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#anyways the spirit of her version of the song was in this one
billiewena · 2 years
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happy seventeenth birthday, supernatural!
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sunflower-lilac42 · 4 months
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✧ 𝐖𝐞𝐥𝐜𝐨𝐦𝐞 𝐭𝐨 𝐍𝐞𝐰 𝐘𝐨𝐫𝐤 || luke hughes♔
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album & song: 1989 ; welcome to new york (taylor's version)
summary: y/n comes to visit her boyfriend and they venture around new york when she surprises him with some news
pairings: luke hughes x reader ; jack hughes x platonic!reader (minor)
warnings: airplanes/airport (very minor), crowded spaces, fluffy
notes: hey guys, I'm back! this was really fun to write but I did end up cutting out the second verse because I didn't really know what to write for that part. anyways, I loved how this turned out and i'm so excited to share it with you so I hope you guys enjoy it as well. let me know what I should write next for this series however I think I'm either gonna write a fic that doesn't pertain to any event or celebration or one for my 150 celly next. hope you guys had a good holiday and I will see you all in the next one! by the way, you guys can pick where you are oging to school but to make it easy I just picked somewhere (that being Hofstra becuase they really want me so I picked them in spirit). add yourself to the taglist ➺ taglist!
1989 masterlist | nhl x ts masterlist | nhl masterlist | main masterlist
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'Welcome to New York, it's been waitin' for you Welcome to New York, welcome to New York Welcome to New York, it's been waitin' for you Welcome to New York, welcome to New York'
It had been a month since the two had last seen each other. They had been lucky enough that their schedules overlapped this year. For Thanksgiving break, Luke had a game the day it started in Detriot so she drove there to see him, spending some of Thursday with him before he had to head back to Jersey. For Winter Break, the day after exams ended Luke had a game in Columbus so once again she drove down to see him before leaving for Jersey with him to spend her break with as they had a homestand till Christmas (and maybe for a while after…)
Luke wrapped an arm around y/n, sitting on an airplane because they knew they wouldn’t hear the end of it if Luke went with the team. He leaned over and kissed her head, “Welcome to New York, babe.”
Y/n looked over at him and smiled, “I can’t tell if you’re trying to make a Taylor Swift reference and are mocking me,” she showed him her phone which had ‘Welcome to New York’ showing that it was playing on it. “Or if you’re being serious and are just saying it.”
Luke shrugged, “Maybe both?”
She laughed and hit him playfully, snuggling into his side as they landed. 
✧༺✎༻∞
'Walkin' through a crowd, the village is aglow Kaleidoscope of loud heartbeats under coats Everybody here wanted somethin' more Searchin' for a sound we hadn't heard before'
Y/n had begged her boyfriend to go walking in the city across the river to look at their Christmas lights. It didn’t take long for him to say yes as he was pulling on his shoes grabbing the keys from the table and yelling goodbye to Jack who still sat curled up in his room. 
The two walked hand in hand as they strolled through Rockefeller Center, looking at the tree, “We should’ve brought skates.”
Luke gave her a look, “I play professional hockey for a living, you think I don’t carry skates in my car?”
“Lukey, I was joking. You skate for a living, don’t you ever want a break.” She pulled him past the rink, heading towards a hot chocolate stand, rubbing her hands together. 
He grabbed her hands and held them between his own, “No.”
She rolled her eyes and Luke let go of her hands for a brief moment to pay for the hot chocolate before placing one back in hers. They continued to walk around the city, y/n pointing out things in amazement and Luke watching her with a dazed look on his face. 
“Look, that one kind of looks like you’re looking through a kaleidoscope.” He didn’t respond as he had spaced out looking at her smile, “Luke. Hey!”
“What?” He snapped out of it and looked down at her, his eyes readjusting and focusing on her eyes, “I’ve been talking to you for the past two minutes and you have not said a word.”
“Oh, sorry.”
“It’s okay, are you okay?”
He nodded but she knew that wasn’t the case, something was bothering him, “Seriously, Luke. What’s wrong?”
“Do you ever,” He paused before restarting, “Do you ever wish we could be together?”
“What do you mean? We are together.”
“I meant like all the time. Like you were there when I came home from roadies, or you were at all of the home games when you could be. Or you were there when I woke up every morning.” Luke sounded sad as he spoke.
“Of course, I do, Luke. And you know that.” She wanted to say what she wanted but it wasn’t the right time, “Just give it a little bit and everything will work out, okay? I promise.”
He nodded but still had an unsure look on his face. She reached up and kissed him, wrapping her arms around his neck and he retaliated with his arms around her torso. To keep his spirits high, she allowed them to head to the rink and rent some skates, which they could’ve spent hours on but only stayed for an hour before heading to get something to eat, picking up something for Jack for when they got home. 
✧༺✎༻∞
'Like any great love, it keeps you guessing Like any real love, it's ever-changing Like any true love, it drives you crazy But you know you wouldn't change anything, anything, anything'
It was the eighth of January and y/n knew that Luke would start getting suspicious. None of her bags were packed, most of her belongings were strewn about in Luke’s room, and she hadn’t made an effort to start packing them either. She also hadn’t told him when her flight back to Michigan was which was odd because Luke would’ve dropped everything to take her to the airport, especially with their upcoming road trip.
The Devils had a four-game break before they had to head to Tampa on Thursday, they had just played the Canucks and everything seemed to slow down for a minute. Luke came into his room seeing his girlfriend sitting on his bed with her legs crossed under her and staring out the window, “What’s up?”
She snapped her head over and looked at him, “Do you want to go out for dinner?”
Luke shrugged, “Not really. I’m kind of tired.”
Y/n sighed and redirected her gaze to the window again. Luke sat behind her and wrapped his arms around her waist, “Do you want to go out for dinner?”
She nodded, “I kind of wanted to talk to you about something.”
“And we need to go out to dinner to do that?”
Y/n rolled her eyes, “I just thought it would be nice to.”
The boy agreed finally, the two sitting there in silence before watching their show on y/n’s laptop. They watched Supernatural as they waited for a good time to start getting ready. They got through 6 episodes before they finally decided to get ready. 
Luke drove to the restaurant and they made small talk along the way, talking about Luke’s upcoming games and y/n deflecting any questions her boyfriend brought up about school. They walked into the restaurant, got a table for two, and looked over the menu. 
After their waiter brought their appetizer and took their main course order, y/n looked at Luke seriously, “So, I need to talk to you about something.”
“If you’re breaking up with me this is a very cruel way to do it.” Luke drew his hand away from hers and held it in his lap, nervous about what was to come of the conversation.
“Luke, I’m not breaking up with, quite the opposite actually.”
Luke tilted his head in confusion, his spirit raising slightly at her words. She reached her hand out once more and he gladly took it, tightening his hand a little once hers was in his grasp again. 
“You know how at the beginning of the break you asked me if I ever wished we could be together all the time?” He nodded his head, not connecting any dots, “And you know how I said it would all work out someday?”
Once again he nodded and she fidgeted nervously, “Well dreams are about to become a reality.”
“What?”
“I didn't want to tell you at the beginning of the break in case something went wrong but I’m transferring to Hofstra, which is only an hour away from East Rutherford.”
Luke’s gaze widened at the news, “You’re what?”
“Yeah, and Jack has been helping me find an apartment for us that’s halfway between here and the campus so we both wouldn’t have to commute that far. He also kind of helped me already paid for it so I hope you like it because if you didn’t that would be embarrassing but you not even being on board with this whole plan would be horrible because I already kind of drove myself crazy doing this. Of course, you’re not a fan of this plan, you’re just starting your rookie season and this must be a lot, this changes everything. Ugh, what am I doing chasing after-”
Luke kissed her in order to get her to stop talking. She grunted at the impact but kissed back before pulling away and looking at him, “I’m sorry.”
“Y/n/n, take a breather.”
Y/n took a breath in and let it out slowly, eyes wandering around in an effort not to make any eye contact with her boyfriend. 
“Of course, I want to move in with you. It just took me off guard.” He smiled at her and she smiled back. 
“How long have you been planning this?”
“Since the first week of school.”
Luke looked at her with a wide-eyed gaze, “Are you serious?”
She nodded, tears coming to her eyes, “It was really hard that first week, I wasn’t able to see you every day which was a huge change. It got worse during hockey season because they all had practice and besides the girls, I didn’t really have anyone to hang out with. I mean, the guys always reminded me of you and how you guys would always hang out. And then it would remind me of the time I first met them.”
“I think they liked you more than I did, which wasn’t possible but they acted like it was.”
“Ethan was so excited.” The two chuckled at the memory before locking eyes once again, “I started looking at Universities that weren’t too far from here because I didn’t want you to have to commute that far.”
“If you wanted to go to somewhere two hours from here I would’ve done the drive if it meant I could live with you.”
“Trust me, I know, Jack said the same thing when we were talking about it, which is why I didn’t tell you.”
“When did you have time to find an apartment?”
“Well I asked Jack about it in late September and early October and he was able to start looking at places for me, which also probably explains some of the days where you guys had off days and he was gone for a while. He facetimed me when he thought it was something I would really like. And then that one day when I said I wanted to go shopping for you but I didn’t want to go alone? Yeah, the two of us went out to look at our apartment.”
