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#also playing with a different style inspired by one of my favorite artists and story tellers!
ghcstcd · 1 year
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Something red and lacy. Inspired by @st-danger's writing
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Dude you have no idea how envious I am of your ability to not only come up with a solid idea/plot for a series, but then manage multiple main characters and their dynamics and make it a cohesive, good story. What is your secret. How do you do it. I want to start a series with multiple main characters, but I don’t know where to start. All of your world building is just brilliant and how you manage to create multiple different series all in varying fictional settings, with unique plots and characters, tell me your secrets. Please. And also how you include whump in your work without always making that the focus- >>>. You’re an amazingly talented writer and artist like holy shit.
😭😭❤️❤️❤️❤️🥺❤️❤️❤️❤️🥺🥺🥺❤️❤️ THANK YOU SO MUCH❤️❤️❤️❤️❤️
I don't know how qualified I am to give writing advice, but I feel like it's important to say I definitely didn't used to be good at ensemble casts
I've written a l o t of ensemble-type stories, mostly because I used to base most of my characters on friends, and wanted to include everyone. And honestly, that can be a good place to start. The styles, traits, hobbies, etc of people you know, or even yourself, can serve as inspiration for characters. And since you've seen these hobbies and habits in action, it can give another layer of life to it :)
Something else that helps, that I actually do a lot, is using the "Five Man Band" trope as a template. The FMB consists of five characters, each with their own archetype, usually working together towards a common goal.
You have your leader (self-explanatory, the one who calls the shots); lancer (a foil to the leader, the one who questions them the most); big guy (either the most physically powerful, or the one who solves problems with fists); smart guy (the one who falls back on intelligence, usually stereotyped as a nerd); and heart (emotional center of the team, usually the most sensitive and/or best at de-escalation).
While only using the listed/expected traits can lead to flat characters, it's a pretty good foundation to start with, that can help you determine how each character fits within the story, as well as how they'd react to each situation. When creating T$$ characters, I started with this and kept building.
Some other things that I think helps when trying to characterize a big cast:
- Have a "cheat sheet" for your main characters that lists things like what phrases they tend to use, how descriptive they are, whether they use big words, what they tend to notice when they're somewhere new, etc.
- If you swap POVs, have them reference hobbies, personal history, family, etc, even if it's somewhat subtle. For example, Character A might compare a new acquaintance to a wizard in their favorite fantasy novel, and Character B might use a lot of bird-themed descriptions and metaphors because their mother was an ornithologist
- Okay, this one is slightly more out there, but playing DnD or other TTRPGs helps a lot. Creating a character and pretending to be them, especially when there are other people around who might spring scenarios on you that you don't expect, is great practice for getting into characters' heads for your writing
- Putting new characters through "what would you do" type scenarios. Not even necessarily writing a whole scene out (though that can help you solidify a voice), but just mentally Putting the Guy in Situations and figuring out how they'd react.
Really hope this was helpful, and thank you again!!
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tibbycaps · 5 months
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🎨 for the ask game? hope you have a nice day!
🎨 favourite piece of fanart? link it!
oh gosh it's so hard to choose just one. (you too btw :'D) went thru my rbs and here's a few bangers:
technically an animation and not fan art but this animatic by volcanocraft is my favorite life mcyt animation of all time. the style is just to die for, the song choice is perfect, and while lots of traffic fan art and animations tend to be very dramatic and theatrical (which is totally fine, it rules) this is sort of a rare case where the artist manages to perfectly encapsulate the inherent silliness and comedic effect of using minecraft to tell your story. the goofiness of the little minecraft characters running and jumping around like bugs is perfectly captured which i feel like is a hard vibe to get in art sometimes
fan art that resembles renaissance paintings and even takes inspiration from said paintings is so beloved to me (i minored in art history so its very dear to me). specifically sillyfairygarden and floweroflaurelin come to mind! (thello's life series designs are also very dear to me, as the costumes they design remind me a lot of shakespearian plays, and make me imagine the life series as a shakespearian tragedy being told on a stage. as someone whos url is a shakespeare reference this also scratches a very specific niche in my brain. their bigb design is especially gorgeous and reminds me of 1996 mercutio)
cherri's life series as an rpg series is a banger, it really makes you yearn for the game to be real, it's also nostalgic of a lot of old rpgmaker games i used to play as a kid which is probably why i'm so drawn to it
i LOVE this secret life scar by felix convexsolos because i think the scene of scar standing in the wheat field is one of the unintentionally coolest most cinematic scenes from the life series, the off-putting angle and his stone-cold expression captures his silent rage, unhinged and unpredictable energy in that series so well this double life fan art by ghost3a i'm absolutely obsessed with the colors and expressions, each pairing has different colors and the color choices for each pairing is so telling and the way each piece kind of fades into the next by having a hint of color at the bottom is awesome. i'm a sucker when it comes to bright contrasting colors used to convey emotions/feelings.
this last life mumbo by stackofeggs has always stuck with me because i feel like it captures red life mumbo really well; he's terrifying and dangerous with his end crystals but it also still kind of retains that wet cat energy mumbo always has. he's scary and unstable and fragile just like the end crystals
this bdubs by imflyingfish is SO COOL AND CUTE, the style is so unique and captivating and i love the choice to draw bdubs' building the earth arc as it's honestly the only fan art i think i've seen of that specific secret life moment
i'll end off by mentioning the Common Applestruda W, where i honestly can't even link a specific piece or i'd be here all day. but her color work and compositions are wonderful
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I've just finished FFVII Rebirth and RWBY's back with new content, so obviously those two things are the only thing on my mind right now. So of course with my brainrot I have to imagine and conceptualize what the RWBY characters would play like in FF7 rebirth. Especially since Monty was a fan of Final Fantasy.
For people playing Rebirth, there's not going to be any story spoilers, but this will go into gameplay and talk about certain abilities in the game as comparison.
This is mostly just 'how would these characters be designed in this gameplay?', so I'm not really making any big changes to Rebirth's systems to account for RWBY's in-universe mechanics. While Dust is similar to materia, there's some notable differences but I'm ignoring those differences for the sake of this. So these characters will all use Dust/Materia the way the game does, using mp or something rather than having dust be like ammo. And speaking of MP, same case. Aura is both HP and MP in RWBY, but for the sake of this, everyone's having separate bars for those.
My plan is to generally talk about the overall gameplay identity of each character, along with specific details like if they have attacks after dodging worth mentioning or holding square produces a unique attack or such. I will not be talking about synergy, at least, not in this post. Maybe in a future one if I have the attention span.
For the first of these posts I'm tackling everyone's favorite blonde brawler
Yang
Basic Idea
I'm starting with Yang because... she was the easiest. But not too easy. It's not like we can slap on Tifa's moveset and stats and call it a day. Tifa's combo focused gameplan is fun and fitting for a martial artist, but it lacks the defining features of Yang's semblance. Yang's the toughest member of her team by a long shot and her semblance builds up as she takes damage, so it's instead easier to take inspiration from Red XIII's Vengeance Mode. However, not everything of Red's is usable. Red features a lot of supportive moves that apply buffs or healing and that's not really in line with Yang's straightforward, frontline fighting style, so I'd ideally take a mix of Red's ability to turn defense into resources as well as Tifa's explosive damage potential.
