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#analysis of courage
ladyknight33 · 1 month
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Severus Snape, The Lost Lily, and A Certain Kind of Courage
Not enough credit is given for the type of courage that allows an insecure boy to stand in enemy territory and apologize. It is the same type of courage that has allowed him to behave as a spy in the most dangerous situations of the story. The books inform us that Severus has insulted Lily multiple times, perhaps indirectly, when in conversation because of his constant acquaintance with Slytherins who referred to her as a Mudblood. In order to maintain relations with his Housemates, he needed to use the same vocabulary otherwise they would ostracize him along side the rest of the school. The books also say that Lily forgave him frequently for these transgresses and even defended him to her friends. Because of these references, she might not have had the slur directed at her from Severus’s own mouth. Only in passing in referring to the Muggleborn population. This could explain her outrage at the callous behavior Severus gave her following the “Worst Memory” incident and why she never forgave him.
To better understand why Lily took the derogatory slur so harshly, one needs to understand why Severus would have lashed out in such a horrid manner. Many readers insist that there is no forgiveness for this behavior, but circumstances pushed him into a no win situation.
First of all, the Marauders attacked Severus unprovoked. (This isn’t say that Severus never attacked first, but in this instance he was the victim) James Potter’s attacks were less harmful in the physical sense, but emotionally they caused embarrassment and lasting mental damage to Severus from the inability to defend himself.  Second, Lily attempted to call James’s off no less than six times (HP OotP, Ch. 28). Fueling Severus’s embarrassment to have a girl defend him yet again when James actually relented. 
“There you go,” he said, as Snape struggled to his feet again, “you’re lucky Evans was here, Snivellus –“
“I don’t need help from filthy little Mudbloods like her!”
Lily blinked. “Fine,” she said cooly. “I won’t bother in the future. And I’d wash your pants if I were you Snivellus.” (HP OotP Ch. 28)
There was a moment hesitation in Lily’s response that suggests surprise and shock, inferring that Severus had never referred to her directly as a Mudblood. Lily not one to be insulted returned in kind which no doubt destroyed Severus’s heart. His one friend and defender had abandoned him. This was likely the moment when Severus knew he had made the most grievous error of his life.
This error was fueled by years of influence by Slytherins such as Malfoy, Nott, and Mulciber. Severus had grown accustom to the slur’s constant use in casual reference and was expected to use the term without hesitation. By this point in his schooling years he was probably having to hide his interest in having Lily as a friend publicly in order to stay friends with his Housemates. 
The stress and embarrassment of the situation in such a public manner likely did cause Severus’s vocabulary to slip out the insult. He needed to appear as the consummate Slytherin in the eyes of his racially bigoted friends and he had to appear self reliant in terms of the stereotypical male who does not seek protection from women. Most all cultures have this image of a strong male and seem to indicate that needing a female to fight his battles is considered weak. Given the home life of Severus Snape he likely learned this behavior from a strong willed Tobias Snape. 
While no one is free from fault, circumstances, stress, embarrassment, shame and anger do cause people to say and do things they would otherwise not do. This combination of emotions does cause people to act irrationally. Teenagers are the best examples of people making irrational decisions. Everything from trying illegal drugs, drinking and driving, and defying a parent because of a simple misunderstanding are examples from real life. Granting another chance to people who do make horrible decisions while stressed is up to the victim of the attack. In this case, Lily decided that there could be no more chances.
Now with the emotional state of Severus Snape explained, it is time to talk about the courage it took to stand in front of the Gryffindor Common Room demanding to see Lily. He threatened to sleep there which meant he did not care about the rules or how the students of Slytherin would laugh at his decision. At that moment in his life Severus cared about nothing more than apologizing and seeking forgiveness for what he had done. Admitting fault is a difficult thing to do at the best of times, carrying with it the shame and humiliation all its own. Doing so publicly takes great courage. This is the courage of doing what must be done. 
Severus Snape, who is not like by many people, influenced by hatred and bigotry, and faces ridicule for his choices, is able to swallow his pride and do what he knows is right. Argue that this is only because he does not want to loose Lily Evans and that would be correct. At this point in his life he has very little support in the social structure. He needs all the friends he can find. At this point in his life sexual interests have not been revealed. There is no evidence that he sought after Lily for anything other than a friend. 