༶•┈┈⛧┈♛
“So are you two looking for this apartment together?” The realtor asked as they stood at the entryway to the apartment.
“No, no, no definitely not. He’s my boyfriend’s brother. I’m surprising him.”
The realtor nodded her head and opened the door. They spent a little time walking through the apartment, y/n planning out where everything would go in her head as they peeked through the rooms. She smiled at the space when they circled back to the living room.
“I really like this one, I think it could be it. Jack?”
Jack nodded his head in agreement, “I like it, I think Luke would too.”
They finished talking to the realtor, going over the costs and the other essential things. They walked out of the apartment complex, heading towards Jack’s car where they got in and y/n made him crank the heat up. 
“Do you think he’ll actually want to move in with me?”
“Of course he will y/n/n. I haven’t been able to go a day without him bringing you up in conversation. I love you, but it gets annoying.”
She laughs but nerves are still evident on her face, “Hey, listen.” Jack turns his body to face his, in his words ‘future-sister-in-law’, “I can promise you, without a doubt, that my brother would be over the fucking moon if you offered to move in with him. He wouldn’t care where it was, or what it looked like, as long as you were happy and he got to live with you. That man is in love with you and anyone can see it.”
She nodded her head, “Thanks, Jack.”
“Come on, what are future-brother-in-laws for?”
༶•┈┈⛧┈♛
“Our apartment?”
She nodded, “Jack paid half and I paid the other because I certainly wasn’t going to let your brother pay for our apartment, my pride wouldn’t be able to handle it. If it was Quinn, maybe, but definitely not Jack.”
He laughed at the thought, “You know how to keep me on my toes. But I wouldn't change it for the world.”
“I try my hardest.”
“So, when can we move in?”
✧༺✎༻∞
'It's a new soundtrack, I could dance to this beat, beat forevermore The lights are so bright, but they never blind me, me'
Instead of the depressing music Luke and y/n would be listening to right now, they were listening to their productive music, moving boxes from the truck to their new apartment. When they finished, y/n started to unpack the things for the kitchen, dancing to ‘Welcome to New York’. 
Luke came barrelling in from their new bedroom, sliding on the wood in his stocks, “Hey!”
She turned around and looked at him, plates in hand, “What’s up, Lukey?”
“We should go shopping for new furniture. I mean we have like nothing in this place.”
He was right, the only pieces of furniture they had were an old couch from y/n’s parents, a mattress that they had blown up as they waited for their new one to get here, and a TV that sat in their room. She nodded her head, “Let me put these last plates away and we can go.”
Luke jumped up on the island and looked at her, listening to the music, “Isn’t this like, your thirteenth time listening to this song?”
“So what? It’s a good song. Are you hating on Taylor Swift, Luke Warren Hughes?” 
The boy held up his hands in surrender, a somewhat scarred look on his face, “No. Of course not.”
“Good.”
The two went out shopping, stopping for food on the way back. When they got back it was late at night, the bright lights of New York City streaming into their apartment window. They sat on some cushions they had gotten in the living room, their new TV not yet on a mantle as neither of them wanted to build it yet. 
They watched whatever game was on at the time, Luke commentating most of the time on actual technical things as y/n just yelled when someone she knew, or liked, did something stupid. When the game was over, the two yawned simultaneously, cleaning up their garbage and making their way to the room. 
Laying in bed the two looked at each other, the lights from outside still coming in through the window, “This is so surreal.”
“Hmm?” Y/n’s gaze moved from their hands that were intertwined to his face, “Being with you, in our apartment, in our own, well bed for now.”
She agreed with him with a subtle nod, “You know, I’d always get annoyed when I was at my dorm and the lights from outside would come through the curtain, but now that it doesn’t really bother me.”
Despite the heat in the room, y/n moved closer to Luke as she was still cold. Luke wrapped his arms around her, placing her head on his chest, “And why’s that?”
“Because you’re here.”
“You’re so cringy.”
“But you love it.”
“I do. And I love you.”
She looked up, “I love you too.”
Placing a kiss to her lips and then on the top of her head, Luke adjusted his arms so the one wouldn’t fall asleep but he was still able to hold her, finding it almost impossible but didn’t really care in the moment.
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𝑻𝑨𝑮𝑳𝑰𝑺𝑻 ˏˋ°•*⁀➷
if your name is crossed out it means i couldn't tag you
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novalizinpeace · 2 months
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This question just came up randomly from my dyslexia, but I'll ask it anyway.
Why did you name the characters exactly what they are called now? Like, what gave rise to giving them such a name? Especially a question for Neill.
(By the way, I pronounce his name as “Nail” (nail and hammer) due to dyslexia and only now realized that Neill is correct)
It took me like 3 hours looking for the names for each children (on the original post were i introduce them), 'cause i was really trying to get details both for the original critters and the children own personality in said name.
Let me use Google to explain the meaning part, and then i explain my own work with it. long post guys, Nova is gonna talk a lot
First with Nell
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As i said before, Nell's name was fitting for him 'cause the ''Shinning light'' goes fine with Dogday character, but on the other side, the ''hard as a horn'' was the part that, for me, work with the experiment one: Nell's can be emotionally weak, but his temple and spirit is the strongest in the gang, specially if it mean to protect those how he care, he's the shining light of the killer team, their boss but most important, the one that is ready to give his life for his loved ones.
Now, Callem (here it show Callum, but is another way of write it, it mean the same)
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Just, is a simple meaning, and yeah the bird side was for Kickin, BUT the meaning of said animal is was Callem's character really is about
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Callem is the free spirit of the gang, a soul that is only trapped in the physical way, but that doesn't care about anything else, he isn't afraid of cry, of scream, of love. Yup, maybe he doesn't take the iniciative with Nell, but not 'cause he's afraid, but 'cause he care for Nell's feelings, he never liked to be force to do something, why would he force Nell out of his comfort zone? He's ready to fly when needed, that's Callem for you.
Now, Charlie
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What does this had anything to be with Bubba? Well, this was a inside joke with my lil' cousin, that when we read the name Charlotte whe remember the spider, AND then we remember the game song (in spanish, idk if there's a version in english) ''Un elefante se columpiaba sobre la tela de una araña'', it was a silly moment, but she ask me to name him Charlie, 'cause she liked the name and, in her words, ''Tiene cara de charlie'' (he had a charlie face). So yeah, Charlie doesn't have a strong meaning in his name, but hey, the ''Warrior'' part was what make me put him in the Killer team, and it a choice 'm really happy about.
Now Alba
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The ''white'' meaning is for literally Crafty's fur, and also the name is kinda relate to a colour palette, so it fit in her side. Now, with the experiment, is basically a mirror of Nell, but in a more ''bright'' way; Nell and Alba had always been mirrors of the other during their time working in the playcare, but Alba has something that Nell doesn't: A mind without attachment. Alba never had something to care about in her past life more that herself, something that make her miss her past life, so when she learn the true, she was angry 'cause she was used, no 'cause she wasn't a children in playcare anymore. Nell since day one has been emotionally ''in a eternal night'', there's something that give weight to his actions, something that make him worry. Alba was able to pursue Nicole, she was able to become the second in charge of the heretics, she was able to make a community with the little they have, 'cause her mind was already past the night, unlike Nell, that shine in the dark.
Now, Nicole
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Obviously more close in meaning with the cartoon side that with the experiment side due the deatils of ''victory'' related to competitions, BUT in Nicole theres also some true: She has always been a fighter, maybe not in the physical way, but in her past life she refuse to let the employees experiment with her using the Poppy serum, doesn't caring if she could die without it, she wasn't a lab rat, and even after getting turn in Hoppy, she show them that she still was able to win over them, by been the most hard to tame, to the point of breaking the scientists's patience with a literal jumpscare (this gonna be show in her VHS)
Now, Samina
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The name, as i read in another place, also mean a ''well feeded child'' that goes to the side of Picky, but the rest is for the experiment, 'cause yeah, the bitchiest, most intense and meany member of the gang is actually a generous soul, but a soul that had been breaked over and over again, and even after that still have a lil' piece of that kind soul to give to her friends.
And then, we have Amara
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why i had to scroll so much to get this meaning? But yeah, 'm using the latin/spanish meaning of this name for her, that is basically ''to love'', something that work both for Bobby and for Amara herself, 'cause both were means to be a character full of love to give, full of emotions and ready to ''love'' those she care about.
Also! Funfact!
Do you know what Theo's name mean?
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An interesing choice considering all his relation with the prototype, good on that Mob game.
And here ends my tedtalk, good night everybody!
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fairytale-poll · 9 days
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SEMIFINAL ROUND, MATCH 2 OUT OF 2!
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Propaganda Under the Cut:
Bug:
Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.
Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.
He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid
Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!
“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)
They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.
Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!
Original Fairytale:
The OG, she suffered so much more than Ariel in the Disney version, and gave up her love for Christianity. When she's turned into a human her feet are in agony with every step, but she dances anyway to enchant the Prince. The Prince marries a princess who found him after the Little Mermaid rescued him. The Little Mermaid is distraught at the prince marrying another, so her sisters give her a dagger from the Sea Witch that will turn her back into a mermaid if she kills him. She refuses to kill him, and then she turns into sea foam and dies, but because she was a good person she becomes a spirit of the air and does good deeds for 300 years until she dies again, gains a soul, and goes to Heaven.
