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#because I'm kinda feeling like it does
snippy-tano · 1 year
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See now I'm having a thought about Medic!reader who is on the tram with them and sees Tech fall. When they all wake up and Hunter ushers everyone to the ship, they stay behind and go looking for Tech and find him alive but seriously injured and unconscious.
They find a small cave and they hide out there until they know it's safe to comm someone to come and get them. Maybe Rex or Echo or Riyo🥺❤️
I just need reader softly taking care of Tech and him waking up like "you were supposed to leave."
And they say "I could never leave you."
Your choice whether the relationship is established or it's just hidden feeling that come out here❤️❤️❤️
Prooooooooooo
Thank you for this. This was incredibly therapeutic. I may have gotten carried away and y’all should let me know if I should continue this as like an actual fic. Because oooooh boy is it tempting.
Anyway, I hope you like it! And I hope this helps you just as much as it helped me lol
WARNING SPOILERS! THERE ARE SPOILERS FOR TBB S2 FINALE! READ AT YOUR OWN RISK :')
Masterlist is here!
Taglist is here!
Tagging: @pro-fangirls-unsocial-life; @marvel-starwars-nerd; @mackstrut; @dissapointingpancake; @ahsokatano-thetogruta; @welcometothepedroverse; @fractiouskat; @mandaloriandin; @bantha-shit; @badbatch-simp24; @katelynnwrites; @s1st3r; @leotatombs; @torchbearerkyle; @rain-on-kamino; @the-navistar-carol; @bombshe77; @arctrooper69; @social-mockingbird; @littlebluebatbrat; @get-wr3ckered; @dangraccoon
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Falling
Everything happened so fast, you almost thought it was all a dream. Or rather a nightmare.
One second you were helping provide cover as Tech worked to get the tram moving. The next he had fallen and Wrecker was working to pull him back up aboard the train.
“Don’t you do it, Tech.”
It was the pleading tone in Wrecker’s voice that had you turning from where you had taken cover. You were moving towards the back of the tram before anyone could stop you. You stopped just behind Omega and looked down to see Tech raise his head before raising his blaster.
A pit formed in your stomach as you began to panic.
No no no no no no no no
“When have we ever followed orders.”
Then he fired.
And you screamed, loudly and gutterly.
The tram jerked upright and took off, you stumbled against the wall, blinking slowly. You could hear the batch screaming at each other, but weren’t making out any of what they were saying. You only held onto your trembling hands, feeling like the edges of your vision were darkening rapidly.
You only caught the shout of needing to brace yourself, your instincts numbly forcing you to comply.
Then your vision really did go black.
When you came to, everything in your body ached. Your ribs protested every breath and you knew you were in rough shape. You gingerly lifted your head, seeing yourself surrounded by smoking wreckage.
Omega’s voice had you turning just in time to see her collapse. With a groan of effort, you climbed to your feet, hand pressing against your side. You met eyes with Hunter and he hesitated.
Please Hunter, I have to go back. You practically begged in your mind, hoping he would understand.
It looked like he was going to protest, likely saying that he couldn’t lose anyone else, but you couldn’t let him choose for you. You had to do this.
So you turned and ran as fast as your ribs would let you into the woods. You could hear Wrecker and Echo yell for you, but you didn’t stop. You’re honestly not sure how you managed to move so quickly and for so long, although you figured it was probably the adrenaline.
Eventually you fell to your knees, squeezing your eyes shut as a way of hopefully shutting out the pain. You had bacta patches in your med pack, but you refused to use any. If you found Tech and by some miracle of the Force he was alive, you knew he would need every patch you had.
After your vision cleared, you forced yourself back to your feet and continued walking in the direction of your best guess as to where Tech fell. You weren’t running anymore, but you kept a good pace, knowing that the Empire would be out looking for Tech very soon.
If you found him, you had to move quickly.
Eventually, you found what looked like wreckage from the tram. Your heart began to pound as you began to pick through it, looking for any sign of Tech.
Then you saw it. Armor.
You swallowed your nerves and forced air into your lungs as you stepped over the smoking debris. The running of water nearby and the sound of your own haggard breathing was all you could hear. You knelt beside Tech, hand hesitating. His helmet was gone and he definitely looked like he had fallen from a great distance, but it was hard to tell if he was still alive.
