#but they're also like 40% art books

[littleeyesofpallas]

SolatoRobo

#manga covers #not manga #well actually #so there are comics in there #but they're also like 40% art books #and then extra trivia and stuff as well

[lulubeanie]

Psychonauts 2 art book... Raz plush....

#duck speaks #psychonauts #I wanna get them but they're both so expensive.. #the Raz plush is 40 dollars.. and the art book is 50.. #and also I'm pretty sure there's added fees for which shipping option you choose too.. like 10 dollars at least... #ouhh

[thebibliosphere]

I was already on a hair trigger today trying not to snap at a mutual for reblogging a "fuck authors who use Amazon" post, but, like, this shit is why some authors can only afford to use Amazon.

They don't have the $75+ to distribute through Ingram Spark. They don't have the $25 it takes to change your files if you need to update them after they've been accepted. They can't afford to take the cost of printing hit to their sales. They can't afford to lose an additional 40% of their income to retailer discounts.

And just so we're clear, Ingram isn't a vanity publisher. They're one of the largest print monopolies in the world. They're used by most mainstream traditional publishers and indie and self-pub authors alike. Amazon uses them when their print demand is too high.

My friend, whose work is published by Gollancz, is printed through Ingram, the same as mine. The difference is their publisher takes the hit for them. In theory. We won't get into dwindling advances here or how publishers are increasingly putting the onus of marketing and sales onto their authors or the fact that their editors can't afford rent or food while the executives get richer and richer.

So what do you do when the mainstream doesn't want you? What do you do when you're told if you can't keep up with the rat race, that you don't deserve to have your work published? What do you do if all you have is the ability to tell stories for a living, and no one wants you?

Well, you could die of starvation. I'm sure there are several people on here who'd be happy if that happened to me. (I know. Because they tell me. Often.) Or, you can shake hands with the devil, knowing it's a bum deal, knowing everything is fucked, but also knowing that every other aspect of this fucking industry is just as fucking bad.

There's no escape. It's relentless.

And you've got people out there posting things like, "Actually, I think authors who charge for their books are part of the problem."

And yeah, in an ideal world, I'd be making art for art's sake.

But we're not in that world. We're in the bad place, and you're actively making it worse. You're encouraging people to steal from people who are struggling just like you and calling it activism against billionaires or putting them in the same moral category as said billionaires as though we're not trapped in this system, same as you. Some of you are fellow fucking authors. And, like, my mind boggles at what it would take to stab a fellow creative in the back like that, but here we are.

Hell world.

#long post #vent post #publishing #author stuff I get #anyone clowning on this post gets put in the wood chipper

[am-i-the-asshole-official]

AITA for my fanart and how I responded to someone's negative reaction of it?

Okay so some background to start. I'm (genderfluid, 18+) in a fandom that was originally a book and got a live action adaptation several years ago. The adaption is MUCH more popular than the book series and honestly very different from it (a lot of characters have different backstories, the main character doesn't have a brother in the adaption, and ages were changed) but very few people have read the book series. (Admittedly, the fandom is not very big. It's actually the smallest one I'm in, which means I'm kinda limited in the number of people to interact with) Anyways! I'm in a discord (it's 18+ tho I don't know the actual ages of anyone else involved) for this fandom and although they promote themselves as being for both book and adaptation fans, according to the roles I am one of five people of the 40+ people in the server who have read the books, so that's not a lot.

Now, for Valentine's day I made fanart of the main couple, the mc and his wife (they get married in the series. In the books they are already together in the beginning but the adaption wanted drama and decided to not have them be together in the beginning. One of the changes that I very much do not like.) They're the most popular ship in the fandom. I love them. Anyways, I shared it in the Discord for Valentines and did not get a nice reaction.

See, in the books, both characters are white, but in the adaptation the wife is black. (The mc looks different in the adaptation too, shorter and with different hair and eye color, but he's still white) I drew the book version, because that's what I like. They're my blorbos.

Another person in the server took MY art and recolored it so that the wife was black and posted it in the server with a comment about whitewashing characters of color. I told them that I didn't whitewash her and that it was really fucking rude to edit someone else's fanart. They replied that she was black, I was racist, and posted a screenshot of a Google search asking the race of the actress who plays the wife in the adaptation. I replied with a screenshot of the her books' fanwiki page and said that my fanart was of the books and if they wanted fanart of the adaptation they could make it themself. They asked how they were supposed to know it was from the books since nobody read them and they were shit. I replied that they could realize the mc AND his wife looked different, that I read the books, and they were better than the adaptation, and how would they know if the books were shit since they obviously hadn't read them?

Anyways then the mods stepped in and made us break it up. One of the mods (the only one to have read the books) dmed me and told me that they understood my frustration and that another mod was talking to the person I had been fighting with about respecting other people's work but I needed to understand that assuming I was racist and whitewashing wasn't going to be uncommon since the books weren't as popular as the adaptation and I needed to be respectful when people confronted me with this. I replied that if the other person had confronted me directly and not just assumed the worst and edited my work I would have been more respectful. The mod agreed that the other person was out of line, but the whole thing seemed to be one giant misunderstanding so neither of us were getting strikes against us this time.

Anyways, the mods added some rules about not editing people's work and a thing in the announcements channel explaining the differences between the books and the adaptation but everything in the server has been really tense especially since people in the server started vague posting on Tumblr, some people favoring me others favoring the other person. I blocked the person I fought with on Tumblr but neither them nor I were involved in the vague posting.

(also idk if it matters but I'm white, idk the ethnicity of of anyone else involved)

So! Tell me, AITA?

What are these acronyms?

#aita #am i the asshole

[runabout-river]

It has happened now, a JJK artist on Twitter is in critical condition after being shelled by the Israeli Army in Gaza while sheltering inside a school. Reportedly, she lost an eye.

The screenshot is from a friend who barely manages to keep in contact with Noury with a family member's phone. This of course is Israel's tactic to cut communication from Gaza. The world isn't supposed to see the genocide and at least the amount of reports and eye witness accounts have dropped since because most people simply can't communicate their suffering to the world anymore.

