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#anyway that’s it thanks for reading <3
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maybe this is a bit harsh but I’m just…so bored watching the a:tla live action. I don’t like it, I don’t hate it. I just feel nothing. Actually, scratch that, all I feel is the urge to rewatch the original again. Maybe that’s what I’ll do
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obsob · 1 year
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despite, despite, despite!!
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dyed-indigo · 4 months
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believe it or not i am reading
[ID: A meme redraw of a quote-retweet with Scum Villain characters.
Luo Binghe @/shizunliker: you see me chasing you down wyd (Attached art of Luo Binghe running on Chinese rooftops while scowling)
Peak Lord Shen Qingqiu @/peerlesscucumber: Killing myself in front of you to forever change our bond and the trajectory of our lives. End ID]
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howlonomy · 3 months
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Monster Clover, like this is so awesomecool.
They're such a little beast and it is amazing and please i need more, like written text even i just need the juicy lore and emotional moments that are circling in ur brain.
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HAT: RETRIEVED!!
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eyrieofsynapses · 6 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
---
I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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a2zillustration · 5 months
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I've been waiting for an excuse to tell you why Croissant is called Croissant for SO LONG
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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I’m like 99% sure that this has been done before but oh well :)
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sayurinn · 1 month
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Got home from a party very drunk last night and somehow drew this 😭😭😭 I guess drunk drawings are sober headcanons so pls accept my Polnareff silly y2k earthtone fits :3 🤎⭐️
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Also another version of pol’s shirt and divorce 😔💔 idk why I drew that😭😭😭😭 i think it’s from a Pinterest screenshot…
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context <3
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transmascaraa · 4 months
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!valentine's day special!
they will make sure that this was the best valentine's day that you've ever had.
characters: lyney, gaming, wanderer, cyno, tighnari, wriothesley, neuvillette x gn!reader
author's note: happy valentine's day idc if you're single like me or not but happy valentine's day nonetheless. i think this is pretty cute and long and that you guys will like it<3
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♡ Lyney
-he planned out the best date ever months ago. the place, the time, the date. everything.
-well, the whole thing was about his show. a show dedicated to you with a lot of hearts, rainbow roses and all with a special final trick.
-he told you to wear something nice for his "special valentine's show" the day before, so you did. a really good outfit. after the show, you'll be going to a romantic restaurant with him anyway.
-although... you looked good in anything in lyney's eyes. so, you went to his show, ready to just watch the whole thing. smiling brightly and blushing. but then lyney caught you off guard-
-he called you on stage! for his final trick!
-showing some magic trick where he proves that he can see how much someone is loved by how many rainbow roses come out of their "heart/chest".
-he started pulling them out, and out, and out...
-until something like confetti popped out of your chest! confetti of rainbow roses and a single note that he signaled you to open just after the show ended.
-then, he thanked everyone, and waited for them to leave.
-after they left, you opened the note with lyney next to you.
-"joyeuse saint valentin, mon amour<3"(google translate for "happy valentine's day, my love")
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๑ Gaming
-honestly, you never thought that gaming was this romantic.
-well, that he could be this romantic.
-the day before, he asked you if you had time tomorrow, at 9pm, to come to one of his dance shows.
-he asked you to wear something nice, of course.
-you thought that it was just a regular show, just with maybe some pink and red colors, because of valentine's day.
-so, when tomorrow night came, and you stood in the first row of the crowd, and waited patiently to see gaming on stage for tonight.
-before him, 2 of his friends performed together, just to get the crowd excited for the final dance.
-and finally, gaming got on stage.
-dancing flawlessly, amazing everyone around. those who saw him dance that night were probably so amazed that they threw screamed after the show.
-anyways, during that lovely dance, rose petals were falling from the sky, out of nowhere! (xianyun)
-and after he finished, and bowed down along with his friends, he threw a rose in the crowd, making it specifically land in your hands.
-there was a note on it.
-"happy valentine's day, [name]!"
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✧ Wanderer
-he was never a fan of valentine's day to begin with.