You pressed your fingers against the side of his neck, praying to every god or deity you knew about, begging them that he would be alive. For a few agonizing seconds, you felt nothing.
And then you felt it, the very gentle thump of his heart beat. It was weak, incredibly so, but he was alive. You almost burst into tears right then and there, but you knew the Empire was on their way if not already almost here.
You had to move. Now.
Tech was bigger than you, but you had to move him and fast. You stripped off a few pieces of armor, tossing them closer to the large river that you were near. Maybe the Empire would think he fell into the water and go searching further down the river. It would hopefully buy you both some time. Then you sat him up, placed his arms over your shoulders and stood up.
He was by no means a small man. He may be the “skinniest” in the Batch, but he was still built like a soldier, which meant that he was an incredible deadweight. Your legs shook from the effort, but you managed to hold him steady.
His helmet and goggles were missing, but you didn’t have time to go looking for them. Your sole focus was getting the both of you out of there and to a relatively safe location as fast as you could. Tech had injuries that needed to be tended to immediately. In any normal situation, you wouldn’t have moved him for fear of a neck or back injury. But you didn’t have that option.
After a quick feel of his neck, it didn’t seem like anything was broken, which was good enough for you.
You moved through the clearing, stepping around debris as best you could. Thankfully the ground wasn’t wet or muddy, so the likelihood of footprints being left behind were small. But still, you zigzagged as much as you dared, stepping where there were already indents in the grass in an effort to conceal your path.
You were two klicks away when you heard Imperial ships zoom just above the tree line over you. For one horrifying second you thought they were going to spot you, but they continued on, heading the direction you had just come from. The burning in your ribs became background noise as you tightened your grip on Tech’s arms and began to move faster.
You had been walking for what felt like hours. Every inch of your body was burning with effort and breathing was becoming more difficult. But you somehow kept going. You knew Tech was still hanging on because you could feel his soft puffs of breath against your neck. It was honestly the only thing keeping you going.
The way you carried him was far from ideal. There were many other ways that are better for medic carries in a situation like this, but considering Tech was fully unconscious, the odds of getting him up across your shoulders were small. This was the best you could do in the situation you were presented.
The elevation began to increase and the burning in your legs only intensified. You stumbled once, your heart leaping into your throat. But you managed to keep a hold of Tech and when you could breathe again, you continued walking.
As the light in the sky started to dim, you stumbled across a cave. It was hidden from the air from all the tree cover. You almost didn’t see it from the ground due to the high bushes and brush covering the entrance. It was far from ideal, but once again, it was likely the best you could do.
You only hoped there were no creatures inside who had the same idea you did.
The bushes cut into your pants as you forced your way inside, but those were minor scrapes, you had much more pressing injuries that needed tending to on Tech. You moved further into the cave, hoping to get far enough that when you started a small fire, it wouldn’t be spotted from outside. The cave had a bend and you rounded it, blinking in the darkness. Your eyes quickly adjusted and you could see that the cave continued on to the right, but there was a wall running along the back. It would do well for hiding the two of you.
Your legs shook from overuse as you carefully kneeled, turning Tech so you could gently place him on the ground. For a few seconds, you hunched over, breathing heavily.
Your entire body ached, from both the crash and the effort of carrying so much deadweight as far as you did. Your ribs made every inhale and exhale remarkably painful and you breathed as even as you could to try and lessen the pain.
When you were sure your vision was cleared, you yanked off your medpack and began to pull everything out. You pulled out a small orb and hit it, bathing the corner of the cave in a soft light. You grabbed a small flashlight and leaned over Tech, lifting up his eyelids and flashing the light. His pupils dilated as they should, which was a good sign.
You set the light down and began to search him for injuries. You scanned him and found he had a lot of broken bones, but thankfully no internal bleeding. It was a relief.
You fell into an easy trance, pulling off his armor and placing bacta patches on his worst injuries and splinting where you needed. You very quickly ran out of bacta patches, but still did your best to set everything so the bones would heal properly. When you were truly out of supplies, you covered him up with a shock blanket, placing your jacket underneath his head.
You brushed a hand across his cheek, beyond thankful that he was alive and you had been quick enough to find him.
Your troubles were far from over. You were still trapped on this planet with a severely injured trooper and your own injuries. You couldn’t stay here until you both healed, but neither of you were in any shape to fight your way out right now. You could try to call for help, but there was always a chance of it being intercepted and you both being caught anyways.
