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#amity blight meta
sepublic · 1 year
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They really heard the “Lilith is Amity’s mom” fans and finally threw us a bone...
Dana’s been aware since 2020, so I really appreciate it;
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Given she also loved making connections in her shows as a kid, it feels like a nice acknowledge, reward, and appreciation for engaging with her work on a passionate level; Hence Any Sport in a Storm’s B-plot!
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co-dependance · 1 year
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I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.
Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.
The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.
Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.
And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.
All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.
Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.
In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.
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yardsards · 4 months
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there's such an interesting extra layer to amity and her relationships (especially w luz) that gets revealed when you learn that not only is she an abuse victim herself, but she is also the child of an abusive marriage
like not only was she personally abused/neglected and taught that she doesn't deserve to have her boundaries respected and won't get positive attention unless maybe she "earns it" by being useful and overachieving, but also her main example of a romantic partnership involved one partner exploiting the other and treating him as an expendable tool
in all of her relationships (platonic, romantic, familial), amity learns to give and receive kindness, learns to respect and set boundaries, learns that the value of herself and others aren't dictated by achievements or usefulness. she's breaking the toxic patterns that her parents taught her via their treatment of her.
but with her romantic relationship with luz, not only is she learning all of the above, but she's also breaking the toxic patterns of a romantic relationship that she would have learned from watching her parents.
when she shows kindness to luz, loves luz wholeheartedly even when she makes mistakes or causes problems, respects luz's privacy and boundaries, she is treating her girlfriend in a way that opposes the way her mother treated her own husband.
when she learns that she doesn't need to be useful or else risk abandonment/punishment, she's learning that she shouldn't accept or expect to be treated by her girlfriend the same way that her father was treated by his own wife.
i just. i love stories about characters breaking cycles. and i love luz and amity's relationship so much. it's very much not the kind of relationship i'm invested in the same way i am invested in with ships between adults. but rather like, it's a relationship between these two young people who are learning to healthily navigate this kind of relationship for the first time in their lives and it's really sweet.
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redwiccanrobin · 9 months
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Sometimes I stop and think about how lonely Amity must have been in that first season. Sure, she had friends. Sure, she was popular. But that doesn’t mean she wasn’t lonely.
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She was surrounded by people she didn’t care for all that much. They didn’t seem to care much about her either outside of her title of being a Blight. Whenever we see her with them, she always sort of looks as if she’s not entirely engaged with them. Not really paying that much attention to what they’re saying. It makes sense as she was more so friends with them to appease her mother. She cut off the one friend she had to satisfy her parents. She did so as she always sought and craved their approval.
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Then this girl came along. This girl who was kind, bubbly, funny. This girl who wanted to be Amity’s friend even with how rough their introduction was. This girl who tried everything in her power to be Amity’s friend. Amity let her in and eventually fell in love.
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Her childhood friend she was forced to let go of was back in her life. They grew closer, able to work through their past. She had her best friend back. And with her, a group of even more friends that came to mean the world to her. All because of a kind, bubbly, and funny girl who was determined to give her a chance.
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ashanimus · 1 year
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On Hunter's Fighting Style and Eclipse Lake
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So: Hunter and fighting. Thank you @carpisuns for enabling me.
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What he does is he sets up a guard position, and immediately tries to move to an enemy’s blind spot. He would have learned that to compensate around a casting opponent before he had magic--his only hope without a magical staff would be “defend defend defend” and get close enough to break their guard. The goal is a decisive blow to the head or neck to end combat. The priority is staying up because if he’s pinned or disarmed, he’s screwed.
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 The ability to teleport means that he starts in a strong defensive position and basically gets a sneak attack, rinse/repeat/adapt. Generally speaking he has to end fights as fast as possible, and given that he trained without magic his whole strategy is built around DEFEND first, decisive strike, DEFLECT magical force (a stick can't hope to counter it without magic). We also see a little bit of this implied training with his parkour abilities. Without the ability to fly, or the ability to summon plants to carry him to his destination, he would've had to learn all of this physically. Let's dig into some of the details of how this separates Hunter from most of his opponents. Let's talk about FIGHTING!
Most witches take their magic purely for granted. Because of this, it is likely uncommon for people to turn their own bodies into extremely efficient machines like how martial artists or athletes are required to. In their own way, these skills are generally probably pretty impressive to the average witch outside of combat — and within it they're surprising at least for the first few seconds. And in combat, seconds are really what matter. Most actual fights are over in less than 10. And one of the things that separates a trained fighter from a casual brawler or the average person defending themselves is the conditioning it takes to actually respond in time. 