-he found it dumb, annoying, boring, and too lovey-dovey in his opinion. when he saw couples in public he would gag on purpose to show his disgust.
-so, even after he met you, for a while, he avoided anything romantic in public. simply said, he hated PDA.
-but this time, when valentine's day was near, he actually started thinking of something for you. to make that day special. to try and fit in with mortals who celebrated it.
-he told you to dress up in random outfits for him, saying that he was bored and his phone didn't have any battery left. (it was at 87%)
-you started dressing up in outfits, he was rating them one by one. hepretty tough with you getting any good rates, but after a few of them, he saw that outfit that he was waiting for.
-"wear that tomorrow." he didn't even say that it meant "11/10" in his words. so you wore it tomorrow.
-he wasn't home, instead, there was a note on the living room table.
-"go to that river that nahida and i were at when she was teaching me about aranaras."
-and you headed out immediately, in the outfit that he told you to wear.
-finally, you got there and saw him, waiting for you. with a bouquet of sumeru roses in his hands.
-"happy valentine's day..." he muttered while he hid his blushing face under his hat.
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✿ Cyno
-he was somebody who could not be seen as romantic at all. at least to others.
-he wouldn't show that much affection to you in public, but nobody knows why. not even tighnari.
-one day, the day before valentine's, he got back from a "mission", tired, and just collapsed onto bed next to you.
-you asked him if he was okay, and he nodded saying that he was tired.
-believe it or not, he was actually preparing something for you the whole day.
-tomorrow, he told you to come with him to the desert for the day. that he has something to show you.
-so, you got dressed and headed to the desert with him.
-chit-chatting until you got to a little shadowed place, with a heart shape in the sand.
-you sat down next to it, and cyno sat on the other side.
-he gave you a little bracelet in a box.
-it was purple with his name on it.
-"happy valentine's day."
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◍ Tighnari
-js like gaming, you never thought he could be this romantic
-he was always like a mom, taking care of you, scolding you if you messed something up, but definitely loved you a lot deep down.
-now, on such a day like valentine's, he promised himself not to scold you and just be affectionate.
-so, since he's basically collei's teacher, he asked cyno to take care of her for the day, while the dedication the day to you.
-he never was a big fan of the 14th of february, but he still played along with it. especially because it was you.
-that day, he suddenly invited you to go on a picnic with him, in the rainforest.
-you agreed, of course. then, got ready, and headed out to the spot.
-tighnari was sitting on a blanket under the tree, looking at some sumeru roses next to it, muttering some complaints about the akademiya.
-as soon as he noticed you, plucked one, and handed it to you as you sat down next to him.
-he even smiled back at you.
-"i hope this will be your best valentine's day ever."
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✷ Wriothesley
-he liked valentine's.
-not too much, but just enough. it was when he met you that he started loving it even more.
-maybe it wasn't "mid" in his opinion anymore.
-the only reason he disliked it before was because people were too annoying with it.
-but this time, he was the one being annoying.
-he sent you a message, telling you to come to his office at the meropide, and also added "make sure you look good ;)"
-you blushed at just the thought of it, and what his message could mean.
-after you got ready, you sent him "heading out rn" and went out.
-entering his office, you see him sitting by a nearby table, that has an empty chair on the other side.
-"welcome in, my love." he greets you, and gestures for you to sit down.
-you ask him what he means, and he pulls out on of those heart-shaped boxes with chocolates on the inside.
-"be my valentine forever?"
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⑅ Neuvillette
-and lastly, him.
-he didn't think much of valentine's day, just let people do their thing.
-he never celebrated it, but found it quite intriguing how just a simple date, the 14th of february, can make everything feel so lovely and sweet.
-not until he met you, now he participated in the celebration of it.
-not a single year where he'll miss it.
-he's not one to make a surprise like the rest, he'll plan the date with you.
-an aquarium. (i would collapse if someone brought me to an aquarium)
-when the day finally arrived, the two of you got ready and went out together, hand-in-hand, to the most famous aquarium in all of fontaine.
-it had all types of fish, even the endangered species.
-you were amazed by the fish, and how beautiful it was. and the underwater world itself.
