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notealotgoingon · 5 months

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2023 Bullet Journal Cover & Lists

- movies - books - physical music stickers

(typed list below cut)

Movies

X (2022) ★★★★★ 1/9

Pearl (2022) ★★★★★ 1/10

Jason X (2001) ★★★ 1/17

X (2022) ★★★★★ 1/26

Pearl (2022) ★★★★★ 2/11

Rosemary's Baby (1968) ★★★★★ 2/11

Harley Quinn: A Very Problematic Valentine's Day Special (2023) ★★★★★ 2/12

Skinamarink (2022) ★★★★ 3/8

Re-Animator (1985) ★★★★ 3/12

Ring (1998) ★★★★★ 3/12

Ju-On: The Grudge (2002) ★★★★ 3/12

I Know What You Did Last Summer (1997) ★★★★ 4/2

Scary Movie (2000) ★★★ 4/3

Dungeons & Dragons: Honor Among Thieves (2023) ★★★★★ 4/5

Everything Everywhere All at Once (2022) ★★★★★ 4/18

Scary Movie 2 (2001) ★★★ 5/3

Scary Movie 3 (2003) ★★ 5/4

The Green Knight (2021) ★★★★★ 5/20

Black Panther: Wakanda Forever (2022) ★★★★ 5/21

Ant-Man and the Wasp: Quantumania (2023) ★★ 6/6

Evil Dead Rise (2023) ★★★★1/2 6/27

Nimona (2023) ★★★★ 7/2

Barbarian (2022) ★★★★ 7/6

Malignant (2021) ★★★★ 7/7

Barbie (2023) ★★★★★ 7/23

Scream VI (2023) ★★★1/2 8/1

Saw (2004) ★★★★ 8/1

Frozen (2010) ★★ 8/2

Resident Evil: Death Island (2023) ★★★★ 8/21

Studio 666 (2022) ★★★★ 9/4

The Exorcist (1973) ★★★★1/2 9/4

Saw II (2005) ★★★★ 9/9

Saw III (2006) ★★★1/2 9/9

Saw IV (2007) ★★★1/2 9/9

Saw V (2008) ★★★ 9/9

Saw VI (2009) ★★★ 9/9

Saw 3D (2010) ★★ 9/9

Jigsaw (2017) ★★★ 9/10

Miss Americana (2020) ★★★★ 9/10

Spiral: From the Book of Saw (2021) ★★1/2 9/17

Spider-Man: Across the Spider-Verse (2023) ★★★★1/2 9/24

Saw (2004) ★★★★1/2 9/25

Saw II (2005) ★★★★1/2 9/26

Dracula (1931) ★★★★ 10/1

Friday the 13th: The Final Chapter (1984) ★★★1/2 10/1

Friday the 13th: A New Beginning (1985) ★★★★ 10/1\

House of 1000 Corpses (2003) ★★★★ 10/8

Friday the 13th (1980) ★★★★1/2 10/13

Taylor Swift: The Eras Tour (2023) ★★★★★ 10/19

Saw VI (2009) ★★★1/2 10/28

Saw 3D (2010) ★1/2 10/29

Saw X (2023) ★★★★1/2 11/6

Saw IV (2007) ★★★1/2 11/20

Saw X (2023) ★★★★1/2 11/20

Terrifier (2016) ★★★1/2 12/4

Hellraiser III: Hell on Earth (1992) ★★ 12/4

Saw V (2008) ★★★1/2 12/4

Terrifier 2 (2022) ★★★1/2 12/11

The Green Knight (2021) ★★★★★ 12/18

Sonic Christmas Blast(1996) ★★1/2 12/22

Black Christmas (1974) ★★★★★ 12/23

Black Christmas (2006) ★★★1/2 12/24

Saltburn (2023) ★★★★ 12/29

Taylor Swift: Reputation Stadium Tour (2018) ★★★★★ 12/30

Books

The Ballad of Black Tom by Victor Lavalle 1/2

The Witcher: The Last Wish by Andrzej Sakowski 1/12

We Can Never Leave This Place by Eric Larocca 1/14

Causes and Cures in the Classroom by Margaret Searle 1/29

Vox Machina: Kith & Kin by Marieke Nijkamp 2/1

Black is the Body by Emily Bernard 2/4

A Court of Thorns and Roses by Sarah J. Maas 2/18

The Anthropocene Reviewed by John Green 2/19

Black Klansman by Ron Stallworth 2/26

The Dark Tower V: Wolves of the Calla by Stephen King 3/7

Ring by Koji Suzuki 4/14

What Moves the Dead by T. Kingfisher 4/14

In the Time of the Butterflies by Julia Alvarez 5/8

Circe by Madeline Miller 5/19

When the Emperor Was Divine by Julie Otsuka 5/30

Things Fall Apart by Chinua Achebe 6/1

The Hellbound Heart by Clive Barker 6/25

The Way of Kings by Brandon Sanderson 6/28

The Lesbian Classics Get Me Off by Chuck Tingle 6/28

Icebreaker by Hannah Grace 7/5

Teacher of the Yearby M.A. Wardell 7/7

The Colorado Kid by Stephen King 7/17

This is How You Lose the Time War by Amal El-Mohtar & Max Gladstone 7/31

Camp Damascus by Chuck Tingle 8/4

The Writing Revolution by Judith C. Hochman & Natalie Wexler 8/10

You Can Go Your Own Way by Eric Smith 8/20

Phasma by Delilah S. Dawson 9/12

Small Spaces by Katherine Arden 9/27

Reforged by Seth Haddon 10/8

Fifty Feet Down by Sophie Tanen 10/23

The Exorcist by William Peter Blatty 11/22

Good Omens by Neil Gaiman & Terry Pratchett 12/2

Spoiler Alert by Olivia Dade 12/7

Wildfire by Hannah Grace 12/5

Interview With the Vampire by Anne Rice 12/12

Tender is the Flesh by Augustina Bazterrica 12/19

A Prayer for the Crown-Shy by Becky Chambers 12/20

Last Night at the Telegraph Club by Malinda Lo 12/28

Stowaway and Silent Song by Vera Valentine 12/29

Physical Music Media:

(this isn't all of the records/CDs I've gotten or listened to this year, but I figured I'd decipher the stickers I put in the book; these are all of the promo stickers on the outside of the plastic wrapping on the releases)

Beat the Champ - the Mountain Goats

Paradise - Lana del Ray

Red (Taylor's Version) - Taylor Swift

What's it Like? - Sure Sure

Did You Know There's A Tunnel Under Ocean Boulevard? - Lana del Ray

Stick Season - Noah Kahan

The Rest - boygenius

Midnights (Late Night Edition) - Taylor Swift

Raving Ghost - Olivia Jean

The Record - boygenius

Speak Now (Taylor's Version) - Taylor Swift

Dark in Here - the Mountain Goats

Bangerz (10th Anniversary Edition) - Miley Cyrus

God Games - the Kills

1989 (Taylor's Version) - Taylor Swift

#mine #studyblr #notes #aesthetic #bujo #bullet journal #bujolife #bujo aesthetic #bujoinspo #bujoblr #bujo list #2023 reap #booklr #books #film

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sacredechoes · 7 months

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Fire Emblem: Battle of Revolution Translation

For April Fools' 2017, Nintendo of Japan put up a joke page announcing a Fire Emblem game starring Valbar, Leon, and Kamui set in the Meiji era. The page is archived and some in the English fandom have heard of it, but I don't know if the page ever got a full translation.

Below the cut is my attempt at localizing the text of this page.

Fire Emblem: 維新大乱 ~Battle of Revolution~

(see note 1)

A return to where it all started…

"For 15 years since taking on the role of Fire Emblem series producer, I have been thinking about how to make the game more accessible to a wider audience. I have been thinking of new challenges to attract more customers, such as creating TMS#FE based on the idea of what would happen if we tried to make it a modern drama, or creating Fire Emblem Fates based on the idea of allowing people to enjoy multiple stories in parallel. In that sense, you could say that 'I want to increase the number of customers' is the starting point of my approach to Fire Emblem. And now, the theme I have decided on for further leaps forward for the Fire Emblem series is 'Jidai-geki' (historical drama). I have been working with Intelligent Systems to create a Fire Emblem game that takes place in the late Edo period and vividly depicts the activities of talented local warriors as they work to create a new world. Experience a passionate story of men in the late Edo period while maintaining the fun of playing with swords, bows, and sickles, bow effectiveness against flying ninjas, and other interesting aspects of the Fire Emblem series. Please look forward to Fire Emblem: Battle of Revolution!" - Hitoshi Yamakami, Nintendo Co.

STORY

Some things are more precious than life itself...

In a time called "Bakumatsu", the sun has begun to set on Edo and the Tokugawa Shogunate. A great famine stretches on, and many communities near their breaking points. The world of Edo is burdened by a state of terrible unrest. Though the land of Hi-no-moto has observed a long period of isolationism, the waves of distant nations have begun to break on its shores regardless.

In a distant corner in the countryside of the fiefdom of Barenshia lives a man named Barubou. Our tale begins when he is unexpectedly appointed to the Sofia Security Corps, the bodyguards to the fiefdom's daimyo Seirika.

To bend the knee to the shogunate, or to advocate its overthrow? For either path this land might take, men clash fiercely with their beliefs held high and proud as banners.

Meeting a sworn ally, and then, farewell. With the nefarious conspiracies of the shogunate's underbelly unfolding before his eyes, Barubou is shaken to his very core.

When all is said and done, which belief will he commit his faith to? The stage is set for this decisive battle in the port town of Toba...

GAME SYSTEM

Command your comrades to win the battle!

Playing the role of Barubou, you will work with your comrades to achieve each map's victory condition.

