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#and i'm in a really bad place
cozylittleartblog · 4 months
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worst way to start my new year, thanks. i have a lot of things to say about these companies but i'm tired and just keeping it focused to the pin side of things for this one. do not ever buy pins from these companies, literally ALL of them are stolen from small artists like me. if you want to buy enamel pins, check out etsy, and artist's personal websites and shops! (though even Etsy has some bootleg pins that ship straight from china, so tread carefully…)
Every pin I've designed is, thus far, EXCLUSIVE to my etsy. if you find it anywhere else, it's been ripped off! and once these stupid bootlegs pop up, it's basically a never ending game of whack-a-mole trying to get them all taken down...
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blairaptor · 4 months
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Captain Baja Blast 🥤🌮
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poorly-drawn-mdzs · 2 months
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Happy Valentine's Day! (and this blog's first post anniversary!)
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marvelsmostwanted · 4 months
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This is sad but unfortunately I think this is just going to be the norm for the next few years as streaming services die a slow death.
HBO Max should in theory be able to make money from a show that was at one point the top new series in the US. At the time, David Jenkins said "This is what happens when a major media company invests in inclusive mainstream stories" (agree!) but unfortunately that major media company, like all streaming services, has a terrible business model that can't support that investment.
This is an interesting article about how streaming services are losing money and scrambling to make it back by trying to convince people to buy cheaper, ad-supported options or bundling with other streaming services. Unfortunately for them, I think that's like... all of the options? At some point they're just going to continue to lose money. Making shows is expensive and very few consumers are willing to pay more when they could just cancel and use a cheaper service (or, you know. 🏴‍☠️)
This is also a good article that was written after Shadow and Bone was cancelled by Netflix about whether it could be saved:
"The problem is that while saving shows used to be plausible, at times, the cost of Shadow and Bone combined with the fact that streaming services are really, really starting to cut back on spending means that this would be an extremely tough sell. WB Discovery’s Max is being lambasted for killing finished projects for tax breaks to chip into its massive debt. Disney Plus has done the same thing and has said they will cut back on things like expensive Marvel shows. Amazon Prime is mired in expensive creator deals going nowhere and throwing insane amounts of money at projects they are realizing are not panning out. Paramount Plus losing $500 million a year. NBC’s Peacock is losing $650 million a quarter."
TLDR; Streaming services have reached such a dire point financially that they have to cancel some of their most popular content (Marvel shows on Disney+???? These have seemingly been very successful; it's wild to read that they're "cutting back") in the desperate hope that a new season of something that's cheaper to make will get more attention.
What I gathered from these articles is that steaming services are dying a slow death and sadly, a lot of good shows are going to go with them.
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uncanny-tranny · 6 months
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Whenever people who are entrenched in diet culture talk about how terrible chemicals are, I just want to whip out this:
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#diet culture#diet culture tw#described images#image description in alt#'it's got CHEMICALS in it' and so do you! and me too! IT'S ALL CHEMICALS ALL THE WAY DOWN#instead of running from this world we must learn to embrace it#i'm not particularly angry at people who say this because it makes me think that they're incredibly invested in diet culture...#...i just don't want the whole 'food = bad' or 'bodies = bad' to go unchallenged...#...part of the reason why diet culture seems just as prevalent now (if not moreso) is partially because it isn't really...#...challenged or questioned without provocation. it's just assumed to be correct because it makes you 'feel in control'#when chemicals are bad you can control what chemicals you consume. it's individualistic and places the blame onto you for 'being good'#it places responsibility onto the person in such a way that it becomes impossible to fulfill#it isn't that i'm upset that people want to treat their bodies in a way they think is responsible...#...moreso that the *way* they go about it ensures that they're stuck in a cycle of self-blame and even self-hatred#because the METHOD is ineffective. not the desire to treat your body well#also the state of ohio looks stupid and i do Not respect it#it looks like a ball that is simultaneously deflated and over-inflated#also their state flag looks silly to me#it looks like the person who was making it fell asleep making it#i'm just clowning on ohio at this point. have never been to ohio but. are you guys okay
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black-and-yellow · 15 days
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svftloving · 6 months
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໒꒰ྀི´ ˘ ` ꒱ྀིა yandere! aether general headcanons
warnings! yandere themes, overprotectiveness (directed towards reader), mentions of threatened self harm (not towards reader), force affection (not directly stated, but implied) obsessive behavior, kidnapping, mentions of violence (not towards reader), paimon attempting to be a wingman (but ultimately failing), if you feel like anything else i should add, just comment! <3
notes! i love this man so much smh. also, these headcanons take place as if you were traveling with aether and paimon (since like, before the actual story). enjoy! <3
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there are literally no words that can describe how much you mean to this man. like, literally. you mean more to this wandering traveler more than words can describe. you'll often find the male gazing at you with the softest look in his eyes. he won't be embarrassed even if you catch him staring, just leaning his cheek against the palm of his hand as he stares dreamily.