You’d have to wait for Tech to wake up to call for help. Hopefully he would be able to think of ideas on how you can get out of your predicament. But for now, you both needed to get some rest.
You wanted to lay down, but you knew once you did that you were not getting up again for a while. So you climbed to your feet and grabbed a small silent alarm you kept in your med pack before heading to the mouth of the cave around the corner. You gathered some wood from just outside the cave and set the alarm before pushing through the brush and fluffing it back up once inside.
The small fire you made didn’t take long to start.
You would have to go out for more wood very soon, but at least for now there would be some warmth for the both of you. You found a spare roll of gauze at the bottom of your pack and got to work pulling off your own armor until you were only covered by one layer of clothing. Painstakingly, you wrapped the gauze around your abdomen.
It wouldn’t do much for the broken bones, but at least you had some support. They were crudely wrapped, but it was the best you could do for now.
When you finished, you eased yourself onto the cold cave floor. Your entire body hurt and was trying to lull you into sleep. But with Tech still unconscious, you knew that someone had to stay awake.
So you started talking.
At first you talked through medical triage. You walked yourself through your training manual that you basically had memorized at this point. Then you talked through a few specific procedures you had learned along the way as a combat medic. Then when you ran out of that, you started to talk about your life. You talked about your home planet, your family, how you grew up, your hopes and dreams then, your hopes and dreams now, how you ended up joining the GAR, your first mission with the Batch and how quickly you’d come to love them like family.
You were just beginning to talk about a holodrama you and Omega were in the process of watching when you heard movement.
You stopped talking and looked over at Tech. He wasn’t awake yet, but he was starting to stir. As quickly as your ribs would allow, you sat up and moved over to where he was laying. You adjusted the blanket covering him and hovered, watching as his eyes slowly flickered open.
His eyes widened and he started to sit up, but you placed your hands on his shoulders and forced him back down.
“It’s okay. You’re safe, relatively speaking. But you have a lot of injuries, so you shouldn’t move.” You said and he blinked, taking a few deep breaths.
“You are correct. I will take your advice and remain from moving.” He replied and you let out a breath, relaxing ever so slightly. You reached forward, pulling the blanket so it more fully covered him.
“You were supposed to leave.” Tech said quietly and you let out a sigh.
You knew he was going to bring it up eventually, you had just hoped it wouldn’t be almost immediately after waking up. It shouldn’t surprise you though, this was Tech you were talking about.
You played with a seam on your sleeve that had torn in the crash. “I could never leave you.”
Silence fell for a moment and you let out a breath. Everything about this mission had gone wrong from the moment you set foot on this planet. More than anything you wished it had played out differently, but that is not what the galaxy had planned for you.
You knew Tech would likely scold you, saying the rest of the Batch’s wellbeing outweighs his own life. You knew that he was likely correct in that thinking. The needs of the many often outweigh the needs of the few.
But with Tech, you tended to throw all that out the window.
You had never admitted it to anyone before, but you’d always had a soft spot for him. It started out harmless enough. When you were assigned to work with the Batch, he was always the one that never really seemed to take care of himself. So as a medic, you took on that responsibility. You did it for all of them really, but Tech seemingly needed it the most.
Very quickly after that, your motives changed from just doing your medic duties to doing it because you cared. Then it shifted again to just plain affection. You had no idea when that grew into a crush, but it eventually did. You never said anything, and you never planned on saying anything. Your lives were all crazy enough as it is that there was no time.
And if today was any indication, it was too dangerous. Anything could happen to anyone.
Tech cleared his throat and you closed your eyes, waiting for him to tell you that you made the wrong choice.
He surprised you by placing his hand over yours.
Your eyes snapped up and you met his gaze. “Thank you. Without you, I shudder to think at what would have come of me.”
You let out a shaky breath, nodding. His hand gave yours a squeeze and made no move to let go. Not that you were complaining.
“How are you feeling? What’s your pain level?” You asked and he thought for a moment.
“I am feeling like I fell off a train.”
“Tech.”
“Apologizes. My pain is manageable. Thank you for providing me aid. Have you treated your injuries?” He asked and you nodded.
“Yes. I have.”
“You shouldn’t lie to me, cyar’ika.”
You averted your eyes as your heart thumped in your chest. “I did what I had to do. Don’t worry about me, my injuries were minor. Now you need to get some rest. The more you sleep, the quicker your injuries will heal.