Most people don't respond to fight stimuli by fighting. Most people go into freeze or flight. When it comes to serious fight training, one of the first things that happens is called conditioning. For sports that means getting the body into a particular kind of well, condition — but for combat the conditioning is also mental. If you've seen stereotypes of things like Army boot camp where the drill sergeant is yelling at people and slinging abuse constantly, that's actually part of it. I am reliably told they try not to do this as much anymore. But if you're doing something like Krav Maga which is more or less brutal streetfighting but formalized in a dojo environment that is absolutely part of the training (or at least, it was part of mine!).
Specifically, when you're learning the throw punch or doing a series of them, what they will have us do is scream and swear at our opponents (and they will sometimes scream and swear at us during spars or drills) in order to condition our minds as well as our bodies for the ugliness of an actual violent confrontation. Yelling, intimidation, insults, swears those are all part of the human "puff up and look big" thing. The other thing about conditioning in this way is the instructor teaching someone how to be hit and actually hit back. As I said before, most people tend to sink into freeze or flight. The average person who has not been trained needs to be hit an average of six times before they're able to summon up the nerve to strike back. By then, the confrontation is almost always over.
The reason I outline all of this is because it highlights the conditioning gulf between Hunter and the others, as well as trying to explain how he’d be approaching most enemies and WHY. Speed and dexterity is obviously critical, but the approach matters immensely as well.
This is especially true when you have a combatant like Hunter who is starting from a punishing disadvantage against the vast majority of his casting opponents. Without magic, the only weapon he has is his body. When you train on a weapon, that weapon becomes an extension of your body. As such, a critical part of this kind of training is gaining an awareness of the body in order to hone in mind-to-muscle control. Martial artists, dancers, etc have a scary amount of precise control in this way, not that much different than an excellent musician who understands their hands and the intimate ins and outs of their instrument. Developing awareness, control and practice is what creates reliable muscle memory. This more than anything is Hunter’s (and any martial artists tbh) superpower.
Witch's magic is shown to be driven by emotions, thoughts and feelings.
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This gives them the benefit of reflexes helping them out in the face of sudden danger, but nobody is invulnerable to the sudden appearance of somebody inside their personal bubble hitting them in the temple with a really big stick. If Hunter is on target and playing for keeps the confrontations is over, witches duel: won. Even without magic. 
Once Hunter has access to magic, his muscle memory is the same, with added oomph and a battle style combat-ready witches would be baffled by. Brawlers would be exceedingly rare on the BI except for niche sports and probably those highly unusual witches and demons who practice a form of magical martial arts. One or more of these unusual individuals would have helped train him (someone had to and Belos seems like he’d move like a broken ikea chair on his best day when he’s not a bone-rotted goop monster). Likely more. Hunter was obviously not allowed to get close to any teachers (I would expect that they were under strict orders to stay distant or otherwise motivated). 
So most of this is context to kind of the depth I saw and how Hunter's fighting movements are animated, but now let me go into how his actual personality and emotional conflicts affect his ability to fight.
Over the course of the show, we can see a pretty direct correlation of his emotional state and priorities to his efficacy and fight. Basically, when his goal is directly aligned with how he feels about it, he’s very good. But when those things have conflict, his effectiveness goes down. When we first meet him as the GG, he is very intimidating and using heavy amounts of magic from the staff Belos gave him. He rolls easily through his first encounter with Luz, etc etc. And even though neither Eda or Luz are capable of putting up too much of a fight, he's goofing around for the entirety of that encounter, you can hear the smile even while he's dodging — and it's one of easy confidence. He can trust his body to do most of that pretty much automatically which frees him up to pontificate.
Against Kikimora he was effective because despite the fact he was self-sabotaging his mission, it was within his moral alignment. He was defending himself, but Luz had moved him, and he protected her. Protecting, generally speaking, his Hunter’s preference and his entire fighting style is based mostly on defensive forms. And being by nature a gentle person, defense feels better — especially when he knew Luz was doing the right thing in protecting the Palismen. It was one of the instances that we see where his intelligence was able to overcome his brainwashing long enough to act on it, and the Avenue was Luz's respect and kindness. That being said, fighting Kikimora was more of a struggle or at the very least a more even contest. Even debilitated by the sleeping nettles, Kikimora was not a pushover and he did end up letting his guard down pretty significantly and that she did get the first hit on him, distracted as he was by his emotional moment with Luz. The giving of the name was an explicit show of vulnerability that was immediately exploited by an opponent who if she had aimed slightly to the left would've caved his skull in.
Now, Eclipse Lake is a little more interesting. There were a ton of factors that led to him fighting to a standstill with Amity. I wouldn't really call it a loss either, but I'll get into that in just a second.