The courage it took to stand there and listen to Lily reject him while trying to apologize is breathtaking. This is the courage that allows him to stand before great evil and not waver. He has already felt the guilt of being unable to save what is lost. So he tries to salvage what he can. At this turning point in his life he is crying out for help but is unable to express himself. He wants to do right but his only outlet pulls him deeper into Voldemort’s grasp. With his last bridge of friendship with Lily burned, he likely had no more strength to resist the inclusion he felt with his Death Eater friends.
He still had the strength of mind to feel concern for Lily’s safety. Keep in mind that when the prophecy was first heard and reported no one knew who the child was. Severus had made the only choice he felt was left to him by becoming a Death Eater and in his mind getting even with Dumbledore by reporting the prophecy would have been high on his list of priorities. It was not until Voldemort chose his victim did anyone know who was in danger. Severus probably felt extreme guilt at passing the information, but he could not have known that Voldemort would choose the Potters as the most dangerous. 
To his credit, Severus had the courage to ask the Dark Lord to spare Lily’s life. Many people, including Dumbledore, ask why ask for only the woman’s life. The reason is clear. Voldemort had chosen his victim and if Severus Snape had ask for the family to be spared then he would appear to be a traitor and destroyed. He could get away with asking for a woman he had loved since childhood. Voldemort knew of sexual desires and assumed Severus asked for a woman because he desired her. This is where the sexual definition of love started to develop. Severus never claimed it was true only that Voldemort made that assumption. Severus allowed the assumption to stand because it shielded him from suspicion. 
When he begged Dumbledore for Lily’s life, Dumbledore accused him of only caring about her. Given the known history that would be a safe assumption. Of course Lily is Severus’s first thought. She was his first and only best friend. There would be some resentment over James Potter putting her in danger. But notice that it was not Dumbledore who insisted on protecting the family. Dumbledore asked “why did you not ask Voldemort to save the whole family?” which is a ridiculous thing to ask the man trying to kill said family. Severus was the one to volunteer the request to save the family. Yes, he wanted Lily safe and understood that to do so would require saving her family. He would not see James and Harry killed for the sake of one person.
Severus made a dangerous choice in seeking out Dumbledore. He is shown to be afraid during the confrontation, starting out by begging, “Don’t kill me!” Severus knew this meeting could easily end in his death or imprisonment and Lily was more important than either. His courage was fueled by fear at this point, but he still knew what had to be done and was willing to face the consequences.
During the Voldemort’s second rise to power, Severus hung between trust and traitor. He walked in two worlds where people refused to believe he was truly on their side. Constantly having to put up with the comments and insults. He bore this as best as his bitterness allowed him. But when faced with the task of killing Dumbledore, the courage needed to complete it was overwhelming. From Severus’s own memories it is known that he did not want to do as ordered. As shown with Draco Malfoy, killing is not so easy a task when one’s heart is not evil. This again is the courage of what must be done. Not because it is right, or because it is glamorous. But because it is the only option to reach the end goal. 
Traditional heroes would have balked at killing a friend who would otherwise die a horrible death. Readers curse Severus for this action, one among many. If this horrible decision had not been made, then the ability to protect the students at Hogwarts and pass along vital information to Harry at the right time would never have come to be. 
No matter how furious the Order of the Phoenix was at Severus’s actions, they needed him to do the dirty work of spying for them. With the information he brought them, they could then be the heroes everyone expects.
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sobie-is-scared · 2 months
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I was listening to Godhunter by the Aviators, and it got me thinking about Jim again. But specifically about what is provably the most creative kill of the series - his final stand against Bular. It was stunning visually and really good choreography wise, but it got me thinking about another fight involving Bular. One of the very first things we see in the entire franchise.
The fight between him and Kanjigar. And why I think Kanjigar wouldn't even think of doing what Jim did in that final battle. It's fascinating how differently both trollhunters use Daylight, and I have my thoughts on it to share.
Let's start with Kanjigar. As we see in Wizards, he was a warrior long before getting chosen by the amuket, and it's safe to say he has been trained in using a sword. And so even when he fights with Daylight he treats it pretty much the same as a regular blade.
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Like over here. He burns himself to reach for the sword, when we know that Daylight can be teleported straight intk your palm. But it's not something Kanjigar would have had to use often because, as it's established, he is an excellent warrior. He probably is disarmed very rarely, if at all.