In keeping in line with this mix of tank and damage dealer, ideally Yang would have comparatively high health and defenses, though I can see magic defense being noticeably lower, along with good attack and low 'magic' or whatever the dust equivalent would be. Controversially though, I'd put her speed rather low. Yang's not slow, but everything's relative, especially in video games and video game balance. Comparing to everyone else on Team RWBY, Yang's slow. I'm not too sure on luck, but I'm leaning more towards low. Yang strikes me as doing a lot of damage raw rather than relying on situational damage like crits.
Yang, like Tifa, uses martial arts, so she has a short attack range that doesn't have much spread. As such, when coming out of a dodge, Yang will do a spinning kick. I get she's a punch girl, but she's not exclusively using punches. Holding square has her do a close range shot gun blast that can push enemies back. I'd also say Yang's dodge is only average. Again, relative speeds. She's got Ruby and Blake on her team, Yang has to be average at dodging at best by comparison.
Burn Mode
We gotta talk about Yang's unique mechanic. As stated earlier, I think elements from both Red XIII and Tifa work, so I'm trying to mesh them together. At the fundamental level, it works like Vengeance where blocking builds up a meter. However, this meter has several levels, much like Tifa's Chi or Cait Sith's moogle stuff. Obviously, building more levels increases the potency of the Burn Mode, which is functionally a super mode. I'm thinking maybe 3 levels? Like Red, Yang's attacks get a massive boost and increased range and the button used to transform is replaced with a new attack.
Unlike Red, this attack will drain the form's meter, similar to Tifa using up levels of Chi and falling to the lower level. Also, these levels drop quicker than Tifa's Chi or Red's Vengeance. This is just a byproduct of what I'm trying to achieve with Yang. While being a tank/dps hybrid can be a rather simple character, I want to give Yang's fighting game plan depth and complexity. Have her be able to fight smarter like in the show. It's why I want a healthy mix from both characters. Tifa's chi is cool, but you ultimately just spend all of it on a staggered enemy and there's no other uses for it as the buffs it gives you passively aren't enough to be worth considering, so Yang's Burn Mode needs to have passive benefits closer to Red's Vengeance than Tifa's Unbridled Strength. But it also needs to run out in a decent time frame to make spending Burn levels acceptable. I want that conflict of deciding whether or not using a level of burn for a potent attack is worth it. And similarly to Red, I want a lot of interplay between Yang's super mode and her abilities.
Abilities
I'm not going to make enough abilities to match the Rebirth characters. They have 10 abilities, which is an insane amount to be doing for 4 characters for a 'for fun' theory craft. There are certain requisite things Yang needs for abilities. For one, a rather standard damaging ability. You know, your Bravers, Divekicks, and Sidewinders. Likely some sort of punch. Easy enough.
Second thing, Yang's very block heavy, so like Cloud and Red, she gets an ability that puts her in a guard stance that builds up meter faster and is functionally a better guard. I call it Block Party, and no, I will not be using puns this entire section.
Most of Yang's abilities I want to play with Burn in some way to create that possibility for smart play while staying true to her fighting abilities. Dragon Throw is probably the ability that I've best made to fit this mold. In base, Yang grabs an enemy and chucks them at another enemy. In Burn, Yang instead grabs the enemy, and in true FF fashion, leaps into the air and comes crashing down on a different enemy. This gives Yang a repositioning tool without detracting from the brawler fantasy. I think this is also not out of the question as there's a few abilities in Rebirth that bring enemies closer, so I don't see any problem with just straight up manhandling them like this.
Meteor Impact is Yang's basic AoE attack where she slams the ground. It interacts with Burn the same way Dragon Throw does. While out of Burn, it's decent, but in Burn, it's range and power increases. It would be a simple and effective tool for people who like using Burn in a straightforward manner.
Bombshell is an ability that uses Burn meter the other way. You don't have to be in Burn mode to improve the move, the move will simply eat meter from Burn by default. Yang attaches sticky bombs to the enemy that go off the next time they're hit with an ability. The amount of stickies attached can be increased by holding down the command and spending meter. It's a move that has some thought that can be put in it. It doesn't deal immediate damage, so you have to either be willing to wait or have resources left over to set them off. You could attach bombs to an enemy and then Dragon Throw them to make them a living bomb. You can set them up when the enemies stagger is nearly complete so you can rebuild your ATB and resources and go for a truly devastating combo. You can go full throttle on the bombs or hold back so you can still enter Burn.
The next ability is one I really wanted to make once I had the concept of Yang down as a fighter with a lot of variability. Golden Glow takes inspiration from Unfettered Fury being a side grade to Unbridled Strength. It's an alterative to Burn. While Burn quickly burns out and has potent offenses, Golden Glow is a mode that lasts longer but instead focuses on Yang's defenses. While Yang mostly uses her semblance to attack, she's also used it a few times to take hits. An ability like this has lots of synergy with Yang's abilities that want her to be in her super form, but doesn't play as well with moves like Bombshell that prefer having meter being quick to build and spend rather than something long lasting.
Limits
Limits aren't hard to do, but I should still talk about them anyways. A solid chunk of Rebirth's cast has a basic Level 1 Limit, a Level 2 that increases stagger a lot, and a Level 3 which just does tons more damage. That's not to say all of them are like that. Red notably gets healing from his LB1 and a longer lasting mode from his LB2.
LB1 I'd make a basic damaging limit. It'd be just one big strong punch, like the one used against Junior in the Yellow Trailer, to mirror how quick a lot of the other LB1s are.
LB2 would put Yang in Burn with 1 extra level. If used while you have level 3, this would put you in the otherwise unreachable level 4. Because of course there's 4, this a RWBY character, I can't not slap the number 4 on things. I'd probably use a scene from the JL movie part 2 actually. The one where Yang activates her semblance, jumps up, and starts peppering the battlefield with gunfire. I just think it's good to have a little bit of variety between all the melee combat.
LB3, due to being a whole process to get up to, would be huge stagger increase and huge damage. It's meant to help end the fight, regardless of how the enemy is currently looking. I actually think I'd like her to do something new for this attack honestly. LB1 already uses something from the early RWBY days and LB2 uses more recent stuff, so there's a good spread of representation.
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Song of the Day - “Jokerman”
Happy 40th Birthday to Dylan’s great tune “Jokerman”, released October. 27th, 1983, on his “Infidels” album.
As decades have gone by, my favorite Dylan song has had to evolve, many times… and this was another time for that…
This song is just quintessential Dylan.
It has both political and biblical imagery it.
Dylan said he wrote it while down in the Caribbean… “Jokerman" kinda came to me in the islands. It’s very mystical. The shapes there, and shadows, seem to be so ancient. The song was sorta inspired by these spirits they call jumbis"
The music video created to accompany this song is filled with images of “jokers” - Hitler, Reagan, Ali, and artwork from Bosch, Durer, and Goya.