-he found it quite nice, too.
-and when you got to a section with otters, ones that looked similar to neuvillette himself...
-you took a bunch of pictures with him and them, they even played with him through the glass!
-after leaving, he gave you a kiss on the cheek.
-"have a happy valentine's day."
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OH MY.
THIS IS SO GOOD AND CUTE.
I'M EXPLODING HELPPPP I CAN'T BELIEVE I WROTE THIS
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lesbianlotties · 10 months
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it's fun to say Nat laughed too much at a joke that wasn't all that funny because she has a crush on Lottie... but consider: Nat knows Lottie is not doing well after losing Laura Lee and she's desperately trying to cheer her up somehow
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katsu28 · 1 year
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to be alone together
pairing: Steve Harrington x reader
summary: steve has to work on valentine’s day, but maybe it’s not as bad as he thought it would be
warnings: none, 1.8k
a/n: u know i had to do a lil something for my steve girlies too <3 went for a more steve centric pov bc he is the definition of pining simp 
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(gif credits to @harringtondaily)
“Kinda sucks that you gotta work tonight.” Robin’s voice through the phone pressed to Steve’s ear was staticky, but still provided a good distraction from the empty video store around him.
It was Valentine’s Day and Steve had been at Family Video since opening, watching couple after couple come in to pretty much clear the romcom shelves, and yeah, he was a little bummed about it, but there was no point moping around about it any longer than he already had been. 
“It’s whatever, honestly. Not like I had any plans to begin with.” He sighed, shifting the receiver so it was wedged between his cheek and shoulder as his fingers drifted down to fiddle with the pen on the counter absentmindedly. 
“Steve, that’s sad.” Robin replied. Steve wrinkled his nose, a slightly offended noise escaping the back of his throat. “No! I didn’t mean it like that, I just meant that you should be out and about, having a good time.” 
“You know what’s actually sad? You talking to me instead of paying attention to your date.” He shot back, only half serious. “Where’s Nance?” 
“Oh she’s right here. Say hi, Nance.” 
Steve heard a faint ‘hi Steve’ in the background and he returned the greeting. “What are you guys doing tonight?” 
“She made this really fancy pasta thing for dinner, we’re just waiting on the chicken to finish in the oven and I thought I’d see what was going on with you.” Robin sounded casual, but he knew this was her way of checking up on him since he was the only one on shift all day and she knew how he felt about today. 
“Rob, I don’t know how many times I gotta tell you, but I’m fine. It’s really not a big deal.” 
“Why don’t you just close up early, come join us for dinner? We have more than enough food.” 
“You’re seriously inviting me to crash your romantic dinner date with your girlfriend?” He snorted, rolling his eyes playfully. “What does Nancy think of that?” 
There was some shuffling on the other end, a bout of silence, then Robin was back on the line. “She’s giving me a weird look, nevermind. Now that I think about it, it wasn’t my best idea.” 
“I love you both, but you know I can’t.” 
The bell above the door jingled softly, drawing Steve’s attention away from his phone call and to whoever just walked in. 
Shit. It was you. 
You were dressed like you were supposed to be on your date, not here, hair and makeup done up all pretty, floaty dress in his favorite color swishing around your knees as you made your way into the store. It made him wonder if you chose that color on purpose, but he knew that you didn’t. You couldn’t have known you’d be seeing him tonight. Wishful thinking on his end though. 
“Rob, I gotta go,” He blurted, straightening up behind the counter. 
“Wait, what—” 
“I gotta go, she’s—someone’s here, I gotta help her.” 
“She? Oh my god, wait! Is it—” 
“Have a nice date, tell Nance I said bye!” With that, Steve hung up, slamming the receiver onto the base with enough force to send it skittering a few inches. “Hey, Y/N.” 
“Steve!” Your previously downturned lips lifted into a smile, one that had Steve’s heart thudding a little faster in his chest. It always did. “I didn’t know you were working tonight.” 
See, you were also part of the reason he decided to take the extra shift today, but through no fault of your own. You’d mentioned earlier in the week while you were hanging out with him and Robin that someone had asked you out for tonight, and Steve didn’t really know how to feel about it. 