A profound and moving tale

Catch a glimpse into each major character's rich past through Imperial Orders ("sub-episodes"), as well as through Public Service ("sub-quests") packed throughout the region.

The permadeath feature that defines the Fire Emblem series persists in this instalment, and a unique new system using elements of hanafuda cards debuts in Battle of Revolution. Powerful animations breathe life into battles.

SPECIAL EDITION: Barenshia Emaki (Picture Scroll)

Scroll One: One Hundred Flowers Blooming (see note 2)

Scroll Two: A Friendship like Fish and Water

Scroll 1, which depicts the everyday lives, traditions, and culture of the people of Barenshia, and Scroll 2, which details the specifics of Barubou, Ren'o and Kamucho's lives not told in the main story, will be distributed as a set.

DLC

Running Marusu - Cost: Free

This epic quest follows Marusu, a young courier from Akaneia Fiefdom, which neighbors Barenshia Fiefdom. The boy's star-crossed fate compels Marusu to single-mindedly run around to every corner of Akaneia Fiefdom, and how all of his travels weave together to earn him the title of Daimyo of Akaneia Fiefdom.

※Delivery date yet to be announced.

CAST

馬流暴 Barubou (Valbar) (see note 3)

Despite his humble origins in a farming family, his natural talent together with his compassionate, sincere, and heroic personality led him to be selected as the head of the Sofia Security Corps. His hearty laugh is so powerful that it can even be heard at a distance of 1 ri away. Since entering his thirties, his few worries are mostly consumed these days by the size of his belly.

恋男 Ren'o (Leon) (see note 4)

A runaway ninja of the Iga school. His intense admiration for Barubou drove him to join the Sofia Security Corps to stay close to the object of his affections. Every day, he applies rouge to his eyelids a little differently in relentless pursuit of being the most fashionable man in the Security Corps. He is incredibly precise with his makeup brush, among other fine motor skills, and is often asked for help by the village girls.

暇武猪 Kamucho (Kamui) (see note 5)

Formerly a ronin. He once crossed blades with Barubou in the past, but was touched by the man's personality and joined the Sofia Security Corps. While he hates feeling constrained and lives an idle and carefree life, he has considerable skill with a sword. Although the pretty girl who advertises for the general store has caught his attention, he's never bothered to actually speak to her.

-----

Translation notes

(Ishin Tairan - lit. Revolution Uprising - "Ishin" often refers to "Meiji-Ishin" or Meiji Restoration). The game is set in Mie prefecture in historic Japan, in the Bakumatsu era. (between 1853-1867)

(T/N: simultaneous emergence of many talents and achievements; lit. hundred flowers blooming in profusion)

(T/N: written with kanji meaning lit. "Force of a Rushing Horse". The kanji on-reading give "Barubou", but could be kun-read as the name "Managashi Sueo")

(T/N: written with kanji for "love" and "man". Kanji on-reading give "Ren'o".)

(T/N: written with kanji for "leisure", "martial arts" and "boar". Kanji on-reading give "Kamucho".)

Kanji names are given for all characters and locations. As such I have romanized them very loosely rather than using official names (usually given in kana). As noted with the main cast's names, these kanji names are some degree of pun and not chosen solely for the sound. Celica's, for example, includes the kanji 聖 which means "holy" and 里 which can mean "place of origin", fitting as she grew up in a priory.

-----

Barenshia = 刃蓮死亜 = Valentia

Sofia = 素風亜 = Zofia

Seirika = 聖里香 = Celica

Marusu = 真瑠澄 = Marth

Akaneia = 茜亥亜 = Archanea

#fire emblem echoes #shadows of valentia #fe15 #battle of revolution #valentia translations

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jackiestarsister · 1 month

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Thoughts while re-watching the live-action "Beauty and the Beast"

I am a huge fan of Beauty and the Beast, from the story by Gabrielle-Suzanne Barbot de Villeneuve to Jean Cocteau's black-and-white film to Disney's animated movie and stage musical. When Disney's live-action remake came out in 2017, I was delighted by it, and failed to understand why so many people hated it. I've watched it a few times since then, but it has been a while, so I decided to give it a rewatch and take notes.

Be warned: this is pretty long!

My thoughts:

~ I love that the castle in the Disney intro is actually the Beast’s castle. On this watch, I noticed that it is topped with a statue that seems to be St. Michael slaying the devil/a monster, which is so appropriate for this story's symbolism!

~ Interesting that the first object seen is a rose being plucked. I assume that was the Enchantress’ hand? Did she pluck the flower from the prince’s own garden before entering the castle?

~ I love the way the servants are introduced in the prologue! Although they are in shadow, Cogsworth is there with his watch and Lumiere holds up a candelabra!

~ This film really leaned into the ostentation and extravagance of pre-revolution France, and it works so well in the context of this story about true inner beauty versus shallow, superficial appearance.

~ Is that Emma Thompson narrating the prologue? It sounds like her, but her accent is not the same as when she voices Mrs. Potts.

~ The actors must have had an interesting challenge acting out the curse scene, which has no audible dialogue between the Prince and the Enchantress!

~ I like that they added an explanation for why the villagers are unaware of the castle despite the relatively short distance between them.

~ I do not understand why people hate Emma Watson as Belle! She looks just right for the part, and while she is no Broadway-caliber singer, her voice is very pretty and she carries the songs quite well!

~ It almost looks like Belle is deliberately ignoring the people talking about her, marching past them as though trying not to care. But she stops to show kindness to the outcasts and the animals! She even waves to a criminal being escorted to jail!

~ I like that they gave Belle and Maurice one real friend, the local priest. I only wish he was a little more effective in his attempts to help them.

~ The entire sequence of “Belle” is just fantastic! It’s not easy to shoot such a complex scene with so many moving parts.

~ The trio of Gaston fangirls remind me of the silly younger sisters in Pride and Prejudice and Sense and Sensibility.

~ Although they made him an artist instead of an inventor, Maurice is still absentminded and a bit obsessive. It is easy to see how Belle would feel lonely despite his loving presence, since he is completely absorbed in his work.

~ Hearing that her mother was “fearless” might have inspired Belle’s own fearlessness later, first to save her father and then to save the Beast.

~ Why is Belle’s reader in English and not French? And why does she have a children’s book with her when she goes to do laundry? Did she hope to find someone to teach? Was she actually studying the English language?

~ Gaston crosses so many lines, literally and figuratively, when entreating Belle. And he does not even help her or defend her against the villagers’ abuse, he just tries to pressure her at a moment when she is upset and vulnerable.

~ It’s interesting that Gaston plays the “I can change” card, and Belle insists that “no one can change that much.” She will be proven wrong, but not by him!

~ The tree being struck by lightning and blocking Maurice’s path really makes his going to the castle seem like a result of magic or divine intervention!

~ Maurice seems remarkably calm throughout the wolf chase and when stumbling upon the castle!

~ The lamps held by sconces shaped like arms are a nice nod to Jean Cocteau’s 1946 film La Belle et La Bête!

~ I’m surprised that Maurice would feel bold enough to take a rose after being so spooked by Chip! It would make more sense if he either saw the animated objects and accepted their extraordinariness, or did not see anyone at all and assumed the inhabitants would remain hidden.

~ Maurice must have been coughing very loudly for Belle to hear him all the way in the foyer!

~ Belle holding the light up to see the Beast gives off Psyche and Cupid/Eros vibes!

~ “Forever can spare a minute” is an interesting choice of words considering the name of the song “How Does a Moment Last Forever.”

~ The Beast is so selfish and had such an unhealthy relationship with his own father that he cannot wrap his mind around Belle sacrificing herself for her father.

~ I like Ewan McGregor in general, but his French accent is ridiculous. I get that it’s in keeping with the original film, where Lumiere was the only character with a French accent, but aside from the English characters Mrs. Potts and Cogsworth, they’re all supposed to be French, so it doesn’t really make sense.

~ I don’t like that Lumiere is the one to give Belle a room, behind the Beast’s back. Giving her a room is supposed to be the Beast’s first gesture of decency and kindness toward Belle.

~ Lumiere is much shrewder and actually comes off smarter than Cogsworth, who is so by-the-book that he reveals the one place Belle ought not to go!

~ Belle’s expression when Madame la Garderobe dresses her up says, “I did not sign up for this!”

~ Belle’s simple beauty and country/provincial style contrasts strongly with her bedroom and the lavish style Madame tries to impose on her. That seems to be a kind of arc over the course of the film, with a sort of meeting in the middle by the end.

~ A big difference between the two films’ versions of “Gaston” is that here, LeFou pays the people in the tavern to play music and sing along, instead of everyone joining in freely! I like that, because it suggests that Gaston may not be as well-liked admired as he thinks.

~ When LeFou sings that he does not know how to spell Gaston’s name, it’s written right on the wall behind him!

~ Chip rolling around on his saucer in excitement reminds me of Aang on his air scooter! (Which is funny because I actually gave Aang the role of Chip in the Avatar/Beauty and the Beast crossover I wrote years before this movie came out.)

~ Why does Belle sit and hug her knees self-pityingly, in between moments when she is busy devising her escape? It’s pretty convenient timing for the Beast to see her that way in the mirror.

~ I'm sure it's been pointed out and laughed about before, but I find it quite funny that Emma Watson and Emma Thompson, who played Hermione and Prof. Trelawney in the Harry Potter films and had a whole scene involving tea leaves, got to act together in this film and dealt with teapots and teacups again!

~ Mrs. Potts’ advice about whether to listen to people when they are angry … makes sense when it comes to insults or harshness, but not when it comes to rules and boundaries.