Not our Jim, though. He is a scrawny sixteen year old fighting giant creatures of living stone. The sword is flund from his hands constantly. And so he had to learn how to get it back in an instant or die. He is doing everything in his power to keep up with beings much stronger, bigger, and faster than he is, and so he is using this trick a lot.
So for him, the sword is much less of a physical thing, is what Im trying to say. And that allows him to come up with an idea for something like this:
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Like he says in this scene, he is not a troll, and he doesn't fight like one. What a genius way to write a protagonist going against much more traditionally powerful opponents.
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legendoftherisingtide · 6 months
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[intro]
Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.
He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.
Then why is he standing in the rain.
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To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.
He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 
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Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.
He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.
So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 
I hate the rain. But I will brave it for you. 
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He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 
For Izuku.
He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.
He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.
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But now it’s different.
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There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.
But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.
But when did it become something else? 
When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?
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Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 
He tells Midoriya he shouldn’t try to win this on his own. 
He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.
But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 
There are two reasons and both are a sacrifice of something in the moment.
It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 
But the sacrifice of ideology. 
With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.
Midoriya changed him.
He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 
Everyone sees how Bakugou feels about Midoriya.
He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 
There can not be a world that doesn’t have him in it.
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This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.
But the final sacrifice is the culmination of Bakugou’s character.
He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.
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This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.
I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.
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It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.
I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  
But can I still be with you?
The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.
And the last thing on his mind is if he can still be able to be by Midoriya’s side.
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He won’t let him go again. 
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becauseplot · 11 months
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The recent announcement of the qsmp election event and q!philza confirming in canon that he is an anarchist kinda rattled something that's always been sort of spinning around in my brain: the fact that both c!emerald-duo (from DSMP) and q!philza (from QSMP) have had their lore tied in with the lore of the Antarctic Empire on SMPEarth. The thing about c!emduo and q!philza is that they are (as mentioned earlier) full-blown anarchists who vehemently oppose government in all its forms, but ae!emduo were, in fact, the co-leaders of an empire.
Now I don't actually know an awful lot about what went down on SMPE (from what I understand, it just sort of...ended?), but like, bear with me here---imagine SMPE is a world of actual empires: citizens, kings, soldiers, armies. A world capable of full-scale war. ae!Phil and ae!Techno are the leaders of one of the most powerful empires in all the land. Then, flash forward some years (decades? centuries?) later, and they're both anarchists completely disillusioned with government as a whole and actively fight against it when they see fit.
What happened? What happened between the birth of the Antarctic Empire and the beginning of the DSMP/QSMP that made them completely give that up and start to oppose what they once supported? 
Was it something they witnessed? One too many peaceful villages burned, one too many mangled bodies found beneath the rubble, one too many of their own men imprisoned, tortured for information, then left for dead?
Was it something that someone did to them? A beloved friend caught in the crossfire of a war; an ally they thought they could trust sticking a knife in their backs in an attempt to seize the Empire for themself; a foe that was simply too strong, too ruthless, too power-hungry to be defeated, much less reasoned with?
Or was it something that they did? Something they did that, for the first time, made their own stomachs turn. Made them question if it was all worth it. Made them realize that it never was. Were they ever at odds? One person begging that they halt their progress immediately while the other doubled down, insisting their actions were justified. Did they fight about it? Threaten the other with arrest for treason? Threaten to leave the other and never, ever look back?
What was the final straw? What makes an emperor become an anarchist?
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chubphoe-linkclick · 4 months
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I asked a while ago if anyone knew whether CXS, LG, and QL representing The Star Warriors of hope, courage, and wisdom respectively meant anything, and I got a phenomenal reply from shimmeringweeds. CXS and QL's themes just sorta fit the vibes of their characters for me. The only issue was that I didn't really understand why Lu Guang was the Star of Courage of all things especially if he wasn't the star of wisdom.
It was bothering me a lot because I just could not see it at first, and now I realise why.
The fandom often talks about Lu Guang time travelling back to save Cheng Xiaoshi to be an act of love and desperation and gayness, that he just couldn't go on without him and was willing to risk throwing the into disarray just to say his name once more (sobbing). But this only really looks at the angsty parts of what Lu Guang must have been going through and thinking about when he made his decision to dive.
