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#Steve meta
stuckyfingers · 21 days
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Hear Me out:
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Sarah and Joseph Rogers, Played by Saoirse Ronan and Jack Davenport.
Steve Rogers (played by Chris Evans) has got a mix of both their features:
Mother: cheekbones, hair color, eye color, chin, general facial structure- preserum.
Father: eye shape, eyebrows, jawline, nose, lips, general facial structure- post serum
Also,, both Jack and Saoirse are period drama actors.👀
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amarriageoftrueminds · 3 months
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Random Bucky-related Fact I Uncovered:
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The house on the left corner there is 169 Clinton Street (circa 1935), Brooklyn, where H. P. Lovecraft stayed 1924-1926. The area’s multiculturalism horrified him so much he had to write The Horror at Red Hook (1927) about it.
Why's this interesting?
Because if you look at this prop dog tag for Bucky in the MCU...
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...You'll see that that next-of-kin address ^ for Bucky 
Is two houses down, behind HP Lovecraft's place, on the street you're looking down at the far-left of that image up there. ^
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So the area HP Lovecraft found horrifyingly multicultural in the late 1920s, that's where Steve and Bucky were growing up! 😊
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aberrations-reality · 10 months
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I think it’s incredibly interesting that fic writers first instinct is write Steve Rogers as impulsive and reckless (myself included). He was chosen for the serum not just because he was a good man, but because he would never abuse his power.
Where do we see impulsiveness?
In the movie theater when he tells off that harasser? He doesn’t say anything until he notices a woman on the edge of sobbing in the middle of the theater. Do we see him instigate the fight that comes next? Nope. We hear a door bang open and see the harasser kicking the crap out of him. My guess is Steve was followed from the theater- and that he didn’t pick the fight at all. The flagpole is one of the greatest tells- he didn’t try to climb up the flag pole. He observes, thinks about it, and then acts. The grenade is the first time we see impulsiveness- but I have no doubt he’s thought about that too- how did he know that his body would contain the blast- remember all of those books he brought? I’m confident he thought about that too. The consequences of the serum, the risks weighed against the good he knows he could do. What about those times he enlisted again and again? He came up with accurate believable information he had to have researched for the five times he enlisted. How about jumping out of the plan with a parachute? That was the plan all along- he dove into water- a parachute would have drawn the attention of those on board- the tactical team only drops in after Steve has taken out the on deck security.
This man is a tactical genius- because he is level headed, measured, observant, and above all, empathetic and compassionate. He will always put his morality above all else- and he takes the time and energy to put serious thought into what his morals are- we see that with the sokovia accords. He is not without fault- I imagine he carries a great sense of guilt, and that yes, it influences his decisions (hello Arctic dive). But the thing about Steve Rogers- he knows his value- and nothing anyone has ever said has changed that. Yes, he had something to prove- not because he felt the need to prove to himself and others that he had worth- but to prove that every man, great or small, was capable of doing the right thing.
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the-seas-song · 3 months
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Tumblr is being extremely weird right now and won't let me answer @transexualpirate's ask about why I hate Tony/Pepper. This post is my answer to him:
Hi! Sorry for the late reply, my life got crazy.
The short answer: Pepper emotionally abuses (and slut-shames) Tony from IM2 onward.
The long answer: Pepper's behavior is extremely subtle, and a lot of people miss it. Unfortunately, it's been so normalized (at least here in the US) that a lot of other people will deny – and even defend! it. However, I grew up with family members like her and I have a background in psych.
I have to start this off with a disclaimer: I CAN'T be objective/un-triggered when talking about Pepper Potts or Peggy Carter (we don't shoot at someone just because we have a crush on them and they kissed (got assaulted by) someone else!)
Anyway, back to Pepper. …. I thought I could write out a full analysis without getting too triggered, but I can't. So I've included links to some great articles that cover the nuances of emotional abuse:
https://nycchildtherapy.info/emotional-abuse/ (Pepper checks almost every box on this list)
(scroll down to the 4 horseman) https://www.marriage-family-counseling.com/good-marriage.html
Personally I feel like the term 'gaslighting' gets overused, but it's definitely applicable here:
How do you know that you're being gaslighted? A victim experiences increased self-doubt as the gaslighter insists that what he or she remembers, thinks, and feels is wrong. The manipulative individual will introduce lies in more sensitive arenas, aiming to disrupt and distort foundational aspects of the victim’s being, wearing them down, establishing confusion, and forcing them to rely on the gaslighter’s version of reality.
Passive-aggressiveness is just as insidious as gaslighting:
Passive aggressive people take genuine pleasure in frustrating others. They are masters at getting others to act out their angry feelings--to explode and appear crazy--while the passive aggressive person sits back and watches the emotional outburst with satisfaction, total control, and always with their own poise intact.
Here's the transcript (and my commentary in [brackets]) from IM3 (a transcript can only do so much, because a lot of this is tone of voice as well as word choice):
[later Pepper returns to Tony's home, as she gets out of the car she sees a large stuffed rabbit outside the house that Tony has bought for her as a gift, she walks inside]
Pepper Potts: I'm sorry I'm late. I was... What the...? What is that?!
[she notices Tony sat in his Iron Man suit on the couch]
Pepper Potts: You're wearing this in the house now? What is that, like Mark 15? [criticism and sarcasm]
[Tony looks at the small number marked 42 on the suit]
Tony Stark: Uh...yeah. Something like that. You know everybody needs a hobby.
Pepper Potts: Oh, and you have to wear your hobby in the living room? [passive-aggressiveness]
[Tony rises and walks toward her]
Tony Stark: Just breakin' it in. You know, it's always a little pinchy in the gooey bag at first, so.
[Tony shakes his ass and Pepper laughs]
Tony Stark: Oh hey, did you see your Christmas present?
Pepper Potts: Yes, I did. I...I don't know how I could have missed that Christmas present. Is it gonna fit through the door? [more sarcasm and passive-aggressiveness]
Tony Stark: Well actually, uh...it's a good question. I got a team of guys comin' tomorrow, they're gonna blow out that wall.
Pepper Potts: Okay.
Tony Stark: So, uh...tense? Good day?
[Tony walks up behind her and starts massaging her shoulders]
Tony Stark: Ooh shoulders, a little knotty. Naughty girl. I don't wanna harp on this, but did you like the custom rabbit?
Pepper Potts: Did I like it? Tony Stark: Nailed it, right? Pepper Potts: Wow. I appreciate the thought very much. [even more sarcasm and passive-aggressiveness; withholding the validation Tony's seeking]
[Pepper turns to face Tony, she rises from her seat and stands close to him]
Pepper Potts: So why don't you lift up that face mask and give me a kiss? [not only takes control of/manipulates the situation but makes it physical/sexual]
[Tony knocks the metal helmet on his head]
Tony Stark: Huh. Yup, dammit. No can do. You wanna just kiss it on the...
Pepper Potts: Uh-huh.
Tony Stark: The facial slit?
