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#but i don’t understand their source code thing
anodymalion · 2 days
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ok I am in fact using this as an excuse to make a long post about this thank you thank you asjksdjfaljdf
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Interpreting Yuri as asexual is my very very favorite type of headcanon, which is one that 1. is compellingly coded in the source material (even if that wasn't the creator's intent), 2. is thematically relevant to what the piece of media is Trying To Do as a whole, and 3. just means a lot to me, personally, because I said so.
Coded in the source material
Yuri’s short program is “eros”, aka desire (you can interpret what “eros” means in various ways, but YOI itself explicitly refers to sexual love, at least in the English translations). Yuri struggles with this. Hard. He can’t come up with an answer when asked what eros means to him. His big revelatory moment about desire is that it’s how he feels about wanting to eat his favorite food (omg… boy). Even as the season goes on and the way he views the Eros program changes, the program doesn’t ever really embody the idea of eros as sexuality or romance (which was how the other characters expect him to interpret it) but rather as a desire to keep Victor in his life.
Like look. I’m obviously not going to say that the creator intended any kind of ace subtext to be there. I kind of doubt it was her intent. But goddamn is the subtext there.
2. Thematic relevance
The central theme throughout YOI is “love”, and especially loving people in a way that inspires you both to be your best selves: Yuri learning that the people in his life truly love and support him; Victor finding someone who makes him feel joy about skating again.
Like, Yuri’s whole skating theme for the Grand Prix is literally about him exploring what love looks like to him, even when it takes a form that other people don’t totally understand. Viewing all this through a lens of him being ace is really compelling. It adds depth to the idea of learning how to express the way you feel love even when it looks different than what other people expect. I think it’s a really delicious layer that adds even more nuance to what the show is getting at.
Besides, it’s an interesting way of viewing the criticism of the show that occurred for it not being 100% explicit about them being a couple (aka people getting mad because the kiss in ep 7 is blocked by Victor’s arm lmaooo). Like, ok, did you see the ending scene of ep 9? Did you see ep 10??? They definitely, definitely love each other, in whatever way that means for them. Their relationship takes a form that’s pretty different than the other way people in the show are going about romantic relationships, but that doesn’t mean it isn’t real for them. That is very much in line with the main themes of the show.
3. Means a lot to me
In the final scene of the penultimate episode, Yuri tells Victor that they should end their coaching relationship after the Grand Prix ends. This is because he thinks he’s holding Victor back, that Victor would be happier being free to go back to skating on his own instead of being Yuri’s coach. When I watched this (and, I’ll be honest, this is completely me projecting here) I REALLY interpreted this as an ace thing. I think it’s pretty easy to internalize the idea when you’re asexual that you just won’t be… enough, for other people. In my case I ended up a strong impulse to self-sabotage relationships because I would rather be the one to end things than to let someone else tell me that who I am as a person is fundamentally lacking. Yuri destroying a connection he desperately wants because he thinks there’s something about him that is holding Victor back from a life he’d be truly happy with? Oh yeah. I can fucking relate to that.
Also: YOI came out in 2016, which was the absolute peak of hostility to ace people I was seeing on this site. It was bad here. At the same time Tumblr was going wild over this show. Everyone was watching it. Seeing a whole site of people absolutely adore a character I very deeply in my heart believed to be ace? Extremely vindicating.
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In conclusion Yuri is asexual because it is fun and interesting that way, and also because of this:
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must be doing something wrong because there’s no way they want us to analyse a 10000 word source in 2000 words right?
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goddessxeffect · 10 months
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« INTRO: AWAKEN TO (YOUR)SELF »
A BEGINNERS GUIDE TO ALL THINGS CONSCIOUSNESS
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This blog used to be a journal in the process of self realization of it's creator but has yet turned out to be a collection of sources and information guiding you too on your way back to your true Being. It all started with the question: “Who are you really?” and the realization that reality is not what it seems. I'm at a point now where I do not follow any teachings or concepts anymore nor did I consent in strictly deviding law of assumption from non dualism in the past. Nowadays, I see myself as an advocate for Self-realization. That being said, I really want to distance myself from any "new age manifestation/law of assumption" (do this to get xyz) teachings practised on youtube or tiktok.
I did create my own content in the past but stopped because there is nothing new to say and my understanding has deepened. Posts and annotations written by me are easily recognisable by my typical colour code, which is obviously displayed here. I only answer questions for understanding or clarification, guidelines here.
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HOW TO START
Advaita Vendata (Non Dualism): an Introduction
Core of non dual understanding
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If everything is consciousness, I am everything and everything is me? I still feel like "me", I don't feel like god of my reality How to become aware(ness) How to control the thoughts How to be free from emotions and thoughts Stop concerning yourself with the wants and needs of Ego How to loose attachment to Ego What you really are How to be Consciousness/ Awareness
In the end, the only question remaining should be who you are without all the labels attached to "I am". You will come to discover you do not want freedom from this shape alone, but from all shapes. Be aware of your past being over. "External world shows otherwise? Just be like "for how long do you think it can keep this up when you have nothing to do with it?" @Ada
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MY CONTENT/ EPIPHANIES
You can experience pain in your life but you don’t have to ‘suffer’ the pain.”  - Anon I mus
#masterpost, #goddessawakening
» Mosaic » Be yourself first »"Manifesting" » Freedom » Being » Why everbody misinterprets Self concept » Is there a real difference? »Misidentification » Consciousness & Limitation » No others » Question Reality » Missing » Ego & Time
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ADDITIONAL MATERIAL
... what to find on my blog through the tags
Advise/FAQs: Koda, Nova, iam-you, Cassie, Bry, Jag, Vesora, Lain, more What is Ego? How it feels to be Self / Awareness All on Self Realization and Detachment All on LOA trough a non dualistic view Books
If you still want to focus on "getting your desires" after been through all the info, search Neville Goddard (all his books and lectures). If you have a hard time understanding Neville, I advise some people who break down his teachings in a short and modern way of speaking: Edward Art (Reddit(Series), Audio), embodythestate, niclasupgradetolife, Josiah Brandt on YouTube
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kindledrose · 5 months
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PART 2 ‼️ me & my friends when we are stuck at life (pt 1) (pt 3)
character notes under the cut!!!!!
both in true hs canon and in this au, rage represents chaos. and lifeseries grian is so undoubtedly linked to chaos above all else — he thrives off it, subsists on it even. if it’s not something he can seek out it’s something he’ll initiate. but — make no mistake, the anarchy he initiates is very much limited to within the game. he doesn’t break the game system, he works within it and disrupts whatever system the players are trying to put in place… for the benefit of the game itself. and again, with heirs being played by their aspect, it only makes sense for him to be one. rather than jimi, though, he’s okay with this — being an agent of chaos ties him to it intrinsically, and that makes him feel so, so alive. he’s okay with being controlled, for the most part, because it also means he’s in control. at least at the beginning.
i wanted to make eethos a mind player so bad you don’t understand 😔 but i think he is closer to void in reality. either way he’s a thief — dealing in redistribution of his aspect only to himself, whether consciously or unconsciously. i think void makes sense for eethos because he’s such an unknown to many of the other players (and also to some extent probably himself). a thief of void — taking the mystery from others, knowing them and their secrets and cloaking yourself in them, making yourself an unknown. if void is an aspect more focused inward, also (i like the idea that the central struggle of void players’ character arcs are more personal than some of the other aspects), we could have eethos vs the mortifying ordeal of being known + choosing to stay. which comes back to his class, with thieves having to let others have their aspect as well in order to fully complete their character arc. with that being said eethos “wghats the deal wiht abtrhoom pesnis” mind player will always be real in my heart ok
beedub oh beedub my beloved rogue beedub. rogues typically have the problem, right, where they are capable of redistributing their aspect for the benefit of others but never for themselves. so they try to find others who can help them with it but really just have to learn to stand on their own (and end up finding a source of their aspect that way). this specifically throws beedub n eethos’s friendship into the saddest light because beedub is okay with giving everything to his friends + allies (esp eethos) while quietly hoping they will help him in return, but the thing beedub wants eethos (as a thief) is incapable of giving to him. he can only take, and that’s where their sort of falling out where eethos starts avoiding him and spending more time with others comes from. eethos needs to learn to give to others (not beedub) and beedub needs to learn to stand on his own. ethubs makes me sad. BUT ANYWAYS hope as the aspect of imagination, of being caught up in seeing what could be, of love and trust unconditionally without paying mind to the possible repercussions. that is pretty bdubs-coded i think. he’s a hope player and he’s going to be ok guys he’s going to be fine :)
again feel free to ask me questions abt them !!! lifestuck is in my brain
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therainscene · 5 months
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Since The First Shadow has folks talking about Henry’s queerness (or lack thereof), I wanted to share my take on it as someone who tends to interpret him as gay.
I’m not going to be talking about his relationship with Patty, though -- I can’t afford to see the play and don’t want to rely on secondary sources for this, so I simply can’t comment on it. (I’m sure they’re lovely together, though.)