on your journey towards each region, his (over)protectiveness will continue to grow and there's literally nothing you can do about it. it's inevitable and you'll just have to deal with it. he already lost his sister, could you imagine how much he would lose it of he lost you too?
unlike what his sister would do, you'll be stuck in serenitea pot 24/7. maybe in safer/more familiar regions (mondstadt is a good example) you'll be able to get out the pot more, but most of the time, it's just aether, you, and paimon in the serenitea pot. paimon usually is fighting for your freedom but aether is (unfortunately) able to convince her otherwise. give the poor girl some credit she's trying her hardest :'(
speaking of paimon...she's the worse wingman ever. according to aether, atleast. he appreciates her efforts and all to try and woo you for him, but it always ends up making him look bad in the long run. unintentionally attempting to show off his battling as he beats a innocent person for flirting with you, trying to convince you of how awesome aether is as if he didn't state that he would kill himself if you left him, etc.
anyway, back to aether. this man is extremely affectionate. he doesn't care where you both are at, what time it is, or what's happening at that specific moment, just expect to have him close to you in whatever way possible. he loves any type of affection, but he's especially a fan of kisses if you ask him what his favorite type of affection is, he'll say all. trust me though kisses are his favorite. smooches, pecks, full on make out sessions, he doesn't care. he'll soak it all up and tell you thank you after (or if it's the case where he's showing you affection, then he'll still probably say thank you). he especially loves when you kiss all his bruises and scars that he gets from battling at the end of the day, just laying in your arms and feeling your lips kiss all the pain away is better than any bandages~
you know how i said he was overprotective? yeah, this man is willing to beat up literally anyone. it doesn't matter who it is, treasure hoaders, civilians, enemies, fatui, so on and so forth. and it's not just the fact that he's completely okay with killing anyone, but his reasoning for doing them is just as worse. a person in mondstadt can casually offer you some fisherman toast and aether is breaking fingers (look it's not his fault, okay? he saw their fingers linger on yours!)
on a more...obsessive note, he's very keen on keeping you by his side. i know i said that aether keeps you in the teapot, but he let's you out...sometimes. of course, you'll always be by his side whenever you're finally able to step out of your imprisonment, either he has a hand on your waist or is holding your hand. if danger ever just so happens to arise while he's trying to have a nice stroll with his darling, then you probably won't be going out for a while.
...and by a while, i mean 4-5 months if what happened isn't 'major' according to the blonde swordman. unfortunately, aether will come to the conclusion that teyvat is way to dangerous to even take a walk in windrise (or wherever non-if dangerous aether takes you) strikes. so once he gets the urge to finally take you out (again), please take advantage of it.
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general-cyno · 7 months
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today in more zolu thoughts: yet another thing I find fascinating about zoro and luffy's relationship, which I believe the LA managed to capture pretty well despite the differences between it and the og source material, is that while zoro's capacity for loyalty and devotion where luffy's concerned are insane (the all-encompassing, heartfelt, lay down my life and dreams for you, follow you until death or the very end of everything kind of crazy), they're not entirely unconditional per se. the condition here being that he has to measure up to zoro's standards - that luffy has to prove himself a man worthy of following.
there are plenty examples of this in the manga, but I'll stick to where it and opla intersect. so manga!zoro pretty much stands firm with this condition when he agrees to follow luffy, warning him about not getting in the way of zoro's dream right away. opla zoro is a lot more reluctant to join in comparison, and he just seemingly goes along with the whole thing in a more "might as well" manner; even so, there's these few subtle moments where you can see him being struck awe by luffy's faith in himself/his dream (the dinner at kaya's) and showing exactly why he's a "different" kind of pirate (ie freeing the folks from orange town).
still, the most pivotal moment is zoro's fight with mihawk in both cases. this is where luffy has to really prove himself to zoro, for the first time. because talk of dreams and promises and not hindering them is nice and all, but can luffy really stand by what he says when push comes to shove? when the life of someone he cares about is on the line? and man. the answer is yes.
in the manga, by stopping johnny and yosaku from intervening and refusing to do so himself as well, even though he was deeply upset by zoro getting hurt, luffy proved he wouldn't go back on his word nor betray zoro's trust and the faith he had placed in him. in a similar fashion, opla luffy letting zoro go ahead with the duel despite his own apprehension/doubts and nami questioning both of their choices, is what finally led to zoro recognizing him as his captain out loud and accepting his role as a first mate.