Pepper Potts: Well, why don't I run down to the garage and see if I can't find a crowbar to shimmy that thing open?
Tony Stark: Crowbar. Yeah.
[Pepper starts walking towards Tony's lab]
Tony Stark: Oh, except there's been a...uh...a radiation leak.
Pepper Potts: I'll take my chances.
Tony Stark: That's risky.
[Pepper walks down the stairs to Tony's lab]
Tony Stark: At least let me get you like a Hazmat suit or a Geiger counter or something like that.
[Pepper sees Tony is in fact not in his Iron Man suit, but in the lab exercising as he remotely controls the suit, which follows Pepper into the lab]
Tony Stark: Busted.
Pepper Potts: This is a new level of lame. [explicit criticism and contempt]
Tony Stark: Sorry.
[Pepper notices the food tray in the corner]
Pepper Potts: You ate without me? Already? On date night? [passive-aggressive criticism, even though she was the one late and didn't call ahead]
Tony Stark: [referring to Mark 42 suit] He was just...
Pepper Potts: You mean you?
Tony Stark: Well, yeah. I just mean we were just...just hosting you -
[Pepper scoffs] [passive-aggressive contempt]
Tony Stark: -while I finished up a little work.
Pepper Potts: Uh-huh.
Tony Stark: And yes, I had a quick bite. I didn't know if you were comin' home or if you were having drinks with Aldrich Killian.
[Mark 42 suit turns its face toward her]
Pepper Potts: What?
Tony Stark: What?
Pepper Potts: Aldrich Killian? What are you checking up on me? [defensive accusation]
Tony Stark: Happy was concerned. [THE TRUTH]
Pepper Potts: No, you're spying on me. [gaslighting]
Tony Stark: I wasn't...
Pepper Potts: I'm going to bed. [Pepper turns and starts walking off] [passive-aggressive power play]
Tony Stark: Hold on. Come on. Pep.
[as Pepper starts walking upstairs]
Tony Stark: Hey, I admit it! My fault. Sorry. [NO ITS NOT]
[Pepper stops and looks at him]
Tony Stark: I'm a piping hot mess. It's been going on for a while, I haven't said anything.
[Pepper walks back down]
Tony Stark: Nothing's been the same since New York.
Pepper Potts: Oh really? Well, I didn't notice that, at all. [sarcasm]
Tony Stark: You experience things and then they're over and you still can't explain 'em. Gods, aliens, other dimensions. I...I'm just a man in a can. The only reason I haven't cracked up is probably because you moved in. Which is great. I love you, I'm lucky. But, honey, I can't sleep. You go to bed, I come down here. I do what I know, I tinker. [he pauses for a moment and sits down]  [lots of healthy I statements!]
Tony Stark: But threat is imminent, and I have to protect the one thing that I can't live without. That's you. My suits, they're uh...
Pepper Potts: Machines. [gaslighting]
Tony Stark: They're part of me.
Pepper Potts: A distraction. [GASLIGHTING]
Tony Stark: Maybe.
[Pepper walks towards Tony and they hold each other. He rests his head against her chest and she removes his headband that controls the Iron Man suits]
Pepper Potts: I'm gonna take a shower. 
Tony Stark: Okay.
[Pepper turns to walk off, then stops and looks at him]
Pepper Potts: And you're gonna join me. [sexual control/manipulation instead of validation and comfort]
Tony Stark: Better.
[later that night, as Tony and Pepper are sleeping, Tony starts having nightmares about when he was in New York with The Avengers and had to get rid of the nuke in space, Pepper wakes and starts to shake Tony awake]
Pepper Potts: Tony! Tony! Tony! Tony...
[suddenly Pepper gets grabbed and shoved off Tony by Mark 42 suit, this wakes Tony who commands the suit]
Tony Stark: Power down!
[the suit shuts down and Tony hits it making its pieces fall apart, he looks over at Pepper who is in shock]
Tony Stark: I must have called it in my sleep. That's not supposed to happen. I'll recalibrate the sensors. Can we just...just let me...just let me catch my breath, okay?
[Pepper rises and starts to leave]
Tony Stark: Don't go, alright? Pepper?
Pepper Potts: I'm going to sleep downstairs. Tinker with that. [verbal attack and gaslighting]
[Pepper leaves the room]
Pepper has every right to be scared and upset here. She does not have the right to take it out on Tony – especially since he is obviously still in the middle of his ptsd episode. Even then, his immediate response is to take responsibility and explain the actions he's going to take to keep it from happening again. This is incredible! Most people aren't able to do this in a normal setting, much less during a ptsd episode.
And we know Tony's still going through it, because he then desperately begs her not to leave. And not only does she leave, she does it while blaming him and Iron Man. But Iron Man didn't create Tony's trauma. The wormhole did. The Iron Man suits are the only security blanket Tony currently has.
Lets contrast this with Steve. MCU!Steve (and Stony) are not nearly as abrasive or antagonistic as people make them out to be. In fact, the reason why Steve's “Oh God, Tony! Every time. Every time I think you're seeing things the right way...” and Tony's “And you’ve been a complete idiot!” hit so hard is because they don't normally talk this way. They don't insult or verbally attack each other (at least, not since the helicarrier)
AOU is a perfect example:
Bruce Banner: This is insane.
Steve Rogers: JARVIS was the first line of defense. He would've shut Ultron down, it makes sense.
Bruce Banner: No, Ultron could've assimilated Jarvis. This isn't strategy, this is...rage.
[Thor barges in and grabs hold of Stark by his throat, holding him up]
Clint Barton: Woah, woah, woah! It's going around.
Tony Stark: [to Thor] Come on. Use your words, buddy.
Thor: I have more than enough words to describe you, Stark.
Steve Rogers: Thor! The Legionnaire.
[Thor lets go of Stark]
Thor: Trail went cold about a hundred miles out but it's headed north, and it has the scepter. Now we have to retrieve it, again.
Natasha Romanoff: The genie's out of that bottle. Clear and present is Ultron.
Dr. Helen Cho: I don't understand. You built this program. Why is it trying to kill us?
[Stark starts laughing, Banner subtly shakes his head at him to get him to stop]
Thor: You think this is funny?
Tony Stark: No. It's probably not, right? Is this very terrible? Is it so... is it so... it is. It's so terrible.
Thor: This could've been avoided if you hadn't played with something you don't understand.
Tony Stark: No, I'm sorry. I'm sorry. It is funny. It's a hoot that you don't get why we need this.
Bruce Banner: Tony, maybe this might not be the time to--
Tony Stark: Really?! That's it? You just roll over, show your belly, every time somebody snarls.
Bruce Banner: Only when I've created a murder bot.
Tony Stark: We didn't. We weren't even close. Were we close to an interface?
Steve Rogers: Well, you did something right. And you did it right here. The Avengers were supposed to be different than SHIELD.
Tony Stark: Anybody remember when I carried a nuke through a wormhole?