This is because travelling back in time to save Cheng Xiaoshi also means carrying the risk of failing to save Cheng Xiaoshi, a very realistic and almost certain outcome that he will be there again holding his best friend as he dies in his arms, Lu Guang as helpless to save him as he was the first time (and every other time). There's no way he hasn't thought about that, watching the life sink out of Cheng Xiaoshi but forcing himself to sit through it so his best friend's final moments will be with someone who loves him, so he won't be doomed to be abandoned even in his final moments. Even if he's going to go back and change the timeline, erasing this death, Lu Guang doesn't ever want to leave him alone. For Cheng Xiaoshi, Lu Guang never wants to run away.
And so Lu Guang keeps going back, despite this certainty of failure and the soul-scarring consequences of it. It might not be an understatement to say that Cheng Xiaoshi's death was the worst thing that ever happened to Lu Guang, and that's a testament to the guts he has for facing that reality again and again for the sake of one he loves.
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blueskittlesart · 11 months
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obsessed with the potential history you could infer about the zonai based on the fact that they use dragons as a motif to represent courage and also have credible myths about draconification by secret stone... cannot stop thinking about this connection. theoretical zonai who sacrificed your sentience and lived on in legend who were you
i think their basis of knowledge for draconification HAS to be the 3 goddess dragons and the fact that dragons are the courage motif throughout zonai lore adds an interesting layer to that. why WERE they draconified. was it to prove their courage? was it a test of strength? Or is it the other way around; do the zonai & early hyruleans view dragons as symbols of courage BECAUSE of their understanding of the ultimate sacrifice that must be made to become one? the obvious dragon-worship among early hyruleans is also so interesting knowing that they viewed dragons as synonymous with courage because it means they had to value courage SO highly as a society. it's no wonder that by the time botw rolls around knowledge of ZELDA'S (wisdom) and GANON'S (power) roles in the cycle have been almost completely forgotten while link (courage) is left to shoulder the burden as the only one with a clear-cut road to victory. his role was preserved because it was the one ancient hyrule placed the most value in.
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aphblr-headcanons · 6 days
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I am a little scared to post my Laurance analysis. I am too scared it goes against a lot of characterizations of Laurance that I commonly see. So I decided to talk about it here.
An overlooked trait of Laurance is how he refuses to let things that he sees as injustices slide.
He and Garroth constantly butt heads at first in MCD, not only about Aphmau. But things about Garroth too. Laurance often over-analyses Garroth. And calls him out on holding information back and so forth. And on what happened with Zenix. Meanwhile, Garroth spouts meaningless insults when Laurance confronts him about these things. Garroth is clearly not good at being confronted on the spot like that. 
And I’d like to talk about what I’d consider Laurance’s best scenes.
The one where he defends Isabell against her abuser, and the one where he defends Lucinda against her toxic ex Ivan. Laurance is very admirable in these scenes, unafraid to step in. For how often abuse is excused within MCD and Mystreet, Laurance calls it out twice. Which is, as I said, incredibly admirable.
Like someone mentioned before; when we see Laurance letting things slide, the narrative often ignores it too. Laurance is never the only person to let things slide. He doesn’t get as upset with Garroth after the betrayal as he should’ve been, but no one is. Everyone lets it slide. After Aphmau didn’t search for him, the narrative claims she did try her best. It was written that way for convenience, rather than a purposeful flaw. Even then Laurance is framed as less forgiving because he did blame Garroth for Aaron’s death when he let his anger slide. But that was overall a pretty bad scene nonetheless.
I would have preferred if Laurance took more time forgiving Garroth for this, and called him out on his behaviors. The betrayal hurt many people, and someone needs to hold Garroth accountable. Judging from Laurance’s other actions, it would make sense if it was him. 
One of Laurance’s main traits is how stubborn and headstrong he is. Throughout MCD season 2, Laurance continuously refuses to listen to others' advice. He doesn’t listen to Vincent or Vylad, instead deciding to deal with things his way. And when he realizes he does need advice, it’s too late. And the only person to turn to is Sasha.
He is also prone to grudge-holding, he doesn’t seem to forgive people quickly. We see this in how long he takes to warm up to Zane and Gene in Mystreet especially. And how he distrusts Sasha at first despite their history together in MCD. If I remember correctly, he took longer than Garroth to start liking Aaron too. 
Laurance cares about his friends, VERY deeply. But he is no doormat. He is no sheep, rather he is like a goat. Following on his own accord. 
His care is shown by how he shuts himself away later on in mcd season 2. When it’s getting more apparent his behaviour is hurting those around him. And eventually leaves just to avoid hurting them. 
