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#i just wish there was some self reflection here. i guess. some actual acknowledgement of his canon struggles
lycanr0t · 2 months
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i feel very frustrated about the trend of giving chil body hair bc if it was any other anime twink i would be thrilled its just that it seems to only be because people are SO afraid of him looking young they have to make him hairy to justify liking him in ships.
meanwhile it does directly go against canon (he literally is supposed to look like a child. this is integral to both his character and his race's lore as a whole and it makes no damn sense that he would be mistaken for a child if he has body hair i mean. cmon.)
and it's like. some men are hairless. some men look young. when youre a trans man in your 20s-30s its especially common to be mistaken for a teenager, even more so if you're not on t. and short. these traits do not make you less of a man or an adult. :/
#rot posts#listen its like. i just wish ppl werent doing it for the reasons they seem to be#you NEVER see tiny little men get body hair in fanart i should know ive been in multiple fandoms where i was the only 1 givin bitches hair#but it also sucks when its like. clearly from a place of discomfort and not wanting him to seem young#rather than actually loving body hair#for example where is laios with body hair. wheres kabru. mithrun. literally any other character#(senshi us a slight exception on account of semi canonically having hair)#it just feels like a performance for no one. ok yeah good job you made chil look like a hairy 30 year old#did you pay attention to how that totally disregards his story and how he canonically looks like a child and that IS an important aspect#half foots face infantilism to an extreme and his appearance is a part of this. the discrimination he faces is partially BECAUSE of looks!#so changing him to erase such a HUGE important aspect of his race's lore just bc ppl seem uncomfortable with him being young looking feels#idk the feeling. its frustrating to me#i just wish there was some self reflection here. i guess. some actual acknowledgement of his canon struggles#do you even like chil if you cant accept one of his core canonical traits...#whew anyways this is HUGELY a limited edition post bc im deleting it as soon as my husband reads it ❤️#i hate drama i hate discourse so like always if you try to start shit i will ignore + block you soo fast dont try me
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dats-hq · 9 months
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Saki, 2/12/16/20
2. When I truly started to like this character
So I was already primed to like Saki a lot just because I loved her character design and thought she seemed neat from the 2018 trailers, but obviously that didn't make me as normal about Saki as I am now.
I wish I had a text dump of the game so I could pull up the exact lines, but basically the part where I started to truly like Saki was in the first Free Action section of Part 6 where you can talk to her in the waterway about how she's feeling after seeing Wendimon kill Shuuji. Up until this point, it was clear that Saki put a lot of effort into masking her true feelings from the group, and we had even seen her try to distance herself from her own emotions in Part 3 and 4 with regards to losing Professor and Ryo.
In Part 6, though, it suddenly seemed very clear to me that Saki actually didn't know her own emotions herself. She'd worn masks for too long. Seeing this only a few minutes after watching Shuuji unravel from a similar internal conflict, and less than an hour after the revelation of Saki's chronic illness, made a lot of things click into place for me. I'm actually not sure if it was written with any specific intention that you have this realization here, but hey! I did, and it created a compelling narrative to me!
By this point, I had enough trust in Survive's writing that Saki's illness wasn't some irrelevant, edgy detail. It had to be connected in some way to her larger character. More than that, this was clearly a part of a larger theme of internal vs external self that extended beyond just one of two subplots.
(Side note, I actually do have some quibbles with how Survive depicts disability with the whole game in mind, but that's a different conversation.)
12. Sexuality headcanon
If the question is just what her sexuality is, I'd guess bi, though lesbian isn't out of the question. What I headcanon much more strongly, however, is that Saki herself is not sure yet. She doesn't exactly struggle with it or anything, she just doesn't give it a lot of thought. She likes who she likes, and she figures the details will just work themselves out.
16. Childhood headcanon
I think I've alluded to this a few times before, but I think Saki was diagnosed at a very young age. In the Wrathful Part 10 flashback, we see her doctor mention that her illness isn't affecting her too badly at this time, which to me implies that there have been at least a few extensive periods of time where she was either doing better or worse. Moreover, in Saki's prequel story, we see that Saki is well aware of how to emotionally manipulate her mother by playing up her illness. She had to have been living with this for quite a while in order to get a sense for which approach would work when with her mom. She probably even has a different strategy for her dad.
I think this provides an interesting foundation for why she is so distant from her true feelings.
(And yes, I know that Saki was partially expressing authentic anxiety to her mom in that phone call, but consider how much avoidant behavior with her doctor got her into that position in the first place. The distance from her own emotions is often layered in ways Saki refuses to acknowledge.)
20. Weird headcanon
Damn, I have a lot of these.
I think one of her (extremely tertiary) concerns about surgery was visible scarring and that was partially reflected in how she felt toward Veggiemon and Blossomon at first. Though, by the end of the game, she's full-throatedly announcing her love for Blossomon in Talk convos, which I like to think implies that in the routes she survives to get surgery in, she embraces the scars.
In the hypothetical multiversal Digimon tamer conference I half-jokingly think about a lot, she ends up in the Plant Girl room since there's not actually that many repeats of Palmon, Floramon, or Lalamon. Anyway she'd get into an argument with Mimi about if Palmon or Floramon were cuter, but lowkey get mad when she saw how cute Yoshino and Mimi's evolutions are compared to hers lol. Gets along well with Catherine though.
If she tried hanging out with Miu and Minoru outside the context of Kemonogami business, it would be very awkward at first but eventually they'd go to a zoo or something and have a good time talking about random shit while looking at animals.
She is NOT a natural blonde.
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Wow, I'm such a b****. Rereading that last post, and it's almost like I'm on the brink of emotional cheating? Slandering my ally, my best friend, mother of my daughter? And for what exactly? Because she was having a rough day and didn't give me enough attention on my birthday? I mean I know I'm just here trying to put my emotions into words and it's anonymous, but all that I wrote last time is out there on the internet. And it is disrespectful to my wife and the integrity of our relationship. No, I need to correct it. To anybody who reads my posts and happens to have read the last one, about me crying like a little b**** about how I'm "giving", and the good guy, and all needy and self-absorbed and craving attention on my birthday, you have to know the other side of the story. I need to put the next part of that story out, and own up to how wrong and petty I was last time! Obviously, this one is going to be about some self reflection I guess and making things right. So please bear with me!
A big part of being a good parent is to understand and accept when you are wrong, unlearn those things and try and learn a new better way of doing that thing. Like, one example, my therapist addresses her SO as "partner" . It was new to me, and I immediately assumed she maybe had a non-straight (hope that's PC) relationship/marriage and that's why addressed her SO as "partner". Then, she talked about her kids, I thought, maybe she is actually in a straight marriage with kids! Now, that's interesting to my curious mind! English is not my first language, so I usually tend to address my SO as "wife", that's not the only reason though, is it? I grew up in a traditional family with a culturally patriarchal social system. So, there was this system of hierarchy or authority at home, an unwritten corporate ladder in a way. The father/husband/man-of-the-house was number one, the guy on top who makes the final call, who has the power to veto any other decision. Then there's the mother/wife/equally-responsible-for-proper-functioning-of-house-but-still-for-some-reason-number-2. I suddenly started thinking that, the word wife represents this outdated idea and family structure ... like it has a certain tone? or paints a certain picture in your mind? And I haven't even started talking about same sex marriages - husband and wife? Felt wrong on many levels! But "partner"? Yep that sounds perfect and complete and inclusive if you ask me. My wife/partner has an equal/a huge role to play in the proper functioning of our house, my daughter sees that, I want her to see that I see that, we need to acknowledge and appreciate it. Yes, she's my partner. We are 50-50 in everything.
Now with that out of the way, about my birthday, Tumblr gave me a nice gift on that day! Or rather the person who commented on my previous post! I am new to Tumblr and I don't know if I can tag you or something, but the person who commented on my previous post? If you're reading this one and have had the patience to read until here (lol) THANK YOU! Just knowing that someone out there actually read my long posts? AND connected and related with it, commented positive responses on it? I swear you brought a tear to my eye! Looks like I'm not absolutely alone in these day to day struggles?
Anyway back to the story, I slept after making that post, the next morning, I literally opened my eyes to my partner standing there with a big smile on her face wishing me "happy birthday". Yep, I was so happy, delighted even - but I just said thanks with a small smile and walked away, why? Obviously, the man-child in me had to throw a tantrum, and my bipolar a** had to escalate and drag the situation more than it was supposed to, right? Inevitable, no?
She went downstairs without a word, I went in for my regular read-stuff-on-phone-on-the-pot-for-40-minutes routine, and read the comments on my post. I took away quite a few things from just those few simple words, kind stranger.
you are right, about the giving and reciprocating thing being a personality trait, 100% agreed. I just made that woman joke to try and keep things light, I guess? I have been watching Bill Burr lately, maybe that influenced my humor a little, lol? Jokes aside, I agree with you, because I myself am not a very emotionally expressive person. Maybe my untreated illnesses or just being busy in the grind for making a better life and career, I guess I never properly paid attention to learning emotional regulation, healthy coping mechanisms, etc. I'm not that giving myself either - it takes me a lot to trust someone and be vulnerable with them. One week I'm all giving and all touchy and the next I'll not utter a word. But all that is changing - a combination of getting a proper diagnosis to understand my own behavior patterns, good medication, a good therapist and generally just a new perspective to life after becoming a parent, has grounded me and I'm trying to become more emotionally stable, cope better, manage expectations. With all that being said, I think I have to emphasize how kind of a person my partner is, how giving she is and how receptive she is. Yes, I was down and sad that she was distant, but it's the circumstances and not the person. There are a lot of factors for her to behave the way she did. Don't forget, she's the mother of a really hyperactive 2 year old who has serious strangers anxiety right now and is clingy to her mother all the time, until she sleeps! And over that, household chores, a high stress job, a man-child husband acting like a fool. Moreover, it's not my information to share, so to put it vaguely, her family has suffered a major trauma this year, so she still had some knowing bag days from that incident. And that kind of justifies her trying to be there for her sister. And it's not like she completely ignored my thing either. So, I guess it's ok for her to be checked out sometimes? This is on me - I knew all these facts and circumstances, but I was not consciously aware of them. That or/and me being a little self absorbed and excited in my own head about my birthday.
And yes, capitalism+job is a factor! But guess who she is working hard for? Our family. I know for a fact, that she wasn't sitting there working at 9PM after putting a 2 year old to sleep, regular household chores, because she wanted to. I wouldn't want her to quit or lose her job, I mean if she wanted to willingly quit, yes. Her income is important for us to provide the best possible future for our child. Hell I'm not even ashamed to admit, that her job, and in turn a consequence of capitalism and wealth is giving me a good life! We have both lived with literally bare necessities when we first moved to this country. We worked hard and have been tremendously lucky to be living with relative financial privilege now. She has worked really hard and deserves to be in this position, this career and she has every right to put in as much effort as she wanted and I should be supporting her, and I will! And again, selfishly admitting, her job is helping us live a better quality of life, and I like it and appreciate it.
Wow drifted away again, coming back to my birthday. After all the potty introspection and enlightenment I headed downstairs, and found her sitting on the sofa silently crying and trying to sort herself out as soon as she realized I was going to walk in. But I saw her. It broke my heart, always does. I walked over to her, and tried to console her. Over she was calm, I tried to express what I was feeling, again thanks to my therapist, I was able to have a really civil and calm conversation, express what affected me, listen, like really listen to what she had to say, her feelings and emotions, and we resolved our differences. Before therapy and medication, this was one of those situations which could easily blow up into a full blown argument or fight and me getting angry, oof! Toxic.. Untreated mental illnesses are hell, but with the right help and support and understanding people around (who love you unconditionally and support your, even though they are directly or indirectly constantly affected by the illness), everybody has a chance to live the ideal life they want to.
I asked her, if we should still go out? I mean should we just stay in and relax or something? Cool down? She said she had been planning for this day for weeks, so we got ready to leave. She asked me if she could get a hug, and I just felt like we should hold off until the end of the day - please don't misunderstand me. I wasn't being petty or mean or anything, I wanted that hug so badly. But all my instincts told me we should wait. She understood. Then we went out on this amazing drive, with beautiful scenes and sunlight and ocean breeze.. Then this hidden gem of a restaurant in the middle of nowhere, with beautiful waterfront views, just special. On our way back the moment arrived which just called for a hug, and that's it felt well earned, valuable and precious. Trying to put that feeling into words is impossible so I'm just going to leave it at that.
Obviously, paapu missed out on this, even though it was our date, lovers private time, we still felt guilty. So we took her out for dinner as well, and I just had such an amazing day. Nothing flashy or fancy, no parties, no surprises, no expensive gifts. Just valuable time with my girls. Especially the big one, we needed that, we both needed that.
So what is this post really about? Am I too emotionally fragile? Am I too immature for a 33 year old father of a 2 year old? Am I bad SO? Do I trip too much about unnecessary stuff? Am I a bad person for bad mouthing my soul mate? The only person in the world who knows me? My confidante? Or is all this just bipolar disorder? Or is all just normal? We have struggled a lot to be together, struggled a lot to stay together, because of both internal and external factors. We had to pass through so many storms, we have stuck with each other, out of choice - no matter what. To the point that our interdependence has become scary even, and then without any regard for all of that, I made an angry post about some silly birthday of mine. We are still going to have disagreements, and fights even, but try not to make her cry and cut down a little on narcissism? Anyway, to anybody who's reading this, what's your takeaway? Do you feel like punching me, or sympathizing or disappointed or just feel like "this guy is just having another normal day"?
What else? Obviously, I have to talk about the other girl - that little lump of joy? It's becoming a mean little girl. She's mean, dude! Toddlers are so mean. She has started to revolt now, freaking small person! How the hell are they so emotionally intelligent yet so utterly helpless? In case it's not already clear from my last few posts, I'm the parent who says no much more, so nowadays, whenever I say a stern no, she literally looks in my eyes and does that action - like wtaf! Like, she was taking out tissues from a box, I said take out just one please? She took out one. Then she reached in to get another one out, I called out and politely said "no! Didn't we agree that we will take only one?". The little meanie, looked right in my eye, and while continuously staring into my eyes, blank expression on her face, she reached into the box and pulled out as many papers as would come out. TWICE! Everybody says parenting is hard, talk about sleepless nights, physical exhaustion, moral dilemmas. But nobody prepares you for the simple fact, that kids are proper a-holes to their parents. I sincerely apologize for saying it, but it's true. They just want to see your breaking point for every small thing. Terrible twos? Ya, just started for me, and the signs don't look encouraging, but onwards we go, learning as the challenges come. Managed it till here, we'll see whatever comes next! Until next time!
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hologramcowboy · 1 year
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I always find it interesting how your feelings towards Jensen come from a strange protectiveness... Like you kinda love him like a mom or something like that. I don’t know how to phrase it but when I read your appreciation posts about him I feel a deep affection, when you are critical of him I feel like it is coming from a mom-like worry for her son not doing good in career or ruining himself in addiction etc. It makes me curious about you, your parasocial relationship with him (I guess I can use this term here) is unique from the normal stans who generally crushes over a celebrity.
I'm touch with his industry so when I pick on things he does wrong it's because I know what works and what does not and my wish is for him to do the things that elevate his career. Which makes extra critical because I know what he could be but he'll never be that because hetakes advice from incompetent people, it seems.
As for him being a celebrity, I have colleagues who are big stars but that doesn't make me react any differently. I look at people's personalities, their hearts, their status is irrelevant to me. Especially since I know a lot of the people placed on pedestals are some of the most toxic people you will ever meet. The image stars craft doesn't always coincide with their real self, I'll just leave it at that.
I feel deep reverance and affection for Jensen for personal reasons I cannot share on this blog. However, I also realize that they way I feel doesn't necessarily reflect when it comes to who he is. In other words, I own and adore my feelings without expecting him to live up to them as lately he seems very different from the gut feelings I have about him. All of my feelings were proven in the past but I guess people change over time, especially when under not so good influences.
This stings my pride but yes, I am deeply protective of Jensen. I think any woman that is in touch with her femininity is influenced greatly by her maternal instinct and that does not extend to just children, it extends to everyone we may deeply care about. It's what makes women unique, they are nurturers. Jensen also shares some qualities in common with me, which also makes me extra protective because I understand the underlying dynamics and how certain things could hurt him.
As for crushing, that's a beautiful and healthy thing to have as long as it does not take away your sense of self, your self worth and your ability to follow your bliss. I love that people love him, nothing makes me happier, but they shouldn't be obsessed to the point of losing out on their own life and goals. Which is what most Jenneel/Jensen fans do. They superseed their live with Jenneel's values and spend their life obsessed with them instead of making their own dreams come true. I know it's a hard pill to swallow but actors are just people, flaws and all, and unless they are your colleagues and you can learn from them, there is little to no point obsessing over them. Even if they were your colleagues, placing them on a pedestal instead of acknowledging that you have all the qualities you need will only block you from achieving your goals. It's perfectly fine to have mentors, I recommend it but the relationship need to be a healthy one.
Appreciation is super healthy and so is inspiration but when you take it to extremes and superseed your life with other people's values instead of your own you lose control over your own life. It truly breaks my heart to see young girls so caught up in their para-social relationship that they are not able to appreciate themselves and follow their dreams because most of their energy goes into worshipping Jensen/Danneel which steals time from their actual goals and dreams.
I sometimes wish I could write a self help book for these girls/boys to get them back into slaying their self branding and goals instead of stuck on regurgitating old Jenneel content or chasing cons instead of investing in classes, projects that make their life. It seems these people have taken para-social relationships and made them the center of their lives and that is endlessly sad. Not only that, they have denaturalized feelings and focus on consuming, objectifying. It's not only a one sided relationship, it's a selfish, entitled, dehumanizing one.
I don't even think I fit in the para-social relationship category because I don't have any relationship with Jensen. Ultimately, he is a stranger and one that is seeming quite off more and more. While, in the past, I was happy to meet him, I'm not sure I could say the same today. However, at an artistic level, I have a deep reverence for everything he represents and could be and I also have an inner image I grew up with that he resembles in incredible ways so much so I often wonder if maybe I saw him somewhere as a child and internalized that image ever since as an ideal.
Thank you for bringing up para-social relationships as it is a key topic within fandom, I wish people had more awareness on this because everything has it's up sides as long as there is balance but once there is lack of it, para-social relationships can become very taxing. This is why I always encourage people, whatever you admire in someone, no matter how big or impossible, get out a piece of paper and ask yourself "When and how have I displayed this exact trait?" and don't stop until you come up with a list of answers. This will allow you to recognize that those qualities you go ga ga over are very much a part of you and you will be able to love people from a centered, balanced place inside instead of placing them on unrealistic pedestals and creating limitations for yourself.
Thank you for sharing your perspective 🥰, I didn't think my nurturing instinct was coming through, neither deep affection, I try to keep my posts as dettached as possible but obviously there is a why behind them and I guess it comes through more than I realized. Being a very proud, private individual, I kinda hate that. lol I will definitely do some inner digging as I'm looking to estinguish those feelings.