Just to burnish this song’s greatness, Dylan had some serious talent backing him - most impressively the two stellar guitarists Mark Knopfler and Mick Taylor. Also added was Dire Straits keyboard guy Alan Clark on organ.
The bass and the drums on it are played by reggae stars Robbie Shakespeare and Sly Dunbar of the reggae group Sly and Robbie, giving the tune a decidedly reggae vibe.
The track is a long one, over six minutes in length.
And after a long stretch of critics being less than adoring of his output, they all raved on this one… and it now makes every list of best Dylan.
Fellow artists raved also. Wyclef Jean said, it was "the most incredible piece of literature I ever read”
Dylan performed “Jokerman” on “Late Night With David Letterman” in early 1984 and this performance is now a legendary one. …being called by some as “blistering and righteous”. He sang backed up by a Latino punk band called the Plugz.
That performance has a story within it of a mishap - Dylan was handed a harmonica which was tuned in the wrong key… But the musicians involved all adapted beautifully, which is a bit of a Dylan thing. On the recording of this track for the album, Sly Dunbar remarked, “Bob Dylan always do songs in different keys, like, he’ll change three, four different keys in a song, and he will change the lyrics on the fly, so when we cut ‘Jokerman’ we recorded it and then we had a break overnight. Dylan came in the morning and said, ‘Oh, gentlemen, could you just run ‘Jokerman’ for me again?’ Nobody knew the tape was spinning; we were just running down the music and he said, ‘OK, that’s it’ — it was the take we didn’t know we were taking that he used.”
Maybe this style of Dylan’s is a metaphor for his career, which he has morphed and evolved over and over again.
“Jokerman” has been covered many times and by really varied artists…
I think a case could be made that “Jokerman” is the Dylanest of Dylan tunes… right now it remains my favorite...
[Mary Elaine LeBey]
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astriiformes · 9 months
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18, 22, and 29 for the fic asks, please!
18 - Do you title your fics before, during, or after the writing process? How do you come up with titles?
Oh this so, so depends on the fic, in part because every once and a while an excellent title descends upon me early in the process and also if I'm working on a fic for a while I have more time to think.
Usually my fics start out with placeholder titles that are whatever came to mind when I first saved the document; I'm yet to have one of those graduate to being a final title but that's partially because they're all things like this:
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...and are often tonally different than what I'm actually going for.
As far as where my titles end up actually coming from, poems are a common culprit; I've got one or two song lyric ones, and some inspired by various other cultural references (ranging from like... pop cultural to Biblical). I tend to try to work in some wordplay, irony, or symbolism where I can, and love a title with layers.
Breaking down a couple recent ones:
Beharren ist eine Kunst -- German for "Persistence is an art," stemming from the longer proverb "Anfangen ist leicht, Beharren eine Kunst" (Beginning is easy, persistence an art), works particularly well for a story about an artist where "Kunst" doubles as a bit of a play on words.
Stemma Codicum -- A textual criticism term referring to the chart that can be drawn of different manuscripts relationship to each other (what was copied from what, where changes entered into the manuscript transmission process, and etc). Worked really well for a Pentiment fic about three "alternate timelines" all branching from a single change at a specific point in canon -- manuscript transmission as a metaphor for those critical points in people's lives that manage to change everything!
Long Upon the Land -- A tongue-in-cheek reference to Exodus 20:12, which reads ""Honour thy father and thy mother: that thy days may be long upon the land which the Lord thy God giveth thee"," as a title for a fic in which a character with an overbearing abusive father contemplates art and things that can outlast us across generations. Really loved the irony with this one, it's one of my favorites I've come up with in a while.
Needless to say they draw from all over the places, but I feel like between them it's pretty easy to get a feel for what I like in titles.
22 - Are there certain types of writing you won’t do? (style, pov, genre, tropes, etc)
I don't want to say there's for sure something I won't do, just because it seems like there's exceptions to everything (Pentiment wrung a "Major Character Death" warning tag out of me which is a new one!), but in general I am pretty allergic to most romance tropes. I'll write romantic relationships -- although my fics rarely center on them, but that's one of those things I'd be willing to assume might have an exception one day -- but when I do, they tend not to be particularly trope-y. There's just a lot of amatonormativity steeped into ideas like soulmates, fake dating, etc, and I'm not interested enough in them to consider ways to rehabilitate them in my own writing. I am but a tired aro and while it means I'll never write the most popular fic in any fandom I'm in, I get by perfectly fine in my little gen niche.
I'm also not a big fan of writing in first person (reading can go either way! I'm less into it in fic unless the canon itself is in first person, but fine with it in original fiction), but even that one has an exception on the horizon! If and when I finally write my TOH Sherlock Holmes pastiche, it'll probably be in first person, to mimic the original source material. So really that's a great example of why I have a pretty solidly "never say never" stance on most non-romantic tropes and devices.
29 - What’s your revision or editing process like?
I have a horrible confession to make. I edit as I go. My terrible perfectionist brain struggles to make peace with messy first drafts, and while I'll often give things a final, editor's eye read-through once I've finished writing, the bulk of my editing happens on repeated re-readings of the material throughout the writing process.
This is not a good way of doing things and I would love to break the habit, particularly since I think it would result in me writing more and faster. Do as I say, not as I do, everyone.
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taminoarticles · 2 years
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— Tamino for Vogue Hommes, Spring / Summer 2019 (x)
Prince of Melancholy
By Sophie Rosemont / Photographed by Paolo Roversi / Styled by Anastasia Barbieri 
‘Let’s get together when there’s time,’ he says. ‘I’ve finally taken a break and just been to a week of fashion shows, so I am less anxious than usual’. When you have known the young man since his first EP was released, in 2017, you know he’s not exaggerating. The apparent serenity scarcely hides the tension, the tension of forward-thinking perfectionists, whilst allowing their talent to mature and develop.
Dark eyes, a tall slender figure and jet-black hair, Tamino-Amir Moharam Fouad was born in Antwerp of a Belgian mother and Egyptian father. He doesn’t only reflect his mixed origins through his physique. In his music, he calls to mind a form of romantic rock influenced by Nick Cave (even though his high-pitched voice is more suggestive of Jeff Buckley or Thom Yorke) and the melodies of the ancestral East. His grandfather was none other than Moharam Fouad, nicknamed ‘the sound of the Nile’, an extremely popular singer and actor in Egypt. He died when Tamino was a little boy, but he profoundly inspired him: ‘I love his music. And I could identify with what I was told about him. He was obsessed by his work and never stopped singing.’