This is the picture Noury drew before Israel decided to finally cleanse the Gaza Strip like it always wanted thanks to an exaggerated death count of a provoked military response, undisclosed shelling by the IOF of their own citizens and lies of 40 beheaded babies.

The caption of this piece of art reads "Please don't take my sunshine away," a response to chapter 236 and Gojo Satoru's apparent death.

Think back to that time. A favorite character of yours dies in a manga and you either draw or look at drawings of him to deal with that. Then a war starts that had been brewing for 75 years because Jewish Extremists and Supremacist with the backing from the war hungry US want you dead.

You know what I thought this entire time? That it's statistically unlikely that the one JJK artist from Gaza that I follow will be a victim in this war. There are 2.2 million people in Gaza but there's only one Noury, so what's the chance that something is going to happen to her?

What an absurd thought that turned out to be. I've been writing and raging on Tumblr about the genocide again and again and I know the severity of it, I know the numbers. I've seen the pictures and videos of dead children with their faces, not their heads, turned over like the pages of a book.

But most of that, the sheer enormity and the scale of it, was still abstract in my mind. Now, outside of the dry and clinical fact of it, the human element made me realize in my heart and mind that this is a genocide.

1 person among 2.2 million getting harmed isn't a statistical probability of 0.00001 percent. It's 100% because everyone is the target. Every Palestinian in Gaza is targeted with deprivation, hunger, thirst, illnesses and bombs. That is ethnic cleansing. That is the threat of genocide.

And the US, the UK and the EU, they're all complicit in this genocide and because I'm from Germany I'm also explicitly saying that Olaf Scholz, Marco Buschmann and Nancy Faeser are also complicit in this new holocaust.

Hopefully Noury will recover and hopefully she and her family and everyone else in Gaza will be able to go back to their homes. Homes btw, that per international law, Israel is supposed to replace or compensate for after destroying them.

Of course you don't need to compensate for anything if no one is there anymore, either because they're dead or they moved to another country involuntaryily.

#jujutsu kaisen #jjk #free palestine #israel #gojo satoru #jjk gojo #genocide #germany #deutschland

[unforth]

Heyo Danmei Fans and Twitter Refugees!

Do you love danmei? Do you love fanart?

WELL HAVE I GOT THE SIDEBLOGS FOR YOU!

Hi, I'm unforth, and I also love danmei and fanart, and I wanted to just make a huge gorgeous pile of art and roll around in it so I've made and run for years eight, yes eight, side blogs of danmei art, all with the kind of organization and searchability that twitter can only dream of.

So, if you want to flood your dash with fanart (or if you're an artist and want a little assist getting more eyes on your work now that you're posting here - you can DM me or @/me), why not consider giving a follow to...

Mo Dao Zu Shi/Grandmaster of Demonic Cultivation/The Untamed: @mdzsartreblogs

Tian Guan Ci Fu/Heaven Official's Blessing/Eternal Faith: @tgcfartreblogs

Ren Zha Fanpai Zijiu Xitong/Scum Villain's Self-Saving System/Scumbag System: @svsssartreblogs

Erha he Ta de Bai Mao Shizun/The Husky and His White Cat Shizun/Hao Yi Xing and Yuwu/Stains of Filth: @erhaartreblogs

Daomu Biji/The Graverobber's Chronicles/The Lost Tomb/Too Many Other Names to List: @dmbjartreblogs

Zhenhun/Guardian: @zhenhunartreblogs

Tian Ya Ke/Faraway Wanderers/Word of Honor and Qiye/Lord Seventh: @tykartreblogs

Literally Everything Else I Can Find (especially works by Meng Xi Shi, works by Priest, manhua on Bilibili, books by Fei Tian Ye Xiang, books by Please Don't Laugh (so yes, baihe too!), and so much more): @cnovelartreblogs

All blogs run on a queue; I post at a "the queue will last for 7 days" rate that changes more-or-less every day and varies from 30 to 40 posts a day (mdzsartreblogs) down to 1 to 2 posts a day (zhenhunreblogs) and everything in between.

Note that these spaces are all ship and let ship, don't like don't interact, and pro-kink. (I won't reblog everything, but I do reblog almost everything, and even if I'm personally too uncomfortable with something to reblog it - I SUPPORT YOU.) I tag extensively - you can check the pinned post on each blog for currently used trigger warnings (they're consistent across all the blogs) and many of the other tags I use for characters, ships, etc., and I strongly encourage you to use the tags to find That Rare Thing You Love, and also to blacklist anything that's not your thing. Antis kindly fuck off challenge.

Welcome to Tumblr (or welcome back, as the case may be), don't be a stranger, like and reblog works to support artists, and have fun!

(help signal boosting much appreciated. <3 )

#unforth rambles #this got too long #I tried to find the last one of these i wrote and just reblog that but tumblr search algorithm buried it oh well #mdzs #tgcf #svsss #2ha #guardian #zhen hun #qi ye #word of honor #shl #tyk #dmbj #spl #qian qiu #tsomd #idek i could tag about a biollion things but that's probably enough #happy art loving y'all

[trungles]

Hello, long time follower just on other platforms and I love your work. I am currently getting my Masters in Comics and Graphic Novels, and do tell me if this an inappropriate question but how much do you make? Like a month doing comics and art? Also what do you do on a day to day basis? I'm worried about my future after I graduate.

Thank you so much! This is a great question, and I wish more people would be candid about answering it because I'd like creators to demand more money. This will be a very long post! Keep reading if you're interested. MASSIVE info dump below.

I think earnings in comics and books can look wildly different for almost every creator, and it depends on a lot of things. With that in mind, I make a slightly different amount every year. I view my finances mostly through page rates, contracted projects, and passive-ish income. Because I'm terrible at math, I'm just going to tell you how much I make per contracted projects, plus some relevant information in terms of Life Stuff. This will be very long, and I will highlight some important details that people maybe don't like to talk about very much.

Please also bear in mind that I live in Minnesota, away from all my major publishers and editors who are situated on the coasts, so my cost of living is much more manageable.