You were friends, but had Steve been harboring a crush on you since pretty much the first day you met? Yes. 
Did he feel an itching sense of jealousy that you were going on a date with someone that wasn’t him? Also yes. 
Would he do anything about it? Probably not. 
Okay, so maybe he knew exactly how he felt about it. Hell, he’d picked up an extra shift to distract himself from it. 
“Yeah, I got called in last minute." A lie. "Aren’t you supposed to be on a date right now?” A casual, not at all hoping that it crashed and burned question. That would be mean. (But also a little gratifying for him.)
You chuckled, a tad bitter as you leaned forward, propping your elbows on the counter, the action sending a whiff of your perfume his way. Steve’s knees almost gave out. “Supposed to, yeah. But the guy never showed up.” 
Steve had to fight a noise of surprise. What kind of dumbass would skip out on a date with you? “Really? That’s—that sucks, I’m sorry.” 
“S’okay. Wasn’t really looking forward to it anyways.” 
“Oh?” 
“I didn’t really know him that well, honestly. He was a friend of a friend, asked me out in front of a bunch of people, and I didn’t really wanna turn him down and make it awkward.” 
“You’re way too nice, Y/N. And he’s an idiot for standing you up.” 
“Thanks, Steve.” You smiled warmly at him, patting his hand. Steve had to pretend his pulse wasn’t racing right now. “What about you? Why’re you here and not out with anyone?” 
“I, uh—I didn’t really feel like going out tonight. Don’t think I’d be a very good date anyways.”
“Oh, you’re just being modest. What girl wouldn’t wanna spend Valentine’s Day with Steve Harrington?” 
The one girl he wanted to spend this day with, he thought. You. 
“You’d be surprised.” He muttered. 
“Well then they’re idiots too.” 
A small smile quirked his lips. “Thanks.” 
“Hey, I just came to pick up some movies and spend the rest of my night shoveling down ice cream, but since we’re both here now and alone, d’you wanna…be alone together? Grab a bite to eat or do something?” 
Steve’s shoulders slumped defeatedly. “I’d love to, but I—I can’t. I gotta stay here til the end of my shift, Keith’s been on my ass about taking off early and as much as I hate the guy, I don’t wanna get fired.” 
“Oh, okay. Don’t worry about it, I’m, uh—it’s cool.” Was he hallucinating, or did you look disappointed? 
“Would you maybe wanna, I dunno, stay here? We can watch whatever you want and I know where Robin keeps her work snack stash. That way we can be alone together and I don’t get chewed out again?” Steve blurted hopefully. He was honestly expecting you to say no. Why would you wanna spend the rest of your already shitty night with him in a dingy video store? But then your face split into the biggest smile and you nodded, rocking forward on the balls of your feet earnestly. “Go pick something out, I’ll grab the snacks.” 
You scurried off to browse the near bare shelves, leaving Steve shaking his head amusedly in your wake as he watched you skim the tapes with a look of utmost concentration. He slipped into the back room to grab Robin’s last unopened bag of chips, making a mental note to buy more before tomorrow’s shift before returning to the video area.
He skimmed the store, spotting you in the romcom section, and when he made his way over, you were contemplating the last two tapes on the shelf. 
You beamed at him upon spotting him. “Pretty in Pink or Sixteen Candles?” 
“Am I allowed to say neither?” 
“You said whatever I want, Steve.” You said pointedly, propping your hands on your hips. 
“I did, didn’t I?” He sighed, pinching the bridge of his nose between two fingers. You let out a hum of pleasure, sliding your chosen movie off the shelf and wandering towards the TV in the corner. Steve hurried after you quickly, plucking the tape from between your fingertips and running away, not unlike a child would. 
“Steve!” You huffed, whirling on your heel. He grinned mischievously at you, waving it in the air like a taunt. You caught up with him within seconds, lunging for the tape that he held up above his head and away from your outstretched hand. Your body was pressed against his as you reached for it, as you leaned against him in a fruitless attempt to overpower him. “Steve, gimme the tape!” 