Will end this post with one important wish: While it's beautiful people enjoy Jensen/Danneel/etc, I hope they find their own Jensen(or whoever their ideal is) in their real life or become like him/her (if that's what they want) instead of being absorbed by another's life. I hope they get to live their own version of whatever is most perfect to them instead of turning mediocre people into gods. No one should be the god of your life. You can appreciate people without losing self value and without foregoing the importance of your own presence and impact on this world. I wish the same for Jensen, for him to live his highest ideals in every area of his life. We only have one life so let's all live authentically according to our highest values. 💕
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flightofaqrow · 11 months
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Misfortune (Reprise)
I realized I never talked about option 1. Let me back up. And bear with me a moment. We're going to get serious first, and then silly, okay?
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I. The Take
I have too many words about it which will probably keep coming and being further refined into new posts, but to put it as simple as possible: My personal portrayal take is that Misfortune is symbolic of a physical disability (aura and semblance are like a muscle, don't u kno) and an allegory for depression/anxiety, and both of these things are further maladapted due to trauma.
We are explicitly told that semblances may or may NOT be reflective of someone's soul, and that if it is, it can be either a semblance shaped by the soul OR a soul shaped by the semblance. ...Remember?
“A common philosophy is that a warrior’s Semblance is a part of who they are. Some say your personality and character can define your Semblance while some claim that it is the other way around. Of course, there are still many who don’t see a connection at all."
We are also explicitly told by qrow that his "semblance isn't like most."
tl;dr (a) people trying to frame Misfortune as some sort of manifestation of qrow's personality or true self just because using that lens does fit a lot of the other characters, or (b) trying to say that having a different perspective about himself and the trauma aspect of things suddenly makes the other parts go away - absolutely smacks of (a) victim blaming and (b) ableism [to me].
This is a me thing, a personal interpretation and portrayal thing. But this is also my muse and my space to talk about it, so I do. No actual hate to people that interpret or have fun with it otherwise, you're valid.
II. The Alternates
On a lighter note, the two alternative options I will accept for Misfortune reflecting some aspect of qrow's true self are:
He wants to stay the hell away from main character drama, so he acknowledges his B Sitcom plot, complete with the stupid slapstick.
and
2. Super secret [til now] background tertiary allusion: Uncle Charlie.
Welcome to doing whatever you wish! you got the wrong guy. Laughing and singing all day! oh, isn't that wonderful. you mean there's no surprises or anything? Oh no, no, no. We know everything here. aw, that's just lovely. the clouds. the grass. the air. [/s] hey. would you like to dance? you must have studied dancing. you have natural rhythm... Ah! I'm getting dizzy... everything is so lovely here. so planned. so ordinary. and that's what's driving me crazy. i need Brazil, the throb, the thrill i've never been there, but someday i will adventure and danger! love from a stranger! let me be surprised! today there's sun, they said there'd be snow when all's said and done, it's fun not to know what keeps my heart humming is guessing what's coming let me be surprised! oh, ain't it great when fate ...makes you wait the world seems mirthless you feel worthless then suddenly, there's a big bone on your plate! Oh, Charlie, please remember Down there's a world of used cars And singles bars, broken dreams And out of reach stars... but it isn't over, not for this rover i don't like to steal... but i don't buy this deal... in 'bout three seconds, she'll have realized... and she's gonna be. wait'll you see. she's gonna be ...surprised!
this is relevant at just face value, but also.
qrow as 'the second child, the twin who never should have been, but came back wrong/cursed from a prior life' has been a brainworm based around this allusion for a very long time, and then Vol 9 came along and we got canon ascension/reincarnation for potentially everybody AND canon time-fuckery based around pocket watch imagery. so you know what, it's the time and place to talk about that too.
Ozma > qrow > Jaune parallel of boys trying so hard to be heroes but just end up dicking around and caught in things they don't understand. delicious.
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amishgirlies · 2 months
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Pisces
were currently on pisces season ( i love it ) . like this months is special because finally venus running through pisces season. not to mention mercury also currently on pisces, sun was here since february, and moon did her rebirth at 10th march so it was magical. Oh, neptune will accompany us in pisces for i gues several years !
i love this moment. finally i felt like i could romanticize everything, but still holding my leg on the ground. i could work on things while i indulge myself having fun or just seeing something more vivid. right now, i am on my room alone. the ac is just doing fine and everything felt soothing. actually it has been like this since sun enter pisces. i felt like all this routine indulge me much since i was hypervigilant before. right now, i felt like it is time for me to just have myself in my place romantize and being slow. people hate slow or something that doesnt move swiftly. but, i do enjoy swimming in situations that including time freezing or slow a little bit. i mean, right now its 5 pm and i cant even imagine tomorrow going work early than usual. but i guess i can just rely and listen to ariana grande intro song in her new album ( I LOVE IT ) . the appetite to torn down my bubble of thoughts and let all my head pouring on social media is back. i love it like i felt inspired but its not just like i want to write something beautiful or heart wrenching. its just urge to write myself. put whats circulating on my cloudy brain rather making it as something people could digest. i dont care people gonna be wrinkling their forehead reading all of this but i love it.
a lot of happening in this world, i try my best but i guess it cost me life. now i just want to rest and circling myself with comfort. i cant help because i know in the end of the day im the one who responsible to soothe myself. to take care of myself. so let me doing self care while also keeping eye on what happened.
at this time, i dont want to include myself in such conditions that you know, quite draining and need me to talk much with people. i dont argue much, i just wish their karma hit them and multiplied. the hate and anger still there, but i dont wanna controlled by them. i think i should reflect how much im spiteful last year. of course, i will way more spiteful but i guess there a lot of things that i would not engage in later. maybe i realize that theres alot of things that i dont need to protect, cis gay men in example. like i do care much before engaged in some convo about them but theyre doing self destruct. so, why bother doing favor to people that doesnt even acknowledge that people put through for them ? let them suffer and earn the consequences. beside, theyre men. all they do just hide on the closet and fuck each other. still doing same, like hating the cishet, and anything else. but i dont to engage with them because most of them just bunch of prick who crying when they got something. thats why i pick myself out of the crowd. theyre dumbness literally kills and i dont bother to be near my killer.
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rfhusnik · 2 months
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There Is But One True City Of Sanctuary Part Three
      Written By:  F. John Surells
             As I sit amongst these empty chairs, time’s reflections filter in through the glass that’s near me, and settle quietly but importantly around me. And with a mind which I know will soon be looking piercingly backward, before any past thoughts can revisit, I submit a prayer of thankfulness for the fact that it’s a sunny day. And it’s a quiet day, both inward here where I am, and outward, at least as far as I can see. Still, I know much noise does exist – out there – out beyond my current scope of reality and imagination. 
            But I can truthfully tell you that in my comprehension the peacefulness which surrounds me now, assures me that mine was a victory in the end; yet only a personal one, for all must individually participate in the so-called game of life in which many necessary restraints are often ignored, and many bogus rules are often crafted. Still, I wish I could impress upon you how significant this current moment’s lack of distortion is. It exemplifies my guess that one subjective era of conduct has ended, and signifies my acknowledgement of the fact that another will now need to begin. And God, I’m thinking now of the ramifications of such a new beginning. And just now I’m experiencing sobering thoughts! Their possible reconfiguration of character shocks me psychologically, and escorts me mentally backward to many happy memories, but also brings to the fore the sense of anguish I know because of the fact that Lucifer accomplished much during my years of existence.
            But, as I said, it appears now that one era has ended and another has begun. And, as I’m thinking about my approach to this new beginning, I’m remembering what Orlon spoke about in Part Two of this discussion. He said that we (meaning all mortals) must never allow self-pity to be our life’s commander. And thus, I’ve decided that for every time we mentally find ourselves with the Romans at Teutoburg Forest, or with the Confederates at Gettysburg, or sailing aboard the Titanic on an icy Atlantic, we should also remember that day at The Louvre when Mona Lisa took leave of her so-called “mystic smile” and winked at us.
            And believing that, I’ll try to convey how simply free I feel today. Yes, I feel free, perhaps not completely from societal responsibilities of commission and omission, but at least liberated – liberated in one’s mind. And I can say to the man looking back at me that I’m not especially concerned about any performances on any screens, stages or playing fields, nor within any bedrooms. I’ve learned that time’s unfettered passage is all that will remain of any significance upon this planet in all those temporal eras that lie ahead. But, I do believe that a Divine Master will stop earthly time at some point. And when it’s stopped, I know not if it shall ever begin again as we experience it now. But, for those who’ve known its previous continuance, in a court of eternal judgment, their deeds committed and left undone will be evaluated before the onset of an everlasting era.
            Over the years I’ve been criticized for using the analogy of life to a card game. Yet, I fail to see how it’s not valid. When we sit down at the table is when we’re born into a real world around us. And when the cards are dealt is when our talents and possibilities to achieve in the future first become our birthright. And then of course the actual playing of the cards represents our decisions to live our lives as we choose. But for some the analogy is invalid in that in some games one can trade one’s first held cards for others, while in most games one must play what one’s been dealt. And, for me personally – oh the richness of that diversion from true analogy! Oh the awareness it brings to the fact that life is so alive! And yes, sometimes events occur which can drastically alter life’s pre-planned course.
            And how relevant is the second half of that previous paragraph to me today. I’m trying to write a Part Three to this disclosure which is entitled for our Sanctuary City, and already now I know there’s too much to be said here in one submission! Thus, a Part Four will be necessitated! And I don’t know how well that will “sit” with our city’s mayor George Jennifer, especially since he, through Rashon and Orlon, promised initially that the entire Sanctuary City submissions would be completed in one part! And, later, if I’m not mistaken, he and they then vowed that surely the entire piece would end with a Part Three. Well, I’m sorry, but I think I’ll need a Part Three to emphasize the more “down to Earth” aspects of life in our city and nation, and I’ll require a Part Four to relate some examples of how bizarre life can be here where I daily search for order amongst degradations.
            So, just now I’m embarrassed. I feel belittled to have failed to complete this task in a concise and orderly fashion. And yet, the more I say about this topic, the more I ironically add to the reason for its necessity! Thus, I’m somewhat confused as well as dispirited. And I’m noticing that my current confusion is “opening a portal in my mind” so to speak! Just now I’m realizing that confusion is one of the main components of creativity. And I guess it’s this realization that I’ll allude to later in this piece (somewhere in either Part Three or Part Four) when I’ll speak about what happens to one when one understands that an era has ended.
            But, those of us who live in this city are, I suppose one could say, symbolic representations of all the mortals one might meet along one’s earthly journey. And, we’re here, I think to show mankind how peace can be found individually, within oneself. And since we’ve been granted a clear assessment of eternity, we wish only to be a part of our Lord’s harvest someday. Yet, until then we’ll wait for every summer’s soul appeasement, and admit we know that both good and evil have been sown in time’s temporal vineyard of reflections.
            And, as you know, reflections concerning the past, as well as musings about the present and future, lead to decisions. And our city’s mayor, George Jennifer, has said that except for possible infrequent, and in his opinion necessary postings, the various parts of “Sanctuary City” will be the last in a series of fairly regular submissions. And thus, at this time I’ll say a heartfelt goodbye on behalf of myself, our mayor, Orlon, Rashon, and all those others who’ve come to know you via these posts. But, while it’s difficult to say farewell to friends, it’s also sad to remember bygone places, things and ways of life.
            So, as I prepare to end here, I’d be remiss if I didn’t say that may God forgive me if, in prior postings, I’ve failed to impress upon the Americans of today (and especially those of younger and mid-aged years) what a necessity it is that the U.S. secure its borders from foreign carpetbaggers soon. As someone who’s trying to live a good and fruitful life, and who believes one should work for one’s living rather than sneak into someone else’s territory and then attempt to live off the labors of the owners of that territory, aren’t you scared when you see pictures of the great masses gathering at your nation’s border? What will become of those people someday if they’re allowed to remain in the U.S.? Surely, they’ve already brought much disease, crime, poverty, and most likely hatred into your nation.
            But today it seems that many legislators (especially those of a liberal nature) want to see how many bodies can be packed inside a nation before such packing causes either the death of those bodies, or the downfall of the entire nation, or both. And don’t believe your nation’s leaders when they say they can’t stop illegal immigration. A very high wall could be built along the nation’s southern border or, at least a strong military presence could be stationed across it. And then, should some still manage to enter illegally, they should be returned to their homelands, or incarcerated here upon their capture.
            And, don’t be fooled by the failure of the recent political legislation which supposedly ended the immigration problem. That bill wouldn’t have satisfactorily addressed illegal immigration. It was actually designed to aid the Democratic Party’s effort in the upcoming presidential election. Also, remember this, if you really want to curb illegal immigration, do you appoint as the leader of the effort someone who shares an ethnicity with the violators?
            But, all that’s been said here doesn’t negate our belief in legal immigration. We still support those who, for whatever reason, feel they would be more productive in a foreign land; that is, as long as they follow that nation’s immigration laws. And, before we end here, let’s emphasize how imperative it is that the U.S. elect a conservative president soon. Look around you. What do you see? What you see is mass shootings, and a general disregard for law and order here at home, and blatant violations of territorial and human rights abroad.
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darkcircles4lyfe · 3 years
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retrospective & predictions
Since we're on a hiatus week (between 320 and 321) I feel like waxing poetic about the depth and growth of bkdk for a bit. Especially because it seems like we’re right on the edge of their biggest development yet, I’m getting the urge to lay all my perspectives and insights I’ve picked up from others out on the table. This is ultimately only my subjective interpretation of subtextual material in canon, though. If you’ve never quite understood what people see in their dynamic and you’re actually open to hearing me out, maybe from this you can at least see where we’re coming from. And if you don’t like my takes after all, well, we’ll see who’s right in the coming chapters, won’t we? What I have to say can be taken platonically or romantically; I appreciate both. 
putting it under the cut, since it’ll be long:
At the risk of projecting, I want to start by examining a couple things based partly on personal experience.
From many different directions, I often hear people expressing that Deku’s persistent attachment and admiration for Bakugou is baffling at best. Despite the bullying, despite Bakugou’s loud, rude, and uncompromising personality, he still puts effort into their relationship and frequently describes him as amazing. It seems like Deku himself is aware of this as he’s said things along the lines of how he’s difficult, BUT... etc. Although I don’t think it’s exactly that Deku finds Bakugou’s personality hard to be around, but that he’s deliberately expressing patience for Bakugou’s emotional turmoil. 
I have to say I know what this sort of patience is like, as I went through it with someone I love. I only chose to put up with their behavior because I decided the possibility of what our relationship could be was worth it. I wasn’t blind or submissive to how they treated me, and I wasn’t coerced. I simply expressed myself and established my boundaries while still allowing them the opportunity to join me in my world once they got over their own hangups. And guess what? It worked out in the end. That doesn’t mean there aren’t circumstances where it’s better to cut ties, but I want to stress that true reconciliation is possible sometimes. I used to worry that other people around me thought I was delusional for seeking it, but what really helped was my therapist reminding me that I’m smart and strong. So I think Deku deserves to feel the same. In a way this is his whole mission in life, his approach to being a hero as well as his personal relationships.
Let me also be clear though that I don’t mean Deku is only tolerating Bakugou’s personality, his mannerisms, the parts of him that will likely never change. I’m drawing a line between those things and his emotional state (they so rarely align anyway, but I’ll get to that later). In fact, I think Bakugou’s general attitude is part of what Deku admires. This is gonna be hard to explain without inserting personal experience too, sorry. As a writer myself I’ve noticed I’m drawn to writing characters that are brazen and bold and don't mind telling people off. Really it’s because I operate in the world in the polar opposite way. I try not to draw attention to myself, I’m quiet, and I’m a people-pleaser. People who project confidence, especially in an impolite sort of way, fascinate me. It’s good to take cultural context into account, too: I've heard people who’d know better than me that part of the reason Bakugou is the most popular character in the Japanese fandom is likely because he contradicts a lot of their social norms. His disregard is refreshing and cathartic. I can speculate that Deku has a similar point of view based on what he thinks but does not admit about Bakugou being his image of victory and how this sometimes makes him mimic Bakugou’s speech and mannerisms: 
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There’s also the bit in this fight where Deku realizes he's the only one able to receive Bakugou’s emotions. This is because he’s the most intimately familiar with him and his situation, but I think there’s another layer. Deku, as we know, has a self-sacrificing tendency, and in the current chapters we’re seeing the worst side of that. But let’s also not forget that to an extent, it can be a positive trait: resilience. When it comes to Bakugou, he has an almost comical ability to dodge the potential fallout of his outbursts. The example we all jump to (and fight about..) is how in ch1, apart from the initial shock of Bakugou suggesting he jump off the roof, the most he reacts is to criticize him for saying such a ridiculous thing. However, I think their interaction post- sludge villain is a lot more interesting:
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Note two things: 1, in his head, Deku is practically making fun of how Bakugou’s acting as he stomps away without waiting for a reply. It doesn’t faze him. 2, Deku thinks, optimistically, that he can now focus on a different career choice. This is astonishing really. Up to this point, none of Bakugou’s attempts to put him down have worked; he just kept pursuing his dream. The only reason Deku concedes in this moment it because for the first time, he has been shown that he really couldn't do anything in a fight against a villain. All Might told him he couldn't be a hero (although he’s literally about to take that back in the next few pages lol) and the other heroes at the scene gave him a lecture about it too. It was those experiences, and not Bakugou’s words, that truly affected him. And when All Might tells Deku he can be a hero after all, it’s not thinking of Bakugou’s bullying that makes him sob and fall to his knees, it’s the memory of his own mom never telling him those words he so desperately needed to hear. Having spent most of their lives together, Deku must have been aware all this time that Baukgou was influenced by larger societal forces rather than a core judgement, so he didn’t take it personally. He separated the person from the action, and because he’s resilient and patient, he is thus equipped to handle Bakugou’s emotions. It’s a testament to his maturity and emotional intelligence, really. 
But I can almost hear some of you saying, “that doesn’t mean Deku should have to be the bigger person here!” Correct! Just because Deku is perfectly alright bearing all of that, doesn’t mean atonement-era Bakugou sees it this way. We can track his awareness of Deku’s care and selflessness as follows-
The bridge scene, when they’re little kids: Bakugou conflates Deku’s heroism with pity, and subsequently thinks Deku is looking down on him because Bakugou’s own insecurity makes him defensive.
The Sludge Villain, and also Deku vs. Kacchan Part 1: Bakugou witnesses first-hand how easily Deku jumps to risk his own life, but still thinks he’s being looked down on. 