~ Maestro Cadenza is so sassy! “Are there any other tasteless demands you wish to make upon my artistry?” I may need to use that next time I get a negative review for my work!

~ “This is France” followed by the knife falling like a guillotine made me laugh!

~ Lumiere seems clumsier, less confident, and more oblivious in this version of “Be Our Guest.”

~ Poor Belle can’t get a full bite of food while the staff objects are showing off! I choose to believe that after that performance, Mrs. Potts made sure she got to relax and eat a proper, comforting meal.

~ Belle breaking the rule about the West Wing feels more in-character in this version. Here, she is more headstrong, and she intends to break her word and leave. So it’s not just curiosity or fascination with the castle that drives her to investigate. She may be hoping to find out the Beast’s weakness and find a way to escape.

~ Belle is not very sneaky when going to the West Wing; her footsteps are very loud!

~ The Beast ruined the image of himself and his father, but he left his mother’s image intact!

~ If Philippe was still at the castle, how did Maurice get back to the village? Did he walk the whole way? There was no weird palanquin like in the animated movie.

~ The sequence of Belle, the Beast, and the wolves is kind of rushed. Even though it hits the same beats at the original scene, there is not a lot of room for the emotional reversals of the Beast going out to save Belle and her decision to save him in return, even though it costs her the chance of escape.

~ I’m glad that in this version, Maurice opposes Gaston as a suitor for Belle. He knows that the guy is bad news!

~ They gave the line “If you like it so much, then it’s yours,” originally part of the lyrics for “Belle,” to the Beast in the library scene!

~ Belle helps the Beast to see his home and possessions with new eyes, both because she is a newcomer seeing it for the first time, and because she reads with him. I like that a poem (“A Crystal Forest” by William Sharp) helps him look at the castle’s environment in a new way.

~ Belle literally lets sun into the castle when she cleans the windows!

~ The “something there” could have been friendship, but the fact that Mrs. Potts won’t tell Chip what it is makes me think it’s really sexual chemistry/attraction!

~ Has the Beast considered why laughter dies when he enters a room? Did that happen before the curse, or only after he became a beast? Is it because the staff are afraid of his temper, or of his monstrous appearance?

~ The magical book feels like a nod to the magical rooms Belle visits in the original story of “Beauty and the Beast”

~ Personally, I like that this version provides some backstory about Belle and the Beast’s parents. Belle’s journey thus entails not only new relationships but also healing and closure regarding past relationships. Losing their mothers at a young age becomes a point of commonality between Belle and the Beast. Learning of Belle’s mother’s sacrifice, urging Maurice to take their baby away for her safety, may have inspired the Beast’s willingness to let her go later.

~ I know it’s in keeping with the original film, but making Belle’s dress yellow creates a good contrast against the blue and white tones of her usual outfits and the wintry setting of the castle grounds.

~ The Beast’s smile when he sees Belle dressed for their dance is so soft and sweet!

~ The dance sequence is beautiful!!! They don’t look quite as happy and content as they do in the original, but somehow it feels appropriate to where they are at this point in their relationship. The choreography involves trust and teamwork, so it shows how much they have grown from where they began. Belle was not even willing to be in the same room as him, and now she is getting really close and letting him lift and twirl her!

~ I like that the Beast explicitly, if indirectly, broaches the subject of whether Belle could care about him, and that she affirms that she could. It’s more personal than just asking if she is happy there, which is a pretty odd question to ask someone who is technically a prisoner.

~ Unlike in the original, where the Beast is pained and takes a long moment to decide to let Belle go, in this version he says it immediately, almost without thinking.

~ Why doesn’t the coat holder (I think they call him M. Chapeau?) give Belle her cloak, at the very least, as she leaves?

~ “Evermore” is such a beautiful, powerful song! I realized that throughout it, the Beast keeps climbing higher in the castle so he can watch Belle as long as possible. My only criticism of the sequence is that the Beast’s CGI face does not emote very much. Some of the lyrics are pretty angsty, but his expression is almost stoic. Maybe he is supposed to be at peace with losing Belle?

~ How long did everyone stay in the tavern while the asylum carriage was summoned? Why do the villagers have torches at that point? And why do they all follow Gaston’s lead?

~ The magic mirror’s actual glass is quite small and clouded! The images aren’t clear at all.

~ The standoff with Gaston is a bit awkward in its direction, but the actual “Mob Song” sequence is excellent! And this was the first time I wondered: is it meant to be an allusion to the mob mentality of the French Revolution?

~ Cogworth’s “man the barricades” has got to be a Les Misérables reference, and “third-rate musketeers” must be a Three Musketeers reference!

~ Do the household objects sing part of the “Mob Song”? Did they do that in the original movie too?

~ How did Belle carry the magic mirror and her mother’s rose thingy while riding her horse? She doesn’t seem to have any kind of bag on her. Does her ballgown have pockets?

~ Maurice and Belle’s scene in the wagon is so sweet. He seems to be convinced a little too quickly about the Beast becoming kind, but it underscores how much he trusts and supports her.

~ It’s not exactly original, but Belle turning a fashion accessory into a tool is so in-character!

~ LeFou mockingly talking to Chip and Mrs. Potts reminds me of Olaf, another Josh Gad character, pretending to address the rock trolls in Frozen!

~ I swear, Maestro Cadenza’s music as he pins LeFou down sounds like “The Imperial March (Darth Vader’s Theme)”!

~ Great symbolism of books being used as weapons against the literacy-hating townsfolk!

~ If Madame de Garderobe and Maestro Cadenza were able to come out of their respective rooms to participate in the battle, why weren’t they able to see each other sooner?

~ Where did Belle get that jacket? Was it Maurice’s?

~ Although it was shown earlier in the movie, I think the castle crumbling should have been revisited the night of the dance. It seems too random when it happens during the climactic fight.

~ I like that Belle participates in the fight, taking away Gaston’s weapons and trying to protect the Beast.

~ The “death” of all the household items … it’s like the writers asked, “How can we make the Beast’s death even more devastating than it already is?”

~ I like how the rose petals become part of the Beast’s transformation. But the transformation itself seems a bit rushed. In the animated movie and stage musical, it’s a pretty long sequence with a lot of awe and emotion. But I guess there’s only so much you can do with the live-action medium.

~ Mrs. Potts’ first name is Beatrice?!

~ As a human, Chip has a tooth missing, like his chipped rim!

~ It looks like Madame de Garderobe and Maestro Cadenza ditched their wigs and decided to wear their natural hair after the curse broke!

~ I had not realized that Gugu Mbatha-Raw was in this movie until now, after seeing her in Loki!

~ There are many beautiful shots of the sky throughout the film!

~ The score is so beautiful! I love that it weaves in melodies of songs from the original movie, the stage musical, and the new movie.

My conclusion: it’s not perfect, but it is a beautiful movie and a wonderful retelling of a classic story that long predates Disney’s interpretation!

#Beauty and the Beast #live-action remake #live-action Beauty and the Beast #Beauty and the Beast remake #Emma Watson #Disney remakes

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justforbooks · 2 months

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Born a photographer March 29, 1944. Abbas Attar was an Iranian transplanted to Paris. He dedicated himself to documenting the political and social life of societies in conflict. In a career that spanned six decades, he covered wars and revolutions in Biafra, Bangladesh, Northern Ireland, Vietnam, the Middle East, Chile, Cuba, and South Africa during apartheid. He also documented life in Mexico over several years, and pursued a lifelong interest in religion and its intersection with society.

From 1978 to 1980, Abbas photographed the revolution in Iran, to which he returned in 1997 after seventeen years of voluntary exile. His book Iran Diary 1971-2002 is a critical interpretation of Iranian history, photographed and written as a private journal.

During his years of exile Abbas traveled constantly. Between 1983 and 1986 he journeyed through Mexico, attempting to photograph a country as a novelist might write about it. The resulting exhibition and book, Return to Mexico: Journeys Beyond the Mask, helped define his photographic aesthetic.

From 1987 to 1994, he focused on the growth of Islamism throughout the world. Allah O Akbar: A Journey Through Militant Islam, the subsequent book and exhibition, spanning twenty-nine countries and four continents, attracted special attention after the 9/11 attacks by Islamic jihadists. A later book, Faces of Christianity: A Photographic Journey (2000), and touring show, explored Christianity as a political, ritual and spiritual phenomenon.

Abbas’s concern with religion led him in 2000 to begin a project on animism, in which he sought to discover why non-rational ritual had re-emerged in a world increasingly defined by science and technology. He abandoned this undertaking in 2002, on the first anniversary of 9/11, to start a new long-term project about the clash of religions, defined as a culture rather than faith, which he believed are turning into political ideologies and therefore one of the sources of the strategic struggles of the contemporary world.

From 2008 to 2010 Abbas travelled the world of Buddhism, photographing with the same skeptical eye. In 2013, he concluded a similar long-term project on Hinduism.

Most recently before his death, Abbas was working on documenting Judaism around the world.

A member of Sipa from 1971 to 1973, then of Gamma from 1974 to 1980, Abbas joined Magnum Photos in 1981 and became a member in 1985.

On Wednesday April 25, 2018 the Iranian photographer Abbas Attar known simply as Abbas, died in Paris, aged 74.

According to Abbas, in a 2017 interview with Magnum, there are two photographic methods: “One is writing with light,” he said, “and the other is drawing with light.” While he viewed other Magnum photographers like Henri Cartier-Bresson as adherents of the latter, the former was the foundation of Abbas’ practice. In lieu of placing his focus on single moments in time, he looked at his photographs as interlinked elements of a greater whole. In this sense, Abbas was a storyteller, and his images were pages of tales on celluloid, which were no less arresting when viewed (or rather, read) in isolation.