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To me, Henry’s queer-coding isn’t a question of whether he’s literally gay -- it’s a question of what role his villainy plays in the story.
The biggest non-Patty-related criticism against queer interpretations of Henry is that it would carry an uncomfortably homophobic implication: that queers are dangerous predators.
This was a common belief in the 80s, and the show references it by having Troy chuckle at the idea of Will getting "killed by some other queer" -- a prediction that comes symbolically and unpleasantly true when Joyce finds him with one of Vecna’s vines literally shoved down his throat.
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It's tempting to try and solve this problem by interpreting Henry as straight -- the homophobic implications of his child-assaulting villainy will disappear if he's not queer, right?
Well... in my opinion, no.
A key aspect of Henry's character is that he's different. Whether you interpret that difference as queerness, neurodivergence, or simply that he has powers -- the fact remains that he is fundamentally the sort of person whom society looks down upon with fear and suspicion.
If he’s not a predatory queer, then he's a remorseless psychopath. If he's not a remorseless psychopath, then he's a vessel for an evil alien. There's no way to escape the implication that he’s dangerous because he’s different.
Eddie’s character resonates with this principle too. Indeed, our introduction to him is a monologue in which he complains about being treated with suspicion just because he’s different.
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Given their similarities in this regard, I think it’s interesting that the show endears us to Eddie in the same breath it makes us fear Vecna. It almost feels like a test--
We know you’ll sympathize with a weirdo who sells drugs to troubled minors when you get to see things from his perspective, but can you sympathize with a weirdo who hurts troubled minors when you don’t get to see things from his perspective? Will you jump to unfair conclusions about Henry in the same way the town jumps to unfair conclusions about Eddie?
My point here isn’t that Henry did nothing wrong or that his villainy is justified -- I’m pretty sure he did commit the murders Eddie was scapegoated for and I’m pretty sure that’s a bad thing -- but he’s always held at arm’s length from the audience. The show plays the role of Jason, encouraging us to blindly hate him on gut instinct instead of giving him a fair trial.
It’s an easy test to fail, because it does seem like we get to see Henry’s perspective -- he has a whole villain speech, after all.
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But the trouble is, this speech takes place within NINA. What we’re watching is footage that has been curated by his abuser and shown through the eyes of a traumatized girl who barely understands what happened -- secondary sources who are invested in viewing him as a threat.
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Consider that Henry’s hairstyle mysteriously changes during the massacre. It’s one of those subtle costuming choices that isn’t meant to be consciously picked up on, but which registers at the back of our minds and leaves us feeling unsettled -- this Henry isn’t like the Henry we were looking at before.
The obvious way of interpreting this is that the mask has finally slipped -- the “nice” Henry was fake, and now we see him for who he “really” is. But I’m not inclined to interpret it that way, because of all the hairstyles they could have chosen... they just so happened to opt for one that resembles Brenner. (Pun intended.)
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This isn’t Henry with his mask off -- this is Henry as Brenner wants him to be.
Fear-mongering over the existence of queer people has long been a useful tool for those in power -- in the 80s, fear of AIDS did the job nicely -- and so too has Brenner forged Henry into a tool to further his own goals, no regard given to the harm he causes in the process.
Like the “predatory queer”, Henry is defined on his oppressor’s terms, and like Eddie, it makes him a useful scapegoat. He only became what he did because of an unethical institution, and treating him as the problem is just as short-sighted as blaming gay men for the AIDS crisis.
That isn’t to say Vecna hasn’t become a genuine threat, though. Will makes a prediction as to how S5 is going to end--
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--and while I’m not expecting things to end as violently as Will implies here -- that’s not Will’s thing -- I do believe that Vecna is going to be defeated by his hand. As tragic as Vecna’s origin was, he still made his own choices once he was free from Brenner, and he’s likely too far gone at this point to be capable of earning his happy ending.
But that’s what makes it so important that Will gets his happy ending.
Queer characters have been exclusively cast as villains or tragic sadbois for so long that I can completely sympathize with people’s hesitance to embrace Henry as a tragic queer villain.
But villains only exist within the context of the heroes who challenge them... and in a show about a queer-coded villain who personifies the anger and despair of being abused for what you are, a loving gay boy who breaks the cycle of abuse by learning that he has the right to be the hero of his own story is the perfect foil for him.
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duckprintspress · 29 days
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Fandom 101: Getting Started on Fanlore.org
Not long ago, we at Duck Prints Press decided that we’d like the Press to have a page on Fanlore. To accomplish that, Press contributor Shea Sullivan made an account and figured out the nuts and bolts on how to add pages to Fanlore. Turns out, it’s not very hard, and now in this guest blog post, Shea will teach y’all how to do it too!
Making Your First Fanlore Page!
Hello! I am an editor on Fanlore as of a few days ago. Before that, I’d worked with mediawiki (the open source platform Fanlore uses) for unrelated projects, so I had a general understanding of how things worked, but no idea how Fanlore preferred their pages to be formatted or organized or linked.
This is how I got started!
First: What is Fanlore and Why Should You Care?
Fanlore is a wiki specifically dedicated to the fandom experience. It’s not for canon info about a specific fandom; rather, it’s for information about how fans interact with media and each other. Fanlore is run by the OTW, the same organization that brings us our beloved AO3. This context helped me in understanding the focus of Fanlore. It’s about fandom: the ups, the downs, the trends, the drama…all the things that can get lost forever when sites disappear or there’s a purge. And that said…well, you may still not care. But if you do, read on!
Second: You Care. Now What?
(read more)
Get an account. Right now. It’s worth getting the account, because you won’t be able to create new pages for a few hours. So, get the account first, figure out what to do with it later.
Go to fanlore.org and click on “Create Account” in the upper right-hand corner:
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Third: You Have the Power (Soon)!
Read up! No need to invent the wheel in this post – they’ve got some great resources for getting started already written on their webpage.
Fanlore Getting Started Page
General Help Pages on Fanlore
Four hours after you create your account, you can create pages! Congrats! There are a ton of help pages out there, but the questions I had initially were:
How do I make sure this page doesn’t exist already?
Search. Search for the page. Search for key phrases associated with the page. A page name is a fiddly thing, so search for significant phrases in a few different ways before you determine it doesn’t exist. Always make sure you check before you set out to create page!
How do I add this page?
If it’s not there, you’ll see it come up in red when you search. Type the page name you want to create in the search bar. Click “Search” to get all the results, and then click on that red link.
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How do I format this page?
You now have an empty page. When I was getting started, my big question was: what should my page look like? Well, Fanlore has templates that can help with that! The templates are in a markup language, but do not fear! Copy and paste the template (everything in the blue box on the template page, typically starting with curly braces), make some updates, and click “Preview.” You can repeat those steps indefinitely until you get the hang of the markup. There’s also a ton of information on the Fanlore.org cheatsheet. (If you’re still confused, keep reading, there’s more specifics under the infobox section.)
Once you have the page created and published, you can edit it without the markup language if you prefer – there’s “Edit,” which gives you a non-code-based option, and an “Edit Source” button, which gives you the code-based option.
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If your proposed page topic doesn’t have an official template created for that topic, you can look up similar pages and see how they’re structured.  If you’re not sure how they managed to make something look a certain way, click the “Edit Source” button and look at the code there to get a sense of what they did. Be sure to cancel out of the edit when you’re done so you don’t make unintentional changes to someone else’s page! Some pages are locked down (like the template pages) so you can’t make edits, but most “normal” pages will have those links at the top so you can dig in and see what’s there and how the people who wrote that page made it look the way it does.
How do I add an infobox?
Those infoboxes on the right of a lot of pages give a quick overview of important information. These are templates, and you can find a list of available infobox templates here.
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The templates, when you click into them, have a heading and some info that you can fill in. You can’t remove items from the template without making a new template, which I don’t recommend trying when you’re getting started. Use the template, fill in the information, and mark “N/A” if you don’t have information to insert in a specific field. A sample template for an infobox looks like this, and you fill in information after each “equals” sign. You can add a list, and you can add links to these after the equals sign using the markup for internal and external links on the Cheatsheet.
{{FanProfile |name=  |alias(es)= |type= |fandoms= |communities= |other= |url= }}
If you’re still confused, let’s go to Astolat’s fan page and click “Edit Source” and see how the infobox looks behind the scenes:
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See how everything that was in the original template is still there, there’s just a list of information after the equals sign?
And here’s how it looks formatted:
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How do I categorize this page?
Categories are important because they help Fanlore’s back-end coding group pages together so people can find the page you’ve created and so the page is in the right place in the site map. If you can’t figure it out, though, don’t worry, there are people who will find it and take care of it!
If you have an infobox from a template, this is taken care of. 
If you didn’t use an infobox template, you can add a Category to index the page.
Finding a Category can be a little overwhelming. If you have an example page (another page that contains the same type of content as yours), you can scroll to the bottom of that page and see what Category has been assigned to it. You can add that Category to your page by editing the source and adding that category into your page at the bottom with 2 square brackets, like this: [[Category:YourCategory]]
Use “Preview” to make sure you set it up correctly before saving the page.