The Sports Festival: Bakugou fights Uraraka and recognizes her endurance strategy and refusal to give up as very Deku-like. He’s half right. He thinks Deku advised her in the fight, when in reality she just mimicked Deku because she admired him. I want to draw attention to his very sober comment about her not being frail. It’s a great endearment of Uraraka’s character and Bakugou’s respect for her when others didn’t take “fighting a girl” seriously, but it also reflects on his opinion of Deku. Deku isn’t weak either. He never was.
Deku vs. Kacchan Part 2: Deku finally corrects him about the whole looking-down-on-him thing, and Bakugou is informed that Deku’s selflessness is in fact the reason All Might chose him. Since Bakugou had been in search of what he himself was “doing wrong” for All Might to favor Deku over him, he now has to reconcile the fact that selflessness is a heroic trait, and moreover something he lacks. This is also possibly the first time Bakugou is able to see his past actions toward Deku as bullying since he previously thought it was more mutual. Additionally, Bakugou can now link Deku’s selfless behavior to what he perceived as pity/contempt, and realize that Deku has been giving him A LOT of grace. Maybe too much. Maybe more than Bakugou deserves, and definitely more than Deku should have to. Holy heck- now Bakugou has to figure out how to live up to all the faith that’s been placed in him. 
Subtextually, we can see Bakugou’s feelings about atonement reflected in the Todoroki family:
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1, Shouto is another example of Deku growing a friendship using his selflessness (since their fight in the sports festival) and their relationship is being acknowledged here where it hasn’t been in Bakugou’s situation. Perhaps Bakugou is wishing it could be so simple for him, to be able to thank him for being his friend like that. Deku saying the pleasure is all his also probably calls to mind how a mere apology from Bakugou would probably be dismissed because that’s just the kind of accommodating person Deku is. Bakugou has to operate more quietly in order to actually make up for their past. I personally don’t interpret this scene as Bakugou being jealous of Deku and Shouto’s friendship, exactly, just the lack of emotional baggage. Side note, Deku and Fuyumi are kinda similar in their desire to repair relationships. I like that she’s the one to give him some credit. 
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2, With the common terminology, this can be interpreted as Bakugou receiving a model for atonement, one that is about action, and nothing to do with receiving favor or forgiveness. It’s a sense of duty. 
Many of the above sentiments are repeated in the flashback conversation between All Might and Bakugou right before Bakugou’s sacrifice. 
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Bakugou acknowledges his bullying and that it happened because of his own insecurities, but aside from that, it’s interesting he neither confirms nor denies All Might’s suggestion that he’s trying to atone, or that Deku doesn’t see it that way. All Might is a bit of an unreliable mentor sometimes, but I don’t think he’s misreading here. Rather, Bakugou is displaying his tendency to hold back when talking about things that would make him really emotional. Besides, admitting to what he’s doing kind of defeats the purpose. He isn’t seeking acknowledgement. All Might has gotten to the crux of the issue here when pointing out that Deku doesn’t recognize the atonement, likely because Deku doesn't think Bakugou even needs to atone. Am I reading into it too much to say Bakugou looks wistful at this? It’s kinda frustrating sometimes trying to interpret Bakugou’s actions because he’s so paradoxical. Loud and in your face, but also extremely reserved. Sometimes I feel like I’m grasping at thin air, but hey, being hard to figure out is part of his intrigue as a character. The simplest way to look at him is to assume that unless he’s really showing vulnerability, he’s probably deflecting and hiding something.
Speaking of Bakugou’s tendency to to hold back emotional stuff, there’s his apparent lack of issue with Deku calling him Kacchan. Maybe to begin with, in his warped perception of things where he thought they hated each other, Bakugou saw it as Deku’s way of getting back at him for calling him “useless,” and didn't dare give any indication that it actually bothered him. However... consider how betrayed Bakugou has appeared when he was noticeably thinking Deku was looking down on him- the bridge scene, and the beginning of their first year at UA when he thought Deku was hiding a quirk all along. He looks shocked and hurt. That kind of emotion couldn’t be invoked by someone Bakugou didn’t actually care about his relationship with. “Kacchan” comes from a long time ago, before their relationship was strained, so it’s connotations are pure. Maybe somewhere deep down, Bakugou has always been hoping that Deku’s continued use of the nickname was not simply a matter of habit or teasing, but a vestige of friendship they’re both clinging to, and Bakugou himself was too afraid to admit to himself that he felt this way about it, so he mostly ignored it. (These are not original thoughts I am having here lol, this is a common interpretation. I’m just laying everything out like I said.) 
And now we turn to the current situation. Personally, I’ve been looking frantically back and forth between them wondering who’s going to break down first (Deku vs. Kacchan Part 3, this time it’s just a fight to get the other person to cry? ha.) Both have looked like they’re approaching a breaking point for some time. Also, I’ve addressed this before, but I think it’s significant that Bakugou is no longer wearing his mask with his hero costume, in contrast to Deku recently donning his own. It feels symbolic of Bakugou about to be upfront about how he feels.
The question is, what is it going to take to get Deku to accept help? If you ask me, Deku has dug himself so deeply into the I’m-doing-this-for-everyone-else’s-safety-and-smiles hole, no common sense argument can possibly reach him. By the end of 320, Deku’s mask is off, and we can see how desperate he truly is. But he has not cried, yet. I predict we’re going to see a bit more of his defiance, this time on full display on his face as the remaining class members and his other friends take their turns. But then I think Bakugou has to be the one to break down so Deku can witness his actions having the opposite effect he intended. People have been pointing out that Deku is currently ignoring Bakugou, and oof, that’s gotta be intentional. Regardless of what Bakugou says, it’s going to be wrapped up not only in his understanding of Deku’s self-sacrifice, but also the betrayal Bakugou feels at being ignored/left behind that ironically echoes his previous perception of being looked down on, as well as a need to express how much he cares about Deku before it’s too late. He must show that the two of them are inseparable because they both act to save each other without thinking, and both feel like losing the other would be like dying themselves. All Might may have been right when he told them they could learn from each other after Deku vs. Kacchan Part 2, but he didn’t fully realize that idea by making sure they stuck by each other for support and balance. 
I can’t wait to see what it’ll be like when they do finally get to that point, totally in synch and in tune with each other. They’ll be a powerful force no one is quite prepared for. Who knows when that will be, or even which chapter will be their big showdown, but I know the day is coming.
To speculate even further, I think the 2nd user is going to be really important really soon. And no I don’t mean to suggest that the 2nd user is Bakugou. But I do think their resemblance is key. Okay this is gonna be convoluted...
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See how 2nd is the only one still standing? I think that’s symbolic of him withholding his quirk. Deku may not even know what it is at this point, let alone have unlocked it. Given that 2nd approves of Deku’s strategy at this point, it seems odd for him to withhold his quirk based on lack of faith. I think if his quirk was something that would help Deku in combat, he would have shown it to him already like the others did. So what if those gauntlets of his are support items that are meant to make up for his lack of a combat-oriented quirk, rather than to augment it? Mind you, I still have no idea what his mysterious power might be, but I’m dead set on it not being explosion-y. Regardless, I think 2nd looking like Bakugou is more about aiding some grand visual parallel, so! You know how 2nd and 3rd were probably intending to do away with Yoichi but 2nd changed his mind as soon as they made eye contact? This is really a long shot, but I wonder if 2nd’s quirk has something to do with that exchange. Maybe it’s something psychological, or some 6th sense about people he meets. So... in that way 2nd’s quirk could play a role in bkdk reaching a deeper understanding? Idk! But it could be significant at least that 2nd left Yoichi’s question about why he reached out to him unanswered. 
One more thing- while I was gathering screenshots I found this. I think “you’re the last one I’m telling” might be foreshadowing for Bakugou revealing his hero name to Deku and it being a Big Deal:
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As for other lingering threads in the overall plot right now, such as the UA traitor, Stain, whatever Tsuyu is apparently about to do, All Might’s car maybe in the background of the last page of 320... man I have no idea. All I know is there’s literally 320 chapters’ worth of build-up to this confrontation that can’t be interrupted. 
See you next week <3
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What’s your opinion for Leo’s reaction to finding out the mc was immortal as well- not necessarily a vampire, maybe they’re some other type of supernatural. I’m really curious because Leo seems like he’s mainly in love with the mc bec they are human.
Hi lovely!!! Always wonderful to see you, hope you’re well! 💛💛💛💛💛
Tbh I think my opinion remains the same about something like this? I'm going to link to an ask I wrote up a while ago, only because it's v pertinent to the subject matter and good background for what I’m going to expand on here.
That being said, I'm happy to kind of tl;dr/expand on what I talked about there. Basically I had the feeling that Leonardo choosing MC as a lover was more circumstantial--regarding the state of his life in the moment, regarding his general feelings about vampires and vampire society, and regarding his unresolved trauma as a young kid.
I guess my answer to that question--and forgive me if it seems like a cop out--is that it really depends, I feel? I think his attraction has a lot more to do with the kind of person somebody is, their sensibility, more than it has to do with mortal vs immortal. If it was an immortal MC that showed ridiculous fortitude and self-control, measured patience and maturity, I really don’t see him not noticing that? I think he would be wary at first (assuming it’s all a front) but with time would likely feel a great deal of love if they were interested in a life together. If they were able to see and understand what he needs and answered those needs, I guess I just really doubt his ability to say no. It’s all he’s really looking for, and the fact that he hasn’t found it after so long really speaks to his frightened evasiveness and the rare nature of that kind of unshakeable strength.
I also think a lot of his hinging away from purebloods (true immortals, in other words) is that he 100% does not want his familia having any involvement in his meaningful relationships. Which might be why he shows more acceptance towards turned vampires, or potentially different supernatural beings.
But I also don’t like giving a vague answer without some kind of explanation as to how I got, to that conclusion, so a boatload of analysis follows below the content warning.
Spoilers for Leonardo’s route and a few mentions of JPN ver content:
I think he has less of an obsession with the idea of mortality, and more like a constant association of goodness and freedom and maturity with humanity. And while it's understandable, there are signs that--when he has the proper time and space to heal--his views seem to soften from those extremes. I mean his decision to live with Comte is pretty much his first step in that direction; it was him acknowledging for the first time that vampires aren't inherently loathsome or incapable of normal living. (On a revealing note, I think it says a lot that he agrees with MC that she is living in a “wolves’ den” but also feels the need to clarify the men are basically the domesticated equivalent. They don’t pose the same threat other vampires typically do to humans because of their lifestyle and sire.) Additionally, his tsun-like behavior towards Comte also seems to solidify this concept for me: Leonardo’s trying to come to terms with something he's sworn to reject since he was young, but also can't entirely deny that Comte is as chill and mature as purebloods come lmao
[There was also an event in the JPN ver–which seems to be approaching the ENG version rapidly, though only the first part is here right now–in which Leonardo fully offers to turn her. MC is essentially on her death bed, and Leonardo doesn’t want to lose her after so little time together; it’s MC that rejects the future as a vampire out of sheer principle. Even more noteworthy is that, when a reincarnation of MC is reunited with Leonardo in modern times, he is revealed to be exceptionally shaken by that loss. There are suggestions he can’t take losing her again, which could mean succumbing to the desire to bite her.]
Two things I feel are necessary to hit home:
The first being that, at least within the storyline so far, the most mature and human-like vampires we’ve seen are Leonardo and Comte. They seek to emulate the maturity they see reflected in the human beings they’ve known all their lives. Given how vampire society and their hierarchies work, I get the feeling humans are nothing more than amusing tools to them--a way to survive and creatures to exercise control over. There’s an objectification and delusion that comes with what I’ve seen, and I think it’s important in this discussion? If the vast majority of vampires behave this way (because I’m ngl, Leonardo and Comte don’t seem very keen on remaining in touch with other vampires all that much) then it only makes sense they prefer the company of humans who can at least share this sensibility of “been there, done that--stop hurting people bc you’re bored/repressed, grow up.”
One event story where this was exceedingly evident was actually Leonardo’s proposal story. If y’all remember, an old pal/acquaintance of Leonardo’s finds out he’s gunning for a human woman and basically goes “lmao not on my watch.” His name was Adam iirc, and he felt he had every liberty to try and pressure Leonardo into turning MC. Failing that, he insisted they should break up and not be together anymore. Now, on the one hand, it’s fair to say that he was looking out for Leonardo in a way–he didn’t want him to end up miserable and alone when she was gone. But at the same time I feel that Adam’s behavior is deeply revealing of vampire society as well lmao. He doesn’t really try to understand the situation, just immediately assumes it’s the only appropriate outcome. It does insinuate a lowkey cultural disdain for humanity: they are imperfect, they do not last or cannot have real value without preservation. If Adam was really Leonardo’s friend, wouldn’t he realize that Leonardo considers vampirism nothing more than a burden that he would wish on no one, much less his future wife? Additionally, wouldn’t he also keep in mind that Leonardo considers human beings beautiful just as they are? Since he fails these basic requirements to understand Leonardo, my impression is that he is influenced by the larger vampire culture to some extent. Furthermore, it underscores just how thoroughly Leonardo has been trained to keep his cards close to his chest for fear of ridicule/violent reprisal: no vampires know his true feelings on the matter because he would be vehemently rejected outright.
[One can also offer that maybe Adam wasn’t being malicious, maybe vampires find human women they fall in love with all the time and turn them (or any other permutation of companionship that occurs), so he doesn’t understand why Leonardo wouldn’t. But even then, to try to force them to break up if she doesn’t turn? A bit overkill imo but also revealing--Leonardo’s will is being ignored for the sake of upholding a kind of ill-founded superiority complex lmao]
While Leonardo does have a somewhat overbearing need to control the pacing of his relationship and who sacrifices what, I don’t think it’s wrong to be cautious--to want to think things through. I think it’s fair to be afraid that the person you’re with can’t handle what you’ve seen/known. But that also leads me to a core issue I have with MC: she doesn’t inspire much confidence that she can handle the life he’s lived, and that’s a problem of both incapacity and incompatibility. I have to wonder how he reacts when he’s with somebody at the same maturity level, or at the very least somebody with whom he can see her strength with time. When MC’s life was dying out he was desperate enough to accept biting her because he didn’t want to lose her–human or not. It’s MC that rejects this solution, which leads me to further believe that he just doesn’t care about the divide when it comes down to it; it has more to do with his difficulty with being vulnerable and fully trusting someone to care about him. (Assuming they also have the fortitude to stay hopeful and relatively strong over the course of a very long life.)
In line with that, the second thing I think it’s important to acknowledge is how deeply hurt Leonardo is as a result of his family treating him like a fool/black sheep. He outright says and heavily insinuates that his family would write her off as worthless, that they’d never accept her--that's his first thought:
Leonardo: “My familia would call you frail. I think you’re strong and beautiful. You do more with your time than we try to do with ours.”
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MC: “And those letters were from your familia?”
Leonardo: “Yeah. I don’t talk to them or see them anymore. We don’t agree...on a lot of things.”
[Brief intermission here. But lmao. Who does that sound like? If any of you guessed Isaac, that’s exactly what I’m alluding to. Isaac says in his own route smth along the lines of “Why bother trying to get through to people when no amount of talking does any good or gets you any closer to being understood?” Which also explains the way they get along to uncanny degrees: they find comfort in making things/researching because it means being able to avoid the distress that comes with being blatantly misunderstood by others. Their pain simply comes in different dimensions; for Leo it’s about loss and hiding who he is out of fear of rejection, for Isaac it’s about betrayal and people turning on him--ultimately abandonment for both. But I digress, back to the main argument.]
Leonardo: “Once they discovered my location, they began hounding me with letters again. They don’t want me to be with just anyone...They want more purebloods. I’m no more than one half of an equation for them.”
There is a clear implication that his desire to choose somebody that truly makes him happy means jack shit to them. They keep talking over him and trying to wear him down to force him into what they want. It’s no wonder--imo--that he has such a hard time just saying what he wants in his life, to feel like he has the freedom to wish and pursue anything freely. It’s no wonder he just expects MC to spit on everything that’s important to him. It appears as though only other human beings in general and Comte have ever come close to understanding him.
At some point MC realizes that his insistence on being compagni provvisori was originally just another act of sacrifice, and that he was fine with giving up his time and a little privacy if it meant she would be safe. The thing she doesn’t seem to realize in the course of this--and he struggles to say it until later on--is that it stopped being blind generosity. He really did start to fall in love with her, and that’s the whole reason things became even more messy; because he didn’t anticipate not being able to let go on top of the vulnerability. And it’s a big part of why he’s hesitating to speak. He feels he has no right to those feelings, and that he’s imposing on her--not that he’ll be welcome.
And when she did finally admit those feelings were welcome, it was compounded by the parroted views of his family and larger vampire society as a whole. Saying that she herself wasn’t enough, that she had to become a vampire to make him happy. Imo that sounds very potentially retraumatizing given his experiences (people trying to force him into marriages with other vampires who didn’t remotely understand or care about him because it was “the right way of things”). It’s no wonder he freaks out and does something incredibly stupid and insensitive–which is pretty insanely ooc for him.
Leonardo: “...It shocked them. Quieted them down a bit. Hard to get peace when your familia is immortal. Grazie, cara mia.”
Leonardo: “You’re strong, and you’re kind. So probably you won’t cry while I’m here to see it. But when I’m not looking, you’ll cry. If I had done that to you (bitten her, in other words), you’d still be crying when I wasn’t watching... Maybe it’s selfish of me, after what I did, but I just wanted to make you happy. You always look pretty, cara mia, but your smile takes my breath away...It’s not your destiny to love someone who will only make you cry.”
This man literally cannot handle anyone deeply sad or in despair. He’s always going to try to cheer people up and care about them, but general tragedy/emotional discord affects him very powerfully--and it’s likely a reflection of what I’ve mentioned before. He can’t bear to see people feeling helpless or miserable because he’s just been there too many times to be able to cope. He wants to help and heal (even if he’s suffering from prolonged compassion fatigue), but he knows that his powers are limited--even if he is a pureblood.
And the thing is? While it’s misguided to believe she would cry alone when it comes to the context of healthy romantic love (bc the idea would be that you lean on each other when something upsetting happens) he has zero reference point. He was not born as a result of authentic love (his parents never married, he was the result of a procreative arrangement), his family talks over every wish and belief he has and they still claim it’s done out of love/honest concern for him. One can only imagine the serpentine and obnoxious lengths to which his family has deceived or tried to force him into reconnecting with them. Every person that ever did know him/care about him in a real way is gone. Love, for him, has only been a series of losses that left his heart hollowed out; I don’t really blame him for expecting further disappointment and isolation and exhaustion. 
He’s also not wrong in the sense that he partially saw MC do what he outlined, and it’s a big part about what he loves about her. When she was feeling alone and lost–powerless–all she did was shrug and move forward. That doesn’t make it hurt any less, but focusing on what you can do instead of what you can’t do is healthier. And they both have the tendency to hide when they’re in pain or feeling lost, all because they don’t want to trouble anyone. Remember that when he says this, it’s a reflection of himself too: because even if he was heartbroken beyond measure, all he would do is hide it every second; he would never expect anyone to see right through him or care.