Background: Building a Foundation (2012-2018)

I graduated from college in 2012 and lived with my parents until 2018. I did not have to pay rent or worry about food, so I got to save up a lot of money to invest in developing as an artist–paying for printing zines, making merch, travel to conventions, table costs, and secure hotel accommodations. This helped enormously, and I would not have been able to spend six years developing my portfolio and connecting with comics peers and professionals without my parents. They were very supportive, even if they had no idea that I was developing professionally as an artist (LOL, they're very proud of me now, but they truly just thought I was being a weird internet gremlin the whole time). They're also not wealthy people by any means. My parents immigrated to the US in their 20s as refugees with absolutely no money and one baby (it me, I am the baby), but they each became pretty successful small-business owners in their own right and were able to help put me through school with minimal debt, even through the financial crisis in the late aughts.

I started making art in 2012-ish as well, but only semi-professionally, and barely on purpose. I was employed full-time in a non-art job between 2013 and 2018 at a local non-profit that specialized in pediatric therapy. I occupied a role as their front office person/corporate assistant. I made about 40k a year at that job, with benefits, and I made a negligible amount of money doing art and making comics. I should also note that throughout this time, I was working 40 hours a week at my day job, commuting between 2-4 hours a day depending on the weather (my commute was an hour for each direction in good weather and up to three hours if it snowed), and then working on comics for 3-4 hours in the evening, every evening. This meant that I would frequently be working anywhere between 65-85 hours a week for five years, and I do not recommend this! I burned out pretty bad! I didn't go to art school or learn about comics, either, so I felt like I had to spend time building my portfolio to make up for lost time. I didn't even know I wanted to make comics until maybe two years after I graduated from undergrad.

I did manage to build a nice portfolio and connect with people who were making the sort of work I liked to make, so the portfolio-building did help. I posted regularly online in different platforms and steadily grew an audience over the years via Tumblr (heyyy!) Instagram (which I personally loathe), Patreon (stressful, but necessary and also getting more comfortable to use!), and Twitter (which I have very mixed feelings about, but I'll miss it if it dies). I did a few short comics with writers whose work I admired. The Fresh Romance Anthology in 2015 was my first major published work, and it was with writer Marguerite Bennett, who remains one of my absolute favorite people. I was so inexperienced at the time, and she would check in with me to make sure I got paid for my work, and then she would follow up with everyone responsible if I was not properly compensated. Not everybody is this on-the-ball about making sure their colleagues are treated well, and she absolutely set the bar for me going forward.

Doing It For Real + Some Numbers (2018-2021)

In 2018, I put together a pitch document for The Magic Fish (if you'd like to see my pitch document, here is a Dropbox link to it! It's just a book report for a book that doesn't exist yet, and I hope you find it helpful if you need it), shopped around for an agent, and found one I'm very happy with (Kate McKean at Morhaim! She's amazing! She runs a newsletter where she gives you the lowdown on how the publishing industry works, so if you're interested in Books, you can check out her writing over at Agents and Books). Then my agent shopped the pitch around to editors and publishers, and Random House Graphic won out. Also, every time she negotiates a contract for me in my home market (the US), she gets 15% cut, which is entirely worth it to me. She does so much. It's incredible.

Random House Graphic's offer wound up being for two books at $45k each, with pretty standard royalty rates, I think around 10% in general, though there are stipulations around royalties that I can't remember off the top of my head (and also bear in mind that you do not earn royalties until your book sales have earned out your advance, and not all published books earn out). To me, this is a lot of money! BUT the graphic novel took two full years to make, so that $45k needed to last me until 2020, which is not livable if you're on you're own. Also, the advance is paid out in chunks at certain milestones of project completion. I'd get a few thousand at a time for the script, another few for the thumbnails, more for the inks, and on and on until the book is done. I would not start to get paid for the second book until I started working on it.

Earlier in 2018, I'd moved in with my partner, so we managed paying the bills and groceries together. Luckily for me, I had also completed a full tarot deck as a separate personal art project to help build my confidence as an illustrator, and my agent sold the tarot deck project (The Star Spinner Tarot) to a different publisher for a $15k advance, so I had some extra wiggle room in 2018. I quit my day job because this was a rare instance in which a book deal provided me with enough money to live on making art, with the caveat that I shared financial responsibilities with my partner. By this time, my Patreon, which I started back in 2015 I think, was also earning anywhere between $800-$1000 a month, which was really great semi-passive income. I'd post process shots and WIPs a couple times a week, and that really helped from month to month.

In 2020, The Magic Fish was published and got a lot of really lovely press. It debuted on the Indie Best-Seller list, and it got pretty popular in schools and libraries. Suddenly, my responsibilities expanded to also being a public speaker (side note: if you make a book about topics of some academic interest, make a generic powerpoint presentation about it now! I'm so serious!). I stopped tabling at conventions (the pandemic), but I would also be paid for speaking gigs in between. I'm not an enormously in-demand public speaker, so I usually asked for an honorarium of about $500 from schools and institutions for online appearances, though I'm about to ask for a lot more because it's cutting into a lot of the time I need to make comics and hit my deadlines. As people are more comfortable meeting in person, I usually ask for a speaking fee of at least $1500, and it must be after they've already taken care of my travel and accommodations. I'm not very well versed in the standards for speaking fees for debut authors, so this might not be standard! It's just my best estimation of the value of my time and effort for that instance.

Speaking of comics and deadlines, I sometimes take on smaller projects for DC (you might have seen these) and Marvel (shhh it's not been announced yet), and the page rates for those, as they've paid me, are usually as follows: $90 per page for writing ($45 for plotting and $45 for scripting), $160 for pencils per page, and $90 for inking per page. I've never colored or lettered, so I don't know those rates. I do regularly talk to other writers and artists, and the rates for writers are all over the place and seem to depend on whether you've signed an exclusive contract with either of those companies. I don't know what a contracted penciller or inker is paid by them, or if that's even a thing that happens? I also sometimes do comics cover work, and I usually charge between $1200 and $1500. I tend to charge a bit more for covers these days because I personally don't like doing covers all that much.

Starting to Reap the Benefits Maybe? (2021-2022)

In 2021, I started getting royalty checks for both Star Spinner Tarot and The Magic Fish. These payments will vary wildly, and I think they will naturally peter off as time goes on, and I'll need to make more books and projects. In both cases, I was surprised. I think at one point a random check hit my bank account for like $20k and I nearly fainted, but some of the other royalty checks will be much more modest. This process of getting paid is also immensely eased by having a good agent! I cannot stress this enough!