In the same interview, Abbas noted that it was a 1968 trip to New Orleans that made him understand the importance of what he called “sequencing”, or creating a narrative thread through a series of images. Examples of this can be seen in Abbas’s book Return to Mexico: Journey Beyond the Mask (1992), a document of his travels through the country in the 1980s.

His books aside, Abbas’ work has been the subject of exhibitions in galleries and museums around the world, including the Tehran Museum of Contemporary Art, the National Museum of Singapore, Galerie FNAC and the Magnum Gallery in Paris, and the Grey Art Gallery at New York University.

“It is with immense sadness that we lose him,” Dworzak said. “May the gods and angels of all the world’s major religions he photographed so passionately be there for him.”

Daily inspiration. Discover more photos at Just for Books…?

#just for books #Abbas Attar #Portrait

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professionalowl · 2 months

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Actually, while we're shaming people for their 452 unread books, here's a list of unread books of mine of which I own physical copies, attached to the year I obtained them, so that you can all shame me into reading more:

2024: Ways of Being: Animals, Plants, Machines: The Search for a Planetary Intelligence (James Bridle; just started)

2021: Islands of Abandonment: Life in the Post-Human Landscape (Cal Flyn)

2024: Extreme Fabulations: Science Fictions of Life (Steven Shaviro)

2021: The Unreal & The Real Vol. 1: Where on Earth (Ursula K. Le Guin)

2023: A Study in Scarlet (Arthur Conan Doyle)

2023: Ritual: How Seemingly Senseless Acts Make Life Worth Living (Dmitri Xygalatas)

2023: Vibrant Matter: A political ecology of things (Jane Bennett)

2023: The History of Magic: From Alchemy to Witchcraft, from the Ice Age to the Present (Chris Gosden)

2018: Ways of Seeing (John Berger)

2022: An Immense World: How Animal Senses Reveal the Hidden Realms Around Us (Ed Yong)

2020: Owls of the Eastern Ice: The Quest to Find and Save the World's Largest Owl (Jonathan C. Slaught)

2023: My Life in Sea Creatures (Sabrina Imbler)

2020: The Bird Way: A New Look at How Birds Talk, Work, Play, Parent, and Think (Jennifer Ackerman)

2023: Birds and Us: A 12,000-Year History, from Cave Art to Conservation (Tim Birkhead)

2020: Rebirding: Restoring Britain's Wildlife (Benedict Macdonald)

2022: The Song of the Cell: An Exploration of Medicine and the New Human (Siddhartha Mukherjee)

2022: An Anthropologist on Mars (Oliver Sacks)

2021: Sex, Botany & Empire: The Story of Carl Linnaeus and Joseph Banks (Patricia Fara)

2023: At The Mountains of Madness (H.P. Lovecraft)

2019: Invisible Cities (Italo Calvino; I have been trying to finish this forever and am so, so close)

2023: Brian Boru and the Battle of Clontarf (Sean Duffy)

2021: What is History, Now? How the past and present speak to each other (Helen Carr and Suzannah Lipscomb; essay collection, half-read)

2020: Winter King: The Dawn of Tudor England (Thomas Penn)

2022: Caliban and the Witch: Women, the Body, and Primitive Accumulation (Silvia Federici)

2020: Black Spartacus: The Epic Life of Touissant Louverture (Sudhir Hazareesingh; half-read)

2019: The Five: The Untold Lives of the Women Killed by Jack the Ripper (Hallie Rubenhold; 3/4 read)

2022: Lenin on the Train (Catherine Merridale)

2020: October: The Story of the Russian Revolution (China Miéville)

2019: The Villa, the Lake, the Meeting: Wannsee and the Final Solution (Mark Roseman)

2019: Heimat: A German Family Album (Nora Krug)

2018: Maus I: My Father Bleeds History (Art Spiegelman)

2020: Running in the Family (Michael Ondaatje)

2022: Wide Sargasso Sea (Jean Rhys; also never technically "finished" Jane Eyre, but I did my time, damn you)

2023: Time Shelter (Georgi Gospodinov)

2019: Our Man in Havana (Graham Greene; started, left unfinished)

2019: The Spy Who Came In From The Cold (John le Carré)

2021: Why I'm No Longer Talking to White People About Race (Reni Eddo-Lodge; half-read)

2017: Rebel Without Applause (Lemn Sissay)

2022: The Metamorphosis, and Other Stories (Franz Kafka)

2011?: The Complete Cosmicomics (Italo Calvino; vaguely remember reading these when I was maybe 7 and liking them, but I have forgotten their content)

2022: Free: Coming of Age at the End of History (Lea Ypi)

2021: Fairy and Folk Tales of Ireland (W.B. Yates)

Some of these are degree-related, some not; some harken back to bygone areas of interest and some persist yet; some were obtained willingly and some thrust upon me without fanfare. I think there are also some I've left at college, but I'm not sure I was actually intending to read any of them - I know one is an old copy of Structural Anthropology by Claude Levi-Strauss that Dad picked up for me secondhand, which I...don't intend to torment myself with. Reading about Tom Huffman's cognitive-structural theory of Great Zimbabwe almost finished me off and remains to date the only overdue essay I intend to never finish, mostly because the professor let me get away with abandoning it.

There are also library books, mostly dissertation-oriented, from which you can tell that the cognitive archaeologists who live in my walls finally fucking Got me:

The Rise of Homo sapiens: The Evolution of Modern Thinking (Thomas Wynn & Fred Coolidge)

The Material Origin of Numbers: Insights from the Archaeology of the Ancient Near East (Karenleigh A. Overmann)

Archaeological Situations: Archaeological Theory from the Inside-Out (Gavin Lucas)

And, finally, some I've actually finished recently ("recently" being "within the past year"):

The Body Fantastic (Frank Gonzalo-Crussi, solid 6/10 essay collection about a selection of body parts, just finished earlier)

An Entertainment for Angels: Electricity in the Enlightenment (Patricia Fara, also a solid 6/10, fun read but nothing special)

Babel: An Arcane History (R.F. Kuang, 8/10, didactic (sometimes necessary) but effective; magic system was cool and a clever metaphor)

The Sign of Four (A.C. Doyle, 2/10 really racist and for what)

Dr. Space Junk vs. the Universe: Archaeology and the Future (Alice Gorman, 8/10, I love you Dr. Space Junk)

In Search of Us: Adventures in Anthropology (Lucy Moore, 8/10, I respect some of these people slightly more now)

The Dispossessed (Ursula K. Le Guin, 9/10 got my ass)

The Hound of the Baskervilles (A.C. Doyle, 7/10 themez 👍)

#if you see a book on this list that you gave me years ago. well. just know that i failed.#genuinely so much worse than i thought it was but i'm making my best effort to get through them #this is honestly just for fun because i love to list things. user professionalowl bookshelf reveal. please offer reviews if you have them #hooting

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pinchraccoon · 8 months

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Pinch Reviews: Castlevania: Nocturne

I watched the new 8 episode series from Netflix and Powerhouse Animation, Castlevania: Nocturne. Nocturne serves as a stand-alone sequel to 2017's 4 season "Castlevania" from the same production hands.

While this Tumblr blog is to keep my followers up to date on the games that I've played lately, I have been slacking on my reviews and I am hilariously behind. This is to say, since my initial playthroughs of Rondo of Blood and Symphony of the Night, I've engrossed myself in the Castlevania series wholly, having played a total of 8 games in the series this year, and watched the initial series as well.

This review will come from someone who holds the games in very high regard, and *particularly* the stories and characters of Rondo of Blood and Symphony of the Night.

I'll be starting with a largely "spoiler-less" review of the series for those who would like to watch it, and it'll consist of about 1 paragraph of text.

Castlevania Nocturne is absolutely unrelated to Castlevania at large, with only tangential thematic or plot themes that connect it to the series' larger identity. While some might point to the presence of Vampires, Belmonts, and magic and say "well what else do you need?" I find many aspects of the series' identity in campy fun, but interesting and thoughtful instances of character writing the likes of which are seen in games such as Lament of Innocence and Aria of Sorrow, as well as the immense colorful, high-contrast visual style present in Castlevania media since the *very* beginning as elements that I lament the lack of presence of. At numerous points in the show, I thought "Why is this Castlevania? None of this is related to anything Castlevania? Why not just make an original property?" Which I personally find to be a damning sentiment, but I cannot fault the show for that which it doesn't do. To longtime Castlevania fans, you may find the show somewhat underwhelming. However, on a more general term, the show features more instances than not of choppy, flat animation, flat character writing, an irritating dialogue style, and underwhelming gore elements. However, they do *some* good things! There are a few characters who I could see viewers latching onto, and there's occasionally something cool that happens.

With that out of the way, I'll now be entering my *Very Spoilery Review*

First and foremost, Castlevania Nocturne's premise, while not completely and inherently distasteful, nor impossible to do in a way that's interesting, is done incredibly distastefully and uninterestingly. I am referring specifically to Nocturne's insistence on hilariously, absolutely wildly evil Vampires who "run the planet" essentially, who are motivated to put down the French Revolution because the existence of Democracy threatens the ease of the Vampire elite to control the Royalty of the world. I expressly don't think that this is a dumb, uninteresting, or distasteful idea inherently, HOWEVER, due to the nature of Vampires existence in their original literature and folk lore implications, it's incredibly easy to see the anti-Semitic, anti-immigrant inherent themes of Bram Stoker's "Dracula" all over it.