I mean I tend think of that one post I saw that talked about how people often see themselves as a social burden when most of their life has just been a series of neglect and loss. They don’t really have a concept of “you’re not heavy because I want to stay with you. It’s my choice to care about you.” How do you feel worthwhile an existence when four hundred years later your family still won’t treat you with basic dignity. The men in the mansion also all look to him for guidance and soothing because of the kind of person he is–he’s either silent in the periphery or helping. He never betrays so much as an inkling of insecurity or distress. 
I mean the whole reason Leonardo comes to the mansion is because he has absolutely no issue helping Comte in a pivotal time of need without seeking much of anything in return. Remember that Comte explains how Leonardo came to the mansion in response to Comte’s distress about the future. This makes sense considering Comte was rapidly trying to stop Vlad by beating him to the punch, and had only enough time to plan the basics. He had no certainty things would work out, much less that his boys would thrive. But Comte, unlike the boys, has become acutely aware of how much Leonardo is hiding his fatigue and despair in the course of being helped. As such, he wants to return the favor--and tries to be a good friend to him as much as he can (handles his insane familia, keeps things light and silly time between them, takes him seriously as a person, doesn’t pry beyond what’s fair.)
[I also think of that psychology concept of “the good enough mother.” It’s not always about being perfect every second of your life. It’s about paying attention and acting where it really counts. I feel like people who grow up under an enormous burden of neglect or parental/mentor abuse have a hard time coming to terms with the idea. This notion that just trying is enough for a lot of people, that showing them they’re not alone is enough to make  difficult memories bearable. Because it’s the oppressive silence and apathy that tends to kills people, imo--not people who mean well. But Leonardo doesn’t really understand any kind of reciprocal or non-self-emptying model because the concept is beyond him. He has no experience with it beyond Comte and a select few humans he’s befriended.]
Let’s continue on this point of MC crying where he can’t see her, shall we? The reason this scares him so much is not because he doesn’t care, or doesn’t want to make the effort. It’s precisely that he cares to the point of madness. It’s that he is legitimately convinced nothing he has to say, nothing that he can do, no part of him is enough to ease what she will have to trade away to stay with him. The core issue is not one of disregard or objectification, I find it to be more about his belief that he just isn’t enough. He doesn’t trust that anyone can love him to the point where just the sight of him or time with him can heal. And while there is a foolishness to this belief, it’s understandable when you consider where he’s coming from. You can call it selfishness, but it just feels involuntary--he has a lot of fear when it comes to love.
I mean Comte even says it himself? His words here always strike me: “I want you to understand, it’s because he cherishes you just as you are--more than he cares about his future or his well-being.”
Comte is openly identifying the way that Leonardo has a tendency to give more than is healthy. That Leonardo isn’t hesitating because his feelings are lacking, he’s doing it because he knows it’s going to hurt like a bitch trying to love her and never ask beyond what feels reasonable. (Spoilers: no request is reasonable. That’s the problem here. He’s convinced he deserves nothing.) Therefore turning her into a vampire to stay with him is--consequently, to Leonardo--out of the question. This is the literal hingepoint at which Comte and Leonardo divide; Comte simply tells MC he’ll take full responsibility for asking so much of her. He intends to make her happy with every single resource and skill he has at his disposal. Even if he doubts his ability or fears losing her to vampire rhetoric madness, he’d rather try than live with the regret and immediate loss. Leonardo is more resistant because of his dour outlook, that her fear of immortality is never going to be something that either of them can overcome. And/or he’s likely afraid she’s only going to regret being together after so long, and might succumb to the ridiculous sort of power/greed complexes vampires seem so attracted to by nature.
I think Leonardo is still coming to terms with the idea that he isn't alone in the world in a lot of ways, and I think he's also coming to terms with the idea that immortality does not equate to evil. Sure, human beings on average are probably more open to flexible modes of thinking and living compared to vampires--their maturity is in some ways guaranteed due to the instances they're forced to adapt to survive. However, just one look at the ruling class and oligarchies of all kinds (even just stubborn human beings) reveals how they are not immune to the same sort of megalomania, arrogance, and thoughtless violence purebloods/vampires are capable of.
So I guess I hesitate when it comes to the thought that he only loves her because she's human. If anything, I think he loves her for the fact that she's very rooted in reality--not quite so bound by the extremes that trouble him. It's one of the many reasons I believe Leonardo needs a lot of maturity and patience; the ability to differentiate between his panicked/overwhelmed/hurt reactions versus his calm is a skill in and of itself considering his capacity for concealment. To say nothing of getting him to slow down when this happens, too.
I suppose I think about it in a way that’s similar to how Napoleon’s main story narrative is framed. While Leonardo’s route doesn’t focus on the grandeur of being a former emperor, there is a clear insinuation here that he also craves normalcy? Just a little life, with a person he loves dearly, where he can rest and be himself for once. I think because he gives off such an appearance of steadiness, people fail to see that he is barely holding on--not to mention the kind of experiences he’s been deprived of (the exact security and understanding he so expertly emulates).
Closer to your question, it’s worth mentioning that Leonardo’s life goal for a while was the creation of an immortal human being--in that he fully recognized human beings could not offer what he needed as they were.
He loves humans because of their adaptability, their frequent desire to keep seeking out hope and making the best of the broken pieces they have. But then again, it has more to do with the nature of how frequently that sensibility occurs in humans vs vampires (and immortality in general): mortality does demand some level of necessity to change and grow. Which is one of the largest trauma points for him; the vampires around him just refused to grow up, always demanding at him like children and obsessed with their power complexes.
Thing is I also don't know enough about vampire society to know how correct this perceived ratio is. However, given Comte's similar avoidance of other vampires and general inability to live with them (he and Vlad were literal childhood best friends and Comte can't stand him anymore lmao) I think Leonardo may have more validity here than people give him credit for. Which begs the question--why did he quit trying to make a human immortal? What was it that stopped him? Was it the horror of what needed to be done to achieve it? Or would a potential companion start to fall more in love with the idea of immortality than they do with life itself/him? I think it’s a worthwhile question to ask, given the disdain he seems to aim at Shakespeare in particular--once human, but now emulates all of the violence and insatiability marked by vampirism.
This is where the transition from human to vampire/immortal contains another hingepoint: is Leonardo so incapable of finding a middle ground because he feels like any choice he makes will be a wrong one? Marry a human, deprive them of a normal love where they can grow old together. Marry a human and turn them, what if they are reborn with immortal wounds/psychological harm? What if time proves they get bored of him or hateful, what if they begin to act like the predatory purebloods he hates so much? Marry a pureblood/immortal, and be hounded by his family for heirs--risk being with somebody who will never love him or their children, and only inspire more misery in the world.
Does it make sense how this can really start to become an anxious downspiral for someone like him? How the personal insecurity and life history comes together to just compound stress endlessly?
That's the thing that's important here, I think. Leonardo just needs somebody who is open-minded, firm, and not easily deceived. If one takes a look at Leonardo's main story route, the whole reason everything goes to shit so disastrously is because MC stops listening at a critical point. Granted Leonardo could have been more forthcoming for sure, but when she started assuming Shakespeare was right instead of seeing how Leonardo was feeling/reacting, she responded in ways Leonardo wasn't prepared for. He never wanted to shake her faith or insinuate whatever she is is not good enough for him, and tbh I think Leonardo downspiraled because it was just the same thing all over again. What he is--a vampire and immortal--keeps ruining everything he wants with his life. 
#asks#ikevamp#ikemen vampire#ikevamp meta#ikevamp leonardo#ikevamp leo#ikevamp saint germain#ikevamp comte#can you tell i think too hard about these things kjhdglshf#sorry this reply took me a little longer than i meant to--but i really did want to do the topic proper justice!!#leonardo is such a dear person to me and I can't help but sympathize#people are free to disagree with this but it's just how i feel about the topic#the more i see about him in event stories--the sense this his trembling heart is slowly easing--the less i can believe such things matter#to him all that much tbh#i also think the event where he loses her is just all the more telling too?#i feel like if it really was a matter of principle and not love he would have just accepted it#humans have a v short lifespan--what can be done#sort of reaction#but that's not how he reacted at all: he was a man beside himself with dread and sadness#and even when he meets her reincarnation he can't help but want to be with her again#iirc he starts shaking at the slightest mention of when she died--and shows a lot less ability to resist the urge to turn her#so anywho brief summation is that i think this is more about so many sad boy hours and fear of widespread immortal megalomania#than it is abt hatred for immortality#he has no confidence good things can last without being warped--and that's the key issue here#'nothing gold can stay'#long post#rambles#not incorrect quotes#if you manage to read this without falling asleep i applaud you ajkhldghkfjsdg#thanks for the ask tho--i love any excuse to yell abt leo <333
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razorblade180 · 3 years
Text
Interdimensional Moms: Bonus
Part 4 here<-
After many tears and tissue boxes, all members of team RWBY had finally stopped crying. Blake was the best off with her eyes a little red while Ruby was the complete opposite. The girl’s face was still rather red and her eyes were puffy. She hadn’t even completely stopped sniffling yet; much like tear marked partner. Yang on the other hand rested her head on the table. She had cried hard enough to giver herself a minor headache. She was completely drained.
Yang:Ugh, this blows! I thought this was gonna be a fun learning experience.
Blake:We definitely learned. It just so happens we had to poke at some.... extremely sensitive topics.
Weiss:I’m all for looking inward and self reflection but I’ve had my fill.
Ruby:Same. Should’ve kept the summary light.
Yang:No, I’m glad you got that off your chest. We just need a way to lighten the mood.
Blake:.....I kicked Weiss’s butt in a tournament.
RWY:......What?
Blake:During the time spent training for Salem, another tournament was held between the schools. It had team matches and singles. I kicked Weiss’s butt in my fourth round. It was a good day.
Weiss:How is that lightening mood!?
Blake:Listen, it was a big deal! I never thought I was gonna win the whole tournament but I really wanted to beat you. I love you but your head gets a little big when you’re on a roll for too long; plus I just really didn’t want to lose. I always felt a bit of rivalry between us.
Yang:Hehe, is that you’re way of saying “It would look bad to lose to a Schnee?”
Blake:Well it would!
Ruby:Hehehe.
Yang:Wait, does that mean we went back to school?
Blake:Yeah. It was pretty comforting. There was definitely a lot left to learn.
Yang:Weird. School kinda faded into the background.
Ruby:I went back to school. We all did actually. It was fast tracked by roughly a year but it was fun. We all got to pose in caps and gowns.
Weiss:Damn! I should’ve went back just for that. Unfortunately I was busy making rent and learning how to properly preheat a oven.
Yang:It’s like two buttons.
Weiss:Gas stove, and six years out of date.
Yang:Awww, you had to learn the hard way. I’m surprised and thankful you never left the gas on.
Weiss:There’s an alarm for that. Also I’m not irresponsible! Anyways, I mentioned similar tournaments earlier. I didn’t participate much but enough old videos of me in them were enough for to really light a fire under my kids. For awhile I was a bit concerned that they were just following a trend but they really love it. They used to always go around playing like knights when they were tiny.
Ruby:Carmine was a little different. She definitely always tried doing things I could but nothing got the girl jumping like seeing Yang’s horses or new ballet shoes. There wasn’t a morning when I didn’t hear a vase fall over or seeing her spin like a top. Carmine still hums some old routines when she isn’t paying attention.
Yang:Not too many memories of Yujin when she was pint size. But I do remember that wild child always loved using my bandannas for everything! Napkins, capes, ropes; anything but an actual bandanna. I used to get a bit upset with the napkin one but she’d always look at me with her big eyes and crazy hair. I never stayed mad.
Weiss:Softie.
Yang:She was like a pudgy puff ball! Fat cheeks and wholesome smiles. Ah! So adorable!
Weiss:I used to always have at least one of my kids on my hip when I was out and about. I think the media has a magazine amount of pictures of me at the park kissing my babies. Summer liked tummy rubs. She’d never go to sleep without one. Some nights I’d sing too but start to doze off so Jaune would have to take over.
Yang:*smiles* Speaking of Jaune.....
Ruby:No.
Yang:You don’t even know what I was-
Ruby:Were you about to suggest we compare our Jaune’s in the bedroom?
Yang:*red*......Well not just the bedroom! What’s the harm!? I just wanna know if he’s consistent across the board. No need to get detailed.
Weiss:You really never change no matter the world.
Yang:Can’t change greatness. It shows in any form!
Blake:He’s pretty compliant and accommodating. The benefits of being his first when I had prior knowledge I suppose.
Ruby:Don’t answer!
Blake:Why not? I’m comfortable with it.
Yang:Don’t listen to those two Blake. They’re just a bit more embarrassed since Jaune has literally been their one and only.
Blake:Huh, I never thought about it like that. Jaune would’ve been the first person you two opened up to on such a level; especially Weiss.
Yang:That’s still hilarious. All the protesting and somehow you found yourself stripping for the guy.
Weiss:Shut up! I already know! It was....I.... *blushing* emotions ran really high.
Ruby:An entire mental rollercoaster of thoughts and firsts happening all at once. Anxiety was high.
Yang:Heh, so you could say that Jaune Arc-
RW:Got through our walls. Hardy har har.
Yang:Shit, I am the same in every universe. Well I don’t have any reservations about it! *grinning* He makes me feel special every time!
Blake:Bottom.
Yang:I’m ignoring you.🎶
Ruby:Hehe, sounds about right. He...might make me feel a bit special as well.
Blake:Switch.
Ruby:How can you just guess off of that!?
Blake:It’s a gift.
Weiss:......
Blake:*smiling*
Weiss:Leave me alone.
Blake:I don’t know what has you embarrassed. You told us you’ve slept with everyone here except Ruby! I knew you were repressed but geez.
Weiss:For your information it wasn’t my idea! It was yours!
Blake:Not surprising. Let’s switch the topic. How is this other child of mine? Can’t picture me having a daughter.
Weiss:Veronica is very sensitive. Even if she tries to act like she isn’t. One time when she was tiny, a soccer ball hit her straight in the face and she sprung up saying “I’m fine!” Then you took her behind the bleachers to patch her up; tears all on her face. It both breaks my heart and very adorable to see her act fine while her ears are folded back.
Ruby:Your other son Kovu was a bit of cry baby. Partly my fault. Carmine kept beating him up and making fun of him.
Blake:What!?
Yang:Ha! Wait, that’s my kid too. How the heck!? Are you telling me you raised the rowdy child and I got the baby?
Ruby:Yang you’re a baby. I’m like twice as rowdy compared to you. A nevermore got worked day one at school.
Weiss:She has a point. You cry the most out of any of us.
Yang:Wha- that not- how....shut up! *pouts* I’m not that touchy.
Ruby:Kovu is a sweetie and not a cry baby. Carmine is just a little mean when she tries to care about others. She beat him up in an attempt to make Kovu give up dreaming about being a huntsman. That way he wouldn’t be in such a dangerous job. Reasonable logic but you know, a little over the top. Almost broke his arm. Boy did I chew her out. All it did was make him want to try harder.
Yang:Fantastic. I shouldn’t expect less from my own blood. I bet Yujin would like him. Which reminds me, anybody have kids in relationships?
RWB:We’re working on it.
The three women paused briefly before laughing at their meddling. Yang could only admire and fear her friends.
Yang:Should I be scared for your children?
Blake:Lucas needs someone to break up the routine in his life. I’m not saying he has to date her, but it would put a smile on my face.
Ruby:Carmine takes after me, not really thinking about stuff like relationships much. However, that doesn’t mean she doesn’t at all. Carmine tries her best to not act like she’s a teenaged girl with teenage wishes. But everyone sees right through it. I’m fine with her not being in one but I would like if she acknowledged that it’s okay to just....ugh, be normal! Why can nobody have normal knees in my life!?
Weiss:Nick likes Valerie who tries to deny she likes him by liking Summer, who doesn’t like her; while Veronica crushes on Nick who obviously has conflicting feelings.
RBY.....
Yang:Why is it always complicated with you?
Weiss:How is this my fau- okay it is a little bit.
Blake:Where do you stand?
Weiss:I think Valerie would be lovely for him.
Yang:What’s wrong with my baby girl!?
Blake:Yeah!?
Weiss:One, not yours. Two, have you met who I’m married to? Can’t really say he’s wasting his efforts. Though I wouldn’t be upset with Veronica. I think those two might be good for each other.
Blake:Any other bombshells people got?
Ruby:......
Ruby:Ilia is happily married.*sips coffee*
Blake:Oh that’s wonderful! I’m glad she found a loving wi-
Ruby:*smirks* To Sun.
Blake:....*stands up* I need, champagne!
A bottle of champagne poofs into existence with several glasses. Blake immediately pours everyone a glass before raising hers into the sky.
Blake:Ruby Rose, today you’ve erased guilt upon my conscious. I’m happy there’s one world where it seems all of my good exes get over me.
Ruby:Are the Ilia and Sun where you’re from miserable like Yang!?
Blake:No, but they kinda fumble in actually going for relationships. It just always makes me feel a little bad.
Yang:You can technically count two worlds. I’m fine, Ilia is dating a pretty secretary, and your one evil ex is now raising a morally good family.
Blake:You’re right! This calls for a double toast! To alternate universes! *puts glass down*
Weiss:Haha, aren’t you gonna drink it!?
Blake:No I’m still recovering; but how could I pass up the opportunity!? Man I wish I could attend that wedding! I don’t know if I’d be a bridesmaid or the best man!
Yang:You’re just gonna steal Neptune’s thunder like that?
Blake:Hey, Sun and I have taken bullets for each other and stab wounds. I think I deserve to be a little greedy and say I ride or die for that man just a little harder than Neptune.
Ruby:Geeeeeez Blake! Haha, I didn’t even tell you about the baby.
Blake:*visble excitement* Excuse me!?
RWY:*raises glass* Cheers.
Blake:CHEERS! What’s he like!?
xxxxx
Aero:AAAACHOOOO!
Carmine:Eugh! Cover your mouth! I don’t need to get sick.
Aero:Damn! What happened to uh I don’t know, “bless you!?”
Carmine:*pulls out tissues* Happy?
Aero:Where...why are those in you book bag?
Carmine:It’s flu season.
Aero:....I can’t tell if you’re the coolest person around or just a second mother.
Carmine:I can be both. My mom is arguably both but don’t tell her that. It’ll make her month and she’ll hug me too tight.
Aero:Bitch, you love hugs. Stop being difficult.
Carmine:Mmmm nah.
Aero:I feel bad for your mom.
Carmine:I feel bad for yours.
Aero:Hop off. You’re so childish.
Carmine:And yet you love me.
Aero:*red* In your dreams!
Carmine:It would make your day if I dreamed about you,wouldn’t it?
Aero:I hope you dream of spiders.