Overall, I think Laurance acts more open then he actually is. And is far more cautious and private then he lets on. But he holds the people he holds dear very close. 
Maybe in Mystreet, his caution is because of the Shadowknights. And he takes so long to forgive people because of his experiences with them.
.
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novalizinpeace · 6 months
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CW: dehumanization, animal cruelty and use of animal skin treated in a cartoon setting + analysis of those acts.
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Mad World
My neurodivergence ass had been having problems with the cartoon world on this specific topic, since a LOT of cartoon tend to fall in the ''sentient-anthro animal that also coexist with their not sentient counterpart'' situation, even making jokes about it, gods Bugs was pretty chill about the idea of being hunted in almost every episode.
It not that i don't like the jokes, even some of them make for some funny scenarios (like in Tom&Jerry, we're Tom would willfully swift between pets alike acts to human works if the situation ask for it), but it kinda bugs me in the ethical and social way of thinking.
I mean, see in CTCD we have a pretty clear example: Courage and MadDog are both dogs, but the differences both in anatomy and actitude speak A LOT about this.
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Yeah, Courage is smart and acts basically like a human, but at the end of the day he's a pet; he wears a leash when go out with Muriel&Eustace, He can barely talk, he sleep on the flour/at his owners bed end and, in general, live a pet life and get treated like one not just by his owners, but by everybody else.
While MadDog could easily be a ganster inside a fursuit and i would buy it, the bastard even have a car and probably a (illegal) bussiness!
and the problem here is pretty clear: Courage was raised by humans that choose to treat him like a pet, and i can confirm this 'cause you can see that both Courage parents seems to act more human like (even speaking, but that was in the spanish dub, idk if in the original one they also had lines)
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So i personally shared the concept that was show in We Bare Bears movie for this universe: that all animals are smarts enough to become part of society if they interact enough with humans to get to it, BUT if they're treated like their not sentient counterpart, they're going to stay like that.
kinda funny in the dark way, but aaaaaaaaaaaaaaaall this rant/analysis came 'cause i was thinking in how would Katz react to see a cat like Tom that act like a pet, then i when ''And how would Cajun react to a fox... Oh...'' and then i got sad and make the whole minicomic.
and also to take the sad out i make a joke about it, so have this too
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sapphire-weapon · 1 year
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fucking Obsessed with the dialogue in the RE4make ending showcasing just how layered one sentence can be. when Leon turns down Ashley’s offer to put him on security detail, he’s not actually suggesting that the president’s fucking daughter doesn’t need security detail. there’s so damn much going on in that one line of dialogue alone.
what he says: “You don’t need me.” what he means: “I’m not even here under my own free will; there’s no chance in hell they’d transfer me. But even if there is the slightest possibility that you could actually help, I don’t want you to worry about it, so I won’t say anything.”
what he says: “You don’t need me.” what he means: “If I take my eyes off of bioterror for even a second, I’ll never be able to bring myself to go back. And I can’t afford to do that.”
what he says: “You don’t need me.” what he means: “Sherry needed me after we escaped together, and I’m pretty sure I fucked that up. I couldn’t bear to ruin the life of another tiny blonde girl.”
what he says: “You don’t need me.” what he means: “I’m probably fucking worthless outside of a life-and-death bioterror situation.”
what he says: “You don’t need me.” what he means: “The more you feel that you need me in order to cope with what’s happened to us here, the more you actually will need me, and I don’t want that for you.”
what he says: “You don’t need me.” what he means: “I genuinely believe you can heal from this and go on to live a normal life. I couldn’t.”
what he says: “You don’t need me.” what he means: “I wouldn’t have made it out of here without you, either.”
what he says: “You don’t need me.” what he means: “I’m so fucking proud of you.”
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Psycho Analysis: Freaky Fred
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(WARNING! This analysis is... NAUGHTY!)
Hello dear reader, this is Fred.
You hear the words that are in his head.
To Courage the dog he is a threat,
because he’s very… naughty.
In Courage the Cowardly Dog, you see,
Fred appeared and definitely
left a mark on you and me
by being very... naughty.
So let's take a look at this creepy man,
and hopefully you'll understand
why this guy has garnered tons of fans
despite him being... naughty.
Motivation/Goals:
Fred’s a man of simple needs.
He wants to cut hair, indeed!