Again, I'd LOVE to see an idea such as this executed properly, however that isn't present here. Here's why. Nocturne features a cast of characters whose motivations are all in some way or another related to incredibly flat vampire characters who do nothing but kill for their entertainment and pleasure. I'm not calling for a reason to not kill the bourgeoise in the French Revolution, I just want a reason to latch onto the motivations of the characters in a way that isn't just "they're a different species than me and are also doing like, slavery and taxation and stuff and they killed someone close to me." Genuinely, EVERY SINGLE main cast member has someone who was killed by one vampire or another in the past, and while that works somewhat to unite the heroes emotional issues such that they can support one another (theoretically) it serves to illustrate the entire, sentient, living, vampire "species" as comically evil, wildly uninteresting, and most damning, caricatures of marginalized people being blamed for controlling all of human civilization. Which, to spell it out more blatantly to avoid the lack of nuance present on the internet, becomes uncomfortably synonymous with long-running theories of jews, or "lizard people" controlling government institutions.

I want to compare to Castlevania's own interpretation of Dracula as a way of demonstrating a "controlling vampire" done Right. Dracula has *very specific* *very pointed* origins and motivations that make him a far more compelling, and more than that, HUMAN, character who has a degree of feeling, despite the evil that he performs. Dracula does what he does because he's hurting, and he feels as though the world has turned and left all it's goodness behind, which, in his eyes, is the truth! It's not that he wants to control all of humanity, it's not that he wants to be worshipped as a god, it's that he just has beef, like people do.

Few to none of the vampires hold that same quality of "beef" in Nocturne. Most of the vampires don't speak, save for a few main heads of their movement, however, even these heads hold hilariously overblown, stupid, uninteresting, unsympathetic motivations that JUST serve to make me hate them on the notion that they're Objectively evil. Like, OF COURSE, I hate the Caribbean slave-owner vampire, and OF COURSE I side with Annette on hating him. He was a slave owner? Duh? You don't need to provide a thousand other scenes of the man being just flat out cruel in the interest of making me hate this man More. Half of his lines are belittling Annette, the other half is justifying slavery, and I'm not exaggerating.

Or, perhaps, consider the "main villain" of the show, Bathory. She's built up as "The Vampire Messiah" for FOUR EPISODES before we actually see her, and then when we do, FINALLY, get to see who this OVERWHELMING threat is, she just laments about, get this, HATING THE SUN. Of course she hates the sun, she's a vampire! That's the actual lamest conceivable motivation. Not to mention, she's insufferably annoying and isn't remotely entertaining to watch, nor are we ever sold on her power to any degree whatsoever other than a bunch of side characters saying "ah, well, she drank the blood of the Egyptian Goddess Sekhmet, so she's pretty strong, we would die for her." When your allegory for the ruling class is this comically evil in the "killing and maiming people" way as opposed to the "capitalist allegory" way, it reads as really wildly uncomfortable.

To summarize the last point, because of the commitment to making each and every vampire character comically evil, and the premise combined, it easily reads far too similarly to monster literature of the past which would seek to conflate the evils of the monsters in question with a specific demographic of people, which is uncomfortable to watch, and rather distasteful to write.

But my distaste for this show doesn't end there!

I'd like to discuss Annette. A lot of people are getting mad regarding "race swapping" or "omission of character in the interest of wokeness" which I think is a load of shit that I couldn't begin to entertain. I am not perturbed by the same things that those people are. Instead, I feel that the explanation of Annette and Edouard's backstory is incredibly poorly paced, and above all, gratuitous in their depiction of black generational trauma.

Annette in this series is an escaped slave who comes to France in search of a Belmont in order to hopefully be able to kill the Vampire Messiah who was foretold to increase the scale of the institutions of slavery that Annette had been fighting against for her entire life. I actually really like her motivation and how it reflects very real attitudes of Caribbean revolutionaries regarding how they felt about the French Revolution. But my main issues with the communication of her motives comes in the gratuitous depiction of a slightly dramatized form of the *very very real* trauma of slavery. This isn't like Toni Morrison's Beloved, or even something like Django Unchained, both of which don't shy away from detailing slavery in as gruesome of detail as possible for the purpose of demonstrating character as well as history. Nocturne demonstrates slavery comically, as it attempts to roll it's own fantasy elements in the same breath as their real-world slavery depiction. For example, the reason that Annette's mother is killed isn't related to the injustices of the notion of slavery in general, it's instead because her mother was practicing magic. I find that these elements in conjunction with one another create a dissonance that puts a bad taste in my mouth, all for the only real payoff to be such that Annette is knowledgeable of, and holds hatred to, the institution of slavery as well as magic.

It isn't a BAD thing to discuss, depict, or have subject matter related to slavery, that's absolutely not what I'm trying to say. What I feel that the issue here is is that a significant amount of the information and cruelty shown could have been omitted and the viewer would have the same understanding of Annette's character. Because they committed far more to demonstrating than was necessary for what elements they were attempting to explore, the incredible commitment to demonstration of black generational trauma feels gratuitous and somewhat cruel. Sorta like the writer is holding it over your head like "hey! you! did you know that slavery is ALSO bad when vampires do it? let me show you some just TERRIBLE subject matter to let you know!" Like, yes, I knew this already, slavery IS evil and is perhaps THE MOST evil, so we were already on the same page here.

This concludes my largest issues with the show from a standpoint of legitimate mishandling of social issues and sensitive subject matter, the rest is more about the show in general.

I don't entirely dislike the way that Richter is written on the macro scale in Nocturne, I feel that his very real connection to the Belmont Clan and the depictions of his mother Julia Belmont, as well as his grandfather, Juste Belmont (who I felt happy to see), was very interesting and worked to the themes. BUT: On the individual, what the character says level, I find Richter SO annoying. This is related to a larger dialogue writing issue with the show in general, which is the inclination to curse like a third grader who has just learned of what swearing is. The number of times that a character uses the term "fuck" or "fucking" purely to provide unnecessary emphasis to their sentence that was perfectly good without swearing comes of as flat out cringey. Now, I swear a lot! I'm not *against* swearing! But the way that Richter and every other character is written makes them all feel unbelievably annoying. Heroes, villains, everyone says "fucking" like it's going out of style! So much so that I might propose a drinking game where you take a shot every time there's an unnecessary use of the word "fuck" in a scene. Granted, I can guarantee you'll be wildly hungover the next day, so I can't recommend doing that.

One particularly damning scene is Richter's moment of personal growth this season, realizing that he has to fight with the whole of him to protect those who he loves, and has a cool fight scene with a bunch of vampires, in which he then says This:

GENUINE COP OUT. I cannot stress enough how every single character's childish inclination toward being edgy by swearing undermines every single character.

I'm beginning to ramble somewhat though, so let's touch on a few things that I think were good and bad, but don't have a ton to say about before we wrap up.

-Drolta is a cool character, and genuinely should have been the only main villain of the show. I also adore her character design.

-The action scenes lack interesting gore, which I felt was a overwhelming positive of the 2017 Castlevania series.

-The monster designs (and show in general) lack color, and it feels like a deliberate attempt to push against the legacy of the source material.

-The animation is excellent when characters are using whips, but very jarring in scenes of standing and speaking, or even in the use of magic.

-Tera is an awful mother figure character and I felt nothing when she was turned in the finale. It doesn't help that they only drew her face twice and copypasted it between scenes it feels.

-The romance plot between Richter and Annette appearing at the end of the show is the Most Forced shit I have ever seen, almost like the writers forgot that they were love interests in the original and decided that of All of the things they had to include that that was INDISPENSABLE.

-Richter, Annette, and Maria's dynamic as a group barely exists beyond each of them calling eachother "Wankers" "bastards" and other terms of endearment. It's a hollow and ineffective means of emulating the good writing that Trevor, Sypha and Alucard had in the 2017 series, and was that show's highlight.

-I like Edouard's arc of being a monster with a soul, and it DOES help to begin to demonstrate the theme of "the lack of absolutes in good and evil", which I'll discuss later.

-Olrox is excellent. He's written well, his motivations are kept close to the chest, and he's genuinely intriguing as a character. I quite like his motivation, I like his design, I like his voice, no he's great. Best part of the show, honestly. (and the only evidence thus provided [save for alucard] of a "not completely evil" vampire)

-again, the commitment to every character exaggerating their sentences by cursing like a child is unbelievably grating.

My final point is one related to whether or not I think that in it's current state the show is worth watching. Generally, with shows, I prefer that the show have some sort of thematic relevance that reflects the progress of the story, and while I can somewhat see elements of that being shown in the "absolutes of good and evil" theme explored by the Abbot, Olrox, and Edouard, nothing is actually done with this theme, and it only comes into contact with our main cast in the finale. As such, these themes are only seen in the same way that dramatic irony is set up, but not executed on. Because of the half-execution of this theme, I feel that the show feels hollow thematically, and feels as though absolutely nothing happens or changes for a single character throughout it's runtime.

In some ways, this show being 8 episodes is really fitting, as it feels like in any other anime when you watch a show to episode 8 and then stop watching, but in this case they didn't release or make the rest of the season, which will likely be released later on in a "season 2" that does literally anything at all to provide the themes or story elements any merit.

Personally, I think I would confidently call this show "unfinished." There is no "win" to match the characters growth, the little that they did, and I felt that I was left on a lazy cliffhanger because of arbitrary fail-states.

As a fan of Castlevania, this could not be further from its source material, as a fan of shows that are good, Nocturne also manages to fail.

It pains me to say that I don't think it's worth your time, as I really want people to get into Castlevania, but I really cannot stress enough that this show is not even close to a good demonstration of what the series is about, or what the series' themes are. Genuinely, I don't care if you don't care about the games, they are better than this show, which is hard to measure, because they're different mediums, but I'm confident in this assessment.