James Rhodes: No, it's never come up.
Tony Stark: Saved New York?
James Rhodes: Never heard that.
Tony Stark: Recall that? A hostile alien army came charging through a hole in space. We're standing three hundred feet below it. We're the Avengers. We can bust arms dealers all the live long day, but, that up there? That's... that's the end game. How were you guys planning on beating that?
Steve Rogers: Together.
Tony Stark: We'll lose.
Steve Rogers: Then we'll do that together, too.
[Stark looks at him for a moment before turning away] 
Steve Rogers: Thor's right. Ultron's calling us out. And I'd like to find him before he's ready for us. The world's a big place. Let's start making it smaller.
I bolded the verbal attacks, you statements, and sarcasm – all of which come from Thor and Rhodey. Steve's angry and feeling triggered (he is obviously flashing back to SHIELDRA and Howard and Peggy's betrayal), but he's not using abusive speech patterns to express his anger.
[Steve and Tony are chopping wood outside Barton's house]
Tony Stark: Thor didn't say where he was going for answers?
Steve Rogers: Sometimes my teammates don't tell me things. [looks at Barton with his kids] I was kind of hoping Thor would be the exception.
Tony Stark: Yeah, give him time. We don't know what the Maximoff kid showed him.
Steve Rogers: “Earth's Mightiest Heroes.” Pulled us apart like cotton candy.
Tony Stark: Seems like you walked away all right.
Steve Rogers: Is that a problem?
Tony Stark: I don't trust a guy without a dark side. Call me old fashioned.
Steve Rogers: Well let's just say you haven't seen it yet.
Tony Stark: You know Ultron is trying to tear us apart, right?
Steve Rogers: Well I guess you'd know. Whether you tell us is a bit of a question.
Tony Stark: Banner and I were doing research.
Steve Rogers: That would affect the team.
Tony Stark: That would end the team. Isn't that the mission? Isn't that the “why” we fight, so we can end the fight, so we get to go home?
Steve Rogers: [rips log apart] Every time someone tries to win a war before it starts, innocent people die. Every time.
Tony is the one who escalates the conversation here (“Seems like you walked away all right.”) – Steve's angry, but his tone is conversational and he's opening up to Tony. His response to Tony is sarcastic (“Well I guess you'd know. Whether you tell us is a bit of a question.”); but it's still direct, and he still isn't using any insults. He's expressing his anger in a mostly healthy way.
[Steve and the twins turn up at the lab]
Steve Rogers: I'm gonna say this once.
Tony Stark: How about “nonce”?
Steve Rogers: Shut it down!
Tony Stark: Nope, not gonna happen.
Steve Rogers: You don't know what you're doing.
Bruce Banner: And you do? She's not in your head?
Wanda Maximoff: I know you're angry.
Bruce Banner: Oh, we're way past that. I could choke the life out of you and never change a shade.
Steve Rogers: Banner, after everything that's happened--
Tony Stark: That's nothing compared to what's coming!
Wanda Maximoff: You don't know what's in there!
Steve Rogers: This isn't a game--
Wanda Maximoff: The creature--
[Pietro uses his speed to destroy the lab equipment]
Pietro Maximoff: No, no. Go on. You were saying?
[Barton shoots the glass Pietro is standing to stand to destroy it, and Pietro falls through]
Wanda Maximoff: Pietro!
Clint Barton: What? You didn't see that coming?
Tony Stark: I'm rerouting the upload.
Bruce Banner: [to Wanda, as he grabs her] Go ahead, piss me off. [After some fighting, Thor enters and hits the cradle with his hammer, sending a powerful bolt of lightning through it that brings the body to life] Wait! [they all look in shock at the new entity]
[Vision launches himself at Thor, who throws him at a window, but he catches himself right before hitting it.]
Vision: [In JARVIS' voice, as everyone gathers around him] I'm sorry, that was...odd. [to Thor] Thank you.
Steve Rogers: Thor, you helped create this?
Thor: I've had a vision. A whirlpool that sucks in all hope of life and at its center is that. [he points to the gem inside Vision's head]
Bruce Banner: What, the gem?
Thor: It's the Mind Stone. It's one of the six Infinity Stones, the greatest power in the universe, unparalleled in its destructive capabilities.
Steve Rogers: Then why would you bring it to...
Thor: Because Stark is right.
Bruce Banner: Oh, it's definitely the end times.
Thor: The Avengers cannot defeat Ultron.
Vision: Not alone.
Steve Rogers: Why does your “vision” sound like JARVIS?
Tony Stark: We... reconfigured JARVIS' matrix to create something new.
Steve Rogers: I think I've had my fill of new.
Vision: You think I'm a child of Ultron?
Steve Rogers: You're not?
Vision: I'm not Ultron. I'm not JARVIS. I am... I am.
Wanda Maximoff: I looked in your head and saw annihilation.
Vision: Look again.
Clint Barton: Yeah. Her seal of approval means jack to me.
Thor: Their powers, the horrors in our heads, Ultron himself, they all came from the Mind Stone, and they're nothing compared to what it can unleash. But with it on our side...
Steve Rogers: Is it? Are you? On our side?
Bruce is the one who insults Tony here (and poor Steve just wants to understand what the hell is happening).
Back to Pepper. A lot of people forget that Rhodey was the only one who wanted Tony to grow and change:
James Rhodes: You don't respect yourself, so I know you don't respect me.
Tony Stark: I respect you.
[cut]
James Rhodes: You are constitutionally incapable of being responsible.
[cut]
James Rhodes: That's what I'm talking about. When I get up in the morning and I'm putting on my uniform, you know what I recognize? I see in that mirror that every person that's got this uniform on got my back!
Tony Stark: Hey, you know what? I'm not like you. I'm not cut out...
James Rhodes: No, no. You don't have to be like me! But you're more than what you are. And you don't see it.
Tony Stark: Can you excuse me if I'm a bit distracted here?
James Rhodes: No! You can't be distracted right now! Listen to me!
Contrast this with Pepper and Happy:
Tony Stark: Same drill. They've been dealing under the table, and I'm going to stop them. I'm going to find my weapons and destroy them.
Pepper Potts: Tony, you know that I would help you with anything, but I cannot help you if you're going to start all of this again.
Tony Stark: There is nothing except this. There's no art opening. There is no benefit. There is nothing to sign. There is the next mission and nothing else.
Pepper Potts: Is that so? Well, then, I quit. [Pepper throws the lock chip on the table.]
Tony Stark: You stood by my side all these years while I reaped the benefits of destruction. And now that I'm trying to protect the people that I put in harm's way, you're going to walk out?
Pepper Potts: You're going to kill yourself, Tony. I'm not going to be a part of it.
Tony Stark: I shouldn't be alive, unless it was for a reason. I'm not crazy, Pepper. I just finally know what I have to do. And I know in my heart that it's right.
Pepper Potts: [Pepper picks the lock drive back up.] You're all I have, too, you know. 