Hunter is at this point fueled by anxiety. He started the entire endeavor by deliberately disobeying a direct order from the mouth of the Emperor to try and make up for a recent failure that Belos has let Hunter believe is affecting his favor. Already that's an unbelievably emotional place with incredibly high stakes. At this point, we're well aware of the fact that Belos treats Hunter brutally. The best case scenario for returning empty-handed after disobeying a direct order is a beating that would probably leave him with more scars than he started, but what Hunter actually fears is being replaced. While at this stage he doesn't regard his life as something that necessarily belongs to him, but the successful outcome of this might as well be life-and-death. 
Deliberately disobeying the Emperor does actually have a material impact on how Hunter arrives at the Knee. Because this is a stealth mission, he wasn’t able to bring his mechanical staff--the thing that would give him away to Kikimora. Flapjack had not fully become his palisman yet. Which means that Hunter hiked up that mountain after Kikimora and her party, navigating waist deep snow knowing that if he was caught she would kill him. He also knows that she is currently surrounded by her partisans, and it is super unlikely that any of them would stick up for him in a way that would put them at odds with her. With no support, no ability to take a break and probably no rations he was probably pretty hungry, tired and dehydrated by the time Eda and Amity had made it up there. And they had the benefit of being able to fly. That's one thing I don't see people talking about enough when it comes to considering the relative strength of Amity and Hunter. The little rag-eared bastard had already had a very very long and physically arduous and miserable day, maybe even more than one!.
He also bit off more than he could reasonably chew with those disadvantages in mind. He only has to make one mistake and he’s toast. He didn’t account for Flapjack dragging him to Eda and Amity’s feet. As far as he knew, they could have really hurt him, or left him--having no guarantee or even expectation of Flapjack’s assistance. But none of this changes the fact that Hunter spends the next couple of hours tied up. Amity wasn't gentle (why would she be?). We see him rubbing his wrists and stretching his shoulders out once he is free.
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Cartoons often don't make anything of this gesture, but the truth of it is this: if you been bound for any length of time, especially in the position that Hunter was, what it does is it yanks on your shoulders, your chest, it hurts the hell out of your elbows and you lose feeling in your hands. The minute you’re released, all the blood goes back into those areas and it hurts like hell. IT REALLY HURTS. And you're stiff.
Which finally brings us back to the actual confrontation between Amity and Hunter. Hunter has experienced incredible emotional highs and lows over the course of this journey. There were probably at least three or four times where he was almost killed. He is tired as hell, frozen stiff, probably in pain, almost certainly hasn't eaten or had anything to drink for a very inappropriate amount of time and he has no weapon. He's also on the brink of despair and crackup. And his mission? At this point, he’s staring down the barrel of guaranteed failure. When Amity is talking to him and trying to comfort him, he is so up a creek that for a moment he actually is hearing what she has to say. Given the depth of his devotion to Belos at this point  that is saying a lot about how he feels about his prospects at the moment. 
So when he sees the key, he attacks her out of desperation. Pure emotion. He has to at least try. There is no scenario where an unarmed combatant can wrestle the armed abomination prodigy with auxiliary support. Then Flapjack joins the fight, and that changes everything. You can see it in how his expression changes once he takes what's offered: magical aid. Suddenly he has a fighting chance. A fighting chance. 
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However, he is now using a weapon he's never used before — and I think that has a huge impact on how that fight went. Palismen are shown to respond to their wielder's thoughts. Later, in ASIAS, we can even see Flapjack responding to Hunter's mind when he's doing all the staff tricks to impress the students. This leads me to believe that wielding a Palisman staff is less like swinging an inert stick and more like moving a limb. And when your entire fighting style depends on knowing exactly where your own center of mass is at absolutely all times, that would change Hunter's balance, and throw his timing and physicality off.
All things considered, given the unbelievable disadvantage that Hunter started with, I kind of wish the fandom gave him more credit. With his emotions in absolute tatters in addition to being a physical disaster and using a new weapon, he is absolutely at his worst here! Amity is fighting from a position of knowing she has backup coming in addition to the backup she already has in King. Even then, she's fighting to get away from him. And Hunter, in addition to using a new tool and all of the aforementioned problems is going full out on the attack-- which is very contrary to how he prefers to fight. When you go this feral into a combat, the emotional place itself is a disadvantage.
And even after all that? Amity didn't beat him. They fought to a standstill.
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She has a blade to his throat, he had Flapjack on her hand. With Flapjack in his possession, if for any reason she tried to open his throat he would still have the option of flash stepping away. She might have cut his neck enough to bleed, but not enough to kill him instantly. In holding the way she did, she missed her chance at a fatal opening (and she's never killed anyone before. Interpretation is out for Hunter, I generally don't headcannon him as ever having killed directly with his own hands although I do think he's done some real damage).
He says to her, "Listen. You're strong, and I'm tired. If this continues, you'll probably escape. But here's the thing: we know where to find you--and your human."