The artistic tastes of Tamino, who was so named as a tribute to the prince in Mozart’s Magic Flute, date from when he was very young. At the age of eight, he dreamt up a play and asked his little brother to play the main character: ‘I had a specific idea of what I wanted, and when he didn’t acquiesce, I flew into a rage. I was a little dictator! It was then that my parents realized that I had a strong interest in the arts, the theater, etc.’ His mother was a music-lover and always playing the piano. She initiated her son, who, after taking several classical lessons, quickly broke away from the classics: ‘I didn’t have the patience to learn the pieces as I was expected to. I wanted to interpret them differently. I admire the discipline of classical musicians, but my idea was to create a story and embody it, expressing what I wanted to say. It’s an experience. A song you like that transports you, instantly, is instinctive. You don’t know where it comes from. I don’t want to think of that too much when I’m composing, otherwise the spontaneity gets lost, and the pressure rises.’   
After his secondary schooling, he headed to Amsterdam to attend the conservatory there, as it had a reputation for being open-minded. Alone in the Dutch city where he didn’t know a soul, he composed a number of songs in his room. Once they were shared on the Internet, the buzz was such that he went back to Belgium to devote himself to his career. He had offers to perform on stage, on the radio, was invited to appear on TV and given front-row seats at runway shows. No one could resist his young leading man looks straight out of The Arabian Nights. The title of his first album Amir, actually means ‘prince’ in Arabic. Radiohead’s eminent bass player, Colin Greenwood, stars on ‘Indigo Night’ and was one of Tamino’s earliest fans. ‘Habibi,’ with its twilit mood, was an instant hit that revealed his talent for soft velvet folk.
The twelve songs on Amir, recorded with an orchestra of Tunisian, Iraqi and Syrian musicians, speak as much of love as of solitude, sensuality and contemplation, rather like those of Leonard Cohen. ‘He’s the ultimate model, a high-flying poet,’ he sighs. ‘Even though he was a passionate person, he never tried to alter his destiny, he remained elegant whatever the occasion. And, at 80, he was still recording superb albums.’ Tamino also calls to mind Nick Cave, for the corrosive, contagious tenor of his style of rock, but not just that: ‘When he gets up in the morning and puts a suit on. Whether it’s to rehearse, go on stage or get a coffee, he is always impeccably dressed.’ Rather like Tamino, in a more urbane, more understated, style. Tamino’s favorite color is black, which is at the same time romantic, gothic, minimalist, and adaptable, which he likes. 
When you meet him on a cold Paris Fashion Week Saturday, he is trying clothes on at his compatriot Ann Demeulemeester’s, who also dresses Patti Smith and PJ Harvey. ‘With Ann, I understood that a garment could be the extension of who you are, that comfort didn’t exclude the singularity of a look. Today, my creativity varies according to what I’m wearing.’ For Tamino, music inspires fashion and vice versa. ‘A fabric, a cut, an attitude can bring a melody to life. The correspondence between the two seems obvious to me.’ That said, he is far from being obsessed about his appearance. At the moment, he spends his days on the road to promote Amir. Whereas he doesn’t compose when he’s on tour, he reads Dostoyevsky, and the Lebanese poet, Khalil Gibran, whom he quotes: ‘In depth of my soul there is / A wordless song – a song that lives / In the seed of my heart’ (from ‘Song of the Soul’, 1912). Perhaps a way for Tamino to assert his need to be alone, which is vital to him when he is composing, providing a space for him to exercise his love of words. ‘Even if at first I think about the melodies and the orchestration,’ he says, ‘I can’t imagine that a song doesn’t convey a message, or at least a feeling, that it is empty.’ He hasn’t discarded his childhood dream of being an actor, but says that if he had to take a break from music for a film shoot, the role would really have to be worthwhile.
When asked for what his definition of elegance is, he answers immediately: ‘Being kind to others, respectful, while at the same time being sure of who you are. Recently, I met Yohji Yamamoto. He’s an example of this. He is kind to everyone, relaxed, yet never leaves anything to chance.’ The same chance, or destiny, mektoub in Arabic, that has cast its benign light on Tamino. 
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omegaverserping · 2 years
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Name: Krow
URL: https://www.tumblr.com/krowvas
Age: 24 (please be 20+)
Preferred Way of RPing: Discord- Krow#0486
Time Zone: PST (I don't care much about timezones)
First, Second, or Third Person point of view?: Third-Person.
Preferred Role: Alpha (male only)
Preferred Pairing: M/M, M/F, M/NB (trans welcome, too!)
Do you prefer to RP with OCs (Original Characters), Fandom, or both?: I'm primarily interested in OC.
Fandoms: N/A
OCs: There's one in particular I'm looking to write. Morally grey, assertive, sarcastic, bit of an asshole but protective. I'd love to write against an omega with a backbone or even another alpha (betas are cool, too). I love banter and enemies to lovers. I can provide more details later!
Favorite AUs: I'm mostly interested in a medieval setting! I enjoy fantasy elements like magic, monsters, different races, etc. Dark fantasy is my favourite (think Witcher inspired) but I love the genre as a whole.
Triggers: Miscarriage, age play, scat, feet, vore. I don't shy away from other heavy themes if that's the direction you wanna go.
Preferred length when replying: I'm most comfortable with 2-4 paragraphs. That said, once I warm up to your writing style, I can go over 10. I frequently hit the discord limit. Just don't go expecting that right out the gate.
How long would like to RP for?: Long-term. I prefer building a naturally progressing relationship and story.
Prompt(s) that you would like to share for a potential partner: None, I only have vague ideas.
Would you be willing to brainstorm a prompt?: Absolutely! I love throwing ideas off each other and creating one ourselves. I'd also love to see anything you've already pre-written or thought up.
Omegaverse tropes that you DO NOT like to use: I'm down for everything. Just don't throw in pregnancy/kids without talking to me first. That can quickly derail many plotlines.
Omegaverse tropes that you DO enjoy using often and would like to use in your RP: Love 'em all. I'm particularly fond of knotting, heat/ruts, mating bites, suppressants/blockers, hierarchy, growling/purring, aggression.
Anything else that you would like to mention or say?: I'm a casual rper If you're looking for rapid responses, we won't be a match. That said, I'll never (purposefully) ghost you! If I go silent for a week, send me a reminder.
I enjoy smut and story with a heavy focus on our character's dynamic and how that evolves. I'm kink-friendly. Zero judgment, we just gotta agree on it first.
Please put in an equal amount of effort. Being the only one carrying the story gets tiring.
Though not necessary, I'd love to have an ooc chat going as well. Whether it be shitposts about the rp or just a friendly chat. I'm also an artist and may draw our characters if I have the time and inspiration. Looking forward to hearing from you! If we've rped before but lost touch, don't hesitate to hit me up again.