Then both the Star Spinner Tarot and The Magic Fish got foreign language licenses, and those come with small advances of their own, each between $2k and $3k, from what I can recall, with varying royalty rates depending on the publisher who acquired those rights. Those royalty rates are, in my limited experience, more modest than my American publisher's, come to around 7% or 8%. The Star Spinner Tarot got an official French edition, and The Magic Fish has been licensed for publication in Italian, French, Korean, Brazilian Portuguese, and Spanish so far.

Since 2021, I've also signed on to draw two more graphic novels for other people, and my agent is able to demand higher advances for me, even when I'm only doing the drawing part.

My Day-to-Day

I think that's about as comprehensive as I can be about numbers. On a daily basis, my schedule depends on whether I'm writing or drawing. Graphic novels are long projects. I'll be writing for months at a time and then drawing for even more months or even years after. I spend a lot of time answering emails for speaking requests, and my agent will sometimes pass along emails about legitimate project requests (another advantage of having an agent is I don't have to sift through scam emails or shady collaborators). I spend way more time answering emails and trying to iron out my calendar than I'd like.

I'm currently working on my second graphic novel for Random House Graphic, and I'm extremely excited about it.

Another thing I've learned is that I like to bounce between projects, but they have to be between a paid project and a personal project. If I'm juggling paid projects, I get overwhelmed and stressed. If I can work on a paid project and then also make personal art, I can feel some relief and maintain a positive relationship with my work. If you can ever get to a point where you can manage to do this, I highly recommend it. I never want to hate making comics, and this balance of personal-to-paid projects helps me keep loving the work.

Closing Thoughts

My only hesitation in talking candidly about all this is that I'm not sure my professional trajectory is applicable for most people. I think I've had a uniquely positive experience once I got off the ground, and I know most people's journeys are very much not this smooth. In a lot of ways, I got very lucky. And along the way I had help, especially before I got my foot firmly in the door. I don't think I make stratospherically high amounts of money, but I know this is still an atypically stable amount for a lot of artists and authors. And even so, I anticipate that some years will be better or worse than others.

Obviously, I couldn’t cover absolutely everything, but my hope is that this will be a good starting point for you to figure out what you need to plan for the future. Best of luck! Thank you for your question! I’m sorry it’s so long.

#comics #publishing #the magic fish #star spinner tarot #business I guess?

[zilabee]

I listened to the final ep of @anotherkindofmindpod's Fine Tuning, yesterday. I'm so sad it's ended. I loved every.single.second. I don't think I've posted about it at all, but it's only because everyone was already saying it better, and my posts end up in drafts half finished and confused and full of runaway sentences of little import.

I'm really grateful for the whole thing. Grateful the way I was when I watched Understanding Lennon McCartney the first time, like being given a genuine gift of fandom making sense of itself. I don't know. It's just lovely to have. And it's done so well.

When, in the first ep, they casually mentioned that there were going to be ELEVEN episodes I knew it was going to be amazing. Proper genuine "we have a lot to say and we're going to say it all so you don't think we didn't think it through" you know? I love that they didn't start making eleven episodes and then decide that was too many and cut 40% of it out, it's more like they wanted to make twenty episodes and then cut out about 40% of that. Making eleven episodes and then being like 'we didn't even have time to talk about anything that we LIKED about this book' is a real move. A perfect shiny move.

The fact they made a spreadsheet sends me into fits. I love it.

Cards on the table I have not read Tune In properly, I have skimmed and picked at it, and obviously I've seen loads of it quoted on tumblr, but EVERY quote you read from it (and everything he says in interviews) makes it so fucking OBVIOUS that he doesn't understand basic things, I've never been able to face it full on. And the frustration that people (men) can't see how bad it is. So having it put out there like this, bit by bit, oh the joy of it.

And then it's also so much worse than I knew, because I'd never really worked out that he was just MAKING UP QUOTES and mushing them together to say new things, and oh my god the stuff that's NOT in there, is insane. The bit in episode 3 where AKOM quickly list off about five or six really interesting things about Paul's art in his schooldays and then you find out that Tune In didn't even MENTION that he liked to paintklsjdofihoijsodijfohwoisjdf OH MY GOD.

I'm blown away by the work of it, and the scale of it, and how well put together it was. I love the *feel* of it. I love its tone when they let the sarcasm ride high. The voices of "sincere surprise" are just my favourite thing. "Oh, so he mentions that Paul did x and y right?" "Actually, weirdly he doesn't!" "Oh, HOW STRANGE. But does he say he was interested in z???" "Oddly no." I love the sense of giddy anticipation in the intro ep, it must have been killing them to have made so much of it and not be able to talk about it.

I'm so fully aware that all of what they're saying will move into other podcasts, and become things that men sort of talk about as if obviously everyone kind of sees the bias in Tune In, even though they've always talked about it as if it's a great work of truth until now. It kills me softly. And they'll claim it's only POSSIBLE to see that now, ten years later when it's spelled out to them, as if it's aged badly or something, when actually female fandom has been fucked off with Tune In for fucking years. But that's FINE. WHATEVER.

Also glorious have been all the posts people posted around it, and how the conversation grew, and especially the fact that @mythserene had clearly been doing a lot of the same work. Her posts in tandem with the show are so wonderful, and make it even more special, the depth of fandom for the love of fandom <3333333

#akom #<33333

[hils79]

Hils Watches Mysterious Lotus Casebook - Ep 40 (and bonus episode)

God, okay, here we go. I'm so anxious. I remember how Heroes ended and how much it broke me

I've come this far though so I guess let's do this even if it's going to hurt. I have a packet of tissues on standby just in case it all goes horribly wrong as I fear it will

Well, we're off to a good start. Li Lianhua is practicing his martial arts and imagining Di Feisheng is there with him. I'm definitely not crying less than 5 minutes in

It's okay though because Fang Duobing is there to take care of him and make sure he keeps warm 😭

Okay, I suspected he rigged the mechanisms to be easily seen and destroyed because Fang Duobing mentioned it but I didn't realise the whole thing was him trying to take down Jiao Liqiao from the inside. I feel bad(ish) for him now

Oh shit! Well, it wouldn't be Mysterious Lotus Casebook without one final (I hope) dramatic poisoning

I love that he just calls him Xiaobao in front of everyone now. Everyone clearly knows they're together.