#pinch raccoon #castlevania nocturne #castlevania #pinch reviews #richter belmont #vtuber #envtuber #indie vtuber #raccoon #twitch streamer #youtube #netflix

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ilguna · 8 months

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i have decided to split my masterlist because i’m gonna open up to some new fandoms. which means that yes, there will be an additional link to get to everything. i’m thinking of splitting it something like this:

dystopian/classic books: divergent, harry potter, the hunger games, the maze runner, revolution, twilight.

popular shows: supernatural, the walking dead, the 100, greys anatomy

video games: dead island 2, the last of us, until dawn

superhero: titans, marvel.

other: the bear

anime: attack on titan

dead fandoms: it (2017), shameless,

—

this means that i will be bringing marvel and twilight out of my non-active fandoms. i will release the who i write for link when i have successfully adjusted the masterlist.

i am doing this because i like my layout to have a banner, and then the link to the fandom below. this is slightly inconvenient to you but it works better for me.

IF you have any requests as to shows you’d think i’d like/you want me to write for, hop in my inbox!! i’d love to widen my horizons :))

#ilguna #update

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st-severus · 9 months

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hey, hope you're having a nice day!

if you want horror movies ideas (and you don't care much about spoilers) i recommend you the dead meat youtube channel. It's a channel with a guy who counts the deaths in horror movies and he does known/not known movies from all eras. His videos are great cuz they give you the general vibe of a movie and if you're easily scared (as i am) it gives you most of the gore and the deaths before watching it. Also, the host is nice and rather funny (but i think he's making a pause this month)

For non-horror movies i'd say:

The Mitchells VS the Machines (2021)

animated movie (with a great animation) about a very dysfunctional but trying family fighting against the robots revolution. It's so so funny and the family is incredible.

Everything Everywhere All at Once (2022)

a movie about an elderly chinese woman living in the USA with her husband and her twenties-something daughter. Their relationship is kinda rocky, mostly because the MC is very cold toward her family (cuz she's stressed bc of her job and kinda bitter about her life). It's a multiverse story, with the MC realizing all the potential she has and trying to save her daughter. I nearly cried at the end cuz the movie is so goddamn good (and the costumes and symbolism>>>>) 100/10 (but warning for a lot of flash)

The Shape of Water (2017)

again, a 100/10 for me. It's about a mute woman who's job is to clean the floor in a secret american base in the 60's and long story short, she fall in love with one of the mutant, a fish-merman-monster kind of thing. The movie is about the satus quo with the MCs not fullfilling society expectations and standards. Again, beautiful movie, (the costumes! the light! the characters!) and the villain is very very scary.

i don't have much else, but if you like musicals (like, theatre musicals) there are some nice things on youtube. I'd recommend you Beetlejuice, cuz someone filmed the very last day it was performed on Broadway and posted the entire thing on youtube. I think the video's title is something like "very last day of black and white slime tutorial" and it's ~2H30. It has dark humor and very good songs and lights. Also, there is Heathers (Mean Girls with much more murders and incredible songs, but I still hadn't watched it) and Hadestown (hadn't watched it but it got a Tim Burton vibe to it).

hope you enjoy it (and sorry to drop this long-ass ask in your inbox) and i didn't put something you already watched (or would hate)

Thank you so much for all these recommendations! 🖤 That's funny, because I actually do like a small sliver of horror quite a lot but I hate most of it, so something that lets you know the vibes will be quite useful :) The musical I like best is Sweeney Todd (although I prefer the Tim Burton movie which I recommend if you don't mind a bit of blood and gore), so I will definitely check out Hadestown! A couple of these are already on my list, like Shape of Water, I better get that straight away!

#lies im gonna watch interview with the vampire 14 more times #lol #jk #asks #film recs #film

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ausetkmt · 10 months

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Protest observer (Walter Gadsden, 17) in Birmingham, Alabama, USA, on 3 May 1963, being attacked by police dogs during a civil rights protest.

On July 11, 2017, a video circulated throughout social media depicting the San Diego police deploying a canine against an unarmed suspect. Posted by a bystander named Angel Nunez, it revealed a large police dog lacerating a Black man’s arm while he was handcuffed and subdued on the pavement. The officers appeared to lose control of the animal, while the man screamed in agony as the dog ripped his flesh. Since the video did not reveal the events leading up to the attack, some viewers suspected the man surely antagonized the animal. Shortly after the original post, however, Nunez provided a second video depicting the preceding events. It revealed no premise for the dog’s attack. The suspect appeared to simply hold his arms in a defensive posture as the dog lunged and tackled him to the pavement.

The image triggered various reactions throughout social media. Though skeptics attempted to explain the procedure, and deny its racial overtones, many believed it manifested yet another example of police brutality. Though police shootings and violent beatings typically dominate mainstream perceptions of police violence, the use of canines to subdue people of color has a deeply racist history that not only engulfs the United States, but much of the western hemisphere.

Scholars note that European colonists brought dogs to the Americas and used them as tools for intimidation and violence against indigenous populations, but the deliberately racialized breeding of canines occurred during the expansion of Black chattel slavery. As slave rebellions erupted throughout the western hemisphere in the eighteenth and nineteenth centuries, a breed called the “Cuban bloodhound” was diffused throughout the slaveholding colonies. Named for the island from which they hailed, they were physically imposing and extremely aggressive. Used in Cuba to confine slaves to the plantations, they were eventually exported to quell Black revolts. The British used them against the Jamaican Maroons in the late eighteenth century and the French engaged their services during the Haitian Revolution in the early nineteenth century.

A few decades later, the US government was engrossed in a lengthy conflict with the Black Seminole Indians in Florida, and military officials followed the French and British examples by importing Cuban bloodhounds to help crush the revolt. Following this event, entrepreneurial white southerners interbred the dogs with local breeds, birthing the occupation of professional slave hunting in the antebellum South.1Cuban Mastiff

The targeting of enslaved men and women was so pervasive that Black authors called them “Negro Dogs,” as the fugitive comprised the most lucrative target for the dogs’ owners. These animals held a prominent legacy in the testimonies of former slaves, as their oral histories recollected stories of pursuit, evasion, and, oftentimes violent, capture. The assault on Black people was so widespread that a reader gains a sense of its normalcy in the literature. According to one former slave from Mississippi, “Some folks treated the slaves mighty bad, put nigger dogs on ‘em” Far from a haphazard practice, the business of hunting Black bodies was ritualized throughout the South.

Emancipation brought little relief. The legal subversion of Black Americans continued after the Civil War and the backbreaking requirements of southern agricultural labor during the Jim Crow period largely mirrored its antebellum predecessor. One 1903 headline entitled, “Slavery in Alabama,” accused southern sharecroppers of developing a system of neo-slavery by preying upon impoverished African Americans who remained in perpetual debt: “Planters in want of labor…paid the fines and took the negroes into slavery, ostensibly to ‘work out’ their fines.”2 Such economic exploitation perpetuated debt bondage that mirrored antebellum slavery, and the report detailed how the workers were treated with “great severity” and received whippings for disobedience. Upon any attempt to abscond from the plantation “they were hunted down in the old slavery day’s fashion with bloodhounds.”3

Being “hunted down” with bloodhounds became a familiar experience for Black fugitives, but canine violence was also used to dismantle peaceful protests in the 1960s. Though the “Dogs of Birmingham” often dominate images of violence during the Civil Rights era, the practice spanned much of the Deep South. In 1963, the New York Times reported that police in Greenwood, Mississippi, a city notorious for its violence against Civil Rights workers, used canines to perpetuate anti-Black oppression. James Farmer, national director of the Congress of Racial Equality, condemned the attack of a Black minister by police dogs, declaring, “When that dog’s fangs sank to the ankle of the young minister…they also sank into the hearts of the Negroes of Greenwood.”4 By the time of the passage of the Voting Rights Act in 1965, canine units had threatened and intimidated Black protestors throughout the South.“The author caught by the bloodhounds.” Illustration from Narrative William W. Brown: An American Slave

Despite the public’s outcry against southern police tactics, the violent images of dogs attacking Black victims did little to curb the persistence of this practice throughout the United States. Though police departments assumed that “many lessons were learned since Birmingham,” largely through better training approaches for handlers and their canines, modern statistics remain quite troubling when viewed through a racial context.

The Los Angeles Police Department (LAPD) is one of the worst repeat offenders. Throughout the 1980s, African Americans leveled complaints that officers jokingly called Black suspects “dog biscuits” as they deployed canines against them. The issue came to a head during the 1991 class action suit Lawson v. Gates, which spotlighted the LAPD’s unlawful use of canines as vehicles of terror and intimidation against minority communities.

Evidence was especially damning, and the plaintiff’s attorneys were able to prove the LAPD deployed dogs principally in African-American and Latino communities, even though “crimes for which dogs are used occur at equal if not greater rates in communities with substantially higher Caucasian populations.”

The case was settled with a monetary payment to 54 plaintiffs, and that the LAPD would institute reform measures for how officers deployed canines. Law enforcement agencies in Los Angeles would later celebrate these reforms throughout the 1990s, claiming bite ratios were markedly down from previous years. However, recent data from the Los Angeles Sheriff’s Department (LASD) provides a vastly different picture.

A recent study from the LASD revealed that canine bites in the Los Angeles area were leveled solely against people of color for the first six months of 2013, and the bite ratios against Blacks and Latinos remain disproportionately high. But these contemporary problems do not lie solely in southern California. Following the killing of Michael Brown in 2014, the Department of Justice (DOJ) uncovered that police units in Ferguson, Missouri, persistently used dogs to attack Black suspects, including teenagers. Ultimately, the DOJ report concluded that Ferguson police “appear to use canines not to counter a physical threat but to inflict punishment.”