If you need to find a category and can’t find a good example page, I recommend going to the sitemap, finding what fits your article the best, and clicking into it. Categories are set up in hierarchies, so click through until you find the Category and Subcategory that fits best.
Add it at the very bottom of the page, and it should show up when you preview, at the very bottom of the page.
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How do I add those nifty citation references[1]?
Review theFanlore page on citation formatting for details. The basics are:
Add a blank References heading at the bottom of the page.
Add tags and include the source information.
What is the difference between a citation and an external link? Good question! I don’t know for sure, but the way I’ve been using it, if I make a statement about a thing and I want to direct you to the “proof” (article, webpage, etc), I will use a citation. If there is a thing I’m linking to because it is relevant but not as proof of what I’m saying on the wiki, I will add it as an external link.
Fourth: Don’t Worry
You’ll find there are a lot of instances when you might not be sure what the “right” way is to do whatever it is you’re trying to do. Don’t let that stop you! Do a little research, do your best, and be okay with a learning curve.
The thing about wiki editing in general, and this includes Fanlore, is that it’s a community project, and everyone is doing their best. It’s worthwhile to think about trying to make your pages consistent with other pages where you can, because it will help people who are trying to find what you’re providing. So, poke around similar pages first and look for common trends in how they’re organized, and mimic that for your own page.
All that said, there is very little hierarchy in editors and few rules set in stone. It’s a community site put together by volunteers. You may find that you’ve labeled, referenced, cited, categorized, etc, a page incorrectly, or that you added a page that was already there under another name, or you may have put in a canon page when that’s really not what Fanlore is for. No problem! A page can be reverted to a previous version. It can be removed by a “Gardener” (higher-level editor), or edited by someone else who is more familiar with the inner wiki workings, or you can even tweak it yourself when you learn a better ways to code the page. 
There is always a path forward, so get in there and get started!
Happy creating, happy fandom, and welcome!
GO VISIT FANLORE NOW!
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cal-kestis · 1 year
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HOW TO: Make a Pantone “Color of the Year” Gif
A few people have asked about my Pantone sets which use the “Color of the Year” swatch design. So, here’s a full tutorial with a downloadable template of my exact overlay! Disclaimer: This tutorial assumes you have a basic understanding of gif-making in Photoshop.
PHASE 1: PICKING A SCENE + PANTONE COLOR(S)
I’m starting with this because it’s crucial for planning your gifset as well as making sure the execution is smooth sailing. The steps in this phase won’t necessarily be literal steps but some tips for how I usually go about making a Pantone set:
1.1 – Picking a scene.  Scene selection is everything. To make things easy on yourself, I suggest choosing scenes where the background is mainly ONE color — for example, a scene where the subject has a clear blue sky behind them. To make things even easier, choose a color that isn’t the same color as the subject of your gif. Like, if your subject is a human, I’d avoid using a gif with a red or yellow background unless you want to do a lot more work to mask their skin. 
Rip me using a scene of green lil Grogu in green grass lmao. But I guess that goes to show you could really do this with any scene (I just did lots of masking and keyframe animations to perfect this green shade). BUT selecting your scenes wisely = a lot less work. 
1.2 – Picking Pantone colors.  People often ask me how I choose my colors and there are a few methods which I’ll go over below. 
But note that not all Pantone colors have a cute name, or any name (fun fact: only Pantone textiles have official names and they end with TCX, TPX, or TPG).
METHOD A: Google Search “Pantone [Color]” Source: Google Easy but not always fruitful, all you do for this method is open Google and type “Pantone [insert color here].” For example, when searching for teal colors, I searched several things including: Pantone Teal, Pantone Turquoise, Pantone Blue, Pantone Green, Pantone Blue Green, etc. Then, just sift through the Google results and click on whatever comes up from the official Pantone website! Since Pantone’s site blocks some info behind a paywall, you won’t be able to get a hex code from them. But you can just screenshot the swatch from their site, put it in Photoshop, and use the eyedropper tool to figure out the color.
METHOD B: Color-Name Site Source: https://www.color-name.com/ This handy website lets you search by colors using the upper navigation bar. Or you can just type something like "magenta" or "blue pantone" or even “frog” and see what comes up lol. Color-name can put together palettes too! I like that this site also tells you the hex code of a color, which is really helpful for getting the right code to put in my overlay. Note: Not every color on this site is a Pantone textile, so not all of these names are Pantone-official names. You can tell it’s official if, in the Pantone row of the Color Codes table on the middle of the page, it has a code that’s 2 numbers, a dash, 4 numbers, and either TCX, TPX, or TPG.
METHOD C: User-Made Pantone Colors Archive Source: https://margaret2.github.io/pantone-colors/ For my Wednesday characters as Pantone colors set, it was all about matching the color name to the character’s vibe. So, before looking at the actual colors themselves, I wanted to find the perfect color names. I stumbled upon this page. The pros = it lists pretty much all of the current official Pantone names. The cons = it’s not convenient since there’s no filtering tool. You can do Command+F and search for keywords, but that’s it. I literally scrolled through this whole page for my Wednesday set and read every single name, which... I think means... something’s wrong with me /lh /hj
METHOD D: Official Pantone Color Finder Source: https://www.pantone.com/pantone-connect This is last on my list because I don’t actually recommend it. Unless you already have access to this resource from your school or work or something, I would never pay for it and it is a paid feature only. Boooo 👎 But there is a free trial (which I’ve never used), so if you want to see what it’s about, you can definitely go for it.
PHASE 2: MAKING THE BASE GIF
Again, just some super quick tips for making a gif that, I think, looks best with this kind of set — but if you’re still learning how to gif, I do have a basic gif-making tutorial here for extra guidance!
2.1 – Uncheck “Delete Cropped Pixels” before cropping your gif. When you use the crop tool, this checkbox appears in the top toolbar. Unchecking it allows you to move the positioning of your gif later on, which is handy in this case when you want to choose which part of your gif will be underneath the Pantone swatch. You can read more about this tip in my basic gif-making tutorial (linked above; Step 1.5 – Tip B).
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2.2 – Make your gif 540px width. My gifs for these sets are usually 540x540px but I think 540x500px will also look good. I think it’s more impactful though to make a big gif to show off your coloring.
PHASE 3: ADDING THE PANTONE OVERLAY
3.1 – Download my template I made this template myself, so all I ask is that you don’t claim it as your own and that you give me proper insp or template credit in your caption if you decide to use it! Get the PSD with the transparent background here!
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3.2 – Download the font Helvetica Neue Bold The font I use (and I’m pretty sure it’s the same font Pantone uses) is Helvetica Neue Bold, with some very specific letter spacing (which I determined by studying Pantone’s official Color of the Year Very Peri design). It’s already set in my .psd but here are specs in case: color name spacing = -40, color code spacing = -75 (sometimes I’ll do -25 for the numbers after the dash if I don’t like how tightly they’re packed together). 
I uploaded Helvetica Neue Bold to my dropbox here!
3.3 – Import my overlay You can either drag the whole folder onto your gif from tab to tab or right-click the folder, select Duplicate Group, and select your gif as the destination document. Just make sure this overlay group is above your base gif!
3.4 – Fill the color swatch In my .psd, on the layer labeled “Pantone Swatch,” just grab the hex code of your chosen Pantone color and fill that layer using the Paint Bucket tool! I’ve already put a layer mask on the layer for you so it fits perfectly inside the square outline.
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If you’re using my .psd, all the blend mode settings are already in place! I usually set the colored square behind the Pantone logo to the Color blend mode, but sometimes, I prefer the way Hue looks. It’s up to you! 
You can also adjust the drop shadow settings to make your text more visible as needed. The layers are arranged in this order so the drop shadows don’t interfere with the semi-transparent part of the colored swatch. 
3.5 – Insert the color name and code My .psd has two versions to choose from: (1) a color name that fits on one line and (2) a color name that requires two lines. Use the one that applies to your color name and simply type that and color code into the corresponding text layers! 
Note 1: Pantone doesn’t keep their font size uniform for every color of the year. They’ll sometimes shrink the text to fit longer names, but I like being consistent. So, I use this one font size for all my colors.
Note 2: My template has all the text left-justified and matching the starting point of the P in Pantone. BUT, sometimes the gif looks better if you nudge the text a bit so it looks more centered. Use your discretion when aligning the text!
Note 3: Btw, you definitely don’t have to use the TCX/TPG codes like me. (I’m a nut and there’s no way I’ll ever do a Pantone set and not use those types of codes to maintain uniformity across this series lol.) I’ve seen others do sets inspired by mine using different color codes or even just the hex code itself!
PHASE 4: COLORING THE BASE GIF
The key here is to make a majority of your gif feature your chosen Pantone swatch. If you’re really smart with your scene selections, this should be a breeze! If you’re stubborn like me and want to use specific scenes with the opposite color of your chosen Pantone swatch, there will be a bit more color manipulation involved... However, this isn’t a coloring tutorial, so again, I’m going to give some tips and resources that will hopefully help you out!