God, he's about to do something stupid isn't he? I'm having Word of Honor flashbacks. GDI even I didn't clock that he was deliberately sending Fang Duobing away so he could do this

Oh fuck

I am sobbing

I do not understand these two at all. First of all I thought she left him when she ended their engagement (that I thought was a marriage - that whole wedding that wasn't a wedding was confusing), then I assumed she must have left him when she took the sect leader job from him. Apparently after all that they're still together??? But maybe they're breaking up for real this time?

I suppose Xiao Zijin is going to blame Li Lianhua for this too

I knew he was going to get free and leave before Fang Duobing got back 😭

FFS I was already crying and now Huli Jing is crying so I'm crying even more. I knew this was going to be sad but FUCK

He just rescued a trapped bird like a fucking Disney prince

I knew the 'recipe book' was going to be all his martial arts notes

FFS Xiao Zijin let it go! I swear to god if he kills Li Lianhua because Li Lianhua is half blind and ready to die I am throwing my laptop out the window

OH FUCK IS HE GOING TO DO IT HIMSELF?

Oh, I think he was talking to his sword

Well fuck.

Oh, he landed in the boat. Maybe he's okay? Let me have my denial!

It feels like forever ago but I think this dude was telling the story of Li Xiangyi and Di Feisheng in the first episode. If he was that's a nice touch that we've circled back around and he's now telling stories about Li Lianhua

I have to laugh because the alternative is crying even more. But I love all these randos know that Di Feisheng is in love with Li Lianhua and they're acting like him not showing up at the beach is like jilting him at the altar (even though they're already married)

His stoic but clearly sad face 😭

Well he's still alive. At the moment at least.

I know he's talking about fighting, but he probably also talking about their relationship

I want to hug him

I'm fine 😭

Onto the bonus episode. This is either going to be hopeful or painful and I honestly have no idea which way it's going to go

Painful so far!

Well, that was very ambiguous so I'm choosing to believe they found him at the beach and are living happily ever after 😋

I did really enjoy that despite the pain. Thanks to everyone who has been yelling along with me in the comments and notes while I've been watching. This is why I enjoy liveblogging dramas

#hils watches #hils watches mysterious lotus casebook #hils watches cdramas #mysterious lotus casebook #cdrama

[bungowife]

I’ve been following your art for a long time and I was just wondering what do you use as inspiration for your stuff, and do you have tips for people who kind of want a cartoony stretchy and very expressive art style (sorry if this is too much to ask I just love your stuff! Also what do you use to draw your stuff)

Thank you!!! Nice to see long-time followers :3

When I was first learning how to draw cartoons I bought the book Cartoon Animation by Preston Blair. It's a really good source that covers all the basics + some animation. When I started animating as a high school freshman I copied his walk cycles before trying anything on my own

This is a very old mini guide I made for a friend on how I push poses so the art's a little outdated but the idea is the same... I think line of action is neat lol I try to make the character follow the line as much as possible with the only thing that might break the silhouette being appendages like tails etc

My personal rule for expressions is that it just has to look like an exaggerated version of a real expression a human could actually do. To me it's not as appealing when artists add wrinkles in random places with no forethought, faces stretch around the eyes and mouth and chin and that's where I usually place wrinkles

I take inspiration from a lot of shtuffs these are just the ones I can think of right now:

-Fleischer cartoons. Favorite 30s studio besides Van Beuren

-obviously 90s cartoons, for Smokey my main inspiration is Twisted Tales of Felix The Cat and Pat Ventura's shorts for Oh Yeah! Cartoons. Animation wise I try to do something similar to season 2 of Space Goofs and Cats Don't Dance

-90s 2d point and clicks. Two big favorites are Toonstruck and UFOs

-anything by Ralph Bakshi. Fully aware it's bad lol but Cool World is one of my favorite movies ever

-underground comix but specifically 80s/90s newave stuff

-music!!! I like psychobilly and ska and it helps me draw. Massive Frank Zappa fan too

I think it's good to vary what you take inspiration from. When I started drawing cartoons I didn't let my myself improve because I only took inspiration from 30s and 90s cartoons and was so bent on perfectly replicating it that I didn't develop my own style. I see a lot of cartoonists blend together because they're only influenced by ren and stimpy and looney tunes that they don't have their own voice or bring anything new to the table

I recently just switched to my relatively new ipad so I'm using Procreate and then Procreate Dreams and Toonsquid for animation. Since 2020 I had been using Firealpaca and pencil2d because they were both free. I used a screenless Gaomon tablet I got for 30-40 dollars. I do all my sketches on paper and then airdrop them to myself since my hand doesn't move as naturally when sketching on a screen

[dee-the-red-witch]

New month, new pinned. Right? Right.

Hiya. I'm Dee.

Weirdass trans woman artist. Master leatherworker and maskmaker. Writer. Reviewer. Self-tattooist. Amateur drawer. Semipro digital artist and designer. Mom of two. Mid 40's. Queer poly lesbian. Atheist occultist. Gothy nerd and dork. Avid horror fan. And ABSOLUTELY NOT YOUR RESPONSIBLE ADULT. Follow at your own risk.

I do a LOT OF STUFF. Most of it can get found here at http://tormentedartifacts.com

Like these:

If you came here from a weirdly intense prose post that gave you feels and questions, you're encouraged to message or ask about them.

Unrelatedly, I also wrote a book and did a tarot deck. They're available here:

I also do weekly readings from the deck for subscribers on patreon in addition to media revuews and other bits. Here's that link: http://patreon.com/tormentedartifacts

I still don't know what a Jerma is. Do not tell me.