The first part of that statement has way less to do with Amity's training or skill as an equal to Hunter's (she clearly has a little, but if you're as good as Hunter is at his age, you would've started at around three years old and that probably was not the case for Amity), and more a statement of the fact that Hunter is actually physically exhausted and there is the slight possibility that Amity might be able to outlast him in terms of endurance. But what I think is a lot more pertinent is the reality that Hunter has an incredibly small window of time to achieve victory before Eda the HARPY OWL LADY comes flying through that tunnel to beat his already exhausted ass.
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He also says: "If this CONTINUES". And he even says probably. He's incredibly fucking tough at least in terms of what he's capable of enduring before he falls down and can't get up.
If Eda did come through to help Amity, the best case scenario for Hunter at that point is they leave him senseless or in too rough of a shape to escape from Kikimora. Kikimora openly despises him, is extremely petty/cruel, and is surrounded by her own partisans (who have demonstrable willingness to murder teenagers!). She screeched about how excited she was about exacting revenge (and unbeknownst to Hunter she absolutely knows how disposable he is in the grand scheme of things!).
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She’s a lot more interested in Hunter’s blood than Titan’s blood at the moment. Hunter would die BADLY and slowly at her little claws if she got him. 
So he tries a last-ditch measure by leveling a threat Amity that he couldn’t hope to carry out even if he wanted to. It's ironic that the only reason that they were both able to achieve a partial victory here is because Hunter was able to effectively empathize with her enough to see his own vulnerability in her and squeeze it.
To all that stuff about how his emotions affect his ability to battle, if we look at what happened on the day of unity, at that stage he was still unable to confront his abuser and would-be murderer. He did not strike Belos once, and spent the whole time playing defense on behalf of his friends, taking up a defensive position and otherwise moving them out of harm's way. He's in the process of actively dying and his right (dominant) arm is paralyzed, so his form is pretty crap but this speaks to his iron will to stay breathing for as long as he can. And he's lasted a lot longer than the most affected adults. The lack of a bile sac probably comes into it a bit...but it's not the only factor here.
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So yeah! I hope that this provides a little bit more nuance to the conversation! And again, thank you to the animators and storyboarders for taking such time and care for portraying Hunter’s fighting with respect to his personality and arc. 
For anyone interested in my meta and analysis, please check out the "ash's owl house meta" tag on this blog and/or follow @idlescree for my video essays! We have more in the works coming soon :)
Tags for those who requested tags!
@skyelights-xox @rainbowangel110 @bookworm010307
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jubileemon · 2 months
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Lumity Analysis: Why They're Perfect
"Lumity" refers to the ship between Luz Noceda and Amity Blight from the Disney animated series "The Owl House." Disney has made strides in LGBTQ+ representation in recent years. Historically, the company has been criticized for a lack of diversity in its characters, but there have been notable developments toward inclusivity.
Their Introduction
In the first season of "The Owl House," Luz Noceda and Amity Blight are initially introduced as classmates at Hexside School of Magic and Demonics. Amity is a skilled and popular student, while Luz is an enthusiastic human girl who lacks magical abilities. Their relationship starts with Amity being dismissive and condescending towards Luz, especially due to Luz's unconventional approach to magic.
As the season progresses, particularly in episodes like "Understanding Willow" and "Enchanting Grom Fright," their dynamic begins to shift. Luz learns more about Amity's struggles and challenges, and Amity starts to see Luz in a different light. The development of their friendship and eventual romantic undertones forms a significant part of the first season.
Understanding Amity Blight
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Amity Blight is portrayed as a prodigious young witch attending Hexside School of Magic and Demonics. Initially portrayed as a competitive and dismissive character, the show explores the reasons behind her behavior, delving into her struggles with family expectations and her own desire to fit in. Instead of sticking to a one-dimensional "mean girl" persona, Amity's relationships with other characters, especially with Luz and Willow, showcase a more nuanced personality.
She once had a close friendship with Willow Park, but due to peer pressure and her desire to fit into her family's expectations, Amity distances herself from Willow. This storyline is explored in the episode "Understanding Willow," shedding light on the complexities of Amity's character.
Family Life and Abuse
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Her parents, Odalia and Alador Blight, are portrayed as strict and demanding figures, particularly her mother, Odalia. The show hints at emotional abuse from her mother, adding layers to Amity's internal conflicts. Amity has older siblings, twins named Emira and Edric Blight. They play a significant role in the series, as they really love their little sister and occasionally offer advice to her. While they share the Blight family ambition, they also display a more carefree and rebellious attitude compared to Amity.
Being the more overtly abusive parent, Odalia sets unrealistic expectations for Amity by pressuring her to conform to the Blight family's high standards. This constant pressure to excel and meet these expectations contributes to Amity's initial behavior as an arrogant rival and her internal struggles. Odalia's emotional manipulation and criticism shape Amity's sense of self-worth and contribute to her insecurities. The fear of disappointing her mother and the desire for approval become driving forces in Amity's life, affecting her interactions with others, including her peers like Luz.