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monstroustea · 9 months
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a friend was talking about style influences earlier and it reminded me of this old meme and i wanted to do one!!!!! i'll talk more about each one under the read more, but if you want to do one, here's the link: https://www.deviantart.com/foxorian/art/Influence-Map-Template-174550753
Sailor Moon (particularly the 90s anime) - this is a big one! i remember drawing sailor moon in elementary school and playing pretend/LARPing sailor moon on the playground... the good old 90s anime style with the exaggerated expressions! cute girls! friendship! this general kind of soft, roundness to the style of the 90s anime? it has everything
Honey and Clover - this manga/anime means the world to me. i love the style, the way the mangaka draws emotions, but also the protagonist's story of finding himself? resonant. the manga especially is precious to me bc of the art tho, it has a sketchy quality that i love
Hey Arnold! - another childhood favorite... this one doesn't reflect on my actual style so much, but it's a big influence on the stories and characters i like and create. if i could make everyone watch only one cartoon, it would be hey arnold
this is a triple threat... Persona 5, sketchbooks, @meruz - if you look at more than one page of this blog, you can probably guess i like p5(r)!! a lot!! i love all the characters, even if you mostly see me drawing the protag and akechi bc i'm a shipper at heart lol... i'm always inspired by sketchbooks of other artists! especially proper sketchbooks, where they're messy and worked in and aren't curated to be "good looking" for people to look at. that said, this is a page meruz posted from one of their sketchbooks (go buy them) and i adore meruz's work! i got into their work a while back and their lineart really drew me in, the lineweight and use of spot blacks is delicious. i need to work more on those in my own art and meruz's work always makes me want to do just that
Dolls - and here we take a little detour from the obvious? i sadly don't own this doll :( she's a rune naito fashion doll and i want one so badly. i collect dolls, especially fashion dolls!! i love their designs!! i usually just leave them in their stock outfits bc those are part of the charm to me. i wanna draw my dolls more, but for now they're just a big influence on design and outfits for characters
Amanda Lafrenais - i've been following amanda for so many years i can't keep count anymore!! her style blends "western" and "anime" so well to me and also she just draws lots of pretty women?? also we love queens who draw different body types
Roleplaying (pixelated image from wiki-how) - i've been roleplaying, mostly just with my bestie erin, since i was like 14? i draw stuff inspired by our roleplays soooo much, whether it's from a scene or just "what if"s we threw around. erin is a brilliant writer, has great ideas, and she's basically the GM even tho it's collaborative writing-based rping lmao... im just like "erin come up with a plot and we can shoot ideas back and forth" lol
Drawfee - no idea anymore how i came across drawfee but it's a really fun and funny channel and i'll do some of their challenges on my own sometimes!! (my favorite is the 30s character from memory challenge, i'll have erin give me characters and time me) also they have a ttrpg-style series called Drawtectives that has great characters!!! also every time julia draws a scene im like "ah i want that to be me..."
The Golden Age of Illustration - i'm such a junkie for cartoons and anime and comics and such, i don't really know the classics OOPS... but in the past year or two i've gotten really into what's apparently known as the "golden age of illustration"!! roughly the 1880's to 1920s, there's a lot of fairy/folk tale art from this era and i'm obsessed with all of it. standout mentions that i love to look at the work of are kay nielsen and edmund dulac
honorable mentions are just... every manga i've ever loved. every artist i've ever obsessed over the art of. and HONORABLE honorable mention to drawingwiffwaffles who sadly hasn't updated in a few months... she got me back into traditional media tho and is a general delight to watch work
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twistedtummies2 · 2 years
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Artists in Wonderland - Number 6
Welcome to Artists in Wonderland! Running till the 4th of July, I’m counting down My Top 10 Favorite Illustrators for “Alice’s Adventures in Wonderland!” The Lewis Carroll stories of Alice are as immortal as they are odd, and many great artists have handled them in different ways. This countdown will pay homage to just a few of them. Our 6th Place illustrator uses a style I imagine at least a few people reading this will find QUITE interesting. Today’s artist is Kriss Sison!
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Sison’s omnibus edition of both “Alice” books is one of the most recent, released in 2014. It was part of the “Illustrated Classics” series by Seven Seas Entertainment. Seven Seas is a publishing company that specializes in manga-style works. Their “Illustrated Classics” collection takes multiple pieces of classic literature and releases them in special editions illustrated in a manga/light-novel-esque style. Wonderland in a manga or anime style is nothing new. Japan has an ENORMOUS following for the Carroll stories; in fact, I may be mistaken, but I think it’s possible that Japan has released more work inspired by or directly based on the “Alice” stories than any other country, including both the United Kingdom and the U.S.A. From reimaginings like “Pandora Hearts” and “Alice in the Country of Hearts,” to “gimmick episodes” like those found in “Black Butler” and “Ouran High School Host Club,” to “guest appearances” in things like “100 Sleeping Princes and the Kingdom of Dreams” or “Grimms Notes,” it’s everywhere. Even pieces that are not directly adapted from the books show their influence: several Studio Ghibli movies, for example, such as “My Neighbor Totoro,” “Spirited Away,” and “The Cat Returns” all have a sort of “Alice-ness” to them. So, what sets Sison apart from so many other Japanese or Japanese-influenced interpretations? Very simply this: no one, to my knowledge, has taken this approach to the ACTUAL STORIES before. At least to my knowledge, there was never an illustrated copy of Alcie quite like this before Seven Seas made their edition. Seeing the original Carroll text matched with this type of art style is actually very special and unique. And while the style is familiar, Sison’s imaginings of the different characters are entirely her own invention. There’s a lot to admire with this edition; the artwork is plentiful, in more ways than one. Each chapter in each book is given a minimum of two illustrations, and these black-and-white inked pieces are scattered in a very clever way to detail the action that goes through each story. Along with these monochrome images, Sison also includes seven full-color images, including a textless spread of the cover art (which I have provided above in favor of the ACTUAL cover). And there’s still more: at the end of the book, she even includes a few pages of behind-the-scenes artwork, showcasing her concept sketches for some of the characters and a step-by-step play of her drafts for the cover art. What I love most about this edition, and the artwork that accompanies it, can be summed up in three words: color, action, and personality. While most of the book is illustrated in black and white, the cover art and the six other color images included are absolutely gorgeous. The colors used are richer than thick candy, but never feel garish or gaudy. There’s a sense of dimension and weight to things, and the world feels truly dense and alive in these colored images. This is lost in the monochrome pictures, but they make up with it due to the latter two points: what this style, and the way it’s particularly handled, really achieves is making the characters and events in the story feel truly alive. With a lot of other illustrated copies of “Alice,” there’s a sort of static quality to them; as if you’re looking at a portrait or a photo. They’re wonderful, of course, but they feel very still. Sison’s artwork makes the characters feel like they’re truly living and breathing, leaping from the pages, with incredible expressions and fantastic personality to every one. And unlike a graphic novel (or a manga), none of Carroll’s text is lost in translation because, as important as the illustrations are, they ARE ultimately illustrations to the complete story. For those who find the manga/anime style something of a put-off, this edition will not likely engage you much. But if you’re open to the idea, and if you love the “Alice” stories, you definitely will want to check this one out. It’s fairly easy to find, as far as I can tell. I’d also recommend looking into other works by Seven Seas, such as Sison’s illustrated omnibus of “The Wonderful Wizard of Oz” and “The Marvelous Land of Oz.” Lions, and tigers, and anime girls, oh, my!