And:
Happy Hogan: Yeah, I miss you too. But the way it used to be. Now you're off with the 'superfriends', I don't know what's going on with you anymore. The world's getting weird...
When we are in a relationship with someone (it doesn't matter what kind) and they grow and change, we are left with the choice of either growing ourselves, or walking away/growing distant with that person. 
Pepper does neither. She uses emotional abuse to try to control Tony and manipulate him into acting the way she wants him to act – giving up Iron Man and living a selfish civilian life as her kept genius.
This is in direct contrast to Rhodey, Yinsen, and Steve, who see that Tony has had the potential to be “Earth's Best Defender” all along.
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thahiree · 1 year
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Post CACW Steve has several aliases and personas he can assume for undercover work, it’s good to have a rudimentary backstory for these personas in case he needs to fake his way out. And while all these fictions men have different jobs, abilities, social standings, they all end up with one thing in common, all of them are divorced.
See, much like Nat’s whole “affection makes people awkward” thing, Steve’s found that “people stop wanting to question you if you start talking about your recent divorce”. And like, it’s different divorces for each one, infidelity reasons, finance, substance abuse, etc. and people really, REALLY don’t want to talk to you if you make it clear it was your fault it happened.
Like explicitly: “I cheated and they took the kids”, or subtextually: “APPARENTLY I wasn’t home enough or didn’t help out when I was can you believe that????” And added to the verisimilitude is post CACW Steve’s Big Divorced Energy he exudes, ain’t no one gonna say, hmmm you don’t seem like a man that has been divorced against his will and aren’t ok
Bonus points for Tony and the rest finding out about Steve’s Rolodex of divorced men he can assume at a moment’s notice and are like ??? But Sam and Nat are like, no trust us it works somehow??
(Captain Stevens in 1970 heist was divorced, it was quite the scandal at the time but it’s rude to talk about in polite company (his lavender marriage fell apart when his wife ran away with her girlfriend to France because he was away so often))
Anon I love this so much dggffh. Steve giving off Big Divorced Energy is so real 😵 (right after his Big Slut Energy!!!!! no you cannot change my mind on that!!!)
I uhh might've started writing a drabble inspired by this? 👀
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stevesbigbazoxngas · 2 years
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‼️‼️🚨🚨🗣️🗣️IMPORTANT STEVE ROGERS META🔊🔊‼️‼️🗣️
STEVE CRIMES🚨🚨🚨🚨🚨🗣️🗣️🗣️🗣️🗣️🗣️
NEWLY DISCOVERED STEVE INFORMATION🔊🔊🔊🔊‼️‼️🗣️🗣️🗣️🗣️🚢🚢🚢
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inhonoredglory · 9 months
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
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We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
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Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
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And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
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Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
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In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
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lazylittledragon · 10 months
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just realised i never posted any of the stuff i did for the alternative steddie dads au
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otteranha · 1 year
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Steve’s always been told that the string of pearls from his grandmother would one day belong to his girl of his dreams, perfect accessory to compliment a wedding dress. When he’s getting his birth certificate and passport out of his father’s safe on the day he leaves for good the pearls in their velvet case catch his eye and on a whim, he takes them along. Leaves a note explaining that it won’t be a white wedding but they’ll be going to the person he loves most in the world.
It may seem incongruous on paper, but when Corroded Coffin plays their first big gig, everyone remarks about the total badassery of frontman Eddie Munson’s look, pairing black mesh shirt, frayed black jeans and combat boots with a string of flawless white pearls.
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steddielations · 10 months
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once again thinking about how Eddie’s realization that Steve’s actually a good dude probably has to do with how Steve kept making sure he was in the loop (girl with superpowers) and placating his worries without making it seem silly (Dustin’s not cursed, just mental) and never once making Eddie feel dumb for trying to keep up and going blank under stress (not saying ‘you should already know’ when explaining the hive mind) I know we love how Eddie doesn’t make Steve feel dumb about the Ozzy reference, but Steve was also doing that for Eddie too for most of the season
Just thinking, with Eddie having failed grades and clearly struggled in school and not being seen as “traditionally” smart, he’s definitely been treated like he’s stupid before. Both him and Steve know what it’s like to feel dumb and they made such a point not to treat each other that way and it’s so!!!
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soliloquent-stark · 7 months
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besides the well-known fact that tony stark's arc reactor literally powered his heart and symbolised his second chance at life, it's been not just alluded to but clearly stated by marvel from the very first iron man film that it represents his heart:
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this point is made very clear again when it's used to portray his death:
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of course they did this; they're such obvious metaphors that are easy to rely on for beautiful visual storytelling. they undoubtedly were aware of the potential for these scenes and carefully considered them since the beginning.
but you don't really get to use each of these moments more than once if you want them to matter, so they had to choose which one of tony's stories needed to be told through carefully picked parallels.
and who did they use them on?
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yup, that's right. steve rogers. steve, who literally ends their painful fight by breaking his heart.
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steve, whom tony literally hands his heart and says "here, take this" while he's devastated, disappointed, and at one of the lowest moments of his entire life.
so, platonic, romantic, alterous — the intricacies of his feelings don't even matter. they're only for tony to know.
but what we as an audience know, what we were explicitly told by marvel, is that the feelings tony had for steve were so strong that they were the equivalent of getting his heart actually shattered into pieces, and being reduced to offering your desperate, mourning heart on a platter as a way of saying "take it all, there's nothing left of me that you don't own now".
these were not accidents. we were meant to understand how profound his feelings were. so many things spiraled out of their falling out — the entire universe's faith was at stake as a result. tony was not indifferent to him. his problem was that he felt too much.
tony's achille's heel was always steve rogers, and that will forever be the backbone of the marvel universe.
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stuckyfingers · 2 months
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"Raise your hand if you're a guy with unshakeable morals, the symbol of an entire country, who has challenged the foundations of their own governments at some point- and also has a childhood best friend you eventually fell in love with, and said friend returns after a long time of being apart and saves you from dying after you fall into a body of water-" Steve and T'Challa: *raises hands* "Did I mention the return of the best friend shortly after the death of the leader of your organization coincides with your disillusionment with your government?" Steve and T'Challa: "...." *looks at each other* "Oh, also,, you freeze up and blank out in the presence or mention of your crush. This is so relevant that people around you either have multiple lines of dialogue telling you to focus, or use this trait against you." Steve and T'Challa: I- "According to many people, you're also an example of healthy masculinity, comparable to Fred Rogers. Thought I'd add that too."
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amarriageoftrueminds · 10 months
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Gay ships getting screwed over by homophobic producers/writers as soon as they get wind of it is nothing new, but what has been done to stucky really is uniquely cruel. 
I’ve never heard of a gay ship having one member’s importance to the other simply... written out of the show/film? (Has this been done?) 
Never heard of a gay ship having decades of important source material about them deliberately sabotaged just to spite a  gay ship (that wasn’t even canonically gay or ever going to be so, anyway?) 