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lovebvni · 4 months
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Hii, I was researching channeling people from my DR but some peoples experience sound fun and emotional while others are saying that it’s dangerous and you shouldn’t do it. I understand you need to have protection before you do it but I’m nervous now and I need help starting so can you please help me 😭🙏🏾
hey anon!! ofc i can help you out <3
for the past few days i have been channeling every night so my father, loki, and a few other guides could help me get into the void — and it’s been going pretty well!
one thing i do have to say though, is channeling takes a lot of belief and determination for people just starting. i’ll be real, i still have my doubts, and i even told lilith this and she literally smacked me (not hard, dw) and asked me if i felt it 💀💀 i love her <3
anyways! enough with my stories! let’s get in how to do it <3
vv long blog below vv
How to Channel Safely
okay! there are many different ways to channel, but the one i use and the one i will be teaching is through clairaudience. it literally means clear hearing. some examples include when you hear a ringing in your ear (if u don’t have a hearing problem) or randomly hearing your name called out when nobody around you said it!
now to do this on command, it takes practice — a lot of it, but you will get the hang of it! coming from someone who literally learned it in less than a week, you’ve got this.
PROTECTION
the most important part of any spell or form of channeling, manifesting, or making something happen is protecting your own energy. you don’t want to allow negative energies to enter your spirit or your place of residence, because they can mess things up.
for protection, you can preform a protection spell, set up crystals, sprinkle salt near doors or walls, or even just simple affirmations; the easiest one and the one i do every day.
the thing is, i wouldn’t recommend just affirming for beginners unless you are confident in your craft. it is hard to do if you set an intention in a half assed way. you need to be strong, clear and powerful with it.
the best method for beginners or even people who have done it before, in my opinion, would be with crystals such as clear or smoky quartz, tigers eye or amethyst.
when using crystals, i suggest playing a song with positive and protective energy, like an upbeat song, and sending your positive vibrations from the song into the crystal/s. make sure you have at least 2, so one can be behind you and one in front of you or one for each hand.
2. CALLING ON A SPIRIT
calling on a spirit or the universe is easy, it’s just a matter of calling the one you want or the version of them you would like to talk to.
so, i know 3 versions of loki personally. my pops —the literal norse deity, my s/o loki from my spiderverse dr, and my mentor/friend loki in my mcu dr. now it can get confusing, but they all have similar souls/spirits. two just have incarnate forms.
so, let’s say i want to call on my friend loki. i close my eyes and say or speak in my mind, “i am channeling loki {replace his name with whoever you would like to channel} from my mcu dr. when he is here, he will touch my arm, grab my hand, or say hello.”
just something like that, it doesn’t have to be exact. around this affirmation, i say something like “my guides are protecting me from any negative spirits, tricksters, or anyone who wants to harm me in any way while i am channeling. nothing i do not want to channel will affect my spirit, soul, house or family.” or something similar. i’m usually more casual with it lmfao
while affirming, i always notice and take note of where the little voice in my head is coming from. is it at the front of your head? near one of your temples? towards the back? any way, take note of it, because it will come in handy when confirming they are with you.
3. CONFIRMATION THEY ARE WITH YOU
to confirm a spirit is with you, simply ask for a sign.
it’s as easy as that! ask them to touch you, give you a certain smell, remind you of a specific scenario, so on and so forth! this is where the other clair’s can come an and are helpful :)
now, when they speak or communicate with you, i want you to recognize where their voice is speaking in comparison to yours. for me, i usually hear lokis {father} voice on the far upper left of my head, while lilith is more towards the back.
when channeling, sometimes you will see or hear things — and this is because you’re more connected to the spirit world. when channeling lilith, i see a slightly red energy, when channeling loki, i see a green energy, when channeling my friends s/o (when i did) i used to see red feathers/wings. and this was all with my eyes wide open. i didn’t see them in the 3d, rather in the 4d. it’s really fun btw! just make sure to take note of them.
another thing i suggest is asking them facts. their hair colour, their eye colour, when you met, their birthday, whatever. that’s just for confirmation.
4. CHAT AWAY
you’re talking to someone important to you! have a conversation when you get to them! don’t let me guide you!!
5. ENDING A CHANNELING SESSION
the way i end channeling sessions is literally by saying “i am cutting off my channeling line. i can not be accessed unless it is important or necessary.” or something like that.
sometimes i literally forget and the spirits will leave lmao. it’s that simple.
EXTRA — TIPS!!
when channeling, be open and ready. you can be told things you don’t want to hear, and that’s okay! just keep going with it.
remember — the person you’re channeling is a soul too! don’t try to control them or hurt them emotionally. they have feelings.
you can feel things while channeling! be careful with this. spirits can make unwanted advances. although i have never had it happen to me, be prepared.
you can accidentally channel!! i’ve done this before with my s/o. everything felt different and i felt his presence. neither of us said a word, but rather just stayed with each other <3
try channeling with pinterest!! set the intention to channel someone and you can get their messages through pinterest. make sure not to go with your algorithm though, because you could be tricking yourself!! <3
DONT MAKE THIS A SUBSITUTE FOR YOUR DR/WR!!! can you talk to the people? yeah! but you’re not with them. don’t let channeling hold you back from shifting, okay?
i love u all!! i hope this helps someone along with u anon!! there are so many more ways to channel, and my friend actually taught me <3 i really really hope u can channel and have fun with it
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sporesgalaxy · 2 years
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EDIT: smirks evilly yet again. updated with some For The Future quotes n images
Anyways: BEHOLD. Short little annotations with pictures for each song! Enjoyable even if you don’t listen to the playlist!
rises the moon - introduction
Days fade into a watercolour blur Memories swim and haunt you But look into the lake, shimmering like smoke Rises the moon
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The Lesson - "Caleb did his best to take care of his younger brother.”
It's best to not breathe in at all Your teachers say The toxins in the air will take your life away
But don't believe a word from them You'll be okay For I will breathe with you
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The Ocean - “They tried to fit in with this town...and its unsavory practices. They became witch hunters.”
No one complains, ‘cause it’s got to be fed And they’re just glad that it didn’t see them.
And they shouldn’t blame themselves for that ‘Cause it’s really, really hard to break even.
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Overgrown Garden - "...the brothers Wittebane met a real witch...and the older brother was spirited away.”  (“...I already let you go. Many times.”)
I wonder when you left me behind that day Asleep beneath the willow withering away If you were okay Because I would do anything for you I would do anything
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Have You Seen My Sister Evelyn? - "Philip set off to save his brother, and bring the witch to justice.” (”Sounds like big bro got a hot witch girlfriend and little bro got upset”)
Did that ho-bag quit her job and run off With that dick-head Mike To Indio, Guantanamo Or Panama or Disneyland?
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Heroes and Villains - "...neither were ever seen again!”
I've been in this town so long that back in the city I've been taken for lost and gone And unknown for a long long time
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Sweet Bird - "I was trying to save your soul. It’s your fault this all happened!”
I can't recognize you Oh sweet bird of my youth Where have you flown to?
Now let's make one thing clear as crystal The blood is on your hands And the blood will stain your hands
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Nightengale, Pt. 2 - A lament for Caleb
“Homer evokes the nightingale in the Odyssey, suggesting the myth of Philomela and Procne (one of whom, depending on the myth’s version, is turned into a nightingale).”
“Because of the violence of the myth, the nightingale’s song was long interpreted as a lament.”
(Wikipedia page for the Common Nightingale, “Cultural connotations” section)
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Angel - “I’ll do anything to save humanity from evil.”
I believe that you believe that you're an angel Nowhere to rise, everywhere to fall I believe that you believe that there's a heaven Where you belong, where you belong
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Neighborhood #2 (Laika) - “It does feel good to hear another human say that name. I had to change it when Philip was run out of too many towns.”
Alexander, our older brother Set out for a great adventure He tore our images out of his pictures He scratched our names out of all his letters
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Hymn for a Scarecrow - “’Why,’ says [the bird catcher, laying his net], ‘I am laying the foundations of a city.’” (The Bird-Catcher and the Blackbird)
You hang around for a living Somewhere between all the land and the sky Being by never forgiving Nobody knows you and neither do I
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Poison Tree - "All these weepy Palisman souls...their voices constantly nagging me...vile. But without them, I wouldn’t be able to do this.”
Make me feel like something powerful Is growing deep inside of me Turn me into a poison tree 
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The Nowhere King - “Betrayed, beguiled, alone, decieved! We’ll have our revenge on-- ugh! ‘Unity’ is so hard to rhyme...”
Silent, secretive feeling Of fearsome hatred that reaches the skies
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Open Hands - “A better version of an old friend.”
Here is what I lost forever Open hands, a certain laugh Here is what I thought I wanted Some lost smile in a photograph
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Crocodile Tears -  “It hurts every time he chooses to betray me.”
Crocodile tears marching down your cheek Ooh, a small sob for the thing you did last week I look in your hands and there it is again You don't regret a single thing, friend
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Pyre - Creating a Utopia, free from Wild Magic.
We're wresting now from our own hands a future Regret the flower of watered seed Are we the ghosts that swarm about us? We can begin We can begin again
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Dancing in the Moonlight - "Collector. You’re free! Just as promised.”