Carmine:We do not joke about that! *grabs him* Aero I will beat you up if I dream of them tonight! That’s just mean!
Aero:Stop crying ya baby. I could’ve said they were- ow!
Sun:*hitting him* Shut up and just kiss something! We’re trying to watch a game.
Aero and Carmine:We don’t like each other!
Jaune:With all do respect, that’s a lie. But please by all means Aero, continue not touching my daughter if you know what’s best for you. I don’t wanna have to fight you and your parents right afterwards.
Sun:Ilia would kill you.
Jaune:Yeah! That’s why I don’t want the fight! Much like Ruby, she’s short and terrifying. Her size holds the rage.
Ilia:*peeks in* Who’s talking shit?
JASC:Nobody, we love you!
Ilia:.....Got my eyes on you four. *holds Garnet up* and this one; the most well behaved in this bunch even with no nap.
Garnet:*fussy grumbling* I’m a ball of rage!
Ilia:You wanna nap?
Garnet:Yes!!!
Ilia:See, behaved. *walks away* don’t make me come back out here.
Carmine:....So do you like me because your mother is also imposing?
Aero:This is it, my evil origin story. It begins today.
xxxxx
Ruby:I admire his patience.
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yandere-daydreams · 3 years
Text
Title: Vantage Point.
Commissioned by the very patient, very lovely @yandere-vale.
Word Count: 5.1k.
Pairing: Yandere!Glimmer/Reader (She-Ra).
TW: Fem!Reader, Aged Up Characters, Imprisonment, Implied Kidnapping, Isolation, Emotional Abuse, Slight Infantalization, Mentions of Physical Abuse, Past Injury.
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At least the view was nice, in Bright Moon.
You should know. You’d had plenty of time to take it in, by now, not that a single glance wouldn’t have been enough to convince any battle-weary refugee that the destination was worth the tiring journey. The jutting canyons, the darkened forests, the permanent twilight painted across skies so stunning, the bay surrounding Glimmer’s kingdom couldn’t rest until it was beautiful enough to reflect them – it was pretty, you could admit that, and it was nice to finally have enough time to take it all in. It was a small silver lining, running thin enough to border on the verge of complete nonexistence, but it was a silver lining all the same. You were allowed to appreciate it. You’d give yourself that. You liked being able to appreciate it.
You just wished you didn’t have to do so from such a distant vantage point.
It might’ve been a tower. You thought it was, at least, from what you could tell from your perch at its peak. Tall, looming, just as rounded and just as seamless as every other building on Bright Moon’s shores. There was no ladder, no staircase, no way down beyond finding the nearest ledge and hoping for the best, and if there was anything to discover beyond the confines of your bedroom, there certainly wasn’t a way to access it. You’d already tried, searched for hidden doors and passageways, tried every possible escape route Glimmer might’ve overlooked, spent a memorable week attempting to break through the solid stone floor, but it was fruitless, pointless, an effort you could only look back on with resent for your own naivety. There was no way for you to get out, not without risking your own life, in the process, and there wasn’t a way for any would-be savior to get in. You were trapped, isolated, cut off from everything you’d ever called your home. Cut off from everyone you’d ever called your friend.
Except her, obviously.
But you’d never made the mistake of calling Glimmer your friend.
You could hear her, your routine silence broken by slow footsteps, but you didn’t look, you didn’t bother to. You’d already been sitting there for hours, perched inside of a carved-out windowsill, admiring everything that you couldn’t have, not anymore, not after Glimmer decided you didn’t deserve it as much as she deserved you. No, you didn’t acknowledge her, you didn’t let yourself acknowledge her, but that never made a difference. She was already approaching you, already behind you, an arm soon wrapped around your torso and a chest slotted against your back, pulling you into something you might’ve called a hug, if she thought to let go. You bit back your rising complaints, swallowing the urge to shove her away and give her another reason to think of you as immature, irresponsible, incapable, but if she appreciated your self-restraint, she clearly didn’t think it was worth her praise.
Glimmer only sighed, shaking her head at your absentee reaction, more than content to act like she couldn’t imagine why imprisonment might lead to some lingering resentment. “Still busy sulking, sweetheart?”
You didn’t answer, not at first, keeping your eyes on the scenery below. You didn’t like it when she got so close, not after everything she’d done. You didn’t like that you had to let her get so closer, or risk spending another month in somewhere far less pleasant than a homey, familiar, inescapable tower. “I’m not sulking,” You mumbled, fighting not to curl into yourself. “You keep me here, imprisoned and alone, and you know I don’t like it. I don’t have to pretend I’m happy to see you.”
“No, but it might be nice if you tried.” There was a laugh, a squeeze, but she pulled away quickly, sliding into the space next to you and forcing you to shrink further into the nearest wall, forcing to you avoid her, if only because she refused to give you the space to reach out on your own. “You can’t act like I haven’t given you plenty of chances to make yourself happy,” She went on, her tone still light-hearted, vaguely amused. She wasn’t taking this seriously. You doubted she would, until you said something to upset her. “It’s not my fault that you refuse to accept my gifts without a fight.”
You didn’t have to ask what she meant. The evidence was still scattered around your bedroom, found in torn lace and ripped silk, crushed flowers and chipped gems, neglected toys and trinkets she'd offered, half-heartedly, attempting to fill she'd left in your life. On good days, you could ignore it, pretend they were meant for someone else, anyone but you. On most days, felt sick at the thought of indulging Glimmer's one-sided show of kindness.
“Presents won’t make this bearable. I don’t need distractions.” You let yourself exhale, leaning back, your posture just slack enough to make the idea of continuing this conversation tolerable. Something shot through the flesh below your shoulder blade, a single strike of agony before the feeling faded into a steady throb. A reminder of a wound that wasn’t quite healed, but one you’d already disregarded, nonetheless. “I need to go outside. I need you to let me go. I need you to stop acting like you’re doing this for my safety.” Glimmer flinched, her jaw locking into place, but you ignored the small pang of guilt that followed. Good. If she expected you to find a way to live with this, she could find a way to live with the discomfort. “I was doing fine before I met you, and I’d still be doing fine, without your help. It’s not fair to assume I’d—”
“Really?” Glimmer cut you off, any trace of her levity gone. “Are you sure you can’t come up with a single reason I might be hesitant to let you take care of yourself?”
Immediately, you fell quiet, turning away yet again. This time, Glimmer didn’t seem to mind your silence.
“Believe it or not, I’m not trying to make you miserable,” She said, not for the first time. Like you were supposed to believe it. Like she could expect you to believe it. “I just want to keep you safe. If you have to be unhappy for me to do that, then so be it.”
And, just like that, she was gone.
For a moment, you almost missed her.
~
You didn’t break her next gift.
You wanted to. The temptation was always there, you doubted you’d ever grow fond enough of Glimmer for it to completely go away, but you ignored it, brushed it off, pushed it just far enough down to pretend it didn’t exist at all. It helped that she’d given you a book, this time. Usually, her gifts were materialistic, unsubstantial, things that were better at making you look cute and harmless than helping you pass the time. She hadn’t left, yet. That helped too. You still had bruises from the last time you didn’t give her rage time to cool, and you weren’t eager to reopen old wounds.
Books could be used. Books could be read. Books were heavy, and they meant you could do something, if only sit passively and take in a story that wasn’t yours. That was more credit than Glimmer had ever given you before. Part of you worried it was more credit than she’d ever give you again.
That might’ve been why you asked. You wanted logic. If there was a method to her madness, there would be a way to predict what comes next, to try to guess if there was a reason she’d done this at all. You wanted there to be a reason. “Aren’t you afraid I’m going to use this?”
Glimmer didn’t look up from the letter in her hands, multiple pages of important political correspondence, you were sure. She’d taken your bed, when she first arrived, and you’d hid yourself away at the vanity on the other side of the room. A part of you hated it, how she dominated what was supposed to be your space so easily. Another part of you was just glad to have a reason to feel like you actually had a space you felt was yours, if only when someone else invaded it.
Her response came in the form of a hum, light and curious, then a question. “Use it?”
“You know,” You started, before you were entirely sure what you wanted to say. “To escape, or something. I might still find a way to.”
Glimmer laughed, and suddenly, you knew why she was such an unopposed ruler. By the time she actually spoke, you’d already begun to regret saying anything at all. “Planning to beat the walls in with a paperback? I think I’d have to hand over my crown, too, if you managed that.”
Your face burnt, and your grip around the novel tightened. If you hadn’t known better, you might’ve reconsidered your decision to keep this one. “I could always attack you.”
“Do you want me to take it away?”
“Please don’t.” You spoke quickly, as softly as you could, but your panic was still audible, the rush of anxiety you wished you didn’t have to give weight, after so many months of letting your instincts lay dormant. “I just… I guess I just want to know why you didn’t do this earlier. You’ve always given me clothes and that kind of stuff, and this seems more—”
Glimmer didn’t let you finish. She rarely did, when you spoke for any longer than she cared to let you. “C’mere, angel. You shouldn’t be so far away.”
It wasn’t a demand, not really, not when she said it so casually. It wasn’t, but you treated it like one, pushing yourself to your feet and reluctantly approaching her, your eyes never leaving the ground. In your defense, you didn’t fall into her arms, choosing to sit on the edge of your bed and retain a fraction of your dignity, but your aversion didn’t matter. All it took was a strong arm wrapped around your waist, a light tug, and you were tucked into her side, regardless, your head resting on her chest and your legs folded underneath you. For once, you were glad she kept you so isolated. You wouldn’t have been able to live with the embarrassment, if anyone else was around to see you like this.
“Everything I do, I do because it’s what I think is best for you.” There was a pause, like this meant anything. Like she thought she was comforting you. Like this could be comforting, to anyone who didn’t share in her twisted fantasy. “Don’t worry about the details, that’s the kind of thing you’re supposed to let me take care of. It won’t do you any good to overwork yourself, like that.” Her hand fell to your waist, signaling for you to agree. You managed a quick nod, and Glimmer went on, pleased. “Just sit back and relax. No need to worry your pretty little head over anything I think you do or don’t deserve.”
Your throat felt dry. The sheets below you felt scratchy, uncomfortable, like you were sitting on sandpaper rather than satin. You wanted to get up. You wanted to, but you didn’t. “I don’t… I mean, you’re probably right, but—”
“I am right.” She was laughing, reaching over to cup your cheek and tilt your head back, her lips soon pressed against the top of your head, but the gesture was hollow, it felt hollow, and you could’ve hated yourself for ever trying to give it meaning. Glimmer was good at that, making you feel like you were paranoid, too preoccupied with yourself to ever see the bigger picture. She was good at making you feel like you were in the wrong. She was good at making you feel like you’d always been wrong, even if you knew she couldn’t be right. “You just need a little help, that’s all. You were too reckless, when you came to me, you just got yourself into too much trouble. I just want to make sure you don’t get yourself hurt, anymore.”
You believed her. You could believe her. If you wanted to, you could make yourself believe her.
You’d have to believe her, if you ever wanted to survive what came next.
~
It felt like fire.
In your veins, in your blood, under your skin and spreading, every time you moved or shifted or took a breath deeper than the shallow, airy inhales you’d gotten used to, by now. It didn’t have any right to hurt as much as it did, honestly. The wound was old, mostly healed, a shadow of a scar of a lasting injury that’d already overstayed its welcome, but it felt like something new, something fresh, something that you’d gotten the other day, rather than so many years ago. Something raw, something bloody.
Something that Glimmer was making worse with every passing moment, whether or not she meant to.
She was trying to help. You reminded yourself of that. She didn’t trust a medic with you, and you’d had to beg her not to use the temperamental healing magic that so often left much more able-bodied soldiers in much worse condition than simple, external wounds could ever achieve, but you almost wished you hadn’t bothered. She must’ve been using the wrong ointment, the wrong elixir. She must’ve been being too harsh, or too gentle, or messing with something that made flesh and tissue smolder where it shouldn’t have, the pain vivid enough to make you curl into yourself, sink into the mattress, try to escape something that you already knew couldn’t be as bad as you were making it out to be, in your own mind. Whatever she was doing, it hu-
“Does it hurt, love?” Glimmer asked, slowly.
“It doesn’t,” You answered, without hesitation. “It just… It stings more than I expected it to.”
You tried to sound confident, but your voice wavered as her fingertips skirted over scarred tissue, your fists curling around the pillow you were clinging to, despite the way you knew it must’ve looked. Her bed was so much softer than yours, everything in her chambers so much more plush, but that made sense. She was royalty, and you were her prisoner. Your bedroom wasn’t simple, not by any means, but Glimmer's was…
She was a queen. You shouldn’t forget that, however convenient she made it to try. She was a queen, and you weren’t.
“If you’d let me tend to it earlier, it wouldn’t be so bad.” She was scolding you, but playfully, tenderly enough to let you calm down, some of the tension in your rigid form dissolving as you crossed your arms under your head and tried to relax. There was a moment of reprieve, the sound of glass clinking against glass, and a wave of cold air rushed over your injury, dulling any lingering pain into an unpleasant awareness. You would’ve thanked her for it, if the thought did leave a bitter taste on your tongue. You might’ve, still, if she hadn’t chosen to keep going before you could say anything at all. “Count yourself lucky it’s not infected. It’s almost as bad as it was, when we first met.”
It wasn’t. It really wasn’t. Or it might’ve been, you couldn’t really remember. It’d been so long since it was first inflicted, since the last spark of a war that’d spanned longer than your lifetime died out and you were left with the scars to prove you’d survived it, even if the majority of your hometown hadn’t been able to recover in the years that followed. You could barely walk when you first arrived in Bright Moon, but that might’ve been the exhaustion, or the stress, or some other vague, abstract concept that’d been just apparent enough for Glimmer to catch and take pity on you, despite the horror’s she must’ve faced on her own.
You stopped yourself before your thoughts could spiral any further. She pitied you, but you wouldn’t pity her. You refused to. You’d seen where it led, what kind of obsession it could create, and you didn’t want that. You wouldn’t let yourself believe you did.
“But it’s going to get better, right?” You couldn’t keep that hopeful lilt out of your voice, an equal mix of manufactured positivity and genuine optimism, despite yourself. “That’s why I’m here, isn’t it? So you can take care of me?”
There was a brief silence, then a small chuckle. Your wound felt warm, again, smoldering around the edges, and for a moment, you almost found it reassuring. “Of course,” She agreed, but she was still laughing. You wished she would stop. “That, and because I like having you around.”
It was almost funny.
You thought you’d be relieved, when she was finally honest with you.
It hurt, again. It must’ve been the paste she was using, something thick and elastic that kept a cluster of soft, generously applied bandages plastered to your skin. It was far from comfortable, too tight in places, too loose in others, uneven in a way that meant you’d have to tear off what you could and wrap your chest more thoroughly in an hour, at most, but you forced yourself to smile, to sit up and stretch as if doing so didn’t leave something in your spine twisted and cramped. You could complain, if you wanted to, you doubted Glimmer would be that petty, but there wasn’t a point. It was easier to keep her happy, with or without any caveats. You could live with the mild pain, for now.
Glimmer rewarded you with a small grin, a gentle hand on your cheek when you turned to face her. “My brave little sweetheart,” She started, nearly cooing. You tried to tell yourself it was unintentional. “You should probably rest, I might not be able to help if you make things any worse. I’ll take you back to your—”
It was a flare of panic, sudden and unmistakable. A shot of anxiety, a sudden burst of pure dread – something so mindless and so overwhelming, you were throwing yourself at her before you had a chance to think better of it, burying your face in her chest and latching on to her shirt, letting her wrap her arms around you when she recovered from any short-lived shock. “Do I… do I have to go back?” You managed, reluctantly. You didn’t want to ask, you didn’t want to fall so far, but you couldn’t go back to that tower. You just couldn’t. “Please, you can restrain me again, I just don’t want to—”
You were cut off by a squeeze to your side, an idle chuckle. You already knew what she would say, but the way she paused still made you hesitate. It made you feel unsure, obedient, like anything she’d done had ever mattered to you.
Like you were starting to need her as much as she claimed to need you.
“All you had to do was ask.”
~
It took you three hours to pick the lock on Glimmer’s door.
Three weeks, technically, if you counted the time you spent observing, watching, waiting until she trusted you enough to leave you to rest in her palace, rather than sending you back to that freezing, forsaken tower. It was a frustrating precaution, molding yourself into something submissive, begging to spend just one more night in her bedroom rather than your own, but you needed to know Glimmer’s schedule, the rotation of her guards, what you had to work with and how many flimsy, flat trinkets you’d be able to get your hands on before Glimmer started to question your new fascination with hairpins and letter openers. You needed to know who else was in the palace, who else you could get to before you were caught.
You needed to know who to run to, when you finally got out of the softened, insufferable cage Glimmer kept you locked inside of.
Three hours. On and off, one minute at a time, every little creak and jolt and tell-tale snap serving as another reason to hold your breath, to stop and listen, to shut your eyes and hope you’d never have to do this again. You could’ve cried when the lock finally gave away, when the polished marble of her door finally slackened and relaxed, falling open without a struggle. There weren’t any guards outside, you timed it so there wouldn’t be, but you doubted you would’ve cared if there were. You could already hear footsteps against solid tile, and hope flared in your chest before you could think to press it down, bright and burning and overflowing as you took in your soon-to-be savior – a girl, a few years older. A woman. Her name came to you in a moment.
Catra, a warrior, a war hero.
Someone who could help you.
You didn’t throw yourself at her, not like you threw yourself at Glimmer. You didn’t have to, you didn’t want to sacrifice your pride like that, not anymore, but that didn’t stop you from grinning like an idiot, from stumbling over your own feet as you sprinted in Catra’s direction, barely listening to her stifled swearing before it came to a jarring stop. You might’ve said something. You might’ve just opened your mouth and closed it again. You might’ve stuttered and mumbled and blabbered incoherently until her expression shifted, gave away, more out of relief than kindness. More out of understanding than any real empathy.
She cut you off, and something in your heart clenched painfully.
“You’re Glimmer’s, right?”
You shook your head. You would’ve denied it, but you couldn’t remember how to speak. Part of you wondered if you’d ever really known how to, at all.
“Dressed like it,” Catra went on, rolling her eyes, her tone only a touch above sardonic. You didn’t have to throw yourself at her – she was already taking you by the wrist, dragging you in the same direction she’d been heading, regardless, never giving you the choice not to follow. “C’mon, I don’t want to deal with Sparkle’s tantrums, today. You’re coming to the war room.”
You didn’t get a chance to refuse. You doubted she would’ve listened if you did, but you could’ve tried, you should’ve said something. It would’ve felt right, if nothing else, to put your foot down, to make a run for it, to tell someone what Glimmer had done to you, even if it was starting to seem like Catra might not make much of a shoulder to cry on. Even in the moment, you knew you’d regret it, but…
But, you couldn’t bring yourself to do much of anything.
You didn’t know what else you’d expected, honestly.