On the other hand, Alador's neglect also plays a role in Amity's development. His lack of active involvement in her life might leave Amity feeling overlooked and contribute to a sense of loneliness. The absence of positive attention from a parental figure could impact her emotional well-being and contribute to her seeking validation elsewhere, whether through academic achievements or conforming to societal expectations.
Early Behavior
At the beginning of "The Owl House," Amity was introduced as an arrogant rival and a bit of a bully. Driven by her desire to excel academically and meet her family's expectations, she initially sees Luz as a threat and behaves dismissively and competitively.
One example of this was when she almost got Luz dissected by Principal Bump, mistaking her for an abomination. This incident shows her willingness to use any means to maintain her status, even if it means putting Luz in danger. This showcases the extent of her dedication to conforming to her family's standards.
Similarly, in the episode "Covention," Amity's actions, like stepping on King's cupcake, illustrate her inclination to follow the expectations set by her peers and her mother. These instances lay the groundwork for her eventual realization and character development as she begins to question the values she once upheld and develops a more authentic sense of self.
Why Luz Is A Positive Influence?
Amity's transformation into a better and more compassionate person was strongly influenced by her friendship with Luz Noceda. When Luz entered Amity's life, she challenged the rigid expectations set by Amity's family and offered genuine friendship. Luz's positive influence on Amity stems from her acceptance and encouragement. Since Luz doesn't judge Amity based on her family background or talents, this acceptance allows Amity to gradually break free from the toxic influences of her parents. Through various adventures and shared experiences, Luz helps Amity rediscover her own values and passions.
As their friendship evolves into a romantic relationship, Amity learns the importance of authenticity and staying true to herself. Luz's influence empowers Amity to challenge societal norms and expectations, fostering a sense of independence and self-discovery.
Her Friendship With Willow
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"Understanding Willow" is a pivotal episode in "The Owl House" where Amity confronts the regrets and pain she caused Willow due to her past actions and toxic friendships. In this episode, viewers witness the depth of Amity's character as she reflects on her role in distancing herself from Willow and succumbing to the toxic influence of her friend group, particularly Boscha and Skara.
This episode also marked a turning point for Amity as she decided to make amends with Willow. This act of vulnerability and apology demonstrates her willingness to break free from the toxic patterns in her life, thanks to Luz. It sets the stage for Amity's broader character development, paving the way for her eventual growth into a more better person.
Luz Is Amity's First Crush
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Amity's revelation of her attraction to women, particularly her crush on Luz, in "Enchanting Grom Fright" can be relatable to many teenagers discovering their own sexuality.
Amity's realization and expression of her feelings for Luz capture the uncertainty and excitement that often accompany one's first crush. When Grom attacks her, and Amity's worst fear is seen as being romantically rejected by someone unspecified, shown by Grom tearing up a note, Amity was seen throughout the episode. Luz reassures her it's alright and offers to go to Grom with her instead, as that's what friends do.
Amity and Luz then team up and fight Grom by dancing together, where they are portrayed to be extremely close while doing so. After their dance, it is revealed to the audience that it was Luz who Amity had been planning to ask out to Grom but didn't out of her fear of rejection.
Certainly, the intensity of Amity's feelings for Luz has been a notable and recurring theme in both Season 1 and Season 2 of "The Owl House." The blushing moments between Amity and Luz serve as visual cues to emphasize the romantic undertones of their relationship.
How They Fell In Love?
At first, Amity sees Luz as a rival and is dismissive of her unconventional approach to magic. Amity's uptightness and desire to maintain her status as the top student clash with Luz's spontaneous and chaotic nature. Despite their differences, Luz's persistence and kindness slowly break down Amity's initial resistance.
As Amity and Luz spend more time together, they begin to form a genuine connection. Amity starts to appreciate Luz's unique perspective and adventurous spirit, which contrasts with her own practical and regimented approach to magic. Throughout their adventures, these experiences deepen their bond and allow Amity to see Luz in a new light. As their friendship evolved, Amity began to realize her feelings for Luz. Despite her initial resistance and the societal expectations placed upon her, Amity embraces her love for Luz, recognizing that their differences complement each other. Ultimately, it's Luz's uniqueness, kindness, and unwavering support that lead Amity to fall in love with her.
Will They, Won't They?
The show subverted the common "Will They, Won't They" trope by providing a more nuanced and progressive approach to the development of romantic relationships, particularly the central one between Luz and Amity. Rather than drawing out the tension over multiple seasons, the show addresses Amity's feelings for Luz relatively early in the series. This allows for a more extended exploration of their relationship beyond the initial stage of uncertainty.