We like our fun and we never fight You can't dance and stay uptight It's a supernatural delight Everybody was dancing in the moonlight
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Christmas Kids - “I thought this one was another lost cause. Because of you, we can finish our work as witch hunters...”
You'll change your name, or change your mind And leave this fucked up place behind
But I'll know
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Home - “I just have to live long enough to see this through.”
No, no, you can’t go home, she says, the world, where do you think you’re going? We’re not done with you. The world is never done with you.
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Love Love Love - “...maybe he’s still chasing his brother...”
Raskolnikov felt sick, but he couldn't say why When he saw his face reflected in his victim's twinkling eye
Some things you'll do for money and some you'll do for fun But the things you do for love are going to come back to you one by one
(cw: suicide mention in the full song)
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limayde · 21 days
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16. The Legend of Zelda: Spirit Tracks
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What a POLARIZING experience this was. Really high highs, very low lows. Overall I think I enjoyed my time with the game more than I disliked it, but this is absolutely a one and done experience. I don't think I ever want to play it again fghgfghj
The first thing that jumped out to me was the story—it's better than any of the more recent Zelda titles that have released in the last ten years (I'm looking at you TotK). The characters are so fun and expressive, and it even gave us the best version of Link and Zelda's situationship. They are SO cute in this game, that even as a raging lesbian I can appreciate them. It also gave us Byrne—he kicks ass.
I hear a lot of people complain about them but I never had much issue with the touch controls. They were responsive and the enemies are just slow enough to get around the bit of discrepancy you'd have as opposed to having button controls. I think we need more games with silly controls, that's kind of a lost art, and it brings charm to a game.
The pan flute was fun at first, it was just a silly little instrument that you blow into the microphone to use, but then I got to the fire sanctuary. That. That right there. That's the reason I will never play this game again. The fire and sand sanctuary songs are SO finicky, it took me HOURS to complete both. Everywhere else it's fine! The first three sanctuaries? Not a problem. Using it in the overworld? Not a problem. Just. Those last two sanctuaries make my blood BOIL.
Train's fine. I didn't really see much issue with it aside from the stupid one-hit kill demon trains. (Especially that last area, jesus christ why are they FASTER than you?) But oh my god it is impossible to upgrade your train in this game? I got three parts. THREE. I DIDN'T EVEN COMPLETE A WHOLE SET. You don't even unlock the ability to customize your train until you unlock the water realm so I just didn't think you could do it! Also you don't unlock fast travel until way too late. Like it's appreciated but they're so out of the way and come in so late that I basically never got to use it.
That's another thing, this game is so backloaded with sidequests, that I did like three before making it to endgame. Once I realized that you were basically forced to marathon all the sidequests in one go if you wanted to 100% it, I lost interest. It's all bunnies and ferrying people around anyway so who cares, I'd probably just get another pearl necklace for my troubles.
I do like that you can wear the conductor's outfit tho.
Anyway this game is definitely fun and worthwhile if you're a Zelda fan—especially since it comes packaged in with Zelda's most important role in the whole series. Seriously Nintendo, why can't we play as her yet? Why is she always being sidelined as a damsel in distress? Her name is in the fucking title for god's sake.
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lemon-dokuro · 3 months
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Ikigusare - Oiwa-san Rock
The song, the lyrics (with an english translation by me) and some commentary are below.
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Japanese, directly from the subtitles in the video:
映画 お芝居やるのなら お参りしないと祟られる お名前 口にするのなら 敬称つけぬと祟られる
そんな猛烈な呪い お江戸の時代から 今この現代まで ずっと続いてるなんて
なんて凄まじい情念でしょう なんて素晴らしい怨念でしょう どうすれば貴方様のようになれるのかしら 誰か私に毒を盛って
鏡の前 髪をすくと ズルリ ゴッソリ 抜け落ちる ご遺体 釘付けされた 戸板 川に浮かび上がる
そんな恐ろしい場面 ひどく陰惨な場面 そんな時も貴方様 お美しいのですね
なんて凄まじい情念でしょう なんて素晴らしい怨念でしょう どうすれば貴方様のようになれるのかしら 誰か私に毒を盛って
なんて凄まじい情念でしょう なんて素晴らしい怨念でしょう どうすれば貴方様のようになれるのかしら 誰か私に毒を盛って English:
Filming a movie, writing a play, Visit her grave, or you'll get cursed. Saying her name, Address her properly, or you'll get cursed.
Such a powerful malediction, dating back to the Edo times, They say it still goes strong to this day.
Such great passion, isn't it? Such wonderful hatred, isn't it? Ah, what must I do to become like you? Somebody, give me that poison!
In front of the mirror, you're combing your hair. It's so loose that it falls out completely. A corpse nailed to a board Rises to the river's surface.
What a horrific scene, what a scene of terrible despair. Even in such a moment, you are more beautiful than ever...
Such great passion, isn't it? Such wonderful hatred, isn't it? Ah, what must I do to become like you? Somebody, give me that poison!
Such great passion, isn't it? Such wonderful hatred, isn't it? Ah, what must I do to become like you? Somebody, give me that poison!
Commentary (explaination + personal thoughts):
Obviously, this is referencing Yotsuya Kaidan, a classic japanese ghost story and kabuki play. I suggest reading or watching a retelling of the story to get the whole context. This is what you'll need to know to understand the lyrics... Basic: Oiwa is the main character of Yotsuya Kaidan. The story isn't very consistent between its different versions, but the gist is that her husband Iemon betrays her and her family in several ways, mainly by killing her father and then having an affair with a different woman. That woman later poisons Oiwa so that Iemon can marry her instead. When Oiwa dies, she becomes a vengeful spirit and torments Iemon. This is a very basic summary of her part in the story. Verse 1: There's a belief that when making an adaptation of Yotsuya Kaidan, be it a movie or a stage play, the cast, crew and other creators should visit Oiwa-san's grave and shrine and ask her to bless their production, lest her curse befall them. The part about adressing her properly isn't anything I recognise, but I imagine you'd have to be pretty polite when talking to a vengeful spirit who may curse you. Bridge 1: The story is set in the Joukyou era (~1684-1688) and loosely based on an incident that happened in the Genroku era (~1688-1704), which are eras in the Edo period (1603-1868). The play was written in 1825. Chorus: Oiwa was tricked into disfiguring herself with a poisonous facial cream. That's the poison being sung about. Because of it, her eyes started drooping and her hair partially fell out, among other things. Her disfigured face is particularly iconic, especially how Iemon kept seeing it everywhere after her death. Verse 2: Lines 1-2: In the play and in adaptations, there is usually a scene of Oiwa combing her hair in front of a mirror and it falling out from the poison. From what I know, the scene is a tragic and horrific play on a type of sexy fan-service scene in kabuki plays where a beautiful woman combs her long hair. Lines 3-4: When Oiwa eventually dies (either from the poison, from despair or from both), her body is nailed to a board and dumped into a river by her husband. Later, when he's trying to fish, he catches her, nailed to that board.
Anyway, I really like this song. It sounds gentle and romantic, even though it really isn't. I like the traditional japanese feel it has despite (to my knowledge) not having any straightforwardly traditional musical elements. Ikigusare is kind of hit-or-miss for me musically, but when it's a hit, that song quickly becomes one of my favourites. The lyrics are rather nice and well-written, though I can't help but feel like some of them are pretty generic. The visuals, though, are spectacular every time and I have nothing bad to say about them. The low-poly music videos add so much surrealism and mistique to the songs, a lot of which wouldn't be very remarkable in a different entourage. The girls' stilted dancing and position switching only adds to that surreal feeling. The girls themselves have amazing designs, very simple and striking. The one-two-three eyes pattern, their image colours being very basic and distinct (RGB, literally), their constantly changing themed outfits and the unique slightly grotesque twist on a common idol persona look that each girl has make them work very well as a unit, especially a horror-themed one. Overall, a rather interesting group/artist. I have at least four Ikigusare songs that I want to translate and post. I'll do it at some point in the near future if nobody beats me to it.
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ryin-silverfish · 22 days
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I understood that Fox spirits with gold and white fur are normally heavenly foxes. But Su Daji in the versions we know, killed people before the events of the story. So, will any type of fox spirit get this color when it already has its nine tails? even if they are already foxes that killed people?
I am kinda confused by the wording of this question. Correct me if I'm wrong:
-Heavenly foxes = foxes with gold/white fur and 9 tails
-Heavenly foxes are "good", or at least work for the establishment
-Su Daji of the Pinghua version is a heavenly fox, judging by her appearance
-But she kills people and isn't good
-Does that mean gold/white fur color and 9 tails is merely a signifier of power in fox spirits, and has nothing to do with their alignment or allegiance?
Well...time to dive into some fox spirit lore.
In the oldest Chinese legends, nine-tailed foxes are very much divine beasts. The Girl of Tushan, for example. Nine-tailed foxes also appeared in Han dynasty grave reliefs and paintings as part of Queen Mother of the West's worship:
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They were very much auspicious beasts, like Qilins or Phoenixs. Same goes for white foxes.
The exact point in time where "Auspicious Foxes" started shifting into "Demonic Foxes" is unclear, but it probably had something to do with the change in ways people conceive of yaoguais: namely, the idea that anything that grow old enough can become a yaoguai.
