long has this been a thing?" -- with such a casuality that it seems to throw her off. it's like ellie can hardly get the words out. she refutes the idea, fumbles for each following part of her response, is tense. she wasn't prepared for the question.
and when he finally asserts his support for her, in as explicit terms as he can, you can see ellie become emotional, touched for a moment but overcome, before she launches into the defensive again, exactly like at the dance scene -- meeting his kindness with hostility as a way to cope with her emotions.
and then, in response to her basically saying her life doesn't matter, he affirms that it does.
so he's now affirmed two things that ellie has doubted: that he accepts her being a lesbian, and that her life matters. a conflation of the two, in ellie's mind, may have come after; and after that, her olive branch.
and yeah, him affirming these things for her is fully in the context of his overwhelming parental love for her and her complex feelings about being the cure, but within a queer subtext, it means more. it's such a familiar thing to slink around loved ones and hide being gay/queer for fear of any type of response, and lying by omission in conversation just to keep that state of peace, of normalcy. ellie, with all her brutishness and bravery, falls into it like anyone else, because even while mad at him, she valued that response from him.
a lot of people seem to think that the approach to ellie's queerness is nonchalant, that it's just some unrelated thing about her, but i think that it holds more weight in the narrative that what is explicitly spelled out. it's subtle but it was a deliberate choice to place her queerness at the center of the confrontation. i think that's why ellie's relationship with dina took center stage in the story, and why so much time is devoted to just them -- because her being queer matters to her character, but in a way that perhaps only a queer person can see, analyze, and appreciate (without being blatant enough to anger certain other fans).
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raccoonscity · 11 months
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I figured out how to put it in words a while ago - RE6 is good when it's trying to be a Video Game. It's bad when it's trying to be a Movie.
I'm not sure if I get what you mean, but I don't really think it does a good job at either? RE6's has 4 campaigns that were supposed to have 4 distinct genres/gameplay styles and intersecting storylines, but all campaigns get action heavy very quickly. The game mechanics were solid, but the gameplay and set pieces don't always work.
Story wise it has a solid understanding of the characters, ongoing themes and arcs (making Chris' campaign around trauma, Leon's is about a corrupt government official, Ada's is about helping from the shadows). For real RE6 understands the veteran cast better than the remakes do. But there's a lot of issues and bad writing (lack of explanation of Jill/Claire irt Chris going missing, as one example).
Basically RE6 is a mixed bag of stuff that is good-but-underdeveloped and stuff that is legitimately bad.
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One thing I’m seeing on this re-read of Dracula Daily that I’m already really enjoying, it’s all the little details we didn’t catch before
When we first started we didn’t know who Jonathan Harker was and to us he was just a silly little British man who was ignoring the obvious warning signs, so there was a comedic element to the dramatic irony of him going to Castle Dracula
But now that we know who Jonathan is and we care about him, it hits much harder all the subtle horror elements we missed while focusing on this good friend telling us about his travels
From the first entry, people picking up on the dog barking under his window and being like “is that Dracula? Does it start this early?” Being skeeved out by Dracula’s overly familiar letter to Jonathan, which at first seemed perfectly reasonable except for the name attached at the end, and picking up on all the terrible foreshadowing for what will be Jonathan’s living hell over the next month in his Castle.
And people this time picking up on the bravery of the wife of the innkeeper who gave him a crucifix, begging him to stay or wait, to not go to the castle, of the terror of knowing that Dracula was in correspondence with her husband to get the letter to Jonathan and the sort of subtle threat they must be under at all times, of the significance of “for your mother’s sake” knowing what Dracula does to children. She is no longer perceived as a random background character, but an active player forced to be a bystander who is trying desperately to help this ignorant soul in any way she can even if she knows it might be useless.
I love people realizing Jonathan is skeptical and off-put, but not enough to deter his mission. He’s not oblivious, just making an effort to remain open-minded to the culture and superstitions and beliefs he is not familiar with, since he’s aware it will be wildly different from his own (to the best of his ability for being an Englishman from the 1890s) and pointedly dismissing the things that might be red flags as an attempt to rationalize because nothing truly concerning has happened yet to provoke him to leave, and he doesn’t want to be deterred by something he’s getting worked up for for no reason yet, he couldn’t do his job otherwise and people are depending on him
Idk, I just like this deeper analysis and thought now that people are already familiar and attached to his character, and now know what happens, so they can properly point out when something is foreshadowing later events or themes in the novel, and they can pick up on it quicker
Even something as simple as people noticing the other meals mentioned in the first entry because of all the focus on Paprika Hendl last year makes me happy :)
I like that they are giving our protagonist more credit now, knowing the character he turns into later in the novel (a badass)
It is satisfying :)))
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revvethasmythh · 10 days
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it's so funny to me that caleb and veth really did just trade off the job of intensely pining for the other at like the halfway point of the campaign. like, imo, nott in the early days did not behave in any real romantic or even romance-adjacent ways toward him--I imagine it would be very hard to even think in that way when you hate what you look like so much, have such low self-esteem, and are actively lying about your entire past, including a secret husband. caleb, on the other hand, is kind of diving directly back into the sort of relationship he had with astrid and eadwulf. very close, very intimate, we-huddled-for-warmth-together-and-oops-it-led-to-something-else sort of thing. he is the one who expresses that he's fine with it if people think he and nott are romantically together when they're talking to keg. nott is the one who pushes back on that. he calls her his life partner. unknowingly, he compares his feelings for nott to nott's feelings for yeza. his behavior only really starts to change after he finds out about veth's husband because suddenly all of that other stuff is rendered inappropriate in retrospect. but even then he compliments her to yeza over dinner in the most awkward of ways, he admits to being jealous, he calls yeza "a lucky man" to have her, he stares at veth and yeza closed bedroom door for far too long, he creates an entire arcane tower with room for her family just so she'll stay with him. in general, his behavior is not, um, totally and completely platonic about it, you know?
like, veth's feelings for caleb are canonical and therefore indisputable in their existence, but caleb in the early days was not that dissimilar to how veth was acting near the end of the campaign. it really paints a picture of "right person, wrong time" in the way things just didn't line up for them. or, as veth would say: "in another world, maybe"
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piracytheorist · 11 months
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I JUST had an epiphany
When Miranda is posing as Mia and she snaps at Ethan with a "There's nothing wrong with my memory" it's because she's being too cautious while acting as Mia. She doesn't want to arouse Ethan's suspicions, and the smallest thing could betray her ruse. So when, in her view, Ethan comments that she might have forgotten something that the real Mia would never have forgotten, she snaps like that to say "I remember well! I am definitely the real Mia! Definitely no impersonation happening here! Shut up stupid man!" Like, she preferred to make him believe that his wife would be rude to him like that (because she didn't care about him and she wouldn't keep up this charade too long anyway) than even allow him the suspicion that something might be wrong and that maybe she's not the Mia he knows.
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