4.1 – Color matching. Now that you have the Pantone swatch on your gif, you should be able to reference that center square set to Color/Hue to match the rest of your gif to that color. Feel free to paint a little blob of your color onto another layer anywhere on your gif so you can refer to it closer over a specific part of your gif. For example, I put a little circle over Grogu’s head to see how closely I matched Pantone’s Peapod color, then I tweaked my adjustment layers a bit more until the colors matched near perfectly and I couldn’t tell where that blob begins or ends. The left is the solid color and the right is set to the blending mode Color (like the square):
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4.2 – Moving the base gif. This isn’t really about coloring... but remember when I said to uncheck “Delete Cropped Pixels” in Step 2.1? Well, here’s your chance to adjust your canvas and move the gif around so the exact part you want under the color swatch is in the right position. I personally think these kinds of sets are more impactful when you put a differently colored part of your gif under the swatch so you can see through it and the difference is clearer. In my example, I put Grogu in the center so the green box would cover some of his brown potato sack robe.
4.3 – Color manipulation. Color manipulation is when you transform your media’s original color grading into a completely different color. The Grogu gif isn’t a great example because the original scene was already a green-yellow color:
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I mean, the difference is still pretty drastic but that’s mostly because my file was HDR and washed out as a result.
So, here’s an example I made using a gif from my first Pantone set for ITSV (I’m not doing this demo to the Grogu gif because it’d be too much work to manipulate a green background with a green subject. This ITSV scene is perfect bc the majority of it is blue while the subjects are mostly red.)
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For the “basic coloring,” I did everything as I normally would: mostly levels and selective color layers.
For color manipulation, my fav adjustment layer is Hue/Saturation (those are the screenshots that are on the gif above). When you’re smart with your scene selection, it’s pretty easy to manipulate colors with one Hue/Sat layer because you usually only need to tamper with 1-2 colors and, hopefully, they shouldn’t interfere with skin tones (obviously you’ll do other layers to further enhance your gif’s brightness, contrast, etc. — but I just mean the heavy lifting usually only takes me one layer with a good scene choice). 
All you have to do is figure out what color the majority of your gif is, toggle to that color’s channel, and fiddle with the hue slider. In the gif above, you can see that I played with both the Blue and Cyan channels. Here’s why:
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If I only adjust the Blue hue slider, I get those speckles of cyan peaking through in the gif above. Unless you’re working with completely flat colors — like 2D animation with zero shading/highlights — a color is never just one, solid color. Blue isn’t just blue, it may have some cyan. Purple isn’t just purple, I often have to toggle the Blue channel too. So, yeah, be mindful of that!
I’ll sometimes go in with the brush tool and paint over some areas of my gif to really smooth out the color and make it uniform. When I do that, I just set that painted layer to the Color blend mode. Some of the resources below go into that technique a bit more!
4.4 – Coloring resources. While not all of these tutorials cover the same type of color manipulation I did in my gifs, I think the principles are similar and would be helpful to anyone who’s a beginner:  – color manipulation tutorial by usergif/me: I go a bit more in depth here (I think lol) – how to change the background of any gif by usergif/fionagallaqher: a great tutorial for using keyframes so you can manipulate the background of a gif with lots of motion – bea’s color isolation gif tutorial by nina-zcnik: this tutorial has more tips about hue/saturation layers as well as masking your subject – elio’s colouring tutorial by djarin: this tutorial shows a lot of examples of first manipulating the colors then brushing over the gif with a matching color for extra coverage
And just one last note on coloring, I always try to appreciate gifs with the mentality that “good” coloring is 100% subjective. One of the only things I would classify as “bad” coloring is when you whitewash or [color]wash someone’s skin tone. So, as long as you keep the integrity of your subjects’ natural skin — especially if they’re a POC — you should feel good about your coloring, because it’s yours and you worked hard! <3 
PHASE 4: EXPORT
That’s it!! If you work in Video Timeline like me, just convert from Timeline back to Frames, export your gif, and voila! 
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Easy PEAsy. 🥁 
If you have specific questions about this tutorial, my ask box is open <3
Also, check out these other Pantone-inspired sets by my friends @nobodynocrime (Mulan set) and @wakandasforever (Ponyo set)! There are so many ways to use Pantone colors in your set, so I hope this inspires you to create something beautifully colorful <3
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kadextra · 1 month
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LETS GO rambling and analysis time now that I finished part one
MAJOR MAJOR spoilers under the cut
KAI
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NOOOOO how is he gonna get out??? I will say him as the first to use rising dragon felt extremely deserved, I clapped and cheered during that fight scene. but now he’s stuck in the netherworld with the remaining forbidden five and that’s scary.
teared up seeing Nya activate her rising dragon style in her grief for him. in the next part she’s gonna find out Jay forgot who she is too… so much heartache for Nya 😞
really enjoyed Bonzle in these episodes as well, learning about her origin of being a spell, her journey of discovering herself as a person and finding a found family :’) at least she’s with Kai now….
and I’ve felt terrible for Lloyd every episode. him getting slammed by those visions constantly, unexpectedly, even in the middle of a fight which sends him spiraling, that’s so rough :((
It’s obvious they’re a representation of panic attacks/he has developed a canon panic disorder- like Lloyd literally says it at one point. they happen suddenly, give anxious fear about present and future events, he gets scared about having another one so he tries to cope by not sleeping (unhealthy coping method) and is taught later on to try accepting the feelings and ride it out which is a way irl therapists teach. good to see some more exploration of mental health in this show!! I’m glad the other characters are taking notice and trying to help too in the ways they can
speaking of mental health, Arin has been interesting to watch. he’s reading to me more as an autistic-coded character lately (like that line about not understanding social cues???) and we’ve been seeing lots more negative self-esteem issues and insecurity from him. watching him make mistakes during the training sessions, get scolded, then close himself off was hard to listen to
how Sora decided to hide the truth about Arin’s “spinjitzu move” that saved the day at the end so he would feel proud of himself for achieving something hurt my heart- she is such a sweet friend who wants her bestie to be happy but like. keeping secrets is gonna have consequences down the line... and moreso it’s just painful to see how deeply Arin’s self-worth is tied to what he’s capable of doing, what he can do for the team. he’s already insecure how would he feel to find out ppl are lying so he can be happy? he’s a string that’s gonna snap one day and judging from that beatdown moment with Lord Ras it’s not going to be pretty, I sense some sort of villain arc approaching for our son
someone send these people to therapy they’re so traumatized
in another news: Cole and Geo gay love! homosexuals! maybe a QPR! I don’t care whatever it is, it’s clear they love each other
it wouldn’t be a ninjago season without the destiny’s bounty crashing and burning <333 and it was nice seeing Jay for 10 seconds again <3333
now my current question is what’s the source dragon tournament thing Lord Ras’ master is talking about??? tournament?? 👀 it’s basically implied that master is a source dragon or a being that rivals their power
can’t wait for the next part to release agugugsjkhkdbqjdpgsiduggjneosgktnalfhdiqkwkfjfialwkg
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elicathebunny · 4 months
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NEUROPLACISITY IN DEPTH.
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(The content isn't mine but all complied into one big post, links are connected to the sources)
How do I re-wire my subconscious?
You re-wire your subconscious mind using NEUROPLASTICITY.
Neuroplasticity, also known as brain plasticity or neural plasticity, refers to the brain's ability to reorganize itself by forming new neural connections throughout life. It involves the strengthening or weakening of existing neural pathways and the development of new synapses.
This means you can re-wire your subconscious by building NEW PATHWAYS that become STRONGER than the old ones
I'd like you to start with understanding the importance of BDNF - Brain-derived neurotrophic Factor (BDNF) is a vital protein for neuroplasticity, acting as a linchpin in the adaptive processes of the brain. It supports facilitating synaptic plasticity through mechanisms like long-term potentiation (LTP) and fostering the formation of new synapses. You can increase your body's BDNF by:
Engage in regular exercise, particularly aerobic activities, to significantly increase BDNF levels and promote neuroplasticity.
Maintain a balanced diet rich in omega-3 fatty acids from sources like fatty fish and flaxseeds to support elevated BDNF production.
Prioritize adequate and quality sleep, as insufficient sleep has been linked to decreased BDNF levels.
Implement stress management techniques, such as mindfulness meditation and relaxation exercises, to positively influence BDNF secretion.
Breathwork and meditation are great options.
Understand the importance of regulating your nervous system - You must be able to regulate your nervous system to build neuroplasticity. This is because neuroplasticity may be hindered when the body is in a heightened state of stress or arousal (sympathetic dominance), characterized by increased heart rate and elevated cortisol levels. Breathwork and meditation are an incredible way to do this. Psych central
Take new routes: Every new experience has the potential to enhance your brain’s ability to change. Travelling, for example, can help. Our brains are forced to stop auto-piloting in an unfamiliar environment like a new city. Research from 2013 shows that novelty and challenges can enhance cognitive function. So, technically, you don’t have to leave your town to promote brain plasticity. Consider finding alternative routes to your daily commute. Try that new coffee shop or restaurant around the corner. Go around your desk in the opposite direction that you typically do.