Foxes seemed like a prime candidate for that kind of stuff, because unlike dragons or phoenixs, they were just too common, mundane, and eerie. Divine beasts don't sneak into your chicken coop under the cover of darkness.
By the Northern and Southern dynasty, in Ge Hong's Baopuzi, there was already the idea that animals that reached a certain age could transform into humans, and he cited foxes, wolves and jackals as an example:
"...They can live up to 800 years old, and when they reached 500 years old, these beasts transform into human shapes."
Around the same time period, Guo Pu's Xuanzhong Ji gave an even more elaborate account of fox spirits' transformation:
"Upon reaching 50 years of age, foxes can transform into women. 100 years, beautiful women, divine shaman, or men in order to charm women. They can know things from thousands of miles away, are masters of the arts of charms, able to make people lose their minds...at 1000 years old, they can commune with Heaven, and are known as heavenly foxes."
This concept of heavenly foxes had a renaissance in the Tang dynasty, where folk worship of foxes were very popular, and Daoist influences meant that many foxes in Tang folklore were practitioners of the Daoist arts.
If foxes could cultivate, it was only natural that the best cultivators among them could become immortals, just like human Daoists, and get a job in the Celestial Bureaucracy.
Curiously enough, all Tang dynasty heavenly foxes were male foxes, and the troubles they got into often stemmed from their own lust and entitlement to human women.
Heavenly fox status also offered them protection from death sentences: when they were subdued by Daoist masters or immortals, the punishments were either beating with a rod or exile.
However, only one Tang text connected heavenly foxes with nine-tailed foxes and a specific fur color: You Yang Za Zu, which I cited in a previous answer.
In a sense, this fusion of nine-tailed foxes with heavenly foxes was really going back to the roots of "Nine-tailed Foxes as Auspicious Beasts".
But it didn't last, and by the Song dynasty, nine-tailed foxes had undergone full yaoguai-fication like the rest of their kind.
This is just my speculation, but "Nine-tailed Foxes as Demonic Spirits" could perhaps be traced back as far as their more auspicious associations: the nine-tailed foxes of the Book of Mountains and Seas were just another type of man-eating fantastic beasts, after all.
Anyways, it is at this point that the idea of Daji being a nine-tailed fox first appeared, and FSYY Pinghua went a step further by merging Daji with the "heavenly nine-tailed fox" of You Yang Za Zu, turning the auspicious divine beast back into the demonic.
But, back to your question: a white/golden fox, or a nine-tailed fox, is not necessarily a heavenly fox. In the Qin-Han era, that's just an auspicious beast.
By Guo Pu's definition, a heavenly fox is just an incredibly powerful 1000 years old fox. By the Tang dynasty definition, a heavenly fox is a long-lived master of the Daoist arts who managed to get a job in the Celestial Bureaucracy.
They absolutely can be assholes (though shielded from the worst punishment). The idea that a heavenly fox is also a nine-tailed fox of unusual fur color is specific to that one passage in You Yang Za Zu and FSYY Pinghua.
Having nine tails/white or golden fur doesn't say anything about a fox's alignment or morality either. Rather, it says more about people's general conception of foxes during that specific era, and what was auspicious in one dynasty could easily become markers of the demonic in another.
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iwanthermidnightz · 16 days
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Finally got a chance to write a few thoughts about Lana last night. She looked like a completely different person than she did just a few months ago. She dyed her hair lighter, had a stunning outfit and was clearly glowing with happiness and serving face with that makeup. It reminded me of vintage Lana. Arriving on a motorcycle was very fitting.
Lana headlining Coachella seems like she got a sort of glow and confidence back. Or at least she’s taking in this celebratory moment for her as an artist who has shaped pop culture for the better part of almost 13 years.
She has said in the past that shes not an entertainer, shes a singer. So doing Coachella may not translate. Those who get it, get it. To some, her set may have not hit, but until you experience Lana live and feel the energy, you probably never will.
This was one of the most put together shows I’ve seen from her lately that truly showed her range, her vast discography and ethereal beautiful melancholic soundscapes she dreams up. The vocals were amazing and you could hear them (mostly - there were a few times she had to ask Byron to adjust the volume). The stage set was complete and both Lana and the dancers seemed prepared to move around it and it showed. Even with the quiet transitions the prospect of what would happen next still hid in the shadows of suspense.
I do believe she wants to do her best at every show and she loves to see the fans. But don’t expect a high energy set. Fans know what they’re getting and they continue to sing every word faithfully. I will say there was room to add a few more songs with a beat lol, she’s definitely got them!
And don’t get me started on her bringing out Billie to perform Ocean Eyes and Video Games… just INSANELY AMAZING. The chemistry. I love how much they love each other. There’s a lot of Lana’s influence in Billie, and they really seem like kindred spirits.
And Jack coming out to perform Hope Is A Dangerous Thing For A Woman Like Me To Have - But I have It with a stunning hologram of Lana and then he just leaves. Very on brand.
You have to watch with headphones and the volume turned up to experience her live band and vocals and really immerse yourself.
Also, the odes to her past in the video that played before ride and people screaming at certain parts— it truly captured the cultural impact Lana has made in the last decade.
Ever since Born To Die came out in 2012 she has shaped popular culture with her unique musical style and tone. Her voice and the nostalgic production combined transported us to another dimension and we’ve all been different since and you felt that last night. The impact she’s had.
While being one of the most influential artists and lyrical poets of our generation, Lana has often been overlooked for her contributions to music, songwriting and setting trends. She has been nominated for 11 Grammys, included several AOTY, she has not won one. I find that crazy.
Anyways, the last song was Young and Beautiful and after she exited on a motorcycle to a Gatsby-esque Jazz outro and fireworks… you know the vintage lover in me got chills to the sound of a transition into an instrumental version of Heartaches by Al Bowlly, and it slowly drowned out (you just have to hear it… saw someone say it was backrooms music — which not not true) and I love it.
So proud of you Lana! I’d definitely say to tune in again next weekend for more surprises 🤍
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ablizmal · 5 months
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hello!! this is my selfship introductory post!!!
(i’m posting two versions of this post— one with all these lovely little gifs, and one without, as i know some people can be sensitive to them <33)
my dearly beloved selfship is lawliz 🥰 (or lawlizzie if i want it to sound even cuter lol).
it’s of. uhhhhhh. me and the sweets loving detective from death note/// 👉👈
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(no this isn’t suggestive, it’s just y2k in-universe and i LOVE y2k clothing lol)
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some basics on the selfship!!!
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we appear to be solar opposites in a bunch of different ways!
he’s calm and collected, always keeping things to himself unless he wants to ruin someone’s entire life and be painfully blunt about something HAKDJAHDSJS. whereas i seemingly am open, emotional, and spirited!!
my alias is “juliette rae ambers” (YES i created a full ass pseudo name dhsjdkajdjajajs). but to distinguish me irl and in-selfship-universe me, i’ll refer to my self insert as “juliette” whenever i talk about them.
L first met juliette through a past case, as they did some SHADY looking shit lmao. she’s just that eccentric and erratic <333
SO after spending some time with her, he eventually realizes they’re not apart of the case. like at ALL. but L basically goes “okay. wait, what the fuck’s wrong with her actually?” and continues to spend time with them because of that HAHAJDJSJSKSJS (again— juliette is eccentric and unpredictable.)
watari brings up how excited and affectionate juliette gets whenever he catches a glimpse of them together. L doesn’t get why watari is bringing this up. watari suggests that perhaps, juliette has a crush on L.
yeah, so L’s brain crashes DHSKDJSKDJAJHSAKS
he didn’t even think of that as a POSSIBILITY because he views himself as undesirable, ugly, creepy, etc (🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺)
so L brings this up with juliette. she denies it terribly (because they’re such a mess when they’re flustered), but after relenting, L reveals that he brought it up because he’s interesting in learning more about it. he has trouble identifying his own emotions and hasn’t been in love before, so he asks me to be apart of a study. it’s just information, essentially, letters detailing specific sensations and lovey dovey thoughts i get of him.
i agree to it because i LOVE psychology and have always wanted to be apart of a psychological study!
but at this point, L isn’t in love with me. he slowly falls over time, much to his mental debates on if it’s “ethical” or not. (he’s overthinking it!!! ALSO, WOW, L thinking about morals when it comes to someone?? they must be a ~special someone~ to him 🤭)
the stoic character who keeps to himself is (mutually) in love with the visually expressive, musically inclined jester!!! (does this make sense 😭)
juliette is with L throughout the entire kira case. the first time the taskforce meets L, she’s just standing to his right side (it’s a whole thing) in a lolita getup, so they assume, like watari, that juliette is a maid to L of sorts. but NO, juliette just fucking LOVES fashion lmaooooooo
ANYWAYS, what i’m trying to get to is that juliette loves music. it connects to them on such a deep level, and they love to sing and entertain. so sometimes, as a break/interlude in the kira case, she sings and plays songs. (they’re oddly captivating… just like a performer at an event.)