Including animals in the histories of racial violence, in both colonial histories and the African American experience, contextualizes how conceptions of race are made, consolidated, and reimagined by human populations. We must realize that enactments of police brutality are not solely human-to-human phenomena, but such state-sanctioned patterns of violence are deeply rooted in American history.

#Police Dogs and Anti-Black Violence #police dogs #violence from police #police violence #police weaponizing dogs #police k9 units weaponized against Black People #Black Lives Matter

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ladyarjuna · 8 months

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I have no idea what's going on on this blog anymore but you're easily my favorite person on my dash most days. Thank you for that

Mostly me posting nonsense since:

-- not a lot of people want to RP with a character that has 10 years of history and power creep -- I've been doing other projects rather than focusing on Metro City Blues ("dealing with personal trauma, the anime," currently missing a good solid villain), like TomoFlake (asking "what if the Designated Love Interest in a shounen/toku show was a lesbian?".) Book of Revolution ("Man. You could make a story out of Cantrip."), and The Teamsters' Siege ("You know, given that Dagult Neverember had all his Waterdeep assets seized, what happens when the caravans his holding company sent up to Neverwinter get there in that four-tenday gap? ... Knowing him, he'd decide to just try to not pay them because he can.") -- Beacon is the most popular character but even she's dropped off since 2017.

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tinyreviews · 9 months

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2000s Cinema

The 2000s brought forth a diverse array of films, reflecting technological advancements, shifting tastes, and the globalization of cinema. It was a decade that saw the rise of franchises, the integration of digital technology, and the continued evolution of storytelling techniques.

Digital Revolution: The 2000s witnessed a significant shift in filmmaking with the widespread adoption of digital technology. Filmmakers like David Fincher, Steven Soderbergh, and Peter Jackson embraced digital cameras and visual effects, revolutionizing the industry and expanding creative possibilities.

Superhero Films: The 2000s saw a resurgence of superhero films, setting the stage for the dominance of the genre in the following decades. Movies like "Spider-Man" (2002), "X-Men" (2000), and "The Dark Knight" (2008) gained massive popularity and paved the way for expanded cinematic universes.

Fantasy Epics: The 2000s delivered several epic fantasy films based on popular book series. The "Lord of the Rings" trilogy (2001-2003), directed by Peter Jackson, garnered critical acclaim and commercial success, setting new standards for world-building and visual effects.

Animated Films: The 2000s saw a renaissance in animated films, with computer-generated animation taking center stage. Pixar continued to dominate the industry with films like "Finding Nemo" (2003), "The Incredibles" (2004), and "Up" (2009), while other studios produced hits such as "Shrek" (2001) and "Kung Fu Panda" (2008).

Franchise Films: The 2000s marked the era of blockbuster franchises, with sequels, prequels, and spin-offs dominating the box office. The "Harry Potter" series (2001-2011), the "Pirates of the Caribbean" franchise (2003-2017), and the "Fast & Furious" series (2001-present) became major commercial successes.

Dramas and Biopics: The 2000s produced impactful dramas and biopics, often based on real-life events or historical figures. Films like "A Beautiful Mind" (2001), "Milk" (2008), "The Social Network" (2010), and "Walk the Line" (2005) garnered critical acclaim and multiple awards.

International Cinema: The 2000s showcased an increased appreciation for international films. Directors like Wong Kar-wai ("In the Mood for Love" - 2000), Guillermo del Toro ("Pan's Labyrinth" - 2006), and Pedro Almodóvar ("Talk to Her" - 2002) gained global recognition for their distinct storytelling styles.

Comedy Films: The 2000s featured a mix of comedies, ranging from raunchy humor to heartfelt stories. Movies like "Superbad" (2007), "Anchorman: The Legend of Ron Burgundy" (2004), and "Napoleon Dynamite" (2004) became cult favorites and influenced comedy styles in the following years.

#00s #00s cinema #00s movies #2000s cinema #2000s movies #cinema #movies

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the-yuri-fanatic · 11 months

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TOP YURI ANIME IN JAPAN

This is all based on a reader questionnaire conducted in 2023 between June 8-June 15. In total 110 people voted with an almost 50/50 gender split.

1. Bloom in You (2018)

2. Adachi and Shimamura (2020)

3. Lycoris Recoil (2022)

4. Happy Sugar Life (2018)

5th place had a three-way tie:

5. Maria Watches Over Us (2004)

5. Citrus (2018)

5. Assault Lily Bouquet (2020)

8th place had a five-way tie:

8. Kase-san and Morning Glory (2018)

8. Mobile Suit Gundam: The Witch of Mercury (2022)

8. Yuri is My Job (2023)

8. YuruYuri (2011)

8. Happy Happy Clover (2007)

13th place had a three-way tie:

13. Revolutionary Girl Utena (1997)

13. WataTen! An Angel Flew Down to Me (2017)

13. Aikatsu! (2012)

16th place (also) had a three-way tie:

16. Sakura Trick (2014)

16. The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (2023)

16. Spy Classroom (2023)

#yuri #yuri anime #anime

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i-am-just-a-kiddo · 2 years

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10 characters

tagged by @talays-portkey ❤ I chose 10 characters from 10 different things that I consumed this year and liked. I’m gonna say a few things about each and try to keep it short.

tagging @intyalote, @the-cloud-whisperer, @not-saying-revolution-but, @cortue, @isabellaofparma, @sassyassassy. Have fun, there’s no rules!

continues under the cut:

Sean /Not Me: The Series (2021)

Not Me, as a whole, breaks me in the best ways possible. And Sean - he’s just everything to me. In my opinion, one of the most beautiful character arcs you can give me is having a character find a few more reasons to live. Make them start cherishing their life as a thing that should be protected and you have me on the floor sobbing. And Sean is this to me - comfort and pain wrapped in one person.

Jim Jimenez /Our Flag Means Death (2022)

Do you know how hard it is to choose only one character from this damn show? I love them all so much, with my entire heart. But Jim is my special kid okay. It truly hits diffently, seeing them having their own arc in this silly little show, being just as silly with their crewmates, but also being badass and cool off the side and also having such a precious friends to lovers romance alongside everything. My beloved.

Ayukawa Ryuuji “Yuka”/ Blue Period (2021)

This anime wrecked me, everything about Yuka wrecked me. Their story made me cry for two hours straight and unlocked something in my brain. I don’t know how to explain.

Shen Yi /Under The Skin (2022)

With everything happening this year, I almost forgot I watched this show, but everytime I remember it, I’m so incredibly fond. It’s rare to watch a crime show that feels comforting, but this one does it! And I attribute a lot of it to this lovely protagonist, because he is so warm, sensitive and charismatic. I loved watching Shen Yi and going through all these cases from his point of view. He just feels like such a comforting presence and honestly, more protagonists should have this characteristic. Let them be gentle!!

Guillermo de la Cruz/ What We Do in the Shadows (2019-?)

As someone on this hellsite put it - he’s the most character ever. Last week I finally caught up with the new season and I’m all here for Guillermo’s emancipation arc! Fuck it up son!!!! I’m cheering you on, keep doing your hot girl shit!

Vegas Theerapanyakul & Pete / Kinnporsche: La Forte (2022)

Yes I’m cheating again but what are you gonna do about it. I couldn’t choose between these two because I find them both equally as engaging and interesting. If you’ve been following me - you know. You know the insanity I feel for these two. Who would’ve thought comfort is stored in the toxic BDSM couple. Emotional support fucked up men. Truly on the top of the list for this year.

Striga /Castlevania (2017-2021)

Listen it doesn’t need much - give me a queer muscly lady with a huge sword and the coolest action sequence of the series and you have me sold. My actual favourite is Alucard, but I feel like we, as a society, should appreciate love and go crazy over Striga a bit more. Like, she’s right there!!

Lucifer Morningstar /The Sandman (2022)

I just think they’re neat. Once again a show full of wonderful, beautiful characters, but Lucifer simply lives in my mind rentfree. @ netflix I beg, please renew this show so we can get the sequel with Lucifer going apeshit. I’m on my knees.

Wen Ning / The Untamed (2019)

Sooooooooo I’ve been rewatching this curse of a show for the past week while lying sick in bed with covid and. AND. After three years the pain truly does not get better. Once again, I did not know who to choose for this - every single character in this god forsaken show deserves their own spot. But I somehow ended up on my darling, my boy, my favourite Ghost General. His story arc fucks me up so badly every time and yet it is one of the most beautifully tragic things. He’s a red thread, pulled through the entire story, and it makes my heart bleed. (and yes @the-cloud-whisperer, I’m gonna come back to you soon and finally scream with you properly)

👑 Louis de Pointe du Lac / Interview With the Vampire (2022-?)

2022 has not ended yet but I know this guy takes the crown. I’ve been a fan of the Vampire Chronicles since I was 15 and finally. FINALLY. I get what I fucking deserve. And FINALLY here is a Louis that I adore - one that is charismatic, one that feels raw and real, and one I can finally love and be invested in. This show truly made me fall in love with his character when before that, he always paled in my affection to Lestat. He always kinda bored me in the books and the movie adaptation. As my friend put it: we all want to be Lestat but actually we are all Louis. But here is he at last, my highest quality blorbo: Louis de Pointe du Lac, resident disaster man full of existential despair, wrath and love. This show is all I’ve been thinking about and I will not apologise.

#this took me four hours to make #i am still not on top of my game sigh #but at least i can do more than just lie in bed all day #tag game #personal

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gloop898 · 1 year

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2023 Media Thread - Master Post

Anime / TV

X - Witch From Mercury Season One

X - Akiba Maid War

X - Bocchi the Rock!

X - Chainsaw Man

X - The Legend of Vox Machina Season One & Two

X - Symphogear

X - Mobile Suit Gundam Unicorn

X - Yuru Camp

X - Symphogear G

X - Kill la Kill

X - Onimai: I’m Now Your Sister!