I've also done a lot of queer/trans/gothy/cyberpunky merch stuff available through BigCartel here: https://tormentedartifacts.bigcartel.com/

And currently, in addition to dealing with a ton of backorders, I'm also working on learning more tattoowork, and building up a whole collection if art to tattoo on folks once I'm ready for it:

So, yeah, I do a lot of stuff. Questions? The ask box is somehow still open.

Hells, I even have a wishlist, right here.

Is there a discord? Yes. But you have to ask to join.

#pinned intro

[backboneofthevees]

VELVETTE HEADCANNONS!

Not my usual post, but I thought I'd share! Have fun reading :)

♡ (if it wasn't obvious enough) She's a lesbian! I love the little girl-liker third wheel to a mlm couple (vox and val) her and the other vees have going on, plus the velvette x verosika art i see is ALWAYS so beautiful!

♡ referring to this post below:

She owns corsets (yet doesnt use them much because LOOK AT THAT WAIST), and one or two have definitely been stolen....by both of her male conterparts.

♡ She sews! Not ALL the time, since she's busy doing things like running shows and doing photoshoots, but I feel like it'd be a little something nice to do in her free time. Blasting some music while tailoring a new coat or something.

♡ She only wears the same colors. I know this is a little obvious from the few outfit changes she has in the show, but imagine it. A large walk-in closet filled with ONLY pink, purple, white and black. (And perhaps a singular green christmas sweater.) They're not ALL just dresses and jackets, she has pants and t-shirts too. She just likes to dress femme and throws in a masc/more casual outfit from time to time.

♡ She has a diverse music taste. I might me self-projecting here a bit, but I think it'd be pretty cute to see hee listening to different types of music. Like listening to something metal/punk when wearing an 'emo' outfit (one thst consists of mostly black) or some pop/r&b when dressing up in her normal dress-and-tights- combo. It helps her get in the mood.

♡ She has a close relationship with Vox and Valentino. This is also shown in the actual show, seeing how docile they are around eachother, but I imagine the boys and Vel having a brother-sistertjust generally close relationship, like Val and Vel would talk shit and go shopping one day or Vox and Vel talking about the shoots they're doing/planning on doing and having their nails done together. (Painting Vox's claws or sharpening them since he doesn't really have nails.)

♡ She's a little nerdy. I'm not talking about book-nerd, more likke a genuinely-invested-in-fashion-and-knows-about-its-history nerd. Like she'll read up on magazines or articles about how the kitten heel came to be or fun facts about the creator of a specific clothing brand she likes. She doesn't bring it up often, more of a random thing she'll drop into a conversation to keep it going. Also, since she's on her phone all the time, I think she'd be a little bit of a tech wiz like Vox. Like he'll give her a prototype for a new V-Phone and ask her about any bugs or special features. She'll evaluate it and Vox would give her his credit card for a day as a thank you.

♡ She has a major sweet tooth. I'm not saying she's constantly eating candy, given her figure and those crisp pearly whites, but whenever she's going out she'll get a milkshake or perhaps a little sweet treat at a local bakery. Not nicely, but still.

♡ Her full name, when she was still alive, was Veronica Barbie Hernandez, hinting at a latina/mexcian background. Her friends usually called her by her middle name or just Barb, since she had (and still does) such an affliction for having cute outfits and wearing pink. (I might draw her aswell as the rest of the vee's as humans, who knows)

♡ She has a doll body. This is a bit of a short one, but since she's based of a doll like Vox is a TV and Valentino is a moth, she has a plastic-y, smooth doll body. Specifically a ball-jointed doll body. (She can also pop off her limbs and/or head with little to no pain, using it to scare the boys during halloween or whenever she feels like it.)

♡ She's in her early 30s-late 20s, Vox and Val being around 30-40.

♡ She has 2 cats, one white cat named PomPom, and one tabby cat named Spike.

♡ Her favorite musicals are Heathers and Hairspray. (heathers fans hmu)

♡ Despite being known as 'the girly one', she grew up with 2 brothers. Both are dead and are running around somewhere in Hell, probably.

♡ She helps pick out outfits for the boys, despite them wearing (like almost every other male character) suit-like attire. She LOVES trying on dresses with Val, though.

♡ She goes out often. To shop, get food, get drunk, or to just walk around town and blog for her live feed. God forbid you bump into her though, especially if she's holding a drink (or just anything that could spill on her/something expensive she bought dropping onto the ground). She'll EXPLODE.

That's all for now! Feel free to ask for more or just anything else <3

#🛍} out for lunch #hazbin velvette #hazbin hotel #hazbin ask blog #hazbin hotel ask blog #hazbin vees #hazbin hotel valentino #hazbin headcanons #hazbin valentino #hazbin hotel vox #hazbin vox #happy pride 🌈 #happy pride month

[onyichii]

Dofus: Book 1 Julith a beautifully animated film that failed.

I haven't watched this movie in a long time but I think this movie COULD have done well. HOWEVER, TWO things fell short (for me).

1️⃣- Title. It has a BAD title. Terrible title. It should have been called something else. Something more appealing. More attention grabbing. I'm not good with titles myself but let's just say Dofus: The Guardian of the Ebony Dragon. That took me TOO LONG (40+ mins) to come up with. Titles are not easy but the current title doesn't stand out.

2️⃣- Rushed exposition. I didn't feel properly introduced to the world. If you're gonna sell a movie series you have to introduce the audience to your world properly, especially if it's fantasy AND if you want to make more of it. Think Lord of the Rings or Harry Potter, we got to understand the world within the first movie.

I feel like this Dofus series should have been planned as a trilogy but starting with the stories of Julith and Jahash. Here is how I would have planned...

Part 1: Introduces the audience to the world of twelve, main 12 classes, and the lives of rivals Julith of Brakmar and Jahash of Bonta. It would be an enemies to lovers story (an action romance) on how they become guardians of their cities dofus (the ebony and ivory ones). It ends with Jahash and Julith falling in love, having a child (Joris), and dying. Whilst also giving a hint of evidence that Julith might be alive. Showing they had people against the unification of their rival cities. BONUS: Introducing the classes would get people (artists mostly) interested in making their own Dofus character and posting the art online further marketing it. And you could use it to introduce people to the game thus making more sales. 🧠 business brain. Part 2: Would be this movie (Dofus: Julith Book 1), focusing on their son, Joris, and how he finds out that his mother Julith is alive and out for revenge. And how he is connected to the ebony dragon/dofus somehow (or how he becomes it's new guardian like his mother). And blah blah blah Part 3: Would unveil the culprits behind the deaths of Jahash and Julith. and blah blah blah. And how Joris officially loses his adolescence in this discovery and grows up to be who we know him to be in Wakfu. Kind of a dark coming of age story.