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Come back down the rabbit hole tomorrow as we move into the Top 5! Don’t be late! ;)
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deathclassic · 1 year
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i was tagged by @you-are-so-much-better-than-that​​ and @mikhailoisbaby​​ to do this fic writer/artist tag! ive never seen an artist version of this so this is exciting :D
1. Do you post on Ao3? If so, how many works do you have on AO3? If not, where do you post?
i dont post art on ao3 but i post fics there,,,,not gonna say my username though
2. What is your total art count?
we gotta be like 500+ by now
3. What are your top 5 pieces by likes/kudos?
they’re all dan and phil surprise surprise i was surprised that the first one has 12k notes for some reason. im just going to link them
spooky week sketches  amazingphil shop spon PHIL QUIFF DEBUT!!! black ‘n’ white dan phil is not on fire collection
4. Do you respond to comments? Why or why not?
i try to but sometimes i forget and i also dont have notifcations on any social media turned on so i miss a lot of things
5. What is your current fandom, and what was the first fandom you drew for?
currently drawing for umbrella academy, shameless and stranger things. first fandom i properly drew for was one direction but i was drawing stuff for like panic at the disco and powerpuff girls and my little pony and my chemical romance when i was like 7
6. Have you ever received hate on any art?
tonnes lol, i’d say every 2-3 pieces i draw gets some kind of negative attention. recently there’s been an asshole in my asks accusing me of fetishising ian and mickey so thats something to look forward to every time i pose 
7. What’s a fandom/ship you haven’t drawn for yet but want to?
i want to go back to shows i watched as a kid like total drama island and draw the characters in my art style, i did it with the winx club earlier this year and it was fun. i want to draw harringrove but im not mentally prepared to be like,,,sent death threats atm
8. What’s your all-time favorite ship?
i dont know tbh ian and mickey are up there i guess
9. Do you draw outside of fandom?
yeah im a graphic designer so i draw a lot of shit 
10. What’s the an art piece you’ve drawn that came out completely differently than you expected?
this one actually
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11. Do you draw smut?
sometimes
12. Have you ever had any of your art stolen or copied?
yeah of course, someone sells my shit on redbubble and i have to keep reporting them
13. Have you ever collaborated on a piece?
yes! @mishervellous​ and i did that amazing comic together for gallacrafts and im so proud of that! also collaborated with a lot of dan and phil artists to make a calendar, a phil is not on fire poster and some general collabs for fun (if anyone wants to collab hmu bc im down)
14. What’s an idea you have that you have yet to draw?
i really want to draw drummer mickey for some reason
15. What are your drawing strengths?
people i guess, maybe like details on clothes and stuff?
16. What are your drawing weaknesses?
hands and feet lol
17. What’s your favorite art piece you’ve drawn?
im so proud of this drawing even though no one really liked it, like looking at it makes me so happy
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18. What is one thing you’d like to tell people about your art that they might not know?
like harvey said haha i also use the same colour palette especially skin tones and hair colours also i sketch a lot of the drawings traditionally and then trace over it on photoshop
19. What inspires or motivates you to create for fandom?
myself. i would still be drawing even if no one notices it. heck i draw so much stranger things stuff only for a top of 10 people across instagram, twitter and tumblr to interact with it. 
20. And finally, can you describe your process a little? Do you have a favourite place to draw? Do you play something in the background? Do you do research or just go for it? Give us a little insight
i sit at my desk and use a wacom tablet and my laptop. I have my other laptop open and im normally listening to a tv show that ive seen so i dont have to pay attention or a play through of a game or some creepy stories. sometimes i listen to music on my record player. i always spend ages looking at pose references and rage quitting when i dont draw it right the first time before coming back to it a few hours later. i draw mostly in the evenings, after dinner. sometimes i drink a hot chocolate if its late enough lol. 
im gonna tag @mishervellous​ @doodlevich​ @heymrspatel​ @adakechi​ 
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smok3inm1rrors · 10 months
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I was tagged by @igotsnothing over two weeks ago whoops. I saw it went “I should do that” then completely forgot about it. But better late than never!
1. What’s your favourite sims death? Either death by satellite from TS2 or the skydiving one from TS1, entirely because of the “Whee!” at the end of it.
2. Alpha CC or Maxis Match? A mix of the two.
3. Do you cheat when your sims gain weight? I usually don’t even notice when they gain weight.
4. Do you use move objects? Yes.
5. Favorite mod?. Aside from MCC + UI Cheats it’s between Language Barriers by Frankk, RPO and Talents and Weaknesses by Lumpinou.
6. First expansion/game/stuff pack you got? Get To Work
7. Do you pronounce “live mode” like aLIVE or LIVing?  aLIVE
8. Who’s your favorite sim that you’ve made?
Kathleen “Kit” Jones (Her name inspired from that "Kitchenaid Whiskey Jones" tweet). She's been around in some form as an OC since 2016.
She is also the sim in my pfp.
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I want to do some gameplay/story hybrid with her (and other sims of my own) but that would mean...playing the game and not just using it as a substitute for drawing...
9. Have you made a simself? Back in 2016/7. Probably never again.
10. What sim traits do you give yourself? TS3 traits because I like them better. Adventurous, Love the Outdoors, Brooding, Unlucky, and Artistic.
11. Which is your favorite EA hair color? The color wheel. Dark Brown.
12. Favorite EA hair? This one from Get to Work.
13. Favorite life stage? YA. The only life stage.
14. Are you a builder or are you in it for the gameplay? I liked building in TS2/3 but could never get into it in 4. 
15. Are you a CC creator? I’ve done poses and recolors. I’m currently doing the “Fuck around, Find out” method of learning meshing. I should probably watch a tutorial.
I also know Python (Studied C.S in uni, which means fuck all really) and have confidence that I’ve used enough HTML to figure out XML, so destroying the game from the inside out is something I’ve wanted to do for a while. I have ideas that range from adding “Wish for a baby with…” and “Wish for Pregnancy/Wish for Pregnancy with…” to the Wishing Well for all your magical conception needs and story plot purposes, to figuring out how to add a whole “Spirit of the Wishing Well” NPC for also story plot purposes, to straight up overhauling spellcaster's alchemy to be more like TS3 alchemy.
16. Do you have any simblr friends/a sim squad? Nope. I’m not introverted, shy, or socially awkward (socially incompetent maybe), I’m just bad at using social media hah.
17. What’s your favorite game? Right now it’s Breath of the Wild. I like bullying the guardians for fun.
18. Do you have any sims merch? Nah.
19. Do you have a YouTube for sims? Nope.
20. How has your “sim style” changed throughout your years of playing?
I used to try and be more story focused when the game first came out. I’m one of those TS2 Wants/Fears dictate the game players and while you can do that in TS4, it’s not as satisfying. Now I play it as an unholy mix of "Soap Opera Simulator 2014" and "How far can I take min/maxing the sims" .
21. What’s your Origin ID? I don't have anything of interest on there.
22. Who’s your favorite CC creator? 
sforzcc, Peacemaker, awingedllama, Sentate, Rusty, Johnnysims, simstrouble
It’s not cc but florwalsims and windbrook for their builds/saves as like many of you, I’m tired of playing in suburbia.