X - The Magical Revolution of the Reincarnated Princess and the Genius Young Lady

X - The Muppets Mayhem

X - the muppets. (2015 tv series)

X - Yuri is My Job!

X - Witch From Mercury Season Two

X - Loki

X - Adventure Time

X - Adventure Time: Distant Lands

X - Fionna and Cake Season One

Games

X - Lonely Mountains Downhill

X - Splatoon 3

X - Hi-Fi Rush

X - Tunic

X - Prey (2017)

X - The Murder of Sonic the Hedgehog

X - Cruelty Squad

X - Kirby’s Dream Land

X - VA-11 Hall-A: Cyberpunk Bartender Action

X - Pokemon Scarlet and Violet

X - Mario + Rabbids Sparks of Hope

X - Carrion

X - Metroid Prime Remastered

X - Star Wars: Episode 1 - Racer

X - Milk inside a bag of milk inside a bag of milk...

X - Pikmin 4

X - Middle-earth: Shadow of Mordor

X - The Legend of Zelda: Tears of the Kingdom

X - Lethal Company

Movies

X - Puss In Boots The Last Wish

X - The Shape of Water

X - Nope

X - The Super Mario Bros. Movie

X - Dungeons & Dragons: Honor Among Thieves

X - Get Out

X - Spider-Man: Across the Spider-Verse

X - Spider-Man: Into the Spider-Verse

X - Sunshine (2007)

X - The Grand Budapest Hotel

X - American Psycho

X - Guardians of the Galaxy Vol 2 + Vol 3

X - Godzilla Minus One

X - Jingle All the Way

Yuri Manga

X - Onimai: I’m Now Your Sister! Ch1-Ch70

X - Eyeshield 21

X - New Game!

X - Futari Escape

X - Slow Start

X - Don’t Become An Otaku, Shinozaki!

X - 2DK, G-pen, Alarm Clock

X - Ohana Holoholo

X - Doughnuts Under a Crescent Moon

X - Kami Eshi JK to OL Fujoshi

X - I want to be a cute anime girl Ch1-Ch314

X - Ouji-sama Nante Iranai

X - Sougou Tovarisch

X - Mimi Mix

X - Poor Poor Lips

X - Tonari no Robot

X - Opapagoto

X - A Timid Woman Longing For Her Delivery Girl

X - Let’s Love Girlfriends and Secrets

X - Hana and Hina After School

X - Adachi to Shimamura (2016 Manga)

X - Blue Friend

X - Skip and Loafer Ch1-Ch53

X - YuruYuri Ch1-Ch198

X - Yoru to Umi

X - An Easy Introduction to Love Triangles (To Pass the Exam!)

X - The Witch’s Marriage

X - Hino-san no Baka

X - There’s Weird Voices Coming from the Room Next Door!

X - What Does the Fox Say?

X - Shoujo Manga Protagonist X Rival-San

X - The Sheep Princess in Wolf’s Clothing

X - I Won 300 Million Yen, so I Started Raising a Freeloader Pretty Girl

X - About a College Girl Who Gets Picked Up at a Mixer by an Older Girl

X - Gabriel DropOut Ch1-Ch97

X - Vampeerz

X - Oshi V ga Oshiego de Watashi ga Mama de!?

X - Uta-kata, and Minus Literacy

X - Yume Miru Prima Girl!

X - Yuunagi Marbled, and Ami-chan’s Diary

X - I Wanna Quit Being a Hitman!

X - Love/Death, and Nicochuu

X - Goblin Is Very Strong

X - Soulmate

X - Sakura Trick

X - Kimi to Shiranai Natsu ni Naru

X - I Love Amy

X - Senpai, Does It Taste Good?

X - Ms. Vampire Who Lives In my Neighborhood

X - Sekai de Ichiban Oppai ga Suki!

X - Ayaka-chan wa Hiroko-senpai ni Koishiteru

X - The Model & The Plain Manager

X - Haru Tsuzuru, Sakura Saku Kono Heya de

X - Catulus Syndrome

X - The Nuisance Daily Life of Robot-dependent Girl

X - KiLa KiLa, Steps, and Game;

X - Omoino-Kakera, Itoshi Koishi, and An Absurd Relationship

X - Kashimashi ~Girl Meets Girl~

X - Netsuzou Trap - NTR

X - All of Humanity Is Yuri Except for Me

X - Our Teachers are Dating!

X - An Aside Told to You

X - Mononoke Sharing

X - Chasing After Aoi Koshiba

X - Yurigurashi

X - Inside Mari

X - Sexual Education 120%

X - Hana to Hoshi

X - Todo no Tsumari no Uchouten & Ame Demo Hare Demo

X - Holy Girl Paradigm

X - Sorairo Girlfriend

X - Iono the Fanatics

X - The Girls' Arcadia

X - Stella☆Record

X - Bad Thinking Diary

X - Ibara no Namida

X - Fragtime

X - Ghosts of Greywoods

X - Sadistic Beauty: Side Story A

X - Oddman 11

X - Atashi no Senpai

X - Blooming Sequence

X - Girl in the Birdcage

X - The Ends of a Dream

X - Rock it, GiRL!!

X - Kitanai Kimi ga Ichiban Kawaii

X - Shino to Ren

X - Asumi-chan is Interested in Lesbian Brothels

X - Yuri is My Job

Other Manga

X - Chainsaw Man Ch1-Ch97

X - Musuko ga Kawaikute Shikataganai Mazoku no Hahaoya

X - Kimi to Pico-Pico

X - Welcome Back, Alice

X - Dungeon Meshi

X - Himegoto - Juukyuusai no Seifuku

X - So I'm a Spider, So What? Ch1 - Ch66.1

X - Jahy-sama wa Kujikenai! Ch1 - Ch85

X - My childhood friend MUST become a girl!

Other

X - Infect Your Friends And Loved Ones

X - I'm Glad My Mom Died

#Media Thread 2023

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wilczachannn · 2 years

Text

♡ – finished .

♡ – planning on watching .

♡ – started watching .

♡ – hiatus .

♡ – prob. won't finish .

♡ – currently watching .

a list of all dramas i watched ;

all of us are dead ♡

sweet home ♡

meteor garden ♡

love revolution ♡

color rush ♡

money heist ♡

w - two worlds ♡

my name ♡

extraordinary attorney woo ♡

girl from nowhere ♡

cherry blossoms after winter ♡

takarakun to amagi kun ♡

the untamed ♡

mimicus ♡

my mister ♡

revange of others ♡

under the queens umbrella ♡

so not worth it ♡

extra-ordinary you ♡

juvenile justice ♡

tomorrow ♡

the glory ♡

alice in borderland (+anime) ♡

island ♡

weak hero class 1 ♡

to.two ♡

extracurricular ♡

connect ♡

my liberation notes ♡

revenant ♡

moving ♡

from me to you ♡

the silent sea ♡

a list of all movies i watched ;

love and monsters ♡

through my window ♡

your name engraved herein ♡

alive ♡

v.i.p. (2017) ♡

midnight ♡

young adults matter ♡

2037 ♡

train to busan (all) ♡

the gun (2018) ♡

school-live! ♡

hanalei bay ♡

liverleaf ♡

mudblood (hp fanfilm) ♡

thirteen ♡

ravenous ♡

jurassic world (1&3) ♡

kill boksoon ♡

resident evil (all) ♡

the breakfast club ♡

the chronicles of narnia (1&2) ♡

the mist ♡

x-men 2 ♡

the nun (1&2) ♡

avatar (1&2) ♡

devil all the time ♡

jennifers body ♡

ladybug & cat noir (the movie) ♡

kill bill (all) ♡

prozac nation ♡

black swan ♡

evil dead (1&2) ♡

split (2017) ♡

the unholy ♡

red white and royal blue ♡

double jeopardy ♡

sala samobójców ♡

ballerina ♡

barbie (the movie) ♡

the gangster the cop the devil ♡

five nights at freddys ♡

the hunger games (all) ♡

cam ♡

anna karenina ♡

brave citizen ♡

hell house llc origins: the carmichael manor ♡

napoleon ♡

herd ♡

badland hunters ♡

dogman ♡

night swim ♡

dune (1&2) ♡

crooked house ♡

oppenheimer ♡

it ♡

monster high: escape from skull shores ♡

a haunting in venice ♡

lord of misrule ♡

annihilation ♡

the gift ♡

hellboy (1) ♡

blood: the last vampire (2000 & 2009) ♡

cujo ♡

a list of animes i watched ;

death parade ♡

highschool of the dead ♡

moriarty the patriot ♡

wonder egg priority ♡

vanitas no carte ♡

castlevania ♡

tomie ♡

junji ito maniac: japanese tales of the macabre ♡

magical girl site ♡

sankarea: undying love ♡

another ♡

the apothecary diaries (ongoing) ♡

nier:automata ♡

blood+ ♡

kakegurui: compulsive gambler (+twin) ♡

kakegurui×× ♡

a list of series i watched ;

teen wolf ♡

the last of us ♡

resident evil: infinite darkness ♡

house of the dragon ♡

shadow and bone ♡

game of thrones ♡

the vanishing triangle (ongoing) ♡

polowanie na ćmy ♡

and then there were none (miniseries) ♡

black summer ♡

avatar: the last airbender ♡

the legend of korra ♡

other things ;

hamilton (musical) ♡

until down (game) ♡

man of medan (game) ♡

little hope (game) ♡

house of ashes (game) ♡

the devil in me (game) ♡

les misérables (musical & 2012) ♡

wonka (musical) ♡

#all movies i watched recently tho #navigation.txt

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