“I am not tired. I have been unconscious for some time now. You, on the other hand, need to rest as well. I will wake you in a few hours, I promise.” Tech insisted and you tried to formulate an argument, but you also knew if something happened, you would also need to be rested, especially as the one currently in the best health.
He must have sensed your resistance fading because he gave your hand another squeeze. “Get some rest. Please.”
You found yourself nodding before you could say no. Tech seemed pleased with himself, but you were too tired to care. You tried to hide your wince as you sank down to the floor, but it was hard to keep your face passive. Tech didn’t comment on it though, which you appreciated.
“Two hours Tech. Wake me up in two hours.”
His hand found yours again before giving it a squeeze. “I promise.”
You tried to fight your exhaustion, but it all hit you at once. You drifted to sleep with Tech’s warm hand tightly holding yours. You didn’t know what would happpen when you woke up, but Tech was alive and so were you.
And that was enough.
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horse-surgeon-barbie · 4 months
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maybe we STOP playing house ,, we're not good at it
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scificrows · 9 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.
Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.
But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.
And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "
He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."
He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."
He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."
He's saying "Be 'Robin' again--for both of our sakes."
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somnimagus · 6 months
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did some vesperia chibis, i always forget how happy i get drawing these guys. i love them dearly
[id in alt text]
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mirokuna-hime · 10 months
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I honestly think people are jumping the gun with their disappointment over the new story quest in 1.2
The whole purpose of Xianzhou Luofu arc is to set up future events.
The writers tell us this by having Kafka admit to the MC that the whole point of this operation for the stellaron hunters is to have the Xianzhou indepted to the Astral Express crew so that they will aid them in their fight against Nanook the destruction.
Herta Space Station and Jarilo-IV were used to introduce us to the game mechanics and to establish the trio of Dan Heng, March 7th and the Trailblazer with the Space Station also serving as a prologue.
Jarilo-IV however did nothing to develop the overarching main plot of the game. Belobog was it's own self contained arc to ease the player into the game and they are now using the Xianzhou Luofu arc to plant the seeds for future chapters.
People are already calling Blade a wasted character, because his confrontation with Imbibitor Lunae didn't play out like people hoped it would, because they didn't drop his entire backstory in this quest even though it's pretty clear that Blade, Kafka and Silverwolf will be reoccuring antagonists over the course of the story.
The prologue already introduced us to Kafka and Silverwolf, heck Silverwolf even got her own event.
Introducing Blade and his connection to Dan Heng to the player is what I would argue the other focal point of this arc. Every theme this story introduced to us can be connected to Blade (immortality being a sin, what it means to be mara struck, manipulation, the weight of our past actions and how we deal with them etc.), it's so that we can understand his story and motive.
Not to mention that it opens the door for character development and development of Dan Hengs and his relationship. Right now Dan Heng doesn't make the connection that Blade is his previous incarnations "friend" (in quotation marks because hoyoverse is being sussy with them) and he's still running away from the past. Meanwhile Blade is consumed by his vengence, his desire to die and he is also getting manipulated by Kafka (admittedly she kinda has to because of the Mara but that barely changes anything other than making us see her in a bit more positive light).
All points that will need to be adressed in following installments and I have faith in the Honkai writers to do these plot points justice, but it won't be right now.
We are in 1.2 my friends, let the story take it's time.
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hey can someone describe what imagining something is like? like imagining an image?
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13eyond13 · 3 months
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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world
#im talking about griffith btw#guts i feel i get intuitively - maybe because i have some personality traits in common with him#and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me#but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings#like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too#and i felt like that was a bit missing from him for me in canon#so reading about him in analysis and fics is the most fun for me rn#he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv#and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not#ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities#more obvious to me bc i didnt really get that side of him from canon intuitively well#also im really enjoying reading the first few berserk fics ive read#there may not be a ton of them out there but there is def writing talent in the fandom#i'll share some recs once i'm done sifting through most of what's out there to read#also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note#light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into#and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead#and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol#so some similarities there but also some opposite feels as well#berserk spoilers#p
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bonefall · 5 months
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post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do
Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.
Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.
Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.
And then she dies, so he can have his very own fridge wife.
In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.
She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.
So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"
But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;
Tally the genders in your cast. How many are boys, how many are girls, how many are others?
And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.
If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.
It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.
Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.
