like. okay. thinking about this some more and tbh it is kind of insane to me the way people will sometimes characterise core four, and kon specifically, as being completely unconditionally on board with tim not revealing his real name or face to them prior to wwyj.
like, i know the real reason is that the people doing this simply don't read comics. which is such a fucking wall to run into. but man... tim not telling them his identity when everyone else had revealed theirs to each other/didn't have one to begin with was the biggest driving force behind the tim and kon fight on apokalips. the same way kon was upset and hurt that superman never told him he's also clark kent. kon is very explicitly not cool with being left out of the loop about things as big as secret identities. it makes him feel like the other person doesn't consider him trustworthy, and then he starts questioning their relationship. (once again, pointing at the kon & lois conversation post hypertime arc when he finds out clark's secret identity.)
i love identity shenanigans. i love identity angst. i think thats one of the most fun things about the superhero genre! and aus where they don't know each other's ids can be fun!!! but it's like. INCREDIBLY out of character for that not to be a driving force of conflict if kon is involved in any way.
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I went to read Ratio's messages again and:
He encourages Stelle to enroll on Veritas Prime, a.k.a his very own alma mater, for REALSIES. Not only that, but:
He's willing to personally recommend her. P e r s o n a l l y.
And that's kinda surprising, in a good way. Like, I know Ratio isn't a condescending prick that thinks himself above others (or, well... There's a lot more to him than the condescension, is what I mean to say), but he looked at Stelle and saw potential in her. Veritas Ratio, the man who'd rather wear a fucking plaster head in front of his students because he's allergic to dumbassery, looked at Stelle, our resident unhinged raccoon, and saw enough potential to personally encourage and oversee her pursuit of knowledge.
Look at this! He's genuinely interested in her worldview and her opinions! He doesn't consider a waste of time to discuss topics with her! He spent the entirety of this message batch simulating a debate with her and sharing knowledge on the subject!
Again, it's not like I thought Ratio was incapable of any of this, but I never imagined that he'd be like that with the Trailblazer either. It's surprising, but in a very pleasant way? Like, "wow, I wasn't expecting this dynamic to be so genuine but it is and I like it". Honestly, I'll never not be impressed by Ratio and his particular ways of showcasing kindness to others/seeking companionship. He's such a compelling character.
Oh, and this is my favorite message batch of his. He feels tired by the monotony of his projects and he decides to relax by... Humoring Stelle? He goes and says "Hey, think of something you want and I'll make up a project" and Stelle, huge dork that she is, goes "Make me a cool weapon!" and "Make the Express move forever!" and he just... Does it? Sends a project of transforming the Express into a mecha?? Says he wants to disassemble the Express to figure it out???
It feels like I'm rambling for nothing but this is truly disarming to me. It's easy to dismiss Stelle as a goofball (and she very much IS a goofball) but Ratio actually takes her seriously and seeks to nurture her progress. Beyond that, he honestly likes to entertain her ideas and thinks that hearing her out is a positive thing.
If I had to describe their relationship, I'd say it's all very cute, in a pure and wholesome way, and I cannot believe I'm using these words to describe Veritas freaking Ratio out of all characters. This gotta be a new kind of brainworm.
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ok im going to ramble for a minute but i think van palmer's turn towards violence is so interesting. like in the beginning, she nearly throws up just thinking about allie's broken leg. she can't watch when shauna sobs over her baby's body. but then she's one of the first to truly believe and accept that they'll end up turning to violence in order to survive - she stops and she watches shauna beat their friend and teammate and she knows. it's brutal and bloody and near deadly, but this time, she doesn’t look away.
despite her weak stomach, she's always been willing to do what she believes is necessary. to her, violence isn't intriguing or sensational or something to be celebrated - but it is something to be resorted to, one of those things she sees as an inevitability, a necessity, no matter how painful or nauseating or depressing. she’ll slap her mother awake, but first she'll call out to her. she'll hunt nat through the woods and she'll let a 14yo drown, but only because she and taissa and lottie and everyone who she cares for, they're all starving, or hurt. she will do what she believes it will take to keep herself and her loved ones alive, at least most of them, at least as many of them as possible - because, of course, she’s always tried so hard to be the protector. that's who she is, shown in a thousand little ways. she plays goalie. she tries to break up the fight between tai and shauna in the pilot and she starts to defend nat when travis is being a dickhead in bear down and she helps hold shauna back until lottie tells them not to in burial. she tries to look after tai when she sleepwalks, like how she possibly had to look after her mother for years. she jokes around and she tells the group stories, trying to keep them connected to the outside world.
i think it's interesting to see a character so solidly rooted in the idea of protection to be the one spearheading violent action. it's ironic and tragic and it makes sense, because as yellowjackets shows, over and over - care is not an inherently gentle or bloodless act!! it's van telling the others to leave her bleeding in the woods after the wolf attack and it's tying herself to tai even though she gets hurt and it's helping carry bodies onto the plane and digging graves. it's telling tai she loves her for the first time by literally writing it in her own blood.
sometimes it’s painful. sometimes it's not healthy or righteous. sometimes it’s the hard choice - putting forth the playing cards and joining the hunt and watching with grim determination as javi struggles and cries out for help, and then separating herself and the others from the choice to let him die by claiming the wilderness made it for them. reaching out and turning his face away from shauna when it’s time for the bloodletting. convincing travis to cannibalize his little brother by telling him that he owes javi this final act of love.
it's giving up retelling movies and tv shows and instead telling a different story, a quiet, cold one, because she believes the only way for them to survive out in the wilderness is to give themselves over to it fully, no matter how horrible - because, after everything, what choice does she feel she has but to persist? even in wiskayok, living was always a fight, another series of necessary actions in order to Get Through It and Get Out. after the alcoholic mother and ambiguously unmentioned father and the trials of being young and gay and butch in the suburbs of 90s new jersey, she wants a future, so badly. and after having to pull herself out of the crash and surviving the wolf attack and the pyre, after spending months watching the others around her suffer and starve and die, she can't pull out of the fight. she wouldn't even know how. like a brutal, desperate instinct, she must survive, and she must protect.
it's agonizing but she won't let herself feel it and it's endless but she can only think about the end result. it's selfish in the way they're almost all selfish and it's loving in the way they all love - but especially van, who is so deeply and fiercely protective, who has always cared so much. in the end, that protective instinct both keeps her painfully human and pushes her out into the deep end. it's the kindest and most wonderful piece of her being and it's an intense force that leads her towards brutality. because sometimes caring is the violent thing!! sometimes love is violence and violence is love!!!!
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Friendly reminder (or intro explainer) that show bibles are reference documents that evolve with a series and get updated as the writers make changes. Despite what the name might make it sound like, nothing in them is set in stone. They're guidelines for focus and consistency, and getting writers on the same page.
Actually writing the script leads to an evolving understanding of the story, plot, characters, etc., often in unexpected directions. So the writers update the show bible to compile new insights and account for changes, again to keep everyone on the same page.
Nothing is confirmed until the finalized show.
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