The palace was bigger than it looked, from your usual vantage point. The adrenaline had started to die down by the time you reached the ‘war room’, leaving you drained, tired, dragging your feet as Catra tugged you through a door twice your height, the guards that stood on either side of the entryway barely batting an eye at your bare feet and disheveled appearance. The ceilings were too high, the gold accents just a little too polished, everything too bright despite the lack of an apparent light source. It hurt, in a way. You wondered if it would hurt this much if you actually got outside.
Catra didn’t introduce you. She didn’t have to, not when you were abandoned as quickly as you were brought in, left to stand at the head of their table, tense and alone, as Catra drew attention to herself, instead, clearing her throat as she approached the other Princesses. You recognized most of them, anyone would – Mermista, barely glancing over you before she lost interest, Perfuma, kind enough to try to smile in your direction, and Adora, the Adora, She-Ra, still dressed in full armor, her arms crossed over the rounded table, her lips pressed into a thin frown and her expression…
And her expression identical to the one Glimmer wore, back when youstill had the option to look at other people.
It hurt, obviously, but you didn’t have much time to linger on the festering sting. You were already being lifted off your feet, a pair of strong hands or… claws, rather, clamping around your biceps and pinning your arms to your sides, squeezing so tight, you could hear something in your torso crack. You didn’t have to guess at a name. Even if you couldn’t see Scorpia’s face, her voice was enough, light and jovial, as if you hadn’t flinched away as she touched you. As if you weren’t close to tears. “Catra brought a friend!” You could’ve cried. You might’ve, if your embarrassment hadn’t been so much less ignorable than your mounting trepidation. “Finally, I was starting to think our wildcat would never break out of her shell. This is great, right, Adora?”
“It’s perfect,” Adora replied, obviously upset, but Catra only shrugged her off, draping herself over Adora’s shoulders she scoffed, keeping her glare centered on you. “You’re late. Is this supposed to be an excuse?”
“This,” She said, gesturing in your direction, “is supposed to be one of Glimmer’s. I wouldn’t have mess with it if I had a choice, but she looked lost, and you know how Glimmer would get if she wandered off.”
There was a huff, a chuckle, a mumbled ‘you know I’m right’, but it was hard to listen, it was hard to care. Your vision was blurring, your throat tightening up, but you fought back the tears as well as you could, knowing it’d only make your frustration that much worse. You didn’t want to make yourself look helpless, not here, not surrounded by people who were obviously so much stronger than you, but you couldn’t hold your hands steady, you couldn’t stop the way your breath hitched while it was still in your lungs. You wanted to hide. You wanted to run. You wanted to go back to your tower, and you hated yourself for it. “Please, I… I’m a captive, I shouldn’t—”
“Ah, why didn’t you say so sooner? Glimmer must be worried sick.” It was Perfuma, this time, still watching from a distance. You couldn’t tell if she’d heard you, but you choose to believe she hadn’t. It’d be easier, if you assumed no one was listening to you at all. “Scorpia, you’re not holding her too tightly, are you? It’d be a shame if there were bruises, after we finish.”
“Who, me? You know I’d never hurt a fly,” Scorpia laughed, tightening her grip. You made a breathy, pitiful sound, something between a gasp and a whimper, but neither seemed to notice. Neither seemed to care. You weren’t sure which you would’ve preferred, anymore. “Even if this one’s a little more… fleshy, than what I’m used to.”
You opened your mouth, ready to tell her she would leave bruises, that she wasn’t being gentle, but you didn’t have time, not before Adora spoke up, her posture a fraction more relaxed than it had been, a minute ago. “Don’t worry about leaving marks,” Adora cut in, nonchalantly. She had an arm strung around Catra’s waist, now, but she was still looking at you. If you’d been a touch more desperate, you might’ve thanked her. If you’d felt any smaller, you might’ve asked her to stop. “Glimmer’s been talking about this for months. I haven’t seen anyone that excited since…” She trailed off, throwing a glance in Catra’s direction, earning a wicked grin in response. For a moment, you wondered why you’d ever thought either one of them would try to help you. “Since someone realized she didn’t have to wait for us to fight to get her claws out.”
Perfuma rolled her eyes. Scorpia groaned. You wanted to ask what she meant. You wanted to scream for her to go on, to tell you what that was supposed to mean, to just go on until you could pick one of the awful, dark, twisted thoughts swirling around in your head and let that shove you off the edge before anything worse could. You had to know what was going to happen to you. You didn’t want to know, you didn’t want to anything, but you had to find out. It was a matter of survival. It was a matter of life and death. It was something you needed, and for a second, you thought you might be able to vocalize that. You thought you might be able to say it. You thought you might be able to actually say it.
Then, a familiar voice called your name, and again, you lost your chance to do much of anything at all.
Scorpia didn’t have to be told to put you down. By the time you could think to ask, you were already back on your feet, your knees threatening to buckle as you struggled to keep yourself upright. You could’ve collapsed. A part of you wanted to, most of you wanted to, but it only would’ve made things worse, it only would’ve made you seem more childish, even you doubted anyone was paying attention to you, anymore. No, Scorpia had gone back to the other Princesses, Catra and Adora still preoccupied with each other, and you were left alone, shaking, at the mercy of the woman currently positioning herself in front of you, cupping your cheek, tilting back your head as you fought not to push her away. You didn’t want her to touch you.
You weren’t really sure what you did want, anymore.
“Poor little thing,” She said, her voice already soft, sweet. She might be angry, later on, she probably would be, but you tried not to think about that. You could only be thankful she wasn’t, right now. “I think you’ve had enough fun, for today. All of this is clearly too much for you to handle.” She stopped, leaning down, her lips barely brushing against your forehead. It wasn’t a kiss, but it was close to one. It didn’t hurt, and that was all you could bring yourself to care about. “Are you ready to go home?”
She might’ve been talking about her room. She might’ve been talking about the tower. She might’ve been talking about something else entirely – a dungeon, a prison cell, a cramped, darkened room you wouldn’t be able to slip out of quite as easily. You didn’t know. You should’ve, but you didn’t.
“I…” You were barely able to whisper. It was pathetic, honestly, but you forced yourself to go on. It would be worse, if you drew it out. It would be unbearable, if you had to stay here.
You just wanted to be alone, even if you had to be alone with Glimmer.
“I’m ready.”
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olivinesea · 3 years
Text
In the Golden Dark, pt. 2
Part 1
a/n: This was already pretty much done so here you go. These parts are all rather short but that can be nice right? ~1.6k
i can’t concentrate if i keep seeing your face showing up in tea leaves lit up on my tv i can’t stand up straight under your gravity so i lay awake with my eyes closed
“Did you know 12% of people dream in black and white?”
“Wha-what?” Hotch groggily looked at the time on his phone. He had answered it blindly, autopilot kicking in to attend to the buzzing beside him on the couch. He blinked again and brought the phone back to his ear to hear Spencer’s voice more clearly.
“Yeah! It used to be a lot more when television was only in black and white but now that’s shifted obviously. Elderly people are still a lot more likely to have dreams that are—“
“Spencer,” Hotch interrupted the way the words were beginning to tumble out. When he was met with an abrupt silence he realized he didn’t have a follow up, he just needed a moment to breathe. To take in the dark living room, the flickering light of the television, its muted colors and grainy film showing a syndicated rerun, the kind only played in the middle of the night or the middle of the day, times when no productive person was meant to be watching. Something soft in its age, he found it comforting to put it on when he couldn’t sleep, woken again by nightmares that some monster had found their way to Haley and Jack. That they were suffering and he didn’t even know.
On the other end of the line, Spencer held his breath. He had been nervous about making the call, he wasn’t sure if it was too intrusive, too far across the boundaries they normally worked within. It wasn’t that he was worried about waking Hotch, he knew the other man was already awake. Even before they had started talking more, casually sharing details about the time they spent away from the office, it was obvious that Hotch did not sleep like a normal person. It was something else that they shared.
Seemingly endless minutes passed without another word from either man and his fear that he’d made a mistake grew. He told himself that Hotch was not pleased with the interruption. That he was being too assuming—why would Hotch be interested in anything he had to say at three in the morning? He’d called spurred on by the acute need to share a thought and, though he wasn’t totally conscious of it, a wish to hear that comforting voice, maybe even a quiet chuckle. He had smiled imagining that gentle sound, only he hadn’t realized it, the corners of his mouth moving without informing the rest of his mind. He touched his lips now with cold fingertips, running them over the dry skin, oblivious to the way his jaw clenched.
The silence between them hung like a bridge. There was a moment where both of them looked out at their respective living rooms, mentally steeling themselves to take a step and hope the other would meet them. Hope that they wouldn’t find themselves suspended over the water, alone as ever.
“I’m sorry for calling so late,” Spencer sounded so remorseful Hotch felt guilty immediately. He hadn’t meant cause him any anxiety with his long silence, he was just trying his best to gather his thoughts. To make sense of what he meant to do.
“It’s ok, really, I—“ Hotch hesitated, unsure how much detail to go into, how much reassurance was the right amount. He felt unreasonably awkward suddenly and twitched his fingers in irritation, “I wasn’t really sleeping anyway.”
“Really?” Spencer scrunched his eyes up, disliking the eagerness bleeding from his voice. He couldn’t help it though, the prospect of having the other man’s attention, even if it was only his voice reflecting from a satellite, knowing that Hotch was listening made him feel more secure. He’d spent too many restless nights pacing his apartment, starting and abandoning tasks in attempts to distract himself from the way the night was pressing uncomfortably close, threatening to overtake his mind. To have a friend to talk to, to reflect back his own reality, was a gift he could barely believe he deserved.
Hotch grunted as he adjusted himself on the couch cushions, supporting the back of his head on the pillows, resting the phone between his shoulder and ear. With his free hand he pulled up the blanket that had tangled at his feet. “Wide awake,” he said dryly. “What were you saying about dreams?”
Spencer’s smile was so big Hotch could hear it through the phone as the man stumbled ahead with the details of some completely unnecessary study. Hotch wanted to ask what had led to him reading such a thing but he was enjoying the happy way Spencer was running through all the new material he’d learned. He adored listening to Spencer speak, how he sometimes stopped short when remembering a related detail and how there’d be a pause while he took a split second to make the choice whether to jump to the new train of thought. Hotch smiled to himself and was pleased enough to offer hums of interest at inflection points. He let his eyes wander back to the television, as the title credits of another episode of Bonanza played across the screen, the pale wheat and horses and cowboys, already a distant fantasy in the 1960s, ancient history by today’s standards. His eyes fell half closed as he continued to listen to Reid’s voice.
“And, they just published a new study about how sleep deprivation decreases the body’s pain tolerance.”
Hotch snorted softly at this. “They really had to get a bunch of scientists together to figure that out? Someone paid for that?”
“Well it is always important to gather data and scientific evidence for these types of things. Anecdotal testimony won’t lead to any developments in the care for conditions like chronic pain,” Reid paused when he heard more quiet laughter from Aaron. He grinned.
“Do you want to hear something really crazy? They’ve found a connection between a person’s favorite sleeping position and their personality. Can you imagine!”
“Hmmph,” Hotch sank deeper into the cushions, settling in for whatever came next.
*
The calls became as regular as the midnight pancakes. Spencer would call with some piece of trivia, every night a new topic. He had a seemingly endless well of knowledge to draw on. In truth he spent the day trying to think of new ideas to share, new information he thought Hotch would appreciate. For no reason other than his own private satisfaction, he grouped topics thematically. This week they were going to be talking about space.
Now Hotch was ready, drowsy but checking his phone every few minutes to see if he’d somehow missed it ringing. He was looking at it yet again when it buzzed. He stared at the screen for a moment before answering, letting the name that flashed send a small thrill up his spine. He was not sure how it’d happened but he had come to rely on these calls. They still hadn’t discussed it, hadn’t acknowledged what this extracurricular time spent together might mean. They were simply seeking comfort, not questioning how this might be perceived outside these invisible moments.
“Hey Spence,” he barely got the words out before Spencer launched into that night’s prepared curiosities.
“Did you know most of the visible stars are actually multiple star systems? The singular stars are so much harder to see that astronomers used to believe that it was fairly uncommon to find a singular star like our sun.They hypothesized this was a contributing factor to why we hadn’t found evidence of extraterrestrial life. It is much harder for a planet to have the stability necessary for a habitable atmosphere with the potential fluctuations of a binary star system. Without as many single stars it made sense that it was exceedingly unlikely for life to form outside of our solar system.”
“I think it’d be nice,” Hotch murmured, not really thinking about what he was saying.
“What’s that?”
“Oh, ah,” Hotch stammered, a little embarrassed to have the comment acknowledged. He felt his neck growing warm as he tried to make out a reply. “Well, having two suns. I think it could be nice."
 “Why?” Spencer was genuinely curious.
“Um, I guess, I imagine it would be warmer for one,” he paused before adding on, waiting to see what Spencer’s reaction might be. He could almost hear the wheels of his mind turning with all the reasons Hotch’s logic was faulty. He hurried on before he became too self-conscious to finish his thought. “And, I’ve just never really liked the night, all the darkness. Maybe with two suns we could have a little more light in the world.”
Instead of responding, Spencer remained quiet, surprised by this uncharacteristically whimsical thought. Hotch could feel his whole neck had turned red, along with the warming tips of his ears.
“I—I don’t really like the night either,” he tried to sympathize. “It can feel…overwhelming.”
They sat for a moment, not sure where to take this or how the facts had turned into feelings.
“I’m happy I have you to talk to though.”
It was simple, but it was true and sweet and Hotch smiled, closing his eyes to better absorb the words.
“I’m happy too, Spencer.”
Now they were both blushing, the depth of meaning behind these brief statements readily apparent. For a moment, feeling the heat dancing across his face, Hotch wondered if this wasn’t a mistake. Maybe he was allowing things to become something irresponsible, something he couldn’t so easily walk back. He pictured Spencer, sitting across from him, animated and full of life, pulling further away from the shadows that teased around the edges. It didn’t matter, he decided. It didn’t matter what this was, only that they had found a hand to hold through the night.
“So, what else have you got for me?”
~Part 3~
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blackpinkofficial · 4 years
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[ARTICLE] BLACKPINK Talk 'The Album': "The Spotlight Shed On K-Pop Is Just The Beginning"
credit: TANU I. RAJ - The GRAMMYS Website
At some point during the conversation, the topic of the pressure of being BLACKPINK comes up. There’s a short silence on the other end of the call. Starkly different from the effervescent laughs until then, it’s pregnant with introspection as the four members of BLACKPINK—Lisa, Jennie, Jisoo and Rosé—think about the title that’s most often associated with their name: "The Biggest Girl Group In The World."
It isn't hyperbole, either. A look at the numbers is enough to prove that. Within 24 hours of its release earlier in June, the first pre-release single from The Album, "How You Like That," broke five Guinness World Records. With 86.3 million views in that time, it became the most viewed YouTube video and the most viewed music video in the world. "How You Like That" also debuted at No. 33 on the Billboard Hot 100, tying with Lady Gaga’s "Sour Candy"—a song the group featured on—making BLACKPINK the highest-ranking female Korean act at the time.
Earlier in 2019, the quartet became the first K-pop group to hit 1 billion views on Youtube with their single "Kill This Love." They followed it up with a sizzling performance of the single at Coachella, making history again as the first K-pop girl group to do so.
Along with the weight of the epithet, thus, the title encompasses a vast journey that the quartet has covered in just a fraction of the time it takes established acts—four years to be precise. So, excuse the members of BLACKPINK for taking a couple seconds to reflect, please.
"It's very surprising to us," Jennie says at last. "Every day we try to acknowledge how grateful we are, but more than the pressure, we are ready to give them back as much as they [their fans, BLINKs] gave us. It just gives us more motivation to go further than we ever dreamed of."
If you’ve been acquainted with the BLACKPINK ethos, you will have seen this coming. For the better part of four years, the members of BLACKPINK have stood tall on the backs of the self-assured, self-aware messages in their music. Whatever the challenge, the BLACKPINK way is to always go up. Now, as they get ready to reacquaint themselves with the world with their first full-length release, The Album, the same determination abounds.
"We tried to put more colors into our music, say black and pink," says Lisa. "I wish each member has a stronger presence on the stage and explores more various genres. I hope people don’t know what to expect from us, except for something better than before. We want to be unpredictable."
Ahead of the release of The Album, GRAMMY.com sat down with BLACKPINK to discuss their career, achievements, motivations and future.
BLACKPINK's Rapid Rise | For The Record
This is going to be your first full-length album after your debut, so the hype is very real. What was the mood when you heard it was happening?
Rosé: At the very start, when they said that we were going to [be releasing] our first album, we were very stoked, because we do know that our fans have been waiting for this moment for a very, very long time. We were very excited but also nervous at the same time because we do know that it is a big deal. It's the first time we were able to put all of our colors into something. We had mixed feelings, but overall it was very positive vibes, and we were very stoked to be able to finally release the full album.
The Album is coming after almost four years of your debut, which is a long time. Why do you think that this is the right moment for it?
Rosé: We had four years to kind of build our own colors as BLACKPINK. Throughout the four years, we got to explore different genres and really find out our exact, distinct colors. So, I feel like [in] this album, we were able to put our prepared music style and contribute with new music genres that we're still exploring recently. [That's why] I think now is the best time to come out, because any later would be too late and any earlier, we might have been in a rush. We definitely feel like, right now, we are fully ready to put out a full completed album.
How do you think this album represents the kind of artists you are? How does it represent your colors?
Jennie: I think we've said this before, but our new album is full of surprises. We like to believe that it's something no one has tried before. We just want to bring something new. The album is cool, you know, and we tried to put together all the colors of BLACKPINK that we've built before into one.
You started this year with some amazing collaborations. What do you look for while working with other artists? Where is that middle ground between your style and their style?
Jennie: Since there are already four of us, we're very adjusted to working with people, so somebody new is always welcome. They bring a new perspective to the group, and it's an amazing experience. It's like stepping outside of our usual boundaries and into a world that we haven’t been to. To create something new with a great artist, like Lady Gaga and Dua [Lipa] and much more to come, it's just a great chance for us as artists and groups.
How was working on The Album different to working on your previous EPs? The Album is more cohesive, it's longer; there are more songs, more opportunities. What was that like?
Rosé: Definitely, because it's not like separate projects that we were working on. In the past, when we were working on individual projects, it was mainly all about that "one" song or that "one" concept that we were coming out with. But, because this was an album, we really had to think about the flow and the meaning behind this. I feel like this time around, we do have personal songs in there, something that tells our story, something that is fun.
And since our name is BLACKPINK, we represent the diversity in our personalities as individuals and as artists. So, we feel like we really had to put that forward and address that as well as we could.
You told me how the album went from concept to final form and how you showed your colors; are there any parts of the production process that you paid special attention to?