L can’t have the taskforce knowing him and juliette’s interpersonal relationship, so he and juliette have silently agreed to refer to each other as “associates” whenever the question comes up.
juliette talks out loud a lot as a habit. but, again, she likes to be entertaining first and foremost, so she only says things she thinks will be the most intriguing. she can keep to herself just fine. but L knows. he knows how intentional everything they do is. he can relate, and is intrigued about this part of them. and without fail, he listens, catalogues, and responds to everything she says U///U because he caaaaares 🥹🥹🥹 (much to light’s annoyance during the case lol)
once misa starts to reside in the taskforce headquarters, you fucking KNOW she and juliette would become ✨fashion besties✨ヽ(>∀<☆)ノ 💖💖💖💖💖💖💖💖💖
juliette is very silly, laidback, loose, witty, thoughtful, and compassionate. will and has been promptly serious when the time calls for it.
juliette has forced L to watch rocky horror with them so. many. times. it’s now their couple movie of sorts aha <3
juliette cannot STAND light. he’s such an arrogant bitch baby, so she insults and burns him constantly (which L… enjoys 👀 JFKSJFKSJDKSJS, HE LOVES THE FACT THAT I CAN DEFEND MYSELF AND THAT I’M NOT A DOORMAT)
it’s so interesting to listen to these two talk. cause like, L is formal, a bit oddly polite in his wording, and naturally uses long words here and there. juliette, on the other hand, is very casual in speech. she casually swears, she refers to others with “dude,” “bro,” and “man,” and uses some slang words here and there. the taskforce members gawk at the sheer contrast sometimes.
so juliette’s mainly goth, right?? misa introduces her to the fashion, and she fucking loves it. her usual goth color combo is hot pink and black!!
…buuuuuut, juliette likes fashion in general, so sometimes she wear “pretty in pink” ass y2k outfits, then at other times glam rock-y, then gritty type of clothing, then elegant, they girly, then—
L loves to see whatever outfit they come up with (he for sure spoils the FUCK out of her hahajdjsjsja awwwwwwwww 😊 <333)
THEY’RE LITERALLY THE “plain boyfriend + alt girlfriend” COUPLE DHSKDHKADJKASJKASJAJA
i could go on and on, but this is an INTRODUCTORY post, soo……….. these are the basics of their dynamic!! i will post art, fics, and just ramble posts in general talking about it!!! :]
you can find more content in my “accidental emo boy meets intentional goth girl(gender neutral)” tag on here, OR on my new, selfship only account @lawliz-indulgence !
i love this little selfshipping community, xxx (✿ᴗ͈ˬᴗ͈)
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psychewritesbs · 1 year
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Chapter 217: Bath, part 2—Cursed Lover: Introduction to the Psychology of Romantic Love 101
Cursed lovey-dovey JJK Sunday! 
I know this chapter in specific has had polarizing reactions but I personally loved how unserious it is and I LOVE YOROZU! crazy bitch I love her
There are no coincidences in this world, what is there is hitsuzen 必然. Over the last couple of weeks I’ve been re-visiting the Psychology of Romantic Love. So when this chapter dropped with its implications of one-sided love, I couldn’t not write about it.
So just a heads up, in the spirit of chasing after my own love-induced delusions, I went on the usual massive tangent and wrote about LOVE under the cut. 
Thing is... and this is just a theory but... love is the most twisted curse of them all.
愛よ。
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So anyways... 
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And yes... this is also a Depth Psychology lecture.
That said...
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Welcome to Introduction to the Psychology of Romantic Love 101.
Drunk in love
First, I’m not going to do an in-depth exploration of the Psychology of Romantic love here because I am saving that for a different essay that I am working on. So what you’ll find is more of a brief introduction to this complex subject.
Second, DESPITE the impression you might get from reading this, I am actually a romantic who willingly and perhaps rather foolishly loves/hates to get drunk in love. 
Third, music is perhaps one of the best ways to convey something as indescribable such as love. So you’ll find I drop specific lyrics and song titles for reference. Feel free to listen to, skip or ignore. 
That said, I’ll also admit that since I started re-visiting the Psychology of Romantic Love, I’ve literally been looking for the right opportunity to drop these two song titles: Lovefool by The Cardigans, and Drunk in Love by Béyonce and her babydaddy, Jay-Z.
And while Lovefool is more appropriate for a one-sided obsession (I think we’ve long since left “crush” territory) such as Yorozu’s...
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So I cry and I pray and I beg
Love me love me Say that you love me Fool me fool me Go on and fool me Love me love me Pretend that you love me Leave me leave me
The idea of being drunk in love also applies quite well. In the Psychology of Romantic Love, this is known as “drinking the love potion” by Depth Psychologists. 
Boy, I'm drinking, get my brain right
In drinking the love potion, the lover (aka the one doing the loving) is privy to experiencing the magic realms of the heart--the beauty of love itself. This is what is described as the usual symptoms of being in love, like butterflies in your chest or stomach and having an overall dreamy temperament.
The problem with drinking the love potion often lies in the delusions that are inherent to being drunk in love. At their best, these delusions are nothing more than an overall feeling of pleasantness, sort of like seeing the world through rose-colored glasses. But at their worse, these delusions can alter how the lover perceives reality itself.
But don’t take my word for it, when it comes to describing what it’s like to observe someone who is drunk in love from drinking the love potion, Fuel said it best in their song Shimmer: 
She dreams a champagne dream Strawberry surprise Pink linen on white paper Lavender and cream Fields of butterflies Reality escapes her
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What I love most about Yorozu being completely out of touch with reality is that her version of “lavender and cream” and “fields of butterflies” is more akin to destroying 3 villages and writing haiku about the decapitated head of the most handsome man in each of those villages.
crazy bitch I love her
Tainted love
Also, can we stop and appreciate how comical this whole page is?
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Gege, of course, uses the Sakura trees in full bloom in the panel above (cut off) as well as Sakura blossoms raining down on Yorozu and Sukuna--a trope commonly used to emphasize the ephemeral nature of beauty that can also evoke romantic undertones.
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If you’ve ever had the privilege of visiting Japan during Hanami season and gotten to see Sakura blossoms falling, its undeniable how poetic and beautiful such a mundane spectacle is.
But, just as I am exploring the darker side of love in this ramble, you can be sure there is shadow side to the Sakura trees. 
What if there was a more sinister reason as to why the cherry blossoms are pink?
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Just the way Gege is exploring corrupted and twisted love through Yorozu, In Tokyo Babylon, CLAMP uses cherry blossoms as a corrupted symbol of love--tainted love that corrupts (cue Marilyn Manson’s version of Tainted Love).
Sometimes I feel I've got to run away I've got to get away From the pain you drive into the heart of me
Once I ran to you (I ran) Now I run from you This tainted love you've given
That's what I meant when I shared how I would have liked to see what it means for the King of Curses, Sukuna, to “love” or have a one-sided crush. Basically I headcanon Sukuna’s love language is inflicting pain.
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But Sukuna isn’t necessarily running from Yorozu because he’s not digging the pain she dishes with her tainted love but more because... well... she’s so delusional she annoys him. I can see why Kenny asked Sukuna why he’d go see her.
But since Yorozu is the one dishing pain with her tainted love, I loved that her love language is basically to die in the name of the Beloved--whether she’s the one who dies or its Sukuna.
In German, liebstod is a word for a kind of love that is so unreal and so Divine, that it can only be achieved in death.
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“I want you to be the one to kill me...
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I want you to be the one who hurts me...
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... as the ultimate expression of my love for you.”
crazy bitch I love her
To quote Jungian Analyst, Jim Hollis, “to love the Other, with all the Other’s presumed power to hurt us, requires a substantial amplitude of soul, an enlargement of one’s sense of self”.
Not me using a quote from Dr. Hollis to write about JJK because he talks about the sense of self.
After all, is there a greater form of showing one’s devotion for the Beloved than by baring our bleeding heart and offering it on a silver platter to say “I trust you”? that or maybe I’m just twisted af too. like... is that why I'm still single? bahaha
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Absolute love corrupts absolutely.
The Demon Lover
There’s also something to be said about how Yorozu’s tainted love is also a reflection of her psychoemotional development as an individual--which is an interesting thing to say given her vessel is a teenager with a history of childhood neglect and abandonment.
Now, part of what is so comical about Yorozu is that everything from her reactions, her behavior, and her obsession with Sukuna are, quite literally, so infantile.
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That’s because Yorozu’s love appears to be stuck in a level of ego development that objectifies the “object of her affection”, Sukuna, and sees it as something to be claimed and owned. She sees it as her duty to the Beloved to subdue him with her power.
Ironically, as Jung himself used to say, “where love rules, there is no will to power; and where power predominates, there love is lacking. The one is the shadow of the other.”
Jungian Analyst, John Haule further tells us that “the goal of love appears to be nothing less than a loss of ego.”
He adds that the Demon Lover archetype is often constellated in romantic relationships when the lover lacks the psychoemotional maturity to see the delusions caused by the love potion as a projection of one’s shadow onto the Beloved.
Instead, we are invited to consider that this kind of love is more like an addiction.
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Or in the words of Børns’ Electric Love...
Drown me (drown me), you make my heart beat like the rain Surround me (oh), hold me deep beneath your waves
Baby, you're like lightning in a bottle I can't let you go now that I got it And all I need is to be struck By your electric love
Which, thematically, is so perfect for a story like Jujutsu Kaisen where selfishly prioritizing satisfying the hedonistic and fleeting desires of the ego sense of self is what drives the strongest sorcerers.
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crazy bitch I LOVE HER BECAUSE SHE’S SO RELATABLE AF!
