the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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In the world I love
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In a different world
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All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.
Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.
In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.
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I see everyone freaking out about the pool scene, meanwhile I'm over here freaking out about one expression in one shot. This mans is unhinged and feral and I live for it.
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Something I notice is the idea with transmasculinity and transmalehood is almost this idea that we had beauty that transition has vanquished, and I honestly never related to this pretransition.
Beauty was never afforded to me as somebody who was obviously neurodivergent and traumatized and weird. I was never seen as beautiful pretransition, and I knew that. Conversations about how desirable we "used to be" never rang true for me personally because I wasn't even given the opportunity to be "beautiful." I was never going to be included in that even if I were not trans, you know? Since transition, I know I'm desirable now, even if it is not in a conventional way. It's interesting how my masculine features are now embraced because people can actually register my maleness, when before, they would never.
Desirability is often used as a tool and a weapon on trans people. The idea of not being "desirable" is a punishment. It's just weird when you're the trans person who was never desired in the first place, and you know it.
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it ever hit you out of nowhere that castiel is living in a dead guy's body and the show just does not care. it does not care. jimmy novak might as well not exist the moment he or claire is out of sight. cas stole a guy's body and his face and his life, and we can't ever talk about it or discuss it in detail because of how fucking horrifying it is that sam and dean's best friend just walks around in a dead guy suit. there's not even a human soul in there anymore. it's just a corpse. stone-cold body snatcher indeed.
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suicide cw
look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am.
ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.
this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.
He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!
you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.
it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions.
what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT.
am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!
yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).
The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.
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i've got a playthrough of chapter 2 in the background on right now, and i really like the setup for susie and ralsei's dynamic going forward. it's clear that susie is starting to realize the full extent of the situation ralsei and the darkners are in;
but she still has a ways to go at navigating it. after all, kris isn't the only one in their group with the power of a lightner. telling him what to do is still telling him what to do, well-intentioned or not.
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Kicking my feet writing on my trolls blog with a glitter pen. I think that the putt putt trolls have sharper teeth and claws and stuff and are generally more "wild" than most other trolls because of the, gestures, 20 years of isolation. And their food is not their size!!! The food they eat is not their size!!! They're tearing into that stuff! They're eating burger patties that probably feed like ten people at once!
I am a huge lover of the "trolls are an adaptive species" headcanon. I also like big chonky teeth and claws in character design. So I'm combining those. Also I noticed that most, if not all, of the putt-putt trolls are monochromatic except for Viva! Clay too, to an extent. Can we talk about the fact that he's gone so far to change himself that his literal skin has shifted from bright blue to a teal color? Anyway, I think putt-putt trolls are like, chameleon sort of trolls. They can change colors instantly in order to camouflage.
They also don't seem to be eating the same sort of berries and fruits and vegetables that the Pop trolls are used to. Points at the burger patties again. They're eating meat. They're mostly eating meat. And yeah I know that there's troll sized burgers in canon, but we mostly only see that in Lonesome Flats, and I'm talking about Pop trolls right now. Pop trolls are not shown eating meat very often. To go from a mostly vegetable/fruit diet to a mostly meat diet (with like, the fries and shakes too, of course) in a very sudden shift can make a person very sick and mess with their body, which is why when people change diets, they do so in small increments. For body and health safety.
Also I don't think they're cooking the Putt Putt course food super often. For safety. Smell travels. Look at how fast Bridget and Gristle found them after they'd made food hours earlier! They're definitely not taking that risk often. Viva did say it was for celebration. They're probably eating that stuff frozen
There's a lot going on in this post, but the main big point is. Putt Putt trolls likely had a massive sudden shift in literal physiology and biology. Such as quicker color shifting, camouflage, sharper teeth made for eating meat and pointier claws for meat as well. I also said this in an earlier post but I do think they move silently. You will not see them unless they want you to, and that's literally canon (when the group firsts enters, when Clay literally disappears between frames to get to the gate, when Bridget and Gristle get to the putt putt course, ect).