23. How long have you had a simblr? Not long, I lurked awhile before posting though..."awhile" being a year.
24. How do you edit your pictures? I use Clip Studio Paint. I’m too lazy to *ahem* photoshop and I have it for drawing purposes anyways. 
Usually it’s just using different blending modes (multiply, overlay, soft light, glow dodge my beloved) and special effect brushes.
25. What expansion/game/stuff pack is your favorite so far? 
Expansion: Get Together. I’ve used the club functionality in nearly every save I’ve played.
Game Pack: Vampires, Realm of Magic, Werewolves. Not because they’re particularly good but because I’m a sucker for occults.
Stuff Pack: Paranormal. Again occults, but this one also has an acceptable amount of gameplay in it. I’m surprised they didn’t try to pawn it off as a game pack. 
26. What expansion/game/stuff pack do you want next? I'll get Growing Together when it's 50% off. However if before then EA gets too goofy with what remains of TS4, (TS5 is going to be ""free"" to play, it's already fucked.) I'll probably just you know what the rest of the game. EDIT: I wrote this last night. After seeing that job opening for the marketing position on Project Rene...haha yeah. Shit's depressing.
I tag: your mom
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dixkens · 2 years
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MI6 Cafe Creators Tag Game
So late getting to this, but thanks to @silverbrume for tagging me in!
We’d love for people to keep getting to know each other after this year’s 007 Fest, so we’re starting this tag game!
Rules: Answer the questions, then tag 3 new people to complete this. Also tag the person who tagged you and @mi6-cafe so we can reblog your response.
Note that when we say ‘fanwork’ in the questions below, that could mean a fanfic, gif, fanart, headcanon, cosplay, crocheted work—any kind of fancreation counts!
What work of yours challenged you when you were creating it?
Everything I’ve written?
But seriously. There’s Nothing to Fear https://archiveofourown.org/works/27674746 from my Bondverse x Leverage crossover series The Incredibly True Adventures of 2 Hackers in Love where Q, seriously wounded in Afghanistan after a plane crash, has to cope with recovering from a life-changing injury.
Deciding that Q’s backstory was wounded veteran always felt right. On the other hand, writing the immediate aftermath of his injury felt like a challenge and a risk and one I wasn’t sure I was up to executing. Particularly since it was important to me to keep the story respectful of the realities of the situation I was fictionalizing.
What is a fanwork you’ve seen which gave you a new headcanon about a character?
There was a fic with a line about how much more dangerous Q is than an agent. I latched onto the idea that Q is dangerous and, more importantly, aware of it quite hard. The fic was good in several ways but also had plot points that irritated me (to the point that if you ask me about it, I WILL rant at you) so I’m not going to track it down to link.
Is there a fanwork that you really want to make, but you haven’t started yet?
Two that I can think of.
The first’s working title is Yusef’s Tale. A backstory for the man Vesper loved and was betrayed by.
The second is a femslash crossover with the movie Red where M (Mansfield) and Victoria Winslow (the assassin played by Helen Mirrin) were/are lovers.
What fanwork of yours surprised you, and how?
High Water Mark https://archiveofourown.org/works/36281518 - I wrote a magical AU. I made up a mythos. I made Q a god. I made M his priestess. I wrote M/Q.  The whole thing was very different from what I would have said that I ‘usually write’.
What doesn’t surprise me is it will probably have a sequel. This keeps happening to me.
What themes/styles/subjects are common across many of your fanworks? Alternatively, what themes/styles/subjects are you most interested in creating?
High-trust committed relationships, stories where the conflict is Individual vs System, complex examinations of consent, agency, and autonomy. I also tend to sprinkle in references to other fandoms and geeky jokes in a variety of subjects.
I find myself writing similar things from different angles, making something that seems innocuous at first glance threatening later, or taking the same situation and interpreting it multiple ways. For example, in my branching series Curriculum Vitae https://archiveofourown.org/series/2276666 Q ends up wrapped in a blanket several times but because of circumstances his responses vary from nearly having a panic attack to falling asleep.
What other fandoms do you create for, if any?
I’ve posted in Leverage, Good Omens, Discworld, Buffy the Vampire Slayer and Norse Mythology and likely will again.
I also have WIPs for the Wayward Children series and Thor: Ragnarok. I aspire to someday write fanfic for my favorite spy movie of all time Hopscotch.
Is there an artist that you like to listen to while you create? Or one whose work always inspires you?
I don’t generally listen to anything while I’m writing though I do sometimes find songs that fit a fic’s theme. I’ve been slowly building a playlist to go with 2 Hackers for example.
Share a fanwork that you’ve found yourself thinking about weeks after reading/seeing it.
This is not a Bond fanwork but it is one I think about from time to time even now, years after I first saw it. This Firefly video https://www.youtube.com/watch?v=fZr9wsZz_bk (I hesitate to call it a fanvid) is an excellent example of a creative work that takes a critical look at the source material’s flaws.
Finally, share where you post your works!
Mostly at https://archiveofourown.org/users/hypatia
Occasionally on https://dixkens.tumblr.com/
Tagging: I’m so late to this party I don’t know who hasn’t already been tagged. If you haven’t and read this, comment, and I’ll tag you!
Edited: Tagging @verdigrissoup
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sunflower-butch · 1 year
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and here I am again, being a menace in your inbox. 1, 3, 4, 6, 11, 13 for run away (crying to your soul)
Hello again! Fun fact, I fully believe this fic to be my worst fic even though it’s my most popular 🤪
1: What inspired you to write the fic this way?
I saw a TikTok about Steve getting Vecna’d and his song being Everybody Wants to Rule the World by Tears For Fears > I started thinking about Vecna songs > what the fuck would Robin’s be? > oh Robin would be such a good candidate to be Vecna’d actually > looking for Robin gets Vecna’d fics and not finding many > “fine I’ll do it myself” > spontaneously writing my first fanfic fucking ever and proceeding to dive face first into the worst case of brainrot I’ve ever had to date. Hallelujah
3: What’s your favorite line of narration?
Cheating again, this is technically in an unfinished chapter so sneak peek ig hehe
Nancy had revenge tattooed on her heart, black ink that sank deep into the muscle, turning it hard and blackened and cold. Her wrath was all encompassing. A bullet, chilled lead, sat heavy in her pocket, carved with one, singular name: Vecna. She would kill him for what he had done to her hometown, but especially for hurting Robin. And she would survive the encounter on ice cold rage and spite alone.
In conclusion: Nancy Wheeler shoot me please <33
4: What’s your favorite line of dialogue?
Again dialogue is one of my weak points help omfg
“There is a suspicious number of love songs,” she teased.
Nancy hid her face in her hands.
“Robbie—“ she whined, cutting herself off. She seemed to be struggling for words.
“‘Crush On You’ by The Jets? ‘Lay All Your Love On Me’ by ABBA? ‘True Blue’ by Madonna?” she listed, wiggling her eyebrows. Nancy dissolved into a flustered mess.