I just think it's interesting that these two kind of make each other walk on a tightrope. only the world's greatest swordsman can stand by the pirate king's side. the pirate king can have the world's greatest swordsman by his side, if he proves himself worthy of it. but the best part? for me, it's that zoro and luffy are able to challenge one another this way (or set the bar that high) because they absolutely believe the other can rise up to it and beyond.
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theminecraftbee · 10 months
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okay now that i'm no longer trying to keep a project secret from certain people i can complain publicly about a thing i've been losing my mind about:
why the fuck is the evo wiki like that.
listen. i know. i know fandom wikis being decent entirely relies on whether there are people who both want to obsessively categorize things enough to fill out the wiki, with the free time to do that kind of obsessive categorization, and the desire to manage it all as a wiki. believe me, i know. but please i'm just trying to do research please, please at least bigb's page was just Entirely Empty so i knew i had useless information and just left. why the fuck did the mafia's page, by contrast, have this:
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a sentence that is actively LESS USEFUL THAN IF IT WERE NOT THERE.
and then grian's page - GRIAN'S. GRIAN'S. THE ONE PAGE I THOUGHT MIGHT HAVE A SHOT OF BEING FILLED OUT. JOKE'S ON ME I GUESS.
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BECAUSE IT HAS THIS????? I'M LOSING MY MIND. WHY ON EARTH IS THE WIKI LIKE THIS. WHY IS IT THIS BAD. PLEASE I'M JUST TRYING TO FIGURE OUT WHAT EVERYONE'S RELATIONSHIPS WITH JIMMY AND MARTYN WERE PLEASE,
anyway thankfully i had friends who could help me with their own knowledge and who also found the evo recap but in conclusion i have been being driven mad by this for weeks, thank you for coming to my ted talk.
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cowardlykrow · 1 month
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After Cyn's done tryna kill him, she'll eventually relent and they can get to work... whatever that is. I didn't do the outfit any justice, but the second i saw the Cowboy!Curt mega @ricky-mortis made i was literally like, "yes, that is IT."
This is, in my heart, a cannon fit for this au
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kanansdume · 20 days
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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perths · 3 months
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Perth Nakhun as Leon Umeda パティスリーMON Episode 03
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bumblingbabooshka · 7 months
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In 'vis a vis' Janeway doesn't mention B'Elanna in the list of people who're worried about Tom which implies that B'Elanna didn't report the fact that "Tom" grabbed her arm, called her a disappointment and broke up with her (as Janeway definitely would have mentioned it as evidence of him acting strange if she knew about it) which makes sense on several different fronts but also makes me scream and cry loud enough to break glass.
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kingdomoftyto · 9 months
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I've started and deleted three drafts now trying to get my thoughts into a coherent recommendation, but there's just so much.
Let's start with the basics: You should read the graphic novel if you're a fan of the original show. You just should. It's new content of your old faves, and I'm telling you now that the art and writing are great and that you should give it a shot based on that alone.
But as for exactly why I'm losing my mind over it this much...?
It... feels like watching the show. But a version of the show unafraid to explore its own worldbuilding. A version of the show where continuity and character growth matter. A version of the show without jokes written by people far too old to understand mid-2000s teens.
And it is actually, honest-to-goodness funny. I went in fully braced for a badly shoehorned "fruit loop" one-liner, and instead I got incredible deadpan asides like this:
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The art, too, manages to perfectly ride the line of looking enough like the original style to be convincing, but improving on the expressiveness of the characters' faces and actions to elevate it to something arguably better than the show:
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(Like, I'm being so serious when I say the fight scenes are among the best I have ever seen in comic form. I'm the kind of person who tends to go for anime over manga because the fights are harder for me to follow in little sequential snapshots, but I can tell exactly what's happening in these battles AND they still look super cinematic and cool.)
And the story. Man, the STORY.
I won't spoil any of the plot here, but it's... really good. A little winding and goofy toward the beginning, but once things get serious, it really grabs you and refuses to let go til it's done. (Much like the best episodes of the show! Funny how that works.) It has a satisfying conclusion, but it also leaves a massive door open to continue telling more stories in the setting.
And I want more stories in this universe. The threads being dangled here might be even more enticing than those left by the original show. There is potential here for an INCREDIBLE series of comics.
We just have to prove how badly we want it.
If you can't buy the book yourself right now (it's relatively cheap for a graphic novel--I think it was about $15 even with tax from my Barnes & Noble), then please at least let other fans know it exists (I wouldn't have had any idea if not for tumblr) and keep the hype going on social media. I'm stoked to see that DP is trending on tumblr, at least, and I hope the same is true elsewhere. It's a small thing, but it's something corporate decision-makers take note of.
Fingers crossed we get to see more someday. This is one series that deserves to come back from the dead.