Or this shit,
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If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.
Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.
Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.
(Also remember I'm not a professional or anything, I'm just trying to give advice)
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dizzyrobinsims · 10 months
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Just watched Nimona
The fact this movie never got a theater release because of Blue Sky's closure and Disney deciding to nix it once acquired will forever break my heart holy shit.
Like up front it is BEAUTIFULLY animated, the writing is tight as hell, the story is genuinely moving and amazing. By that alone it deserved to be in theaters.
*deep breath*
But BOY HOWDY am I SALTY AS FUCK that a animated movie that is accessible to kids, especially queer kids, got knocked out of the process to reach theaters when
IT JUST CASUALLY HAS A INTERRACIAL GAY COUPLE WITH A (metaphorically) ADOPTED (literally) TRANS CHILD AS THE 3 MAIN CHARACTERS IN THE MOVIE THE FUCKING HELL WE COULD'VE HAD ALL THIS PERFECTLY DONE QUEER MEDIA ON THE BIG SCREEN AS A COHERENT AMAZING STORY FUC-
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mayasaura · 2 years
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When it comes to John, I have zero interest in condemning him. First of all, it's boring. You mean destroying the world and lying to your friends about it is bad? Shocking. Groundbreaking character work.
Second of all, I'm just not all that comfortable with condemnation in general, not when it comes to whole-ass people. Actions, for sure. I am ready to wholeheartedly condemn pretty much every decision this man has ever made, but I'm only comfortable doing that with a side of compassion for the man himself. Tamsyn said once in an interview that some of the discussion she's seen about Harrow is unintentionally very cruel to people with mental illnesses, and I feel similarly seeing a lot of the discussion around John. If I'm going to try to figure out where he's coming from, why he did the things he did, and what he thought he was accomplishing by doing them, I'm not at all interested in coming at those questions with contempt or disgust.
To me, the main question when it comes to John is: What do you do when you feel that you're unforgivable? That you've fucked up so completely no one will ever love you again, unless you lie and trick them into it? How do you deal with shame? And while part of the answer is definitely "Holy shit, not like that," what I'm most interested in is: what should he have done instead? At what points in his narrative could he have changed his course? And at what point, if ever, did he become right about it being impossible for him to dial it back and turn around?
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keefechambers · 2 years
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thinkin about those shitty white dudes on set who talked about oj's dad dying as insensitively as possible while he was still in earshot and how it's not just a condemnation of the sort of attitudes bred in the industry and the lack of empathy given to people in work places but also a condemnation of the way society sort of expects men, especially black men, to just carry on in the face of the most traumatic shit that can possibly happen to a normal person
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eliounora · 9 months
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red white and royal blue was so cheesy and predictable I enjoyed it thoroughly. making banal queer romantic comedies is hard but necessary work
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yelow-heart · 16 days
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SAM RIEGEL!!! *shakes fists at the sky*
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lord-squiggletits · 1 year
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One TF fandom argument that confuses me is when people put Megatron and Starscream versus each other like, when people say that it's "unfair that Megatron gets redemption but Starscream doesn't" (in regards to IDW1) because like. One, IDW1 in phase 2 was written by like 4 different writers, so you can't try to claim that there was some unified vision where the nonexistent Singular Writer of IDW was like "no Starscream isn't allowed to have nice things."
And second, I don't think the writers would even think of it that way? It's not like the writers were like "okay we have one Get Out Of Jail Free Card and we're going to spend it on Megatron, sorry Starscream maybe in the next reboot you can get it." The divisions fans make between X character likers and Y character likers are completely made up fandom drama and sometimes I feel like people don't understand that the writers aren't privy to fandom infighting/drama and wouldn't write Megatron and Starscream in opposition to each other as if one character's gain must come at the other's expense.
And finally............. IDW1 Starscream literally does get to be portrayed as a more morally gray person, have his feelings shown and treated as human, even make some friends/have people treat him nicely? IDK what fucking comics people are reading where they think that Starscream is treated as an evil villain with no redeeming qualities at all. Maybe it's the same Starscream fans who shit on TAAO/Scott or something, that's the only way I could explain it.
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watery-melon-baller · 7 months
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I can't be too mean to him because we're in the same program and we have classes together until we graduate. I don't think he will react poorly if I turn him down but also I don't wanna risk anything so. most of this is advice from my friends if you have any other ideas feel free to contribute
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