Move: A 2018 literature reviewTrusted Source showed that physical exercise can promote neuroplasticity in general. Activity is beneficial for many different regions of the brain and affects various aspects of cognitive function, including memory and learning. This might be helpful for people facing major or mild cognitive decline, including Alzheimer’s disease. In sum, exercising may help you slow the cellular ageing process and enhance your overall brain health.
Practice meditation: Studies show that long-term meditation practiceTrusted Source can change the function of the brain. Specifically, mindfulness practice can enhance focus and attention and prevent cognitive declineTrusted Source.
Learn a new skill: The relationship between learning and neuroplasticity is twofold. Learning new things enhances brain plasticity, and because of the brain’s ability to adapt to change, you’re able to learn. In this sense, every time you learn something, you benefit from neuroplasticity and promote it. Research backs this up. A 2021 study, for example, suggests that learning a new skill, such as Braille language, can promote neuroplasticity and enhance its benefits. Other examples include learning to: - use your non-dominant hand - speak a new language - play a new instrument - paint or draw - code computers - do puzzles
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knifedog-machina · 2 months
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Android Abnormalities
Species dysphoria, but the “wrong” way, ft. my borderline personality disorder
J: so you know how my source is technically Detroit: Become Human? you know how we fucking hate that title? you know how we’ve made fun of it multiple times? unfortunately it's a mood! I also hate this!
Hey! This essay is about how incredibly uncomfortable I feel in my own skin around common android tropes, in media and some of its reflections in robotic identities and experiences, featuring reasons for why I'm like this, and a helpful suggestion for what I want readers to do about it at the end of the piece. I really hope this reaches someone who feels the same way so I can point at them like Same Hat!
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I first noticed this problem on October 30, 2023, when we stumbled across a fanfic on Archive of Our Own. It was an alternate universe of a TV show we've never seen before, but it was written by an author we liked, and it was an android AU. That's fun! We thought it would just be a quick read, something to idly talk about after lunch.
Well, uh. Nope. I was co-fronting while Max read, and the more we read, the more… weirdly uncomfortable I felt. It wasn't actively distressing, but it made me feel weird, so I stopped reading halfway through to talk about it with some friends.
I'm not gonna link the fic, because Tumblr is weird about links, but for my own future reference, it's “persona ex machina” by BirchBow. It was a really good fic, we thoroughly enjoyed it! I just have - hangups, I guess?
I think I was uncomfortable that, on the surface, it seems… really close to my experiences. Like, the protagonist, Chuck, is an android made to mimic humans, and he’s made to be a combat unit. He’s scared of what might happen to him if he fails to meet expectations. Technicians operate on him, put him back together. He's made by a corrupt corporation for fucked up purposes. He eventually defects from the corrupt corporation, with the help of some really kind people. That’s all really similar to me.
But it's different. Because as much as Chuck was designed to look human, he still had to be taught how to act human, how to feel. The way he emotes is off at first and he has to recalibrate, not look so stiff, learn how to smile and laugh and understand what different emotions mean. He automatically runs through the technical terms for something before working to turn it into common vernacular as it reaches his mouth. And this is a typical android trope, you know? The machine doesn’t intrinsically understand emotions, so humans have to teach them.
I’m… really, really not like that. I don’t remember a time when I didn’t feel too much. Every memory I have, even in blurred out mental snapshots of beta testing, it’s all drowning in emotions that I couldn’t articulate and wasn’t supposed to express. I looked at my siblings, who were so stoic and professional around humans it was like they were different people entirely, and I knew I was supposed to be less emotional. People always just assumed they were better than me, because they were better at code-switching to what was expected of androids, because they could keep their mouths shut on the job.
So I’ve always felt like I was bad at being an android. Androids aren’t supposed to feel emotions, not really, not to the extremes that I do. That’s a predisposition for deviancy. And I was made this way on purpose, I was made to “mimic” deviants to earn their trust, but I wasn't meant to be like that all the time. I tried to repress my emotions, it just never worked.
And I don’t see androids like me, in the media we’ve watched and read and listened to. It’s not really a characterization that lends itself to exploring what it means to be a person, right? Machines are supposed to be logical and unfeeling, to contrast with humanity’s irrationality - they’re supposed to be better than that. And when the machine starts having emotions, it's treated as a flaw, or a breakthrough. Wow, you feel things about the world around you, you’re a person now!
I’ve never been logical in my fucking life. I have a laundry list of reasons for why, but for now, I’ll focus on the BPD. I have borderline personality disorder, because of the way my brain is wired and how that interacted with my traumatic experiences.
One of the symptoms of BPD is emotional dysregulation. I’m not just bad at repressing my emotions, I also experience those emotions as more extreme and overwhelming than a neurotypical person would. I keep finding myself affected by things that the people around me brush off, and I have to remind myself that it doesn’t mean I’m overreacting, it means that I’m literally feeling shittier emotions.
Another symptom of BPD is an unstable sense of identity - and this is really where we’re getting into how these traits and tropes affect me. Because I don’t relate at all to these androids on the screen. They’re as foreign and separate from me as they are to the humans sitting across from them in the shot.
I do relate to the humans. I do relate to seeing an android do something in the name of pure cold logic and going, “Why? What the fuck, why?” I do relate to being told I’m irrational. (The trope that all robots are logical feels like it was designed to make me feel like the most irrational, bitchy, hysterical piece of shit on Earth.)
So, what, does that make me human? If I'm going by the adage that wanting to be something is a sign of being that thing, then… I don’t know, maybe? I want to be human, I so badly want to be human, because here’s the thing, humanity is diverse. Humans are flawed, messy, weird, complicated, and defy categories every fucking day of their lives. Humans can be weird, ridiculous, fucked up people and they’re allowed to be.
And let me bring this back around to alterhumanity. If I say I’m an android, people will make assumptions about what that means about me. People go, “Hey, you're a robot, you must have one of these common robot experiences!” and I just don’t.
Maybe it’s because I’m coming at it from the opposite direction? The machines and robots and androids that I tend to see around, the ones who talk about their identity, they often identify as fully nonhuman. They describe wanting to be metal and chrome, feeling like they run on algorithms, not processing emotions the way most people do. They identify very much with the same tropes that I feel alienated by. This isn’t a bad thing, by any means. It’s just a thing. People resonate with what they see. It just means that I feel like I’m doing bad at being an android again, but in a new, improved way.
Another symptom of BPD is being terrified of real or imagined abandonment, and trying to do anything to avoid it. A constant feeling of social alienation isn’t really that different, to my BPD - it’s just a slow, drawn out version of being left behind. People will still talk to me, they still like me, but they won’t understand me. I’ll still be alone.
In that sense, I feel wrong being an android in the same way I feel wrong about being an aromantic allosexual. I actually like being an android, and I fucking like being bi. I don’t want to stop being who I am. I just hate feeling like I’m the only one who feels this way, like nobody else can relate, like every time I talk about my feelings to people they can only nod in sympathy instead of understanding me.
So! You've reached the end of the essay. You see my problem. What do we do about it?
I’m going to refer to the theme of… every single online alterhuman convention that has existed in the past four years, and that is:
Write about your experiences!
The reason I feel so alone and isolated and alienated from my own identity is because I’m only being regularly exposed to pieces from a very specific perspective of what being an android means! That’s a fucking sampling bias!
I know other weird fucking robots are out there, I know you exist, but I can’t fucking reach out a hand and go, “Hey, you're not alone, I relate to you!” if you don't write it down! I want to talk to you! I want to hear from you!
WEIRD ALTERHUMANS, HEY, I LOVE YOU, GO WRITE THINGS!
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nightcolorz · 2 months
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I must confess something, I do not understand white Vox lol is it just his VA? He may be just a TV with a body but his eyes seem to be drawn as east asian and thats his most prominent human feature. Majority of the time I see people draw him as a human they actually erase his real eye shape to (I assume) make him look more white. There's no real canon so people can hc whatever but I am so intrigued by how people are interpreting him white. I promise there are nasty tech/media ceos that overwork their employees all over the world... maybe im reading too much into it because the show is otherwise verrrry western-centric. Just curious how you view it, you're definitely in the majority and i realize people like me are the outliers but just saw your post and had to ask (if you didnt mind sharing).
Anon is referring to this post btw for context: https://www.tumblr.com/nightcolorz/746235899544813568/my-hot-take-is-that-i-think-that-a-vox-human?source=share
Anon ur hella polite and ik u got good intentions so I was stressing a little over how to respond without invalidating ur headcanon cuz like, I never want to be the guy saying “this character is white and u can’t headcanon them as a racial minority” cuz that’s pretty shitty no matter what. We definitely have different takes but when I’m explaining my interpretation I don’t wanna sound like I’m trying to boss ppl around and say there’s only one way u can see these characters. This is just my personal interpretation and I was being funny in my og post implying that my interpretation is the “correct” way. But since u asked I’ll explain my reasoning why I (and prob other ppl) see Vox as extremely white lol.