Rosé: I feel like we stayed in the studio for a while. We didn't want to just have a bunch of tracks and songs written for us and for us just go and record. We did spend a lot of time in the studio trying to find what we really wanted to sing about, what kind of music we wanted to put out. It took us a while to get together a list of good songs so we could get into recording mode. That's the really big process: just hanging out in the studio and making sure we have fun there so we can be honest.
Let's talk a little bit about your recent achievements. You've broken records that at one point a lot of people thought were unachievable, especially for Asian artists. You performed at Coachella, you’re the most followed K-pop act on YouTube, "How You Like That" broke so many records right after its release. In context of all that, the pressure of being BLACKPINK must be so intense.
Jennie: It's very surprising to us. All the records are the results of our fans, BLINKs, and their unconditional support. Every day we try to acknowledge how grateful we are, but more than the pressure, we are ready to give them back as much as they gave us. It just gives us more motivation to go further than we ever dreamed of.
There's always a line between the persona and the person, so how do you make sure that the expectations people have of you are realistic, that what is going on in your professional life is either a reflection of who you are or a separation from it?
Jisoo: We are grateful, as artists, as individuals, that people have such big expectations of us, and we are ready to take on the burden that comes with the expectations. We chose to do this: we try to send that message in our music, to show our confidence and the boldness to take on the challenge.
I feel like you’ve gone beyond the concept of a traditional girl group now. BLACKPINK is not just a name, it’s sort of become a force of nature where everybody knows who you are. With a position like that, there's always a danger of thinking: "I'm fine here. I'm good. This is comfortable." The position limits growth. How do you guys ensure that you always keep on reinventing?
Rosé: While we are very grateful for the amount of things that we have achieved and everything that follows this, we are just four girls who always really loved music and we just enjoyed performing. So [staying] creative is not too hard, because once we do one thing, we are always looking at the next thing, always dreaming of things that we have always wanted to do. But we definitely don't settle with what we have right now. We're all very greedy when it comes to. [Laughs.]
Jennie: We have each other to look and be inspired by. We let each other know what we're doing and where to head.
Lisa: We're like the same person.
Rosé: I think all of our members try to remind each other of how we're all just human. The hype, we try not to let it get to us. We don't really go: "Oh my god, we broke these many records or da di da..." We just look at each other and like…
Jisoo: We're just happy with how far we've come.
How do you think you've grown since your trainee days?
Rosé: We definitely have become a little more professional when it comes to this job, I guess? When we were trainees, we were only training for the music. This job is actually a job.
Jennie: There is much more stuff to care about than just music, but to carry ourselves as somebody to influence or [somebody to] look up to.
Lisa: We just enjoy every little step of it, and when we're off camera, we're pretty much like, still four girls.
Rosé: Teenage girls. [Laughs.]
Tell me how you're going to relax after the album comes out. Will there be a party, or a girls' night in?
Rosé: The crazy thing is right after our album releases, we're going to be promoting it and trying to get as much content out there for our fans. Definitely there will be a celebration at some point, but I still think we will be at working mode.
Jennie: But an excited working mode, since our fans have the album in their hand.
Lisa: [From the back] We're workaholics!
Rosé: And our biggest celebration is kind of like, staying at home in bed. Sleeping all day, so that's going to happen, hopefully.
A lot of your plans for promotion might have been thrown off course with COVID. How does this synergy with fans affect your performance? What are you expecting this time around?
Jisoo: Even though the opportunity for us to meet our fans in person has decreased, we're very grateful for social media at this point. I actually feel like since we do have social media we have more of a platform to connect with our fans on a bigger scale, so we're grateful for that at this point in time. We just hope to reach out to our fans and give them more hope through our music and content.
You guys are in a position where you are some of the people spearheading the modern K-pop expansion. Since your debut, we have seen K-pop grow so much. What kind of responsibility do you think you personally have towards its global expansion?
Rosé: It's amazing that K-pop is spreading around the world as a culture in itself. There are a lot of other K-pop artists out there who are trying to put out their music right now, and we are really grateful that we get to step in and be a part of that.
Jennie: Since we get such amazing opportunities and records because of the people that are interested in watching K-pop right now, we'd like to take the responsibility. We are fully committed to the work. We want to be proud when we look back on our history when we grow old.
[Rosé laughs.]
Jennie: We want to be proud of ourselves. I don't want to let ourselves down, so we put extra time, extra effort into every single thing we put out. I think that's why it takes a bit of time for us, but we really want to perfect the quality of the stuff we put out, so we can be represented to the world as a K-pop group.
Rosé: It's amazing how things are going. It's a big responsibility but a good responsibility that we have.
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sepublic · 4 years
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Gus Porter and Amity Blight
          It’s fascinating, really… Writing about Gus and the Blight Twins interacting, I realized more and appreciated just how similar Gus and Amity are, while still being different- Like two sides of the same coin! Which ties back to another post I made, giving Gus the elemental motif of Water, which led to my speculation on how this might character a relationship with Amity and her Fire (amidst Gus being a counter to Boscha’s Fire).
           Gus and Amity are both precocious kids, sure… There’s this idea that they DO enjoy learning, and have a family lineage they’re ‘proud’ of. These kids are intelligent, and they come across as confident… But admittedly, there’s a bit of loneliness, of not being heard/taken seriously. But despite having more family members, Amity’s loneliness was a lot more damaging and potent, and her issues of not being heard came from her family members dismissing Amity herself! Whilst with Gus, this mostly came from his peers, who were older than him anyway and thus had more ‘reason’ to underestimate the kid.
           Not to mention, Gus and Perry clearly get along, because even if Gus DOES have some insecurity, here or there… He IS a person and so of course he’s going to have ‘flaws’, just like anyone else! Not to downplay them or anything of course. But it’s obvious that ultimately, Gus is happy, confident, and self-assured, and he knows who he is and doesn’t have to hide it, or be different from it despite being an Illusionist… In contrast to Amity, who clearly isn’t happy with who she is, feels like she has to make up for it, and wears a ‘mask’.
           Gus uses his Illusions to bolster, to show off, and to enhance his own identity, while Amity hides who she is, telling herself to shut up and be a quiet and obedient kid who doesn’t stick out amidst the rest of her family, she’s ashamed of herself. Amity dyes her hair because of what Odalia told her, and she actively sees herself as someone to change and ‘improve’ upon, in order to live up to the Blight family standard… But Gus? Gus is happy with himself because the Porter lineage consists of dweebuses… They’re people who are happy with who they are, and they’ve transmitted the same sentiments towards their children!
           Gus looks up to Perry, but it’s a healthy relationship… He genuinely admires his father because of his own choice, because Perry was good and kind to him! But Amity, she looks up to her parents because they made her dependent upon them, they indoctrinated her… They made Amity base her self-worth upon their approval. The Blight name is a curse to Amity, a reminder that she’s never good enough; Whilst the Porter name tells Gus that whoever he is, that’s valid and he should be proud of it!
           How fitting then, is it, that Gus helps lead the rebellion against Belos alongside Willow and his father Perry, who seems intrigued by what his kid has to say; Whilst Odalia and Alador would never listen to what Amity has to tell them! Gus is the one who is reassured of his own self-worth, that he’s perfectly valid as is, by the Oracle Orb… while Amity still has doubts over herself, even if Luz IS helping her overcome this. Amity is of a higher-class, nobler status in life, she comes across as more presitigous as a top student and tries a lot…
           But Gus, who definitely DOES participate, is still a lot more talented, and managed to ascend a few grades when Amity couldn’t, and is still happy with learning at school. Gus’ life comes across as less glamorous, he had less friends with just Willow, and then Luz… But those friends ended up a lot closer and more genuine to him than Boscha and her group were to Amity. And in the end, Gus gained even more friends through Eda and King… And while Amity ‘lost’ Boscha and the others, she alsojoined in on the friend group with Gus! So they have each other in a sense, because actual friendships are reciprocal and two-way.
           They both had a passion for an extra-curricular activity that they were in charge of, too; Amity had the Hexside Banshees, Gus had the Human Appreciation Society! And both willingly ousted themselves from membership entirely from said group, despite their legitimate enjoyment of it. Gus and Amity did so because they ‘paid the price’ for hurting someone else… in Amity’s case, this was herself being too critical of herself for accidentally injuring Boscha and Amelia with the Thorn Vault.
          With Gus, he DID accept the consequences of his genuine mistake, and by doing so, allowed Luz to enroll in Hexside! Amity only hurt herself, but Gus ended up helping Luz and his relationship with her and others in the end. Finally, Amity’s departure was wholly her own decision, while Gus was somewhat forced to leave because of Mattholomule’s antics, and Principal Bump’s punishment. Either way, what Amity did was bad for herself, while what Gus did was a moment of maturity and growth!
          It works with how Water and Fire are polar opposites, but they’re also intertwined with one another… Gus is the ideal to Amity’s life. He’s not as extreme in his differentiation as Luz and her colder Ice, so there’s still plenty of similarities… Just as Luz reflects Amity in one way, so does Gus in the other! He’s an Amity who is happy with himself, who has a family lineage he can actually enjoy and be a part of, etc. The more I think of it, the more fascinating it is to me, how similar yet different the two are; Especially since Gus and his motif of Water provided unconditional friendship to Willow, in the wake of Amity and her Fire damaging the girl’s self-esteem.
          And while Amity and Gus have their academic skill and surprising ‘maturity’ acknowledged… Amity’s maturity is superificial, more blind and quiet obedience than anything else, while Gus’ maturity is real and applies to his self-worth. Not to mention, Amity’s ‘maturity’ causes others to not see her as a kid who still needs emotional support and has insecurities, whilst other people recognize Gus as still being young and needing help; But at the same time, they don’t infantilize him! Gus has needs, sure, but he also has a lot to offer. People generally seem more fixated on what they can do for him, VS Amity’s parents asking so much of her.
           Sadly, the interactions between Gus and Amity have been practically zero. I guess I can’t blame Gus, he’s seen how terrible Amity was towards Willow, so he might be reluctant to know her personally… And similarly, Amity is too shy and reserved to extend friendship readily, already has this with Luz, and might be afraid of disappointing Gus, amidst him having witnessed Willow’s abuse longer than Luz did. To Amity, who was likely afraid of losing Luz’s opinion of her when Willow’s memories came into play; She probably assumes that Gus has a bad opinion of her.
           Whether or not he does, I can’t say for sure… But the kid seems too good-natured and open to bear a grudge. At the very least, Amity has improved a lot, and Gus has been busy in other interactions, such as with Eda, King, and regrettably, Hooty. But if they DID interact in Season 2, I’d love to see Gus and Amity take note of the comparisons and dichotomy of their lives… Perhaps Amity becomes envious of Gus, or at least wishes she had what he does, while deciding to look after the kid- She doesn’t want him to become like her!
           Gus realizes that Amity is unfortunate… He better appreciates his relationship with Perry, as if he doesn’t already, and I can see him offering a lot of confidence to Amity! Maybe helping her relax, listen to what she has to say… We never see it, but I wouldn’t be surprised if Gus was someone who listened a lot to what Willow had to say in the past, just as Luz does to Willow AND Amity! Gus becoming friends with Amity could help the girl make new connections and solidify them, to both her and Luz’s delight… And Gus is elated to have another audience member to entertain with his illusions, someone who will listen to him!
          Because like King, while he does have issues with feeling unheard… In the end, he makes a point of letting himself be noticed, hence his enjoyment of Illusions, self-confidence, and one-time stint as MC at Grom! Whilst Amity tries NOT to be noticed, at least not in the individual sense- She’ll draw attention to the façade she has the Blight Child, and as a faceless member of the Emperor’s Coven one day… And that’s another dichotomy; The Blights are covenscouts and support Belos’ reign, while Perry Porter works with the news, reporting on some of the less desirable parts of Belos’ rule, and his own role is used by Gus to help lead an uprising against the Emperor; To show the truth to Belos’ cruelty, which is ironic for a kid who specializes in Illusions!
           As the son of a reporter, Gus has likely heard a LOT of gossip… So it’s possible he’ll be a lot more privy than most to Belos’ corruption, in the event that Perry likely does some investigation, or at least a lot of reporting and inevitably gets assigned to a thing or two. Whilst Amity’s parents keep her shielded from the truth of the Emperor’s Coven, or at least try to justify it… But Gus, he could be someone who helps Amity realize how corrupt Belos is, and how a good relationship with a parent that discusses the family name actually looks like! He can help Amity realize the truth- Again, another ironic contrast to his Illusionist talents. Assuming what happened with Luz, Eda, and Lilith isn’t already enough for Amity…
           Obviously Gus doesn’t HAVE to be friends with Amity and vice-versa. I can understand if he wants to avoid her because of what she did to Willow. But I think if the two WERE to interact, there’s some potential… At the very least, there’s a lot of thematic connections, similarities, and differences that are worth noting and appreciating. I’m just imagining Gus seeing Amity as being all down and in the pits, cheering her up with Illusions… And Amity listens to and understands Gus when he has to vent a bit.
           Amusingly, he’s also a self-proclaimed ‘Human expert’! So I can see Amity looking to GUS of all people on guidance on how to woo Luz, and navigate her human culture… And Gus, despite meaning well, just sets up Amity for failure and antics as he teaches her all of the wrong things! Imagine Amity nervously coming up to Luz, dressed in a rain poncho because it’s apparently a ‘display of romantic affection’ while Gus unblinkingly flashes her a thumbs-up from behind a bush! And then that leads to his disappointment as he realizes he screwed up…
           Or, Luz is such a goober who loves Amity that she takes it all in stride and genuinely enjoys it, leading to Gus being triumphant in his knowledge, while telling Amity ‘I told you so!’ Amity can’t BELIEVE she actually listened to him- But it paid off in the end, didn’t it? And hey, maybe she can use her power as a Blight to nab a human artifact for Gus… Or at least show him of Azura, assuming Luz already hasn’t! But given that book series is about witches and not humans themselves, I can see Gus not being too intrigued.
           To Amity, Gus is this weird, unusual little kid with a lot of ideas, surprisingly precocious… But she appreciates his confidence in himself, and how sweet he can be! While Gus sees Amity as Willow’s former friend who REALLY hurt her, but has since improved… And he knows through Luz and Willow that her parents are outright abusive, maybe he’s even had past interactions with Emira and Edric, as members of the same track! Either way, Gus has a lot of natural curiosity that wasn’t quashed or taken advantage of by his father, but actually supported… Maybe he’ll be interested in interviewing Amity, getting to know the REAL Amity Blight, encouraging her to come forth! And Amity is uncertain, maybe flattered… Maybe she humors him and actually DOES open up a little, maybe not.
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its-whitetomorrow · 2 years
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Some Rocket thoughts...
So I calmed down a bit, took my meds, went ahead with my day schedule and stuff... and the first thing that crossed my mind after re-watching the Dialga/Palkia preview was that Goh and his Mon who wear suits similar to TRio are actually our guys not alternate ones - because color scheme of Goh matches and there is already a shorter kid!Goh in another shot so 3 Gohs in one special... sounds like an overkill. Which gave me hope, like perhaps regular Goh used parts of Team Rocket’s suits and wears it or something, and if there is no alternate “mechanical” Goh then perhaps Team Rocket shown isn’t alternate as well but oh well...
then I noticed they’re only shown during daylight in a city scenery and trying to capture their pokemon, so business as usual, and that we have absolutely no indication their appearance actually contributes to anything in this two-parter (except perhaps their tech which the cast may salvage for some other use?). So both the pessimist and realist in me think they’re actually used as “fun” and “cool” deus ex machina, and a minor source of conflict (cast needs their tech for something), with no idea about the anomaly and/or being opportunistic about it at best in order to quietly kidnap pokemon from the other side of the rift undetected. But they’re dealt with and then... the Dialga/Palkia thing is something (or someone?) else entirely, I wouldn’t even completely exclude Cyrus since this clearly exists to promote the remakes. But probably something random and unexplained, literally like everything intriguing in this series - well-done cool ideas but rushed and not given any ongoing arc, just “events”
Still, while exciting, this sucks in all kinds of twisted ways. 
Best case scenario actual TRio isn’t even in it! (but the requirement to include them every 4-6 episode block is fulfilled I guess...). Better even, there is no worded indication given they aren’t real ones, so I can easily imagine they are and on the mission. Perhaps, they officially “can’t” even have actual Team Rocket show they can do something tech savvy reminiscent of Best Wishes tech and Best Wishes levels of seriousness/influence on plot (OR the VAs wouldn’t stand for it so the writers are being really “protective” of their opinions and feelings - while simultaneously - obviously! - Tomioka and Yonemura have no problem with such depictions which is why they are eager to implement them anyway given occasion only slightly hindered/altered/subtle/or ”fake” like in this case). 
But still, at least it wouldn’t be worst case scenario - like if they were in it only for shit giggles and pointless confrontation with their “serious” counterparts who make fun of them and/or force them to reflect on their lack of evil successes in life (and no acknowledgment given they’ve already been in such positions in their past which is just as much part of canon as the fact Satoshi knows Iris and all that other stuff from different series). And given what I know about the reoccurring problems with the TRio ever since BW and how the *play pretend if necessary/force needless plot bits and don’t use them* but actually characterize them properly in all other instances - which is the main stay in this series apparently, and one last serious fault about them in the post-BW era that’s left standing - I wouldn’t even completely exclude the worst case scenario here. And the worst case may even turn badly handled worst case... if there is like a... regular Rockets play the hero card all of a sudden because they can’t stand the “evilness” (or style) of their other selfs and being offended by it because supposedly they would never do it... yeah, right, right, hypocrisy much huh! That would be so distasteful 
Still, if the eps surprised me and did something GOOD unexpected for a change and proved my Rocket pessimism wrong... that would be such a great present, seriously
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microcos-pod · 3 years
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Micro-Cosmos S1E3: A Little Piece of Home Transcript
(The crew celebrates a special day. Transcript begins below break.)
[THEME MUSIC FADES IN] ANNOUNCER Futuristic Trail Mix Productions presents Micro-Cosmos: A Science Fiction Podcast. [THEME MUSIC FADES OUT] [sfx: button press] ATHENA Hey, HQ. It's Officer Athena Romero, with Crew #0137-F. I'm transmitting from... North 54 degrees, West 109 degrees, in a moment of alone time. Camp's not too far, I just... wanted to come out here to record. We were up so, so early, but we made really good time getting our travel in for the day. And... I don't know. I felt like being introspective. I know that's rarely a good thing to be, for people of our situation... but sometimes it can't be helped, I guess. We're nearing what Doctor Couvillion calls the temperate forest region of the planet. Oh, uh, Felix is... fine, by the way, in case you were wondering. I know I haven't talked about him a lot for the last week since his little run in with Mercutio, and in hindsight, that was probably a little alarming from your perspective. But, no. He's, um... just been very focused on his work. Ever since our encounter with that little... strange... cat lizard dinosaur thing, he's taken to a pretty enthusiastic approach of figuring out what it actually is. You know, what is eats, how it behaves, it's characteristics. Thus, he's not been his usual social self, but he's had what I guess you'd call a breakthrough. He's named it. The species, I mean. Varanus concolor. Apparently he's determined that it's a new species of monitor lizard. Exciting stuff. Miles and Cal have been sorta... tense, the last little bit? I don't know if Miles is still mad at them about that terrible, terrible prank or just for being, you know, Cal. I like Cal. And Miles. Honestly, I do. I think they're almost a little too similar to get along sometimes. I get that. I've been in the same spot for most of my life. I only recently figured out how to sort of... stop taking my own reflection personally. [sfx: fingers drumming on comms, pacing footsteps] ATHENA (CONT’D) Alex is good! If you're wondering. You know, morale and all. We've been talking a lot, since we're sort of the only ones not in our own world. Well, I guess we're all in our own world, that's sort of our job, but... 