And his efforts would likely succeed
if he weren’t so… naughty.
He has a compulsion, you know.
He sees hair and it’s time to go!
And so he spends the\is episode of the show
being very naughty.
Performance: Paul Schoeffler is the man, you know!
He voiced Le Quack, Katz and Big Toe!
The Cajun Fox, Zalost, the Snowman, oh,
he played characters who were… naughty.
He was quite good at what he had to do,
even playing Dr. Vindaloo!
And he played our boy Fred, it’s true,
with a performance that was… quite naughty.
Final Fate: After shaving Courage’s hair,
the orderlies escort him out of there.
One could argue the ending’s unfair.
Fred was only… a little naughty.
Evilness: Is Fred evil? Who can say?
I certainly don’t see him that way.
Really, at the end of the day,
the worst you can call him is… naughty.
He shaves off hair against people’s will
because it gives him perverted thrills.
He doesn’t maim or harm or kill,
he’s genuinely just naughty.
So I suppose a 1.5/10’s the score.
I can’t really justify much more.
He’s not cruel or deadly to the core,
he’s a weird guy who’s naughty.
Best Quote: The opening lines of his sole appearance of course,
which he delivers with no remorse
as he outlines his action’s course
and explains that he is… NAUGHTY:
“Hello, new friend. My name is Fred.
The words you hear are in my head.
I say, I said my name is Fred,
and I've been... very naughty.”
Final Thoughts & Score: Alright, time to drop the rhyming act so I can actually really talk about Fred. And boy, is he ever interesting to talk about! Courage is really a cavalcade of amazing one-shot antagonists, but Fred is easily one of the best and most memorable.
A huge part of that is probably down to his single appearance being narrated from his point of view. He’s the rare Courage villain that gives us explicit insight to his thought process and why he does what he does, and what he does is… extremely strange and even suggestive. His compulsion is so strange and how he narrates it and refers to his actions really build him up to feel worse and creepier than he actually is. He’s not trying to hurt Courage in any way, he’s just trying to exercise his bizarre fetish like a G-rated Yoshikage Kira. There's a lot of ways you could read into this compulsion, but t really does make him stand out as a character due to how unique it is and how it's implemented into the story.
I think what also helps is Schoeffler giving one of his best performances on the show. Like yes, Katz and Le Quack are great, and Vindaloo is a funny meme man, but Fred is just a truly iconic character with such a bombastic and sophisticated narration that I really think he’s a contender for the best character the man played. On top of that we have a fantastic design, with his crazy hair and way-too-wide grin; literally every aspect of this guy is perfect.
But at the end of it all, you have to remember that Fred isn’t actually evil, no matter how much he seems to insist he is. At worst, he’s an anti-villain, and even then it’s in name only; the dude is just a freaky weirdo who looks like Betelgeuse and has a strange fetish he can’t help but act out on, and at worst his actions are annoying and inconvenient as opposed to horribly destructive or deadly. Like, oh no, your hair’s gone! It’ll grow back, whatever. He may be Sweeney Todd for kids, but this barber ain’t a demon; he’s just a fucking weirdo. And I love him for it.
A 9.5/10 is the score he gets,
A memorable antagonist, one of the best.
His narration will never leave your head,
and isn’t that just…
NAUGHTY?
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spacebugarts · 7 months
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I think the reason analogue horror works so well is that it replicates the vibe of things that scared us as kids, like for me it has the same feel as the uncanny valley from early cgi and animatronics/prosthetics that made the original two Ghostbusters so scary to me, or that subtle sense of unease that made people so afraid of the antagonists in Courage the Cowardly Dog. Its just a perfect callback to the things that kept me up late staring at the closet door and I love it!
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ninadove · 3 months
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The reason we’re doing this, Duusu, is because we’re hoping for a happy ending.
— Courage in me, from Ladybug & Cat Noir: The Movie
For @paracosmicat! 💜🐈‍⬛
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astronomicalunit32 · 15 days
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In my motivic analysis phase. When did we decide to stop listening to the hamilton soundtrack.
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boyruggeroii · 27 days
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Gtting excessively mad over stupid Hamlet analysis
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denpamen · 2 months
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The GOAT Dolph fan quixtrix just reblogged my post
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nitetime-moon · 12 days
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Finally got my hands on NieR: Automata, so I've been thinking about the YorHa android designs. The poses are from AdorkaStock models!
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