The show also doesn't rely heavily on misunderstandings or miscommunication between Luz and Amity to create drama. Instead, it focuses on their genuine connection, allowing the relationship to progress organically. This subverts the common trope of prolonged miscommunication, leading to unnecessary tension.
While the romantic aspect is crucial, the foundation of Luz and Amity's relationship is built on a strong and supportive friendship.
Becoming An Official Couple
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In the episode "Knock, Knock, Knockin' On Hooty's Door ", the Tunnel of Love scene shows the depth of their characters and the relatable challenges they face in expressing their feelings.
Luz's Perspective: Luz's awkwardness and reluctance in the Tunnel of Love stem from her past experiences of being mocked for her unconventional behavior. This fear of rejection has likely been exacerbated by instances where her crushes didn't reciprocate her feelings, making her cautious and hesitant in expressing herself romantically.
Luz's attempt to stop the ride and dismantle the romantic setting reflects her desire to show Amity a grand and unique romantic gesture. She may feel that Amity deserves something more extraordinary than what the Tunnel of Love provides, inadvertently overlooking the fact that Amity finds the gesture charming.
Amity's Perspective: On the other hand, Amity was seeking confirmation that Luz reciprocates her feelings. The romantic setting of the Tunnel of Love, despite its cheesiness, is a sign to Amity that Luz might share her romantic interest. Amity's genuine flattery and blushing indicate that she appreciates the gesture, but Luz's reaction misleads her. Amity's fear of rejection, rooted in past experiences such as Grom taking Luz's form and tearing her note, resurfaces. Luz's destructive response triggers Amity's trauma, as she believes Luz is rejecting her. The heartbroken expression mirrors the pain of potential rejection.
The episode hints at Luz's past experiences of bullying on Earth, likely due to her neurodivergence and inability to conform to societal norms. Amity's socially inept behavior is a result of her strict upbringing, making both characters relatable to those who have faced similar challenges.
Their First Kiss
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The first kiss between Luz and Amity in "Clouds on the Horizon" is a heartfelt moment in their relationship. Amity's vulnerability, coupled with Luz's genuine concern, sets the stage for a deepening emotional connection when Luz used vines to climb to Amity's room and the privacy provided by Amity's siblings leaving emphasize the intimacy of the moment.
Amity's uncertainty about Luz's safety adds a layer of tension that is beautifully resolved when they run to each other with joy upon realizing they are both safe. Luz's promise to take Amity on a real date showcases her commitment and care for Amity beyond the immediate circumstances. The unexpected kiss between Amity and Luz is a culmination of their growing feelings for each other. The blushing aftermath reflects the natural and tender awkwardness of two characters navigating new romantic territory.
Amity's decision to defend Luz against Odalia's dismissal is a powerful declaration of their relationship, marking a turning point in Amity's willingness to stand up for her feelings and challenge familial expectations.
Conclusion
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Finally, in the series finale, "Watching and Dreaming," Luz and Amity's love for each other shines through as they confront their greatest challenges yet. From supporting each other in the dream realm to sharing a heartfelt reunion after the final battle, their bond remains unbreakable. The tender moments they share, including a kiss on the cheek and their affectionate embrace, affirm the depth of their feelings and the enduring nature of their relationship.
From their initial interactions marked by misunderstandings to the development of a deep and supportive connection, Lumity stands out for its positive representation.
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drachenfalter · 1 year
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Just had the funny realization that the Collector might be the one person that still genuinely likes Odalia.
Yes, we know that she was only so nice to him out of self-preservation, but arguably, the same was true for King at first, and I doubt the Collector would understand the difference.
Still, she was one of the few people that were nice to them, and unlike Belos, she didn't stab them in the back.
So for him, she's still "Mamadalia", the nice woman that made them pizza bagels and tidied up the archives.
...
So, I kinda wanna see Amity's reaction at the Collector excitedly shouting "Mamadalia" when they see her mother.
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dragonflyable · 1 year
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While going to screencaps I realized… Out of three ships, only Raeda had a first good introduction to each other...
Amity was going berserk the first time she “met” Luz at Hexside.
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While Willow as overly excited, Hunter was complete baffled and uninterested during their first meeting.
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Eda and Raine however had a natural, fun conversation and with a mutual interest. 
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Hope these couples all have a happy ending.
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Willow matters. She matters! I love her so much, because she’s the glue that holds all of the hexsquad together. She is the one shared connection! She is everyone's first friend! She’s so hard on herself but in the end she will always matter to them!
Willow is Luz’s first friend. They hit it off as soon as they met in that clearing, and Willow was Luz’s contact with all the other witches her age—especially Gus and Amity! Not only that, Willow turned the little seed in Luz’s pocket into a huge, beautiful plant. She showed Luz how magic was inside of nature in the Boiling Isles, setting her on the path to discover glyphs!