That's how I would have structured it. If it was structured like this I would have been invested in this trilogy. It has romance, mystery, drama, action, and angst.

Was the movie good? It had GREAT animation, good action scenes, fun characters, but it needed more story, more exposition. More world building—To at least attract an audience who has NEVER heard of Dofus before. I would 100% watch this movie again!

To me, it feels like Tot wants to build something like Star Wars, One Piece, MCU, Harry Potter, Game of Thrones—A HUGE WORLD that people all over the globe will know and love.

However, the company lacks consistency. Ankama started off as a game company. Then they branched into animation and comics. Now they're using all forms of media to tell their story.

Having to play the game AND read the book AND watch the show/movie, is too much for the average consumer. I don't play games anymore. So now, I will miss something because I don't play the game?

Personally, I feel like there should be ONE form of media to keep track of the WHOLE story (while still making the shows/films/games). That format is BOOKS.

Books are a GREAT way to keep things linear and on track. At least with a book, even if you branch out to animation and get cancelled you can continue the book with the story as planned. And after you have finished the book, maybe someone likes your story and will want to pick back up the animation.

You should watch Dofus: Book 1 Julith for the animation and action scenes. The story is fine but needs more.

Upon little research i found out they did make books for Dofus: Book 1 Julith. IDK if it's good or what it's about but it does exist.

#wakfu #dofus #ankama #onyichii rants

[chouchinobake]

P4 roommates!au hcs

since we're getting a season 4, i wanted to celebrate with hcs i had in my notes for quite some time but never posted :') i'm so excited to see my babies gjfjgkdkd 2024 is gonna be a hell of a year

・bathroom shelves sharing : 40% gregory's make up tools, 40% edgar's shampoos, 20% lawrence and herman's basic stuff

・edgar takes way too long in the bathroom it's criminal

・"tHis cAsTLe iS in UnAcCePtAbLe cOnDiTiOn" — lawrence every 3hours

・gregory lets his art supplies lay literally everywhere in the apartment. eventually the others got tired of telling him to tidy the space and got along with it

・movie night every saturday

・ they all agree on dead poets society to be the Sacred One™

・and disney. they like disney.

・edgar is the official driver since Lawrence drives like an eighty year old, herman has no chill and Gregory doesn't have his driving license

・they go to the library all together at least once every two weeks. they're well known and appreciated by the librarians

・that weird period of time no one is allowed to talk about is when ed and law flirted so hard and yet so obliviously it became awkward for the whole flat-share

・herman and gregory are like kids when halloween is coming. they're the once who put on decorations and buy candies. they even go for a candy tour on 31st. law and ed are tired parents

・they all have such different music tastes their common playlist is a huge mess

・they all agree on classic, jazz and slow rock tho

・ed and law insisted on having an entire wall covered with book shelves. they were the happiest when it happened. precious moment

・gregory is the medic. and he's also the one that gets sick the easiest. beat that logic

・gregory somehow managed to convert the others to billie eilish

・herman is basically bob the builder, when there is a problem in the flat he's in charge

・they just randomly welcome lost pets until their owner shows up

・herman often cooks for them four, he likes to make his friends eat some healthy food

・gregory can listen to the most cheering up sped up tiktok remix songs ever created with a completely straight face

i can't wait to see them on screen, they're so precious <3

#yes in my head law and ed are totally canon #they just click y'know #gregory's my baby i love him #black butler #kuroshitsuji #p4 black butler #perfect 4 #weston college #herman greenhill #gregory violet #lawrence bluewer #edgar redmond #sebastian michaelis #ciel phantomhive #black butler headcanons #kuroshitsuji headcanons

[is-the-fire-real]

judío por elección (part 2)

(part 1.)

My wife and I started searching for a community after a lot of talking. But, technically, we were already looking.

After E died, S gave us charge over a specific set of books. He had told her that it was vital these books go to a synagogue. He preferred it to be a London synagogue. We had no clue which one.

Shoved in with all the different books he had, and we inherited, was ephemera from different synagogues--pamphlets from the 1980s and 1990s, booklets from the '40s and '50s. We started calling and emailing them about these books, because they were pretty important.

They're chumash with a publication date of 1898.

Problem was, we couldn't get any synagogues to respond. The one who finally did said that they had too many books and could not accept any more. They suggested that E might still be honored if the chumash went to a Spanish synagogue.

The community here, as you can imagine, is struggling. Spain has done a real good job at keeping Jews out since the expulsion of 1492. Most groups operate in half-secret: no website, or a website that hasn't been updated in years; no phone numbers. Half of the people we tried to contact never responded. Most of the rest couldn't support our conversion.

One rabbi from Madrid answered us. She made it clear that we'd have to move if we wanted to attend her group. This was expected and crushing. We're poor, disabled, and pretty well stuck where we are. But then she said that there was a brand-new community in a city closer to us, one we visit with some frequency. She introduced us to their leader.

I have the impression that A would be considered a cantor. He is not a rabbi, but he can lead services. He had a few questions about my wife and I's histories and experiences with Judaism. (Those experiences I'll talk about somewhat, but it's difficult to talk about meaningfully while also maintaining privacy, so it'll have to wait.) He wanted to know if and what we were reading. Then he invited us to Shabbat, which they conduct through videocalls.

This group does not have a rabbi, much less a synagogue. Several of the folks who call in for our Shabbat meeting live in a different city entirely. That person talks about experiences with Mossad. I want to get better at Spanish so that I can learn from her.

There's singing (as someone who's seen Ashkenazi services, the Sephardi tradition sounds amazing), of course, and because there's so few of us, A has my wife and I read sometimes for services. The very first thing I got to read was Psalm 23, which has always been one of my favorite works of art... which A couldn't know when he asked me to read it.