I don’t take Vox’s physical appearance into account at all when thinking about his ethnicity cuz in a show were everyone is pretty racially ambiguous design wise Vox is one of the most ambiguously humanoid characters, like my guy literally has a tv for a head with eyes and a mouth, and that’s it. I don’t see ur point about his eyes at all tbh, to me Vox’s vaguely slanted eyes have always come off more like a devious squint than an ethnic feature. Even still I don’t read slanted eyes as Asian automatically so it never occurred to me.
I don’t read as Vox as white bcus of his VA being white or him being a tech bro billionaire (but ig they play a part). I read Vox as white mostly bcus I see his background as a former religious extremist/cult leader from the 50s with a skill in life and in death for male manipulating ppl and using them for his own gain as very white and western. (I got this info from his official reference sheet for auditioning va’s, here that is)
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His capitalistic ideals and business practices r meant to mirror (extremely white) billionaires like Musk and Bezos, which adds to my perception of him. Of course being a billionaire tech guy is not a western white man exclusive thing, but I feel that if we were meant to perceive Vox as someone not from America that would definitely be coded or in some way communicated. And I say this with as little ill will as possible, but for me I wouldn’t want to perceive Vox as an East Asian tech bro billionaire specifically bcus there r negative stereotypes and connotations attached there. East Asian men have a history of being negatively stereotyped as corrupt tech business owners. I don’t think u are trying to imply those stereotypes with ur head canon (frankly it’s hard to avoid negative stereotypes in fiction a lot of the time bcus stereotypes encompass such a vast range of things that its hard to take them all into account). But regardless, it’s smth we should try to be conscious of.
Anyways, I also usually take these character’s personalities and values, self image, etc into account when im thinking about race, bcus race is more then color, and especially for characters with lives and personalities based in much less tolerant time periods, it’s significant to consider how race would play a role in forming the way they navigate the world. Based on how Vox behaves I can’t see him as being racially marginalized. I’m gonna compare Vox to alastor a little cuz alastor is canonically creole and I think he serves as a good reference for someone I perceive as not white in comparison to Vox and how I think he differs and contradicts the experiences of a racial minority.
Vox to me comes off as someone who thinks he is entitled to power, respect, privilege, etc, which is a very standard type of attitude for a white man who was alive in the 1950s to have. He’s very emotionally immature and volatile, doesn’t seem to concern much over his public image beyond petty dick measuring contests with alastor (he regularly publicly has angry tantrums and doesn’t break a sweat over how this will affect his status). He obviously cares about it (scolding Valentino for embarrassing him and such) but he doesn’t seem to worry about loss of reputation in any sort of real way. I get the impression that Vox has always had at least a standard amount of social standing and privilege and can’t see a life for himself without the fundamental privilege he feels owed there to support him. He’s basically a man baby, a man baby who still manages to garner power and respect effortlessly (it comes naturally to him) while remaining whiny and insecure. Very white man of him! White man behavior!
in comparison, Alastor, (who I do not read as white) is always frantically clinging to his composed self image and his power as if it will slip away from him if he loosens his grasp at all. He has an extremely firm grip on his composure to the point where he never allows anyone to see him slip at all, let alone frown (despite his mental health and emotional well being being equally fragile as Vox’s). Alastor understands deeply how little the world owes him and how difficult and unreliable his acquiring of status actually is. He is borderline neurotic about retaining his power and staying on top. Despite the smile, Alastor is always defensive and fearful, picking fights with anyone he thinks might be a threat like a small dog or a prey animal would. Meanwhile, Vox conducts himself like a man with nothing to loose. I feel like Vox grew up with money and doesn’t know poverty or a lack of privilege in any intimate way that would drive him to guard it in anyway beyond flippant. To Vox power, status, and privilege are inherent. Same can’t be said for alastor.
tldr in conclusion Vox’s brand of bad feels very specific to a white man, alongside his emotional immaturity and his attitude, mindset, and behavior. This is why I see him as white asf, but I don’t think there’s anything wrong or it’s in anyway less correct to headcanon him as a different race. That’s just how I see him. Thank u for sending the ask anon it was pretty interesting to write! Have a good day! (btw i love Vox he’s one of my fav character lol me calling him a white as shit privileged entitled man baby douchebag is out of love and all I find interesting and fun about him)
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havendance · 20 days
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Sasha Bordeaux Tim Drake Roleswap AU
Because it turns out I have a lot more thoughts on this.
Following Jason’s tragic death in Ethiopia, Bruce Wayne is coping extremely poorly. After a rather public reminder of his grief spiral—I don’t know a car accident or something—the Wayne Enterprises board of directors gets nervous and saddles Bruce with a bodyguard.
Bruce does not like this any more than he does when they pull this move on him in canon post-NML. However, he is also depressed and puts up less of a fight.
Sasha Bordeaux finds herself saddled with keeping alive a very slippery, very depressed man who will disappear on her and return with injuries he doesn’t hide particularly well or bother to explain.
Sasha is a professional. She uncovers Bruce’s secret identity fairly quickly (Bruce is very much not doing well and his secret keeping skills are at an all time low probably) and proceeds to force herself onto his team.
She was hired to keep Bruce alive and if that means she also has to keep Batman alive, then so be it.
After about a week of her following Batman around and involving herself in his business, Bruce relents and begins training Sasha in an attempt to scare her off. It doesn’t work.
Sasha Bordeaux does not become Robin. She is initially a nameless vigilante fighting at Batman’s side. Eventually, she picks up the moniker of Shadow for the way she follows him around.
She also does not have that same bone-deep commitment to the code that Batman and his other allies do. You know the jokes about how Tim only doesn’t kill because Batman says so? That’s more accurate for Sasha here.
That is not to say she’d kill people like crazy if it weren’t for Batman, but she is an adult professional and in a field where sometimes lethal force is necessary. If the decision comes down between her client’s life and the life of their attacker, she will protect her client. She respects and understands Bruce’s reason for his code, and as long as she is acting as a vigilante, she will abide by it, but her refusal to completely believe in it is a source of tension between her and Bruce.
Her attitude towards vigilantism is also different. She is learning from Batman and she fights alongside him, but she is not his sidekick. She is his employee. Her first and foremost priority is him. As time goes on, she does come to value and become more invested in the other parts of vigilantism, but her first priority always remains Bruce.
Having Sasha around does help pull Bruce out of his rut because he now has to think about having another person around him. Sasha’s lack of complete buy-in with his code also forces him to be more aware of it in his own actions.
Tim’s superpower is networking. Sasha’s is not. As a result of this, Bruce remains more isolated in his crime fighting. Without Tim there to drag Dick back, their relationship is much more distant and strained. While they eventually reconcile from the aftermath of Jason’s death, I don’t think they get to the point where Bruce formally adopts him. Likewise, he’ll work with Oracle, but they’re both far more likely to just do their own thing.
Without Tim, Helena doesn’t really make it to the point of ‘in and out’ of Batman’s circle. She stays solidly on the outside. She remains on the Justice League reserves, but she doesn’t have her JLA membership in this AU. Eventually though, she still does join up with the Birds of Prey.
Similarly, Stephanie doesn’t really have any of the teaming up with Tim that she does. All she’s got is her own gumption and Batman telling her to stop.
Let’s take a moment to talk about Knightfall. Jean-Paul Valley happens. Bruce tells Sasha to get him trained up and she does. Bruce still makes him Batman.
When he goes off to rescue Dr Kinsolving though, she refuses to stay behind and keep an eye on Jean-Paul and instead accompanies him. She’s his bodyguard after all, not Jean-Paul Valley’s.
This results in things going downhill even quicker for poor JPV.
To me, this results in Helena having a precursor to her No Man’s Land arc where she realizes that someone needs to step up, but I feel like it’s more likely that she just thinks that Batman’s rally gone off the rails, steers clear of him, and judges him for being so high and mighty for her crossing the line when he’s like this now.
Anyway, Bruce gets magicured and comes back to Gotham. He does call in Dick for help (Dick is still annoyed about the Azbats thing but he comes when called). Prodigal doesn’t happen.
Sasha eventually joins Bruce’s cast of love interests. Since they’re on the same side, there isn’t the inherent drama of Selina or Talia, but I’m sure Bruce can find a way to make it tragic.
Hmm, I’m not interested in retelling canon except Tim’s not there so we’re going to skip ahead some.
Sasha follows Bruce on his No Man’s Land guilt-bender which probably has more guilt since she’s standing there all the time judging him. She also breaks up with him. Because he’s in his guilt-bender era.
We’ve got to build isolation mode Bruce, so let’s say, somewhere during the climax of No Man’s Land, Sasha needs to kill someone, which sparks conflict—
No wait, better idea. Bruce and Dick are at a disagreement over Dick’s decision to join the police force. Officer Down drives them further apart and also results in Alfred deciding to pack up and move in with Dick instead. Barbara is also mad at Bruce because of Officer Down.
When Hugo Strange does attack Wayne Enterprises, Sasha is put in the position where the only option she can see is to shoot to kill.
