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#city eel
thatsbelievable · 1 year
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aboutzatanna · 1 month
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One thing that rarely gets mentioned in stories is that Zatanna is quasi immortal or at the very least long lived.
She is a Homo Magi. In Secret Origins #27, Doctor Mist mentions that Homo Magi can live for up to 4 centuries. Some like Doctor Mist and Madame Xanadu found ways to extend their life span way past that.
Some comics like Catwoman Lonely City have shown Zatanna aging normally; either the writer wasn't aware or she somehow lost her longevity over the years. Anything is possible.
But imagine it's the year 2425 and Zatanna, Superman, Wonder Woman, Martian Manhunter, Plastic Man, Madame Xanadu and Phantom Stranger are all hanging out together and sharing old war stories.
Source in question:
Secret Origins Vol 2 #27: (bottom right panel):
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ystk-archive · 5 months
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desperatepleasures · 5 months
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quick! reblog and put in the tags an album that you think is perfect. like, start to finish, no duds all bangers. please it's for science
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knight-in-sour-armor · 11 months
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memoryaqua · 6 months
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Moray Citizens
"Serpent Teen" 1992
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dagaan · 2 months
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The next chapter of SkullHacker, my cyberpunk shivrye AU, is finally out! You can check it out at the usual spot, over here.
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mwolf0epsilon · 1 year
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Three things happen on the day Kix finally gets the clearance he needs to scan Tup:
Tup has a terrible migraine that sparks some kind of "episode" (disorientation, bouts of memory loss, mood swings, the same stuff he would have experienced on Ringo Vida) that ends with him under heavy supervision.
There's a full moon, so the Were-eel is out and about and in need of being kept away from Tup so it doesn't interfere with the medics currently working on figuring out what's happened to the poor kid.
Everyone is so busy either watching Tup, keeping the natborn officers and Jedi away from the barracks, or overall trying to help find answers to Tup's peculiar condition, that no one remembers to lock the barracks doors.
The Were-eel knows how to open unlocked doors, and it is very curious as to what's outside the space it's become acquainted with...
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eldaryadiary · 11 months
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CITY OF EEL | Eldarya
Home to the Great Cristal, Eel has been Eldarya’s capital since the Times of the Oracles (1000 - 400 B.C.). 
Eel has been the stage of seizures of power, government overthrows and religious wars until the Heroes -  called for help by the Cristal itself, it is said - created the Guard of Eel (114 A.D.) and ordered the construction of the Tower of Eel (187 A.D.).
Long considered the Triad’s jewel, Eel is now all that remains from Eldarya’s golden days.
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ufolvr · 6 months
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God forgive me ← about to make another evil eel guy with INSANELY toxic saliva
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garden-eel-draws · 1 year
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After finally getting around to watching Tugs, I now understand the lamentations of its cancellation that I've seen over the years.
Man, we really should have gotten more seasons of Tugs. What the hell man :(
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avian-hearts · 10 months
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electric eel would you mind if i slept in your arms for 10 hours,
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ystk-archive · 5 months
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December 14th marked capsule’s first live show!
from Yamaha Music City No.323・translation & scan by ystk-archive
capsule performed at the club event marble contemode #01, held at the Kobe area café re_vival on December 14th, 2002. The event commemorated the release of their latest single “Plastic Girl” and showcased Nakata Yasutaka’s DJ set and capsule’s performance.
The café closed at five P.M., and capsule and EeL (who turned up to perform “Plastic Girl”) arrived. Attendees enjoyed drinks as tables and chairs were carried out to make way for sofas; bossa, French, and lounge music flowed, setting a mid-century stage for the evening.
Nakata Yasutaka’s set started at eleven P.M., accompanied by a backdrop of stylish French film outtakes. Koshijima Toshiko and EeL took to the stage at midnight with a duet rendition of capsule’s song “Goodnight.” Afterwards EeL got on the electric piano and sang. Hers and Koshijima’s voices blended together for a cute and lovely effect.
The nearly two-hour show ended after several talk segments between capsule and EeL and performances of capsule’s new tracks “sweet time replay” and “Plastic Girl.”
It may have been capsule’s first time doing an event like this, but with fashion and ambience among its key aspects, their future shows are full of possibilities!
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seagraway · 1 year
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Hey dear sister How are you I've long to see you ever since you made your stage debut
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corpsoir · 1 year
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good lird i gotta draw more skagen and solvei im itching to draw them more but i have to write on my thesis for a few hours and then an essay and then . perhaps some scribbles
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nfcomics · 6 months
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AINT IT FUN TP • cover art • Aaron Lange [Nov 2023]
In the 1970s, Peter Laughner was a founding figure in a primordial ooze of what would come to be called punk rock, in the somewhat unlikely, somewhat necessary place of Cleveland, Ohio. Bands like Pere Ubu, the Electric Eels, Rocket From the Tombs, the Dead Boys, Devo, and the Pagans all intermingled in this psychosphere; Laughner touched them all. In 1977 at the age of 24 he became punk rock’s first casualty. While his short life ended more than a half a century ago, his legacy continues to resonate. Henry Rollins and Guns N’ Roses have covered his songs, while Wilco and the Mountain Goats drop references to him in their lyrics.
Underground comix stalwart Aaron Lange makes his much-anticipated graphic novel debut with this deeply researched biography. Through extensive interviews with the people who were there, Ain’t It Fun charts the cultural, environmental, and societal factors that shaped both Laughner and the Midwestern proto-punk subculture he championed.
Ain’t it fun when you know that you’re gonna die young? “Grounded in real crime, with blazing and withering faces looking into their precious moments and looking back at what’s left, this is a mystic story of a city wrapped around the life and death of a musician whose talent, on certain nights, on certain records, was otherworldly. A sense of disbelief churns through the intricate, exploding pages. It seems a wonder there’s anyone left to tell the tale.” - Greil Marcus, author, music journalist and cultural critic.
(W/A/CA) Aaron Lange
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