it’s actually all about the beginning of piper maru when skinner tells scully that the fbi is closing the investigation into her sister’s murder and she falls into that empty sad righteousness she so rarely openly expresses and she says
“You know, it's strange. Men can blow up buildings, and they can be nowhere near the crime scene but we can piece together the evidence and convict them beyond a doubt. Our labs here can recreate out of the most microscopic detail the motivation and circumstance to almost any murder, right down to a killer's attitude towards his mother and that he was a bed wetter. But in a case of a woman, my sister, who was gunned down in cold blood in a well-lit apartment building by a shooter who left the weapon at the crime scene, we can't even put together enough to keep anybody interested.”
and then she goes down to the basement, to a man who has looked for his dead sister in every room for 23 years, and he asks her what’s wrong then backs off when she signals him to, and tells her all about this resurfaced boat. latitude/longitude and russian subs and radiation burns and researching the wind patterns and nuclear tests sites before anyone else got there that morning. and she tells him that she is “constantly amazed” by him.
SCULLY: You're working down here in the basement, sifting through files and transmissions that any other agent would just throw away in the garbage.
MULDER: Well, that's why I'm in the basement, Scully.
SCULLY: You're in the basement because they're afraid of you. Of your relentlessness. And because they know that they could drop you in the middle of the desert, and tell you the truth is out there, and you would ask them for a shovel.
how much it means, in a world where so many things are ignored or dismissed, so many people are ignored or dismissed, to spend your life working next to someone who could be dropped anywhere and just ask for a shovel. who never stops looking, never stops caring, never stops wanting more for people, just because he believes they’re made for more.
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the thing about "callout/cancel culture" that convinced me it's rotten to the core is the dehumanisation you face once you become the subject of a campaign like that. a lot of criticisms of callout/cancellation attempts appeal to the humanity of the subject, pointing out that it's unfair and unproductive to treat a person, a fellow human being, regardless of how much harm they've caused and how genuinely unlikable they are, like that. but unfortunately the reality of being the target of a mob mentality often means facing the very isolating and traumatising experience of realising that you've ceased to exist as a person in their eyes. you're a representation of your transgressions, an embodiment of harm that needs to be erased like a blemish, a spectacle for entertainment, a means of earning social approval by publicly condemning and humiliating you in what quickly becomes a competition to see who can strike the blow that knocks you down so you never get up again. nobody cares about who you are outside of what you did. people make mistakes and hurt one another, but there is always the capacity for change, for regret and reparations. you are an irredeemable monster. you can't change. the only way to make sure you can't cause harm ever again is to neutralise you entirely. to drive you off and hurt you so badly that you never consider coming back. and it often succeeds. but it doesn't make the world a better or safer place. it just tells everyone that certain behaviours will be punished, so you should conceal them, and harshly condemn them in others so that everyone knows where you stand; nobody will stand up for you if you're accused and brought out for judgement, so you shouldn't trust anyone, and always be on the lookout to take them down before they can do the same to you. you're not creating a safe, welcoming community. you're creating a panopticon built on fear and punishment.
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The best fics are the ones that recognize that although Luke Skywalker may APPEAR on the outside to be a normal friendly twink who happens to have cool powers, especially when contrasted with such ship partners as Boba or Din or even Han, he is arguably the scariest person alive in the galaxy around the prequel era. AND, crucially, he is also a fundamentally weird guy. This man was homeschooled on a rural farm his entire life and then apprenticed to a swamp gremlin who showed him how to tap into the cosmic power of the universe. He blew up the death star age 19, killing approx 2 million-ish Imperials. He is a vortex of Force power that can communicate with the ghosts of dead Jedi. He’s staring into the distance and mumbling to himself and doing Yoda aphorisms and casually pulling out the “yeah I could crush that guy into a paste with my mind (:” and nobody around him knows what to do with that. I think he is a character who has very little frame of reference for how a Jedi or a person in general is supposed to act and there is some thing about him that is by necessity really fucking weird and a little scary but he’s so nice that it can throw you off the scent a little bit. Thanks for coming to my TED talk
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i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else
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When a person belonging to a minority group says or does something bad, you are, of course, free to criticize them. But it still does not give you the right to be a bigot. Noah Schnapp sharing stupid, careless, and uninformed geopolitical opinions deserves to be called out, but it does not mean that you suddenly get to tell him that he should have been gassed by Hitler or killed by anti-Jewish hate groups or terrorists — both things I've read on Twitter and on Tumblr. It does not justify you calling him homophobic or antisemitic slurs.
"But he deserves it!" you argue. First of all, why do you think so? What makes it okay for any person to be given the green signal to get called slurs, or have people advocate for them to get hatecrimed? And more importantly, you are only signaling to your Jewish friends that you are actually capable of antisemitism. Same thing goes with your queer friends, or any friends belonging to a minority group. When you justify one form of bigotry, even to just one person — you justify all forms of bigotry.
So if you find yourself doing any of these, ask yourself why it's so easy to slip into bigoted rhetoric instead of simply focusing your criticism on what a person did/said.
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Cozy Glow is such an interesting litmus test for die-hard bronies. I was checking r/mlp to prep a post and there’s a discussion post about how she deserved what she got and. How do I tell bronies that children should not be tried as adults. How do I tell bronies that psychopaths and sociopaths deserve human rights and treatment and support. How do I tell bronies that cruel and unusual punishments are bad. How do I tell bronies that the death penalty is wrong. How do I tell bronies that a ruling body should not have absolute say over putting someone to death, least of all a 6-year-old child.
These are all my recent google searches.
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