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#charles bernstein
llovelymoonn · 1 year
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favourite november poems
marilyn chin little girl études
muriel rukeyser the speed of darkness: “poem (i lived in the first century of world wars)”
sanna wani lately i am trying
tory dent collected poems: “the moon and the yew tree”
maya mior re: your listing
marvin bell nightworks: poems 1962-2000: “obsessive”
lauren k. alleyene how could i have known i would need to remember your laughter
charles bernstein with strings: “a test of poetry”
carl phillips this far in
laura wetherington (& hannah ensor) feel piece 4
dean young dear friend
robyn schiff a woman of property: “gate”
margaret de laughter a pantoun
rick barot the flea
elsa gidlow oversoul
carl phillips stop shaking
warsan shire the unbearable weight of staying
manuel arturo abreu klangfarbenmelodie
marianne boruch keats is coughing
evan knoll blood makes the blade holy
risk (@mechanicrisk) my son, the two headed calf
francine sterle nude in winter: “self-portrait as an allegory of painting”
luci tapahonso a radiant curve: “elegy for my younger sister”
matthew sweeney alone
david harsent from “a dream book”
sanna wani tomorrow is a place
rachel blau duplessis: from eurydics: snake
hannah brooks-motl family dollar
matthew olzmann letter beginning with two lines from czesław miłosz
janice lobo sapigao silhouette
kofi
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garadinervi · 14 days
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Charles Bernstein, Islets / Irritations, Pictorial wrappers by Arakawa, Jordan Davies, New York, NY, 1983 [Between the Covers, Gloucester City, NJ]
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brokehorrorfan · 2 months
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Necropolis: A Troma Film Soundtrack Compilation is available on vinyl via Mystic Vault. It consists of score selections from Mother's Day, Graduation Day, Nightbeast, Pigs, Nightmare Weekend, Blood Hook, Girl School Screamers, and Beware: Children at Play.
Featured composers include Charles Bernstein (A Nightmare on Elm Street) on Pigs, Arthur Kempel (Double Impact, The Arrival) on Graduation Day, and future A-list filmmaker J.J. Abrams on Nightbeast.
Priced at $32, the album is pressed on translucent orange with green splatter colored vinyl, limited to 500. It's housed in a gatefold jacket featuring artwork by Marc Schoenbach.
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Thank You For Saying Thank You (2003) by Charles Bernstein
In Episode 43, Rachel shares the longest poem yet!
Rachel: He (Charles Bernstein) was one of the originators of quote "Language Poetry"-
Griffin: -is that not... all poetry?
Rachel: Well, it became a thing in the 60's and 70's, because it emphasizes the reader's role in bringing meaning out of the work; seeing the poem as a construction in, and of language, itself.
If you'd like to hear more about Language Poetry, Charles Bernstein, or be delighted by Rachel's take on the Poetry Corner's jazzy theme song, you can do so here: Davey Coolstools Math Poetry from 4:24-12:43.
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duranduratulsa · 7 months
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Nightmare on elm street ( 1984 ) soundtrack
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Spooktober Movie Score 🎥 of the day: A Nightmare On Elm Street by Charles Bernstein (1984) #anightmareonelmstreet #charlesbernstein #80s #spooktober #halloween #october
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elizabethanism · 2 years
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For the syntax. — Then you don’t love the poem you love the syntax.
For the politics. — Then you don’t love the poem you love the politics.
For the beauty. — Then you don’t love the poem you love the beauty.
—Charles Bernstein
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marcogiovenale · 3 months
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il più recente libro di charles bernstein: "poetry has no future unless it comes to an end: poems of artificial intelligence"
questo visibile qui sopra è il secondo libro di Bernstein a uscire in Italia, dopo Eco / Echo, pubblicato due anni fa dalle Edizioni del verri.riuscirà l’italo popolo ad accorgersi dell’esistenza di questo autore? dopo un tour italiano (per Eco / Echo, appunto) nel 2022-23 composto di 6 date, tutte puntualmente disertate dagli autori ‘assertivi’ e dai loro lettori, le speranze sono scarsine,…
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ukdamo · 4 months
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Pompeii
Charles Bernstein
The rich men, they know about suffering
That comes from natural things, the fate that
Rich men say they can't control, the swell of   
The tides, the erosion of polar caps
And the eruption of a terrible
Greed among those who cease to be content
With what they lack when faced with wealth they are   
Too ignorant to understand. Such wealth   
Is the price of progress. The fishmonger   
Sees the dread on the faces of the trout
And mackerel laid out at the market   
Stall on quickly melting ice. In Pompeii
The lava flowed and buried the people
So poems such as this could be born.
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misscatholmes · 6 months
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365 Days of Music || 2023 || 🎃 It's Spooky Time Bitches 🐈‍⬛ || Charles Bernstein - Main Title || 20 October 2023
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garadinervi · 13 days
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Charles Bernstein, Senses of Responsibility, Cover and title page by Susan Laufer [Bee], Designed and printed by Lyn Hejinian, «Tuumba» 20, Tuumba Press, Berkeley, CA, 1979, Edition of 450 (pdf here) [Eclipse Archive]
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brokehorrorfan · 7 months
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April Fool's Day's original motion picture soundtrack is available on vinyl via Varèse Sarabande and Craft Recordings. The score is composed by Charles Bernstein (A Nightmare on Elm Street, Cujo).
This expanded 2xLP deluxe edition includes the original orchestral score for the first time along with the synthsized version of the score and five previously unreleased bonus tracks from Bernstein's archives.
The album is pressed on two color variants: "Killer Crimson" (limited to 500) and black. It's housed in a jacket with liner notes by musician Brian Satterwhite. Priced at $33, it's expected to ship the week of November 10.
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benjaminasimpson · 2 years
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For Itself
Photo by Nick Fewings on Unsplash Here is Charles Bernstein’s Why Do You Love the Poem? For the sentiment. — Then you don’t love the poem you love the sentiment.For the message. — Then you don’t love the poem you love the message.For the music. — Then you don’t love the poem you love the music.For the spirit. — Then you don’t love the poem you love the spirit.For the intelligence. — Then you…
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petitespommes · 2 years
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To touch a word, aquiver
There must be a forgetting; else, it’s horror quotidian. - Mabi David, “You are Here”
Suppose words have hands. Suppose words can wield a knife and a gun. Suppose, to say, horrendous; painful; gut-wrenching; a reminder of a welt and the belt; a memory of my father holding a gun to my brother’s head, le sillage d’une cigarette fumé par un enfant.
That is to say, suppose words can stand for bodies, suppose words occupy bodies, suppose words are traces of a carcass, suppose words will suffice to animate the body and the horror it has witnessed, suppose words are more than just tributes, suppose that you will see nothing but these words and not the reckonings that expunged these words. Suppose that at the end of this poem you will have nothing else to remark but the words— how beautiful, that was beautiful, those words.
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Exercise 2: A homolinguistic translation of a poem I wrote a few days ago.
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scherzokinn · 8 months
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Things To Never Say To Someone Who Just Came Out - Composers Edition!
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marcogiovenale · 3 months
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'il verri' n. 83, ottobre 2023: "transocean (un)limited" _ autori statunitensi e italiani
cliccare per ingrandire sul sito del verri: https://www.ilverri.it/index.php/la-rivista-del-verri/edizione-dal-1996/transocean-un-limited-detail _
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