DAY 6 : THE THREE DRAGONS OF THE DANCE.
Favourite Character Costumes
Predictably, hotd has gotten better from what we've seen with costume design. However unfortunately, we don't have a lot to go off of when it comes to Rhaena and Baela so, instead I decided to do different eras for their characters and my personal best outcome for inspiring the design.
BAELA TARGARYEN.
The end of the war and the Reconstruction of the house Targaryen. Princess Baela Targaryen stayed loyally at her brother's side in their kingdom, as Lady of Driftmark and Daughter of House Targaryen.
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NETTLES THE DRAGONSEED
Nettles the Dragonseed spent her days in Maidenpool, ever at the side of the Rogue Prince. This came with certain privileges and freedoms, not even Sheepstealer had brought her. It also put her to a higher status, as his kept equal, making him inclined to dress her for the part.
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Rhaena Targaryen
The last Dragon Rider of House Targaryen and Ward of House Arryn, Princess Rhaena, was poised, graceful, and successor to her Brother Kng Aegon III at the time of slim possibilities for her House. Married to be Rhaena Corbary, the girl became one of the last claims that House Targaryen was more God than Man.
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This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.
Alicent’s Costuming
Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.
Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status
Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement
The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles
Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve
Shoes should stick mostly to slippers, or flat designs
In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.
Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.
Rhaenyra’s Costuming
Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.
Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.
There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.
Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.
Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.
Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.
Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.
Avoid headpieces that are not either a) her crown or b) ceremonial.
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some sansa costume design ideas!! had fun with these and definitely plan to make more with other characters
top row, left to right: pre-series, 2 king's landing
bottom row: "alayne", older in winterfell, hypothetical queen in the north*
(*before anyone says anything i plan to do royalty designs for any starklings i get to because i like designing that sort of thing)
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A Stark Family Portrait
Oof this was both nostalgic and painful to pull together. It hurts the same way being an adult watching 'Anastasia' hurts, we know she never saw her parents or siblings again. All that's left is the semi-abandoned castles and portraits sort of hurt.
Oh and I forgot to mention it on Ned's redesign post but way back when I read the first book, when season 1 was a twinkle in GRRM's eye, Ned was my favorite character. I am a sucker for honorable protagonists and was devastated. Who was your favorite character in book 1/Season 1?
I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram.com/ellenartistic or tiktok: @ellenartistic
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She's finally finished!!! QITN Sansa Stark from my fic 'Winter's Child'. PLEASE full view- there are so many details on this thing. I drew all the patterns by hand, drew SO much ice, and spent like, three whole days designing the throne.
Is she too detailed? Probably. But I was having fun drawing 8 million different kinds of ice/frost and learning how to use procreate. Whether Sansa painstakingly embroiders ice motifs on her clothing or just magics up frost to decorate her sleeves in painstaking detail is up to interpretation. She's SUPER ice queen here to show the northern lords and any pesky invaders that she's every inch a Stark and that she Means Business.
Bonus: Throne Details! They get kind of covered up by the frost and her robes, but I spent so much time designing her throne and I'm wildly happy with how it came out, so have some close-ups!
The top part I wanted to have the wolves on either side fading into weirwood leaves and vines (which was harder than it sounds), and her armrests have a stylized weirwood tree carved into them. There was going to be a tiny raven sitting on the tree in that space between branches, but I've gotta sleep at some point, tbh. Took forever, but was totally worth it- I love how both designs came out, and I think her throne is my favorite thing about the entire drawing.
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