“It really seems like you’re trying to say something, princess.”
She was so certain of it, Robin realized. Their shared moments over the past few days played over and over in her mind, and she came to a pair of conclusions.
She liked Nancy Wheeler. And Nancy Wheeler liked her back.
“Robbie, I’m going to kill you,” Nancy groaned, shoving the other girl away.
Robin smirked, flopping back on the bed.
“I was hoping for another k word,” she teased.
I really like writing these bitches just being soft for each other. Silly gay people. They fill me with cuteness aggression and I’m shaking them violently
6: What makes this fic special or different from all your other fics?
Well for one, this is legitimately the first fic I’ve ever written. I spontaneously hopped on the fic writing train late late late July this year with this fic, and it’s still ongoing. I think it’s messy and the pacing is weird and it’s unbeta’d but it’s kind of charming like that I guess, and I like to think you can kind of see how I fell into the characters and developed my writing style as the story goes on? Idk, it has the same energy as ugly-cute animals, like pugs.
11: What do you like most about this fic?
Stop making me be nice to this flaming piece of garbage 🔫
But in all seriousness, like I said, I think you can track my development as a fic writer over the past several months, and I really enjoy the dynamic between Robin and Nancy through this whole thing. I also think my music choices are very Big Brain and Correct.
13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?
I have an unofficial fic playlist that I used just for writing vibes, as well as the mixtape Nancy made for Robin in one of the later chapters! Basically a lot of 80’s music and Maya Hawke with a couple other songs sprinkled in because they were favorites at the time or just the vibes were fitting. Specific shoutout to “Smalltown Boy” by Bronski Beat as Robin’s Vecna song, and “Seventeen” by Janis Ian being runner up. I did a bit of research in queer music artists of the 80’s because it was important to me that, whether or not she knew it, Robin’s Vecna song was by a queer person/band! Also special shoutouts to this playlist and this playlist, which are just favorite songs and work really well for me to write to. (I have the best music taste, actually, btw, and I don’t have an ego about it—)
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theodorobreja3d · 5 months
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Memories & Nostalgia - League of Legends Soraka Character Interpretation Part1
Why I chose Soraka from League of Legends:
For this project I wanted to recreate a character from one of my favorite games League of Legends by Riot Games, which I started playing in school with my class mates and I am still playing it today. Seeing how the game developed since 2009, the evolution of the art style and the level of detail in their character designs, made me want to be part of this industry. Even now days, seeing all their cinematics and new characters inspire me to develop my skill and push even harder to achieve that level of skillfulness.
I chose Soraka to redesign because I wanted to approach two challenge I've always had: sculpting the female body and designing clothes in Marvellous Designer. I thought it would be a good idea to start with some simple clothes such as veils and dresses, due to the short amount of time.
Character background:
Fig.1: League of Legends Soraka Biography
While coming up with a new design I tried to imagine how the character would look only using the description in her biography in order not to get distracted by the original design.
Reference:
I gathered as much reference I could find with the 2009 original design of the character, it was also interesting to compare it with the updated design from Riot. I looked into splash arts and in-game captures in order to see Soraka in different instances.
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I also researched other artists who made fan art for her to find out how other people interpreted her.
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Fig.2: Ouai. Soraka Fan Art
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Fig.3: Alex Flores Splash Art
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Fig.4: 0029 Fan Art
I really love the details and styles of these three artists and their interpretation of the character. Moreover, I gathered reference from other areas such as fashion, hair and other characters in order to bring something new and unique to the character.
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Reference:
Fig.1: Soraka - biography - universe of league of legends (no date) Leagueoflegends.com. Available at: https://universe.leagueoflegends.com/en_GB/story/champion/soraka/
Fig.2:  Artstation.com. Available at: https://www.artstation.com/artwork/bKykAd
Fig.3: Artstation.com. Available at: https://www.artstation.com/artwork/2q2dYY
Fig.4: Artstation.com. Available at: https://www.artstation.com/artwork/mqxRxd
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musicarenagh · 5 months
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Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk" Tzion's lagoon is a creative artist who has spent years perfecting his craft to near perfection and with every production he leaves a mark to cement his prowess when it comes to music making, and in a recent interview with Mister Styx of Musicarenagh, we got the chance to delve into his mind to explore his musical journey, inspirations and future plans. Before following his dream Tzion used to be a dance but with the help of his dance teacher who motivated him to start making music and later taught him how to play the guitar. Tzion is well known for known for his unique blend of shoegaze, garage rock, and post-punk. The name Tzion’s Lagoon is a combination of his given name and a metaphor to emphasize on his dense and dark production style, reflects their artistic vision. In the interview Tzion’s Lagoon was asked about his main ispiration and his response was mind boggling, this is what he had to say “Im a Christian so id really say God and how i seen him everyday in my life and the world around me is my biggest inspiration, within that id say things ive experienced good and bad, stories ive heard good and bad, and the human experience inspires me and helps me create things.” His latest single Evergreen 01 has a lot to say about his musical style and his persona, join us as we get to know the man behind the pseudonym Tzion’s lagoon Listen to Evergreen 01 below https://open.spotify.com/track/6w3mFzLo5R9k1Pu4uQb5gH Follow Tzion's Lagoon on Spotify Instagram What is your stage name I am tzion's lagoon Is there a story behind your stage name? Tzion is my name, the lagoon part is because i wanted the production part to sound really dense and dark, like a swamp more than a lagoon but lagoon sounds better i think. What was the role of music in the early years of your life? It's something thats always been a part of my life honestly, since i was a kid ive always been making songs, kind of, they haven’t always been particularly good though. Are you from a musical or artistic family? Somewhat, my mom and dad sang in the choir at church, but my family generally wasnt full of music artist in the sense that i am. Who inspired you to be a part of the music industry? I used to be a dancer, and my dance teacher got me started making music and playing guitar, so thats really were a started on the road of being in the music industry. [caption id="attachment_52829" align="alignnone" width="2000"] Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk"[/caption] What musician do you admire most and why? I think my favorite artist is King Krule, i like the way stands out in indie music. From his voice to his production, and it also cool how different his live sound is from his studio releases. Did your style evolve since the beginning of your career? Yes my style has changed a lot, i started out making really lofidelity indie music, like a really muddy and washed out, and now i make shoegaze and garage rock stuff, still somewhat muddy but id say in a more tasteful way. Who do you see as your main competitor? Honestly no one, i think competition particularly in indie/alternative genres is super counter productive. What are your interests outside of music? I skate a little bit sometimes, but music is a pretty invasive hobby. It comes into alot of different aspects of life. If it wasn't a music career, what would you be doing? I used to dance, and i used to box, so maybe one of those, but i'd probably be at some corporate job or something, maybe id be a missionary. What is the biggest problem you have encountered in the journey of music? Honestly myself, figuring out how to navigate overthinking and underthinking music. If you could change one thing in the music industry, what would it be? I dont really know, i think everything comes with good and bad sides regardless. But i think the way that genuine art is sometimes very under appreciated sucks, so maybe that somehow.
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