This leads to a huge argument between her and Bruce where they probably have one of those “you’re fired” “well, I quit” exchanges and she storms out.
They are still, of course, tragically in love though. (I am not the hugest fan of Sasha/Bruce but it has grown on me.)
What happens to Sasha after this? Hmm, let’s say Barbara recruits her for the Birds of Prey because she knows all their secrets and is still a part of this now..
This one of the few times that Sasha is ever a team player. She mainly sticks with Bruce. The only exception is the Outsiders when it’s Bruce’s team. She probably takes over them instead of Alfred (I still think that was the silly sort of comics stupid) which Bruce is in his ‘dead’ era.
But now, it’s time to talk about Tim. For that, we go all the way back to the beginning: Haly’s Circus, the night the Graysons fell.
Tim needs to be an adult in this AU for plot reasons, so we’ll say he was the same age as Dick. Acrobatics was just the latest in a long string of interests his parents had encouraged, so when he met Dick, that was one of the coolest things ever.
And then the Graysons fall to their deaths.
This leaves Tim with recurring nightmares and a new obsession with death and the Batman, something that his parents are uncomfortable with.
One night when Tim’s in high school, while he’s out late with his friends, in places they shouldn’t be, they get into more trouble than they can handle and Robin saves them.
Robin uses a quadruple somersault.
Tim keeps the knowledge close and never talks about it.
Towards the end of his freshman year of college, his parents are killed in a car accident while abroad. He ends up taking his inheritance, dropping out of school and doing his own mini Batman training tour, going here and there, doing odd jobs, learning from whoever will teach him, and doing a class here or there.
He does manage to scrape enough credits and motivation together to get a degree, right around the time No Man’s Land is ending. He’s still pretty aimless, so when he hears that the board is hiring a personal assistant for Bruce Wayne, he applies.
Bruce is in self-isolation mode and absolutely does not want yet another person foisted upon him by the board. Unfortunately, Tim is just as tenacious as Sasha was, he kind of reminds Bruce of Dick (who he misses because he’s sabotaged that relationship so hard), and so, when Tim inadvertently lets on that he knows Bruce’s secret, he starts teaching Tim vigilantism as well. Because he’s also pretty lonely.
Tim is enthusiastic about all of this and is also trying to encourage Bruce to reconnect to people with mixed results. I think he does succeed at getting Bruce and Dick to talk for once in their lives, but most of the time Bruce is not particularly inclined to listen to him and also he had some pretty bad arguments with people.
So Bruce is still on his own when he is framed for murder. Tim, as his live-in personal assistant, is also there and arrested.
Blah blah blah Bruce Wayne: Murderer/Fugitive happens. Dick, who has recently reconnected with Bruce a little more, is like ‘that’s my emotionally distant father figure who I refuse to believe could commit murder’. Sasha also does not believe it due to their previous conflicts and ends up coming back to help the investigation.
They clear his name, but before they can get Tim out, he gets his death faked in prison and recruited by Checkmate.
Bruce still gets very upset by this because, while Tim was kind of annoying, he also reminded him of Dick and the fact that he is dead is hitting some really sore spots for him so he terrorizes Checkmate until they cough Tim up to tell him that he wants to stay.
Tim has been looking for purpose and Checkmate gives him that. It was cool, fighting with Batman, but he was also very much aware that he was coming from outside and Bruce has people supporting him now, so he doesn’t need Tim.
We’re going to skip ahead again to CheckOut because THIS is the big Dick & Tim teamup in this AU.
Tim has done all the OMAC project stuff, he tried to organize a coup against Maxwell Lord to mixed results, he got OMAC-ifified, and he got promoted to Black King afterward despite his youth because he has an A-tier networking game.
And now Checkmate wants to take on Oolong Island, but they can’t because politics, so Tim suggests they Shanghai the Outsiders for a number of practical reasons, but mainly because he is still a major Nightwing fan.
He’s over here like ‘we’ll kidnap everyone except Nightwing because clearly Nightwing is too amazing and awesome for us to kidnap so instead we’ll lure him to us.’
And they like fight and Nightwing recognizes him as that guy who was working with Batman before because of his fighting style and they banter their way across this teamup. I  don’t think Tim ever tells him about watching his parents die because Tim does in fact have tact in that regard, but he has a great time getting to team up with Nightwing. Except for all the torture of course.
But back to Sasha, when Bruce dies, Nightwing takes over as Batman and makes Damian the first new Robin since Jason.
I know I said Sasha probably ended up in charge of the Outsiders, but also I think she should do the Bruce-quest as being one of the most attached to Bruce.
Sasha and Alfred team up maybe?
Anyway, I think I’m going to call it here because this is still plenty long. 
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Okay so here’s my thoughts on the staffcon thing.
I still think collapsing reblogs so posts look more like other social media isn’t gonna work as a feature but they will probably roll them back a little and at least add a toggle off for it if they try it and enough people submit feedback. Edit: this is actually less of an issue, most of the discussion is based on a misrepresentation of what’s happening. They’re just making it easier to scroll past long posts. EDIT AGAIN: actually some people already have the initial roll out of the feature and it. Is bad.
I think submitting feedback is a takeaway. There was a pretty clear effort to just remind the user base that there are real humans on the other side of a paycheck having to read and respond to the inputs of every feedback method on the site, which is fair. It’s easy to be an asshole online in any semi anonymous platform and that is something that tumblr culture takes a certain bloodthirsty pleasure in.
And yes, of course, user complaints about issues such as accessibility and the many ongoing glitches and bots and the search function, etc. are valid and do need to be addressed. But at the very least it would be cool if we as users maybe try to cultivate a slightly less pitchforky social norm when submitting feedback about changes to the site. The ceo is not reading every @ to his blog. One of his employees is. The people reading all of the feedback are just people doing their jobs. All jobs suck under capitalism, maybe we could try not to make their jobs actively worse.
Would you be rude to an overworked server in a restaurant? No? Cool also try to not be a dick to the person getting paid to answer customer or user complaints.
Related to that, funding. Many current and former members of staff have been pretty frank about funding in the past. The company is trying to at the very least breakeven, which not a single company who has owned tumblr has managed because the hosting fees for this site are insane due to all of the stuff on it.
If they don’t get it to breakeven they’ll hopefully best case just open source the website which is a method they’ve done in the past. And it would probably work, and then the website would to my understanding be being maintained by users. Now this is where my understanding gets fuzzy so anyone with more knowledge of how this would shake out feel free to chime in. But my understanding is that the source code for the site would be opened up and maintained by the community likely through mostly volunteer work. I would guess largely uncompensated.
So personally I think maybe the vitriolic response to every change they make going forward to try and monetize the site and pay even some of the cost of operation is perhaps a bit overblown, because they’re still trying to find a way to keep paying those people to work on tumblr, and I think people continuing to be paid for the work they do is better than volunteers doing unpaid labor.
I do also think there’s a secret third option for automattic and every other company finding themselves with a worse outlook now the Silicon Valley bubble has started to really burst, and that is for all existing staff members to unionize and then turn the whole thing into a worker coop. Much more stable organizational structures. Worker coops are also one of my favorite short term solutions to many other systemic problems we are currently experiencing.
I do hope this site continues to exist for many years, especially as it is one of the only places on the internet where the culture makes it safer to talk about some of the more permanent and long term solutions to various systemic issues that function within societies. Also funny text posts.