Willow was Amity’s first friend. They were best friends. Breaking up hurts Amity, and it hurts Willow. Amity changes her ways because she never wanted to be a bully in the first place. She always just wanted to be Willow’s friend. And, years after their friendship ends, Willow is Amity’s link to Luz. Luz, who helps Amity change and befriend Willow again.
Willow was Gus’ first friend. When they first met, Gus thought people only liked him for his skill in illusions. But Willow was there when he had the least control of his magic, and she kept being there. She showed Gus he mattered to someone. She gave him his confidence.
Willow was Hunter’s first friend. Before her, he had Belos abusing him, Eda and King making fun of him, none of the coven heads respecting him, Amity fighting against him. Even his team-up with Luz was reluctant. But Willow wanted him from the start. She saw a star flyer, she trusted him, she depended on him. She showed Hunter that he could find a place outside the Emperor’s coven!
Willow feels like she has to be strong to mean something. But she means so much and it’s never because she’s strong. She riles up the crowd at Eda’s petrification with just her words. She brings together the entire Hexsquad because she’s a good, kind person. Every one of them cares deeply about her. If she lost her magic tomorrow, lost all her muscle, became not-even-half-a-witch Willow, she would be just as important to every single one of them!
It’s the beauty and tragedy of her character: Willow doesn’t see how she matters.
She thinks she has to do something to have worth to her friends. Has to be strong and wise, not show weakness, be the perfect team captain. But that’s not what made her friends love her. They love her because she was the first person to love THEM for who THEY are!
One of the central themes of this show is that “us weirdos have to stick together.” And Willow? She’s the original weirdo. She brings all the kids together. 
No, Willow may not see it herself yet, but oh… Willow matters.
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idlescree · 9 months
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“This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.” – Ursula K. Le Guin
How does the Owl House define evil? What makes Belos so profoundly irredeemable? What is the true source of Good in this story? Today we will be taking a look at how the moral core of the Owl House doesn’t lie with a battle of Good vs Evil, but rather Understanding vs Willful ignorance–best exemplified by our hero Luz Noceda and our villain, Phillip Wittebane/Emperor Belos.
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CREDITS
Writing/narration - https://www.tumblr.com/ashanimus/
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Music - @ohgeeeznotagain (Thanks again!) Eyes On You" (Instrumental) - The Owl House ORIGINAL SONG [Oh Geeez] • "Eyes On You" (In...
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Thank you all so much for watching, wear sunscreen, and have a wonderful day!
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yestheantichrist · 2 years
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sepublic · 5 hours
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Fascinating to me how in the pilot, Luz found the Boiling Isles because of AMITY... Because she's trying to return this exchange student's passport to her. She chases a bus on foot the entire way just to repay her kindness. And so she follows her through the door.
I think the final version works just as well, considering it emphasizes Luz's connection to Eda and King, as well as her relationship with her mother. But there's also something special about how in the pilot, Luz's pretty obvious crush, and hopes of finding a friend in someone who unwittingly showed her kindness (though she doesn't realize it was unintentional) is what leads her into the Boiling Isles. It's what begins everything, it's what starts her journey and helps her find the place and people where she belongs.
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There's just kind of a parallel between Luz trying to return the passport, and Luz wanting to hold onto the book, her father's last gift to her representing their mutual weirdness and kinship with one another. And the crush vibes are so much more explicit and present from the start, it's like the queer aspect of Luz and the show is intertwined, since the beginning, since the very inciting incident, with the weirdness of our cast and their found family dynamics and everything. Like you can't discuss the weirdness without mentioning the queerness, without acknowledging it as just as much the foundation to the story and Luz.
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Plus there's Amity rejecting the drawing from Luz, only for it to be appreciated by Eda unknowingly... Once again, someone, unwittingly, is kind to Luz. But in this case Eda is more explicit about encouraging and welcoming Luz, and it makes me wonder if Amity necessarily dismissed the drawing as much, or only did so because she was around her peers? She's much more of a traditional, popular girl prep in the pilot. But then she DOES throw away the drawing, and her seeing Luz later could represent the shift in attitude, her reconsideration.
It's just. You have the mother figure. You have the love interest. And they bring and affirm Luz's ties to the Boiling Isles respectively. Luz doesn't get the approval she was initially looking for, but her quest for it leads her to find approval from someone else; And obviously, her chances with Amity aren't entirely off of the table! Her girlfriend brought her here. She lit up Luz's life in a way, as the final version had Luz barge into Amity's life and light up hers without meaning to.
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Plus Eda not being the friend Luz expected or was looking for -they cross paths by pure coincidence- but being the one she truly starts off with in the end. Like how in the final show Luz doesn't quite get what she's looking for, but she finds something else just as great and beautiful. Luz braces herself to be mocked through her drawing by Eda only to be supported and encouraged! All three of these characters are cut from the same cloth, tied together. I love it.