Or having the (heterosexual-ising) female character literally put into the male character’s canon place, using his gay-inspiring scenes, with any other ship. 
I’ve never heard of an actor’s brilliant performance, which made certain lines iconic; whose skill as an actor is the very reason they’re iconic...  simply being taken away from him and credited to an untalented actress who never said them. 
Just to damage an un-canon gay ship?! 
Imagine they brought out new Trek shows with Kirk and Spock and said ‘anyway, Spock never meant anything to Kirk, every Spirk thing he said was actually said to/about his new wife Spacky (Woman who joined the Hating-Vulcans Society and hired guys to torture Spock) and here’s a flashback to Spacky as Kirk’s Chief Science Officer all those years. Also we will be buying up other media and editing all tie-ins to reflect that they are nOT GAY.’ 
It’s unprecedentedly monstrous.
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luna-rainbow · 25 days
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So I know the event is @catws-anniversary but this is actually one of my favourite Steve-Bucky scenes.
There's been a lot spoken about their seamless teamwork here -- Steve doesn't even look in Bucky's direction when he tosses the shield at Bucky -- but there is just...so much packed into this fluid cooperation?
Bucky as far as we know in CATFA was a sniper (although in the supporting material it does say Bucky learned boxing before he joined the army). It's only when we get to CATWS we see him being a strong melee fighter. A lot of Bucky's new fighting style takes into account his metal arm -- he favours it for blocking and forceful striking to spare his flesh arm. He's also spent most of his recent decades doing mostly solo work. He had backup support during CATWS to get him into position, but actually on task? He's by himself chasing down his targets.
This is the first time Bucky fights on Steve's side after his time as the Winter Soldier. Depending on how you headcanon Bucky receiving his serum, this would also be the first time Steve treats Bucky as an equally strong super soldier. Bucky's experience, fighting style, physical constitution have all significantly changed since the last time they were on the field together, not to mention Steve's own style and experience have evolved.
Yet they slotted straight back into each other's space, like they had never spent a minute apart in the last 70 years. Apart from the "end of the line" spell-break, nothing else speaks such volumes about their bond.
(Also goddamn CEvans with that beautiful pirouette. No wonder the stuntspeople say they can't replicate his footwork)
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the-seas-song · 6 months
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He's a poser 😍
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flowercrowngods · 3 months
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who did this to you. part 3
🤍🌷 read part 1 here | read part 2 here pre-s4, steve whump, protective (but scared) eddie. now with robin!
The number rings in his head, echoing off the inside of his skull and sinking lower and lower until his heart strings join the symphony that leaves him shaking as the memory of Harrington’s slurred voice is drowned out by the dial tone that feels harrowingly like a flatline right now. 
Said I’ll go blind. Or deaf. Or just… die.
Eddie doesn’t really feel like his body belongs to him anymore, or like there’s anything left inside him other than panic and fear and that stupid, stupid shaking that he can’t suppress even as he bites his knuckles. Hard. 
The pain helps a little not to startle too much when the dial tone stops and a female voice begins speaking to him. Still he almost drops the phone, cursing under his breath as he pulls his hair to collect himself and get his voice to work. 
“H— Hi, hello, Mrs Buckley? This is, uh. I. I’m. A friend of Robin’s, could you, uh—“ 
“Oh, of course, dear,” the woman says, and Eddie feels his eyes beginning to prick with how nice she sounds even through the phone. 
Does she know Steve, too? Would she worry if she knew? Would she curse Eddie for not taking him to the hospital right away? Would she blame him if anything happened? 
“I’m sorry? What did you say your name was?” she asks, repeating herself by the sound of it. 
He blanks, for a whole five seconds, before he spots a note stuck to the fridge saying Don’t forget to eat, Eddie :-)
“Eddie,” he croaks. “Uh, Eddie Munson.”
“Alright, Eddie Munson, I’ll see if I can grab Robin for you. You have a good day, dear, yes?” 
No. “Thanks.” 
The hand clenched in his hair pulls tighter and tighter until the tears fall and he can pretend it’s from pain and not from— whatever the fuck is happening. 
He waits, phone pressed to his ear with a kind of desperation he’s never really felt, and never wants to feel again. He doesn’t even know what to tell Robin; what to say. It’s not like they ever hang out or have anything to say to each other, so why would she— 
“Munson?” Robin’s voice appears on the other end, a little too loud for Eddie’s certain state, and he does drop the phone this time, scrambling to catch it and only making the situation worse as it dangles by his knees. 
He drops to the floor, pulling his knees to his chest and reaching for the phone again. 
“Hi.” 
“What do you want? How’d you even get this number? I swear, if you—“ 
“It’s Blue. I mean, Steve. Harrington.” 
That shuts her right up, and Eddie clenches his eyes shut for a moment, hoping to keep the tremor out of his voice if only he takes a moment to breathe. 
The moment stretches. And Robin’s voice is wary and quiet when she speaks again. 
“What about Steve.” 
Eddie rubs his face, leaving more dirt and grime to fill the tear tracks, and clenches his fist before his mouth. 
“Eddie,” Robin demands, dangerous now. Nothing left of the rambling, bubbling mess he knows her to be on the school hallways. “What. About. Steve.” 
“He… He’s hurt.” 
There’s a bit of a commotion on the other end, before Robin declares, “I’m coming over. You tell me everything.” 
“You— I mean, he’s in the hospital with my uncle, so—“ 
“I am. Coming. Over,” she says, enunciating every word as though she were making a threat. Maybe she is. But the certainty in her voice helps a little, anchors him the same way that Wayne’s calmness did. “And you tell me everything.” 
Eddie finds himself nodding along, knowing intuitively that there is nothing that could stop her now. Knowing that he doesn’t want to stop her. 
“‘Kay.” It’s a pathetic little sound, all choked up and tiny. She doesn’t comment on it. 
One second he hears her determined exhale, the next she’s hung up on him and Eddie is greeted by the flatline again. He lets out a shuddering breath and leans his head back against the wall. 
Breathing is hard again, but it’s all he has to do now, all that’s left to do, so he focuses. Inhale. Hold. Exhale. Hold. His lungs are burning and there’s something wrong about the way he pulls in air and keeps it there, desperately latching onto it until the very last second, his exhales more of a gasping cough than calm and controlled. 
It takes a while. Longer than it should. But with Harrington’s blood still on his hands, with his heartbeat in his ears so loud he can’t even hear the words Wayne used to say about breathing in through the mouth or the nose or… or something, he— 
He’s fine. He’s home. Wayne’s got Blue, and Buckley is on her way, and… He’s fine. 
People don’t just die. 
They don’t. 
He’s fine. 
Eventually, Eddie manages to breathe steadily, the air no longer shuddering and his hands no longer shaking. It’s stupid, really, being so worked up over someone he doesn’t even really know. Sure, everyone knows Steve fucking Harrington, and everyone sees Steve fucking Harrington — whether they want it or not. He has a way of drawing eyes toward him even if all he does is walk the halls with his dorky smile and that stupidly charming swagger he’s got going on. Always matching his shoes to his outfit.