But, whether or not we get that continuation: welcome back, Phandom. Congrats and happy release day. 💚
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dudeyuri · 10 months
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anyone else try to casually (lol) rewatch bad buddy only to get completely clobbered over the head by the fantasy sequence in ep 11 answering pat’s question in ep 6: ““Have you ever pictured what it’d be like if our parents didn’t fight?” one of the only fantasy sequences, ie the depiction of something that did not actually happen in canon, in the series? the most strategic delay of the most indulgent and heartbreaking moment that never happened and never will? the reveal that the ultimate shared fantasy between pat and pran is being openly in love and out of the closet and seated specifically at dissaya’s table with her eating the meal she made? the impossible “what if we could change the world?” appended to the tail end of their not-so-neverending honeymoon’s impossible “what if the world could change us?” one last fairytale indulgence before reality clamps down swift around them and they’re staring at each other, pran misty-eyed and tears rolling down pat’s face, in front of the gates of their respective family homes, about to put on their break up routine for their parents???? stronger and harder and braver thanks to their love and “we can’t change the world but the world can’t change us,” after they show us how soft and easy, thanks to their love, they could have been?? (tim robinson voice) has this ever happened to you??
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cerise-on-top · 2 months
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what do u think Farah, Kate, Valeria’s types are, like personality wise or physically? love ur stuff so much, there isn’t enough stuff for the cod women and it is the worse💋
Hey there! I don't think they have a type per se, to them it's more important to have a good connection with someone! So I only wrote about what I think they'd like their partner to be! I didn't write about any physical appearances, though, since I think that sort of thing doesn't matter at all! The chemistry is important to them more so than anything else!
Valeria’s, Farah’s and Laswell’s type
Valeria: She’d likely be into someone who knows what they want from the get go, who can get aggressive at times but knows when to be quiet as well. Someone intelligent, who knows not to mess with her and her business too much, willing to let a lot of morally interesting things slide. Someone who can be loud at the right time, who isn’t afraid to stand up for themselves. However, I think she’d also be into someone independent. She doesn’t have a lot of time for a relationship, always out and about somewhere, so she’d want someone who can take care of themself. Someone who knows how to do house chores is also a big plus. You don’t have to worry about her doing nothing, if she wants to she can hire a maid or something, but it’s sort of domestic to her to have a partner who knows how to cook and use a vacuum cleaner. That way she won’t have to worry too much about coming home to a messy home. Her ideal partner would be up for going out with her from time to time, and wouldn't be shy in front of other people either. Someone motivated would be nice as well. Just someone willing to do things with and for her. But the most important part would be loyalty. Someone who knows that what she does is wrong, but stays with her despite it. Valeria can’t allow someone to work against her, not even someone she loves.
Farah: She’d probably like someone chipper. She’s surrounded by war and death at all times, so having someone cheerful with her, who can lift her spirits when she’s feeling down, would be ideal to her. Besides, she loves the domestic parts of life as much as the next person, so she wouldn’t mind settling down somewhere with someone, but she also wants to be with someone willing to go out with her to maybe explore the surroundings a bit. Doesn’t have to be a lot either, just watching the sunset while going on a walk with her would suffice for her. Her ideal partner would be open for most things, from cultures to just some outings. And although it’s only a small part of her, she secretly does wish for someone who’s not straight. That way she can share her experiences with someone else and not feel as alone. Someone who can show her something new almost every day would also be appreciated. Farah is a very loyal person, so she’d love for her partner to be the same. Communication is key, so someone willing to talk to her if something bothers them, regardless of what it may be, would also be nice. It would also be nice if that person could stay calm during most parts of their life and not lose hope immediately, someone who trusts that Farah will come home safe and sound to them and not freak out about every small thing. 
Laswell: I think she’d be into someone calm. Someone a bit older, maybe even a few years older than her, who has seen the finer things life has to offer and who can appreciate them. Nothing would faze them and they would never raise their voice. Someone, who doesn’t need to see the world anymore, who has seen most of it. Someone stable and content. While Laswell could take care of someone, she doesn’t want someone reliant on her since she’s abroad more often than not and doesn’t have the time for someone like that always. While it would be nice if that person could speak up for themself, she doesn’t mind having to speak on their behalf from time to time. That person doesn’t have to be the next Einstein, but she’d love someone she can have sophisticated conversations with over a glass of wine. Someone willing to drink some wine with her in general would be nice. Laswell is too old to want very many complications, so she too would appreciate someone willing to say what bothers them so they can work it out together. Not everything needs to be perfect, but she’d prefer it if she could talk it out with them. Although she can splurge a little bit here and there, it’s important to her that her partner is responsible with money and doesn’t buy everything that comes to mind. She wants them to be well off, and that is, mostly, only possible if you know how to save money. She thinks butches are hot, but she’s not opposed to a cute femme either.
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