[Athena laughs.] ATHENA (CONT’D) Literal humour, Athena. Good one. Anyways, she's nice to talk to. Leadership skills to boot, in case you didn't already know and needed someone to sing her praises. I think I'd be more than willing to sing her praises. So... the mission's going very well. Everyone is healthy and accounted for, and we're absolutely on track to get to our shipment drop-off point. Comms and tech and climate are all nominal. We're okay. We're okay.
[sfx: bag shuffling as she picks it up, footsteps] ATHENA (CONT'D) Oh, by the way, before I head back. It's my birthday. I don't know if that's something I should mention. Just thought... I don't know. I don't expect the others to notice, or even know at all, really. But it's nice to acknowledge another year, you know? I'm certainly not spending it where I would've expected to be if you had asked me on my previous... thirty birthdays. Anyways. Yes, it is my birthday, and I kind of miss home, and also I kind of don't, and also being here is present enough. So, I will celebrate by breaking open some of the candy in my bag, and getting some sleep- FELIX, ALEX SURPRISE! HAPPY BIRTHDAY!! [Athena laughs.] ATHENA Guys! What are you doing?
ALEX Oh, come on Romero. You didn't really think you were going to get it past us, did you?
ATHENA No, I wasn't meaning to-
ALEX Oh, don't bother backtracking. You're busted.
FELIX There's no real party, or, presents, or... anything that would make this a proper birthday because of our circumstance, of course, but...
ALEX But an ambush was the least we could do.
FELIX The Commander and I only found out when she was conversing with Cal, inquiring of the database today's points of interest, or else we would've...
ALEX Done more than an ambush.Alex observes Athena, who's just standing there, staring at the two of them and grinning. But, I don't know. Seems like the ambush worked out pretty well. Try to smile less, huh?
ATHENA Heh. I, I mean... this is really sweet of you guys, I appreciate it.
MILES Appreciate what?
[sfx: footsteps, tapping on a screen] [C41′s JINGLE PLAYS] ATHENA Oh, uh, hey Miles!
MILES Heeey Athena, guys. What's up?
FELIX Did we...?
ALEX Nope.
FELIX So we forgot to...?
ALEX Yep.
FELIX Dammit.
ALEX Well, when you assume...
C41 Oh, um! Happy Birthday, Athena!
ATHENA Oh, uh, thank you Cal. Anyways, I was thinking we could get to bed early-
MILES Crap, it's your birthday?
ATHENA ... Yeah.
MILES I am so so sorry, I had no idea, I must have like, missed the memo, but-
ATHENA No, no, Miles, it's okay, I promise. I didn't say anything, and so how would you know? Spending it away from home, I wasn't really sure what to do, it's kind of hard, but...I just got busted by the Commander, so... [The crew laughs nervously.] MILES Happy Birthday.
ATHENA Thanks.
MILES You're welcome. Yeah, uh, actually, Cal and I forgot something back at our setup.
C41 We did?
MILES We did. The thing. We need. We need that thing, Cal, uh... we will be back... later. [sfx: footsteps walking away]
[C41′s JINGLE PLAYS.] FELIX Well, who wants to get this party started and play some cards?
***
MILES Caal! Why didn't you tell me it was Athena's birthday?
C41 I didn't think it was that big of a deal. It's just another day of the year, which... happens to be the day that Athena was born. You can congratulate her on still being alive, like you did, and then move on! Didn't seem that important to me.
MILES Yes, it's a big deal! It's like you said, it's the day someone was born, not just another day. Come on, Cal! Remember when Em and I made a huuuge deal about it on the anniversary that I created you?
C41 By chance, do you mean Doctor Macey? If so, then unfortunately, yes I do remember. It was very loud. If not, I haven't the slightest clue who 'Em' is.
MILES Yes. Her. Doctor Macey.
C41 Okay whatever. Anyways. Do continue on with what you were saying. It's proving to be really entertaining.
MILES Oh, I'll show you entertaining.
How did you not know that birthdays were important? Seriously, there's even a song about them. I taught you better than that.
[Miles sighs.]
MILES Cally, I didn't mean it like-
C41 It's Cal. And no, you're right. Why would something the O Great and Powerful and All-Knowing Miles Abbott made be so inconsiderate and dumb?
MILES Seriously, Cal. I didn't mean it. You know how I get.
C41 Yeah?
Oh, just drop it.
[C41 lets out a long series of scoffs and huffs in the following silence.]
C41 (CONT'D) ... Miles?
Miiiiiiles...?
MILES Caaaal....
Caaaaaaaal.....
C41 Miles- MILES Cal, I need to make Athena a birthday present!
I don't even know what she'd like, let alone what I could make her! There's like, nothing even worthy of being a gift on this planet.
[sfx: Miles snapping.]
MILES (CONT'D) What do I have? What do I even have? What does our camp have? I need to find something. Anything. I'll make it work. Cal, help me look. Please.
[C41 snorts.]
C41 Oh.
Oh, you mean actually help.
[sfx: a buzzing noise of C41′s form]
C41 (CONT'D) Um... well there are some big batteries that Alex didn't need over there, she left them this morning with her equipment. There is a... There is a... it looks like... is that a plastic fork? I really hope that isn't used. You all are a mess. And, um... what's that box, over there? What's that?
[sfx: footsteps, objects being knocked over]
MILES It's, uhhh... Chocolate. And... more chocolate. A gift from Emily, I... forgot I had these.
C41 Huh. A... whole box, huh? Of chocolate? What could you even make with those?
MILES I don't know, okay? I don't even know like, maybe I'm overreacting. Athena didn't tell us because she's not at home, or whatever-
Wait. Cal, what, um, what does Athena's home have?
C41 What?
MILES Where she's from. What's it like?
C41 Patroclus C? Well, it's-
[sfx: a long glitch]
C41 (CONT'D)- Patroclus C. A moon in orbit around more well-known terrestrial body Mirana Dunis. Patroclus-C is known for it's industrial prosperity and plentiful resources, as well as it's freezing conditions.
Notable landmarks include it's few geysers. All imported plant and animal life have adapted to the cold climate, however they take refuge in the steamy geysers that provide both water and heat- MILES Okay, Cal. That's enough, thanks.
[sfx: the same glitch, a zap]
C41 Oh, ouch. Eugh. Why did you let that happen? You know I hate that mode!
MILES I'm sorry! I'm stressing a bit here, if you haven't noticed.
C41 Yes, I'm well aware.
MILES Anyways. I... I think I have a plan.
C41 That's never good.
MILES Let's just hope this turns out. Mmm.... a decent start. ***
FELIX Have any... fives?
ALEX Go fish. [sfx: drawing a playing card].
ALEX (CONT'D) Got any queens?
FELIX Yes, yes. Queen of stars.
ALEX Thank you! Got any threes?
FELIX Go fish.
[sfx: drawing a card]
ALEX So close.
[sfx: approaching footsteps]
FELIX (with his mouth full) Better luck next time. Do you have any-
ALEX Want us to deal you in, Romero?
FELIX Athena? Hm. Cannot believe you were still doing work on your birthday.
ATHENA What's the name of the game?
ALEX Go fish. Do you play?
ATHENA I like to think cribbage is more my forte but... sure. Deal me in.
[sfx: cards shuffling]
ATHENA (CONT'D) Who's winning?
ALEX Me. I've won three matches.
ATHENA And how many has Felix won?
ALEX We've played three matches.
[Alex and Athena laugh.]
FELIX I am beginning to suspect her a cheat.
ALEX Can't help having an eye for this stuff.
ATHENA For what, counting cards?
ALEX I wish. Patterns. Got any kings, Athena?
ATHENA Go fish. Is that technically cheating, then? Patterns?
[sfx: drawing a card]
FELIX I believe I can call it cheating if it makes me feel badly about myself.
ATHENA Fair enough. Felix? Any fours?
FELIX Go fish. See, that felt perfectly fair.
ALEX Doc, I said patterns, not x-ray vision. You keep accusing me of cheating, I'm gonna start to take it personally.
FELIX I harbor suspicion, not accusation. Commander, do you have any aces?
[Alex sighs.]
[sfx: passing cards]
ALEX Dishes and comets. Happy?
FELIX Yes. Athena, do you have any sixes?
ATHENA Yeaaah. Here you go.
[sfx: passing cards, movement of pairs]
ALEX Feeling better about yourself?
FELIX Yes. Very.
ATHENA Jeez, you're already on track to win.
ALEX Felix, should I start repaying you all that whining?
FELIX I-
MILES (distant) DOES ANYONE HAVE JUMPER CABLES?
[sfx: stumbling, approaching footsteps]
FELIX Speaking of.
ALEX Uh... no, I don't think so. Maybe you should ask Cal?
MILES (distant) No. That's okay. I'll use the transport hawser. That should work... just as well if not better. I'll... I'm gonna go get that. Bye.
[sfx: retreating footsteps]
ATHENA That's... that's for... emergencies, what do they need that for-
ALEX My guess? Nothing good.
FELIX Commander, do you have any twos?
ALEX No, but I do have a Petty Officer who needs their marbles back.
[sfx: standing, retreating footsteps]
ATHENA Alex?
ALEX (O.S.) I'll be right back!
FELIX It's her turn, actually. Which one of us should go next?
ATHENA It's my birthday. Got any sevens?
***
[sfx: shuffling]
MILES I got something! Not cables, but... almost even better.
[C41′s JINGLE PLAYS]
C41 You're... actually doing this?
Oh... Okay. Even if it may be sliiiightly dangerous? Not that I care or anything-
MILES Look, I just can't sit back and do nothing for Athena's birthday.
C41 Yeah, but I think it would be better to guarantee everyone's safety than... You know, possibly blowing us up and setting everything on fire.
[sfx: metal chain drops]
[Miles sighs.]
MILES I guess that's true. I just don't want to disappoint her.
ALEX You're not disappointing her, kid.
MILES Huh?
Oh. Hi, Commander.
ALEX Wipe that sad look off your face. Even if you didn't know, she's happy that you're at least thinking about her right now.
[sfx: footsteps, shuffling, sitting]
MILES I... guess that's true. But I want to make her something. That's what I specialize in.
ALEX Fair enough. I guess I just didn't know you guys were this good of friends.
MILES I don't know that we are. It just seems like the kind of thing I should've tried for, I guess. We've got so much time to spend together and I don't want you guys thinking I'm cold and ignoring you all just because I get wrapped up in crap and get away from myself and especially lately with everything going on with Cal-
ALEX Hey. We don't think that. And I'm not just saying that, either. What were you planning on doing?
MILES I- ... Well, if I tell you, it would ruin the surprise.
ALEX Okay, okay. Do your thing, fix-it guy.
[sfx: getting up, a few footsteps]
MILES Hey, Commander? What if she doesn't like it?
[sfx: footsteps stop]
ALEX Remember what we talked about, kid. Make it from your heart, and she'll love it.
MILES O-okay, Commander... Thank you.
ALEX No problem, Miles. Always here to help. Let me know if you need anything else, yeah?
MILES Mhm! Now, I... I gotta get this show on the road.
ALEX Cal, keep an eye on them for me.
C41 Will do, Commander.
ALEX Good luuuck!
[sfx: retreating footsteps, tent closes]
C41 Well, that surely was-
MILES Alright Cally! We have some major business to attend to!
C41 -motivational.
MILES Okay, so I'm thinking... What if we melt the plastic fork? Like, all the way, and then, and, and then shape it around to make a base for the volcano geyser thing?
C41 That sounds incredibly dangerous. And like it would be highly amusing to watch.
[sfx: a whirring]
C41 (CONT'D) And according to my calculations I am correct on both counts. Do it.
MILES And... then we can put the chocolate in- Hold on, do we have anything to keep the chocolate melted?
C41 Hm. Probably not.
MILES Dammit, okay. That's fine, that's cool, uh... We can hook it up to the batteries someway to keep the heat constant and the launch device powered, that's fine, I can do that...
This is going to be a piece of cake. Let's go, Cally!
C41 How many times to I have to tell you? It's Cal.
MILES Mhmm, yeah. Let's just kick this baby in the teeth.
C41 Wh... what?
MILES It's an expression. Like, "let's blow this popsicle stand"? Or... "let's get this show on the road"?
C41 I don't understand how that could be related to either of those meanings.
MILES Whatever. I am gonna get this thing started, and it's going to be great.
[sfx: prolonged noises of tinkering and contstruction, a zap of electricity]
[Miles yelps.]
[C41 laughs.]
MILES Not funny!
[sfx: more sounds of construction and tinkering]
MILES Aaaaand there! Done. Finished. Phew.
C41 That looks...That... looks...I mean, um...That looks so good!
MILES You think?
C41 Yeah, I think she's-
ALEX (O.S.) How's it looking in here?
MILES Yeah, I think everything went great!
ALEX Perfect!
[sfx: Alex claps]
ALEX (CONT’D) Well, grab it and let's go; we have a birthday to celebrate. Take Cal and we'll meet her and Felix at that clearing. We're doing a little more celebration for Athena.
MILES Okay, Cal. You heard the boss; let's get going then.
C41 Yuuup.
MILES You know, I’m pretty proud of this.
C41 As you should be, Miles.
***
[sfx: approaching footsteps]
MILES HEY! Hey, guys I'm back!
FELIX Hello- oh. Oh wow. What...
ATHENA Miles... what's all this?
MILES It's, uh, it's your gift!
ATHENA Oh, Miles, really you didn't need to do that, that's super sweet, but-
MILES Oh, it's... it's just a little... something... electrocuted myself a few times making it, but- Happy Birthday!
ATHENA Oh. Oh, wow, that's really something, Miles, I love it!
What is it?
MILES It's a geyser. Like... you said. Well, actually you didn't say, but I did some digging and your... your home plant has... geysers, yeah? So it's like a little piece of home.
A geyser.
ALEX A geyser.
ATHENA Oh! Yes! A geyser. Of course! That's really thoughtful, Miles, you, uh... you shouldn't have! So it's like a... trinket! Or a little... a sculpture!
ALEX Oh... just you wait.
MILES Well, it's for more than just show.
Heh. Bet you've never seen anything like this before.
FELIX I'm quite sure I have not.
[sfx: setting down the present, the geyser bubbles and erupts pathetically, with a crackle]
[Miles breathing heavily.]
MILES Ta-dah!
ATHENA Ohhhh, wow, that's... that's so cool. Was it... was it supposed to melt like that?
MILES It was not the intention but apparently... that doesn't matter now-
[C41′s JINGLE PLAYS] 
C41 Evidently.
[sfx: more crackling]
ALEX Oh, okay, is this thing going to blow, Miles? Like actually, really blow?
MILES Shouldn't. It's a possibility... but it shouldn't.
ALEX Cal?
C41 Probably not? It'll be fine! Maybe Miles should get a little closer to shield the blast just in case.
MILES DON'T YOU RUIN THIS BY TRYING TO GET ME KILLED!
C41 Who, me? Never.
[sfx: the crackling and bubbling stops]
ALEX Alright, okay, okay. That was very cool. Right Athena?
ATHENA Right!
ATHENA (CONT'D) Look Miles, I really appreciate this, it's very, very sweet and I just hope you didn't feel like you had to do this, or anything-
MILES No, no, no. I wanted to. I mean... you were around to... keep me calm when I thought we were gonna get eaten in the woods. I didn't want you to think I didn't care, and... I wanted to make something nice for you. Normally I have more stuff to work with than forks and batteries and... chocolate.
FELIX Real chocolate?
ALEX Yes, real chocolate. Not now.
FELIX Ugh, and it's all on the grass, and... what a waste.
ALEX There will be more chocolate. Actually. Felix?
[sfx: receding footsteps]
[Alex and Felix whisper as they retreat.]
ATHENA Um, okay, but... Anyways. Thank you, Miles. That was a lot of fun. And I hope you didn't actually electrocute yourself.
MILES Oh, don't worry, it's not the first time.
C41 They're not joking.
MILES More of a shock than anything.
ATHENA Doesn't sound great for your health either way.
MILES Well, heh, yeah, I mean- Hey, wait a second. Wait what's-
ATHENA Huh?
[sfx: candles burning, approaching steps]
[Alex, Felix, Miles and C41 begin singing “Happy Birthday”]
ATHENA (overlapping) Oh, my... guys, what are you... that better not be our only fruit cake-
ALEX Come on, blow out the... flare candles. Make a wish.
ATHENA Okay, okay!
[sfx: blowing on candles, a glitch]
[sfx: candles burning]
[Alex laughs.]
[Athena hums in confusion]
[sfx: blowing on candles, a glitch]
[sfx: candles burning]
ALEX Come on, Romero. All in one go, now.
ATHENA Right. [sfx: blowing on candles, candles extinguishing]
[The crew cheers.] ALEX Happy Birthday. I'll clean up Miles's present later.
[Alex and Athena laugh.]
FELIX Time for cake!
[Felix leads Alex, Miles, and C41 in singing “For She’s a Jolly Good Fellow”]
FELIX  Cake! ***
[THEME MUSIC FADES IN]
ANNOUNCER Micro-Cosmos: A New Science Fiction Podcast. This episode, "A Little Piece of Home", was written by Zyrel Thompson and Lauren Tucker, edited by Luka Miller, and directed by Jesse Smith, Zyrel Thompson, and Lauren Tucker. It starred Jesse Smith as the voice of Athena Romero, Jackson Rossman as the voice of Miles Abbott, Luka Miller as the voice of Alex dela Cruz, Kaleb Piper as the voice of Felix Couvillion, and Pippa van Beek-Paterson as the voice of Cal. Original music by Julia Barnes, and sound editing by Tobias Friedman. Be sure to stay tuned to our feed for upcoming episodes from the new backpacking intergalactic adventure from Futuristic Trail Mix Productions. To follow the show and find transcripts, you can find us on Twitter, Tumblr, and Instagram as @MicroCosPod. Questions, comments, and concerns can be emailed to us via [email protected]. Find more information on the show on our website, microcospod.space. Thank you for listening.
[THEME MUSIC FADES OUT]
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