Eddie can relate.
Always reaching out to touch the person he’s talking to; clapping their back or shoulder, lightly shoving them in jest, ruffling their hair or chasing them through the halls, moving and holding himself like teenage angst can’t reach him. Like he belongs wherever he goes. Like he’s so, so comfortable in his own skin. Like the clothes he wears aren’t armour but just a part of him; a means of self-expression. 
Again, Eddie can relate. He can relate to all of this. 
It’s almost like the two of them aren’t so different after all. Just going about it differently. 
And now he’s… Bleeding. Slurring his speech. Wheezing his breath. And Eddie feels protective. Eddie feels responsible. Like he should be there, like he should get to know more about him. About Steve. About Blue. 
But he can’t. And he won’t. So he gets up with a groan that expresses his frustration and the need to make a sound, to fight the oppressive silence that only encourages his thoughts to run in obsessive little circles, and he hangs up the phone that’s been dangling beside him all this time. 
He needs a smoke. 
He needs a smoke and a blunt and a drink and for this day to be over and for time to revert and to leave him out of whatever business he stumbled into by opening the door to the boathouse and, apparently, Steve Harrington’s life. 
But unfortunately, the universe doesn’t seem to care about what he needs, because just as he steps outside and goes to light his cig, he catches sight of a harried looking Robin Buckley, standing on the pedals of her bike as she kicks them, her hair blowing in the wind to reveal a frown between her brows. A wave of unease overcomes Eddie, an unease he can’t really place. Maybe it’s the set of her jaw, or the tension in her shoulders, or maybe it’s the worry and anger she exudes. 
It never occurred to him before that Robin Buckley might not be a person you’d want to set off. And not because of her uncontrollable rambles. 
“Munson!” she calls over, carelessly dropping her bike in the driveway and stalking toward him. 
Almost as if summoning a shield, Eddie does light the cigarette. Pretends like the smoke can protect him. 
She doesn’t stop at the foot of the steps, though, climbs them in two leaps and gets all up in his space with that unwavering look of determination — so unwavering, in fact, that it almost looks like wrath. Cold. Eddie wants to shrink away from it, not at all daring to wonder what could make her look like that upon hearing that Steve’s hurt. 
I don’t wanna die, Munson. I never… I didn’t. With the monsters or the torture.
But those are the words of a semi-conscious teenage boy beat to a pulp, they can’t— There’s no way. Eddie misheard him, or Steve was talking about some kind of inside joke, using the wrong terminology with the wrong guy. It happens. It happens when you’re out of it, really! The shit he’s said when he was shot up, canned up, all strung out and high as a kite… He’d be talking of monsters, too, and mean some benign shit. 
But the way Harrington looked, none of that was benign. The bruising all over his face, the blood still dripping from the wound by his temple or his nose, the way he held himself, breath rattling in his lungs, or— 
“Hey!” Buckley demands his attention, giving him a light shove; just enough to catch his attention, really, and just what he needed to snap out of it. Still the smoke hits his lungs wrong and he coughs up a lung, further cementing his role of the pathetic little guy today. 
“Hey,” he says lamely, his voice still croaking as he crushes the half-smoked cigarette under his boot. “Sorry.” He doesn’t know for what. But it feels appropriate. 
She shakes her head, rolling her eyes at him as she crosses her arms in front of her chest. 
“Tell me,” she says at last, and even though there is a tremor in her voice, she sounds nothing short of demanding. “I want the whole story, and I want it now.” 
And so he does. He tells her everything, bidding her inside because he needs the relative safety of the trailer even though the air in here is stuffy and still faintly smells blue. He pours them both some coffee and some tea, because asking what she wants doesn’t feel right in the middle of telling her how he found her supposed best friend beat to shit in the boathouse he went to to forget about the world for a while. 
She stills as she listens to him, staring ahead into the middle distance somewhere beneath the floor and the walls, her hands wrapped around the steaming mug of coffee. Eddie stumbles over his words a lot, unsettled by her stillness, her lack of reaction. She doesn’t even react to his fuck-ups. People usually do.
He wants to ask. Where are you right now? What have you seen? What’s on your mind? What the fuck is happening?
But he doesn’t ask, instead he tells her more about Steve. About how he seemed to forget where he was. About the pain he was in. About the smiles nonetheless. The way he reassured Eddie. 
That one finally gets a choked little huff from her, somewhere between a sob and a laugh. 
“Yeah, that sounds like him alright. He’s such a dingus.” 
There is so much affection in her voice as she says it that Eddie can’t help but smile into his mug. 
“Dingus?” he asks, hoping for some lightness, hoping to keep it. 
But the light fades, and her eyes get distant again. Eddie wants to kick himself. 
“Just a stupid little nickname. An insult, really.”
“Oh.” He doesn’t know what to do with that. If he should ask more or if he should say that he has a feeling Steve might appreciate stupid little nicknames. Especially if they’re unique. Especially if they’re for him. But what right does he have to say that now? What knowledge does he have about Steve Harrington that Robin doesn’t? 
So he bites his tongue and drinks his coffee, cursing the silence that falls over them as Robin mirrors him, albeit slow and stilted, like she doesn’t know what to do either. Or where to put her limbs. 
“Wayne’s got him now. I took him here, after the boathouse, because I didn’t know what to do. He said he didn’t want the hospital, said there’s…” He trails off. 
Robin looks at him, her eyes wary but alert. “Said there’s what?” 
It’s stupid. Don’t say it. 
“Eddie?” 
With a sigh, he puts his mug on the counter and stuffs his hands into his pockets. “He said there’s monsters. In the hospital, I mean. He said that.”
Instead of scoffing or at least frowning, Robin clenches her jaw and nods imperceptibly, her eyes going distant again. Eddie blinks, the urge to just fucking ask overcoming him again, but with every passing second he realises that he doesn’t actually want to ask. He doesn’t want to know, let alone find out. 
He just… He just wants to go to bed. Forget any of this ever happened. But he can’t do that, so he continues. 
“Brought him here and Wayne took one look at him and convinced him he needed a doctor. And, Jesus H Christ, he was right. I’ve never… I mean, those things don’t happen,” he urges, balling his hands into fists even in the confined space of his pockets. “Right? I mean… Shit, man.” He bumps his shoe into the kitchen counter; gently, so as not to startle Buckley out of her fugue like state. 
“You’d be surprised,” she rasps, staring into the middle distance again and slowly sinking to the floor. There is a tremor in her shoulders now, barely noticeable, but Eddie knows where to look. Without really thinking about it, he grabs two of his hoodies he’d haphazardly thrown over the kitchen chairs this morning while deciding on his outfit and realising that it was altogether too warm for long sleeves today. But now, right here in this kitchen, the air tinged with blue, they’re both freezing. 
Because fear and worry will take all the warmth right from inside of you and leave you freezing even on the hottest day of the year. 