Thank you if you’ve made it this far. 
I hope you have a cursed lovey-dovey JJK-Sunday!
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mamasturn · 2 years
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dirty dancing.
pairing: austin!elvis x black!fem!oc (cynthia)
warning: sensuality. talks of segregation. use of the terms “colored” but before anyone flips, i am a black woman. again, this is MY version of elvis cause, i’m not necessarily a fan of him irl and won’t portray that. saw this in the theater again and wrote while sitting there. it was mesmerizing. ps posting on this account to see if it'll show up in the tags lol.
song: that’s all right mama by big boy crudop. meant to be the slow sensual version seen in the movie.
wc: 1,285
masterlist.
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pic creds to @enchantinglyjade <3 divider creds to @firefly-graphics
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Bodies packed in like sardines. Sweat dripping from foreheads, backs, and forearms onto the slick floor beneath them. Heavy breaths and sighs of pleasure as bodies bumped against one another sensually.
Lustful eyes from the men. Adulterous touches from the women. Sweet whispers of the things they’d love to do behind closed doors.
It was a sight unlike that she’d ever seen before. She was a good girl. She went to church on Sundays and revivals during the weekday, wearing knee length dresses and long-sleeved cardigans, singing praises to the Lord and thanking Him for His goodness. She’d experienced the Holy Spirit in many ways—the shaking of hands, the stomping of feet, the warmth of her body.
However, what she experienced was nothing close. Her mother would be so disappointed. She exchanged her modest clothes for a short red dress that she’d only been caught dead in. Her coarse hair that was typically pinned up rested beneath her chin and framed her face beautifully.
Her back was cold against the wall. Out of the way she stayed. The woman she came with had found herself dancing with another man in the corner. She knew they’d be fornicating real good that night. She fought off a smile.
The song changed. A familiar tune that she’d heard only twice before. Her father forbade the “new-age” music, sighting that it promoted bad behavior and would influence her in the worst way. He was nowhere to be found, however, and she found herself humming along to the smooth guitar of Cordup.
“That’s all right, mama.”
“What’s a pretty lady doin’ huggin’ the wall?” a gasp fell from her lips. Her movement was restricted, as a strong body was in front of hers. Her head encased by a strong arm. The arm of a white boy, the only white boy comfortable enough to be in the presence of dozens of Black people. Elvis Presley, he was called. The white boy with the moves of a Black man. She’d only heard him on the radio and seen pictures on newspapers while passing stores on the way to school. They couldn’t afford televisions. Not that they’d sell one to a colored family, anyway.
“Uh-I—It’s my first time here. Not much into dancin’, sir,” she replied. Her voice trembled and wavered. He oozed sex appeal and it made her nervous. He wore a pink lace shirt tucked into loose fitting blue pants. His greasy black hair was slicked back with a few fallen pieces. Smudged liner and full lips, he was a beautiful man.
“Sir? Makes me sound as old as my daddy. Elvis Presley, darlin’, nice to meet ya. What’s your name?” His voice stirred unknown feelings within her. She found herself releasing a breath she didn’t know she held.
Colored people were expected to address all people, especially white people as “sir” and “ma’am” no matter what. Even a child. It was a haughty condition. “Cynthia. Shouldn’t you be elsewhere, Mr. Presley?” The way his name rolled off her tongue hand his fingers clenching against the wall. “Not talkin’ to a colored girl in a colored club. You could get in trouble. I could get in trouble.”
“Them laws don’t apply here.”
She scoffed. “They don’t apply to you, Mr. Presley. They will always apply to me and my folks. You should be dancin’ an’ prancin’ with one of them pretty white girls.”
A laugh fell from his lips. She was right, and he knew it. The segregation laws in the south were strict, that he understood. More than willing he was, however, to challenge them from a night with the shy, brown girl perched against the wall.
“That’s all right for you.”
“You’re prettier than them. Pretty eyes, pretty lips, pretty little shape.” His left hand cupped her hip gently. Cynthia jumped at his touch. She lifted her eyes and finally met his. A lump forcibly traveled down her throat. He stared her down like a lion at his prey. He was enchanted by her brown eyes, thin eyebrows, plump lips coated in red lipstick, and curvy shape. She was gonna be his by the end of the night. “Dance with me.”
“I don’t dance, Mr. Presley. Hence why the wall been my best friend all night.”
His lips grazed her ear. “I’ll teach ya. Jus’ move to the music.” He turned her around, pressing her back against his chest. His arm found her waist, his palm resting against her inner thigh. The short dress hiked up at the movement and his fingertips massaged her skin.
All of her mama’s teachings went out the window in the blink of an eye. From shouting praises to smiling at the sweet nothings from a man who was the devil himself. Her knees felt weak as their bodies pressed against each other. Her hand fingered through his dark locks as his lips kissed at her neck.
“That’s all right, mama.”
His grip on her thigh intensified and she felt his name trying to creep from behind her lips. It fumbled from her mouth without her consent. With the newfound pressure against her bottom, she knew he didn’t mind.
“Just like that, baby.”
Cynthia smiled at the pet-name. She never would’ve guess a man, let alone a white boy, would have her feeling warm and fuzzy in the middle of a hot, sweaty night club in the heart of Memphis.
“…just anyway you do.”
“Come with me.” He grabbed her hand and led her to the back of the club. They brushed passed waiters, dancers, singers, and fellows with limited self control. They wound up in an empty room in the back.
“Elvis—“ she was silenced by his mouth on hers. She was outdone, she’d never kissed a boy in her life. Their lips moved together messily and the sound of heavy breaths and teeth clashing filled the air.
She was pressed against the wall, her leg hiked against his hip, his body slotted between her lush thighs. There was an unfamiliar pounding between her legs that ached to be soothed. She found herself pressing against him, whimpering as her sensitivity brushed against his belt buckle. A chuckle fell from his lips.
His large hand cupped her neck, turning her head to the side as he nipped along her sweaty skin. Her small hands gripped his shirt as their bodies came as close as they could with their clothes on. Teasing fingers threatened to sneak into her garments. Her warmth was captivating.
“Mr. Presley,” Cynthia whimpered. “this isn’t right. We can’t.”
“We can. A little dirty dancin’ never hurt nobody, mama,” he said lowly, searching for her eyes in the dimly lit room. “Here—I want you to call me.” He let her leg fall as he dug in his pocket for a crinkled sheet of of paper and a pen.
“How many women do you gift your number to?” Cynthia questioned, crossing her arms over her chest. “I may be a colored girl but I’m not a fool like y’all think I am. You not gon’ fool me, Mr. Presley. I’m already risking a lot being in this damn closet, let alone lookin’ like a fool waiting for you to pick up the phone while you live like a rollin’ stone. Don’t give me this paper if you’re not gon’ pick up.”
She was shy, reserved, but she was smart. She’d never let someone make a fool of her, and that he could tell. He couldn’t do it if he tried, there was something about her that wouldn’t let him be the typical playboy he was.
“I won’t, darlin’, hand to God,” he raised his right hand, which he used to tilt her chin up. He kissed her gently. “then maybe we can have another night of dirty dancin’.”
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i’m posting this on this acc cus it won’t come up in the tags on my other acc (saturnville). i usually do poetry on this acc but hey, gotta switch it up sometimes lol
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tbspiritssalt · 24 days
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My brain is buzzing with AI cover ideas again!!!!!!! I'm thinking Devil Inside by Citizen Soldier for Eugene and Lance and Done With Everything by Line So Thin for Varian and Cass!!!!!! I'll have to listen to Done With Everything a little more to really cement the idea if it's going to be a keeper, but I'm so excited!!!!
As for covers that are ready/nearly ready, I've got Battlefield's vocals done, just need to see if I can make Hector and Adira's voices work better - I may have to change the key or make my own backing track to get it to truly work for their characters, or ik there's an alternate version that I could possibly use to up the intensity. I'm hoping to get Am I Wrong out over this weekend though! That was supposed to be The T(AI)ngled Gang's debut, but I got too excited with Broken Pieces XD
I'm not sure if I'll go through with Done With Everything, especially as I'm already working on Here I Am by Line So Thin. I started that one off as a Rapunzel solo but Varian sounds magical singing it!!!!! I didn't think I would publish that one but now I really want to! The only character I really don't like singing that song is Cass... Maybe that's because of my fic The Road To Healing, though, which I also need to update along with Tangled In Texts. Maybe I should just make a couple that specifically pair up with those chapters, rather than just saying "hey this song works here"? I'll probably end up doing that just for fun anyway XD
I don't know if my previous account's shadow ban limited the reach of my recent works, so here is everything I've published since I began having problems with it!
youtube
Got any requests for songs for The T(AI)ngled Gang or other TTS characters to cover? I'd love to give them a go!