“No!” He laughed, but that laughter very soon trickled off as soon as he realized your proximity. You were so close, he could see the color of your eyes clear as day, looking right back at him. You’d fallen quiet too, as if you’d come to the same realization. 
You were nose to nose, faces a hair’s breadth away from each other, the stolen tape in Steve’s hands long forgotten. Every fiber in his body was telling him to pull away, because the longer he stayed here the weirder it would be when he finally did manage to retreat, but no matter how hard he willed himself to move, he couldn’t. Instead, his eyes flicked down to your lips. Your breath hitched almost imperceptibly. 
“Steve?” You whispered, gaze darting around his own face. 
“Yeah?” 
“Kiss me.” 
You didn’t have to tell him twice.
Steve dropped the tape immediately, closing the gap between you and pressing his lips against yours. His hands came up to cup your face, holding you firm but kissing you soft, like he was preparing himself to pull away if you did. But from the way you were returning his kiss, how your hands clutched at the front of his vest to keep him this close, it didn’t feel like you’d be pulling away anytime soon, and that spurred him on even more. 
One hand slid down to settle at your waist, the other curling around the back of your neck as he tilted his head, deepening the kiss just a little bit. 
Steve’s lips felt tingly when he pulled away, tasted of your cherry lip gloss when his tongue darted out to lick them. He was sure to have a little bit on his mouth now, but it wasn’t the worst thing in the world. Not by a long shot. Cherry might’ve just become his new favorite flavor. 
“I really like you.” He breathed, chest heaving against yours. Your lips curved into a soft smile—the same smile that nearly sent Steve’s brain short circuiting every time it was aimed his way. 
“After that kiss, I’d sure hope so,” You replied, smoothing out his wrinkled shirt as best you could. “I like you too, just so you know. Part of the reason I was so okay with my date ditching me. He wasn’t you.” 
Steve could only beam at you, going in for another kiss. In his excitement, he missed his mark, hitting the corner of your mouth instead, but he didn’t care. The girl he wanted all along actually liked him back, and it only took one failed date and an extra shift to find out. 
Maybe working on Valentine’s Day wasn’t so bad after all. 
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obsob · 9 months
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beloved!!!
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problemcore · 6 months
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like yea when i was. freaking 16. i saw buccellati as a very parental figure to the passione kids. but im 20 now and im overcome with dread at how the entire world is at his shoulders the entire season. its terrifying. and you reduce him to the mom friend? whatever is actually going on with him is much more intriguing
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dawn-the-rithmatist · 2 years
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Obsessed with authors like Naomi Novik whose books always seem to say “no, fuck that, there is another way than cruelty, and we do have a choice to be decent, and not choosing it isn’t a burden but a cop out.”
Authors like Neil Gaiman whose books seem to say “we are all simply human, and that is so valuable. This world is worth more because we are in it, when we choose to notice and care”
Authors like Brandon Sanderson whose books say “We are all a little broken, and there is strength in not turning away from us, and there is pain in healing but there is also strength and hope.”
Seriously, these folks do more for my faith and hope in this life than any religion ever has. I don’t have the words to describe it yet but just. Warm cup of apple cider held close to the chest on cold autumn night?? That’s the best I got
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originalartblog · 6 months
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are the tinies more comfy w being affectionate w each other (than their normal sized selves) or do they just simply not notice when they're cuddling?
a bit of both? the first time on the couch just kind of happened because they were tiny and tired I still need to finish the continuation/conclusion of that but there is like. negative chances of them not being aware they're cuddling in the same bed when one of them is not even where he's supposed to be.
I've already said I don't really care whether skk get romantic or not, but here we are all about the longing for each other's presence. The tinies feel the same things but more, so like everything else the denial is harder to deal with. Because of that, they skipped a few steps and now they do all of their usual stuff but also they cuddle.
Meanwhile the big guys are stuck in their 14+ layers of denial and pride, so the tinies doing their thing in front of them is both chipping at those layers and so embarrassing, I don't think they see how the other one is acting as much as their own little guy is betraying them will you stop that what will they think???
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