She barely looks at him when he holds out his all-black Iron Maiden hoodie to her, freshly washed and all that, but she takes it nonetheless, immediately pulling it on. It’s way too large on her, her hands not showing through the sleeves, her balled fists safe and warm inside the fabric. It would make him smile if only it didn’t highlight her stillness, her faraway stare, and the years he has on her. She’s, what, two years younger than him? Three? 
It seems surreal. Everything, everything does. 
Robin Buckley in his home, sitting on his kitchen floor, swallowed by a hoodie that is a size too large even for him, but it was the last one they had in the store and he doesn’t mind oversized clothes, can just cut them shorter when the need arises or layer them or declare them comfort sweaters for when he wants to just have his hands not slip through the sleeves on some days. And now Robin is wearing his comfort hoodie because her best friend was bleeding in his car earlier and then on his couch and now in his uncle’s car, and they never even talk, but he knows that Robin’s favourite colour is blue, but not morning hour blue because that makes her sad; only deep, dark blues. 
Her favourite colour. Her favourite person. 
It’s so fucking surreal. 
He drops down beside her, leaving enough space between them so neither of them feels caged, and mirrors her position: knees to his chest, chin on his forearms. Staring ahead. 
And silence reigns. 
“Your uncle,” she says at last, finally breaking the silence that’s been grating on Eddie’s nerves and looking at him, really looking as she rests her cheek on her forearms crossed over her knees. “Tell me about him.” 
There is a gentleness to her voice now despite how hoarse it is. Maybe she’s just tired, too. And scared. At least the shivering has stopped. 
Still Eddie frowns, confused as to why she should be breaking the silence to ask about Wayne when everything today has been about Harrington. About Steve. About deep and dark blues. 
“Uncle Wayne?” he asks. “Why?”
“Because,” she begins, and sighs deeply, works to get the air back in her lungs. Eddie wants to reach out, but instead he just clenches his fingers a little deeper into the fabric of his hoodie. “My best friend is hurt very badly and the only person with him is your uncle, and I need to know that he’s in good hands. Or I swear to whatever god you may or may not believe in, and granted, it’s probably the latter, but still I swear I’ll give into my arsonist tendencies and burn down this city, starting with your trailer if you don’t tell me that your uncle is a good man who will do anything in his power to make sure that boy gets the help and care he needs. And deserves.” 
Her jaw is set and her bottom lip trembles, but it doesn’t take away from the absolute sincerity in her threat. 
“So, please,” she continues, her voice breaking just a little bit. “Tell me. Tell me about your uncle.” 
Tell me about your favourite person. 
Eddie swallows, and mirrors her position once more, so she can see his eyes and know he’s sincere. Because he’s learned something about eyes today, about how much in the world can change if only you have a pair of eyes to look into. 
And he nods, looking for somewhere to start. “He’s the best man I know. He’s the best man you’ll ever meet.”
She clings to his eyes. Searches them for the truth, beseeching them not to lie. He lets her. 
“Took me in when I was ten, because my dad’s a fuck-up and my mom’s a goner. Took me in again when I was twelve after I ran away. Makes me breakfast and I pretends the dinner I make him is more than edible.” He smiles a little, because how could he not? “He’s my uncle, but still he’s the best parent anyone could wish for. Writes those little notes that he sticks to the fridge, y’know, the one with the smiley face? Tells me to eat, because I forget sometimes. I tell him to drink water, because he forgets. First few years, he’d read to me. And the man’s a shit reader, has some kind of disability I think, and at some point I learned that he wasn’t reading at all. He was telling me stories all the time, conning me into thinking that the books were magic, and that every time I’d try to read the book for myself, the story would change.” 
There’s a lump in his throat now, and his eyes sting again. But Robin doesn’t seem to fare any better than him if her wavering smile is any indication. 
“There’s no one,” Eddie continues, “who will make you believe in magic quite like uncle Wayne. Or in good things. And d’you wanna know what he told Blue when he said he was scared of going to the hospital?” 
Sniffling, Robin shakes her head. 
“He said, Okay. Then we do it scared. And all of that after he just… with that patience he has, told him everything that was gonna happen. And that he’d be there with him through it all. That he knew the doc and wouldn’t let anyone else near him, and that there’s no need to be scared at all.” 
He sighs, breathes, stills. Swallows, before looking back at Robin. 
“So, if there’s one person who’ll make sure that boy gets the help and care he needs and deserves…” 
“It’s uncle Wayne,” Robin finishes his sentence, her voice still hoarse, but Eddie likes to think it’s for a different reason now. 
“It’s uncle Wayne,” Eddie says, nodding along as he does. 
There is something like understanding in Robin’s eyes now, and Eddie hopes it’s enough. Enough to calm the spiking of her nerves, enough to settle the coil of freezing nausea that must reside in the pit of her stomach, enough to let the next breath she takes feel a little more like it’s supposed to be there. 
He wants to say something more, wants to reach out and reassure her that everything will be okay, but he can’t know that. He doesn’t feel like it’s entirely true, let alone appropriate right now. 
There’s something in Robin’s eyes, in the way she holds herself, like she’s waiting for the other shoe to drop. Like she accepts his words at face value but doesn’t really believe them. Like she’ll only rest when she’s got her best friend back in her arms and hears the story — the whole story — from him. 
And Eddie doesn’t fault her, because the thing is, he doesn’t know what happened. Steve said that Hagan came at him, but that’s really all he got out of him before he started talking about death and shit, and Eddie really didn’t want to ask any more questions then. 
So they sit there for a while, the silence oppressive and unwelcome, clumsy and awkward; Robin’s mouth opening and closing a lot, like she wants to ask questions but doesn’t dare to ask them — and Eddie doesn’t know if he’s glad about it or not. Doesn’t know if he wants to hear the kind of questions asked with that kind of stare. 
It is only after a long while, when Robin’s shoulders start shaking again and she buries deeper into the hoodie and her own spiralling thoughts, that Eddie breaks the silence again, replaying in his head the last moment between him and Steve. 
“He’s not gonna break,” he tells her, aiming for gentle and reassuring. 
What he doesn’t expect is the minute flinch, the jolt shooting through her body and the pained expression it leaves her with. What he doesn’t expect is what she says next. 
“You know,” she begins, her voice as far away as her eyes, and it’s like she doesn’t even know she’s speaking. “Sometimes I wish he would.” 
What?
Eddie blinks, swallowing hard.
“Just for, just for a break. Just so he can rest. Let the rest take over for a while.” 
That… He doesn’t— What the hell does that even mean? 
“Like maybe then the world would… snap back.” She snaps her fingers, just once. This time it’s Eddie who flinches. “And everything bad would disappear. But it won’t. And he won’t.” She swallows. Then quietly, almost inaudible, “He won’t break.” 
And the way she says it… It was reassuring before. And now it feels like a burden. A curse. 
Who the fuck are you, Steve Harrington? And you, Robin Buckley. 