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docwormie · 8 months
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Little rant about the Etoiles Noires and gender ahead (i need to get the starmania brainrot out of my system and can not stop analyzing everything i watch through a queer lens)
i can't quite articulate how much i love the 2022 version of Starmania but one of my fav bits is at the end of travesti, after sadia's just sung about being hot and fucking crazy and Not Cis™, and after killing like 3 different people in the span of one song, all of the étoiles noires (which are mostly men here) gather around the car and sing with her !!! like. they know, they don't care, and they think it slays.
the fact that those murders happens during travesti makes the queer narrative more obvious because, of course, it's all about transgression. the étoiles noires are those left behind by society, those who don't "fit in" an expected norm, so they embrace what makes them different and they find community in violence. sadia (who is literally the allegory of that violence) embodies that !! the whole group singing the word "travesti" while in the middle of organized crime to overthrow the system is a political statement (and it would have been even more radical back in 1979, though idk how the song was staged). the things that makes them outcasts and their anger feeling left out are their fuel to act.
of course their respective reasons to join the zonards/étoiles noires must be different but queerness (and more generally, non-conformity to social norms) is definitely a part of it. the fact that sadia is not the one singing "des gars qui se maquillent" in 2022 confirms it, and although the étoiles noires have this "manly" behavior (which the women share anyways), they also somewhat subvert the norm, wearing make up and nail polish, showing emotions... btw i think it's good that the 2022 show goes back to a sensitive, vulnerable, somewhat feminine portrayal of johnny (which Balavoine definitely had and that was kind of lost in the 1988/1993 versions). i also really love how there seems to be a real spirit of camaraderie/friendship between them all ?? like there are displays of affection, (cf. johnny with the guy that helps him put the white coat on + the person sitting on the car next to him). they're literally commiting heinous murders but all you can see is how much fun they're having !!
then there's also the "besoin d'amour" bit which is really great because just like in travesti (the parallel in the choreography is very obvious !), they have cristal, aka stereotypical barbie, singing this girly, very much france gall-esque, pop song on the top of the car, about how joyous and fun it is to be in love, and the whole gang is dancing around her like a chorus to highlight how universal the message is. and then cristal's transformation after joining the étoiles noires !! it's clear to me that what the media depict as a "kidnapping" is actually a sort of liberation for her: she's allowed to leave behind her perfect image (= the golden cage stella never escapes) and maybe even a part of performative femininity as shown through her outfits. (i have a short post about that coming soon!) to become this more "messy", darker version of herself that doesn't need to be pure as crystal (lol) all the time.
overall the way the étoiles noires are portrayed is really cool because it subverts the classic representation of that scary gang with cold, judgmental, unfeeling vibes, and instead makes them a supportive group that faces together a cold, judgmental, unfeeling society ! (however !!! the different periods (1979/2022/whatever year starmania takes place in) overlapping in starmania do create a dissonance in how queerness is portrayed, and of course queercoding villains is a little problematic, but that's a post for another day!)
so yeah this violent group (of outcasts) terrorizing the population being made of gnc characters that aren't afraid to show feelings means a lot to me that's it 🫶🫶🫶
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margindoodles2407 · 6 months
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Margin's Zelda Playlists
I am reposting this because I've added like. 50 new songs and deleted at least 10. Call this the ship of theseus i guess
Anyway, these are each their own separate playlist but I have them all on one playlist to save room. :) Enjoy! And if you have any songs that remind YOU of a specific game let me know- I'd love to listen to them, especially if they're related to one of the games with only a few songs on the playlist! All of these songs can be found on Youtube; not sure if you can find them all on Spotify or Apple Music though :(
The Legend of Zelda (the series; also my Pre-Skord Playlist)
Gate of Time/Zelda's Lullaby by HyruleOrchestra
Ballad of the Lonely by trashyinferno
Rule #15: Four Aces by Fish in a Birdcage [EXPLICIT]
This Tragedy of Mine by Knight of Endale
They're Only Human from Death Note: the Musical
Nothing Changes from Hadestown: the Musical
I Lived by OneRepublic
The Call by Regina Spektor
No One Lives Forever by Oingo Boingo
Skyward Sword
Washing Machine Heart by Mitski
When You're Evil by Voltaire (it's a ghirahim mood)
Bruno is Orange by Hop Along
Curses by The Crane Wives
Anchorage by Marian Call
It's Alright by Mother Mother
Ophelia by The Lumineers
Icarus by Bastille
Something I Need by OneRepublic
Minish Cap
Dandelions covered by Bet
All the Small Things by Blink 182 (don't ask me why)
Flowers in my Hair by Wes Reeves
Four Swords
Open Up Your Eyes covered by Daniel Ingram
The Friend You Need from My Little Pony: the Movie (please ignore that these are both from mlp the movie okay. first of all i unironically enjoy mlp and secondly they remind me of shadow)
Ocarina of Time
The Boxer by Simon and Garfunkel
Treehouse covered by Eric D
Little Lion Man by Mumford and Sons [EXPLICIT]
Small Hands by Keaton Henson
King by Lauren Aquilina
You Don't Get to Know Her Anymore by Pedals on Our Pirate Ships
Achilles Come Down by Gang of Youths [EXPLICIT]
Emperor's New Clothes by Panic! at the Disco
Providence by Poor Man's Poison
You Turn the Screws by CAKE
Good Night, Demon Slayer by Voltaire
Go the Distance covered by BYU Vocal Point
River from the Sky by The Weepies
Time/Space by Alex G
Keep You Safe by The Crane Wives
Majora's Mask
Turn the Lights Off by Tally Hall
Twin-Sized Mattress by The Front Bottoms [EXPLICIT]
Home by Cavetown
Best Friend by AJJ
Rule #9: Child of the Stars by Fish in a Birdcage
Slow Down by Poor Man's Poison
Listen When You Miss Me by Naethan Apollo
Twilight Princess
Be Nice to Me by The Front Bottoms (the lyrics aren't EXPLICIT but someone does drop an f-bomb in a spoken background track)
Wagon Wheel by Old Crow Medicine Show
Hell's Coming With Me by Poor Man's Poison
Arsonist's Lullaby by Hozier
Sundown and Sorrow by Hank Williams
Hermit the Frog by MARINA [EXPLICIT]
Shadows and Regrets by Yellowcard
When the Wolf Meets the Moon by Confused Crow
Drinking Song by Haley Heyndrickx
Wind Waker
Rule #23: Birds of a Feather by Fish in a Birdcage
Joli Rouge by The Dreadnoughts
Kokomo by the Beach Boys
"That's got to be the best pirate I've ever seen" from Pirates of the Caribbean (yes. the meme. not "He's a Pirate" the song, i specifically mean the meme.)
Rule #28: Sand by Fish in a Birdcage
Stand By You by Rachel Platten
If We Have Each Other by Alec Benjamin
Abandon Ship by Fin Argus
Welly Boots by The Amazing Devil [EXPLICIT]
Captain's Call by Derivakat
Leave Her Johnny by The Longest Johns
Phantom Hourglass
The Flying Dutchman by The Jolly Rogers (i am sorry that the playlist is only 1 song long :'{ )
Spirit Tracks
Stickshifts and Safety Belts by CAKE
Opening Up from Waitress: The Musical [EXPLICIT]
Ghost Grinder by Steam Powered Giraffe
A Link to the Past
Ghosting by Mother Mother
Welcome Home Son by Radical Face (PLEASE give me recommendations i need more songs for my beloved :'{ )
Link's Awakening
Dream Sweet in Sea Major by Miracle Musical
Hidden in the Sand by Tally Hall
Mary by Alex G (there is a clean version please look it up)
Dream a Little Dream of Me by The Mamas and the Papas
Bones in the Ocean by The Longest Johns
Oracle of Ages/Seasons
Shadow Stalker by Mercedes Lackey (again PLEASE i need song recs)
A Link Between Worlds
Mona Lisa by Mxmtoon
Banana Bread by Sarah Maddack
Tri Force Heroes
Fashion by Lady Gaga
Puttin' On the Ritz by Taco
The Hyrule Fantasy
Rule #33: Pyre by Fish in a Birdcage
Fairytale by Alexander Ryback
Parables and Primes by Danny Schmidt
Zelda II: The Adventure of Link
Snow by Ricky Montgomery
Seven by Sleeping at Last
Hyrule Warriors
Villains Aren't Born (They're Made) by PEGGY
The Red Means I Love You by Madds Buckley
OKAY THAT'S ENOUGH CIA MOVING ON
I'll Make a Man Out of You from Disney's Mulan
She's Kerosene by The Interrupters
Ain't No Crying by Derivakat
Burned Out by Dodie (@unclemoriarty I blame you for this one :] )
That Unwanted Animal by The Amazing Devil [EXPLICIT]
Inkpot Gods by The Amazing Devil
Battle Cries by The Amazing Devil
The Fall by Half Alive
Choke by I Don't Know How But They Found Me
Blossoms by The Amazing Devil
Breath of the Wild
House of Memories by Panic! at the Disco
Amnesia Was Her Name by Lemon Demon
The Distance by CAKE
The Cost of the Crown by Mercedes Lackey
The Mute by Radical Face
A Moment Forever Ago from Central Park
Waiting on a Miracle from Disney's Encanto
Rule #31: Calamity by Fish in a Birdcage
Frank Sinatra by CAKE
Seventeen by MARINA [EXPLICIT]
The Family Jewels by MARINA
Expert in a Dying Field by The Beths
Everglow covered by Remedy A Capella
Stella by Cereus Bright
She covered by Rob Wilson
The Horror and the Wild
Tears of the Kingdom
Rule #29: Throne Room by Fish in a Birdcage
Rule #15: Waterfall by Fish in a Birdcage
Pompeii MMXXIII by Bastille
@whyoneartheven
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