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hooty-stan · 2 years
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This scene is actually a lot more full-circle than I originally thought
Odalia has done this before. She discouraged Amity's friendship with Willow and forbid her from seeing her again. Losing the one healthy relationship she had at the time was the snowball that led her to becoming a bully
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It isolated Amity from any kind of affection for years. What's even worse is that Odalia invalidated any autonomy Amity had and taught her that she did not have the right to choose the people she associates with
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Once again, Odalia is deciding who Amity will and will not love, but Amity isn't a child anymore. This moment is not only in defense of Luz. This moment is for her younger self who couldnt stand up to her mother. This moment is for Willow and all the pain Amity caused. Amity needed this catharsis to put those incidents behind her and get out from under her mother's shadow
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yardsards · 1 year
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some observations from the new art, in no particular order and of varying importance:
-eda and luz wearing the exact same jacket, which is adorable
-vee's lil basilisk backpack, also pretty cute (and lilith also having a silly demon backpack. also perry's lil fanny pack. is alador's bag also a creature?)
-lilith looking grouchy while vee looks cheerful and hunter looks back at his group while alador looks completely disconnected. and luz looks a liiittle less confident than eda. but the rest of them have similar expresssions to the character they're paralleling
-darius's cloak looking closer to the golden guard cloak or perhaps just the emperor's coven cloaks than to his current one
-luz's portal key and king keychain
-the patches on hunter's jacket!!! bad girl coven quitter badge! flower matching willow! king/titan head! wing (for flapjack?)! and is that the abomination symbol (dadrius crumbs! or alador parallel but i'm gonna say dadrius crumbs)
-hunter's scar and the abomination sludge on alador's face being in the exact same place. also them both having really bad eye bags. possibly a parallel between hunter being abused by belos and alador being abused by odalia??? but that's pretty loose considering they appear to still be at hexside and odalia probably didn't start abusing alador til later. also alador seems the type to be messy and have a bad sleep schedule on his own, before the abuse exacerbated it
-speaking of which, everyone else has their own clothes but alador is in an extremely raggedy hexside uniform?
-the hexsquad all wearing human clothes, while the older group has more witchy clothes, except for perry
-willow in an emerald entrails t shirt!
-amity's dangly earring looks a lot like raine's usual earring (which is not visible here bc it's on their right ear). also raine and gus both have only their right ear pierced (The Gay Ear, supposedly, lmao)
-hunter's sunglasses (or glasses?) paralleling alador's goggles
-willow's heart shaped glasses. adorable.
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probablyhuntersmom · 1 year
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Who the Kids Are at Their Core, Beyond Their Good Deeds
A meta I spontaneously thought of...
Gus, Willow, Hunter and I think Amity too..they are the Hexsquad members who have yet to receive love in arguably the most important way from caregiver figures. A clear phrase that lets them know who they are, deeper than just highlighting the good things they do for others and the world.
As early as Yesterday's Lie, Vee is told she is "strong":
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For Luz, it was being called "beautiful" and "good" in For the Future:
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For Amity it's interesting...I recall Alador telling Odalia in Escaping Expulsion that Amity is strong: "strong enough to be a Coven Head" someday. But this was not expressed directly to Amity.
There should be a moment in Watching and Dreaming that the key frame below will neatly link to:
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I like how the exact moment above was non-verbal, not followed up by an "I love you". Alador kissing her on the forehead was a very powerful, a wordless way of expressing what should've been expressed on a regular basis.
For Hunter, there have obviously been numerous hints:
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But the jackpot hasn't been hit yet. We are on the edge of our seats and lol the writers know it. He'll be receiving very special support from at least one caregiver figure in the upcoming finale, something to tell us in the most explicit way to date, that he can walk out of the hell that was this internalized shame and fear (essentially the belief of "I am a failure" and "I am nothing because I am useless/worthless"):
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I also really hope that Gus and Willow aren't left out in this.
If adults need support from statements like these for our inner wounded child, then younger and more feeble kids/teens need them that much more.
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evilkitten3 · 2 years
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i think one thing the owl house has done really well is with tying events to characterization. a lot of the time in other medias, things happen and the characters react to it, which is all well and good, and that frequently leads to role reversal fanfics and whatnot.
but toh has a very unique way of creating scenarios where the thing happens specifically because of who the characters are. an eda-lilith roleswap wouldn't make sense bc eda isn't ambitious enough to curse her own sister - and i really can't think of any other scenario where doing so would have even occurred to her.
the last ep i saw made a point of comparing amity to hunter, and while they definitely have a lot in common, they don't react to things quite the same way.
every time a character makes a decision, it feels like it's that character doing it, like other characters would react differently or even not have ever ended up in that position by sheer virtue of who they are as people.
anyway it's really good
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