Eddie shudders, knowing he doesn’t want the answer to that anymore. He doesn’t want the questions either. So he buries his face in his hands, closes his eyes, and breathes. The adrenaline has worn off by now, the repeated panicking that added fuse to the fire has ceased now, leaving him worn out and strung out, tired and exhausted. He pulls up the hood, burrowing into the warmth. 
And then he stills. His usually twitching, fumbling, fiddling body falling entirely still beside Buckley. 
It’s like time stops for a while there, even though Eddie knows that it’s dragging ever on and on. He’s inclined to let it, though. He’s too tired, too exhausted to really care about what time may or may not be doing. 
“Why’d you call me?” 
It takes a while for Eddie to realise that Robin’s spoken again, asked him a question out loud, the cadence of it different to the endless circles of questions Eddie’s got stuck in his head since the early afternoon tinged in blue against crimson. 
He lifts his head, tucking his hands underneath his chin, and looks over at Buckley. Her hair is dishevelled now, her mascara smudged and crusty. Her lipstick is almost all gone, with the way he sees her biting and chewing on her lips. 
“I… It seemed like the right thing to do, y’know? He kept repeating your number. In the car, it was like… Sounds dramatic, but it was like his lifeline, almost. Repeated it so often it kinda got stuck.” He shrugs. “Seemed important, too.”
Robin frowns; a careful little thing. “How’d you know it was me?”
“Well, he just talked about you. Y’know. Tell me about your favourite person, I told him, because that’s the thing you gotta do to keep people, like, talking to you. Not shit about what day it is, or what. Just, y’know. Let them talk about things they like. Things they’ll wanna tell you about. ’N’ he talked about you.” 
She’s quiet for a while, letting his words sink in. And Eddie wonders if she knew. That she’s his favourite person. If he ever told her. If maybe he took that from him now. It’s a stupid thing to worry about, really; the boy was bloodied and bruised on his couch just an hour ago, there are worse things at hand for Eddie to worry about. But now he wonders if he just spilled some sort of secret. Some sort of love confession. 
“Did you, I mean… Are you guys, like, dating? Did I just steal his moment?” 
Robin huffs, but it’s more like a smile that needs a little more space in the room, a little more air to really bloom. It’s fond. She shakes her head, her eyes far away again, but closer somehow. 
“Nah,” she says, and the smile is in her voice, too. Eddie kind of likes her voice like that. “We’re platonic. Which is something I’d never thought I’d say. Not about Steve Harrington, y’know?” 
And the way she drags out his name… Eddie can relate. Like it means something, but like what it means is nowhere close to reality. Nowhere close to what it really means. Nowhere close to Blue. 
Robin sighs, the sound more gentle than it should be, and leans her head against the cabinet behind her. “We worked together over summer break. Scoops Ahoy.” Her voice does a funny thing, and her eyes glaze over as she pauses. Eddie waits, his lips tipped up into a little smile, too; to match hers. 
“What, the ice cream parlour?” 
Robin hums, her smile widening at what Eddie guesses must be memories of chaos and ridiculousness. “I wanted to hate him,” she continues. “But try as I might, he wouldn’t let me. Or, he did. He did let me. Just, it turns out, there’s no use hating Steve Harrington, not when he’s so… So endlessly genuine. There’s nothing to hate, y’know? And then he…” 
She stops, her mouth clicking shut as her eyes tear up a little. The Starcourt fire. Eddie remembers the news, remembers the self-satisfied smirk when he’d heard about it, remembers sticking it to the Man and to capitalism and to the idea of malls over supporting your friendly neighbourhood businesses. 
Guilt and shame overcome him as he realises that they must have been in there when it happened. 
“He saved your life?” 
Robin’s eyes snap toward him, wide and caught, and Eddie raises his hands in placation. 
“In the fire? Were you there?” 
“Y—yeah.” She swallows hard, avoiding his eyes. “The fire. He saved me. Yeah.” 
Eddie nods, deciding to drop that topic right there; to lay it on the ground as gently as he can and cover it with bright red colours so he never steps on it ever again. 
“He must be your favourite person, too, then, hm?” he steers the conversation back away into safer waters. 
“He is,” she says, sure and genuine and true. “It’s just. I don’t think I’ve ever been anyone’s favourite. He has a lot of people who care about him, you know? A lot of people he cares about. Even more numbers memorised in that stupidly smart head of his.” She huffs again, burrowing deeper into Eddie’s hoodie, pulling the sleeves over her hands some more. “It’s stupid, to be so hung up on this. Is it stupid?” 
“I don’t think it is,” Eddie says, scooting a little closer to Robin. “Like, I don’t even know that boy, right? But even I know that he’s got some ways to shift your focus or something. Give you a silver lining, or something to take the pain away even when he’s the one who… I don’t know, that’s probably stupid, too.” 
“Nah,” Robin says, scooting closer to him, too, until their sides are pressed together and she can lay her head on his shoulder. “It’s not stupid. You’re right; that’s Steve for you. ’S just who he is.” 
It is, isn’t it? 
You’re so blue, Stevie. 
She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.
Blue. ‘S nice. 
Yeah. Yeah, he is. 
Eddie lets his thoughts roam the endless possibilities and realities that is Steve Harrington, the depths he hides — or won’t hide, maybe, if you know how to ask. Where to look. 
Maybe he’ll find out, one of these days. Not about the terrible things that leave him scared of the hospital, not about the horrible things that have him speaking of death and dying like he’s accepted them as a possibility a long time ago. 
He swallows hard and shakes off these thoughts, because things like that just. They don’t happen. They don’t happen to blue-smiled boys who trust you to be kind even when they’re beaten straight to hell. And they sure as hell don’t happen when uncle Wayne’s around. 
Nothing bad has ever happened when uncle Wayne was around. 
And he wants to tell Robin, wants to make that promise. But part of him can’t bear the thought of being wrong. So he keeps his mouth shut and just sits with her, their heads as heavy as their hearts as they wait. 
The sun is long gone when the phone above him rings again, spooking and startling them out of their timeless existence. 
“Yeah?” he answers, his heart hammering in his chest. “Wayne?” 
“Hey, Ed,” Wayne’s voice comes through the phone like a melody. Calm and steady. Robin is scooting closer, and Eddie shifts the phone to accommodate her so they can both listen. Somehow, they ended up holding hands — and holding on hard. “We’re coming home now.” 
🤍🌷 tagging:
@theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 @annabanannabeth @deany-baby @mc-i-r @mugloversonly @viridianphtalo @nightmareglitter @jamieweasley13 @copingmechanizm @marklee-blackmore @sirsnacksalot @justrandomfandomstm @hairdryerducks @silenzioperso @newtstabber @fantrash @zaddipax @cometsandstardust @rowanshadow26 @limpingpenguin @finntheehumaneater @extra-transitional (sorry if i missed anyone! lmk if you don't wanna be tagged for part 4 🫶)
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