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secret husbands au — master post!
since… that’s a thing I need now, apparently! :D
this is a collection of all of the important bits of the au! scar and grian knew one another pre-hermitcraft! they were married long before scar joined back in season 4. none of the hermits actually know they’re married because they’re oblivious. and they think scar and grian have been pining after each other for years. so they decide to get them together!
there is hermitshipping involved (obviously) so if that’s not your thing, this au isn’t for you!
also this au is like 95% fluff and 5% angst. sorry angst lovers, the fluff enjoyers get well fed with this one
caution: things might get a little suggestive, but that’s it. no real warnings for this au!
- main tag: #secret husbands au
fics/drabbles.
scarian’s first meeting / the cuddle curse / avalanche / scarian’s reunion / scar's birthday /
arts.
secret husbands ; by @nothavinganygoodtimes / drabble ; by @hermitcraft-my-beloved /
hypixel era.
scar backstory / how grian and scar met / rough timeline / the roommate offer / scar job hunt / jellie / scar's nightmare / scar baking cookies / dating? / grian being sick / the proposal: one ; two ; / scarian cooking (or... trying to) / grian goodtimes: one ; two / scar twig to hunk / scar and food / scar being touch starved / from tcd to hypixel /
hermit s4 - evo.
scar joining hermitcraft: one ; two ; / hermits knowing g went missing / scar and grian's sweater / grian losing his wedding ring: one ; two / grian showing scar his watcher form / scar becoming vex / cub and scar / grian not looking for scar /
hermitcraft.
grian joining hermitcraft / closure from evo / grian's reaction to scar vex / bdubs starts it / season 6 thoughts: one ; two ; / season 7 thoughts: one ; two ; / season 8 thoughts: one ; / season 9 thoughts: one ; / season 10 thoughts: one ; / sweater and blanket: one ; two / king ren arc: one ; / mycelium resistance/mayor stuff: one ; two ; three ; four / grian and food / grian and sensory overload /
life series.
potential life series / differences in third life /
lore asks.
how they show affection / the betting pool / vow renewals / martyn voice: scar is tricking a married man! / why no one realizes in s6 / empires knowing / scar and grian's bets / nightmares: one ; two ; / grian playing with scar's hair / grian and nests / "avian" grian: one ; two ; three ; four ; / mcc / vex lore / watcher lore / scar doing art / eating habits / wearing each others clothes / scarian getting their suits / old suits for renewal / scar's bday /
misc.
the initial post / third life thoughts / "why didn't you tell me we were dating?" / who knows vs who doesn't / "I sure hope he does" / secret husbands syndrome / scarian's marriage / "scar loves you" /
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Really excited for all the people mad about "Judaism" and the "Jewish people" existing in modern day Israel to learn the etymology of the word "Jew" and all its derivatives and where historically "Judea" was on a map.
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Omg I love Rise I wish she was a good character
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No but you don’t understand. The storytelling of the flashbacks to Cassian’s life as Kassa on Kenari. The fact that we get no translations for the language, but everything we need to know is communicated to us anyway. We understand which kids are In Charge, we see the leader’s prudence, how she commands respect, her generosity in allowing Kassa to join. We see the ritual of the marking application. We see jewelry, bowls, cups, toys— and weapons, though we don’t realize exactly what kind they are until they are needed, but used too late. We don’t know what the last thing Kassa said to Kerri was. We know exactly what he said. The green of the forest, the yellows greens and oranges of the kids’ clothing. The older kids stepping over a log, but Kassa, the youngest and smallest and last of the pack, swings his legs over sitting down. The shot panning from the green of the forest to the dead land near the mining site. The shot of Kassa overlooking the ridge where the mining happens. The total saturation of Kassa’s world— the color, the teeming life, the grime. Contrasted with the world of the Republic-soon-to-be-Empire, which is dead, cold, grey and black and artificial red. Glassy and clean. Literally and metaphorically surrounded by death, Kassa is the only alive thing on that ship. His shirt is the same color as the dead crew’s faces. The pop of color of the Andors: Maarva and Clem’s bickering, their bright clothes, Bee’s shiny paint, Maarva’s bright hair. Theirs are the first words chronologically that the audience can understand. Kassa can’t. Maarva kidnaps a frightened, angry, child with a community— on a whim. After the event itself, the fact that she kidnapped him is never discussed. Two people were lost to that band of kids: their leader and their straggler. Cassian is still looking for his sister. Cassian keeps going home and promising he’ll be back. Kassa never returns to Kenari.
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