I said I'd stumble at lot. He told me to read it slowly in Spanish, that it's better to read slow and correctly than quickly and clumsily. He seemed pleased with my effort.

I was raised Mormon, and the entire approach to worship was very different, in a way I found appealing. My wife said it wasn't that different for them--they were raised mainstream Protestant, so singing and standing/sitting a lot were normal for them.

When we were asked to raise a glass of alcohol, we asked if it had to be wine. (We're bad Spaniards. Neither of us likes the stuff.) A said that as long as it was fermented, it was fine. One attendant had a gin and tonic.

The last time we celebrated Shabbat, we used gay-pride themed glasses and filled them with beer. "¿Qué tenéis?" we were asked.

"¡Cerveza!", which cracked them all up, and the ex-Mossad member talked about how the Orthodox she used to worship with would drink whiskey.

Setting aside the Shabbat has been, overall, easier than I thought it would be. I check HebCal to make sure when the candles should be lit. I do all my household chores throughout Thursday and Friday-daytime. My wife tries to cook as much as possible before the candles are lit, and we eat, talk, and do our video-call service with the community.

Saturday I set aside. I have to keep reminding myself not to work, to consider things done even if they look like they're not.

But onward.

Our little community is fantastic, particularly A. He found out I'm having problems with some of my IDs. He told us not to worry. He knows a lot of people who work immigration and he can help us go to the right office and navigate the Spanish bureaucracy. ("Byzantine" should be replaced with "Spanish".) He's answered all our questions and invited us to events about the Shoah and personally introduced us to people.

They were so welcoming, so open, so not-rejecting-us-three-times (but if you count all the rabbis who told us no, technically, that's more than three) that it shocked my wife and I. We talked beforehand about how the community might want to withdraw, and not trust new converts, given October 7. We found the opposite. Our local Jews seem to feel that our willingness to look at how the world is behaving right now and still say "Your people will be my people" demonstrates our sincerity in and of itself.

On the other hand, when we first met A in person, my wife made a comment regarding his personal safety. He admitted that there was a man in the room with us who's his armed bodyguard. He and his wife do not leave home on business related to the community without their bodyguard.

My wife felt a cold hand creep up their back when they heard that. I was not nearby--I was checking all the exits of the auditorium and calculating where we'd need to sit if we had to flee. There were "pro-Palestinian" protests going on that day and the odds were there wouldn't be any danger near us, but... but...

Several of A's family members are also converting. We will have to travel halfway across the country to a mikveh. There are many medieval mikvehs in Spain, but to my knowledge, there are only two which are actually in use. My wife says we'll have to do a road trip. I immediately think about how "one Sephardi and four converts go road tripping across a country where one of its favorite dishes was designed as a Fuck You to Jews and Muslims" would be a fucking great novel.

Would be? Will be. And completing this branch of the journey with a journey feels right.

Oh, and my favorite A story: he invited us to spend some time with him and his wife after a community meal. We agreed to attend the meal, but had to leave after. "We have a lot of dogs and cats," my wife said, "we have to return and care for them."

"We'd love to have you," he said, "but it's a mitzvah, taking care of animals. Do that instead."

Afterward, my wife stared at me in wonderment and said: "I don't think I ever heard that once in church."

#judaism #jewish conversion #jew by choice #jew in progress #jewish convert #jumblr #spain #sephardim #is-the-fire-real original

[figmentof]

so i've been seeing a lot of people ask "what streaming service would want to pick up a show that only has one season left?" and i think that's a really valid question

now i'm not by any means a media analyst nor do i know the inner workings of the streaming industry but maybe my logic could help alleviate some of that anxiety

ofmd has a solid and very loyal viewer base. the ratings of both s1 and s2 have proven that, especially s2. s1 already outperformed in every way by running circles around MCU projects like Moon Knight and Loki, left both SW shows The Mandalorian and Book of Boba Fett in the dust, and did exceptionally well for a freshman series when going up against existing IPs. now we know that that alone was what got us s2 with max, but even then max/WBD went and slashed the budget by 40% 😬. BUT, even with this limitation and the pacing getting fucked up by rewrites/cut downs for the last three episodes, s2 still came through and delivered record breaking numbers, rave reviews across the board with major media outlets, and outdid their s1 performance that max officially listed ofmd as their max original flagship show. the unfortunate thing however is that none of this made a difference, we still got dropped last minute when the bts crew was already gearing up for pre-production

just because WBD/Zaslav doesn't respect or see the value of the show, doesn't mean other networks/streamers don't. a huge reason why i pushed for apple tv is bc they're a service that i've noticed cares about letting a show do their thing and not as much about viewership. apple tv did get a lot of attention and money from Ted Lasso though, and it was their flagship show for the three seasons it aired. i'm sure their 45 minute per episode season 3 was granted to them mainly because the show brought so much attention to their platform, so i think they'd absolutely do that for ofmd too what with it also being a feel good rom com with positive messages

ofmd also has a huge social media presence. the most recent and very successful example DJenks could use within his pitch is the astroglide incident. within an hour of astroglide tweeting about ofmd, fans are already photoshopping their product into screencaps, editing them into clips, and drawing fan art-- free advertisement delivered to them just because they gave us some attention. the fan tweets with astroglide reached thousands of eyes and astroglide was trending. any service that chooses to pick ofmd up isn't just getting a fanbase that would save them some budget in terms of marketing, but also help them market their lesser known shows too. and Casey Bloys said so himself, albeit very tone deaf and for all the wrong reasons, the twitter gays are the ones who have the power to bring attention to a show (queer word of mouth is no joke)

sometimes all a streaming service needs is a show to push people to subscribe, and i think a lot of these services have good shows but no one is looking for them. ofmd fans are pretty good at browsing through what a service has to offer but you need to give them an incentive, as would any business, that makes them want to spend money. i just think that picking ofmd up is only ever a win for a streamer and it would be stupid of them not to

of course, if you want actual insider knowledge with stats and more realistic talks of what might happen (cautiously optimistic!), you know to check out thecozypirate and meowzawowza_ on twt

#Our Flag Means Death #ofmd #save ofmd #renew ofmd #renew as a crew