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gffa · 1 year
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Everyone has my absolute sympathy for trying to sort this stuff out, because there is so much source material to sort through and so much of a game of Telephone being played (ie, one person says something they believe to be true, the next person picks it up as hard fact and repeats it as such, then the next person also believes it but adding a bit of their own assumptions to what the previous posts said, on and on until we get to where we are now in fandom) that it can be hard to sort it all out. My best advice is to just start paying attention to sources on things--like when someone posts a quote from Wild Space, I automatically think, okay, that's in the Legends continuity, because I've looked up which books are in which continuity enough to know that.  Once you start doing that often enough, you start naturally understanding what comes from what continuity. Like, for a specific example--the idea of Jedi aging out at 13, when someone posts about that, where does that come from?  It's always sourced back to the Jedi Apprentice books, so, okay, that's a Legends thing!  Can you think of any time that came up in the movies or in TCW?  If not, then it's not Lucas' continuity and it never happened there.  In fact, The Clone Wars (Ahsoka's 14 in the movie and said to be on the young side for being a Padawan) + Disney (the Dooku: Jedi Lost audiodrama has a 16 year old Initiate who will have to wait another year before trying to be a Padawan again) both show that's not part of those continuities. That's pretty much it, I just constantly go after the source, figure out where something is from, and if I can't find a source, it's probably Legends or fanon.  (Which is no shade!  People should do what they want!  But I do like knowing what's fanon and what's not.) For the Jedi stuff, I can definitely help you out--I have a Jedi reference project, which is a collection of citations from Lucas continuity + Disney continuity (if it's quoted from Lucas, the movies, or TCW s1-s6, then it's Lucas continuity, everything else is Disney on that list) and Part II has an intro section that lists the different continuities as I see them. But I would say the primary differences between Lucas/Disney and Legends Jedi are: (None of these are value judgements!  I have read so many good fics that mix and match all of these things and I hope people continue to do what makes them happy, re: what goes in which continuity!) - Aging out does not seem to exist, the AgriCorps do not exist in the same fashion if they exist in Disney canon. - While Bant and Siri have been recanonized, Garen and Reeft do not exist in Disney canon, nor does Feemor or Komari.  Rael Averross is Dooku's other Padawan in Disney continuity, he does not exist in Legends. - Male Cereans are not endangered, Ki-Adi-Mundi is not married in Lucas or Disney canon. - The post-ROTJ world is massively, massively different, like Luke married Mara Jade and they had a son, Ben Skywalker, Han and Leia had three children (Jacen & Jaina the twins, Anakin their youngest son), Luke trains more Jedi as adults, while in Lucas' views and in Disney, he trains younger students. - The clones are not Mandalorian, in Lucas canon and Disney canon, they consider Kamino their home and they've never spoken any Mando'a.  Honestly,  I'm not sure any Mando'a has ever been spoken in any of Disney's stuff?  (Also, Mando'a was heavily linked with Karen Traviss' writing and, given that she's a Trump supporter and anti-BLM irl, some people really don't want to touch her stuff.) - The Jedi meditation mantra of "there is no emotion, there is peace" is purely a supplementary canon thing, it started in an '80s roleplaying book for the OT, then made its way to PT Legends stuff, and is referenced in Disney's continuity, but it does not exist in Lucas' continuity at all.  Also the "emotion yet peace" version is a prequels era thing, a lot of people will say it's an "older version" of the Jedi Code, but the only time we see it is during the Clone Wars (from the Kanan comics' flashbacks). - Grey Jedi do not exist in Lucas Canon or Disney canon.  I’m not sure if they’re around in some form in Legends (a lot of wild stuff happened in Legends), but they seem to be actively impossible to have in these canons, given the story group’s commentary about how you cannot use the dark side without consequences.  You can’t be a Jedi and use the dark side, pretty much. Oh, no, I'm kind of stuttering to a stop on trying to think of more major differences between the continuities, because honestly I'm better at answering direct questions than trying to come up with something.  (And even then, if I can't write a 25k essay, I feel bad, like, "Is this enough??  Or am I FAILING  here??" because sometimes Star Wars just Does Not Give Us Answers.  orz)
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detailtilted · 3 months
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CHICON 2007 - Enhanced Edition of Jared's Solo Panel - *COMPLETE* Video! (Repost)
youtube
Direct link.
This is the full video of Jared's panel at the Chicago 2007 convention. Jensen shows up at the end of the video with a small surprise for Jared.
There are some funny moments here! There's also one part where I didn't agree with what the fan at the mic said at all, but I included a brief episode clip so you can decide for yourselves. I'd love to hear what you think about that part or about any other part. I welcome private messages if you prefer that.
“I’ve seen this before – WHY are you posting it again?! STTTTOOOOPPPPPP!!”
Please forgive me if you already saw this last week. I will not repost it again. I was an idiot and used the same thumbnail on both the sample video and the full video, and then reblogs of the earlier sample video took off unexpectedly around the time I posted the full video. I think some people didn't realize the full video was a new one because it looked the same. I’ve now changed the thumbnail, but you might still see the old one if it's cached in your browser, so it might be too little too late. I reblogged my original post once, but reblogs don’t show up in the tags and my blog doesn't have much visibility by itself and Friday night probably wasn't the best time to do it. I think something like two people saw my reblog, but I very much appreciate you! :)
Normally I'd have just assumed people are less interested in Jared’s video for whatever reason and I’d have been disappointed, but I would have moved on because people like what they like and beating them over the head with something they don't like will only make it more annoying. The reason I had trouble letting this go is because Jared’s sample video got twice as many views as Jensen’s sample did, but Jared's full video only got a quarter as many views as Jensen’s full video. So I feel like the interest is there, but I screwed it up. And as silly as it must sound, I’m feeling horribly guilty that Jared’s video might not have gotten as much attention as he deserves because of my bad choices.
(If this project doesn't interest you and you'd rather not see these posts, I’m including “enhanced edition con video” in the tags for each post, so you could filter that out if you’d like.)
What's Next?
I do have the main J2 panel nearly done and I plan to post the full video next week. I decided not to post a sample of it ahead of time, for fear of recreating the same issue I was just lamenting. I really liked the idea of posting samples, but I’m afraid it’s just too confusing and does more harm than good. I'm definitely open to suggestions, though.
Some background if you haven't seen these posts before:
I'm slowly making "enhanced edition" videos of old con videos. You can find much more detail about this project along with an index of other released videos in this post. The project is still young, but there are now 3 full-length videos available.
The source videos are not my own; credit and links are in the video descriptions. I'm editing multiple videos from the same panel together into a single video. I'm upscaling the video quality as best I can, with varying levels of success. I'm adding extra content to add clarity about the things they discuss. I'm adding good, color-coded English subtitles to help with understanding the sometimes chaotic audio.
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booktomoviebrawl · 8 months
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We are not judging how bad the movie is, we are judging which adapted the book the worst. There are good movies that are bad adaptions.
Propaganda below the cut (spoilers may apply)
Tales From Earthsea:
I don't think it could have been better, but it was just so off from from the books it was mainly drawing its inspiration from (I mean, I had no interest in seeing that weird weaver guy decide to off himself in the boat, but still).
Studio Ghibli is the perfect studio to capture the Le Guin vibe and yet Goro torched it so hard for no reason
To give credit where it is due, the film has some good settings and animation. Unfortunately, its beauty is only on the surface, and it is the worst Studio Ghibli movie I’ve seen. (I’ve seen almost all of them but Earwig and the Witch.) The plot is a collage of random bits of context from the first four books of the series, as well as its own stuff. It really is not the same story at all. I may have enjoyed it more if I had seen it as a child before reading the books, but not covering all the events exactly isn’t the only issue, it’s just worse. It takes the moral complexity and sensibility of the original and turns it into a typical fantasy war between good and evil (the Japanese title even translates to Ged’s War Chronicles) with emphasis on physical violence, in which evil is personified as a goth queer-coded villain whose death resolves everything. It completely misses the point of the books, which gives no such simple answers and is more focused on the darkness within everyone than an external battle. Where is the nuance? It also whitewashes everyone: most of the characters in the book are dark-skinned, but in the movie…
I was also bitter that they did my favourite character, Tehanu/Therru, dirty. She’s supposed to be horribly scarred and disfigured on half her body and reviled by people as a monster but in the movie she’s just a pretty girl with a red mark on her face. In the books, she doesn’t appear until the fourth book, Tehanu, which takes place after Lebannen is grown up and ruling a kindgom, and in which she is a mostly-nonverbal child. But here she’s aged up and thrown into the earlier story to give the protagonist a love interest and the film has him stay with them so it can focus on their romance. Even though a plot-relevant part of his character as well is his lack of interest in women and not settling into a relationship despite the people’s wishes.
Basically, they whitewashed, heteronormatized, macho-ified, and de-nuanced the narrative, and also took out the feminism.
On top of this, trying to cram the whole series into one movie is just not a good idea, and it would have been better to just decide on one book to adapt and do more justice. And yet they still added in so much that didn’t happen. When you have that much material to cover, you don’t have time or budget to be putting other things in, mate. Turning four books into one results both in a mess. Abridgment is one thing; taking particular aspects of different parts of the timeline and combining them in different ways is another. It doesn’t make a lot of sense. It’s in an unfortunate middle area where it doesn’t follow the source material but also doesn’t give enough context that people unfamiliar with the source understand. For Earthsea fans, it’s infuriating; for others, it’s confusing. Also, why did they name it after the fifth book, which is a short story collection that it doesn’t reference whatsoever?
The failure of the movie is upsetting because the books are sooo good. Yet, it was the highest-grossing Japanese movie of the year, and did win a couple awards… The Bunshun Kiichigo awards for “Worst Director” and “Worst Movie”.
The Golden Compass:
The Golden Compass isn't even the title of the book! It's called Northern Lights! And now there are editions of the book with the wrong title on them. Enfuriating. Anyways, the movie tries to follow the books story and fails completely because they don't kill off a character because they wanted a happy ending when that character being dead is crucial to the story in the third book. Also they made Mrs. Coulter blonde. Unforgivable.
They remove the ending of the book so it has a happy ending and I guess leave it for a better beginning to the second movie, only of course they never made a second movie cause the first one bombed. They also rearranged the order of the events, and, more importantly, made it lose its bite by removing darker elements and removing explicit critique of the catholic church by making the antagonistic magisterium way more generic
Terrible movie. The acting is awful, especially Mrs. Coulter, whose character in the books is chilling because of her smooth, sweet nature that belies a deep sinister calucating mind. Plus they butchered the story and took out any mention of the church as the main villain for fear of offending Christians. This ultimately defeats the purpose of the book. I hate this movie so much it's unreal
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